#shaming those for using things obviously made for those with disabilities is why the world is harder to live in

[vicetrevni]

Accommodations do not 'limit' what a person is able to do.

It means that it eliminates a point of stress/grief in their daily life, so they can do *more*.

It is not 'laziness' to want to do more, but needing accommodations to make that happen.

[cynical-canidae]

Okay, sorry (I'm not at all), but someone was appreciating the outfits of Viktor's commune on Twitter, and it reminded me I just have a whole lot of thoughts.

But I just love love love love them because essentially?? Looks aside (though they are stunningly gorgeous), these outfits—specifically being wrapped in blankets—sort of represent these individuals at their base/"pure" humanity.

But if you think about it, for most people, even in fictional settings/media, a blanket is your very first "outfit." It is your very first armor to brave this big, big world. Then and there at your birth, you are at your absolute most vulnerable. It's you BEFORE all of the wrong of the world (prejudice, disease, harm, death, etc.) has any chance to affect/shape you. From then on, they��this life, this world, this society—all will take every chance they can get to leave its fingerprints all over you. But in that moment, coddled by a blanket, you are a bare canvas of whatever your genes have ordered. Which is why I say "pure/base humanity."

And RAAAAAAAAAAAAAAAA if this does not perfectly encapsulate the commune's (Viktor's) mindset at this point??

I want to first preface this by saying. No. OBVIOUSLY the commune was not 10000% all good. Loss of self and autonomy and free will are Not good things. 🧍‍♂️🧍‍♂️ (As these things makes us ourselves. Yes, though their bodies move, this is essentially murdering these people.) This is the core principle of which original game Viktor and Jayce disagreed and ultimately separated upon/got Viktor expelled. However, one of the MAIN themes of Arcane is how we can do very horrible things with good intentions. We know that this happens to be Viktor's. Clearly not probably one of the best methods of trying to bring this about, but what I'm saying is that not a single soul can argue that everything/the aftermath was done out of malice/an "evil" plan. TL;DR: No, the commune was not perfect like some people for some reason?? were convinced (looking at all of you with the 🚫 Jayce pfps after Act 2 lol). However, no way can someone genuinely say that it meant Viktor was evil because of all of it. Ok, preface over.

(Also, don't even get me started on the tragedy of how the world made Viktor, a disabled man, believe that the solution was to change himself and not ?? making the world more accommodating/educating people. That's for another time and I'm supposed to be talking about BLANKETS djksfnosfjskm.)

ANYWAYS, like Viktor himself says in Act 2:

"The reason for our failures in the commune. The doctor was right. It's inescapable. Humanity. Our very essence. Our emotions... Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound."

Humanity has a ton of good to offer the world and each other. The commune was born out of Viktor's genuine empathy and desire for people to live free from all of the downsides of the human condition and the things that come with it. The commune was an attempt to separate the good side of the coin from the bad side. Which is why I say that their outfits, simply blankets wrapped around them like their "pure" selves (birth), perfectly encapsulates the commune's/Viktor's mindset at this point in time. He was convinced that he could find a way to have only the good. It also meant everyone was put to the same "level"/showed a sense of equality, which was another thing Viktor was trying to do. (I.E. Uniforms are VERY big in Piltover. Certain clothes mean STATUS. Even Salo, a former councilman, being in the same robes as everyone else is a good example of bringing everyone to the same playing field.)

Also, since I cannot help but note on it. My fellow religious trauma girlies were also very tuned into just how biblical Act 2 was in general (Jesus Viktor jokes, you will always be famous). I could make an entire essay on all of THOSE parallels, but on the topic of clothing: Adam and Eve only adorned "clothes" out of shame/self-consciousness once the biblical version of Pandora's box had been opened, releasing all of the bad (sin) into the world. This point in time of humanity before the apple is exactly akin to what Viktor was trying to achieve. (He even had a damn greenhouse omg like that's literally the Garden of Eden?? 😭😭) So while Fortiche/Riot definitely wouldn't have been able to have the members of the commune all naked without getting bumped up a couple ratings, it definitely makes sense that they would wear/appear as the next thing closest to that. Huzzah!! Blankets!! 🤌🤌

I also very much appreciate it because it makes the transition of Viktor's mindset changing very stark as well, going from "most" human (blanket) to least human (machine). I have been rationalizing these two differing points in my head kinda as:

[Commune/Act 2]

"I must save humanity from the world"

(Mentally, you have to equate bad things to the world if you believe you can have humanity without it)

VS.

[Arcane Herald/Act 3]

"I must save humanity from itself"

(Inarguable, as this is the canonical current state of new game Viktor. Also can be seen like "the world from humanity.")

Anyways, I'm crazy. 🧎‍♂️🧎‍♂️ Thanks for reading.

[mimzy-writing-online]

Hello. I had a question regarding your post about blind characters. I have a character in my WIP that must cover their eyes.. but it’s blind. He may need to tell people he is blind to explain why he covers his eyes though. I was wondering how I might write this character without offending. Thank you :)

I think I want to start by explaining the “covering blind eyes” trope and why it has become a harmful trope. I think understanding why it’s hurtful helps everyone learn how to handle it better.

I would guess that the “blind people wear sunglasses” trope comes from Hollywood for the specific reason of 1. wanting to signal to the audience that the character is obviously blind and 2. avoid breaking the suspension of disbelief by preventing the audience from catching the sighted actor look at visual stimuli (because disabled characters are almost always played by able actors).

But this changed the way the public expects to experience blindness. If watching a sighted actor wear sunglasses and say he’s blind is all the exposure to the blind community a person has had, that’s the only model of blindness they’ll recognize. If they meet a blind person in real life who doesn’t wear sunglasses, it’s going to break this built perception and cause an uncomfortable cognitive dissonance. 

And then there is the common “cloudy-white blank gaze” that pops up in media. It stems from the fact that cataracts is the most common cause of blindness and the appearance of severe cataracts is a cloudy film in the eyes obscuring the iris and pupil. It can also alter what color a person’s eyes appears to be, making them appear paler and grey in the beginning and then as the cataract advances it becomes more yellow/brown and alters a person’s vision to appear more yellow tinted.

There are lots of other eye conditions that makes the eyes look visibly different. Albinism for instance affects the color and structure of the iris. Eyes might be congenitally misshapen. The muscles might be weak or not work and one or both eyes point significantly outward. Someone who was born blind and experienced no visual stimuli might also have weak muscles around their eyes because they never had a reason to focus their eyes on anything.

And unfortunately humans have the habit of feeling uncomfortable when they meet someone who looks very obviously different from the norm, whether that’s a personal style choice (hair color and style, tattoos, clothing choices) or something they can’t help (a visible disability, skin color, scars). 

To the paragraph above, @gothhabiba replied with:  “it's very weird & ahistorical to claim that racism or ableism are some kind of natural "human" trait.. like frankly it's apologia”

You’re right, I wasn’t thinking beyond that generalization or assumption.

Perhaps a better way to put it is: I was raised in a society where I was taught from childhood to think that there was only one kind of human being to be. White, cis, straight, abled, conservative. That’s a very western thing and that’s a thing I’m going to constantly be unlearning.

Racism and ableism and homophobia aren’t innate, that’s a western thing that was forced onto the rest of the world by colonialism. And because western media created this idea that the world is white, abled, cis, straight, and Christian-value leaning, it taught people to think that was the norm so that seeing someone different from that archetype would cause a cognitive dissonance, which causes discomfort.

And instead of working past that cognitive dissonance to learn more and realize there’s so much more to life than media taught you, society encourages you to ignore that cognitive dissonance by sticking your head in the sand-- or TV screen.

So combine these two tropes or common beliefs together and you get something a little dangerous: the idea that blind people cover their eyes because they look obviously different and they’re ashamed (or should be ashamed) of that.

And if you’re someone who’s just gone blind or who was born blind and you have little to no contact with the blind community, then this societal belief that you should be ashamed of how your eyes look becomes detrimental to your self-esteem and further builds internalized ableism.

I’ve lost count of the times I’ve read or watched a blind character cover their eyes with sunglasses because they were ashamed of how their eyes looked. And I distinctly remember a few times where a sighted friend of the character was trying to convince them to stop wearing sunglasses because there’s nothing wrong with looking different--which is true, but it plays into this fantasy of being the perfect abled ally who saves the blind character from being miserable. 

In an ideal world, the character has no reason to believe looking different is a bad thing or diminishes their worth or makes people dislike them. And if they develop this belief, it’s more likely that someone more involved in the disabled community, most likely someone disabled themselves, will set them straight. Or that the character will learn to accept themselves on their own, looks included.

But there are some perfectly valid reasons for any blind person to wear sunglasses. They might have an interest in fashion and sunglasses complete the look they’re going for. They could want to protect their eyes from UV rays while they’re outside. They may experience light sensitivity and sunglasses reduces any discomfort or pain. Those are incredibly common reasons to wear sunglasses whether you’re sighted or blind.

But there are some more complicated situations.

In your words, your character must cover his eyes. You never specified why, so my primary guess is that he has some kind of power that is unpleasant or has devastating affects and the only way to prevent it is to keep his eyes covered. My primary guess stems from this post where an anon and I discussed a retelling of Medusa, a hypothetical blinding of oneself to avoid ever killing anyone ever again, and what I think I would do if I was in that scenario.

So how do you write a blind character who must cover their eyes and avoid some of the complications?

1. Your character must always have the ability to say “fuck off, it’s my business, I don’t have to tell you why I’m blind or why I cover my eyes.”

Most blind people really, really don’t want to get into the nitty-gritty of why they’re blind and how they feel about it and what it’s like being blind with a stranger they’ll never see again or a new acquaintance they don’t know well yet. You have exceptions to that rule where sure, educating the public about blindness is a thing you want to do and you’re committed to helping your community, but I still have days where I don’t want to talk about being blind or disclose my medical crap.

And if someone doesn’t respect their right to their privacy or pushes too much, the blind character is allowed to be angry, is allowed to tell them off and complain without anyone else in the situation vilifying them or saying they’re “overreacting” and “should have just disclosed private information because big deal or whatever.” If they are angry, that’s their right, and it’s not unreasonable, it doesn’t make them a bad person.

2. Your character should not be ashamed of being blind or of covering their eyes. It is a part of their life, they’re used to it by now, even if they weren’t in the beginning.

The shame and internalized ableism is something that should be written about, but that’s for an own-voices story with a blind author. I don’t think an abled person will ever be able to understand how much society expects you to hate yourself and your disability because “being disabled is a tragic thing that ruins your life” and how that does affect your mental health, self esteem, your relationships with others, your medical care, and what kind of accommodations you can get.

3. It wouldn’t hurt to have a few sarcastic lines in response to uncomfortable conversations.

Stranger: so what’s with the...

Blind Character: what’s with what?

S: the... you know

BC: you’re gonna have to be a bit more specific

S: Your eyes?

BC: They’re... eyes

S: but you’re...

BC: Blind?

S: uh...

BC: yeah, I’m blind. *walks away*

Or this conversation:

S: *to some other character* so why are his eyes covered?

(author’s note: which, honestly, that’s fucking rude. At least have the guts to ask me yourself)

BC: If I look anyone in the eye they instantly perish.

*awkward silence*

BC: instantly.

Friend: It’s truly tragic

BC: *melancholic* that’s how I lost my sister. *chokes up* She was so young

Or this conversation:

S: Why are you wearing that?

BC: It’s called fashion Karen!

Or this conversation:

S: are you like... blind?

BC: yes?? why wouldn’t I be?? Wait, are you sighted? Are you one of those sighted people? You poor thing! What caused you to gain your sight? Do you have a car? A bike? Were you born sighted? What’s it like to see color? Do you miss not having to see 

God, I want a chance to try that last one. I haven’t interacted with a stranger in almost a year. One day...

4. Honestly, it’d also be cool if someone’s reaction to your character covering their eyes was like, “cool sunglasses,” or “cool *insert random character, even one you made up* cosplay,” (which is ten times funnier if this character is a notable figure in modern society like an actor who people might cosplay). 

5. You know, if he’s covering his eyes with some kind of blindfold, he should totally have custom blindfolds for his moods. Like, I have a mask that says “suck it up buttercup” and another that says “not today” because sometimes that’s the mood. And sometimes the mood is one of my floral masks, and sometimes the mood is my cat mask.

So, just some thoughts. I hope that helps.

Edit: a commenter said: “op, unless i'm mistaken this kind of reads like anon meant the character ISN'T blind but lies about being blind to explain covering their eyes? it seems like they made a typo on the word "isn't"”

So my original response to the question was based on the assumption that the character is blind. However,

If the character is not blind, then do not under any circumstances have them lie and say they’re blind to escape a mild inconvenience. 

It’s better to have the character actually explain the situation or straight up leave the conversation or invent a more ridiculous lie than to perpetuate the very real stereotype and misconception that there are people who fake being blind and therefore it’s okay to discriminate or harass them if you even suspect they’re faking.

Do not under any circumstances perpetuate that stereotype. Do not harass someone because you don’t think they’re blind enough.

[sanguine-tenshi]

I just finished Inazuma and I have words

TL;DR: Hate the story, mixed on characters, love the design and tired of being treated like a 4-year-old with a learning disability.

SPOILERS UNDER THE CUT

Let’s start with what I like.

Inazuma is absolutely beautiful. I’ll admit Inazuma hits a lot of aesthetic points for me. All the islands are different enough to feel unique but they still look like they are a part of the same land. There are a lot of secrets to discover through just exploring. Each island has a world quest to help it (make it less hostile towards you) so it very much feels like you are saving Inazuma from itself.

.

The puzzles are alright.

I like the cubes that rotate, I always put in the effort to figure them out properly.

Hate the ones that don’t rotate, they just aren’t engaging enough for me, so I just hit them at random and hope for the best.

The glowing floor tiles were fun, once you actually realized what they wanted you to do. A little bit too easy if I’m honest.

The electro compass isn’t really much of a puzzle, more of a fetch the nearest electrograna quest.

Those little pillars that require an electro connection are kinda boring to me, again not much of a puzzle, the hardest part is finding both pillars.

I love the new electro seelie, kinda hard to follow the jittery thing in certain parts but they make a nice contrast to the regular seelies.

.

I’m very much mixed on characters.

Yoimiya is adorable. She is so bright and bubbly. What little game play we had with her was fun and I love her over the top style of fighting. Kinda disappointed she’s another pyro archer but I do admit it fits her character well. It was also wonderful seeing her just settle down and be quiet, just be a part of that moment that obviously meant a lot to her. It’s always nice to see that bubbly, energetic character have that one quiet thing, ya know. Kinda funny it’s fireworks, of all things, for her.

Gorou I like, from what little we’ve seen of him. My man killed a dude with his thighs so I’m down. I do find it kinda ridiculous that a resistance general has his whole damn belly exposed. There is also something about his voice that just does not fit. I cannot for the life of me put my finger on what exactly it is. Could be the tone itself, could be just voice acting. It sort of feels like the VA is trying to sound deeper than he actually does.

Sangonomiya Kokomi, mixed. I like her design, she looks like some sort of mystical priestess. Again something about the voice is jarring. I expected her to sound sort of airy, like she isn’t 100% present, like she’s seeing something we can’t. TBH she reminds me of Luna from HP for some reason. 

Yae Miko, I was interested because of her design. She sounds very arrogant and up her own ass, which would have been fine...if she hadn’t given us that god-awful line. “...I have high hopes for you, child. Don’t disappoint me.” Dear lord I wanted to punt her off the mountain. Or fucking what! Also she’s some bigshot priestess of the Sacred Sakura and yet she can’t do her damn job properly. Why couldn’t her arrogant ass come down from her high perch and cleanse the stupid roots? Why did the traveler have to do that shit?

Baal looks dead inside. Booba sword is overrated, get a life. I want a remach! And no cutscene shenanigans this time!

Kujou Sara seems like one of those ‘honor above all else’ characters. Those are either hit or miss with me. You have my attention for now. Also what are those shoes woman?! I’d rather you wear those leg-killing, needle point stilettoes instead of those Wish gag shoes. How in the name of all that is holy can you run in those?!

Thoma, I like him. At first I thought we were gonna get another Childe incident, but Thoma is too much of a innocent puppy to pull anything that horrible. To me he fits a fox a lot better than Childe does. Childe is a dingo and I stand behind that.

Kamisato Ayaka...hate her. At first I was neutral on her. Nothing about her design really spoke to me, but I was willing to wait and see. But then miHoYo started to violently push her friendship at us. We are totally friends now, this is the first time you see my face, but we are so totally friends now. And during her story quest everyone was like “Ah, you are so good Ayaka. You are so nice Ayaka. You are so perfect Ayaka. We all love you so much Ayaka. And oh, how could a mere merchant like myself...” Ew, go away. This is the first time I’m actively not pulling on a character banner. Normally I pull even if I’m not particularly interested in a character, because you never know how good their gameplay is until you take them out in the map. But I think I’ll be skipping this one. No thanks.

.

And now, the worst part, the story.

We’ve been hearing about the situation in Inazuma for a long time. There has been also a lot of talk about how hard it is to get there. About the wall of thunderclouds that surround the islands. So to have it cut to black and then voila Inazuma, feel just so cheap.

I was expecting something. An animation. A struggle. A quest. A minigame. At least show us the horrible weather! Something! Anything!

Hell if they wanted to be assholes about it they could have made it so that if the player fails at this point the ship is damaged, you return to Liyue and have to wait until tomorrow for the ship to be repaired. No Inazuma for today. That sure as hell would have raised the stakes.

The next complaint I have is with Yurika, the 2 milion mora processing fee girl. Later on Thoma mentions that the agency people see the fees as easy money, so her attitude doesn’t make much sense. After all someone like her would want to extract as much money as she can, but you still want the people to be able to pay that.

So it would make more sense to me if she was overly friendly and asked way too many questions. She’d need to get a much information as she can and after all the previous hostility people would be very open with her. So she’d be able to quickly find out why someone is here, what they are selling and roughly how much money they’d be able to pay. A merchant selling expensive silk would have more many than a regular ore merchant. So she’d be able to extract as much money as she could.

“I know this is a lot of money, especially for something so simple, but there is nothing I can do about it. I’m so very sorry.” And people wouldn’t say anything bad to her because she’s the first friendly face they see in Inazuma.

The stealth mission was just god-awful and I hope we never have to do that nonsense again.

Getting off of Ritou was a bit janky at the end, Chisato should have had a better reason for coming along. But I’m honestly just glad we didn’t get out the usual way...getting stuffed in a crate and smuggled out.

As a side note, I’m getting really tired of characters overexplaining things to me, especially Paimon. Dear lord, not everything has to be said, you can leave me to come to my own conclusions and solutions. Just please, who cares if a few player struggle for a bit, you don’t have to hold my hand through the whole thing.

Ayaka’s three were...ugh. It was basic emotional manipulation. Oh no this guy forgot about the love of his life and he’s been waiting for decades. And oh how sad this guy was so good and he helped these people so much but now he can’t remember. And oh the tragedy this guy forgot his life goal and is now hunted by the demons of the past. Oh the humanity! 

And it did not work. Know why? Because I have no emotional investment in any of these people, in this land. What is happening to the vision bearers in Inazuma is tragic, true, but that doesn’t make me want to overthrow the government. I don’t live here. I just got here. I wanna ask a question or two and then move on. None of this concerns me.

I was so happy when the traveler just flat out refused to start a revolution. And then we had to go and meet some people and immediately I knew this was going to be some oh noes the tragedy moments and then we would agree to help them.

It’s so forced.

Wanna know what would have been better?

Just as we are leaving the Kamisato estate Thoma catches up with us. And he tells us he gets it. We are an outsider and this doesn’t concern us. He was hopeful but he expected the denial. We shouldn’t hold it against Ayaka.

He joins us as a guide because he knows of the people we have to meet.

And so as we help these three we also get to know Thoma. We find out he was an outsider too. He got in just before the worst of it started and then he was stuck in Inazuma. He lost someone to the Vision Hunt. They slowly lost their mind after loosing their vision, their ambition too closely tied to their personality to continue without it (what is happening to Domon hits a little too close to home and he has to walk away, this is where we hear the story of the one he lost). And the same would have happened to him if the Kamisatos hadn't taken him in. He owes them his vision, his sanity and his life.

So this rebellion is personal for him.

At the end of the three wishes the atmosphere is somber. We tell him we understand why Ayaka fights, why he fights. We know that this is all wrong, that it should be stopped...but not by us. We came here to get a lead on our brother. And rebellion isn’t an overnight affaire and we can’t loose so much time in Inazuma.

And yeah, he expected as much. He just asks that we let Ayaka down gently. It’d be a shame if someone as idealistic and hopeful as her lost their spark.

And so we are gentle but firm with Ayaka. She looks like she wants to argue with us but Thoma shakes his head at her. So she sighs and tells us that a promise is a promise. We should come to the Komore Teahouse in a few days and she’ll have a plan for us to meet with the Shogun.

Now we can still have a character story quest with Yoimiya and we can still somehow get involved with helping Master Masakatsu, but it’s through Yoimiya instead of Ayaka.

And instead of a character story quest with Ayaka we have one with Thoma. Hell, give him a whole damn hangout event even.

You can probably guess why I’m pushing the friendship with Thoma so much.

Because. He. Gets. Kidnapped. For. The. 100th. Vision. Ceremony. 

And that would have been the perfect emotional in to get us involved in the rebellion. After all we just saw what happens to people who have their visions taken away and we are not letting that happen to Thoma, someone we just got close to.

So Baal makes it personal for us as well.

.

I have a few more minor complaints.

Aoi is stupid for asking for compensation after she tells us everything we needed to know because, ya know, we could have just walked away. We should have.

The whole stupid misunderstanding about the value Kurosawa’s sword holds. Kinda obvious he meant emotional value instead of monetary.

The suspicious amount of visionless NPCs and by that I mean this is the first time we have NPCs with vision. This wouldn’t have been a problem if we’ve seen NPCs with visions in Mond and Liyue.

The whole rebellion camp bit feels incredibly rushed. We just sort of lollygag over there and then there is a fight (against Sara and her stupid shoes).

Don’t make us fight Baal just to force us to lose. It would have been better if we were forced to retreat, because Thoma was injured, because there are too many soldiers for us to handle on our own. Hell, you can have a funny scene where we straight up jump off a cliff with Thoma clinging onto us and screaming bloody murder until he realizes we are slowly gliding away and he’s not about to plummet to his death.

The Sakura cleansing quest should have been voice acted.

The Mirror Maiden and Pyro Agent are totally on a date, I will not be told otherwise.

[davidmann95]

Sooo… Superman and the Authority?

magnus-king123 asked: Your thoughts on Superman & the authority Give it to me...lol

Anonymous asked: Seeing Bezos take his little trip into space the same day Morrison puts out a Superman comic that touches on how far we’ve fallen from the days when we dreamed of utopian futures where everyone explored the stars was a big gut punch. Not used to Superman being topical in that way.

Anonymous asked: What'd you think of Superman and the Authority#1?

This is far beyond what I can fit in the normal weekly reviews, so taking this as my notes on the first six pages, with this and this as my major lead-in thoughts:

* Janin's such a perfect fit for Morrison - the scale, the power, the facial expressions selling the character work, the screwing around with the panel formatting as necessary to sell the effect, the numinous sense of things going on larger than you can fully perceive amidst the beauty and chaos. It's a shame he wasn't around 25 years ago to draw JLA, but I'll take him going with Morrison onto other future projects.

* His intro action sequence is such a great demonstration of why Black actually does have something to offer, and also how he's such a dumbass desperately needing Superman to save him from himself.

* While Jordie Bellaire didn't legit go with an entirely monochromatic palate the way early previews suggested, it's still an effect frequently and excellently deployed here. And glad to see Steve Wands carry into this from Blackstars since there's such an obvious carryover from its work with Superman.

* "Gentlemen. Ladies. Others." Great both because of the obvious - hey, Superman's nodding at me! - and because it's a phrasing that reinforces that this take on him (and let's be real Morrison) is old as hell.

* I'm mostly past caring about whether this is an alt-Earth Superman until it becomes indisputable one way or another, this and Action both rule so what does it really matter? But while there are still a couple signs in play suggesting some kind of division (the Action Comics #1036 cover, Midnighter up to time-travel shenanigans) the "lost in time" quote clearly thrown in after the fact to explain how he could have met Kennedy outside of 5G that wouldn't be necessary for an Elseworlds, the assorted gestures towards Superman's current status quo, the Kingdom Come symbol appearing in Action, and that Morrison would have had to completely rewrite the ending if this wasn't supposed to be 'the' version of Clark Kent going forward as was the intent when they first planned it all say to me that no, no fooling around, this is our guy going forward one way or another.

* Janin and Bellaire making the first version of the crystal Fortress ever that actually looks as cool as you want it to.

Anonymous asked: I like that Superman and The Authority is basically the anti-All-Star; instead of the laid back, immortal Superman who is supercharged, we have a stressed, ageing Superman whose tremendous powers are fading. The former will always be there to save us, but the latter is running out of time and needs to pull off a Hail Mary. Also, he mentions in his monologue to Black that he was "lost in time" when he met JFK, so maybe he is the main continuity Clark. Or he's the t-shirt Supes from Sideways.

* You're absolutely right - the power reversal is obvious and the ticking clock in play seemingly isn't for his own survival but everyone around him as he wakes up and realizes all the old icons grew complacent with the gains they'd made and he's not leaving behind the world he meant to. Both, however, are built on the idea of preparing the world to not need them anymore - it'll still have a Superman in his son, but that'll only work because of the others he empowers and inspires. The question is what happens to Clark if he's not going to live in the sun for 83000 years.

* Clark's 'exercise' here does more to sell me on the idea of Old Man Superman as a cool idea than however many decades of Earth 2 stuff.

* Intergang being noted alongside Darkseid and Doomsday speaks to how much Kirby informed Morrison's conception of Superman.

* This isn't exactly the most progressive in its disability politics but at least it makes clear Black's being a piece of shit about it.

* It's startling how much Clark can get away with saying stuff in here you'd never expect to come out of Superman's mouth. "I made an executive decision" "Privacy, really...?" "You have nowhere to go, Black. Nothing to live for." "There are few people in my life who I instinctively and viscerally dislike, and you've always been one of them." It only works because there's zero aggression behind it, he's just past the point of niceties and being totally frank while making clear none of these assessments preclude that he cares and is going to unconditionally do the right thing every time. He is absolutely, per Morrison, humanity's dad picking us up when we're too drunk to drive ourselves home.

* The story doesn't put a big flashing light over it, but it's not even a little bit subtle having the material threat of the issue be a ticking timebomb left by the carelessness and hubris of generations past.

* Manchester keeps trying to poke the bear and prove his hot takes about Superman and it's just not working. The front he put up under Kelley is gone after decades of defeats, and as Morrison understands what actually conceptually works about him as a rival to Superman underneath the aging nerd paranoia he's exposed as what he absolutely would be in 2021: a dude with a horrific terminal case of Twitter brainworms. I was PANICKED when I heard there was an 'offensive term' joke in this, I was braced for Morrison at their well-meaning worst, but it's such a goddamn perfect encapsulation of a very specific breed of Twitter leftist who uses their politics first and foremost as a cudgel and justification to label their abrasive, judgmental shittiness as self-righteousness (plus it's a killer payoff to a joke from way back in his original appearance). Cannot believe they pulled that off when they're so very, very open about basically not knowing how the internet works.

* @charlottefinn: Manchester Black using his telekinetic powers to force someone he hates to fave a problematic tweet so that he can screenshot it and start a dogpile

@intergalactic-zoo: “Once they cancel Bibbo, Superman won’t be *anyone’s* fav’rit anymore!”

* Friend noted this issue had to be fully the conversation because the whole premise stands on the house of cards of these two somehow working together, and with three 'silent' inset panels the creative team pulls off that turning point.

* So much of this feels on the surface like Morrison bringing back the All-Star vibes with Clark, but when he drops a "That's all you got?" in a brawl you realize what's underlining that bluntness and confidence in the face of failure is that deep down this is still the Action guy too. This dude ain't gonna get wrecked in his Fortress while the other guy chuckles about him being A SOFT WEE SCIENTIST'S SON!

* Bringing up Jor-El made me realize that Morrison already spelled out that this is the final threat to Superman, what he faces at the end of the road:

"Now it's your turn, Superman."

* A l'il Superman 2000/All-Star reference with the Phantom Zone map!

* There's so much intertextuality going on here even by Morrison standards - Change or Die with the old hero putting together a team of morally nebulous folks out to 'fix' everything, Flex Mentallo with the muscleman trying to redeem the punk, Doomsday Clock with the fate of the world hinging on whether Superman can get through to a meta stand-in for an idea of 'modern' comics cynicism, DKR and New Frontier and Kingdom Come and Multiversity and Seven Soldiers and What's So Funny and All-Star and Action and the last 5 years of monthly Superman comics and Authority and probably Jupiter's Legacy and Tom Strong - but none of that's needed. You could go in with the baseline pop cultural understanding of the character and not care about any of the inside baseball shit and get that this is a story about a leader of a generation that let down the people they made all their grand promises to as inertia and day-to-day demands and complacency let him be satisfied with the accomplishments they'd made long ago, looking at a new era and seeing the ways its own activists are dropping the ball. The only thing that fundamentally matters in a "you have to accept you're reading a superhero story" sense is that because he's Superman he's willing to own up to it and listen to people who might know better about some things and try to set things right while he and those who'll take his place still have a chance. And yes, the oldster looking back on their legacy with a skeptical eye and hoping for better from the next generation, hoping most of all that their little heir apparent can fulfill the promise inside of him instead of being a provocating little shitkicker, is obviously also autobiographical.

* The overlaying Kennedy reprisal is such a great visual of a sudden intrusive thought.

* The Kryptonite secret is the obvious "This is going to matter!" moment, but "He lied about his son" is a bit that doesn't connect to anything going on right now so maybe that's important here too? More significantly, the Justice League can't actually be the villains here but that Ultra-Humanite's crew are in an Earth-orbiting satellite makes pretty clear what's up.

* I've said before that between Superman, OMAC, and a New Gods-affiliated speedster this was going to use all of Morrison's favorite things. King Arthur playing a role isn't exactly dissuading me.

* Love the idea that all the antiheroes have their own community in the same way as the capes and tights crew. They definitely all privately think the rest are posers though and that they alone are Garth Ennis Punisher in a mob of Garth Ennis Wolverines.

* Manchester's fallen so far he's gone from trying to convince Superman to kill to convince him to dunk on people for their bad takes and Clark just doesn't get it. Official prediction of dialogue for upcoming issues:

"According to these bloody Fortress scans, the only thing that can restore your powers is an unfiltered hit of dopamine. Don't worry, Doctor Black has a few ideas."

"Hmm. Maybe I'll plant a nice tree?"

"...fuck you."

* Ok I already talked about how great the Fortress looks in here but LOVE this library.

* A pair of pages this seems like the right spot to discuss from Black's original appearance that underlines both his and Superman's inadequacies up to this point:

Responding to the problem of "the government and penal system are hopelessly corrupt" neither of them has any actual notion of what to do about it in spite of their respective posturing beyond how to handle individual outside actors - each is in their own way every bit as small-minded and reactionary as the other. Clark's coming around though, and he's holding out hope for the other guy.

* Superman: Have a lovely mineral water :) proper hydration is important :)

Manchester Black: *Is a dude who can get so mad he vomits and passes out. At water.*

* That last page is the one to beat for the year, and does more to put over the idea of this as an Authority book than that Midnighter and Apollo are literally going to show up. It also feels like Morrison tacitly acknowledging all the ways the premise could go or at least be received wrong - from Superman saying 'enough is enough' to who he's bringing into the fold to go about it - in the most beautifully on-the-nose fashion imaginable. Maybe they'll save us all! Or maybe they'll drown us in their vomit.

[magical-girl-coral]

et any more than ten notes, but fuck it, here are the reasons why Entrapta should have been kidnapped instead of Catra :

Catra's redemption would have felt more well earned - if Catra was trying to find a way to help Glimmer and Entrapta, then her change would seem more legitimate. She already showed signs of guilt through her nightmares of what she did to Entrapta. Instead of falling to her old ways like in Prime's ship, she would most likely go through a complete 180 and almost kill herself while trying to prove her worth. Imagine Catra trying to befriend Emily and Imp so they could find a way to save Entrapta, putting aside her past grievances with them so they could signal Entrapta on Prime's ship. Maybe Imp was the one collecting robot bits, so they could give it to Entrapta once they find her. Maybe Emily showed one of Entrapta's old recordings before she was sent to Beast Island for the sake of filling the empty space she left. The possibilities are endless.

Making the princesses look more justified in their anger - The princesses' ableism was handled terribly. There is no way around this. Neurotypicals obviously wrote episode two, and it shows*. However, once you replace Entrapta with Catra, their anger, hostility, and Scorpia's timidness make way more sense. Mermista's rage especially makes the most sense since Saelinas was the kingdom was fell first thanks to Catra and Hordak. Instead of making all of our favorite characters, ableist assholes, this plotline makes them more human. The power of friendship can only run so far, after all, and every single princess is allowed to have a breaking point in trust. 

It would showcase Entrapta's real priorities - For most of the show, both fans and characters see Entrapta as someone who would never care about anything other than tech. Now, if that were true, then Entrapta would have no problem joining Prime's side. But that's not what would happen. Instead, Entrapta would unleash hell on Prime's ship without Prime even noticing. Sending signals to Etheria and new tech designs, helping Glimmer escape and sending her back to the Best Friends Squad, all while showing zero hesitation. Entrapta loves tech unconditionally until it starts to mess with her friends.

It could show ableism correctly through Prime with how he would treat Entrapta - This is my scenario of how Entrapta ends up on Prime's ship (please tell me if you have anything better): Prime, after looking into Hordak's memories, sees a young and brilliant scientist. Prime decided to show her his ship, trying to seduce Entrapta into improving his tech while convincing her that a 'defective, retarded, emotionless' Etherian like her could never truly be great, so she might as well give up now. He would touch without her consent and shame her for turning his "affection" away. Instead of falling to his manipulations, Entrapta realizes that he is afraid of her. She's biologically different then most Etherians, and Prime doesn't know how to control her. That gives her the final push of courage she needed to have to go behind Prime's back and rescue Glimmer. By making Prime ableist instead of the princesses, the show tells us how ableist is bad and disables people deserve more respect (I know that most of the show's fans are above fifteen, but with how the fandom has been acting, they deserve to be taught like children).

It would give a parallel 'be careful what you wish for' between Entrapta and Catra - At the start of the series, all Entrapta wanted was to see more advanced tech, and all Catra wanted was to see Etheria conquered. They both got exactly what they wanted, and their lives couldn't be worse. 

A chipped Entrapta breaking free from the hive mind because of her autism would be awesome - That's it. That's the pro. I'm incredibly desperate for more good autism rep, and this would be amazing.

Catra and Adora bonding while in space would be excellent for both characters - As much as I love the angst from chipped Catra, it feels more like fanservice now. At the end of the day, it felt like Catra and Adora didn't bond enough to have a solid devolvement in their relationship. This could change if they went to space together with Bow. Instead of spending just half of the last season together, they spend the next eleven episodes bonding in the insanity of their situation. It would also allow more time for Catra to understand Adora's abuse under Shadow Weaver. By forcing those two into a close space in the middle of nowhere, they would have no choice but to confront the other about their issues. And speaking of much-needed bonding time.

Glimmer would get a chance to face Catra about Angella's death - If there is one thing I will never forgive season five for, is forgetting Angella's death.  It was Glimmer's main motivation to take more action against the Horde, it was what almost drove Micah to despair, and it was the final nail in the coffin for Adora, making her stop taking the blame for everything and take Catra's threat to the world more seriously. But then season five happened and they just... forgot about her? She was never mentioned again because if she were mentioned, Catra would look bad, and Glimmer would have a reason to hate her. But if Glimmer were to meet Catra again outside of Prime's ship, with all the trauma she went through there, she would definitely take out on Catra (kind of like how Katara took out her anger on Zuko after he joined the gang).

Hordak would join the Best Friend Squad early after they save Entrapta and would get more devolvement as a result- If you think for one second that Hordak won't abandon Prime after what he did to Entrapta, then you haven't been watching the same show. I don't know how he joins the BFS. Maybe Catra tried to find him to fix her mistakes**, maybe he finds them by accident and remembers some of the past events as a result, or maybe he was one of the clones that witnessed chipped Entrapta and got a wake-up call. Either way, he wouldn't sit back and watch Prime continue to ruin his only friend's life. This would give him more screen time to show his backstory more clearly, give more sympathy for the clones along with a better redemption arc. And finally, the most crucial point.

Catra's growth would be more consensual - Most of Catra's maturity seemed to be out of her control. She helped Glimmer because she felt like no one wants her anymore. She had her hair cut because Prime wanted her to look more tamed. She was buddy-buddy with Glimmer and Bow because the plot says so. Nothing that happened this season seemed to be with Catra's consent, which made me feel extremely uncomfortable. Instead of watching Catra go through glorified torture porn, imagine her changing from her own free will. She cuts her because her hair reminds her of how Shadow Weaver's hair looked wild when she was angry. She changes clothes because she didn't want to wear her crown anymore. She goes to space with Bow and Adora because she wants to do good with her life, and is tired of being the mean old bully she was never meant to be. Doesn't this seem more satisfying?

*here, here, here, here and here are some metas about why Entrapta’s treatment was written terribly. I’m too tired to explain myself, and these posts tell the show’s problems better then I could

** I really like the idea of Catra finding the Luvd crystal and returning it to Hordak as a way apologize for how she has separated them. It would also be a cool parallel to all the times she took the crystal out of Hordak’s suit.

Edit: holy shit, there were so many typos here. Why didn’t any of you guys tell me?

Double edit: soooooo... I may or may have not written a fic...that you can read here...please support me, my brain is begging for more serotonin.

[thedreadvampy]

ok the thing I'm struggling to find words for in my mind tonight is. a deep discomfort with the framing that complex relationships to sexuality and gender are something exclusive to queerness. that cishet people's relationship to sexuality and gender is by definition simple. and that's a tempting idea and like, yeah, there's much less impetus for a cishet person to examine their sexuality and gender. but that doesn't mean there's no complexity to it. and this isn't intended as a Don't Be Mean To The Poor Straights post it's just. observably not true that no cishet person has a complex relationship to sexuality and gender.

queerness is a complicating factor in people's relationship to sexuality and gender - we are made more conscious of the ways we don't fit what's expected, our sexuality and gender is often what is used to justify marginalisation and it comes with a whole host of pain and joy because of that, and the way that queerness is marginalised forces us into direct conversation with our sexuality/gender

but queerness isn't the only complicating factor in people's relationships to sexuality and gender. like as a woman who is pretty Definitely Cis I still have a huge ongoing wrestle with my gender - it's female, but what that means and how that's expressed and how that affects how i move through the world is still complicated and fraught and often messy and contradictory. that doesn't make me trans but it does feel pretty alienating that in a lot of queer spaces there's this implied assumption that the only type of gender complexity is a discovery of non-cisness.

(and tbh a lot of the time that's fair because a lot of people aren't cis and as I say like. it's much easier to Never Have These Conversations (with others or with yourself) if you're cis. so a lot of cis people never really name their gender troubles because they're not brought face to face with them.)

but there are a lot of things that affect your relationship to your gender. for me, I know I'm a woman, but how I'm a woman is a messy question wrapped up in trauma, in misogyny, in bisexuality, in autism, in body image, in the specifics of who I am and how I relate to the world and how I want to be seen and why. and there kind of is a thing in a lot of IRL queer spaces I hang out in where people jump straight to diagnosing me with Trans of Gender if I try to discuss a complex relationship with womanhood, or a desire to present as GNC, or a discomfort with being performed in certain gendered ways. and for a lot of people that is a step on the route but as far as I can tell it's not for me, I've spent many years trying out the shape of different genders because I had got into a headspace that any complexity in my relationship to genders must mean I was Not Cis, and for me it just didn't fit, womanhood remained the best fit. and I don't regret that, I think in an ideal world everyone should push themselves to question their gender and try out and see what good, and some people are just statistically gonna be cis like. it would be a weird numbers game for absolutely nobody's gender and sex to line up.

but I'm getting sidetracked. I was thinking about how cis and het people have the capacity for equally complex relationships to gender and sexuality as anyone else, and why that's important.

(I've never been straight or even thought I was straight, but I have occasionally talked to straight people and like. I have never met anyone, straight or queer, with a simple and uncomplicated relationship to their own sexuality - is it right, is it socially acceptable, there's shame, there's trauma, there's confusion, there's gendered and racialised and ableist baggage)

and like. it isn't that sexuality and gender aren't less of a fraught space for cishet people as a group than for queer people as a group. obviously in a group that faces a history and present of marginalisation and active violence on the basis of sexuality and gender, those are more intense complexities, and because of that there's also more intense joy as well as intense conflict. we are able to build community through marginalisation. we're brought face to face with our complex relationships to ourselves and because we can't ignore it we have built the language and community and frameworks to explore it and revert in it in a way many cis het people haven't.

but.

understanding intersectionality means understanding that as much as the marginalisation of queerness is bound up in the complexity of our relationships to gender and sexuality, so are power structures of race and gender and health and neurodivergence and wealth and class and geography and culture and language and religion and politics and education.

ultimately sexuality and gender are a huge element in how we relate to the world and our bodies and ourselves. and how the world relates to us. and there isn't a person on earth for whom that's 100% simple.

and idk I think a) to pretend that cishet people can't experience their bodies and themselves in a complex way is just a denial of reality, b) it simplifies out the many intersections of identity and power in all of us (even the straightest cisest manliest rich white dude) that make our social and personal identities messy and intricate and c) it gets in the way of us building meaningful intracommunity solidarity through a shared understanding of the beauty and pain and infinite variety of gender and sexuality

also idk. it's weird to me. to me it posits that to be cis, to be straight, to be allosexual and alloromantic, is a default whereas queerness is a deviation. and I just don't believe that, I don't think there's a 'normal' and uncomplicated Default State and then everyone outside it is a complication. I think there's value in embracing that othering in the world we live in, where we need to find strength in anger and in resistance, but I don't think it represents a truth about the world as much as a reclamation of the weapons used against us.

to me it feels similar to the way that white people thinking of ourselves as aracial and everyone else as racialised is an act of unconscious white supremacy. or the way that people are really keen to draw a sharp line between the Disabled Other and the Healthy Normal People. the idea that there's Normal People and Diverse People isn't...good...really? and this is in itself a messy issue because I do think there's a lot of power and value in taking pride in the complexity and thoughtfulness of queer relationships to sex and gender and I don't think there's some great evil in joking at the expense of the privileged. but when that starts to inform your actual serious thinking I think it can be counterproductive because erasing the complexity of cishet identities and acting as if any complexity in relationship to sexuality and gender means someone's Wrong About Being Straight/Cis is kind of reinforcing the otherising of queerness.

ughhhhh this is why I say it's hard to find words. because to me now it sounds like I'm saying 'don't suggest people might be queer' and like. do do that. we're in a world where that space isn't left open for the vast majority of people and straight or not, cis or not, allo or not, I think pretty much everyone benefits from having the space and community and language to have a conversation with their own identity. but that's kind of my thing like that conversation doesn't have a right answer. the conversation needs to have room for a model of straightness and a model of cisness that doesn't immediately slam the door on further exploration.

(also I've mostly been taking about cishet people here but let's be honest it's really a question of cis AND/OR het. one thing I'm finding really difficult at the moment is that there seems to be a lot of conversations about queerness and gender expression which conflate GNCness and a complex relationship to gender exclusively with being trans, and a lot of the time talk about how being a woman and being sapphic affect your relationship to gender are understood as less authentic explorations where they incorporate cis gendered identities. and a lot of discussions about complex cis wlw relationships to gender and womanhood get coopted by terfs who think that because their complex experience of gender is a cis one that means all complex experiences of gender are cis ones being wishfully misinterpreted (this is because TERFs have. no capacity or will to imagine experiences beyond their own, apparently) and that leaves. for me. often very little room to authentically discuss and explore with others my own identity as a cis wlw who uses she/her pronouns and still has a complex relationship to gender. and indeed as someone whose attraction to men (and no it's not straight but it's different-gender) is as textured and complex as her attraction to women. like it's a long way off the top of the list of Things To Worry About but I think about it a lot.)

[wiltingpierrot]

Gem Glow: Part 1

Welcome! Well, this isn’t really made to entertain. I’m just doing this to recover from trauma and get a good grasp of the show’s lore while having my girls react with me. Feel free to tag along.

We’ll be watching four episodes a day and react only to the major events as tackling all of them is a toughie.

 Sharpie: “I want to see real tears, Wilt.”

Wilt: “Tears? At the very first episode?”

Sharpie: “Yes. Otherwise I’ll make you cry by some other means.”

Wilt: “I have these tear marks. Those count, yes?”

Sharpie: “Real tears, I said.”

Wilt: “Ahh, how iconic.”

Spinel: “The area around the lighthouse is lacking a lot of flowers. That’ll change someday!”

Sharpie: “Yes, after a lot of blood, ink and tears had been shed first.”

Spinel: “Here we have a shot of the show’s hero, lamenting the discontinuation of a certain ice cream snack brand.”

Sharpie: “Is this triggering your PTSD yet?”

Wilt: “Not really. I thought it would but surprisingly I’m still okay.”

Lars: “Well, if you miss your wimpy ice cream so much, why don’t you make some with your MAGIC BELLY BUTTON?”

Spinel: “Hey Sharpie, let’s make foodstuff with just the energy in our gem.”

Sharpie: “And you still owe me 86 years’ worth of happiness.”

Wilt: “What is this civil conversation you’re having? That’s not how I wrote you two.”

Sadie: “Uhh Steven? Do you want to take the freezer with you?”

Spinel: “Think what would’ve happened if Sadie didn’t let him take that freezer home.”

Sharpie: “Does… does the cat’s face looked different to you?”

Spinel: “I love the lighthouse. The view up the top is always so breathtaking.”

Sharpie: “I’m not so happy with our roommate though.”

Wilt: “…I might have to draw this someday.”

Spinel: “Don’t you just love it when your pets greet you as you enter your house? I wish you would greet me whenever I fall asleep.”

Sharpie: “You’re just my nightmare.”

Amethyst: “’Sup, Steven.”

Spinel: “AME!!!!”

Spinel: “I AM IN LOVE.”

Sharpie: “You can stop replaying this 5 seconds worth of Pearl now.”

Spinel: “It’s 4 seconds worth of Pearl, you heathen.”

Spinel: “HOOO MAMA. Remember when Garnet kicked our ass?”

Sharpie: “She kicked your ass. She kicked your ass so much I had to start a switch to intervene. Now that I think of it, I shouldn’t have done that.”

Sharpie: “Being sliced open is one thing. Being pulled apart is another.”

Spinel: “It’s good that we’re stretchy.”

Sharpie: “I can disable that function and tear you apart like that, actually. Ever wondered why it doesn’t hurt when others pull at you like taffy but I can?”

Spinel: “I can do the same and prevent you from escaping my hugs.”

Sharpie: “*sigh*… I hate you.”

Spinel: “Ahaha! Pearl is so cute!”

Sharpie: “Ahaha! I love this technique.”

Wilt: “It’s good for breaking a hole through walls in maximum security prisons, yeah.”

Amethyst: “Uhh you guys, these things don’t have gems.”

Garnet: “That means there must be a mother somewhere nearby.”

Sharpie: “That’s a fascinating thought.”

Wilt: “It’s similar to how Pearl can project figures that can maintain itself while independent of the source. In this case, the main centipeedle can project independent but smaller versions of itself.”

Sharpie: “How come 2nd Projections aren’t like that, I wonder. Like we can’t have separate bodies or anything…”

Wilt: “Probably because the 2nd Projection has a personality of its own and it stems from the original gem, while Pearl Projections and mini-centipeedles are pre-programmed projections that would act accordingly to the original’s commands. Like, if Spinel makes a projection separate from her, it wouldn’t be you.”

Sharpie: “Fair enough.”

Spinel: “Speaking of Pearl Projections…”

Sharpie: “No.”

Pearl: “Steven, until you learned to control the powers in your gem, we’ll take care of protecting humanity. Okay?”

Spinel: “I want Pearl to snap my neck like that.”

Sharpie: “As if impaling you wasn’t enough.”

Spinel: “PFFFTT-“

Amethyst: “We went out and stole a bunch!”

Spinel: “That’s my Ame.”

Pearl: “I went back and paid for that.”

Sharpie: “That’s…. that’s very Pearl of her.”

Steven: “He left his family behind!”

Spinel: “AHAHAHAHAHA”

Sharpie: “What’s so funny about that?”

Sharpie: “Oh my stars. I hope we don’t have to bear another one of those.”

Wilt: “It’s catchy. I like it.”

Sharpie: “What a happy little family. It’s a shame that they’re doomed to a life of madness onwards.”

Amethyst: “Quick! Try and summon your weapon!”

“Awww, no weapon.”

Wilt: “He’s struggling. A sign of a well-rounded character. The progress is dramatic if we compare this episode to the last ones. And it only took him a few Earth years.”

Sharpie: “And it took us like what, 86 years to get this far and we’re still inferior to most we meet in our travels.”

Spinel: “God I love Pearl.”

Sharpie: “Can you even pay attention to anything that isn’t Pearl?”

Spinel: “I’m capable of paying attention to a lot of things and to nothing at the same time, Sharpie. Be amazed.”

Steven: “Can one of you just explain how to summon a weapon?”

Pearl: “Oh! I’ll go first.”

Wilt: “I love Pearl.”

Spinel: “I love Pearl.”

Sharpie: “…”

Spinel: “AUUGH! Pearl is so beautiful.”

Wilt: “This is so anime.”

Spinel: “This scene makes me wanna stand underneath a cherry blossom tree with her in a Friday afternoon and confess my love.”

Sharpie: “God both of you disgust me.”

Pearl: “Pay attention to these petals, Steven.”

Pearl: “The petal’s dance seems improvised, but it is being calculated in real-time based on the physical properties of this planet.”

Wilt: “HELL YEAH, I LOVE PEARL.”

Pearl: “With hard work and dedication, you can master the magical properties of your gem, and perform your own dance.”

Pearl: “Like so.”

Spinel: “HELL YEAH, I LOVE PEARL”

Sharpie: “So… Pearl’s approach is tuning into the technical reality of the universe to tap into her gem’s energy,”

Amethyst: “Listen Steven. All that practice stuff is no fun. Whenever I need to summon my weapon, it just happens.”

Sharpie: “And Amethyst’s approach is just winging it. Considering Ame is a gem made for war, of course summoning a weapon is natural instinct. Pearl however… She had to learn serious fighting, something most Pearls aren’t made for.”

Spinel: “We’re the same, ain’t we? Spinels ain’t made for violence but we can whoop butt just fine.”

Sharpie: “We just got lucky… and incredibly unfortunate at the same time.”

Sharpie: “Gems are such nuisances. So much that in other places of the world, a group of humans actually built little Distortion Bombs capable of disorienting corrupted gems to a point of repelling them away. Unfortunately those things are powered by tiny bits of gem shards, which is obviously not an easily obtainable source of power. The project was discontinued.”

Spinel: “The invention worked on us, too, which is kind of impressive!”

Sharpie: “The best those little bombs done to us were to irritate us, or temporarily disable our senses. Corrupted gems have warped sentience I think, so they would rely more on instincts and run away from the source of irritation as much as possible.”

Sharpie: “They say if enough energy is given into the device, it’ll have high enough amplitude to potentially dissipate a gem’s physical form. But this is just a fever dream. There’s no way they have access to that amount of energy without slaughtering a Diamond first. Still, props to the engineer who thought that was a good idea.”

Spinel: “So instead of using gem shards, he decided to use us by writing the function into Springy. If we poof, we can give bad gems nearby a head ache and make them go away. We can protect people even if we die in battle! He basically turned us into heroic suicide bombers against corrupted gems.”

Sharpie: “Necessary, considering every time we poof we somehow cause part of a building to catch on fire, killing the people we’re supposed to protect in the process.”

Spinel: “Uh huh… yeaaahh….. I mean, where else is the excess energy supposed to go?”

Sharpie: “I dunno. Some other harmless form of energy apart from heat? The sparkly dust clouds were already perfect and you just had to change it into something deadlier. Thanks to you, seven people that stood close to us turned into soup.”

Spinel: “Well, there was that one time where the fire storm actually saved us from a meanie who wanted to crush us. We can’t just ignore that.”

Sharpie: “Seven people died, Spinel. Seven people that happened to be our allies.”

 Wilt: “Please stop. We have to finish this episode.”

Steven: “So I’m supposed to work really hard and not try at all at the same time?”

Garnet: “Yes.”

Garnet: “Or…”

Garnet: “You can link your mind with the energy of all existing matter, channeling the collective power of the universe through your gem.”

Garnet: “At least that’s my way of doing it.

Spinel: “C’mon, kiddo. It’s not that hard to understand. It’s how Springy lived for the past 40 years. If she can do it, so can you.”

Sharpie: “I bet this makes the most sense to you, huh Wilt?”

Wilt: “It does. Considering we are all just ripples of energy on the surface of the large lasagna we call the observable universe.”

Sharpie: “What a nerd. Also we’re half-way through the episode. You better cry, Wilt.”

Wilt: “I’m saving this shot for reference.”

[makeste]

BnHA Chapter 268: Please Don’t Tap on the Glass

Previously on BnHA: Dabi revealed his true identity to Hawks! His real name is actually [sound of semi truck horns blaring]. What’s that? You didn’t hear me? I said it’s [sound of dolphins chattering]. You really need to listen better. Anyway, so Dabi set Hawks on fire a bunch of times, and Hawks had some flashbacks indicating that Endeavor saved him when he was a small child, and just when it was starting to look like we might get our second tragic death chapter in a row, Tokoyami showed up to defend his mentor! Meanwhile in Jakku, Miruko remembered that even though kicking ass is fun and she’s really good at it, she still had a job to do, so she sped off toward Ujiko’s little hideaway, getting stabbed and impaled a bunch of times along the way and losing an ear and shit (I very much look forward to the cyberpunk robot-limbed Miruko 2.0 that we had better fucking get once this arc is over). Fortunately Endeavor showed up to help her out! Anyway, so absolutely no one was talking about this last week, but the chapter totally ended with Miruko about to bust open Tomura’s bacta tank with a badass roundhouse kick, so, uh. Shit might be about to go down you guys.

Today on BnHA: Shit does indeed go down, but at a very languid pace. Ujiko apparently built Tomura’s holding tank out of Nokia phones and kevlar, so even though Miruko gets a few good kicks in, she ultimately doesn’t do more than just crack it. So now the tank is just standing there leaking ominously while Ujiko sobs for no reason and we all ponder whether or not a 75%-charged Tomura will be any less doom-harbinging than the full-fledged deal. In the meantime we’ve got Girl Noumu thinking strategic thoughts and chucking acid at peeps; Crust still doing absolutely nothing; Endeavor not doing that much better to be honest; and Mic and Aizawa ready and raring to go kill the old man who turned their dead buddy into a sentient Einstein-Rosen bridge. Obviously I’m all in favor of this last bit, but I’m also on team “Mic and Aizawa not dying horribly” though, so. I do have some concerns here.

full disclosure, I’m very sleep-deprived for various reasons related to various things which can be broadly summed up as Just 2020 In General. so anyway, I’m dealing with it, but I’ve noticed that my rate of typos and errors and such has shot waaaaay up in this past week or so, so I’m just putting that out there that you may find some weird shit in this post! maybe I will write the same sentence maybe I will write the same sentence multiple times, or or the same word twice in a row by mistake, or use the completely wrong word. you are more than welcome to point this out and I will not take any offense and will indeed be grateful because I’ve apparently gone blind to it all! anyway so how are you I hope everyone is well

anyway! the chapter is early (god for all I know it’s been out for hours already. HOW FAR BEHIND AM I) so I’m recapping it early so that I will have more time to play Animal Crossing and fish and craft all of my troubles away. speaking of which Horikoshi, you had better not bring me any troubles this week, I am not in the mood do you hear

good fucking lord

is all of that Miruko’s blood??!? god, she’s even better at bleeding than everyone else. now hold up all you excited vampires, you all can get in line, I was here first

by the way Endeavor, I gave you a pass last week because your entrance was so fucking raw and you saved my girl’s life and that was really neat my man. but now that I’ve recovered from my shock and awe and am ready to be sarcastic once more, I just want to say... welcome to the party, guy. did you stop for drive-thru on your commute from the other side of the planet. were you simply not immune to the bizarre 5th dimensional time-stands-still effects of March 2020. are you curious at all how your son has changed during these past 20 years, and by “son” I am referring not to Dabi, but Shouto. are you looking forward to meeting all of Shouto’s children. are you excited to be a granddad. anyway thank you so fucking much for finally making your way down to this lair with all the speed and haste of a federal appeals process

and I see Crust is still fighting this guy after six decades

(ETA: I would be more upset about the scan quality here, but let’s face it, nobody actually cares about seeing this in HD. I’m sorry Crust.)

and we’re really expected to believe this is the very next ranked hero below Miruko. could it be that the hero ranking system is actually flawed. don’t tell me. I’m just as shocked as you are

seriously??

are we really going to stop and chat with Geriatric Hero: Crust over here. really. far be it from me to tell you how to do your job, Number One. but I’m just saying, I’m pretty sure he does still have... let’s just check... one... two... yep, two arms. not that I’m saying your system for prioritizing which of your fellow heroes to help out should be based off of the number of arms they have. but also I am saying that

OH SONNY BOY

is that a two-page panel of Aizawa Hatake Kakashi Shouta and his loyal husband Screaming Man leaping into the fray to take on some high end Noumus with their bad and sexy selves. I think that’s exactly what it is. are we blessed or are we blessed. Aizawa I’m pleased to see you haven’t aged a day and are looking just as fine as ever in this the year 2045

oh wow Endeavor I thought you had incinerated it

why wouldn’t you incinerate it. please incinerate it. did you not learn your lesson. please don’t start taking your cues from Dilly Dally Hero: Crust over here

oh wow

and yet Miruko was kicking all of their asses like they were made of plywood. really though guys. only number five. okay

Aizawa’s shouting that he wasn’t able to erase that last Noumu who was impaling Miruko because his vision was obstructed. that’s okay Aizawa, that’s why Endeavor is hopefully about to incinerate him

oh snap here we go

again, one has to wonder what kinds of interactions with rabbits Horikoshi has had in his troubled young life so as to influence his writing of Miruko’s quirk in such a way. did you at some point get rabbits confused with... I don’t even know. polar bears?! not that I’m fucking complaining holy shit

anyway, so just a friendly reminder that if Miruko dies here I will in fact push the button which triggers the hidden ejector seat built into Horikoshi’s office chair. he will be missed. but he had a good run

ho lyyyyyyy shit

so... Miruko I love you but... then why would you break the fucking vat apart with your moon-powered legs. Miruko. Miruko are you listening. oh shit she’s missing an ear I forgot. oh shit. oh shit

MIRUKO I LOVE YOU SO MUCH BUT WHY THE FUCK DIDN’T YOU JUST KICK THE BALD MAN IN THE LAB COAT INSTEAD goddammit well it’s been nice knowing y’all

well then. so this is happening. this is really happening. at least she saved us all from having to face the 100%-charged world-ending Tomura somewhere down the line. instead all we have to do is face the 74%-charged Tomura right fucking now. so that’s. ...I wonder how Tokoyami is doing

holy shit!

leave it to Girl Noumu to be the smart one. for a minute I thought maybe Ujiko had given her Ragdoll’s long-lost quirk. but then I realized that this isn’t a quirk at all, this is just her being smart and using her Big Noumu Brain. anyway so I’m preemptively sorry for having to root against you, Girl Noumu

so now she’s pondering how to disable Aizawa’s quirk. meanwhile I just remembered that we haven’t seen her quirk yet I think. please let it be something good

oh snap she ran away and made it out of Aizawa’s sight range oh fuck

the fuck is up with this thicc fucking Girl Noumu page I can’t tell wtf is going on

LOL OH SHIT

NOT TO WORRY GUYS SHE’S JUST SHOOTING BIG GIANT GLOBS OF ACID AT EVERYONE. can anyone tell if Endeavor has incinerated this Noumu yet down in the middle panel on the left. what is the fucking holdup

and now there’s a big double page of Miruko shattering Tomura’s Noumu Vat, and I can’t quite tell, but it looks like her eyes might be rolling back in a way which I decidedly do not like

(ETA: nah on closer inspection we’re good.)

didn’t she just do this like four pages ago. and how the hell did Tomura suddenly jump from 74% to 75% in like .2 seconds

oh thank god she’s still awake. but now she’s being dragged back now by the Noumu’s bone appendage things because Endeavor SERIOUSLY CANNOT GET HIS FUCKING ACT TOGETHER LONG ENOUGH TO FUCKING LIGHT ITS BRAIN TO ASHES ALREADY, LIKE SERIOUSLY THOUGH. WHAT HAPPENED TO ALL OF THAT TALK ABOUT THE IMPORTANCE OF BEING FAST AND THE DIFFERENCE A SPLIT SECOND MAKES

Miruko if we make it out of this alive, I’m promoting you to number one. Fatgum will be number two. the only two pro heroes in this arc who have actually impressed me at all. shame on the rest of you. shame

so now somehow or some way Miruko is being flung into Endeavor at the speed of light

I don’t understand this at all. did the Noumu retract those bone whips back into its body superfast while dragging Miruko back with them and somehow it managed to avoid being hit by her projectile body but Endeavor took the impact straight on. this doesn’t make any kind of sense to me with my admittedly rudimentary understanding of physics. but then again it is a fucking manga so I’m not about to call NASA and ask them if this could really happen. so this was a waste of a paragraph I guess!! my bad!!

swear to god this is like the fifth panel of Ujiko just screaming. please just stop. what do you have to be worried about anyway? although if Tomura suddenly went crazy upon awakening and just straight up killed you for no reason, that sure would be delightful! that wouldn’t happen, though. or would it

WHAT IS THIS FUCKING FISH TANK MADE OF

IS THIS A TUBE OF GLASS OR A FUCKING FALLOUT SHELTER

ENDEAVOR I’M GLAD YOU’RE CONCERNED ABOUT MIRUKO BECAUSE I AM TOO, AND ALSO IT’S ALWAYS NICE TO SEE THAT YOU DO HAVE A HEART, BUT ALSO MAYBE JUST LEAVE HER FOR NOW THOUGH, SERIOUSLY??

though on the other hand it’s already too late to stop this inevitable tide, so maybe at this point they should all just get the fuck out of there instead. at least Miruko did her fucking job and saved you all from having to face the invincible unstoppable version. that’ll be a real comfort to everyone when he’s out laying waste to the countryside, I’m sure. but still

-- oh no

the boys heard that. listen you guys, I want Ujiko to die as much as anyone, but I’m gonna need you to not go anywhere near Shigaraki fucking Tomura now or ever. please. do you hear me?? you two still have both of your ears goddammit I want some acknowledgement

-- NO!!!

(ETA: is that. a fucking Tomura dialogue bubble. something stirs in the east. a sleepless malice. the eyes of the enemy are moving.)

THE MANGA GIVETH AND THE MANGA TAKETH AWAY nooooo from 20 pages last week back down to the usual 17. I got spoiled. I expected too much. sob

so now we settle in to wait two weeks to see if Mic’s piercing tones can shatter this fucking adamantium tank like a wine glass. I’m not sure I’m ready for the Noumuraki Tomuracalpse you guys. then again by this point I’m braced for just about anything though so bring it

[autumn-foxfire]

What Im thinking about today: BNHA n stigmatization of psychology.

The thing is, we as humans are very ready to help each other (most of the time). Thats why we try to rehabilitate prisoners, thats why we volunteer, thats why proffesions such as doctors, social workers and psychologists etc exist. I think we talked here before how most villains in the series havent been failed by heroes, they've been failed by societal safety nets that were meant to catch ppl like them, just like social workers try to catch endangered kids and psychologists try to catch people with mental problems.

Now i study psychology so ill concentrate on that. Obviously it depends from place to place but mental care is still very often looked down upon as 'something for crazy people.' I have personal expirience with that as when i suggested to my dad that maybe he should look into a psychologist too (after my brother started going to one) cuz he has some issues that he could use a hand dealing with, his response was 'what? But im not crazy'. I study psychology and he still often makes jokes about me treating crazy people in the future. I interviewd a school psychologist for a class and she told us that one of the first things she has to do in a school is get students to relax and feel comfortable coming to her with problems cuz there is a very clear stigma in everyones mind that asking for help with your mental problems is something bad, something wrong, something that means you are crazy, wierd, other and people do fear that stigmatization. Going to a psychologist doesnt mean you are crazy, it means you are having problems that you cant deal with on your own and that you need proffesional help with. Nothing more, nothing less. Those problems can be depression or they can be helping you to deal with lingering emotions from your divorce. Big or small, psychology is simply there to give you support and tools you need to feel good again. You wouldnt stigmatize someone for going to the doctor for a soar throat or cancer so you shouldnt stigmatize someone seeking p much the same help for mental illness.

But people still do because things ingrained in society are very very hard to uproot and things are going for the better with every generation but its a painfully slow process and there is no telling how many people fall through that net because they dont seek help when they still can because they think 'im not crazy im not gonna go to those mumbo junbo psychologist that mess with your head' which is very much like going 'im not gonna go to a doctor for my infected wound, they would mess with my body'. Untreated infections spread and get worse and people fall through.

This is what leads me back to bnha. We dont know exactly how long the world of quirks existed, i think i saw a post breaking it down to be for about 100-300 years but for the life of me i cant remember. We know its not terribly long. 100 years may seem long until you remember a single human can live to 100 years old. Now my question is, if a science such as psychology that has been present since like ancient greeks n egypt n stuff can still be stigmatized.

How accepted would quirk counseling be?

Lets not forget that quirks were heavily discriminated against in the begining, treated as monsterous and the other and the acceptence of them is still something fresh and more extreme mutations still face hate groups. Like its completly canon that there are people alive now in bnha whos parents or grandparents faced discrimination or died because of quirk discrimination (cough redestro cough).

Imagine being Togas parents.

Your child displays a quirk like that. You still have in memory your parent or grandparent who was discriminated and monsterized because of a similar quirk. Quirk counceling exists but why should you take your daughter there. Shes not a monster, this isnt something you should get someone else involved with, its a family matter and what do those counselors know anyway, they will treat your daughter as a monster and make everything worse. You can handle this yourself, you can teach her to supress it. Shes not a monster.

The wound festers.

This especially goes hard for japan whos big on the keeping things in the family aspect and not discracing the family. The stigma is still fresh in the memory and you dont want to be that family whos kid goes to quirk counseling. You shut the doors, you shut the windows, you deal with it within the family.

I think that while quirk counseling exists in bnha, it would most likely be seen as something thats shameful to atend, a admitance that you dont have control over your own quirk. Your friends might say 'what the fuck man why are you going there, you arent a monster' even if a quirk that has negative effects should be treated as shortsighted eyes that need glasses. Just because it doesnt function well, doesnt mean its bad. But well stigmatization of disabled is a whole nother thing our society also has problems with and that also connects to bnha (cough aoyama cough). I think thats why its so easy for people in bnha to fall through those safety nets. I do belive they exist but they are new, probably not the most super effective as most new things tend to be and are probably looked down upon.

And hate to break it to shiggy and the crew but thats the kind of a problem that can only be fixed my longterm education and normalization of asking for help rather then burning the systhem to the ground.

I hope that made sense i always get a little loopy with my points when i write a long one fgdgff

No, it makes sense.

Mental health is still stigmatized everywhere, even here in the UK where we’re supposed to have some of the best health care available (which is debatable). To bring something a little personal into this, my flatmates and I were playing a guessing game where I had to describe a word with other descriptions being taboo (in my case it was headache) and as my flatmates know I suffer from chronic headaches, I said as a clue that it was something I get often. Well, a flatmate who was a little tipsy at the time who knows about my depression shouted depression to my other shocked flatmates (I didn’t mind, in fact I found it hilarious). But after we had all calmed down, one of my flatmates said something that stuck with me: “Maybe you shouldn’t overshare things”.

Now, I don’t see telling people I have depression as something I’m oversharing. It’s not private, it’s a mental health condition I suffer from that can kill me if it goes unchecked (before starting medication again, I was very suicidal). In fact, it benefits both me and my flatmates to know that I have depression just in case. And yet it was viewed as something that I was “oversharing”.

This attitude has only arisen because people treat mental health as something that is shameful and should only be known among family members. In fact, I had no clue that DASS (a disability service in uni) was actually also for mental health issues because we’ve been raised with people treating mental health as something “in our heads” and so isn’t as important as physical disabilities, it was only until my uni pointed out that it was there for every condition, physical and mental.

The point I’m making is that I can totally see mental health in BNHA be treated as a shameful secret. Japan doesn’t have the best track record when it comes to mental health anyway (don’t they have some of the highest suicide rates?) so it wouldn’t surprise me if the BNHA universe is the same. In fact, the only mental health issues we’ve seen in BNHA currently are the extreme examples of it such as Twice and Dabi’s mania.

I would love to see Horikoshi delve a little more into quirk counselling and the potential stigma behind it. I know it’s been brought up once or twice (UA treats it as something normal but as teachers who see mental health issues all the time, it’s no wonder that they do) but not enough in my opinion when it’s probably one of the most important stop gaps between making villains.

I don’t have much hope, admittedly, but it would be something fun to explore in fanon too!

[flying-elliska]

S5 Review pt.1 : the Good

Arthur season is over, time to analyze it as a finished story ! This meta in 3 parts will go over the good, the bad and the mindboggling. My general impression of the season : excellent beginning, very meh middle, interesting ending. In short :  flawed but I feel people calling it a total disaster really are not making any effort to see it objectively. So ; let's dig into the why and how.

What I liked about this season :

A story made with and for Deaf people : It’s pretty evident when watching the interviews that Winona and Lucas really really enjoyed making the season and that it offered them an unprecedented level of representation. The creators obviously did their research, working with the people of the IVT. Personally I feel like I learned so much and the clips showing aspects of Deaf culture were among my favorites. It felt like a nuanced, rich, in-depth perspective, with details like choosing to get a cochlear implant or not, the testimony evening, the sign language class, Noee’s sign dance, the different ways to enjoy music, how to speak to someone who is Deaf, etc...showing that not everyone within that community has the same story or opinion, that they’re just people with their unique challenges but shared needs, as well as the really awesome culture that is part of being Deaf. It felt really respectful and a thousand miles away from the usual miserabilistic clichés - it brought up some concern about how difficult it is to be rejected/invisible in today’s society, but it was balanced with emotions like curiosity, admiration, and awe. I came to SKAM for the representation but I absolutely love getting educated about groups I’m not part of and I feel this is truly where the season shines. Learning from Deaf fans was also hella interesting. 

A complex discussion about disability : A central plot point, and one of my favorites, was Arthur learning to overcome his (now internalized) ableism. We see that Arthur is an overachiever and this change in his life upsets this idea of the perfect life he has in mind. He repeadedly lashes out at the other Deaf people he meets, makes fun of sign language, underlines how he is ‘not like them’ at the beginning because he is still clinging to his own self image. We can understand where this comes from when we see how condescending towards any sort of weakness, and focused on performance over empathy his father is. But as he learns to meet actual Deaf people and see the diversity and beauty of the community, he learns there is no shame in that sort of difference and learns to stand up for himself and that was amazing to see. Another important part was Laura and Melchior’s inclusion and beyond being very funny, they highlighted the idea that although disabled people have different, sometimes competing needs, they also have things in common, and that deep wish of not being discounted/othered/excluded. All the disabled characters this season were complex, real people, not there just to teach others a lesson or inspire them or be pitied or the butt of a joke, and that is so sadly rare nowadays. Even though some bits did feel a bit like a PSA, I feel like overall it was very well done. 

The politics of desirability : A theme running through the season is the idea that who we are attracted to is socially constructed and can really be biased by our prejudices. Alexia expressed this idea (albeit clumsily) in the bar scene early on, and this came back when she talked about her insecurities. This was also present in Laura’s insistence that disabled people have certain needs like everybody else. And finally, it’s present in Arthur’s own struggles - his fear of not being able to sleep with his girlfriend with his hearing aids, and his own difficulties in seeing what is happening with Noee and him saying ‘she’s deaf’ to the question ‘is she beautiful’ even as he is obviously into her. Our society gives us this incredibly narrow set of criteria for who is considered attractive - thin, white, able bodied, etc - but people’s actual real patterns of attraction and finding beauty are, when you set those prejudices aside, and see the beauty of people for who they are and not how well they fit a box, so much more broad and generous and diverse and I loved how this season highlighted that. 

Technical excellence : God, the cinematography this season was absolutely off the charts, it makes me wish they could redo previous seasons with this amount of style. Shots like Arthur under the shower, or that party at the Asso with the blurry dancing, the shots in the pool, or the ones from the farm episode...INCREDIBLE. The sound editing was used sooooo well to put us in Arthur’s shoes, it was a wonder and I really felt how intense the change must have been for him because of that. And the acting is impeccable. You can really feel how well these actors know their characters by now, they have total mastery of their portrayal. Robin did an awesome job with tough scenes, but just...everyone was on their best game really. 

A nuanced portrayal of abuse : Arthur’s relationship with his father was thouroughly heartbreaking, and it felt very real. I am very grateful that they didn’t try to redeem him - it’s important to show that even if you are trying your best, some people are toxic abusers and the best thing you can do is take your distance. I felt it right away, in the subtle way he was dismissing and belittling his wife and son, in the ways he was asserting his control over them, and I wasn’t surprised at all when more came out. It surprised me in the beginning that so many people were arguing that the father was caring, just strict - I feel like the signs were so obvious but I guess that’s the point. Abuse is a pattern that becomes visible over time and abusers can be perfectly charming and reasonable to people who don’t know what it’s like. Growing up with that is isolating and terrifying and it does awful things to your self esteem and your capacity to be in tune with your feelings. We can see that when Arthur basically defends his father’s actions because he is still so eager to have his love and placate him. Arthur’s behavior did not come from nowhere and it was inspiring to see him grow past that and realize he did not have to perpetuate the pattern and make his own choices. Also, his relationship with his mom was very sweet, supportive (her smoking weed with him was awesome) but complex - the way he was mean to her sometimes, condescending bc of her lack of studies ; the way she blamed herself for not seeing sooner - she must have been subjected to Patrick’s more emotional abuse, and so she will probably feel like she should have reacted sooner or known and that’s like...painful ugh. This whole thing was so raw and real. And it was incredibly important to see the nurse and her Jerome - adults, with medical knowledge - see Arthur’s situation and tell him that sometimes you just have to leave. 

Highs and lows of friendship : Basile !!!! I was not a fan in s3 but the great aspect of POV shift is allowing us to see some characters through a different angle - even though I think Basile went through a lot of growth too. In Lucas’s season he was meant to be the annoying gross overly straight guy as a contrast - but for Arthur he is this devoted friend that is so open and sincere in his affection that his awkwardness comes off as endearing instead. You really understand why those two are friends : Arthur is smart, sarcastic, he can help Basile with social awareness and hype him up, but he’s also so painfully guarded and finds it hard to express emotion, I think, and it makes sense he loves Basile’s spontaneity and big heart. Meeting his grandfather was also so funny and endearing, as were all the marks of more physical affection he wasn’t afraid to show Arthur. I think having a friend like that is part of what allows Arthur to finally stand up on his own - whether against his father or deciding he needs to be single to figure himself out. As for the Gang in general, I loved the moments where they were all happy together (the early graffiti clip is truly one of the shining moments of the season for me) but their later spat is also quite understandable to me. I find it very realistic that although they are trying their best to accomodate their new friend’s disability, they’re going to mess up, that’s part of the process. The most important thing, I think, when faced with someone who is different from you, is to engage with it (respectfully) - ask questions, not assume. And communicate ffs.  I also really liked those moments where the Crew and Gang came together, it gave this big end of high school vibe where all the squads merge and there is this feeling of having gone through an ordeal together that makes everyone closer.  There were also so many funny moments  that were absolute gold (the wheelbarrow ! the dinosaur balloons ! Imane getting attacked by chickens ! Emma and her horse! ).

Arthur on his own : I liked the more introspective moments we got this season. The successive alarms while he was angsting about his hearing coming back were such a clever way to put us in his perspective - there is already a lot of stress linked to a morning alarm, isn’t there ? We all know that moment in the morning where we don’t want to get out of bed and face the world, and taking that emotion and adding Arthur’s absolute stress at realizing that this change is lasting, it was really effective. Arthur’s link to water, as a symbol of another world where sound is much more diffuse, is quite interesting too. And the moment in last episode where he puts his glasses back on, too, as a more obvious sign of a disability that is very socially accepted and that is just part of who he is, just as his hearing loss is. We also got a moment with the bench of loneliness that was an interesting parallel with s3. (I love how the Buttes-Chaumont parc has become this double symbol in Skam France of both loneliness/alienation/putting on a mask and growth/return to authenticity.) And I like that he ended up the season single and deciding to figure himself out. It’s a big aspect of his character that he has spent too much time trying to conform to expectations and that he was super walled off as a result, that he hurt others without realizing, that he found himself boring, that he didn’t seem to open up to his friends, etc...and in the end he is a lot more open but he also knows there is a part of growth that being in a relationship cannot bring him. He can’t use women the way his father did. I respect that a lot, honestly, it’s what saved the end of the season for me, that they didn’t end up putting one girl above the other and made it about Arthur being lost and needing to find his way on his own. 

The tornado and the sunshine : The new characters were awesome. Her role in the plot set aside, I really liked Noée as a character concept. I think Winona was awesome, and I liked Noée’s mix of warmth and feistiness. I like that they let her be angry at the way the world treated her, and compassionate at the same time. Also her headbutting that guy in the club that didn’t want to listen to her was !!! iconic. I loved her style, too, and that dance was so beautiful. Camille was a great addition to the team too, Arthur was lucky to find someone that patient and his dry humor but sunny disposition were great too. It was cute to see him with Mika as a couple of gurus - that we did get a Deaf/hearing couple was a good addition to the season, I think - and I hope we’ll see both of those new characters next season, too. 

Queen Alexia : She was definitely one of the characters I had the most emotions for this season. She’s just so cool and her perspective on life is just so mature and interesting, her acceptance of herself and others so inspiring - a lot of the early clips with her were adorable. I loved how supportive she was in such a creative, playful way - that game she made for Arthur, the boards she brought, etc. The moments she talked about her insecurities, if bittersweet because of what happened later, remains one of my faves from the season. She was so beautiful framed by rainbows (also apparently that’s her sign name ? Amazing.) And the moment where she sings was just...oof. She was really brave and strong to be able to do that, to express her emotions and hurt in such a public, dignified and creative way. It was a moment of reckoning for Arthur, putting him on the spot and recognizing how much he hurt her, but it was done in such a graceful way - the way she signed to signal her acceptance of his Deafness, the reminder that she loves him and won’t be able to forget that immediately, and a rejoinder to recognize his feelings towards Noee, etc. She wasn’t perfect (organizing that meeting without asking really pushed it a bit too far - you can’t rush someone else’s self acceptance) but she was just ...really good. 

Elu as an established couple : One of my biggest reproaches to s3 is that they didn’t give us enough fluff after all the drama (time constraints, I know, etc.) But this season they really delivered. And listen I know some fans love to blather about fanservice but fuck it, I just love seeing a healthy domestic queer couple on screen !!!! It’s just so bloody healing, because they feel real and in love like nothing I have ever seen on screen before. Maybe because so often straight actors are so awkward at playing queer intimacy and they’re really not. Seeing them in their new appartment was like a pure shot of serotonin - morning croissants ! fairylights everywhere ! but I also liked that it wasn’t too fluffy one note. We can still see that Eliott struggles with MI, that Lucas has some insecurities, but yet their devotion to each other is still as strong, as in “he’s my boyfriend and I love him.” It was a hopeful note throughout the season, Lucas being persistent and devoted all through the challenges of being with someone who is mentally ill. Also, I really liked Eliott’s role this season, as a sort of...provider for the Gang ? Getting them a van, bringing them to the cool graffiti place, making this fresque for them...you can feel he’s not 100% part of the gang because he’s older, already in college, etc, but at the same time he has sort of an observer role that can give them things no one else can. I feel like Lucas confided in him about the troubles they were going through and Eliott can empathize with being treated different, the fear of losing your friends...so Eliott helped them in his unique way, through art. And him having this new secret place he can bring more people to, and so full of color and sharing his art with people and !!!! God I’m emo he’s just my fave character ever really. 

The pressure of the future : Listen the last year of high school in France is horrible, there is the pressure from the BAC + half the people are passing entrance exams and doing interviews for the stuff you want to do later and it’s so stressful and I’m glad they touched on that at least a little. Emma really embodied this theme this season, of the pressure of not wanting to know what you want to do later. It’s really when you realize that they’re all so young and being asked to make such big decisions for their entire lives is really sort of fucked up, and I think her being there is a way to dedramatize not knowing, and gives Arthur the freedom to see he doesn’t want to be a doctor ; I liked the apt comparison with Imane’s passion for medecine. I wish we’d seen more of Arthur figuring out his real passion (did he make that painting or what ?) but I appreciated this storyline. 

Overall, I think this season was full of excellent moments - either funny, heartwarming, heartbreaking, or edifying - and it provided some much needed quality representation for the Deaf community. In that, and having educated a lot of people, it is at least somewhat a success. However, as a whole, it did not quite come together for me, which is what I will analyze in my next post. 

[sneakerdoodle]

On Second Citadel and unity

It was interesting to me that, after making Junoverse a very poignant gender utopia (and general lgbt-utopia, too), Kabert went ahead and made their second storyline so heavily centered around bigotry and discrimination (dealing with topics of ableism, mysogyny, homophobia). now, obviosuly, Junoverse is not even remotely free of inequality, and as far as the mentioned topics are handled this utopia is not disability-friendly, with prosthetics not being readily available with no charge, which, like many other things, strips people of their autonomy, turns them into a rich man’s plaything. But here inequality is arguably explored from the point of exploitation of one human being by another, of abuse of power (interpersonal and social-scale). Whereas Second Citadel opens with an episode about two knights - a disabled one and a woman one - both of whom struggled for similar reasons, so there is supposedly little power imbalance here. And yet they do not see eye to eye, even more so, one of them furthers the other’s discrimination. We can speculate that that’s Sir Caroline’s effort to fit in - strengthen the sense of her hard-earned belonging by othering someone who never got that right to belong. Which doesn’t make it any less infuriating and damaging, but sets the tone of the story very well. There is no strong thriving off the weak. There are just people infinitely rejecting one another on the basis of their differences, often under the weight of their own rejection.

The topic of ostracization and discrimination is tackled in almost every arc of SC, but the idea of othering extends beyond it. The central conflict, the ongoing war is between monsters and humans - and while we’re more familiar with the human side of it, while we may learn more about the history of their conflict and who wronged whom first and worst, for now we’ve seen both humans and monsters express deep disgust for each other and one another’s way of living. And then the same happens on a smaller scale, within one species: we see the mutual disdain between Northerners and Southerners. Sir Caroline is different not only as a woman but as a foreigner; the Cinderclasp episode made it far too clear that the attitude to foreigners in the South is no better. 

And all of that unravels against the backdrop of pretty phrases about unity that get repeated over and over. “Strength in Unity”. “Two in unity, simple, strong”. I believe those are not instruments of irony, however, but keys to the central message, echoes of this societies’ past and - hopefully - foreshadowing of their future.

Sir Caroline twists the meaning of that unity in order to keep her authority:

ANGELO: Sir Caroline, I really don't think-- CAROLINE: What is the primary edict of our Citadel, Sir Angelo? ANGELO: Strength in unity. Of course. CAROLINE: And the sooner you all remember that, the safer humanity will be in these Northern Wilds. Hypocrites. The lot of you. Unified only when it’s convenient. No better than monsters in that way: greed governs all, and everyone just does what they want to get what they want. If you just listened to authority, real authority, you might actually be safe.

And that happens to highlight what unity is not: giving up one’s autonomy and approach and unique competence to fit into someone else’s model of desired reality. 

Here Damien’s words about perspectives come into play. However labored and uncomfortable they were, showing his inability to not fixate on what separates others from him, they are important as a piece of the meta puzzle: they make us think of inherent value of different experiences.

DAMIEN: My kind, kind friend. I agree that it is a shame that we cannot trust these men. They would be valuable allies, as Sir Caroline was – for moving through the world as she has, in a life quite different from ours, has clearly gifted her with ways of thinking that you and I would never come to. ANGELO: Very true, very true. DAMIEN: And so I am certain that given Marc’s...situation, he too must have a perspective of great value in our mission. But the simple fact is that he cannot be trusted.

The importance of these lines is backed up in Lady of the Lake, when Caroline is instructed to use specific characteristics of her subordinates and turn them into strength that would aid the mission. We are told over and over that true unity is in embracing our differences, valuing them and working together to make these differences work in everyone’s favour. 

There is something to be said about quite careless exploitation of Damien’s neurodivergency of course, but that is once again the warped verison of true unity, showing what unity is not, but also simultaneously giving us some idea of its potential. At the core, behind Sir Caroline’s personal errors, the message is kinder, broader. We are told again and again that the importance of the unqiue approach, unique way of thought, unique operation of our minds can enrich our shared experience and cooperation beyond measure.

So when later on Sir Caroline instead tries to suffocate any challenge to her authority, any alternative point of view, it comes as the biggest whiplash.

And of course, when discussing the monster-human antagonism in this vein, the Moonlit Hermit arc gives some truly invaluable material. Rilla and Arum’s interactions are strongly based on the differences of their approach to the world, with Rilla’s being a rational one and Arum operating on what can be called intuition, spiritual sense and probably instinct. He despises attempts to rationalize the free broad flow of the universal energy.

And what we see is two of them coming together, sharing their views of the world and finding something useful, fascinating, beautiful in the point of view that seemed so unthinkable before. That culminates in the truly breathtaking scene of their discussion of the nature of music, whether it’s magic or math:

RILLA: I mean..why can’t it be both? ARUM: Nonsense. RILLA: No, I mean...maybe that’s what makes music special. It uses these predictable scales and measures and combines them with some unpredictable, something-- ARUM: Magic. And what comes out isn’t really either. It’s...more.

“It’s more”. Can’t overstate how hard this hits. And the parallel between this theory and Rilla and Arum’s relationship is more than on the nose, proving to us once again that the idea of unifying our different experiences and perspectives as something incredibly valuable, something that creates something new, rich, priceless, that is more than just a sum of the two, is central to the narrative.

What is interesting to me in the Moonlit Hermit arc is the distinction that is made between the monsters and the humans. Humans are supposedly rational while monsters speak of magic and the Universe - what a fun narrative is that! Monstrous spirituality... And then later on we have Damien raging at his saint, yelling “It is only monsters who listen to their heart above all!” - but apparently it is not. 

The new season offered some helpful context to that, specifically - the Thought Stream. Obviously referencing the Tarot, it has four suites resembling the Minor Arcana while what can be called the Major Arcana is not a part of the deck usually but something that appears unpredictably (specifically: Olala’s card that does not belong to the Wilds, Wastes, Frosts or Mirrors suit). 

The four Tarot suits (Swords, Cups, Wands and Pentacles) represent different areas of our life, separated: Intellect, Emotion, Spirituality/Creativity and the Material. Mind, Heart, Spirit and Body.

The four suits also correspond with the four elements. And Water is the one corresponding with Heart, with our emotions. I do not think it to be a coincidence that Saint Damien - the one encouraging his follower to listen to his heart, teaching him tranquility i.e. not losing oneself in the stream of emotion, the one teaching how to let one’s heart guide not stir - has water and the waves as his symbol.

So if Damien is Heart, Rilla is definitely Mind: she is analytical, a determined problem solver. I believe Arum represents the Wands: the Spirit and the fire - and that it is a symbol connected to monsters’ society in general. 

Wands suit deals with passionate creation, with realizing one’s vision, bringing something into the world. That seems in line with the monstrous philosophy in general. They talk of one’s place decided by the Universe, they say one is justified in their actions as long as they truly do what they want, follow where their passion guides them. There is quite a bit of hypocrisy there as we can see in the Spiral Sage arc, the monster society may just be keeping the platitudes while giving in to the power of the strongest no matter the Universe’s place for the weak - but the ideal is still there, and it is one Arum seems to follow wholeheartedly. (Hence his interpretation of Damien seemingly abandoning his path as a lack of character.)

The same idea - one’s place in the Universe - is brought up again in the first part of “The Fool in the Garden of Death”, showing this belief spreads beyond monsters’ society, into the Western Wastes. None of the elements, be it Heart or Spirit, are strictly one species’; however, we’re dealing with different cultures and ways of life people are most accustomed to, prioritizing different aspects of life. And we’re being shown that maybe engaging with each other is what those cultures are supposed to do.

The Thought Stream’s deck is made up of four suits corresponding with four ends of the world, four parts of it. Where in Tarot we have aspects in Thought Stream we have places. This reinforces the concept of different aspects of life, different ways of approaching it, corresponding with specific societies. 

Each of the suits is given an identity, but all of them make up one deck.

After all, what’s one aspect of a being without all the rest? Reign of just one’s Mind, Heart, Spirit or Body - how long can it last before turning destructive?

True strength is in balance of different elements - in unity that recognizes the value of each of them.

I have a theory that the ideals of the Second Citadel are the forgotten and revamped mottos of the beings of Fort Terminus: “two in unity” being not two partners but two worlds, monster and human, coming together to create something that is more, something new and powerful and full of potential. Capable of building something as impressive as the Bridge. I also have a theory that the Bridge is a parallel to the Tower of Babel. Which brings us to the idea of a divided world unable to see past the differences between societies, and through that losing the power that unity used to give it.

Showing the world where difference is shunned and leads to ostracism, where people that come from different places fail to acknowledge each other’s humanity and refuse to embrace their differences, where two species fail to accept the other’s way of living and deny the enemy their humanity/monstrosity, the Second Citadel storyline is offering a greater value as an endgoal: embracing difference and diversity, seeing strength in what sets us apart from each other, and recognizing that we all complete one another, like the four aspects of our own being, like four pillars upon which the sky rests. Deny one single pillar’s importance and wait for it to come crashing down on you. It says: to know true strength, we should welcome any and all experience, all of the unique perspectives, celebrate the differences that make our shared existence so much richer and make us so much more capable to deal with challenges of life. Strength in unity - not in uniformity.

[skamamoroma]

I have to admit I am a little disappointed with a few things this season at this point and it’s such a damn shame. Not everyone will agree with me and that’s no problem but these are my thoughts ☺️

They had me in the palm of their hand at the beginning and for quite a few of the early episodes. It was stellar, moving, intriguing, creatively structured and I was so interested to see Arthur navigate the d/Deaf community and his hearing loss. All of it was so engaging and made so much sense. I learned so much!

That said, after a while I felt a little disillusioned because of repetition. One thing, for me, that was stellar about the original is how succinct and expositionless the show was. It was so real and I LOVED when they even missed stuff out for us to work out and weren’t wholly full circle because it felt like real life but the seasons still made total sense and we still felt the character arc.

The repetition is fine, it wasn’t my favourite way for the show to get the point across that Arthur was struggling to find his place and struggling to live life as he always had done... and struggling to navigate stuff with the boys and Alexia. But it served its purpose I guess.

I absolutely understand the themes of “between two worlds” and isolation and the navigation of a young person and disability. There’s so much to learn there and I don’t for a second dispute that the show did research because my goodness - they did. Those clips have been, for me, the best of the season. There has clearly been so much overwhelming effort and that’s wonderful and I have seen so many folks who understand Arthur’s journey feeling so happy and represented which is... well that’s special.

But then the show kind of lost it a little for me with the relationship stuff. To be honest, for me as a person, I don’t put much stock in sex or intimate scenes but I do put a lot of stock in relationships between people whether they’re friendships or romantic love.

I was really happy that we were seemingly getting an established relationship for the first time with Skam outside of Eva/Jonas because we’d seen these two characters and knew and loved them! I wasn’t necessarily big on Arthur and Alexia as early on they felt shoehorned together for the sake of it but the show did a lovely job of showing them together, explaining why they were together and really establishing Alexia as this source of warmth for Arthur.

It’s not that I’m sold on them as a couple so much that I’d be devestated if they broke up. That would have been fine with me. I expected drama but it would have been so refreshing if that came from within their relationship. But the show, for me, dropped the ball with the romance and god is it a shame.

It’s obvious people will compare here with Lucas/Eliott. Cheating is an element of that season. It always has been in every version. Is it right? Absolutely not. But it has its purpose as we’ve seen time and time again and it’s tied to the themes of the season. We watch from Lucas’ perspective and so obviously are supporting and understanding him. So we have no emotional attachment or understanding of Lucille except for through Eliott and we understand immediately that they aren’t ok, that Eliott wants to end things and we see their relationship in glimpses and it isn’t good. We don’t have investment there and we also understand why Lucas is doing what he’s doing with Chloe because we’re seeing his mind being twisted. None of it is ok but the relationships that fall apart are both toxic or built on lies or unhealthy or close to over and we have a love story play out where both participants receive their source of understanding and warmth and comfort and understanding from each other. It’s messy but it makes sense despite that. But the fundamental is that the love story can be enjoyed and watched as a positive thing despite the mess. All of that stuff was tied to the issue of sexuality as Lucas felt confused and the issue of mental illness as Eliott felt controlled... here, it is added as an aside and the link is Noèe is Arthur’s gateway to this beautiful new community... but romance here is not necessary. It was chosen and it could have worked perfectly but I’m kinda sad they did it in this way.

Here, I’m so disappointed they have effectively presented Noèe similar to the way they presented Eliott (like an Even). She’s bold and beautiful and feisty and creative. She is a gateway to this new world and is kind and gentle and supportive. She had all of these sweeping beautiful moments and their chemistry was wonderful... but I couldn’t enjoy those moments because we have Alexia waiting in the sidelines.

It’s not the same. Alexis is a character who is loved. She is a character we know and have invested in and who has, traditionally, been sidelined in most remakes as the comedy female and often sadly focused on because of weight and actively dismissed because of it... and so we have emotions for her. We see her support and try with Arthur, offer him advice and love. We see how she doesn’t maybe get it perfect but goodness she tries to hard.

And we watch her for weeks be cheated on and lied to. It’s just so disappointing to me and doesn’t narratively make sense to me. It overshadows and taints the stuff with Noèe and rubbishes Alexia as a character... and for what purpose? The between two worlds idea was stark enough without romance included. It makes both romances, to me, seem unhealthy. Perhaps that’s the intention? If so, fine! If Arthur ends up alone knowing he has to navigate this himself then I’d understand him being flawed and struggling and making mistakes with both girls but I don’t think that’s what will happen.

I’m struggling to see the value of the way it has been done, sadly. I love messy flawed characters but stuff has to narratively make sense and all of the emotional stuff is there... I understand WHY Arthur would like Noèe, I understand their relationship, I understand Alexia and I could understand Arthur being torn but to do it this way not only makes us feel disappointed in Arthur, it presents Alexia as the scorned woman and reinforces all those stereotypes her character was sadly built on (aka that she will be second best or overlooked) and it taints Arthur and Noèe’s relationship from the outset. What a shame. Skam France seems to have a habit or doing this - they did it with s4. They push stuff so far that they end up achieving something that is so damaged or broken that by the end people find it difficult to be on board.

I’ve said it so many times but had it just been about Noèe then I’d have been 100% on board because she’s a dream!

And now to place a kiss directly after Arthur explaining how he has been physically (and no doubt) emotionally abused by his father felt crass! I get that it was an emotional moment but that’s a reveal we’ve been waiting for and a sickening one. That cut scene made me feel sick.

I’m curious as to how they will develop things. Obviously there’s a lot happening but I just feel disappointed that so many of the moments this season where we are supposed to feel something have either been repetitive, overshadowed by negativity or have been placed there for dramatic purposes rather than genuine movement in the plot. So so so much good has been done and I am so thrilled for the young Deaf community in France that they have so much of this season which had been meticulously researched and supported by those who know what it is to be deaf/hoh. That can only be a positive thing but I do feel like this season has lost its way, for me, and I’m struggling to engage in the way I normally would because of stuff I really don’t want to be focusing on... there are bigger more important things to focus on and it is all being drowned out with pointless and illogical relationship drama that truly isn’t needed. Anyway - let me know your thoughts! It’s perfectly ok not to agree with mine ❤️

[ambidextrousarcher]

Sarcastic StarBharat Reviews: Episode 16- In which we visit Kuntibhoj.

The episode begins with a shot of the map, it focuses on Hastina. Then we cut to a scene of Vidhur saying that Jarasandh has married his daughter off to Kans and surrounded Hastina. (Is that actually a canon fact? I doubt it, but I shall withhold judgement.) He continues that Panchal alone is the Kingdom between Magadh and Hastina. Honey Boy says that the Southern Kingdoms are their friends. Paragon of Perfection intercedes. He says that Vidharbh is friendly, but to Magadh and not them. Satyavati says that if Honey Boy leaves on a Vijay Yatra (IDK what that is, but I guess it’s Digvijay?) then he’ll have enmity with many Kings. (Huh? Isn’t Digvijay where he subdues Kings? At least that’s what I think it is in canon.) But if he doesn’t, the Jarasandh will think he is powerless and attack them. Mr Angry Drama Queen and Annoying Poseur enter. Drama Queen does his usual angry perfunctory pranipaat, then states that it seems a matter of great importance is being discussed because the King and his whole council are present. Honey Boy does a pranipaat to his elder brother. He continues that there is a grave problem and asks for Drama Queen’s help. Drama Queen, as usual, reacts angrily. He asks if he should be of service to the King and if that’s the case, why their grandmother had to call him when he’d have obeyed the King’s orders anyway. He sarcastically stresses the ‘Maharaj’ part of the sentence. Honey Boy says that he can only request things of his elder brother, not order him around. Drama Queen states that if a King requests, it is equivalent to an order. He continues, asking if he is destined for death or imprisonment. Everyone looks shocked. Satyavati exclaims “Putr! What are you saying? Why would you be punished?” “For the crime of being an elder brother, Rajmata. Being a King’s elder brother, is that less than any offence?” “Elder brother, listen to me. I and Vidur think that you should be Hastina’s prime advisor. Pitamah and the Rajmata are also okay with it. It will be a position above the Mahamantri.” “But such a post doesn’t exist! Will you create one for me? What is the purpose of that? What use is this blind man to anyone?” I honestly don’t want to shame disability, but most disabled people try despite their problems. This guy is hardly the only blind person in the world, why does he drag his blindness into everything? “The darkness of his eyes casts a shadow on his brain too, isn’t that so, Mahamantri?” “Elder brother…” I give full points for being tenacious in the face of extreme ott drama to Honey Boy, if not much else. “Leave it be, Pandu! Leave it be. When I was a child, I used to cry as I wanted to see the moon. Mata Ambika used to give me a sphere of gur (jaggery) and convince me it is better than the moon. I am no child, hence there is no need to give me false platitudes.” He walks out. Phew. I hope that’s drama quota done for the day. Obviously, I am not so lucky, for Drama Queen turns. “I have a question. A coronation is a yagna, something that cannot be done without a wife,” (You mean Shantanu was married to Ganga at that time? No, I don’t think that’s possible so, hi! Canon fail #25) Vidur tries to intercede but is shot down. Drama Queen talks about tradition, his Dharma. Wait, this guy actually has a Dharma? He talks about eligibility, makes a jibe at Vidur and turns to leave. “I will prove my eligibility, elder brother,” Ah, Honey Boy, honestly I don’t know how you haven’t lost your temper yet. “You can test my eligibility if you wish,” “Time alone can test us, Pandu. I am not time, merely a time-worn man. Wed before the yagna of rajya-sthapna, Pandu, to a maiden who’s sons will protect Hastina, such as my sons with the Princess Gandhari.” Ugh. Those kids just lead to ruin, dude. Pandu’s sons, at least the younger four, do way better. “Isn’t a good wife an eligibility for the King?” he hisses, stalking out. Mr. Annoying Poseur does a pranipaat. Honey Boy glares at him. Scene changes to the precap scene. Satyavati worries Mr. Annoying Poseur might make Drama Queen revolt. Mr. Paragon of Perfection spouts philosophy. They come to the conclusion that Honey Boy needs to marry ASAP. Seriously? Okay. Cue precap scene. Once Satyavati is done angsting about the lack of suitable ladies, the scene cuts to hunters with bows in hand galloping through greenery. They’re following a deer that’s trying to protect its kid. They shoot. A lady shoots an arrow that shatters all of theirs. Ah, I can see the archery genes, lady. It’s obviously Kunti. The BG music of Suryadev Sogaye… plays. I actually like that song, tho I hate the git it’s meant for. “Princess, why have you broken our arrows?” asks a hunter. “Have we committed a mistake?” “Not a mistake, an offence,” says Kunti. “The deer has a baby, have not seen? Taking a mother away from her baby is the biggest sin you a do. A baby without its mother will have nothing but fear.” You know, I was actually liking the beginning of this scene. I don’t like it anymore. Nope. It’s obviously heavy foreshadowing for Kunti being Karn’s mother rather than Arjun’s. Ugh. I don’t want this! It’s blatantly whitewashing that git and he hasn’t even entered yet. It’s clear that he’s gonna be glitterwashed even more than the paragon of perfection. Anyway. A lady enters on a horse. “The King has called you to the palace.” “For what?” asks Kunti. “The date for your Swayamvar has been decided.” Oh. “Swayamvar?” There’s a shot of Kunti galloping back and then the camera focuses on something that looks suspiciously like the set of the Kashi Swayamvar. Preparations are clearly going on. Kunti enters and does a pranipaat to her father. “Ah, daughter, you are here,” says Kuntibhoj. “Have you announced my swayamvar father?” “I do it with much pride, it will be done with the pomp and splendor of a festival,” “But…” “No. An auspicious event should not be started with words of uncertainty,” Gosh, is there one character in this cast that is not an ott philophist? Seriously?? “You only told me that an auspicious event should not be attended with fear in our hearts.” “Are you afraid of the Swayamvar? You have pleased Rishi Durvasa himself, what do you need to fear?” She turns away. “Something…something is there, father,” she says. “What is it? Only an offence can cause such worry and I have complete belief that my daughter is innocent of any offence that can injure my reputation.” Kunti looks at him. “What is the reason for your worry?” “Father, I..” she starts. Kunti’s friend has terror in her eyes. “If I leave, who will take care of you?” Her friend heaves a sigh of relief. “Brother is only a child.” Says Kunti. “My child,” Kuntibhoj hugs her, kissing her on the forehead. “You have taken too much care of me. Worry about your husband now. Dream of happiness and joy. I believe that the best man will be your husband. Hence, I have sent invitations to the best Kings of Aryavrata.” Scene switches to Hastina. Vidur is opening a letter, speaking of Kuntibhoj’s intention to hold a swayamvar for his daughter, Kunti. Satyavati is against attending. “She is not his daughter, she is the biological daughter of Shurasen, a Yadav. How can a girl who’s not a Princess become a Rajmata?” Excuse you? Have you looked at yourself, lady? When were you a Princess? Hypocrisy, seriously. Bhishm says that she has the twin qualities of Kuntibhoj and the Yadavas. Vidur says that they will be allied to two countries at once. Satyavati snaps that she’s not on the lookout for allies, she’s on the lookout for an eligible Princess. Oh, BTW, I’m pretty sure that no one was opposed to Kunti’s ‘eligibility’ like this, so here comes canon fail #26. Bhishm speaks about Kunti pleasing Durvasa, saying that she would have Dharma’s blessings on her. Scene switches to Kunti on a riverbank. “What were you going to tell the King, Princess?” asks Kunti’s friend. “That the daughter he thinks of as pure and divine has a secret in her heart.” “A secret that can shame you in front of the entirety of Aryavrata. What use is it confessing that? It was a mistake made in innocence. Remembering that is useless. Forget it.” “How can I forget?” asks Kunti, to the tune of the very beautiful BGM mentioned before. “I can still see that vision…” Scene flashes back to Kunti falling down with a basket of flowers in front of Durvasa, standing up, taking the basket again and walking over to him. She looks way older than 13-14, so here’s Canon fail#27, as Kunti was no older than that when Karn was born. “I am pleased with your service, Princess Kunti. Before releasing you of the same, I, Rishi Durvasa, hereby give you a mantr that will give you the power to have a son from any God you wish.” Oh, no. They’re gonna bring Karn into the picture! Ugh. Kunti bows as she is gifted the boon. Scene flashes to her calling the Sun God. Surya makes an entry, telling her that her son by him will have the same brightness. (Oh, really? I honestly can’t see any brightness in the canon Karn, but hey this is glitterwash Karn, so obviously it’s the brightness of glitterwash, no?” “Son?” asks Kunti. Episode ends. Precap: “Who will be the person that doesn’t think my mistake to be identity? Who will accept me?” asks Kunti. Scene flashes to Kings entering. Pandu stops a swordfight between two Kings. “Someone would be there, right?” asks Kunti. Camera focuses on Honey Boy.  

Getting through this episode honestly took me days, hope things speed up now...

Tagging my usual mutuals: @ratnas-musings @butchcaroldanvers @mayavanavihariniharini @hermioneaubreymiachase @mayavanavihariniharini @iamnotthat @allegoriesinmediasres @chaanv @medhasree @whydoyoucareaboutmyusername

[retphienix]

Credits are rolling as I type because I saw fit to forego capturing since I didn’t REALLY do a live playthrough on the blog and instead just showed off moments here and there.

Just wanted to say, that was damned good.

It gave off such a dnd vibe to me and since I’ve yet to indulge in that truly it was a nice romp.

But seriously, what an awesome game with even more potential if more were to come in the series. Phenomenal writing and a very simple but ingenious gimmick of making magic simple but full of potential since it interacts with the elements and environment. A+ stuff there.

Did get a chuckle out of the ending slides surrounding a CaC gaining divinity basically just sliding the camera onto the same image 6 times where it clearly would be different slides if you used a default character lol.

What to dwell on...

Combat in the game was phenomenal! But it’s funny to me how it ended up in MY party.

Since I made the grave mistake of letting all the companions maintain their default classes I ended up with a rather eclectic combo and my OWN stubborness lead to me sticking to that for the most part.

Beardy as a full on warrior in the vein of my old WoW character. He ended up being a friggin’ godsend to the team since I ended up going more physical damage than magic (but still a 2/2 split team count wise TECHNICALLY).

Going heavy in 2h weapons and stength just resulted in him tearing everyone apart at a moments notice all while having his hand on that idol of resurrection so I could literally never be too risky with him. (A touch of a difficulty equalizer in some cases and complete nullification in other instances sadly)

Beast ended up molded to straight hydro for heals all while wielding the biggest shield I could manage at any moment and stacking con/int. He was bulky, sure, but didn’t really abuse that much and instead spent every battle freezing everyone with freezing blast and rain, or saying screw it and using blood rain with his torturer perk so everyone bled while he spammed heals. It was effective but mostly just CC.

Fane was the second MVP if not total MVP? Beardy really did the most all said, but Fane? A Necessity At All Times.

He was holding the second idol, though rarely needed it (neither did Beardy to be honest, but still).

Fane went all in on summoning, and aero as his secondary for when he ran out of spells etc.

His incarnate was insane through this run, I love how summoning can honestly give you either a huge physical damage output buff or any element you please. His summoning is why my 2/2 split party ended up leaning heavy on physical, because it made more sense to abuse a physical incarnate’s output than to constantly grab a water one (for restoration magic and water damage) or fire or whatever else.

Having powerful shock spells was nice too. But mostly he summoned and then buffed his summons. I INTENDED to stack some poison related spells on someone for healing him, but Fane ended up going the entire game after act 1 without healing outside of bottles and he did just fine. God that sleeping bag or what have you is op for out of combat and who needs healing in combat when you have an insta-rez on death and tons of damage going out.

Oh and by the end I decided to spend like 144k on a ring with 1/3rd the magic defense on it because he permanently poisoned him. So that was nice.

Sibelle did fuck all the whole time.

Which is rude to say, sure, and you’d be right to say that. I ended up enjoying Sib’s character and she did put out some nice burst damage in physical form at the start of most fights.

But I never gave her a chance and it shows. (in terms of build).

She joined as a worthless rogue with no invis or survivability and dual wield burst being her only tool, and instead of fixing that with some invis or survivability, I said “Sure, Sib. You’re a lethal assassin. Tell me how that works out.” and she proceeded to spend like 60-70% of the fights in the game face down in the pavement because after her initial burst of damage she’d die and I couldn’t be arsed to care.

She lived the final fight just fine though, go figure. She didn’t go down once and actually pulled her weight for more than just the first round. How novel a concept, Sib. Maybe next time grab some other talents outside of just scoundrel and dual wield.

What a self burn where I say I stubbornly made a bad character and it’s their fault. lol

Speaking of those idols real quick, it cracks me up how the one fight I completely botched was saved by them. When I ran into the paladin leader in the basement I decided to take him out since I heard he was with the black ring prior. I killed HIM just fine, but the rest of them were 2-3 levels above me and were rough as all hell.

Eventually it was Beardy, alone, in a corner, surrounded, and after like an hour of combat he finally fell. Everyone de-aggro’d. He rezzed with the idol. And I calming rezzed my team and walked out having killed the only person I needed to (and a couple extra). That was an amusing moment.

I love how the game would occasionally, with a straight face, do the most fantasy trope things possible and it felt FRESH since no one would dare do them today.

Things like trolls guarding bridges and a lot more I’m blanking on because of the credits rolling. I just appreciated that and found it really fun.

Credits just finished so I was reminded of the gift bags and what a damned shame!

When I first read up on them it was through a video showcasing how they can break the game etc A vid I’m sure someone would be aware of it they were aware of the subject matter.

Apparently at one point you could use them whenever to change and add features and still get credit for achievements/trophies etc. But that changed at some point so all these interesting gameplay tweaks are just sullied by you not getting credit for stuff.

Sure, that’s dumb of me to imply, but you know I’m right. No matter how much we fight the implication that trophies matter they still do to some degree. I, for one, like scrolling through them as a sort of list of past exploits, I even get some nice memories from doing just that, but activate a bag and you don’t get to write down that achievement.

Meaningless, sure, but enough of a dissuasion to prevent me doing it :/ For now at least. They really are a list of fun features to toggle! But why I harp on it is that some seem like 100% quality of life and nothing else and you still can’t use them without it disabling trophies :/ Things like “Sprint” for moving about the world faster, lord.

Achievements are such a stain on gaming, I swear. For a hundred reasons, and for making some like myself in this instance AVOID fun because we don’t “get credit” oh fuck off trophy. If you didn’t exist I’d have had more fun, hence why going back to play older titles that don’t have them is such a pure joy.

Bleh. I play into it AND hate it.

Anyways.

What’s there to say. Divinity 2 was a blast, I do wish for a more refined one later on but this was such a unique experience none the less.

Roughly 110 hours of gameplay (minus AFK time I do in damn near every game so I’ll say it was like 100 hours) and I’m left too speechless to say half the things that came to mind while playing. Darn it.

A+ stuff. I’m honestly still impressed that such a content loaded single player experience is ACTUALLY all that and able to do 4 player coop.

Sure it’s technically understandable, but in terms of what games, you know, generally do? That’s unthinkable to me. That’s the kind of thing that’s reserved for tabletop, hence my early mention of dnd. You don’t usually see a story driven things like this being coop on console- and if you do it’s lightly handled in a way where the coop player doesn’t matter. Like Fable 2 henchmen, or Fable 3 where the coop player might as well not exist and just shows up to do fights and follow the main player.

That’s the term.

Most coop rpgs have the MAIN player and then coop buds assuming they implement coop.

This game is more of a 4 MAIN players all at once situation and I’m entirely unfamiliar with that in gaming other than tabletop.

OBVIOUSLY this wasn’t too much of a big deal for my single player playthrough, but other than that it was almost always on my mind and lead to me starting 2 other runs with friends :) (that both pretty much died out because they both struggle to find time to play games as is so sitting down and coordinating 3 people for 2 separate coop runs of a 100 hour game wasn’t really happening- now I understand dnd groups pain lol)

Enough rambling when I admit I have lost all my talking points. Good game.

[abigailnussbaum]

The Handmaid’s Tale 3x13, “Mayday”

Boy, the Holocaust references are strong with this one.  From the opening scene with June and other recently-captured women being herded, screaming, through a gauntlet of Gilead’s processing facilities (I don’t think there’s any question where those Down’s Syndrome and disabled women were being taken, incidentally) to the final scenes in the woods, with that crowd of children cowering just out of view of the Guardians’ spotlights.  The show’s deliberately anachronistic look even intensifies the reference - it’s easy to look at June and the Marthas ferrying a bunch of children away from a rape-dystopia in the near future and see a group of nuns trying to rescue Jewish children from the Nazis.  The clothes are, after all, basically the same.

It’s a reference that is earned, and overall the episode is a successful one - as ridiculous and implausible as it was, none of us actually wanted June’s plan to fail, and the scenes in which the plane arrives in Canada and the characters there realize the scope of June’s accomplishment (including Luke’s forlorn hope that his wife or daughter might, despite appearances, be on board as well) were genuinely moving.  

But it’s also a reference that undercuts a lot of the more complex, morally ambivalent stuff the episode tries to do with June.  The opening voiceover talks about the necessity of “ruthlessness” in a place like Gilead.  The obvious contrast the episode draws between the show’s earliest scenes and the concluding ones of this season, and between June’s helplessness, and her still-lingering belief in Gilead’s capacity for human decency then and her refusal to give any of its functionaries mercy or quarter now, are clearly making a point about the state of mind one needs to survive, and help others survive and escape, the hell-world that Gilead is.  The problem is, the show clearly wants me to see those choices as a negative, something that makes June a compromised person, maybe someone who is unfit to live a normal life.  And I just don’t see it.

For instance, threatening to kill Maggie, the Martha who not only endangers the Mayday plan but threatens to spill the beans on it to her mistress?  100% the right thing to do.  Quite frankly, if Maggie didn’t realize that she was signing her own death warrant the moment she decided to leave the Lawrence house, she was too stupid to survive in Gilead for much longer anyway.  And while June could have given the Guardian who’d shot her mercy, why should she?  In the long run, the more of those people who die, the better the world, and particularly the innocents still trapped in Gilead, will be.  If you’re going to bring up the Holocaust in your visuals, don’t act like there’s any real question about the morality of killing Nazis, or even silencing relative innocents whose actions might send children back into the Nazi death-machine’s grasp.

As I’ve said in the past, I would love for The Handmaid’s Tale to be a show about the psychological toll that Gilead exerts on its victims, especially when they rise up to resist it.  In fact, we’ve already gotten a bit of this, with Moira and Emily confessing the murders they’ve committed to one another, and the fact that they’re not sorry for them.  But when it comes to June, what we get instead is facile moral essentialism.  Threatening to kill Maggie is a perfectly rational course of action.  Turning a gun on Rebecca, the little girl June had been bonding with minutes earlier, is a completely irrational one, and the show simply doesn’t give us the connective tissue between the two choices.  The idea that June is so hardened and task-oriented that she might threaten a child for crying hasn’t been earned (and meanwhile, June’s actual acts of sadism, such as her abuse of Natalie, are folded into her heroic narrative - Natalie is now, like Eleanor, just another one of the sacrifices she’s made in trying to bring the Mayday plan to fruition).

I really don’t get a sense that the show understands who June is at this stage, which is striking in a series that is otherwise so good at balancing its characters on a knife’s edge of ambivalence.  It’s not afraid to let Moira and Emily do and say ugly things while still expecting us to sympathize with them, and it repeatedly showcases Serena’s humanity and her very real pain and yearning (more than she deserves, if you ask me).  But with June, it keeps seesawing unsteadily between saint and monster, hero and antihero, with only Elisabeth Moss’s performance to keep the whole thing grounded.

Going into season 4, I’d be happy if the show delved more into hard-headed June (I’m assuming she isn’t going to die, even though the episode gives the character what could have been a perfect send-off), who has no patience for the delusions of anyone around her, but who also succeeds, in part, because of her ability to empathize and engage with even the most depraved, irredeemable people, and who is a bit afraid to go back to her family for fear of what they might see when they look at her.  I’m a lot less interested in Saint June, rescuer of small children through the sheer power of her awesomeness (and of the network of hardworking Marthas who make everything happen for her).  And I have zero interest in Sadist June, who torments weak women because it makes her feel good and then never admits to it.  I’m not sure which one the show will serve up, because I’m not sure it realizes which one it has been depicting.

(Speaking of storylines that could have worked but for their execution, the resolution of the Serena storyline is stilted and doesn’t really come off.  There’s an interesting story to be told about how Gilead’s crimes are perceived in the outside world, and how guilt is assigned to people within it.  That both Fred and Serena could claim to have been forced into victimizing June - and that Serena, in particular, could hide behind her gender in making that claim - is an interesting wrinkle that deserved more space and consideration.  And by the same token, the idea that Serena pushing Nick and June into a relationship constitutes rape - while obviously not entirely wrong - is the sort of reevaluation of the show’s past that deserved more time to sink in for the audience, not to mention some input from the two alleged victims.  It’s a shame that the whole thing is brought up and then done away with in the space of a few scenes over three episodes.  It should have been the business of most of the season, and would obviously have been a better use of Serena than her abortive redemption arc.)