#she is just Pretty & i’m normal about it :)

[warriormoustache]

Got my first shrimp goby pair last week and this is my impression of them so far.

[laniemae]

Could John start hurting himself in trial 3?

TW FOR SELF HARM

So I’ve got a lot of theories for trial 3 and stuff but this is the one I want to talk about first since it was the one that stuck out to me most yet I haven’t seen people talking about the possibility

I actually wrote about this theory quite a while ago which I’ll just link to but I definitely do think it’s very likely but hasn’t been discussed much.

For a brief summary of the post I made it’s a theory on how John may have self harming desires but doesn’t physically hurt himself as he’s afraid of hurting Mikoto. Basically it’s how the reason why Mikoto’s clothes are so tattered is because John has been ripping them apart in another way to harm himself but not physically hurt Mikoto. Heck, there’s very clearly bite marks on the clothes so I highly doubt it was from the fight with Kotoko. And as well as just ripping his clothing it probably explained the breakdowns John is said to have at night especially in that one minigram where Es heard on it and there was a lot of crashing sounds and stuff breaking, even ripping sounds which definitely matches with what I was saying. So John does all of this in a method to self harm as a stress reliever but not physically harm Mikoto.

So here’s the trial 3 theory. As of recently Mikoto has stopped denying John’s existence as everything he’s seen in heard it’s just too much for him to deny anymore. And instead of that he’s began to hate John so much and blame him for every bad thing that’s happened, even going as far to blame him for what happened to Mahiru even though it was very clearly Kotoko’s fault. And with John, he loves Mikoto. Dedicates his entire existence to him and despite all the constant trauma and suffering he’s endured the only thing that keeps him going is the possibility that Mikoto will love him and praise him for saving him.

“Hey now, I saved you, right? So why in the hell are you crying?

Cling to me, hoist me up as your "savior", stand up and sing out your gratitude, that'd be good.”

Judging by these lyrics, it seems John is somewhat aware that Mikoto is denying his help but still wants to believe it. Even Neoplasm he says how Mikoto’s entrusting him with his heart, which can either be he doesn’t fully know about the hatred or is denying it. But what I’m really worried about is how much Mikoto loathes John in trial 3 and what he could do.

As I said earlier John dedicates his existence to Mikoto and I couldn’t explain how John may feel after he would realise his hatred for Mikoto  aside from his entire existence being denied. I already discussed this in another theory but for John to so deeply love Mikoto and dedicates everything to protecting him and only holding on with the possibility of approval and being told he did a good job, only to be met with unimaginable hatred from the person who he idealises as someone who could never hate anyone must be devastating on so many levels for John and… you can tell where I’m getting at here.

So what would happen next? Could perhaps John feel so betrayed by Mikoto that he could go to actually physically hurting himself out of conflicting feelings around Mikoto? Loving him like that but feeling so betrayed and hurt that he just tries not to care about Mikoto any more and harms himself out of both previously established coping mechanisms and spite?

It’s hard to tell here, as John is one of those characters who it’s very hard to predict what would happen next so who knows what he might do. I just believe this may be the most likely based off things that have been implied and established.

And just to address a potential elephant in the room is I highly doubt John would disappear in trial 3. That’s not how it works, and just because Mikoto may not be Guilty any more doesn’t mean he would be relieved from all stress so John definitely would still have his purpose. And I think it’s most likely why John claimed that he would disappear was that he believed Es hated him and wanted him gone, so he claimed that he would disappear if Mikoto were to be voted Innocent as a way to sway Es to that verdict. And there are lines such as “I’ll play dead even if I’m alive right?” And “can’t get rid of me now” that definitely imply that he will stay or perhaps pretend to go dormant which perhaps would be interesting as we’ve seen him masking as Mikoto in the minigrams before so it would be interesting if he does that in trial 3 perhaps. And side note even though this is kinda cheating theory wise but it would be stupid to remove John from the story like that so uhhh.

[can-a-tuna-fish]

Don’t let him fool you, she has the worst case of senioritis you’ve ever seen.

[bbreaddog]

Okay I’m rewatching jatp (as you do) and it just stumps me every time how Julie can just sight read AT TEMPO without making a single mistake after almost an entire YEAR of not playing??????? OR SINGING? Did she even warm up?? There is seemingly NO SIGN of muscle regression, or loss of technique, LIKE. I don’t think anyone could get their vocal folds to thin out into THAT clean of a chest mix after not singing for a year.

JULIE?????????????

[perhaps-mr-collins-has-a-cousin]

Hello praying people, I'm not doing well and would really appreciate your prayers right now <3

[disasterhimbo]

Being marginalized, especially in multiple ways, is just learning most people don’t give a shit about your happiness, health, or safety. It hurts the worst imo when even people in one marginalized group you’re a part of don’t give a shit about you bc you’re part of another marginalized group they don’t care about. And they’re not even honest about it, they pretend to care, and they think they’re good people as they’re hurting you.

[thepunkmuppet]

obviously I am losing my fucking mind about my beloveds coming back and I will be forever BUT ALSO.

new slayer character hello!!!! and she’s a gorgeous woman of colour!!!!! mentored by spike!!!!!!

this is 2023’s slayer. I’M THINKING YES

[thriftdyke]

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[caffernnn]

as a folie a deux stan, would you share your thoughts & feelings about the album

A chance to ramble about one of my all-time faves?? ooOOO SAY LESS MY FRIEND ♥️🧸💛

I think Folie finding a place in my heart was a perfect storm — I’m a new fan falling into obsession with FOB during my mid-teens, and they’re starting to get into the hayday of the post-hiatus SR&R era. So of course, I’m looking through wiki pages, poking through fan pages, seeing interviews here and there (doing research for my sophomore year’s mandatory big research essay, and also satisfying my need to Know Everything™️ ), and I start wondering about how hiatus happened. What’s up with Folie? Why is it listed as not being well-received by fans and painful for the band (at that time)?

It becomes this situation where you’re handing 16-year-old me this misfit outcast album, one with bears on the cover (I’m predictable and easy to please shhhh) and an openly experimental vibe set apart from their previous work (more collaborative iirc, the four of them drawing on stuff they were inspired by to try new things). Pair that outcast magnetism (impulse to show love to wounded birds and rejected things) with lyrics that speak to the liminal space I existed in with my own adolescent identity (lyrics speaking to madness in complex dependent relationships, to not knowing yourself, to wanting to know yourself, to wanting to know the world, to trying to figure out morals and love and worth amidst your missteps and lost sense of self and unspeakable depression), and I was sunk. Listened to some YouTube video rip of the full album (or playlists that also included pavlove and lullabye) to fall asleep at night, while showering, really whenever I had a chance in my downtime (since I didn’t have headphones and listened to more of the futct/ioh/sr&r hit singles when with friends). Something about Pete’s devastating lyrical angst and Patrick/Joe/Andy’s artistry and the heavy feelings surrounding the album (from the minor bits the fans/public know about the time and the stories weaved throughout the album) started hitting in a specific way that had me imprinting on Folie and the band like a baby bird. Yeah, I started having that feeling of being understood by music with other bands (MCR, Paramore, P!atD, classic emo trinity stuff) along with some of the more pop punk stuff I was already into (PtV, ATL, you know the era), but for whatever reason, Folie maintained its place as my heart and soul album (along with Soul Punk for PStump-related reasons, but we’re not talking about her right now 🏃🏻‍♀️)

We’d be here all night if I tried to list favorite songs or lyrics, but I can ramble a bit about what hit me most when I started going “oh yeah, this is my album” as a teen:

I mean like, of course, right? “What a Catch, Donnie” is the pinnacle ballad, from all the lyrical callbacks and cameo features to the somber/hopeful music video, plus the interviews out there noting the song as lyrically important to the band. I think you can find stuff from back in that era (‘08-‘09) talking about it as almost a “swan song,” a final message that’s as close as you’ll get to personal convictions in a less-autobiographical album. For me, it felt like a love letter to their past selves in the unstoppable march forward in time. It felt like grief, the kind that comes with change and it’s inevitable losses, but it also felt like hope. Imagine not seeing goodness within you, not recognizing yourself, feeling stranded and pushed by the tides and not sure where you’ll end up. Then, imagine finding a lifeline through hanging on to someone else with the same type of stormy muddled mind, finding them and becoming their looking glass, their mirror, their guide — helping someone apathetic and listless find a spark again after giving up on themselves. It makes you wonder if you’ll find clarity through connection too, if you’ll be saved over and over again by people who see you and make sense of it all, or maybe don’t make it all better/comprehensible but care for you anyway. It became an anthem for me to hang onto my friends and budding new interests to help make me feel whole and keep going at a time where everything felt overwhelming and impossibly complicated (the curse of being 15/16/etc). Something about learning about hiatus, learning about the peaks and valleys of the band, looking at it all while having the fortune of knowing they find their ways back to each other to create more music and memories and get to keep growing together — that was big for me in a way I couldn’t articulate at the time but still felt deeply. We can be lost, but still found; flawed, but still loved. That’s important to hear when you’re stumbling through those early formative years, and important to be reminded of when we stumble through evolving our identities again and again and again.

There’s a lot of nostalgic love for the album now that I’ve held onto it for a decade, but it’s still so fun to revisit and holds up for me amidst all of the new music I listen to now. SM(f)S wriggled it’s way into my heart this past year and sits in there holding onto Folie’s hand, speaking on heavy themes and channeling that same motivation to experiment and create a legacy through music. Getting to see FOB live this year (!!!) playing Folie songs live (!!!!!) and eventually revisiting the whole album throughout the duration of tourdust (!!!!!!!) was an amazing experience, and it’s great to see Folie get her flowers in the many years since her release. Happy 15 years, Folie!! 🩵🐻💙

[starrytalking]

Recently I was at a meet-up-thing for a-spec people and one of the older ones who organise these meet-ups said in the course of a conversation “well I’m ace and whatever sort of attraction I might feel every time a full moon aligns with the bloom of a special flower won’t shake my understanding of myself, I’m secure enough in who I am to not let that shatter my picture of myself” (that was a very loose quote but I think u get what she meant). And I just found it so funny cause she said it like it was a ridiculous thought to herself, that something small like that could impact herself so much because she’s obviously very at piece and secure with and in her asexuality and while I’m also quite sure of myself in that regard nowadays, there was a long period of time where a random maybe-attraction could definitely make myself question my whole sexuality all over again so that ridiculous thought was and in parts still is a reality to me. And I think this really beautifully shows how self-discovery is a process that we’re all taking at our own pace but that can “end” at some point where we can still be open to new feelings and realisations but where we can have found a way to self-identify that makes us be secure in who we are and where the path of self-discovery is less a daily shattering of our perception of ourselves and more a stable ground we can be free to make new experiences on.

[paleode-ology]

unsure if I’m being normal, extremely weird, or just neurodivergent rn send help

[frogayyyy]

will my mum ever understand that i don’t like talking (as in it’s really physically difficult) sometimes, especially in the morning, and not get upset with me and make me feel guilty about it despite telling her countless times that this is why? 😃

i just vented in the tags sorry bout that :S

[ggigigoode]

Do you come around here? 😃

[blueish-bird]

sorry if I don’t remember your name or conversations/experiences or basic things about myself, every few weeks my brain gets factory reset and I have to relearn how to be alive

[reflectismo]

MUSICIAN: Wild Life, the debut Wings album of 71, was done in a pretty compressed span of time. The track that still stands out is "Dear Friend."

MCCARTNEY: That was written for John—to John. It was like a letter. With the business pressures of the Beatles breaking up, it's like a marriage. One minute you're in love, next minute you hate each other's guts. I don't think any of us really ever got to the point where we actually hated each other's guts, but the business people involved were pitting us against each other, saying. "Paul's not much good, is he?" or "John's not all that good, heh, heh, heh."

It's a pity because it's very difficult to cut through all that, and what can you do? You can't write a letter saying, "Dear pal of mine, I love you"—it's all a bit too much. So you do what we all seemed to do, which was write it in songs. I wrote "Dear Friend" as a kind of peace gesture.

No matter how much all the business was, whenever we did have a good phone conversation or anything, maybe one or two of those things, those gestures, got through. And luckily before John died we had got it back to that, thank the Lord, because otherwise it would have just been terrible. I would have brooded on the fact that we were always bitching with each other forever. We ended up with a good relationship, which was something. Some consolation.

Interview with Paul McCartney for Musician Magazine (NO. 112, February 1988)

[goldkirk]

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