#so have fun! get creative!

[the-twst-cast-needs-therapy]

More (not really) Ultimate ability slander!

(Someone needs to enlighten me on the Diasomnia UMs since the wiki is pretty barren and I don't know them that well yet ;0;)

Part 1

Part 3

[suntails]

WIPs

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[aalghul]

jason doesn’t feel guilty for the murders he committed!!! he can’t feel catholic guilt or want repentance or atonement for something he doesn’t feel guilt about! and there are dozens of religions we could explore jason in that would be so much more fun than catholicism or any type of christianity

[journey-to-the-attic]

the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>

i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...

[shuploc]

Ai art?

Are you fucking joking?

Sorry, no, it is not and I find it so disrespectful you would even think to ask that. I have not and will NEVER touch anything AI related ever in my life, I think it's so utterly pointless and destructive and it frankly makes me wanna kill myself.

So no, it is not and never will be, and you can safely hold that to me for the rest of my existence. I really hope this is the last time someone asks me this.

[celestialwrites]

six word dialogue prompts ⋆.ೃ࿔*:･

@celestialwrites for more!

♡ “you chose her, i knew it.”

♡ “stop making me love you, idiot!”

♡ “i wish our fate could change.”

♡ “remember how much he loved her?”

♡ “i refute to let this change.”

♡ “why must all good things leave?”

♡ “you loved him, just not enough.”

♡ “i wish i died back then.”

♡ “her face haunts my dreams forever.”

♡ “to the stars and back, love.”

♡ “never forget what i said, okay?”

♡ “you’re a dumbass, please know that.”

♡ “i’ll be waiting, keep your promise.”

♡ “finding love like that, it’s impossible.”

♡ “thanks, for giving me the will.”

♡ “you’re too good for this world.”

♡ “i’m too dashingly gorgeous to die.”

♡ “enough! stop pretending like you care.”

♡ “please don’t ever lose your heart.”

♡ “as long as i have you.”

♡ “don’t make me regret not dying.”

♡ “people are simple, gone too soon.”

♡ “i never ever regretted knowing you.”

REBLOG TO SUPPORT YOUR LOCAL WRITERS<3

[cozylittleartblog]

bug doodles so i can say i drew something

[reineydraws]

i have this fic series i'm still working on where mihawk sort of becomes rayleigh's kid and spends ages 11-17ish on the oro jackson.

shanks and buggy imprint on him (bugs considers him a sort of older brother figure/sparring inspiration and shanks has a crush that eventually turns into full-blown love) and this is how i imagine they're like on the day mihawk sets off on his own haha.

[doctorbrown]

MCFLY JULY ‘24 ⸺ 「 31 / 31 * PEPSI FREE — ACROSS TIME 」

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[ghostly-cabbage]

We need to talk about the worst thing about making AUs....

The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?

Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[creativesplat]

I would also like to see some miphlink, if that's okay!

I was really struggling with what to draw, and then I remembered your ask from ages ago (dang ADHD brain...) anyway, sorry its such a late answer, but Miphlink inspired by Dicksee's La Belle Dame

[hualianisms]

something i find tragic and messed up is how XL's worst trauma and HC's worst trauma are the same event - XL being stabbed 100 times. why that was traumatic for XL is self-explanatory. for HC, witnessing that was so traumatic that it single-handedly turned him into a supreme ghost king. it was the trauma of being powerless, watching his beloved go through hell unable to do a thing to stop it.

this trauma directly parallels HC's original childhood trauma, of being powerless as a child who couldn't defend himself from his bullies and abusers. he hates himself and judges himself very harshly for being "weak" as a child, blaming himself for his own trauma. just see the way he treats e'ming (who i believe represents the emotions of his child self), the way he drew himself in his mural, and the way he treated the statue of hong hong-er in the extras, and you can guess how HC views his child self.

HC's trauma response was to spend 800 years becoming the strongest possible, extremely wealthy and powerful so that he can protect and provide for his beloved the way he never could when he was a human kid or a small ghost. he also wanted to be as strong as possible so that he never has to feel like that "weak" child again. the trauma of powerlessness truly shapes so much of HC's personality

[mamawasatesttube]

kon is not really a leader (though he's also not an idiot actually and i will die on this hill) but he's such a good right hand man. very loyal. mom friend. powerhouse. this is Also why timkon are so spirk coded (but this time it's flipped) and in this essay i will