#the Shakespeare family

[cactuskid99]

Day 8 of posting famous historic figure's siblings+their home country's national anthem, Joan Shakespeare, Younger sister of William Shakespeare, And, once again, God save the king

[bruciemilf]

DC can shoot blockbuster movies, but only WFA is genius enough to introduce PTA mom! Bruce who's extremely competitive.

I need Battinson, youngest parent there by far, to roll in, smudged make up, bruises, a busted red lip.

No one thinks to link those marks to Batman. They're OBVIOUSLY evidence of a long night of fooling around in the club instead of caring for his young ward

Margie thinks that's funny, seeing as this guy obviously doesn't get out much. She tried putting him through the trial of Intimidating Mom Show Off and he just said, " I'm going to cry in the bathroom. Excuse me."

I'm sorry, but Bruce being openly affectionate with Dick, Jason, Damian, Cass, and Tim, -- kisses on the cheek, hugs that last until the teacher breaks them off, - would have the fathers cringing.

" Haha, I don't do that with my kids. I'm actually here because my wife bitched at me."

Bruce, straight up, " Don't you like your children?"

" Excuse me?!"

" Not yet. Why do you hate your kids?"

" I love my kids, I just can't wait to get away from them. Come on, you know how it's like."

" No. I love my babies. Why do you hate your babies? Why do you hate your wife. I'll pay for your divorce if you want."

Bruce gets reported VERY often to the principal and board for being inappropriate, and you know what? They refuse to do anything. It was about time someone raised hell around here.

Duke, age 8, watching a grown man throw a tantrum because Bruce called Dick 'baby' : Bruce. I can poke him with my sword

Bruce: Not yet, Duke

Jason tries exploding every kid he doesn't like with his mind. "Trust me, you won't like the alternative. Now be gone! My papi brought me lunch." It's a lunchbox full of books.

Bruce gets along the best with the mothers. They treat him like the class hamster

[sigilmint]

hating Romeo and Juliet is fine if you had a shitty English teacher and didn't care about school at the time or whatever but if it's been many years since then... I'm giving you permission to let go of that opinion. the problem in Romeo and Juliet isn't the young love story, it's the stupid family rivalry that gets both heirs killed. that's what it's about. it's about closed mindedness and pettiness leading to tragic consequences. these adults hated each other so much, were so determined to hate each other, that they let their children die over it. the love story is romantic and dramatic, but hating the play because 'some dumb teens die bc they think they're in love' isn't it. they are in love. teens can be in love and it can feel like the most important thing in the world. and they shouldn't have to die bc of their families' bullshit.

[essaytime]

A lot of productions (or production ideas) for Romeo and Juliet come up with elaborate aesthetics for both of the feuding families, and there is definitely a charm as well as a large degree of blessed creativity to this, but honestly, the more I think about the play, the more I feel the most resounding choice with me, given the play's meaning, would be to make the Montagues and the Capulets' costumes very, very similar. Almost identical - the same silhouettes, materials, everything. Have the only thing signalling which family it is be a ribbon or band tied around the arm, a particular embellishment at the collar of a dress or shirt, maybe some item of clothing that's easy to take off, like a vest or small cape, or a scarf. Maybe aside from the Lords and Ladies of both surnames, they could wear something that's entirely in their family's chosen colours/symbols, but the rest of the family and their supporters? Just these details. Because that's really one of the things that hit so hard in the text: there is literally no reason for the feud. There's no logically existing divide. We have two influential families of equal standing, who live by the same customs, whose children probably have the same education, who employ people with the same mindset and themselves presumably have the same mindset. They could very well live beside each other, they could very well switch places and be each other. These poor teenagers in Romeo and Juliet are forced to live in a world shaped by something that just doesn't exist. And they're mistreated, and they struggle, and they die - at more or less fourteen or fifteen! - for something that doesn't exist. Because at this point there is no reason to go on with this conflict, if there even was one in the first place, which I doubt. I think there is a lot of sense in the fact that we never learn why the Capulets despise the Montagues and vice versa. I wouldn't be surprised if during the time of the play there was just no one that could remember it. But still, this conflict, this absolutely empty, pointless, senseless conflict, wrecks the community of Verona, pitting citizens against each other and leading to innocent kids dying. And I think if I were directing the play, that's the thing I would emphasise: that they are really the same. Have Lord Montague make a similar scream, speak in a similar tone mourning his son as Lord Capulet did mourning his daughter. Have the servants at the beginning of the play use exactly the same gestures and mannerisms. Have the dear uninvited party-sneakers get along with Capulet youth at the ball and genuinely have fun together. And have the citizens at the end be all the same in their surprise and grief, virtually indistinguishable save for this ribbon or embellishment they can just rip off of their costume, becoming one whole crowd. All of these people could pass each other, say hello, gossip on the street with no problem - if it weren't for these details that somehow make them part of two different entities. For there is no border between the Capulets and the Montagues other than the artificial one they try to create themselves. And people die for it.

[nelkcats]

Voice From Beyond

Danny was bored, really bored inside the Realms, he was supposed to stay there because facing the reality that his "world" was no longer safe, and all his friends were fighting for his safety was too much. But after he got past the paranoia he just couldn't find more things to do to distract himself from the thought.

He had already argued with Skulker, stolen Johnny's motorcycle and even participated in a concert with Ember but nothing improved his spirits. Curiously, it was during a visit to Technus that he found the solution to his problem. It turned out that the radios could broadcast around all the Realms, it was perfect!

The halfa started a radio program. It started out as a curious thing, where he recounted his experiences as a hybrid and the culture of the Realms. In some cases he had special guests to tell of their experiences and what they had done after their death (Jane Austen and Shakespeare looked excited to be able to talk about it!)

And so his program "voice from the afterlife" was born, where he gave various advice to the dead and not so dead; the only thing that Danny didn't notice was that he was not only transmitting in the Realms, but in many universes that picked up his radio signal by a lot of luck. The DC universe got caught up in the mysterious show when it aired. Some said it was impossible, others theorized that it was real, others thought it was just fiction.

But Jason knew it wasn't just fiction, he knew that somehow Danny was real, and had the answers he needed. Jason was determined to prove it, with a little magical help of course.

[puppetmaster13u]

Prompts in Memes 7

[haredjarris]

JARED PLAYED HAMLET WITH RICHARD AS THE GHOST???

DERANGED

[a-whole-tempest-in-a-teacup]

Return to the earth with me, my love. Death cannot do us part.

Wuthering Heights, Emily Brontë | Bronze Age Couple | the Hasanlu Lovers | 'Strangeness and Charm' - Florence + the Machine | The Addams Family (1991) | tumblr post by @hopefulnerd25 | William Shakespeare's Romeo + Juliet (1996) | The Amber Spyglass, Philip Pullman | Enemies, a Love Story (1989) | 'In A Week' - Hozier | the Lovers of Valdaro | the Lovers of Modena | The Castle, Franz Kafka

[cubbyhole-for-flea-bee]

i have learned what shadowpeach is! and i think its hilarious

sun+moon coded, friends-to-enemies-to-?????? duo is so interesting i wanna put them under a microscope

[casasupernovas]

thing is.

the doctor in series 3 is a lot more complex people give him credit for.

when he gets mad at martha at the end of 'smith and jones' it's not because he's offended at her flirting, annoyed at her insinuations, 'how dare she'. no. he's mad because she sussed him out, right down to the blue suit.

in 'smith and jones' the doctor has a clean slate, he has reinvented himself. and this version has no baggage.

this doctor hasn't got a brown suit it's blue, this doctor is flirtaious, romantic, even does the 'honourable' thing of making sure she knows the kiss he will give her means nothing. she won't get attatched that way when he sacrifices himself to draw out the plasmavore.

but this doctor is also a bit callous, he's excited by the thrill and danger, dimissing very real distress from people around him in favour for the facts. he only pulls himself back upon his conversation with martha.

in fact, it's no coincidence the kiss happens after martha commemorates the dead, her old mentor.

the problem is however, martha is too clever, too observant, too confident to completely be won over by this entirely. when he tells her he is the doctor, just the doctor, at first she refuses to call him by this. he has to earn it. sonic screwdriver? lol, got an electric spanner too? she asks if he has help because surely he didn't come to this hospital because he thought something was wrong on his own?

that's why he says stuff like this. he's like why are you poking holes in the illusion. i'm *this* person now, don't take me back to my reality.

but he's not quite done. they both could have died on the moon but she saves his life so, he gets another chance. incomes the reinvented doctor part two. [you can argue the doctor always knew they would make it because martha told him she saw him in a moment that had happened for her but not yet for him.]

so part 2 commences but he's turning it all the way up because he wants her as his companion.

so he's smooth talking her, but even then she's still not letting him get one over on her. "not pompous at all." so better turn it up some more, and he time travels, a 'cheap trick' to impress her more.

until his newly formed version of himself gets a hole poked in once again after martha inadvertantly makes him remember rose. and he clams up, decides it will only be one trip in a pretty aloof, defensive and abrupt way. shuts down any path that could lead to something more, testing to see if she can do the same - "i only go for humans" - she can and away we go. he's racing about the tardis back to semi-normal and they are off.

it's why he's so having mood swings all throughout 'the shakespeare code,' flip flopping between annoyance and dismissal at her questions, she's ruining how it was supposed to go in his head. she wasn't supposed to ask *this* many questions, she was just supposed to be impressed. but she went and reminded me of rose so this can't work now, it's gonna be one trip. but then flipping back to this need to impress and to just fall back into step to how they were, running around and having an adventure. how he's supposed to be.

and he decides i don't want this to end. im extending the trip. but yet again martha pokes another hole - his home. but the doctor holds onto the pretense for as long as he can. he doesn't just say "we can't go to my home and please don't ask me why because it's painful." he just lies. and this pretense now takes on a new form, because it directly references rose with choosing new earth. see, he starts by reminiscing on gallifrey when he describes it to her then chooses someone else to reminisce on. rose. all with little regard to how martha would feel about being used in this way. but unfortunately for the doctor, this takes a dramatic change for the worse as taking martha here directly leads to her abduction.

now, despite martha's olive branch after the death of the face of boe, the doctor still doesn't tell her the truth. until she sits down, and really hones in on his lies and the people of new new york began to sing for the dead. and the doctor looks at martha, the human, listening to the humans commeorate the dead. and tells her the truth. that he lied because he liked it. because he could pretend. pretend that his reality was not true. he was not the last timelord.

intriguingly enough, by the time we get to the lazarus experiment, the doctor seems determined to play out how the story was supposed to go. yet again disregarding martha's feelings. find a new companion. travel for a bit, then bring her home safe and sound. and not one year later. no ties, a nice thanks then goodbye. no heartbreak, no tears. but he comes back. because he doesn't want it to end yet, offers her another trip. and here goes martha again. telling him he needs to be clear in what he wants right now. he's not someone who can just breeze in and out of her life without a second thought. is she his companion or is she a passenger?

and the pretense is over. mostly anyway, and the doctor is at his mlst vulnerable due to the circumstances of '42' and by its end, it's like a refreshed smith and jones.

but now he doesn't feel the need to lie, he's not fully there yet. but he's more comfortable, he doesn't need to pretend.

perhaps too comfortable.

[kkbardd]

OCs relationship history part 2

( Part 1 )

[victoriademedici]

QUEEN ELIZABETH II OF THE UNITED KINGDOM (1926 - 2022)

Canst thou, O partial sleep, give thy repose To the wet sea-boy in an hour so rude;  And in the calmest and most stillest night,  With all appliances and means to boot,  Deny it to a king? Then, happy low, lie down!  Uneasy lies the h e a d that wears a c r o w n .

[oldshowbiz]

[aaliymc]

Mother I have out grown your arms but please don’t drop me, I’m not ready.

[imadetheline]

absolutely fucking nothing could have prepared me for the sideways jaunt we take from the magical world of Howl's Moving Castle to real-life Wales in the middle of the book, not even the knowledge that Howl is Welsh I had absorbed from the internet. And don't even get me started on him quoting Shakespeare

[albertayebisackey]

"Uneasy lies the head that wears a crown." - William Shakespeare