#the convention on the rights of the child

[cinnamorollcrybaby]

Career Day

Tags: teeth rotting fluff, crack, jjk men as dads / fem!reader

An: Your child comes home and says tomorrow is career day at their school. They want to bring you and their daddy to school to show off how cool you two are, but.. their dad doesn’t exactly have the most conventional job.

SATORU • SUGURU • TOJI • SUKUNA

SATORU

“My daddy is the strongest!” Your son explains to a room full of his peers. Satoru is proudly beaming next to him. You note how much they look alike. The white hair, the bright blue eyes. Your son looks like he came straight from Satoru and had nothing to do with you.

But your son, Aoi, definitely had your personality.

“Nuh uh. He can’t be the strongest. Superman’s the strongest!” Another kid protested with an unconvinced frown.

“Well, my daddy is like superman!” Aoi retorts, keeping his headstrong personality like his mama. “Actually, he’s even better than superman!”

“He’s not even wearing a suit!” A different child speaks up. You share a nervous glance with Satoru. He’s enjoying this all too much.

“He doesn’t need a suit to be the strongest, dumbass!” Your sweet boy yells, and you promptly cover his mouth. Satoru is laughing his ass off, making the entire situation worse.

Correction, Aoi trying out his dad’s signature hand signal and saying “domain expansion” made the entire situation so much worse.

“You’re grounded, Aoi. You can’t say those things to other people. It’s rude and hurtful.” You say as you and Satoru walk your young boy home. Aoi lets out a small frustrated groan.

“I’m still getting him ice cream.” Satoru interjects with a proud smile. “My boy tried to cast his first domain at just six-years-old. He deserves a sweet treat.” Two wide smiles look up at you, and you realize you’re outnumbered here. Rolling your eyes, you nudge Satoru.

“I want a girl next.”

SUGURU

Mimiko and Nanako begged Suguru to come to their school’s career day. He was of course hesitant to do so, given that Jujutsu sorcery was still a hidden art in Japan. He didn’t exactly know how to explain his career to a bunch of kids.

He had a plan though. He would just tell the children that he was a preacher at a church. It’s not… completely a lie. He was a leader for.. a type of church.

You and Geto walk into the cozy looking classroom and see a load of other parents there. Your husband grimaced at the thought of having to interact with all these… people.

You give Suguru a reassuring squeeze of the hand. “It’ll be okay. Anything for the girls, right?” You whisper into his ear, making him nod. Anything for the girls.

When it’s finally Mimiko and Nanako’s turn to explain what their daddy does for a living, your small family gathers at the front of the classroom. Plenty of small innocent faces and reassuring smiles fill the room.

“Okay girls, tell us what your parents do for a living.” Their teacher prompts with a warm smile.

“My daddy swallows balls for a living!” Nanako says proudly with a beaming smile.

The kids erupted into laughter while their parents gave you two disgusted looks.

To make matters worse, “He also hates filthy mo-“ Mimiko tries to add on, but Geto quickly covers her mouth with his hand.

After explaining what a vivid imagination your twins have, you go on to explain that Geto is a leader at a church, and well, that doesn’t go over too well either.

“Homeschool?” Geto suggests as the four of you walk home.

“Most definitely.” You agree. Mimiko and Nanako are now educated by you at the home, where they can’t out their dad for swallowing balls.

TOJI

“Mama, make papa come to career day.” Your young son, Megumi, demanded. He had a small little pout on his face, and his arms were firmly crossed over his chest. Behind him, Toji stood, shaking his head at his son’s determination.

He often did this: telling you to make Toji do something because you were the only person who could make Toji do anything. After all these years, mans was still wrapped around your finger.

“Baby, Papa’s job is kinda private.” You explain quietly as you pet Megumi’s soft hair.

The small boy’s look of determination shifted to a look of reserve. Even as a young child, he wasn’t great at showing when his feelings were hurt, but you could always tell.

“Gumi.” You say his name softly, bending over to look at the boy’s flat expression.

You were also the only one who could coax Megumi into showing his real emotions.

Tears welled in his eyes, and his bottom lip started quivering. “I don’t wanna be the only one whose parents didn’t come.”

“Oh baby.” You frown as you pull your son into a hug. You glare upwards at Toji, and his eyes widened slightly. He knew what that look meant. “You’re going to career day.” You say to him, leaving no room for argument.

The next day,

“Okay Mr. Fushiguro, what do you do for a living?” The teacher asks Toji as he’s sat next to Megumi. Your son is actually smiling, enjoying the fact that Toji actually came to career day.

“People pay me a large sum of money, and I take care of someone for them.” Toji explains vaguely.

“Oh! Like a doctor?” One of the kids asked with an impressed smile.

“Sure, like a doctor.” Your husband lies, knowing that he does quite the opposite of what a doctor does.

SUKUNA

The look on the kids faces as your tall, muscular, tatted husband walked into the classroom was hilarious. Most of them were completely mortified, giving Sukuna frightened stares.

Your husband was completely unfazed. If anything, he was soaking in the kids’ fear. He sat at the front of the room with a look of arrogance.

Your nephew, Yuji, sat between you two. No, he was technically not your kid, but he didn’t have anyone else to bring to career day. So, Unc Sukuna and Auntie Yn were to the rescue.

“And.. what do you do for work, sir?” The teacher asked in almost a judgmental tone as she eyed Sukuna. You couldn’t tell if she despised him or wanted to fuck him.

“I don’t work. I live off tithe.” Sukuna bluntly answered with a shrug. His lopsided smile never left his face.

“What’s a tithe?” A small child asked quietly.

“It means people pay me out of fear of that I’ll harm them if they don’t.” Your husband gives a child a sharp stare with a challenging smile. He wanted the kids to keep asking questions. The thought of scaring multiple children all at once fueled him.

“Like… beat them up?” Another child asked.

“Like eating their snot-nosed children.” Sukuna answered with a toothy grin. The children all shrieked and cried in terror. Hell, even their parents looked frightened.

“Ryomen.” You chide as you look over towards your husband. He was laughing maniacally, even slapping his knee like the old man he was.

Yuji never invited you two to another career day.

[niceandaccurategoodomensanalysis]

I was not able to find the source for this pic! If you know about it, please let me know in the comments or via direct! Thank you!

Religious trauma in Good Omens: Aziraphale's case

We talk about religious trauma and the state of constant psychological abuse and manipulation experienced by those who suffer it, using Aziraphale as an example.

DISCLAIMER

This post is about painful experiences and the different ways you can react to them. This may affect you in particular and be difficult or stressful to deal with.

Here I intend to speak to you about the trauma of Aziraphale. I use the singular not because it is a single event, but because it is a very specific type of trauma to which ours has been subjected continuously since the beginning of time: religious trauma.

WHAT IS RELIGIOUS TRAUMA

Religious trauma is a complex type of trauma that usually has its greatest impact during the period of development: a person grows up in a social context that is regulated according to the dictates of any sect, which greatly influences the way they approach reality and, above all, themselves.

Often, this trauma begins to affect the existence of the victim even before they begin to speak and thus have the capacity to articulate the memories associated with it. It is not necessarily this trauma that is marked by significant events: very often it is its impact on everyday life that literally conditions the people who experience it, placing them on a well-trodden path of conventions and moral imperatives from which they must not deviate.

We are all (obviously, given the fandom) familiar with the concept of original sin. When a person is brought up with the view that we are all born sinners because we have literally inherited that sin and must spend our lives making amends for what is in our nature, several things happen:

_we live with a constant sense of shame and fear of not making it, of not being enough; _we blindly trust those who raise us and show us the way, and we may not want to see the inherent hypocrisies and contradictions because that would bring us into conflict with reality; _as a result, we have an incredible fear of authority and will tend to respect hierarchies even when they do not make much sense to us, and also try not to question what we are told; _we want at all costs to be 'part of the herd' and conform to the group, so we will suppress anything that we feel is different and might cause us trouble.

Now let's consider that, growing up in such a context, we become aware that something is not quite right for us. It could be anything from realising that we have sexual urges, to being attracted to someone of the same sex, to feeling uncomfortable in our own bodies, and so on.

In response to all of this, we experience feelings of shame, self-loathing and a desire to repress that which takes us away from what is the right way to be.

All these things are cruelly represented in our beloved angel Aziraphale.

AZIRAPHALE'S TRAUMA

It is really difficult to talk about Aziraphale's pain, although it is probably the most obvious and easiest to explain in the series. Because it is tangible, it is realistic, many of us experience it all the time and can relate to it.

Aziraphale has won us over with his almost childlike tenderness and joy, with his tenderness for the little things, with his tendency to take to heart the well-being and happiness of every human being in front of him. He is pure, genuine, sensitive and always on the side of good. But behind his façade of a happy and enthusiastic little creature, there is a frightened, abused, insecure child full of shame and self-reproach. This will always condition his actions and will lead him to the painful and, as we shall see, inevitable epilogue in which he rejects Crowley's love to follow Metatron to Paradise.

TO DO WHAT IS RIGHT OR TO DO WHAT I MUST?

We immediately see how Aziraphale lives in a state of perpetual contradiction due to his strong sense of morality: in the series, the first thing we see of him is the moment when he gives Adam and Eve the flaming sword he received as guardian of the Eastern Gate, so that they would not be completely helpless in their escape from the Garden of Eden.

As well as entertaining Crowley (and winning his immediate admiration), the episode shows us from the outset that Aziraphale has a moral compass that always points in a very precise direction: the good of others. This will often lead him in the series to act on impulse, only to have to face the consequences of constituted authority, and create in him an everlasting sense of remorse: almost immediately he is asked by God himself to account for the sword, the very sword that was in danger of becoming an instrument of destruction in the hands of one of the Horsemen of the Apocalypse - except that it was then the key to preventing it.

Unable to fight his nature, Aziraphale finds himself repeating the same actions over and over again: in the miniseries about the life of Job, his tenacity to save innocent creatures at all costs leads him to confront Crowley head-on, discovering his plan to circumvent the orders he was given and not kill anyone. But the web of lies he and the demon have woven tightens around him as Gabriel, Michael and the other angels descend to give Job the good news that he will be able to have more children in exchange for those who have been killed.

Aziraphale is thus forced to make a choice: tell the truth, exposing Crowley's deception and leading to the presumed murder of Job's children, or lie, saving everyone but tarnishing himself with what he sees as an unforgivable guilt. Our angel, as we know, chooses to lie. This causes him tremendous pain and leads him to believe that his fate is sealed and that he must fall. Despite having made the right choice.

Fortunately, as we know, none of this happens. But the fear of doing the wrong thing is always with him.

NATURAL ENEMIES

Aziraphale never makes it a secret that he despises Crowley's demonic nature. Never.

It is painful to compare the admiring look he gives him in S2E1 when he meets him in his angelic version, intent on starting the nebula he has been working on since the beginning of time, with the veiled look of shock (not to say a little disgust) he gives him in S1E1 when they meet again as an angel and a demon, on the walls of the Garden of Eden.

However, as soon as it starts to rain and Crowley gets close to him, Aziraphale immediately takes him under his wing. Aziraphale is an angel, and as such he loves no matter what. It is his peculiar and almost poisonous trait that leads him to help and to forgive even those who have wronged him.

Aziraphale believes that Crowley should be forgiven and loved, but he cannot accept that he has feelings of love for him. This leads him to reflexively despise himself for what he feels, and to push Crowley away whenever he gets too close: think of the argument under the gazebo, or when, confronted with Crowley's suggestion that he take him for a ride after giving him the thermos of holy water, he tells him that he "runs too fast".

It is already obvious to us viewers, and to Aziraphale himself, that he has feelings for Crowley that go far beyond camaraderie, but he cannot let go of them: the fear of retribution and the contempt he feels for anything that is not angelic leads him once again to flounder in contradictions and adopt that yo-yo attitude that characterises all his interactions with Crowley.

THE FINAL TEMPTATION

Crowley is a demon sui generis: he is not really evil and does not mind harming others. In fact, if he can, he actively avoids doing so. However, he does enjoy temptation, and one of his favourite targets is our beloved angel. Still during the miniseries on the life of Job, we see Crowley's first successful temptation of Aziraphale: while the two are patiently waiting for the storm to pass in the cellar of the mansion, Crowley offers him a drink, but Aziraphale refuses, not wanting to succumb to the intoxication of the wine.

Crowley then suggests that he try some human food. The angel is initially disgusted, but makes no objection, and is so impressed by what he tastes that he devours the entire roast beef on the table. Crowley is delighted, and this gag of temptation for an invitation to dinner is repeated throughout the series. Whether the invitation comes from him or from Crowley, each time Aziraphale eats contentedly and our demon watches him eat with satisfaction.

Crowley can therefore be said to be initiating Aziraphale into the pleasures of the flesh, which he will indulge in to the fullest. Aziraphale is a hedonist who loves refined and special things: from antique books to bespoke clothing, passing records, tea and sushi. He loves the objects he surrounds himself with and treats them with care: remember the white gloves he wears before leafing through the only existing copy of Agnes Nutter's Prophecies!

Aziraphale delights in touching his surroundings, and we have already talked about how his predominant love language is physical contact. As much as he can control himself, he touches our demon every time he gets his hands on him. He cannot help it. He desires it, and while Aziraphale has not realised this for the better part of 6,000 years on Earth, in the last century he has come to acknowledge it openly.

This leads Aziraphale to experience another contradiction: he wants to have more physical contact with Crowley, but he cannot. Crowley is a demon, he is the enemy, he is everything he abhors, but the angel he was is always there, alive, before his eyes, and it is out of love for that angel that Aziraphale accepts Metatron's proposal, faced with the prospect of being able to take Crowley back to Paradise with him. So they could be together, in the sunlight, with the approval of God and all, in an angelic way.

But Crowley unexpectedly, desperately, refuses.

Our angel feels betrayed, but has no choice but to accept Crowley's will.

Here is the irreparable, the ultimate temptation our demon could offer: a kiss, a last desperate cry for love, a plea for help, a series of meanings too great to be expressed in words. Crowley grabs Aziraphale by the lapels and for a few very long seconds their lips meet.

Aziraphale has never experienced anything like this before (probably not even Crowley) and feelings stir inside him that he has never even been able to name. Feelings that frighten him, feelings that bring back his contempt for himself and his being far from angelic nature. Aziraphale desires Crowley, discovers that he wants to be kissed by a demon (as the writers of the show themselves have revealed to us), and all of this clashes with everything he has ever been. He has just witnessed the contempt of angels and demons for the love of Beelzebub and Gabriel, he has just risked extinction for helping the fugitive Archangel, and yet Crowley tempts him with a sweet and terrible kiss.

But Aziraphale is an angel, and as such he loves and forgives.

So he forgives Crowley.

But Crowley, by definition, is unforgivable: disappointed and embittered by his beloved's rejection, he leaves.

Aziraphale does not really want to go to Paradise, but his desire to be part of the herd, his need to be loved and accepted by his faction, drives him to go, to do what is right, what is expected of him as an angel.

As he gets into the lift and asks Metatron what his task will be, he discovers that he will have to deal with the very thing he had already averted in the past: the Second Coming, the Last Judgement. He realises his mistake, realises that he is trapped, and once again wonders if he should do what is right or what he must do.

This time, however, it wins what he must: after one last look at Crowley, watching from afar, Aziraphale climbs into the lift with Metatron that will take him to Paradise. His trauma is so deep and ingrained that it has removed any prospect of being worthy of love except in the light of divine approval.

Although leaving everything he loves - Crowley, Earth, the Library - causes him enormous pain, Aziraphale must return to Paradise and fulfil his destiny.

More infos at Religious trauma syndrome - Wikipedia

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[mermaidsirennikita]

I feel I should say I’m one of those people who read Wuthering Heights as a full-grown adult and was like, “How in the hell is this romantic? Cathy married someone else to get away from Heathcliff, and then her murderous ghost kills him for what he did to her children.”

To only focus on young Cathy and Heathcliff’s doomed romance is to seriously miss the point of the book.

I don't think the novel was ever intended to be romantic (... in a conventional sense), but it has a very compelling romantic relationship between two people that influenced later straightforward fictional love stories, which is why it is what it is today.

However, I will disagree on the take on Cathy's motives for marrying Linton. She doesn't marry Linton to escape Heathcliff; she marries Linton to go TO a level of status that she does not currently have. She does love Linton, in her way, and appreciates the gentleness and stability her offers.

However, Cathy does not present Heathcliff as someone she "will not" marry when explaining her mindset to Nelly. She presents him as someone she CANNOT marry because he's too "low" for her. At this point, he doesn't have the wealth he'll have when he comes back, and I would also say: Heathcliff is NOT the degree of fucked up that he is when he returns. He's super abused and angry... but he's a teenager. He doesn't have shit. He's not angry at Cathy the way he is when he returns, because though he knows she's heading towards something with Linton and is acting differently, she has not married Linton YET. He's possessive of her, but the relationship is not in the place that it is in when he returns from his mysterious absence.

If Heathcliff was not low, Cathy would quite possibly (probably?) marry him. Her big speech is telling Nelly that she loves both men, but her "pretty" love for Linton will fade. Her love for Heathcliff is an "ugly" love, but it is enduring and will always endure. Cathy doesn't see him as something to run from as a person; she sees him as an extension of herself. Catherine and Heathcliff, especially Catherine because she dies so young, lack separate identities. They are basically one person growing up—and in fact, at points Catherine is the worse one, as she takes part, as a child, in the abuse of Heathcliff before growing to love him. (I mean, she's a child motivated in part by jealousy... but still.) She's also manipulative , abusive to Nelly (the "help"), and basically puts on a good face to Edgar Linton that disguises how fucked up she actually is.

Catherine Earnshaw is essentially denying her actual self (not necessarily her best self, but who she is at her core) when she marries Linton. She is turning her back on whatever identity she has, however fractured and enmeshed with Heathcliff's it may be.

Catherine has become somewhat tamed when Heathcliff returns, and she's fully aware of how bad his behavior is (see: Isabella Linton). But that doesn't mean she doesn't want him around. She wants him and Linton to settle their conflict, she wants him to be "her" Heathcliff again (versus who he is when he returns successful and even more embittered) and it reads as very "have my cake and eat it too". Which is consistent with the selfishness that seems inherent to her even in childhood.

She wants her marriage to Linton. She also wants Heathcliff to settle down (emotionally speaking... not with another woman lol) so that she doesn't have to worry about their conflict anymore and clearly has much more passion for Heathcliff. Her death is linked in part to that passion; she's mentally ill, she's stressed about Linton barring her from Heathcliff, she's not eating and isolating herself, all while pregnant. She declares her love for him right before she dies and basically gives him shit for like... not at the same time... because she can't handle the idea of him being alive when she's not. She basically screams at him to stay with her when he's about to dip because Linton is returning from his errand (while Nelly sits there like OH FUCK OH FUCK OH FUCK as her super pregnant and super dying mistress like... basically makes out with Heathcliff.... and her husband is heading up the stairs about to burst into the room....).

And Heathcliff in turn wastes away (maybe self-starvation?) because he wants to be with Cathy's ghost. The description of his corpse indicates that he looks happy to die and be with Cathy. I don't think her ghost killed him by any means—but if she did, it was exactly what both of them wanted. Eternity together in death.

I mean, who knows what Catherine Earnshaw would've bene like as a mom to Cathy II. But I kind of highly doubt she would've been a good one. As soon as Heathcliff was back on the scene, she started denying her husband and obsessing over him, and if she'd made it past the birth, I don't think that would've changed at all. Catherine is, from jump, a shitty person, and I feel that her ability to be shitty and passionate and very much a partial architect of her own destruction (mutually with Heathcliff, and she in turn his a mutual architect of his downfall like, she and Heathcliff are essentially planning their long game suicide pact in their last scene together lol... and it's Heathcliff's bitterness and determination for vengeance that keeps him dying sooner, versus a lack of desire to be dead with Cathy) is what makes Catherine such a fabulous character.

Heathcliff is a horrible person, but Catherine isn't THAT much better, and she does not seem to truly WANT to be that much better when we take away what she thinks she should be.

[agentfascinateur]

In January, the occupation re-arrested a child, who was among those who were released in the exchange deal that took place in November 2023

- Palestinian Prisoner’s Society

[quibbs126]

Okay because my mind’s still on the subject, I have a bit of a weird question, but I just want an answer

So like, my favorite type of drama in series is usually familial drama, most often ones between parents and their children. And also usually, those dramas that I love are specifically between father and son

And now I’m wondering, what are parent-child dramas/dynamics that involve a female character usually like? As in, mother-son, father-daughter, or even mother-daughter? And additionally, are they as interesting as father-son dynamics? Because I feel like I don’t see nearly enough of them, or at least, they never give me that same amount of intrigue or they just aren’t as focused on

By which I mean specifically in my context, would they be interesting in an action based series? I have a particular taste, namely that I like my series (mostly this applies to shows, I’m a bit more flexible with games) to be more action focused, or at least have some fantastical elements to it, or else I don’t care. I’m not interested in soap opera kind of drama, I want something that would fit in an action based show

Sorry, again this is probably a weird request (and to be honest I really don’t expect answers, posts of mine like these usually get little to no attention), but it’s on my mind. I feel like I see so many interesting father-son dynamics and conflicts, but I never see one that involves a woman, at least not when it comes to parent-child dynamics, and not ones nearly as interesting

[gaal-dornick]

everything i learn about the estadunidense legal system sounds like a nightmare, you guys don't burn nearly enough stuff for the conditions you live in

[llycaons]

mexican gothic is really fucking good huh

[bsmallvoice]

Today I found out the US is the only UN member country who has not ratified the UN Convention on the Rights of the Child.

This is, in part, because the US is violating it And, in part, because it is difficult to ratify with our country’s constitution, as it requires 2/3 majority in the Senate. That means MORE THAN 1/3 of the Senate does not support Children’s Rights as agreed upon by the UN.

Again, the US is THE ONLY country. It’s been over 30 years since the US signed it, but no ratification.

It makes me wonder what other International Treaties we haven’t signed.

[tlaquetzqui]

“That character is underage, they’re like sixteen!”

“Technically yes but they are actually more like two, because they are a goddamn robot.”

[werewolfbneimitzvah]

vent post. There are two stories i was told in my teenage years that even before i had a real concept of trans issues made me uninterested in discussing the supposed sacredness and safety of separated sex-based spaces.

First, when i was like 13 or 14 my PE teacher told us about a time she went to a women's public restroom, some guy was hanging out outside the bathrooms, she didn't think anything of it, went to the bathroom, and he walked in after her and like, creeped on her over the top of the stall. She was ok, she wasn't telling us this to scare us, just telling us what to do in situations like that (and iirc she was telling the whole co-ed class this, not just girls, bc it's useful for everyone), but this taught me immediately and forever that there's nothing actually keeping these spaces separate really, that anyone can be a creep in any space, and that establishing a space like that as for women only isn't actually particularly useful for safety.

Second, when i was 16 i was at an anime convention, a friendly acquaintance of mine and i ended up in conversation outside, and he showed me his bare wrist and told me he'd been kicked out. A female friend of his had stepped in dog poop outside, and between that and the stress of the convention she'd had a bit of an emotional breakdown, so being her friend, he started comforting her and ushered her into the women's restroom so they could wash the poop off her shoe together. And because he was a man who went into the women's bathroom, he got kicked out, no matter that he was doing something that was actually beneficial to a woman. Punishing a woman's friend for supporting her was supposed to... protect her somehow? This made it clear to me that a no-exceptions rule separating the sexes like that wasn't actually inherently good for everyone.

And this isn't even getting into me as a child needing to accompany my younger sister to the restroom when we were out with just my dad because she had certain support needs past the age he felt comfortable bringing her into the men's room with him. And what if I'd been born a boy, or she'd been the first born? Who's helping her then?

And of course even putting all this aside, we should always prioritize compassion and support anyway. But i never even needed to meet a trans person to know that "keeping men out of women's bathrooms" is silly nonsense. But trans people also need to pee anyway and as humans they have that right, so leave them the fuck alone. your precious women's restroom is just a fucking room with a door, holy shit give it a fucking rest, if someone is attacking you in the bathroom that's bad and if someone is in there to pee that's good and it doesn't fucking matter what their junk is or was when they were born.

a woman could have done the exact same thing to my PE teacher and it would have also been bad no matter how "supposed" to be in the restroom she was, and no one should ever be punished for helping a crying friend wash their shoe.

Anyway i know I'm speaking to like-minded folks here, i just think about those two stories literally every time bathroom gender shit comes up and it pisses me off.

[agentfascinateur]

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[worldchildlabourday]

112th International Labour Conference.

The International Labour Organization will hold its 112th annual International Labour Conference in Geneva from 3–14 June 2024. Worker, employer and government delegates from the ILO's 187 Member States will tackle a wide range of issues, including: a standard-setting discussion on protection against biological hazards, a recurrent discussion on the strategic objective of fundamental principles and rights at work and a general discussion on decent work and the care economy. The Conference will also elect members of the Governing Body for the 2024-27 term of office

[i-am-aprl]

Targeting children in conflict zones represents a grave war crime, blatantly violating fundamental tenets of international humanitarian law, including the Geneva Conventions and the United Nations Convention on the Rights of the Child.

12,345 children killed in Gaza.

[bryanharryrombough]

Born on this day in 1999, Jordan River Anderson spent the first two years of his life in a hospital. When doctors cleared Jordan to live in a family home, the federal and provincial governments could not resolve who was financially responsible for the necessary home care. For over two years, the Government of Canada, and the Manitoba provincial government continued to argue while Jordan remained in the hospital. In 2005, at the age of five, Jordan died in the hospital; he never had the opportunity to live in a family home.