Hot take? Unpopular take?? Imma try to get somewhere with this point but like. I really think reading fanfiction inherently increased my standards for literature.
Cause for a while now I've only solely read fics in the past few years, like probably finished like two published books a year maybe (even though if I count my fic reads I'd easily be in the 100s from word count alone) and like. Recently got into the YA side of booktok, tried reading several of the most popular ones cause i kinda miss published books, and I just. side eye that shit?? Best example is ACOTAR. Read like 4 books in that series. Kinda get why it's popular cause the overall the main plot points (hot romance and kinda Mary sue protag) are good enough to get you into it but like. I genuinely had to force myself to finish it?? I have no idea why this is so popular.
Cause literally when I hold the ACOTAR up to my top 20 fics. Nothing. Not even my top 50 fics. Cause first off the plot is good enough but it's not something I've never seen before either. Same with characters. The writing style?? Straight up nope. Like. Is this really the standards for a good story?? There's so many good authors that write excellent smut and plot and characterization and just FANTASTIC writing style and overall quality of work and just. I don't get it.
I'm assuming this is a me thing, because I tried going through several YA novels and just. The quality of writing reeeally leaves a lot to be desired. The best thing I can come up with for the reason behind me feeling like this about YA is that the last time I was reading insanely, I was a teen, and now I'm in my early 20s so there's a good possibility that the same things don't intrest me anymore. But I keep circling back to the level of writing cause like. Idk. Just. I feel like while the plot and characters for a lot of these novels are good, what falls short is how it's written??? Like wtf.
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simon eats it sloppy.
through the mask, slobbering on his hands and knees like the mutt he truly is; like his only salvation is the ichor that drips between your thighs. like your cunt is the only thing that could save his wretched, blackened soul. he wants to roll in the tang that'll stay on the back of his tongue for weeks into deployment, that'll stay soaked into the fabric of his balaclava because fok no he isn't washing it before he leaves (he'll nearly tears the thing to shreds when he can no longer smell you on it).
large, calloused palms scratch over the sensitive skin of your quads and inner thighs as he opens you up for him, watches your folds part like that of a carnation (love, devotion, distinction, fascination) as he pushes your knees up to your chest. drags his tongue all over you, the creases where your vulva and thighs meet and gets you shaking before he's even touched your clit. before he's even taken the mask off. brushes his thumb over the little bud reverently, fondly. he thinks the way your thighs tremble in response is the most precious fucking thing.
and when he finally breaks watching you drip onto the cushions below, he's feral. rabid. barely gets the damned mask up to free his mouth before he's on you again, slurping up your slick and sucking your clit into his mouth. the suction is heavenly after so much teasing, and if his tongue finds its way to your ass too, that's his business. your toes curl in the air where your feet dangle uselessly, panties you're sure that simon will pocket later still around one ankle.
simon's relentless when he's like this, a dog chasing after it's favorite toy. he won't let up, won't even palm over his cock until you're at least three climaxes deep from his mouth alone. totally pussydrunk and ready for more.
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this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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Anthro Au Survivor drafts feat. too much worldbuilding because I cant just put pants on a slugcat like a normal person & my godawful handwriting
The Survivor (Their full, scavenger-given name includes the 'The') was separated from their family while traveling between colonies and stranded in the dangerous unpopulated wilds.
Against all odds they managed to survive (and wander) far longer than they should have been able, but rather than reconnecting with their (or another) slugcat family, they instead made contact with one of the many wandering scavenger troops- But unfortunately not one that had ever met a slugcat nor had any idea what to make of a stranded one.
Regardless the group gave it their best, ended up committing to the role of slugparents, and The Survivor and their troop still consider themselves close family long after Survivor finally reconnected with their sibling. (They're a bit of a mess though, understandably)
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not to be a pervert or anything but thinking about yuuta whining out, “i-i don’t want to cum anymore!” when you overstimulate him to the point where he is squirming away from you with tears streaming down his flushed face
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Horrific psychological abuse and lynching plot aside, Armand was just not a nice partner to Louis. Always interrupting him, extremely dismissive of Louis’s concerns, super mean about his photography to the point where Louis became extremely insecure about in the span of 2 episodes, super insistent on a serious relationship when that's not what Louis wanted or something that was even feasible for the two of them since Armand slept on the floor with 16 racist roommates who hated Louis bad, mean as hell to his daughter, always made things about himself, stopped Louis from going to Rogets and gwtting his husbands money but had no money of his own, made shitty plays and made louis go see them, like the list is endless.
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despite being more often than not a "rules as written" fan over "rule of cool", i really do love me a good "rules be damned, i'll give you this awesome moment" call. like matt giving fcg the otohan kill despite what her hp was at or brennan giving cerrit an extra mage slayer reaction attack at the end of calamity. honestly, if anything, i think the fact they mostly play by the book makes these moments even better because it really has that extra weight towards those decisions to put the rules aside.
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare.
For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her?
For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
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