#the point of being pagan gods

[catsconflictscopicsandchamomile]

Sam & Dean can deserve an ending full of divine light and love and eternal bliss, where they have their loved ones around them and can heal and live and be together.

by which I mean, Sam & Dean should become pagan forest gods.*

picture it. a sun-filled house in the woods, on a lake, protected not out of fear but by the power of two beings that gave their whole lives to protecting the earth, its people and its wild places. Sam & Dean, immortal, untouchable by anything, but not changed at all from who they are. Hunters, monsters, humans, everyone is welcome there as long as they're not evil. Chuck can try to keep "writing" them all He wants, but they are literally the gods of their own story. Destiel is literally going to last for all of eternity.

....and Sam's got antlers for real now, that's also a plus I guess. he's never actually going to stop getting taller, is he....

*this can also count as a "normal human life" btw. plenty of gods and spirits and whatever-else live as normal humans just fine in spn canon.

[coriander-candlesticks]

I'm sick so I'm sorry if this doesn't make sense, but I've been thinking about the nature of myths recently as I've been exploring hellenic polytheism.

For context: I'm ex-Mormon. I was raised in the church and, because of that, was taught biblical literalism but in, like, a more subtle way than most? I was raised believing that Adam & Eve and Noah's Ark, etc., were literally true, but that the story of Job specifically was not; I also always knew evolution and the Big Bang to be correct, despite there being a verse in the Doctrine & Covenants (a Mormon-specific religious book) where God apparently told Joseph Smith that the world is 6,000 years old- a passage I didn't know existed until my senior year of high school. I didn't realize I had believed in biblical literalism until I'd left the church, actually.

Now that I'm aware of it, it's a mindset I'm actively trying to combat while I explore Hellenic polytheism. It's definitely been a task to separate the nature of the Gods from their myths, as brutal as they often are. And it's something I've noticed within the community, too, which I think is interesting. It makes sense: Christianity, at least, has had a chokehold on much of the world for a long time, and so many of us have experienced literalism as our first interaction with any sort of holy text (though, of course, Greek myths as a whole aren't that) alongside our first experience with divinity as a wrathful God whose flaws are waved away, or ignored, or twisted into positive attributes. This also means that I'm trying to re-approach several deities with an open mind (Zeus, Hera, and Ares in particular, but many of them to some extent) while also trying to un-condition myself. I was already in the process of doing this, of course, but trying to figure out how to interact with a completely different pantheon has made that especially clear.

It extends to things like prayer and offerings, too. Prayers were very formulaic growing up, even though most of the time there wasn't a strict script to follow. There was always something you ask as part of the prayer, even if it's just 'please help me do better tomorrow' (alongside giving thanks, of course), so trying to craft a prayer without adding *everything* I'm used to including in makes it feel incomplete and, therefore, disrespectful. And daily prayer is something I'm resistant to because of prior experiences with it. I don't want to offend any of the gods by asking for something or asking for too much, especially so early on, and there's always a promised offering the few times I *have* asked. Add worries about exact obedience on top of that and it's proving to be a difficult thing to untangle. And I know that the gods are difficult to offend, figuring out how to do this takes trial & error and that's okay, it'll get better the more I do it, etc., etc.; this is more an issue with my own overthinking than anything else (hooray for ✨ mental health issues ✨). I'm not really asking for advice here, necessarily, just thinking out loud because I'm not comfortable talking to people in meat space about it yet.

[beatingdrumspouringwine]

Eiraphiotes

Holy Eiraphiotes, Even Your birth defied what people knew. In Zeus did You take refuge When blessed Semele was burnt to ash. He kept You safe within Him, Turning His wound into Your sleeping place. Eiraphiotes, You showed Zeus the pangs of childbirth, When You emerged from between His legs. O In-Sewn One, Bless the labor of all men who give birth, So that, like Your Father, they may have their children safely, And so that, like Your Father, they know that this makes them no less. No God saw Holy Zeus as less of a man for the birth of You, And so it should be for mortal men here below.

[solvicrafts]

What gets me about certain people being so fucking pissy about Bob not writing much about Eilistraee (until the last fucking trilogy where EIlistraeans featured heavily) is that

a) Bob basically built drow culture up from almost nothing, and Eilistraee came after he started writing Drizzt

b) no you guys really don't understand. I own the first 4 modules drow appeared in. There's... not much there. And it hasn't aged well.

c) and the Big One: he has a specific vision for his specific characters when it comes to the narrative he wants to explore, from sexual abuse to religious trauma, both of which are fucking complicated and for most people just switching deities isn't enough to fix that.

I have religious trauma that I still struggle with to this day and probably will for the rest of my life to some extent, and it's fundamentally different in nature from what most people would probably expect, and the thing is even though I am happily polytheistic and very enthusiastically into it, I still struggle a lot with certain things because every time I get into my religious practice I have to actively force myself into (or out of) certain things because my whole relationship to religion and spirituality is complicated and messy.

It would be easy and frankly incredibly superficial for Bob to decide to just have them all convert to half-assed Neowiccan ~woo~ drow Jesus Eilistraee to *~*save their souls*~* and call it a day

BUT HE DIDN'T DO THAT

Partly because she wasn't his creation and other authors were writing her at the time so he really couldn't, and partly because it's a shitty message to send.

Sometimes people benefit from converting to a new religion or following a new deity. Sometimes people don't.

I benefited from gradually converting to my religion, but it's come with a whole different set of complications and hasn't been a smooth journey for me.

Just going from extensive religious trauma to switching deities does not fix your problems, and for a lot of people it realistically can make them much worse.

but also

you don't have to be saved by a deity in order to have value as a person

[dcxdpdabbles]

Could we get a continuation of a cluster of cores? Teen parent Danny is gonna be run ragged with so many little ones and it will only be a matter of time before Dani and Lian shows them the Puppy Eyes, good thing there gonna have plenty of aunts and uncles to also bully.

Roy's newfound hero is still locked in a coma. It's been nearly three months now, and they had managed to keep him alive with tubes feeding him food and water, but it worried everyone they could not figure out the reason for his slumber.

Dani, the young alien girl, assured everyone it was fine, as she could naturally sense her father's core healing. Despite their humanoid appearance, a quick scan showed that the Fentons (as Dani had identified them) were indeed aliens.

Then there were their documents. They were all legal... in Daxam, where these travelers were from. He had contacted the Justice League, and the Green Lanterns had easily authenticated their identities.

Daxam was a plant with a red sun, one that had life forms similar to those of Kryptonians. However, the natives of the plant, before Krypton colonized it, were different in how their young were born and the origin of their powers.

Roy has learned through the Oa headquarters records that Indigenous Daxamites were formed within cores. These egg-like parts held the entity of their souls but at too different times to fully hatch, so a sibling of a cluster could hatch five years before the rest. When they formed, their powers came from an "Obsession" or a part of their environment instead of just the sun.

Their culture and species revolved heavily around the child clusters, as Indigenous Daxamite could only lay them once in their lifetime. This was disastrous when their kind was slowly hunted into extinction, as Daxam was conquered nearly a hundred thousand years ago and became a colony by Krypton.

The Kryptonians had always targeted the clusters before they could hatch, drastically declining the numbers of Daxamites.

The Indigenous Daxamites had nearly been wiped out in a horrific genocide during the colonization days, and the remaining ones had been mixed with Kryptonians to the point their species had evolved.

The cluster of core births was nothing more than history to the planet, even when outliving Krypton. That did not mean that the generational racism died with the Kryptonians.

Daxamites had become hostile to the original Daxam dwellers (Roy found records of Kryptonians demonizing the species, often referring to their god Rao commanding them to cleanse the planet for daring to gain power from pagan gods. He is pretty sure that was just an excuse for the holy war, as Clark had never mentioned anything in.), and a sort of witch hunt for any pure Indigenous Daxamite sprung to life a thousand years ago.

The Green Lanterns corps had to step in when word reached them, but by that point, many innocent Daxamites had been executed on accusations alone of being Indigenous Daxamites. To the heavy heart of the reporting Green Lantersn, the Indigenous Daxamites have been wiped from existence because of the witch trials a good nine hundred years ago.

Oh, so they thought.

Danny Fenton and his children may as well be the very last of their kind. Roy figured that Danny and his people had hidden themselves from their government.

He likely had spent his life attempting to keep his kind a secret, as his planet had been under the thumb of an oppressive dictatorship since Krypton had perished. Daxam was notorious for its complicated border control, which made leaving the planet near impossible.

He is still determining what led to Danny's discovery, but based on what they managed to salvage from the bomb site of his once house, Danny fled his planet after his secret was outed.

There was an active warrant for his capture on Daxam and an open order to neutralize his "demonic unholy offspring." Roy felt sick when he heard from a grim-faced John Stewart, the Green Lanter working as their intermediary between the two planets, that the populace on Daxam had been campaigning for Danny's death to be slow and public, as the hatred for his kind was that deep.

Dani refused to explain how her father smuggled them all out. She mentioned a few times that they had help from a mysterious "Clockwork" but had to keep a tight lid on anything else.

All they knew for sure was that Danny was severely damaged from the escape, and his constant feedings to his young (even in his sleep, his body naturally sent over ectoplasm to the cluster that never left this side) had put him in grave danger when he saved Lian. Roy still held his daughter only because this man risked everything for a child of a planet he had no ties to.

He was willing to take on all Daxam if they dared to come for Danny for that alone.

Thankfully, Justice Leauge felt the same way, and with the support of the Green Lanterns Corp, they were debating with the galactic high court to make Danny a citizen of Earth using asylum. Things were looking good for their cause, given that Danny was with a child (children??) and that his small family was an endangered species.

The Justice League was also a recognized police force by the galactic association, no matter how new, so their word carried a lot in the court.

Roy was letting the big names handle everything political. Bruce, especially, was working overtime since the big bad bat had a giant soft spot for children. He focused more on his living situation and Danny himself.

Not only because they were best friends but because Gotham seemed to be one of the only cities with "ectoplasm" (High-density levels of death?? It was naturally, according to Daxam) that the Fentons needed. Danny was resting in the Drake Hospital of Gotham, while Dani had been housed with Jason.

Jason had been more than willing to open his home to Roy and Lian until they could return to their city. They were among the many houses destroyed, so it would be a while before their home was fixed. Oliver extended the same offer, wanting his son and granddaughter back home with him.

He would have taken Oliver's offer had Jason not asked first. Things were better between the arrows now that Roy had cleaned his addiction, but he felt more at ease with Jason.

She was still young enough to need slight feedings from her father but was also able to process food from the environment. Roy tried his best to make Dani feel at home, but he could tell by her somber eyes and weak smile that she was struggling with her displacement.

Jason was better at helping her. He made time to read her a bedtime story, have her help cook, and even take her on rides around Gotham on his bike, but somehow, he did it in a way that she didn't have to speak.

Dani seemed relaxed with him.

Roy has always known Jason was better with kids, but seeing it in person makes his heart melt.

"Is my dad awake yet?" Dani asks Lian one morning. The two girls were playing with dolls, though Dani seemed confused by them the first time. She apparently never had a doll before, and Roy is curious if it was due to her being on the constant run or if dolls were not toys on her home planet.

"I don't think so. But don't worry, my Daddy is a hero. He'll save him!"

Roy's heart leaps in joy at her words, but it breaks only half a second when Dani replies in a small voice. "My Dad is a hero too. But he can still die."

Gosh, is that something a child should say?

Roy puts down the pan he used to make pancakes, wiping his hands on his apron to tell the girls breakfast is ready when Jason comes stumbling out of his room. He had a late night as Red Hood, having taken out an uprising in one of his territories.

Usually, this means Jason sleeps until two or three in the afternoon so to see him up and about at nine was a shock. He has his phone pressed to his ear, with a frantic look in his eye causing Roy to tense.

"Thanks, Tim. I'll get Roy and the girls ready. We'll be there as soon as I can," Jason said, twisting to grab hold of Roy's shoulder. We need to get to Drake Hospital."

Hope rose in his chest as Roy pressed a hand over Jason's "Is he awake?"

Jason's mouth tightens. "No. One of the cores hatched."

Oh no.

[unbidden-yidden-deactivated20240]

And just to follow up on that previous reblog without derailing it: a lot of the really weird relationships and discourse that exist out there in the neo-pagan, Satanist, and atheist communities are in fact echoes of the weird relationship that Xtianity has with Judaism.

Xtianity has a weird, tumultuous relationship with Judaism because they must simultaneously validate the Tanakh and the Jews who created it or else their own religion is devoid of context and built on a house of cards. But! If they validate Judaism, then they have to grapple with the fact that the Jews did not accept their interpretation of the Tanakh, that we still, against all odds, exist, and that because we still exist, we are still around to point out the ways in which the New Testament does not fit with the Tanakh and that the Tanakh does not inherently or naturally point to Jesus. And that's to say nothing of the bloody history of Xtianity towards Judaism. Our continued existence is a sore point and a weakness in the Xtian narrative that has been a constant source of irritation, frustration, and violence since the dawn of Xtianity. And, at the same time, there is a certain fascination with Judaism related to things that have been appropriated by Xtians or understood as particularly useful in spreading supercessionist ideas. So what you wind up with is a toxic mix of antisemitism and philosemitism (effectively fetishization and orientalism) that drives too many Xtians to "love" us by attacking our beliefs and way of life, and stealing whatever they think will be most helpful in their mission (especially as it pertains to Jews) in order to try and convert us.**

Many people who have also been hurt from inside of Xtianity or by the broader Xtian culture they live in seek to deconstruct those ideas by creating an inverse of Xtianity in one way or another. Those who turn to Satanism typically do this by worshipping the opposite force of the Xtian god. Those who turn to neo-paganism typically do this by embracing an unambiguously polytheistic religion and/or by turning to the cultural historical enemies of Xtianity. Those who turn to atheism typically do this by rejecting "God," "faith," and "organized religion" (as these concepts are understood by Xtian norms.)

And honestly? That's fine. If it helps, if it brings you meaning and joy, knock yourselves out. I have no problem with people turning to these beliefs for reasons of healing as well as simply being drawn to it. And for what it's worth, I did a similar thing by turning to Judaism. Obviously I had many other reasons for becoming a Jew as well, and I assume that's true for the aforementioned folks, too. Judaism healed a lot of Xtianity-shaped wounds for me, and if your paganism, Satanism, and/or atheism helps you in the same way as well as bringing you meaning, I sincerely wish you the best.

However, the problem is that many times, unless you turn to Judaism and learn our side of the story, it's very difficult to deconstruct the antisemitism of your past entanglement with Xtianity. Xtian antisemitism has permeated western society so thoroughly for so long that it is real *work* to identify and unlearn it. Those converting to Judaism have the benefit of the Jewish community and extensive educational resources to help. Other folks do not.

Here's the problem: if you simply invert Xtian ideas, you are still treating Xtianity as the baseline reality from which your other assumptions and beliefs flow. If you just choose the opposite at every chance, you divorce yourself from Xtianity, but not its prejudices.

Now you might fairly ask, "hey Avital, if we are making the opposite choice at every turn, wouldn't that invert the antisemitism to being at least neutral if not positive towards Judaism?" And that would be perfectly logical! But unfortunately deeply and (for us) dangerously incorrect.

The reason is because (1) antisemitism has never been rational but reactionary instead, (2) philosemitism is also bad, and (3) it is structured in a way that it's pretty much always "heads I win, tails you lose." Have you ever noticed that according to antisemites, Jews are both ultra-white and also dirty foreign middle eastern invaders? That we are supposedly very powerful and run the world, but are also weak and degenerate? That both the Right and the Left have extensive antisemitism problems? Etc.? There's a reason - it's because antisemitism is designed to other us no matter what. So oftentimes I see folks inverting Xtian philosemitism to being "those awful fundamentalist Old Testamenters" or inverting Xtian antisemitism to valorizing Judaism, but only to the extent that they can meme-ify our religion down to fighting God and/or being un-pious godless liberals.

But like other groups, we are a diverse and complicated group with a very long history and a lot of trauma to boot.

If you're trying to unpack your Xtian conditioning, please also unpack your antisemitism and philosemitism. If not for our sake and for it being the right thing to do, at least do it for yourselves, because unless you deconstruct that as well, you will still be operating within a really ugly aspect of a Xtian mindset.

(**Please note that this isn't literally all Xtians everywhere, but it is a lot of Xtians in most places and throughout most of history. There are absolutely Xtians who are good allies to Jews, but they are much smaller in number and are swimming upstream in their relationship to both Jews and Xtianity.)

[thrashkink-coven]

people who don’t understand neopronouns or therians are immediate red flags to me as people who probably don’t understand neurodivergency, polyamory, alt subcultures, or paganism either. Basically just anything that isn’t immediately simple and easy to define. People somehow seem blind to gray areas and nuances and I don’t understand why.

“Why not go by he or she? or even they? why does it have to be so complicated?!”

Because humans are complicated and this word fits xim better. Language has been evolving to be more specific for centuries, xer not doing anything different than he or she is.

“Why do they look like that if they don’t want me to stare at them?”

I guarantee your opinion was not the determining factor of their outfit choice today. Green is their happy color and spiky hair makes them feel cool. What other reason do they need? Everything isn’t about you.

“How do you identify as something nonhuman?! that makes no sense??!”

Probably because cats are the only creature they’ve known to not question their habits and force them to make eye contact. Maybe they relate more to animals than humans because you’re all so cruel.

“How can you be an it?! You’re not an object?!”

Maybe this person just generally doesn’t identify with being humanized in general. Who cares.

“This is all really weird they probably have some kind of mental disorder”

Okay? And? Maybe they do? What’s your point? What’s wrong with that? Why can’t they live peacefully with their disorder? Why can’t they be a person with DID? Why can’t they do age regression? Because it makes you uncomfortable? If these things are helping them cope and not causing harm, what’s the issue? That it’s too complicated to deal with? Maybe you don’t actually want to have a relationship with this person and should just leave them alone.

“I just don’t get all the freaky chanting and stuff. Seems like demons possessing you”

Oh yeah, you probably don’t “get” stimming either, do you? Moshing? Nope? Didn’t think so. Yeah wild idea but maybe howling and clapping actually feels good for some people. Maybe it even feels… really good.

“I just don’t get how you can be multiple things at once”

You probably don’t get how you can worship multiple Gods at once either, huh? Or even… be more than one person at once? Be more than one gender at once? Love more than one person at once? All of these concepts must fry your little brain don’t they?

“well sorry, I just don’t get it. It’s too much for me”

Although I don’t think it’s all that difficult, (hey buddy, are you maybe perhaps a little bit stupid?) you don’t actually have to “get” it to respect it, or at the very least respect people. Humanity is and always has been complicated. Get with the program dummy.

[halcyone-of-the-sea]

To Hunt a Silver Stag (I)

AU MASTERLIST || PART II

PAIRING: Knight!Kyle 'Gaz' Garrick x F!Fae Princess!Reader

WORDCOUNT: 6.9k

WARNINGS: Arranged marriage, talks of childbirth, traditional views of women & men in medieval times, talks of war, death, heavy religious imagery/symbolism, etc.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

You wore a crown of deer antlers atop your head. Charms were woven into the gaps between the tines, attached to golden thread; jewels of starlight strung like teardrops from the moon. Your feet, staying still on the hard stone of the Great Hall, are bare though attract no dirt or dust—it is as if the very ethereal aura that coats your gown of pure white repels any such thought of uncleanliness or corruption of this mortal plane. 

You are so very far from home.

Standing in the center of your soon-to-be husband’s court, your eyes seem not to be on the man himself, who watches you greedily from the throne of black iron, but instead behind him. Blank of any emotion, your long lashes blink in the direction of the stained glass windows with a horrible longing. Whispers from the multitude of court attendants go in one ear and out the other—useless to you. Their time would be gone in a blink, and yet here you would remain, immemorial. Their words were nothing, and their utterances would turn to dust faster than their bodies would.

You can’t help but wonder if those colorful depictions in that glass window, of God and his valiant angels, are mocking you as you blink at them slowly. Not only for what you are and where you now find yourself in the kingdom of your enemies but for being so full of the very qualities that would normally resign a woman of this age to the stake. 

Independent, confident, and curious, among others. 

A voice raises above the rest, and your eyes blink elegantly, the silver hue to them unnatural in all senses. Yet, you do not look away from the mighty white stag, its soldered bits of thin glass a patchwork of an overwatching Lord. Saint Eustace is there, staring at it, just as was told from generation to generation.

A pagan man converted to Christianity, the symbol of a cross set between antlers very much like the ones adorning your head. Humming under your breath, your eyes dip down, chin moving. Below the window, there stands a tall knight, and your gaze locks with his softly. 

“Today,” the King’s voice echoes over the crowd as brown orbs stare at you, blinking. “We are here to celebrate the joining of two great bloodlines!” He stands with a grand cape over his shoulders, falling to the floor as his boots stand at the top of the stairs to the throne. Yet, this knight holds your attention more than your Promised does as the cheering starts, loud; making your ears twitch.

At your waist, a golden belt is engraved with expert attention, stories woven into metal that even seem to move with the magic embedded into it. It seems to hum with an energy that makes your eyes narrow in confusion upon this stranger.

He had brown eyes, the knight, and the hues reminded you of brown that you could see in the trees of your home—those old beasts that grew still with the magic of your line and your gentle touch. Surrounding him, there was silver armor and a strip of red fabric that went over one shoulder, hanging beside the items of his station; a sword and a dagger on a brown leather belt.

Brows furrowing, your head tilts slowly, unblinking, as the eye contact persists. 

A bold man, it seems.

The knight’s eyelids slightly widen, as if realizing he had been staring, and his face swiftly moves to the side, his short hair close to his oval skull. You hear the faint clearing of a throat come into the shell of your pointed ears.

Sighing, your focus returns to the matter at hand, the crown’s adornments clinking together as your head rotates. The speech. 

King Michael spreads his hands out, a man far into his older years but still had the gleam of malice in his eyes. Those beady things. They remind you of a rat—a small creature, while intelligent, that cannot win unless through tricks.

“We all know that magic has slowly been disappearing from the lands,” the King utters, voice echoing off the walls. Your hands are holding themselves near your abdomen, grace embedded into your bones. Watching how he speaks, you can’t deny he was influential. But influence didn’t matter when you had no wife—no children. He has a dying line, and that means weakness…which is why you’re here, after all. “And in that time, our war with the Fae has fallen into a stalemate.”

Your expression sharpens, fingers twitching. Stalemate? There were humans in your lands—spreading their fires and swinging their defiling iron swords. There was no war here except the one that this King was perpetuating. 

But you held your tongue, even if your silver eyes narrowed in an ancient, bitter, anger. Your head raises itself higher, hanging gemstones swinging. The knight near the stained glass is back to watching you—his feet shifting from under him, hands behind his armored back with loose shoulders.

“...Today, myself and the King of the Fae have come to an agreement in confidence, and in the fashion of old, I am to be wed to his daughter, a princess!” Gasps, cheers, clapping. They spring up from all corners of the Hall, bouncing. Your body longs for nature, to be away from rock and metal, these suffocating walls that close in with the gaggle of wretched corpses walking. “Peace shall be beholden to all of us! Magic shall come back into my bloodline through our many children, and all will share in its wealth!” 

You had compared yourself to a broodmare when your father had given the news of your journey here. A womb to be filled until you could give no more; restrained to a bed—away from any privilege and right.

And you’d been sent here anyway. A price needed to be paid, your father had told you. A daughter to stop the war. A child to bring back mortal magic and keep the peace through generations. Was your head to be put to the block for that? Who was to say that children would bring peace? That there weren’t more conflicts to come?

This was a momentary sacrifice, and here you were wearing white.

You hum under your breath and feel shackles tie themselves to your ankles; tying you to this place. But what other option did you have?

Your ears listen to the loud rapturous cheering, the exclamations of love that mean nothing to you—you do not love these people, do not love their need for violence and their pride. You want to go home, to find where you can rest among glades and grass. Converse with the birds and the beasts to learn of their news of far-off lands; run your hands through clear streams and watch plants grow where you walk.

As your stone body stays still, silver eyes unblinking, the knight near the window is the only man in the room not gazing at you like he wants something from you. While Lords have their eyes filled with lustful envy of your age-less skin—your finery and wealth; the promise of strong children, the knight is the only one with an open expression. 

He only watches, handsome face holding the whispers of stubble and eyes that would make many moral women wish to be his wife. 

Admittingly, your attention keeps going back to him, just as his own is stuck on you even as he tries to look professional. Back straight, armor glinting, sword pommel fiddled with by long fingers. 

The King is walking down the stairs, one withered leg at a time. You don’t offer any help.

“My bride,” Michael licks his lips when he’s in front of you; but he’s more fixated on your stomach than all else. What it will hold for him. “My beautiful Fae bride. My wedding will be known through history for ages to come.”

My. 

The world holds its breath. The knight’s jaw clenches, though no one sees it. 

You take a heavy breath into your lungs to hold back your snapping tongue. As the words meet the air, they come out as unemotional as a wave at sea. Wind holding mist.

“Certainly.”

—

As it turned out, the castle itself was even less homely than the material that was used to build it. You walk slowly through the halls, hands behind your back and your crown glimmering—the trail of a thin and flowing gown making you look like a specter. One crudely carved window after another passes by your right shoulder, and you look out of every slit; seeing the silver shades of moonlight. In contrast, everything on your left was washed with firelight from the blazing iron sconces, your ears twitching to the pop of wood and fabric saturated in animal fat. 

Everything here was horrible.

A prison, you think, slowing near one of the larger windows in the hall. A cage.  

Staring outside, trying for only a moment to understand the disgusting castle and adjoined town you look at, there’s a faint noise from far down the corridor. 

Wasting no time, your head moves slowly to the side, blinking. There isn’t anyone to be seen, but yet again, your slightly pointed ears twitch. 

A firm heartbeat. 

Bump-bump, bump-bump, bump-bump.

Staring at nothing, you listen for a moment, taking it in as your visage fights with blue and red light, shadows littering the small cracks and the marks of stone—your hands slightly tighten, but you hold no fear. 

You refused to be afraid here; you would go to your spiritual death with a high head, and nothing less. 

“It’s unbecoming to stalk as if a wolf,” you call, voice smooth and even. A beat of bird’s wings. “Four-legged beasts have perfected it, yet, the same cannot be said of you.” 

There’s a lapse of silence—a swirling of slight tension that comes not from you but another. The heartbeat in your ear lightly skips. Startled. A shadow cusps one of the connected hallways, a gleam of silver armor. You blink slowly.

“Apologies, Ma’am.” The Knight. The one from the Great Hall. “I…didn’t mean to make you nervous.”

His lithe form doesn’t try to hide from your accusation, instead, his body moves to the middle of the stone floor and straightens—one hand going to his heart and the other behind his back; bowing. The darkness of his complexion seems to glow in the light, smooth skin besides the marring of small scars along the left cheek. Tiny things, only two lines.

For no reason at all, your body lightly turns towards him, watching.

“I’m not nervous,” you respond. “Please, stand straight.” 

He does so without hesitation, though his eyes are avoiding yours. A guilty pull is to his lips that you can’t help but quirk a brow at. Yet, you remain emotionless, and outside the shadows of flying birds shift past.

“What is your name, Knight?” You see his expression slightly tense at the question, but you continue easily. A test, perhaps, if this man was worth your time. “I recall your face.” 

“I can’t give you that, My Lady.” Brown eyes go to meet yours, and the silver flecks in your orbs glimmer. “My orders were clear.”

“And were those orders also to follow me?” 

He clears his throat, feet shifting. “...Maybe.”

You hum, moving your body slowly and walking forward to him. The man blinks in surprise, straightening even more but a firm set to his eyes. His attention never wavers, unless it’s to glimpse your crown and belt, perfect pieces of artistry lost to this section of humanity. No mortal craftsman could imagine making something as such. He liked them, you notice at the light impression of awe in his gaze.

Anyone with sense would.

Stopping just a few feet away, you tilt your head. 

It was common knowledge that you never gave your name to one of the Fae, your betrothed would have told everyone close to him to avoid doing so. Just as you would never tell your real name to anyone—not even under dire circumstances. Names hold power, and no person in this castle would make you even more of a prisoner than you already were. 

You know the names of beasts and plants, flora and fauna—they bend to you, let you manipulate them to your will, though you often find no need to. The animals from any land prefer your company, anyway. The castle’s hunting hounds have already become well acquainted, just as the messenger birds had. 

But mortals? No. No, there were no names that you knew besides the King himself, and even then it was a fake one. Second names and such, are common. 

“Your title, then,” you say to the Knight. “If you’re to be a constant face to me.”

“Gaz is just fine, I’d say.” He nods his head, a slow smile moving his cheeks. Your brows furrow. Strange fellow. “A pleasure. I really do need to say that I wasn’t following you for long—I was only concerned you might have lost your way.”

You stare. 

“Lost?” Owlishly, your head shifts.

Gaz makes a noise in the back of his throat, one hand coming up to rub at the base of his neck. “Yeah—lost. It’s, uh, it’s a big castle, My Lady—”

“Stag.” Wide eyes blink, this meeting is only awkward on his part and not yours. In fact, for how humans go, he was acting far better than most. Usually, there was iron being brandished by now.

“What was that?”

“My title,” you explain, your crown’s gems bright in the light. The fire crackles, popping. “Stag. I do not need my status stated. I know what I am, Knight.”

“Then I’d say the same,” your fingers twitch, liking the word game he plays. Inside of your sockets, the unnatural makeup of your eyes shimmers. 

“Very well,” you pause, picking your words. “Gaz. A strange choice to be sure.”

He chuckles, nodding in a very stoic-like way despite the nearly boyish nature of him. “Well, Stag isn’t exactly common, either.”

You hum in your throat, unblinking; staring. Your intrigue grows the longer the man talks. Just like in the Great Hall, his form attracts all of your attention to it, against all laws that you seem to know in your soul. 

“Pray tell,” you shift, moving back to the window with your feet not making a single sound. Gaz watches on, eyes flickering between the hanging gems and how you tread over the stone as if you had wings. Your form slips back to the window, and your focus once more goes outward. “Has the King told you to spy on me, Gaz?”

The title, even if not the one of his birth—not the one written on his soul like a brand—still made the air quiver with might. You were older than most of this kingdom, the Knight knew. Older than the oak trees of the nearby forest; older than rock and wind and air.

Power dripped off your tongue like water to a leaf. 

But it wasn’t your influence that made the man answer you. It was his own nature. 

“Yes,” Gaz says, taking a few steps to where you stand, watching a flock of birds dance above the courtyard, silver moon-drips illuminating white feathers. “But I wouldn’t call it spying. Officially, I’ve been put in place to keep you safe, Princess.” His dark brows crease when you don’t pay him any mind. “I take my job very seriously, yeah?” 

“I can see that,” you utter, eyes still on the birds. “The only thing I need protecting from is the iron ring on your right hand.”

He startles, blinking for a moment. 

“...Parden?”

Silver eyes pierce him, watching; waiting. 

Gaz looks down, locking on the hand that has been resting on the pommel of his sword. Cape swishing, he makes a noise in the back of his throat. His sigil ring—the one that had been given over at his dubbing ceremony sat on the first digit, the engraving of his King’s coat of arms glimmering back. 

A wolf; a snake caught in its fangs. 

Brown eyes dart back, and he sheepishly smiles, huffing a chuckle of sorts. 

“Comes with the job, unfortunately,” yet still, his other hand easily grasps and slips the thing off, tucking it away into the leather pouch swinging from his belt. “I thought that was a myth—the Fae being harmed by iron. Conjured up to give people something to cling to.”

“I can name a million things that men and women like you consider myth,” you mutter, starting at that pouch, deep in thought. You hadn’t expected him to give in that easily. Your shoulders loosen their rigidness, but your chin never drops its high pride. “Every story comes from somewhere—be it reality or wives’ tales. Who’s to say that the words don’t give them life in one form or another?” 

“Bloody hell. Not a discussion to take up with me, I’m afraid,” Gaz huffs a chuckle, smirking. While still hesitant around you, the conversation wasn’t anything that made him want to not be around you. Everyone deserved to have their character shown, and what he was seeing so far wasn’t ringing any alarms. “Sound more of a scholar than a Princess, if you don’t mind me saying.”

Your lips quirk. “I prefer philosopher.”

“And what’s a Fae philosopher doing out in the middle of the night, then?” A breeze wafts through the window, blowing on your dress and making Gaz’s cape flutter in its bloodish tint. The torches whip and dance. You take a low breath, bird chips coming closer. 

“Speaking with an old friend.”

A white dove lands on the stone opening of the window, fluttering wings coming to fold along its sleek form until it shakes and settles all at once. 

“Lysander,” you say in greeting, nodding your head. Gaz watches, barely moving as his lips part in astonishment. 

Your hand extends itself, bearing no rings or bracelets. All you needed was your crown. Tiny eyes blink as an angular head turns to the side, tiny coos sparking from a rounded breast. Pale feet grasp your perfect flesh, such a tiny weight settles before you lift effortlessly; wings flapping to keep balance. 

“What news, then?” You ask in a whisper, bringing the beast to your crown. Lysander settles on one of the tines, head dipping down as feathers puff. Into your ear, words take shape. 

You hum in answer, blinking at every clicked sentence; tapping talons. 

Gaz stares blankly, eyebrows pulled up on his head and unable to articulate himself.

So many stories about your people—he hadn’t thought half of them to be true. While he’d been stationed in many places during the duration of this war, he’d never actually encountered one of the Fae before. Gaz had been told they were like a plague; they came in when you weren’t looking, spoke magic into your ears, and forced you to come back to their home and live as mindless beasts. Cupbearers and entertainment. 

Of the countless knights he’d been in line with, he knew the true names of none of them. A precaution. Forethought. 

Yet…you don’t look dangerous. 

But the man is far from stupid. 

“He says the fires from your forges burn his eyes,” your voice snaps him back to you, and he straightens, fingers twitching. Gaz finds your face already turned his way, owlish in its movements. “The smoke makes his throat ache.”

“I,” he pauses, mouth opening and closing. Brown eyes dart to the sharp-beaked dove; the thing very much like you in the way it watches him. “I’m…sorry?”

Your lips pull in a frown, sighing with a shake of your head. 

I can never survive here, you find yourself thinking. I believed this is what I had to do, but if this is how I’m going to live…

“Tell me about your King, Gaz,” your body swiftly turns, feet carrying you down the corridor once more with long, even, steps. “If I’m to marry him, I will know of his nature.”

The man clears his throat and follows after, where you hear the clinking of silver and the scabbard against his thigh. He glances over at you, walking if not a bit behind yourself in proper fashion. 

“What do you want to know, Ma’am?”

Your unnatural orbs shimmer, and the bird on your crown hunkers down; puffed contently and eager to rest his wings from a long flight. 

“Everything. I will not be unaware of my fate.” 

“Well,” Gaz sighs, rubbing at his chin with his opposite hand. He licks his lips, mind running to answer the best he can. “You’ll not want for anything—finery and wealth will—”

“I do not care about mortal revelry. I need neither fine things nor wealth.” Your voice curtly moves along the open air. The Knight’s boots connect with stone while your bare flesh emits nothing. “His character, Knight. Is he fair—just?”

Gaz’s face tightens, glancing from you to the hallway as he takes a moment to think.

“My King has…become troubled with the turning tides of the war. I’m sure when your marriage is official, he’ll go back to how he was before.” He doesn’t seem certain, but loyalty is a trait that a knight knows well. You had been set as his charge, of course, not under the best of circumstances, but he would do his job how he believed would benefit all parties. Even if his guts were stiff at the thought of a forced marriage. 

“My Lady Stag?” He asks, and your heart jerks unexpectedly at the muttering of your title. 

Blinking in confusion, your hand coming up to rub at your collarbone like a willow branch, you almost miss the question entirely. 

“Where you come from, if I can ask, of course, what’s it like?” Your mind strays from marriage ceremonies and consummation—momentary peace slipping in on waves of this man’s smooth accent. 

Mouth opening, only to close once and open again, you decide to indulge this man with your answer. If only because he speaks of your home. 

“Green,” is the soft utterance of your answer to him. “It’s green. More trees and rivers than you can count in your lifetime. Animals each more fantastical than the last; all of which your people now call nothing but hearsay.” 

You can sense his attention, sucking up knowledge as if he had the years to know and understand it all. 

Lysander coos, shaking his feathers out, and you glance upward without moving your head. You chuckle like a blade of moving grass. 

Blinking, Gaz slowly begins to smile, cocking his skull to the side boyishly. “What’s so funny, then?”

Your high nose twitches. 

“He says you’re as if a Wyvern hatching. A curious thing.” Brown eyes drift to your companion, whose peaked eye pierces like black fire-stone. Gaz’s mouth releases a puff of a chuckle, chest jerking. 

“Hell, never thought I’d get insulted by a bird.” 

“Humans have not the ability to speak with beasts,” you ease out, walking on. “On that, I have to say you are at a sure disadvantage.”

“What?” Gaz’s amused voice is in your ear. “Minus the whole immortality thing?”

You side-eye him, visage calm with decades of understanding. “Not everything is built to last forever.”

A momentary silence falls between the two of you. Eyes locked, you both stare, legs carrying bodies across the unfeeling stone until the area Lysander had told you about takes form. You shift a slow right and exit into the inner courtyard, large stone walls making a small square of patchy green grass and dying plants. A fountain sits still. 

“If this is to be a game of equal exchange, Knight, I desire to ask the next question.” Your eyes take it all in, hand moving out to capture the blackened leaves of a Medlar tree. Frowning at the dead fauna, you hear Lysander take to wing, flapping until his ghostly form lands on the far-off fountain’s edge. 

“Alright,” Gaz nods, looking around at the dying place with a frown as well. He’d never come here before, but the state of things was…sad, really. “Ask away.”

“When you leave the castle—the town,” you let power move to your fingertips, and you feel the tingles of it running the lengths of your arms like ice and fire; taking a low breath. “What do you see? I admit, I’m not used to having company with humans. I know not how their souls feel.”

Gaz walks into the small enclosed space, humming as he taps the pommel of his sword. His shoulders shrug as his head tilts up, blinking at the stars. 

“I wouldn’t see it as you would, I gather.”

You look over your shoulder, amusement in your face mixed with a slice of intrigue. “That wasn’t my question. But, no, you would not.” 

“Figured,” he chuckles, nodding at you. Gaz articulates himself dutifully. “I see a place far more peaceful than the one here. Outside the stone and smog—it’s beautiful, truly. Calm. You can actually think above the noise, you know? I usually find myself wanting to get out more often, but my duty ties me here.” 

Your eyes soften slightly, thumb running the face of the leaf as you take in his words. Lysander stoops to take a sip of water. 

“You’re…” You lack the words, only humming and stopping yourself. 

“Why are we here, Princess?” Gaz asks you, gazing around. “I had only expected you to walk to the kitchens—the library, even. Don’t get me wrong, you can go as you wish, but I’m not sure this is the most…” He grunts. “Sightly place to end up. Everything’s dead.”

“Nearly,” you whisper, a tiny smile taking over your flesh. “Not quite.” 

Gaz’s frown is lost to you, as is his comment that he mutters, “Looks it.”

Leaning forward, you press your lips to the leaf you hold as if a precious object. Into its blackened and shriveled form, you whisper its name—its true name, one you had learned through years of patience and trust that bordered on an entirely trance-like state. A Medlar is a tough and stubborn thing, like the fruit it bears, it will hang on until all else is gone to dust. Its roots are strong, and from them, you had listened to the earth sing its songs one buzzing note at a time.

All things speak, you just have to know how to listen. 

There’s a surge of wild order, a dichotomy of will and freedom; the sing of an axe and the memories of young saplings just gracing their leaves to the sun. A circle of death and rebirth as old as the stars that still shone in a sky of black. 

You know many names, but those of the trees were the first to come to you, and it was only proper. Before anything, there were trees. 

The Medlar shakes, its leaves dropping down one at a time until they come in groups, in clusters—bare branches shiver like dogs do until creaking ballads move over the air. 

Starling, Gaz had taken a large step back, hand snapping to the handle of his sword, the blade half drawn. Lysander flies past his face, blunt talons skating the close-cropping of his hair before the bird grapples to your crown. Flinching, the knight watched with a mixture of horror and pure wonder.

The tree was sprouting new greens. 

You step back, and from your feet, the dead grass quivers, before the smell of groaning earth makes his nose twitch; fresh blades show themselves anew. The dove atop your crown jumps from one sharp tine to the next, dodging lines of gold—eyes glinting and wings flapping excitedly. 

Life is in the very air. 

You smile to yourself, silver eyes moving as a nearly ancient-looking spark flares to life in them—a long breath entering your lungs. 

Gaz’s face begins to heat as he watches, his heart pounding with something he can’t understand. He stares at your bright face before his fast-blinking eyes move to the grass growing all around; the bushes dancing, flowers opening up and turning to you. Birds gather on the edges of this verdant and fertile land, darting one by one to the fountain and to the trees. Singing.  

The knight steps back, feet dancing over the ground with an airy laugh stuck in his throat. 

“Holy hell…” he breathes, nearly panting. 

Wide eyes move back to you, expression open, innocent. This was a moment when you truly believed you’d never seen a face more bare than this; more giving. 

“You…” He laughs. “You’re tellin’ me you could always do that?” You chuckle, and it is a sound that could make roots grow in his heart, flowers bursting from his lungs. “I…I’m speechless, really. This is,” he laughs once more, turning a full circle, with his hand going to the back of his neck in shock. It was entirely new—all of it. Ivy climbed the stone, and the animals spoke and flew in the air; excitement something that transcends species. “This is extraordinary.”

You were something incredible. 

Chuckling, you raise a slow brow, feeling a foreign heat move over your cheeks. It’s a moment before you speak, taken aback by the reverency.

“My thanks, Knight,” your head nods his way, a simple dip of your chin and nothing more. “But this is only a small courtyard. A fraction. If I so wished, forests could grow from ashen ground.”

“How?” He asks you, eyes glittering more than the moon. 

Smaller birds join Lysander on your head, finches, perhaps, and sparrows. They tweet and chip, speaking their thanks. You reach up and let one move onto your finger, bringing it back to eye level as you move to softly connect your forehead to its own. Moving back, you hum and watch the bird fly off.

“Ages of practice,” you elegantly tip your head his way, careful of your cargo. “Quite verbatim.” 

Gaz is speechless, unable to recall something in his life that had made him feel so special to be able to witness it. Magic to humans was a dying thing—you’d be surprised if he’d ever even seen it in this magnitude before. 

“...Amazing,” he utters under his breath, smiling like a fool.

For all of your Fae trickery, your games, you had to be honest. “I don’t believe I thought you’d be this moved by it.”

“Really?” He blinks at you, a boyish twist to his face. “How could I bloody not be, Love?”

Your air gets stuck in your throat, eyes minutely widening. 

Gaz quickly comes back to himself, straightening and clearing his throat as your face suddenly blazes in a way that startles you. Heart pattering like a horse’s hooves not only at the…different title but his awe at your magic as well. 

“Forgive me, My Lady,” you choose not to correct him. “I overstepped.”

His body bends forward in a deep bow, hand to his heart, resting over his armor as the cape drapes its crimson fabric to the now vibrant grass. 

It had briefly eluded you that you were to be married soon. A comment like that could get the Knight and his tree-bark brown eyes put to the sword. You hold back a long sigh, eyelids fluttering shut softly. 

“Is he kind?” Your question is small, but it moves like a knife.

Gaz stares hard at the ground, once dead and nothing but a reminder of nature. He clenches his jaw, a worry swirling in his gut. The man knows who you’re asking about, and he holds the same dread he did in the Great Hall as you were led like a sacrificial lamb to the altar. 

Maybe the Knight was broken, but even if he’d never met one of your kind before, he knew that no person deserved to be bartered for the illusion of peace—forced to give children like they were only objects. But maybe he was also just a man not meant for this lifetime.

It was the way of things.

Gaz swallows the tension in his shoulders. He will not lie. 

“...No.”

—

This tall knight had become a constant at your side. Officially, he’d been placed for your protection, but you knew it was because the King didn’t want you to cut and run. 

But unless there was a very good reason to, he should have known that you were not the running type. It was a battle of wits, and even into your marriage, you would always come out on top.

It started easy enough—Michael would invite you for tours of the castle ‘making it a home’ he’d said in front of his court. It was a power trip. 

He’d talk about his wealth like it would make you swoon; like you cared at all. You could only hide your sneer for so many hours, even with your infinite amount of patience. Time had mellowed you like the rocks of the ocean, but even they cracked when the storm was strong enough. 

Yet still, you considered yourself too intelligent for baseline insults.

“My palace was much the same, your Highness. Our towers rose high—nearly gracing the clouds themselves.”

“Oh, lovely, my King. Pray tell, do you also have pet dragons? Oh…unicorns, perhaps? My, I had the most lovely unicorn companion when I was just shy of my two-hundredth birth year. A little thing—all legs and neck. Beautiful creatures.” 

“Gorgeous little trinkets. Tell me, do you have a coffer for fallen stars? They create the most magnificent illumination for late-night reading.”

Gaz nearly lost his composure at times, even if no one else could tell except for you and your pointed ears; twitching at every breath that was fought to keep still. The over-the-lip huffs and chuckles. In fact, you found yourself perpetuating the back-handed insults just to hear those noises. Such small and meaningless things, in the grand scheme. 

You took…enjoyment from it.

Seeing the effect it had on the King was also a bonus—his raging eyes, snapping tongue held back for only his reputation and little more. He wanted to take you by the arm and shake you, you knew, yell in your face. 

Kind, King Michael was not. Gaz had been correct. 

In the nights, you would discuss with the Knight—sitting in the dense and growing courtyard with your body comfortable on the grass; Gaz’s on the fountain’s edge.

You have much of the same confidence in one another as you do tonight. 

“Do knights marry for love?” Your voice wafts out, petting Lysander with a single finger in your lap; itching at his neck as he coos. “Do they get to choose?” 

Gaz fiddles with his cape’s clasp, fingers dancing over the silver make. He has made a motion to always take off his ring when it’s just the two of you, easily slipping it away until he was forced to put it back on. He doesn’t know if you feel it, but he believes the two of you to be well-off acquaintances—perhaps even friends. 

The man enjoyed speaking to you. He reveled in the limitless knowledge that spilled from your tongue, your stories and tales. Gaz, unlike so many others, enjoyed your company not for the power that it offers in a physical sense, but for the words that you freely give. Often your sentences were like honey to him, seeping into his head.

A princess speaking with a knight? Unheard of. A Fae princess? Blasphemy. 

It was easy to forget that you were older than many generations of his family line. 

“No,” he says, glancing over. “All knights take a vow of chastity when they commit to service. None of those alive in this kingdom will wed unless they willingly break their oaths.” 

Your head tilts, crown resting comfortably a small distance away on a rock.

“That sounds lonely.”

Gaz smiles, “Worried about me?” 

You stare, eyes traveling the little deaths on his face—the lines, the scars. “If it’s what you wish to do with yourself, who am I to tell you any different?” 

The man’s face softens, lips pulling as his cheeks heat under the moonlight. “Figured you’d have some opinion of it.”

You hum, raising a brow. “It’s your life—it’s so fleeting. Tread it as if water between your fingers. Before you know it, it’ll be gone.” Lysander leans into your flesh, shivering. “Live it.”

“For someone who says they don’t know humans that well,” Gaz grumbles, though his chest is light. “You sure know a lot about them.”

“Intuition,” your mouth twitches in a smile. “And a bit of reality.”

Delicate looks are shared. 

You do admit, you liked these conversations with Gaz. The long nights and the feeling of grass under your flowing dresses; the horrid contraptions that your betrothed had tried to make you wear stuck far back into the wardrobe of your room. Heavy items—suffocating corsets, unlike the simple but elegantly sewn one you wear now. You could feel it trying to sneak in when the days drew on. 

Control. 

It was all becoming more and more apparent. You did not want to live like this. 

Your face goes troubled as the calm silence moves over the Medlar with its reaching branches. Fireflies hang like miniature stars as you take your crown and slip it back on; to feel the comforting weight of antlers. 

The knight pauses as he slips his cape off of his shoulder, blinking over at you in a slow confusion. You look troubled. He’d never seen that expression on your face before.

“Stag?” Your head swivels, as if in another world.

“Just thinking,” your voice moves into his ears, making them hum with energy. Gaz’s brows furrow, a frown taking over. After a second, he stands, moving closer on quiet feet. 

You watch him as he goes to kneel near you, one arm moving over the bent nature of his leg while the other holds fabric—letting it cascade over the earth. Brown eyes narrow, and a joking tease moves with the undertone of slight concern.

“I’m usually the talker, I know, but when you look a bit like that it makes me nervous.”

You frown. “Look like what?”

“Like someone’s got a sword to your neck, Princess.” The air is cool here, the deep throws of night taking you by the breath in your throat. A smooth smirk. “It’s my job to make sure that doesn’t happen, yeah?”

If you leave, if you find a way out of this…the war will never end. It will go on until stone cracks like glass and generations forget why it even started in the first place. 

But why were you put to the axe because of it? Why must you take the blade to the stomach—an object of greed? 

Gaz’s amused voice moves lower at your immobile lips, going serious. 

“Hey,” a hand outstretched to your arm, hovering. “Really, is everything alright?”

“Gaz,” you pause, voice still level despite your heated pulse. It’s like a snake curls itself in your guts, roots growing in your veins. The courtyard seems to shiver all by itself, leaves curling into themselves from bushes and trees. Lysander’s feet shimmy, head moving about. 

This knight had been kind to you as well as honest about his intentions. Chivalrous. Such qualities are hard to come by anymore.

“I don’t believe I want this.” It’s a breath more quiet than a lapping of waves. Gaz stills, fingers above your flesh twitching. “I can’t live in a cage. I refuse.”

Silver meets brown, holding it firmly. 

“I will not be a prize to be chained to a birthing bed.” 

The man’s face pulls at that, tightening. 

You don’t know what to expect. It isn’t fear in you—no, nothing like this could make you afraid. Apprehensive? Perhaps. Age made you cautious. At any moment he might flip his tune; run off to tattle to a King he, seemingly, likes just as much as you. Which is to say, very little. But there’s still the possibility, the knowledge stacked over ages and ages of strategy and mind games. 

A knight of a tension-ridden kingdom, swearing fealty to a King whom you’re betrothed to. You’d just expressed treason, in a way. It could put you to the sword; to the rope. To irons. Your mind runs through the millions of possibilities, not able to settle on a single one before—

A cape settles over your shoulders, startling you. 

Hand snapping to grab the front, your head snaps up, eyes wider than you can remember them ever going. 

Soft browns meet you, a thin smile. Fireflies buzz about, and a dove sits under your still finger, watching with beady orbs intently at the scene. A Medlar quivers. 

A stag and a knight breathe the same air. A godly creation and a saint ensnared in a song far larger than they intend, as the world shifts past all around them. Silver starlight leaves long reflections breaking from the hanging glory of your gems, but the patches of light on Gaz’s face capture yours in that instant far more than they should have. 

Impossibly so. Unnaturally so. 

Does this mortal have magic of his own, perhaps? You have to ask yourself. There was no other possibility. 

And when he speaks…it’s like whatever ice has been layered over your antediluvian heart breaks into fire. There wasn’t even a fight from him.

“Then tell me what you need.”

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[khaire-traveler]

It's my personal belief that just about every beginning pagan and polytheist who worries about upsetting their gods if they don't give enough offerings should go one or two months without giving any offerings but still politely ask their gods for assistance.

Why in the hell would I say this? It's simple, dear friends: it could hopefully show them that, hey, gods are actually a lot more chill and willing to help than mainstream paganism and polytheism would have us believe.

The gods aren't going to devour your soul for asking for their help. It's my opinion that they actually appreciate being valued and trusted enough by you for you to rely on them in your times of need. You don't need to feel guilty for asking for help - that's the main point of this post.

[hells-wasabii]

Headcanons for Charlie, Lucifer, Lute, and Alastor with a m!reader who’s the Demi-god son of Zeus?

I would imagine that deities from other myths and cultures do exist in hazbin hotel/helluva boss but don’t really have much power like they did in ancient times, likely mainly due to when christianity started to grow larger pagans ended up being persecuted and killed if they did convert. And it would effect them to the point where either deities chose to live among mortals (like how deities do in American Gods), simply join Heaven and became powerful angels, or tried to fight heaven only to get killed and end up in hell and possibly be more powerful than overlords.

Y/n doesn’t really have a good father-son bond with Zeus, given how much of a terrible father and wife he is in the greek myths.

And with y/n being a son of zeus he also inherited some of his abilities (lightning, strength, etc.)

A/N: I really hope this one is formatted properly, I had to post this one from mobile. But I didn’t write as many headcanons as I normally would due to the number of characters in the ask. From this point on my max character amount will be 3 per ask. But in any case, I hope you enjoy what I got!

Characters: Lute, Lucifer, Charlie, Alastor

Type: Headcanons (x son of Zeus!reader, General)

Lute

When Lute first met you, she immediately saw an opportunity. She practically begged you to join the exorcists! She did admittedly get scolded by Adam for letting the exterminations and exorcists slip, but after that she went about trying to recruit you to their cause properly.

The greek gods wandered freely and let their powers go to waste, but you, you could do something with your powers! Sure, they may not be nearly as strong as your father’s but you’re powerful nonetheless. Which on top of that, there weren’t all that many demigods in heaven anyway, which made you all the more

So she goes out of her way to try to recruit you. She had met your father in passing, sure, but she didn’t particularly care for or about him. He was complicit, doing nothing when it came to the sinners, so frankly he was none of her concern.You on the otherhand were a well of untapped potential!

She would personally make you her project. Your uniform would be altered, an indication for other exorcists not to get to close on the battle field, after all electricity is hard to control especially surrounded by metal objects such as armor pieces or weapons.

Lucifer

Lucifer was initially confused to see you in hell. The other pantheons had their own afterlives, you knew that, right? You were a demigod, you were practically guaranteed a spot in elysium, especially with one of the old Olympians as a parent. Oh, you didn’t want anything to do with that sort of stuff? That’s fair he supposed.

When he finds out about your lack of a relationship with your dad, he initially would want to help fix it. He doesn’t have the best relationship with Charlie, something that the king of hell deeply regrets. He knows how much it can hurt.

That is until he finds out your dad is Zeus. Then he fully understands. See, he never really liked Zeus all that much, between how he he had the habit of acting childish and how he constantly cheated on his literal wife, (which that was a whole different can of worms that Lucifer was not about to open)

Charlie

Being the princess of hell, she wouldn’t exactly have any room to talk when it came to your lineage. But you were the son of Zeus, that basically made you royalty, right? Regardless, she’d still refer to you as such, even if your human blood prevented you from being heir to a now nonexistent throne.

Much like her father, your strained relationship with your own dad tugged at charlie’s heartstrings. She will actively want to help you reconnect with him.

She might initially be a little pushy about it, considering her views on forgiveness and redemption, but she would want you to try to better your relationship with your dad. She herself doesn’t have the best one with her own, but they had been working on improving it. She wants that opportunity for you too.

If that’s something you would want at least. As much as Charlie would love for you to have a better father-son relationship, if that’s something you’re uninterested in she’ll respect your decisions and help better set boundaries with the God, because lets face it. Zeus wouldn’t exactly heed any you might set on your own.

Alastor

Well, i think we all know how he would react. You were powerful, more powerful than a normal soul and he knew it. He could feel it. Sometimes, when you got too excited or let your emotions get the better of you he could feel the charge of electricity

He, in terms of sinners, is likely to be the most open to the idea of other pantheons existing, he dabbled in the dark arts after all.

He knew early on that he could use you to his advantage, and if he could do so by simply saying something along the lines of your father wouldn’t approve, that’s even better. However, if you were harder to get into a deal or to form some sort of alliance, then that meant you would need to be dealt with or steered clear from.

After all, radios and an abundance of electricity don’t exactly mix well.

[hiddenhearthwitch]

📚 Small Intro To Polytheism📚

One of the most frequent asks I receive is how and where to get started when it comes to polytheism. This is a fairly broad subject and I’ll try to be as general as I can for advice but I will include specific references for Norse polytheists as that’s my shit. This information can be used to help you find a pantheon or to help you pick deities to work with it. If you’d like to use it to pick a patron deity that’s super, if you want to worship 20 gods and not have a patron deity that’s cool too. You do you dude. Please keep in mind this is all reflective of my research and personal practice. 🌻

Picking A Pantheon/Deity

This really boils down to personal preference. You’ll read a lot of posts and books that tell you many different ways and it’s entirely up to you because it is your practice.  That being said, there’s a couple of different ways to go about it. 

Research! This is one of my favorite ways to delve in. There’s absolutely nothing wrong with reading the stories of multiple pantheons and picking on that calls to you. You can also talk to other devotees and see what they have to say about deities and their religions. It is important to keep in mind that some religions are closed so please do proper research!

For example, I wasn’t originally a Norse pagan. I read some stories and thought the Hellenic pantheon would best suit me. I reached out to Eros for a while but after feeling no real connection to the pantheon I continued my research! After reading up on the Norse pantheon I decided to reach out to them out. Obviously, I fucking loved it because here I am. Point being, you can pick a pantheon based on research and not some divine message or whatever. You are also more than welcome to try out a religion, decide it doesn’t suit you, and move on. 

Divination! You can use runes, a pendulum, tarot, etc.This can go a few different ways. You can write pantheon/deity names on separate pieces of paper, mix them up, and place them face down then ask the pendulum to pick. You can assign a deity/pantheon to each suit of cards or major arcana card or even do the same thing with runes. 

For example, this is how I found a devotion to Frigg and Hel. I asked if there were any deities who were interested in working with me and pulled the runes Hagalaz and Berkana which read as Hel and Frigg to me. I followed up with tarot cards and pulled Death(Hel) plus the Queen of Pentacles(Frigg).

Asking/waiting for a sign. This isn’t something I’ve personally done so I don’t have much to say on the subject. You can go about meditating, praying, doing a ritual, or whatever and essentially wait for a sign after. It can come via a dream, something you experience, symbols you see in your daily life, it’s pretty much up to your intuition to decipher it. If anyone has information they’d like me to add in here please let me know!

If there’s a god you’re curious about and don’t want to do any of the above it’s totally cool to just reach out and ask if they want to work with you. 

Idk How To Research

Same, tbh my keyword search game is weak. Anyways, good portion of us are looking up dead religions with little reliable resources. To give those curious about the Norse an easy head start here’s a compiled list of  books by yours truly(click me!!) . It’s important to take everything with a grain a salt of salt when doing research. In my experience a lot of the retold Norse sagas have been Christianized or written under heavy Wiccan influences. It’s a good idea to do research on the author before reading one of their books.

Other blogs! There are tons of great witches and pagans on tumblr that have information waiting for you. 💗 You can search their blog/tags for good references for books, websites, podcasts, etc. Plus lots of blogs are open to answer asks. If you don’t know where to start for searching it’s best to try things based around your interest like: “norse polytheist”, “hellenic witch”, “gaelic polytheism”, etc.

Media! How lucky are we that we live in the age of technology? Knowledge is right at our fingertips! There are countless documentaries, podcasts, and audiobooks on youtube full of information for different cultures and religions. I’d personally recommend almost anything by BBC, Myths & Legends, and World Mythology!

Books! I love starting on goodreads to find good books and trust worthy authors. They’ve had almost every book I looked up with bunches of different reviews so you can get varying perspectives. Check out your local library as well! A lot of city libraries have online databases now of all of their books so you can “check it out” online and read the PDF(personal fave). 

Feeling Lost Still?

That’s completely reasonable and your feelings are more than valid. It can be overwhelming and lot of information to soak up. Just do your best and take it at your own pace, there’s no rush to find a deity or pantheon. 💞 Below are a few other general concerns I hear a lot that I was hoping to address.

“I’m leaving a monotheistic(Christian, Catholic, Jewish, etc) religion and it’s giving me anxiety.” This is entirely common and almost expected in my opinion. I was raised Roman Catholic and my first year to two looking into polytheism riddled me with anxiety. I was constantly concerned that god would smite me down or I’d face an eternity in hell for worshiping false gods. While I can’t speak for everyone that fear was entirely erased for me when I found my gods. I’ve never felt so safe and strong and hopefully with time you can find the same in your gods!

It’s okay to want to learn more or to seek something more. I can’t tell you how to handle your anxiety but please know you’re not alone in that fear. There’s whole communities out there willing to support you and help you find your safe space(including me)!

“What’s UPG?” You’ll see a lot of posts, mine included, that mention UPG - UPG is Unverified Personal Gnosis. This is essentially someone’s personal thoughts and beliefs about a deity. For example, I associate Sif with hazelnuts. There’s nothing in the lore or any book that says that she likes hazelnuts; that’s just a personal opinion(aka a UPG).

“How do I reach out to the gods?” I have a lot of information on my blog about this topic although a lot of it is Norse specific. You can check out my beginner polytheist tag here and my beginner norse post/ask here.

Altar! This is my go to typically. Altars aren’t limited to the cookie cutter image that comes to mind(no hate though I have a few); one thing you can make a side blog dedicated to your pantheon/deity, make a small one in a tin can, or even make one in a video game like Minecraft or some shit. You can be as creative or as to the book as you want. It’s up to you.

Prayer! You can totally just sit down and be like, “Hey man wanna work on some shit together?”. While I’m not 100% that all gods would be down with you being that casual it’s still something you can try.😂 You can reach out to them by sitting down in a quiet space and meditating into prayer, praying in the car or in the shower, or just pray at the altar you set up if you did. Again, I can not reiterate this enough, it’s your practice, reach out to them as you please.

Do something personal! This is more like devotional work in my opinion. Let’s say you knit and you want to reach out to a creative or domestic deity, you can knit something as a devotional act to them and as a way to reach out. For example I pick up litter in honor of the Vanir and Jörð, or I play Skyrim for Thor and Týr.

Most importantly just be honest and up front with the god that you’re reaching out too. Considering that statement be honest with yourself as well. There’s no point going into a relationship with a god if you can’t be upfront, it’ll end up in nothing but grief.

“Can deities reach out through gods/signs?” They totally can. However, it is up to you and your intuition if a deity has and it’s not likely another witch will decipher that for you. Sounds, experiences, images, all have different meanings to each of us - they may show you something that’s very personal to you but would be mundane to someone else. Trust your instincts. However, please remember that not everything is magical, sometimes a raven is just a raven and not Odin.

✨Take everything you learn with a grain of salt. Including this post.✨

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[coriander-candlesticks]

I've felt like I should check in with Apollo the past few days and finally managed to clear enough space on my floor to feel alright with breaking out the tarot deck again so I did! Lit his candle, said as as formal a prayer as I could muster beforehand, asked Hermes to help with communication, the whole shebang. For further context: I've been wanting to ask Aphrodite something specific (also via tarot, it's the most grounding tool I've got) but I only have the one deck at the moment and, while I've used it to ask Hermes about things in tandem with Apollo, and Aphrodite introduced herself via it (with a card that also introduced Apollo), I wasn't sure if it would be cool for me to use it to ask her specifically something not in direct tandem with Apollo. I mentioned that in the prayer but also said that that might be a question for a different session, since trying to get an answer to that (on top of the general "hey how are we doing/do you have anything you want me to learn") might muddy my ability to understand the message.

Cue twelve cards falling out of my deck/poking out while I was shuffling. I usually pull ~3 cards on top of whatever falls out, but I ended up not feeling like it was needed. Seven of them fell out face-up, too.

Despite having some concerns about whether all of the cards were "supposed" to be pulled, it was pretty coherent! And covered quite a few things I've been thinking about recently, including sorting out anxiety vs a warning/displeasure, a follow-up of a card that was the focus of my last pull, and a reminder to look at outside/intellectual sources to combat the whatever-the-fuck-my-brain's-on. There were four cards that fell out face-up together in a pile: a card I associate with Apollo at the front and one associated with Artemis (the Moon) at the back, with cards related to unity & growth in the middle. I'd had a pretty bad experience attempting an offering to Artemis last month and have stepped back and avoided asking her for anything or specifically invoking her in prayers/offerings/etc. since (except for once when it involved a pregnant friend b/c it seemed odd and tbh a little disrespectful to ask Apollo for help and not her as well) because I took it as a sign that she didn't want me to work with her. I'm also aware, though, that that bad experience could have just been a meltdown/panic attack. Regardless of whether it was either of those two things, a "hey slow down" warning, or a combination, it was nice to have some clear reassurance & an official introduction. It's also significant, I think, that part of the Moon card's message is about not letting anxiety/"self-deception" (direct from the guide) cloud your intuition. I've been wanting to burn the candle I dedicated to her for a few days now- it's possible that was a sign from her as well.

As far as the deck-use question...the first card that fell out was the Empress (face-up, reversed). My initial thought was that it was a "no", but I decided to look at the meaning in case it wasn't that which was. probably a bad idea. It freaked me out a bit because I couldn't figure out what it was referring to. I ended up using my alphabet oracle tiles for a makeshift yes/no system after finishing with all the other cards and got clear confirmation that my instinct was, in fact, correct.

All in all it was really cool?? By far the most cards I've had in one pill iirc, and a good lesson in identifying how my intuition works.

[ghost-bxrd]

I’ve been getting really into magical stuff recently and also DC so I’m just gonna drop this here:

Fae Dick Grayson

F A E

okay so fae stories are special to me because I grew up on hearing pagan folklore and fairytales about fae and fae adjacent creatures as good night stories so hooo boy yes I adore that trope! (I mean, I made Dick a Banshee in my fic Shuck so… hehe)

Anyway, Fae Dick Grayson! There’s just so many things you can do with it ✨

Robin appears from one day to the next, following in Batman’s shadow like a mischievous sprite, so honestly rumors have been going wild about him since day one. Robin actually being something non-human doesn’t really come as a surprise!

The fae folk are known for being awfully good at blending in with regular humans when they put their mind to it, the only thing that puts them apart (in most stories) is their otherworldly beauty, and Dick Grayson? Well, he’s definitely got that in abundance.

Just sometimes, when the light reflects off a surface in just the right way, when someone pours a glass of water and you happen to look right through the spray, or when you think you catch a glimpse of something out of the corner of your eye and you spin around— but there’s only Dick Grayson, even if a second ago you could have sworn you saw eyes where there weren’t supposed to be any; colors that aren’t supposed to exist; feathers where only skin has any right to be.

And, gods, all the talking. Dick is terrifyingly good at talking to people without actually saying anything, to the point where you walk away from the conversation feeling utterly drained after spilling your entire life story but when you think back on it— you can’t remember him ever telling you anything about himself. You know there were the usual pleasantries of “hi” and “nice to meet you” and “how are you doing?” but anything beyond that just kinda… seemed to spill out of you? It’s very strange. It’s very unnerving. By the end of the evening you other convince yourself you’re overreacting or you simply push the incident out of your mind altogether.

And there’s another thing about Dick. His name.

He only ever introduces himself as Dick Grayson/Robin. Never Richard. Never. Especially not Richard John. Names are sacred for the fae folk, names have power, so while Richard John Grayson may not be Dick’s true name, he treats it as such to honor his parents. None are allowed to use it. None except Bruce or Alfred on special occasion.

Of course, Dick’s “true” name isn’t exactly a secret so when someone does happen to use it… well, Dick may be… other… but he’s still intrinsically good in a way many of his kind don’t have the patience to be. Dick judges on a case by case basis, just like his parents and Bruce taught him. And usually people do not mean it maliciously when they use his name so he kindly corrects them and that’s that. But oh man, if they still insist on calling him “Richard”? Well..

“Oh no, it seems your credit card is being declined, sir!”

“Sheesh, you tripped over a root? In Gotham?!”

“What do you mean ten birds flew into your window last night? You live on floor level!”

“Dude I’m telling you that rash doesn’t look normal.”

“I… don’t think crows are supposed to follow you like that.”

It’s little things (most of the time, unless you really pissed Dick off) but they keep piling up, slowly driving you insane. You feel like you’re being watched, but it’s just a bird sitting on the window sill again. You feel like someone moved all your furniture just slightly to the right even tho you checked all the cameras.

The fae are kind, but they are also vindictive when crossed.

(Thanks to Bruce, however, I think Dick’s bouts of “vengeance” rarely go much farther than that though.)

Dang ok that ended up being an entire rant… wow. Anyway, yeah. Fae.

[solvicrafts]

Me @ Ares right now: aslkdjfklasjdfklasdf who gave you permission to do THAT???

[cainhart]

The symbolism of the snake embroidery on Vergil's clothes and my theories on how he might have acquired his outfit. (he's broke asf he didn't get it with money guys)

In the first Devil May Cry novel we learn that teenager Dante had his red jacket custom made. He is actually pissy about it when it gets ruined with bullet holes. He then wears a fuckass black jacket, which makes him look embarrassing.

Dante was drinking and using firearms when he was 15 or 16 years old; but he had a job (albeit his job being a MERCENARY. Also twins being European really shows because he was having drinking contests as a fucking 15 year old, god), so he had enough money to buy himself a custom made jacket. But the thing is, we don’t know how teenager Vergil got his outfit. It’s too well made to be bought in a normal store. Vergil probably had no money—though it is hinted that after Mundus' attack, young Vergil may have used public transportation (I also have a headcanon that he didn't know how to open a portal until he was at least 12 so that makes sense) and even bought himself food. These may have happened before or after the attack but let's say after the attack since Sparda, Eva, and the twins were living a secluded life. Still, being homeless and constantly on the run, his concept of the value of money is more like ‘money’ and ‘a LOT of money.’ He had no use for finance; what important was to get powerful and gain knowledge.

So, he probably didn’t get it with money. Vergil was never in one place long enough to earn money. I also don't see him as someone who would kill or hurt people to steal their money (he actually kinda did it in VoV,,, but that was different), so the idea of custom made clothing bought with human currency doesn't sit with me.

He might have used demonic magic to create his outfit. We see a demonstration of this in DMC5 with Trish, who uses her magic to literally recreate her entire outfit. This is very weird and left unexplained, which frustrates me because I need to rationalize things. Perhaps demons can do this because they can infuse anything with their demonic energy, and since the clothes they wear are made of organic material, they can recreate or even sew them back together. In Vergil's case, it's more like 'create a whole new outfit in mind's eye and boom now you have a ridiculous cravat.'

Another possibility is that he had it custom-made, but not with human currency. Demons, or at least a certain demonic/supernatural entity (the God of Time, aka the Divinity Statue), accept red orbs as a form of payment.

Vergil probably visited many places on his trauma blind journey of gaining power. I might overdo here, but what if he came across a strange tailor and they made a deal like, "You give me 70 thousand red orbs, and I give you a slutty vest, a ridiculous cravat, nice shoes and a cool coat with snake embroidery on it." and Vergil was like "Aight." Maybe he was intending to infuse his outfit with his magic anyway. It was a win-win situation.

It's funny to imagine Vergil designing his outfit, just being a teenager for once.

So, Vergil could have saved up red orbs to get a cool coat. Demonic establishments are kind of canon, so that’s a possibility. He was a teenager it’s only natural that he liked teenager things, even in his traumatized and hunted state. At a certain point in his life, he became strong enough to indulge in some of his likes.

Speaking of snake embroidery, Vergil has SO MUCH snake symbolism on him, and on his clothes too! Snakes were adored and respected throughout history before paganism started to get shitted on. Snakes represent wisdom, REBIRTH, healing, transformation, and knowledge. That’s why Satan, disguised as a snake, gave Eve the apple (knowledge) (also, knowledge of the occult was really given to women first). The snake detail on his clothes might even be magic, too. It's nearly an occult symbol on its own. Maybe a sigil? I know sigils aren't a thing in DMC but I don't care I'll go apeshit with my theories.

Whether the serpent detail was intentional or unintentional, it’s still a great detail considering his story and character. He goes through transformation (Nero Angelo), then rebirth (Vergil rebirth party in DMC5), and healing (basically the whole plot of Visions of V).

So, just teenager Vergil researching the occult and being fascinated with the symbolism of the serpent. OR he straight up stole it. :l This bitch split his demonic and human self apart and like 1 day after his human self came to existence he had to deal with money and his first thought was to steal it. Anyway, that's all. Have a good day!

[cursecuelebre]

Anglo Saxon Nine Herb Charm

Ancient charm that is rooted in Germanic paganism and witchcraft, it’s very helpful for those interested in herbalism, Folk magic, Germanic folk magic and paganism, or just simple herbal magic. It's said that it was taught by Woden or Odin (Norse) who is the god of healing. It’s in the form of a poem, a form of Galdor which is basically is incantation when reciting this poem you’re evoking these herbs. By how the poem is written the plants are spoken like another person or living thing with a conscious mind. It’s one of good sources of wortcunning or medicinal knowledge of herbs. The blog can be helpful for those who wishes to bond with these herbs this poem can really bring good insight.

Some points to take note in this poem, most of these herbs are to be used in a healing context against poison. The Saxons believed that diseases were caused by corruption of evil spirits, elf-shot, most commonly in form of “Worms” not worms we see today in the soil but more like dragons or serpents. “Nesso” is the Anglo Saxon term and Wyrm is High German where Worm derives from which means dragon. That to cast the “worms” out is essentially getting rid of the poison. When you find yourself reading Anglo Saxon charms with “Worm” that is what is being refer to. The number 9 is very sacred in Germanic paganism and witchcraft, also the use of christian elements is suppose to be there. In medieveal context of folk magic in general a common concept is to mix pagan deities with Christianity Woden and Christ is not uncommon in German folk magic to be seen together. The green is the herbs mentioned and after the poem I'll put what some of the herbs are in modern day in english. I should also note there is multiple translations but this version is what I'm most familiar with.

Traditionally to perform the ritual a witches would chant over the herbs and applied to the patient’s body then the witch would blow into the targets ear and mouth to get rid of the evil/harmful spirit.

Remember, mugwort, what you made known, What you arranged at the Great proclamation. You were called Una, the oldest of herbs, you have power against three and against thirty, you have power against poison and against infection, you have power against the loathsome foe roving through the land.

And you, Waybread, mother of herbs, Open from the east, mighty inside. over you chariots creaked, over you queens rode, over you brides cried out, over you bulls snorted. You withstood all of them, you dashed against them. May you likewise withstand poison and infection and the loathsome foe roving through the land.

'Stune' is the name of this herb, it grew on a stone, it stands up against poison, it dashes against poison *Nettle it is called, it attacks against poison, it drives out the hostile one, it casts out poison. This is the herb that fought against the serpent, it has power against poison, it has power against infection, it has power against the loathsome foe roving through the land. Put to flight now, attorlaðe (poison hater), the greater poisons, though you are the lesser, until he is cured of both.

Remember, Chamomile, what you made known, what you accomplished at Alorford, that never a man should lose his life from infection after Chamomile was prepared for his food.

This is the herb that is called Stinging Nettle. A seal sent it across the sea-right, a vexation to poison, a help to others. it stands against pain, it dashes against poison,

A worm came crawling, it killed nothing. For Woden took nine glory-twigs, he smote the the adder that it flew apart into nine parts. There the apple accomplished it against poison that she [the loathsome serpent] would never dwell in the house.

Chervil and fennel, two of much might, They were created by the wise Lord, holy in heaven as He hung. He set and sent them to the seven worlds, to the wretched and the fortunate, as a help to all. It stands against pain, it fights against poison, it avails against 3 and against 30, against foe´s hand and against noble scheming, against enchantment of vile creatures.

Now there nine herbs have power against nine evil spirits, against nine poisons and against nine infections: Against the red poison, against the foul poison, against the white poison, against the pale blue poison, against the yellow poison, against the green poison, against the black poison, against the blue poison, against the brown poison, against the crimson poison, against worm-blister, against water-blister, against thorn-blister, against thistle-blister, against ice-blister, against poison-blister,

If any poison comes flying from the east, or any from the north, [or any from the south,] or any from the west among the people. Christ stood over diseases of every kind.

I alone know a running stream, and the nine adders beware of it. May all the weeds spring up from their roots, the seas slip apart, all salt water, when I blow this poison from you

mucgwyrt - Mugwort

wegbrāde - Waybread - Plantain

Stune - Lamb Cress

Stiðe - Nettle

mægðe - Chamomile

wergulu - Stinging Nettle

æppel - Crab Apple

fille - Chervil

finule - Fennel

*Stiðe most likely means nettle as a type of plants that is used very broadly, whilst stinging nettle refers to the actual plant such as the leaves, stems, etc. Nettle can also mean the roots. Some translations have attorlaðe instead of Stiðe, but in my opinion it's talking about how nettle is perceived here attorlaðe means 'poison hater' link to Fumitory. Perhaps Fumitory to the Saxons was related to Nettle I'm not sure just a theory of mine. Most likely than not the fourth herb in the charm is Nettle in the board sense of the family of plants. Unless someone can give me a more insight on the translation, I be more than happy to be corrected.

I really hope this helps people and it may inspire others on the path and learning of Anglo Saxon culture and Traditions. :)