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#there's to a certain extent that i will still like a character with their actions or i will not anymore
astrxealis · 2 years
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going to make my byf clearer with some stuff soon >___<
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cantsayidont · 5 months
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When attempting to critique the values of a long-running franchise like STAR TREK, it's important to draw a distinction between superficial issues and structural ones.
"Superficial" in this sense doesn't mean "minor" or "unimportant"; it simply means that an issue is not so intrinsic to the premise that the franchise would collapse (or would be radically different) were it changed or removed. For example, misogyny has been a pervasive problem across many generations of STAR TREK media, which have often been characterized by a particular type of leering-creep sexism that was distasteful at the time and has not improved with age. However, sexism and misogyny are not structural elements of the TREK premise; one can do a STAR TREK story where the female characters have agency and even pants without it becoming something fundamentally different from other TREK iterations (even TOS, although there are certainly specific TOS episodes that would collapse if you excised the sexism).
By contrast, the colonialism and imperialism are structural elements — STAR TREK is explicitly about colonizing "the final frontier" and about defending the borders, however defined, of an interstellar colonial power. Different iterations of STAR TREK may approach that premise in slightly different ways, emphasizing or deemphasizing certain specific aspects of it, but that is literally and specifically what the franchise is about. Moreover, because STAR TREK has always been heavily focused on Starfleet and has tended to shy away from depicting life outside of that regimented environment, there are definite limits to how far the series is able to depart from the basic narrative structure of TOS and TNG (a captain and crew on a Starfleet ship) without collapsing in on itself, as PICARD ended up demonstrating rather painfully.
This means that some of the things baked into the formula of STAR TREK are obviously in conflict with the franchise's self-image of progressive utopianism, but cannot really be removed or significantly altered, even if the writers were inclined to try (which they generally are not).
What I find intensely frustrating about most modern STAR TREK media, including TNG and its various successors, is not that it can't magically break its own formula, but that writer and fan attachment to the idea of TREK as the epitome of progressive science fiction has become a more and more intractable barrier to any kind of meaningful self-critique. It's a problem that's become increasingly acute with the recent batch of live-action shows, which routinely depict the Federation or Starfleet doing awful things (like the recent SNW storyline about Una being prosecuted for being a genetically engineered person in violation of Federation law) and then insist, often in the same breath, that it's a progressive utopia, best of all possible worlds.
This is one area where TOS (and to some extent the TOS cast movies) has a significant advantage over its successors. TOS professes to be a better world than ours, but it doesn't claim to be a perfect world (and indeed is very suspicious of any kind of purported utopia). The value TOS most consistently emphasizes is striving: working to be better, and making constructive choices. Although this can sometimes get very sticky and uncomfortable in its own right (for instance, Kirk often rails against what he sees as "stagnant" cultures), it doesn't presuppose the moral infallibility of the Federation, of Starfleet, or of the characters themselves. There's room for them to be wrong, so long as they're still willing to learn and grow.
The newer shows are less and less willing to allow for that, and, even more troublingly, sometimes take pains to undermine their predecessors' attempts along those lines. One appalling recent example is SNW's treatment of the Gorn, which presents the Gorn as intrinsically evil (and quite horrifying) in a way they're not in "Arena," the TOS episode where they were first introduced. The whole point of "Arena" is that while Kirk responds to the Gorn with outrage and anger, he eventually concedes that he may be wrong: There's a good chance that the Gorn are really the injured party, responding to what they reasonably see as an alien invasion, and while that may be an arguable point, sorting it out further should be the purview of diplomats rather than warships. By contrast, SNW presents the Gorn as so irredeemably awful as to make Kirk's (chronologically later) epiphany at best misguided: The SNW Gorn are brutal conquerors who lay eggs in their captives (a gruesome rape metaphor, and in presentation obviously inspired by ALIENS) when they aren't killing each other for sport, and even Gorn newborns are monsters to be feared. Not a lot of nuance there, and no space at all for the kind of detente found in TOS episodes like "The Devil in the Dark."
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skyeventide · 2 months
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does the Oath of Feanor work as a magical compulsion, or does it have magical properties, and are its consequences real?
yes, because the magic of Arda is also based on words of power, and it would be dissatisfying and limiting to assume that somehow that power doesn't work in this specific instance. no, because even if Feanor is the one speaking, not even his power could bend the fate of elves to that extent. yes, because the fate of any one people can be bent, delayed, or weirdly modified until an oath is fulfilled; in LOTR, the ghosts of the path of the dead prove it. no, because Manwe and Varda would not feel bound to enforce an oath of death with them as witnesses, and it goes against the rules of oathing. yes, because the enforcer is Eru, they just stand as witnesses and do not have the power to release the swearers as Eru would. no, because we don't even know if Eru accepted that oath. yes, because if the oath was invalid from the start, it would be beyond callous of Manwe and Varda not to inform the swearers and allow the consequences of the oath to happen. no, because a magical compulsion would remove or to an extent at least lessen responsibility of actions taken in its pursuit. yes, because the author of the story acknowledges a certain "will" of the oath by making it wake or sleep with active verbs. no, because even swearing without additional magic on top can feel like a compulsion to do things or to keep going that otherwise would not exist or not be felt by a given swearer. yes, because no matter what the everlasting darkness is or does, it can be real independently from any other prior compulsion to act; in other words, there may not be a magical property to the oath, but its called consequences for the swearers are very real. no, because there's several slightly different versions of the oath across the texts, and it's impossible to do a literal, word for word reading of its lines if it's possible to recite it slightly differently at a given time. yes, because the only valid version is the original pronounced by Feanor in Tirion, you can't wiggle out of that one. no, because who's to say that was recorded correctly, it's far too poetic for a sudden decision. yes, because who's to say that Feanor couldn't whip out all that via improvisation, I bet he could. yes, because other characters beyond the sons of Feanor treat the oath as something absolutely serious and real, and that includes Finrod in speaking to Andreth, when he says that Eru's name is not called upon even in jest, as well as Melian, when pointing out the strong forces awakened by involving that power. no, because neither of them can talk to Eru anyway. yes, because it's narratively more satisfying to imagine characters morally struggle against something that is eventually unbreakable and unavoidable like in any good tragedy. no, because it's narratively more satisfying to imagine characters do it to themselves and compromise with who they are out of family loyalty. yes, because the curse of Mandos actively turns it against the swearers into a betraying force, a consequence that wouldn't otherwise be a given, that is, nothing says that everything they start well would have finished badly and that the oath would have led them to defeat, and if it weren't magical before Mandos' addition, it is now. no, because Amrod's death in a draft would prove it breakable through his (admittedly only guessed) desire to turn back. yes, because he still died in the process, aka the everlasting darkness claimed him for being an oathbreaker. no, because how is it possible that it's simultaneously unbreakable and broken. yes, because the fate of arda and that of elves is inscribed within the eternal paradox of everything being predicted and everything being free will, and that will never be solved, neither regarding the fate of the elves nor the oath of Feanor. no, because the oath is a narrative device. yes, because the oath is a narrative device. three hundred more lines.
hope this helps. hope it doesn't. your pick.
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beaulesbian · 2 months
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[egghead spoilers, up to chapter 1110]
Sanji's humanity & Zoro's strength
(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.
So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.
Yes, this whole post started because of these few panels: (" ...!!")
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After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.
Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.
There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!
It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).
In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.
Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:
Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):
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^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,
and only again was in chapter 1031 - where his eyebrow changed:
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and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.
Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!
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Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):
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(still the "bad eyebrow" - he had that the whole chapter 1031).
After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.
1036 & 1044 (hearing Luffy awaken his powers):
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All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -
ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:
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ch. 1078, protecting his crew from Seraphim, bad eyebrow:
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in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:
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and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:
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interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):
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and the next page he still has the bad eyebrow:
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in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:
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Which leads me to the point from above with Zoro.
chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)
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I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.
These words (in my opinion) were chosen on purpose for multiple reasons:
First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.
When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.
also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.
Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.
The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:
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Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.
The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.
I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:
One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."
was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:
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When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:
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and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:
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Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).
Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"
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which goes through to Sabaody arc.
Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)
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Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.
It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:
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Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.
He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")
There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:
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and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:
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The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.
Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.
And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:
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Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:
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Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)
So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.
To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.
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The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.
So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.
It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.
To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.
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sweetwolfcupcake · 1 year
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The Taste of Deceit( Hyung line Part One)
Request
Yandere Masterlist
Warnings: Violence, Dark Characters with Darker Intentions. And the plot would only get darker from here. Disturbing imagery, allusions, blood.
Word Count: 14k+ (Yes, I lost myself in the flow)
(GIF credits to the owner. I do not own them)
Kindly excuse the typos and errors
*****
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The night was young and the stars were restless.
The night was young and the club was booming.
The night was young…
yet it felt like the darkest hour when his eyes met hers. 
(Y/N) worked as a bartender at an elite bar in the city- sort-after, high-end, but oddly lowkey. It was subtle, but an experienced pair of eyes would point out the oddities with ease.
As he sauntered towards her section, she busied herself with arranging the glasses and the mixers.
She had sworn to herself that she would stay out of trouble, and the broad-shouldered man with lips that seemed to be the carrier of kisses from paradise looked nothing less than trouble- big, deep trouble. 
“What specials do we have tonight?”
(YN) almost flinched at his voice, but her actions remained smooth as ever as she arranged the glasses. She managed to put up a smile though
“Cosmopolitan, French 75 and Paloma.”
“Cosmopolitan with olives please.” 
Even his voice was honey-like. But it held an unusual edge to it– some rare kind of honey- light but the right amount of sweet.
“I haven’t seen you before.” 
He stated as a matter of fact.
“I joined a few months ago,” she replied 
“I visited here last week.”
“I used to work the morning shift, it’s my first day in the evening shift.” she replied softly while handing him his drink.”
He smiled as he sipped from his drink but his eyes never left hers.
“Hope it’s not too overwhelming for you?”
“A little.” she admitted sheepishly “But my colleagues have been incredibly helpful, I think I will be settled soon.”
He hummed before finishing off his drink with a swig “I am Jin,” he offered his hand for a shake. 
With a somewhat hesitant smile, she took it– his hold was firm but his hands felt warm and smooth, just like his eyes.
The night was young and the stars were restless.
The night was young and the club was booming.
The night was young, yet when he smiled, 
it felt like slow electricity pulsing through the air
Jin– Kim Seokjin.
(Y/N) noted. The description that she was provided did no justice to what she was experiencing at the moment– his aura, his appearance, everything hit her at once.
The night was still young
And it was a long way ahead.
But officer (Y/N) (L/N) was determined.
“Liya. My name is Liya Grace.” she introduced herself.
The night was young
And she had taken the first step
—------------
Kim Seokjin was many things, Liya came to know that with her two years spent with him. He was a perfect gentleman, and he remembered exactly how many teaspoons of sugar she liked in her coffee and he oddly remembered the days that were otherwise insignificant to Officer (Y/N)- the person behind the mask of sweet and charming Liya Grace.
Little things mattered to Kim Seokjin, (Y/N) had realised– when Liya would cook dinner for him and wait up to reheat it even if her eyes would be droopy. When she would remember what tie he liked on certain days. When she would help him with fixing his tie and cuff links. Or when she would bring him his coffee to his home office every two hours.
One might misunderstand those as his expectation at first glance, but no– he never expected or assumed that he was not of the kind.
But the little gestures of care and devotion made him happy. It assured him that his partner was just as devoted to him as he was.
And was he a sincere lover– to the extent that (Y/N) felt a prick of guilt every time she replied to his soft, quiet declarations of love.
Jin was a lover straight out of a woman’s daydreams. 
One would never believe how the hands that touched her so delicately were the ones that pushed his enemies to their dooms.
But (Y/N) knew. She knew because she had witnessed him strangle men twice his size with ease– it was like buying bread to him- mundane business.
His eyes would be chillingly nonchalant and they were the windows for the sinister beast in him to peek through.
But only (Y/N) knew of this side of him– undercover officer (L/N)(Y/N) who was quick and quiet and never even breathed loud but took all the pictures right, and never forgot to set bugs in his office. Officer (Y/N) was subtle and clever, after all.
Liya Grace, however, was naive and oblivious, believing in whatever her beloved boyfriend fed her. He owned chains of hotels, exclusive nightclubs and restaurants. What was odd with that? Some red wine sprinkled on his white shirt? Happens! Why would not she believe him?
That was not technically a lie. Jin did own all of them. But they were the surface, the strong shields protecting his underground illegal weapon dealings– his real business.
It would have been so easy to fool any ordinary civilian, but (Y/N) was no ordinary civilian. 
“You’re late. Again.” 
“I’m sorry Jagi, you know well that I am– it’s those old investors, always looking for loopholes in my projects.”
Potential buyers
(Y/N) corrected him mentally  as she scoffed and turned away pretending to be upset 
“Liya–love, you can’t be angry at me now, it's only–uh– a bit late…” he trailed off as he glanced at his limited edition watch.
“It’s two in the morning Jin.” she huffed while reheating his dinner 
“Hmm, pretty late, but you are still awake sweetheart.”
“Yes”
Just getting some confidential documents.
“I wanted to talk.”
“Everything alright Jagi?” he sounded concerned but her smile soothed his frown
“Just considering visiting my parents. Haven’t seen them in a while.”
“Why? I mean is everything okay there?”
“Oh no, I just miss them.”
There was another thing (Y/N) had noticed about Kim Seokjin. He liked to keep her for himself.
He was a possessive man, more so emotionally than physically. It was normal for lovers to be possessive, but his sense of possession extended a bit too far.
And it made (Y/N) squirm sometimes– she could swear it was just her being uncomfortable, but deep down, she knew that there was a sinister edge to his love and it made an eerie anticipation bloom in her heart.
“Why not we go to meet them this weekend? You can finally introduce me to them then?”
“Oh Jin, no need of that, you already have a tight schedule.”
There was no way that she could let all her hard work go down the drain.
“But Liya, I have to meet them someday.”
“Sure Jin, I want you to meet them too, but I want to see how they would take the news of me already living with my boyfriend– they have always been a bit protective of me and I want things to go smoothly so bad...Let me set the ground first. Hm?”
She managed to muster up her best puppy eyes and Jin finally relented and nodded with a sigh. He was in a hurry to put a ring on her finger, so eager in fact that she already had a promise ring occupying her finger.
“When do you plan to go then?”
“Tomorrow?”
Jin smiled and nodded “Just don’t stay away from me long, okay?” 
—------
“Liya! I have cooked your favourites.” 
Her father greeted her on the porch as soon as she arrived.
“Dad I missed you!”
Her father smiled and pulled her in for a hug.
“You have the pigeon feed?” he whispered into her ears without a single muscle faltering.
She hummed, still smiling.
There could be no chance taken. It was Kim Seokjin after all, and underestimating him would be foolishness. The department knew that Kim Seokjin had eyes everywhere and one slip-up could cost them not only all their hard work but also their lives.
“Hurry up, your Mom is setting the table.” he ushered her in as they played the perfect father and daughter for the hidden hawks.
—----
“Here.” (Y/N) handed them a Pendrive. It was the one that contained recordings of his office, some pictures of classified documents and some codes
“Excellent Officer.” her ‘mother’ hummed as she examined the item.
“Now that the pigeons will be feeding, let us have dinner too.” her ‘father’ quipped in– finally at ease now that the documents were in their hands.
—------
(Y/N) had excused herself back to her room. It was cosy yet oddly familiar– detailed to perfection. A typical room that screamed  ‘I spent my teenage years here’. (Y/N) felt exhausted. Not only because she had been putting up a facade for so long but also because the ring on her finger sat heavily– mocking her as it gleamed under the nightlight. But most of all, it was the booming questions in her mind, screaming at her for answers.
She dug into her purse to retrieve a Pendrive. Another Pendrive that held the most crucial information, the deepest vulnerabilities in Kim Jin’s empire, in his security system. The Pendrive contained information that could easily lead to his encounter– no more pieces of evidence required.
She gulped, fiddling with the tiny device. She had always known what she wanted, what she was doing. But not this time.
What was she doing?
Why couldn’t she—why did not she submit the most important Pendrive to her superiors?
It would take them no time to bring Kim Seokjin and his empire of illegal weapons into ashes and yet….
“What’s wrong with me?” she huffed out breathlessly.
Finding no convincing answer, she settled for going to bed. Maybe a bit of rest would do? She had been pretending for so long, acting as the perfect, oblivious little girlfriend to a man so subtly dark, it had taken a toll on her mentally and emotionally.
—----
Drip
Drip
Drip
Drip
Drip
Drip drip drip dripdripdripdripdrip
.
.
.
Gurgrlegurlegurlegurglegurglegurgurgurgle—
“Huh?”
It was disorienting to wake up to the sound of an open tap. Without much thought, she stepped into the bathroom, cringing at the wet sensation. It was tap left open and the basin was overflowing. Turning the tap off, she waited for the water to settle down. 
The drain was blocked.
She did not remember blocking it. She had not even stepped into the bathroom.
She pulled out the lid, unlocking the drain as thoughts began to flood in. It was an in-built instinct within her. She never dismissed anything that even felt remotely off.
And at the moment she felt like something was very, very strange.
The sound of splashing and gurgling of water felt louder than it actually was. The silence was no longer blank, or even remotely cosy. It was instead eerie. 
Something just did not feel right.
Rushing to the closet, she searched for any weapons that they have provided her in the room. She let go of the breath that she had been holding as she felt a gun kept between a bundle of empty boxes. 
Fishing it out, she checked if it was loaded before pocketing the pen drive and slipping out of the room as quietly as possible. It was two o'clock in the morning, and while the silence was expected, this silence felt like holding one’s breath– it was filled with anticipation.
Making her way down the carpeted stair, she remained glued to the wall while her finger wrapped around the trigger. She gulped silently as her foot reached the bottom of the stairs. The door seemed locked, the kitchen was empty—
The backdoor!
Carefully gliding around along the walls, she reached the bedroom near the backdoor. The safety of her colleagues mattered the most to her at the moment. 
Much to her relief, she saw them asleep on the bed. Noislesslyy shutting the door, she made her way to the backdoor. It  appeared perfectly—
No.
It was unlocked. 
One twist of the doorknob gave away the fragility of their safety. Her ears tried to pick up any noise behind or around her while her eyes searched for her other colleagues roaming around in disguise. The house, past the lawn, was supposed to be occupied by her colleagues too. She quickly searched for the torchlight she knew was kept there. Gripping it with a tinge of desperation, she blinked it at the house window.
No response.
She tried again. They were supposed to have their eyes on this house for the whole damn night!
No response.
Feeling the panic beginning to build, she took a deep breath in and out. She had been spying on one of the country's biggest underworld figures, there had been people she had taken care of before.
Everything would be under control.
She tried to soothe herself as she made her way back to the bedroom, leaving the door unlocked. If something went wrong, the backdoor would be their safe exit.
As soon as she stepped into the bedroom, she reached out for them, fingers almost twitching to shoot anyone other than her colleagues.
“Sir, wake up.” she whispered as quietly as possible. Not getting a response, she tapped on his covers “Sir, Ma’am please—”
She felt cold at the sensation of the warmth she was familiar with–--warm and wet. Her throat closed up as she felt around the covers. It was all damp and warm inside but her colleagues were still and cold. 
She yanked her hand out with a shaky gasp, only to be further horrid at the sight of her tainted hands in the darkness of the room— she could see it clearly–even under the street light. 
There was a faint noise of something shifting that had her pointing her gun at the darkest corner of the room. Her heart thumped in fear and anticipation as she pointed her gun at the darkness.
It was at that moment when her anticipation came to a  heavy halt— Jin stepped out of the dark corner, taking up the space near the window instead. The streetlight and moon rays falling on his form gave him an eerie illumination.
“Why wait now?… Here I am. Pull the trigger.” 
His inaction was far more chilling than his acts of violence. He was just standing still– and nonchalant and yet, the darkness in his eyes was far deeper than the dark corner he emerged from.
“Is it not what you were sent for, after all?” he drawled, slipping his hands into his pockets. “Now you even have a reason.” 
his eyes flickered to the bed momentarily before settling back on her as he tilted his head slightly
 “What’s the matter Officer (Y/N)(L/N), pull the trigger.” the amusement was clear in his tone.
She would not pull the trigger, even if it was the right thing to do, she would never do that. 
And Kim Seokjin had realised it before her. 
She hid away the pen drive, her hands shook as she pointed her gun at him and her fingers froze at the mere thought of shooting him. 
She shook her head, trying to push back her tears as the realisation began to dawn upon her, like a nightmare merging into reality.
“E-even if I tell you why, you would not believe me.” she breathed out.
It was pathetic. How would he believe her if she told him that she had just realised that she was in love with him? For real.
Why would he believe that even?
The corner of Jin’s lips lifted up slightly at her words.
“Oh Jagi, I know you inside out…” he trailed away as he sauntered towards her.
His movements reminded her of the first time she had met him. Two years ago.
Today was the day– the day they first met.
She stepped back, half in shock, half in caution, her hands lowered far before she had realised.
“Why did you keep the other pen drive to yourself? You had two of them.” 
He knew, he always knew.
“How long?”
Jin’s lips tugged up with smugness.
“The moment our eyes met I knew that you did not belong there.”
She took in a sharp breath.
“Assuming that I had never known of you– confidence.” he continued to take predatory steps towards her. 
She truly felt like a cornered prey– so small and helpless. His towering form seemed to have engulfed the whole room- and he, her whole existence. She flinched internally when her back touched the wall. 
“But assuming that my sources would never know about you– overconfidence.” he smiled as he reached her. The kind of smile that made her feel cold
There was no way out.
“If you plan to kill me, just get over with it now.” the words felt foreign on her tongue, but she meant them.
“Oh Jagi…” he drawled as if sharpening his sword “ I only intend to teach you a sweet, sweet lesson…I do love you after all.” she forced down a whimper as he leaned closer to her, his lips touching her earlobes
 “After all, you love me too, and you shall scream that to the world tonight”
****
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Min Yoongi was many things.
He was subtle, he was lowkey, and yet he was powerful, he bathed in money and influence and guess what– he was a well-known face on the top magazines, billboards and newspapers.
He was one of the leading industrialists after all.
To the world.
Behind closed doors ran the chaos and spills of the underworld– white power, red ink and sharp edges.
Min Yoongi was many things, but he was not always very patient– especially during crucial interrogations. His business was vast and deep. And to run such a vast business empire– one he had built himself, he needed money– a flood of it.
 People looked up to him as an inspirational figure– the ideal rags-to-riches man. But to build such an empire by the age of thirty-two, one needed something extra, and Yoongi had nothing– nothing other than a hawk’s eyes and a razor mind. So he used them instead and created a whole ring of underground business. The profit in the market required heavy investments and it came not only from big investors, it was pumped from the underground.
Who would suspect that the man making gaping charities, arranging free scholarships and educating millions of children would be the one running a whole underground business?
The police, who else?
It was an open secret among the top officers. They knew what went on behind closed doors and dark basements in his posh offices and luxurious hotels. Too bad, Min Yoongi was always ten steps ahead.
It had turned into a cat-and-mouse game, they would hunt for evidence, a loophole and Yoongi would hunt for the one digging those holes.
The man’s head was pulled out of the cold water. He coughed and wheezed, struggling to breathe through the remaining water dripping down along with blood.
Yoongi sighed. Twenty minutes– twenty fucking minutes and no information regarding the infiltrator. Though it was no new thing, it was a matter of increasing concern because he had not been able to get hold of the mouse yet. 
The man being interrogated was one too, but Yoongi knew that he was not the spy he should be concerned with.
“Here’s how this is going to be young man…” he began with a cigarette clasped between his lips. He paused briefly to light it up. “You tell me who has been collecting information about my organisation and I give you an easy death.”
Yoongi’s eyes flicked up, finding the dilated pupils of the man, blood and saliva running down his busted lips. He spat out two of his bloody teeth into the water and coughed. He gasped again as one of Yoongi’s men took hold of his hair, ready to dunk his head into the murky water again.
Yoongi rose his palm this time, halting his men’s actions. Pulling the cigarette away, he blew out smoke into the air, momentarily blurring his face “Let me rephrase it..If you do not reveal your partner, I will make sure that you continue to breathe.”
 Nearing him, Yoongi leaned closer, whispering in his ear 
“Besides, your sister would make up for the loss of our money for our clients. Now, that would be perfect, don’t you think?”
Yoongi smirked as the man clenched his jaw and shuddered. He gripped his shoulder and squeezed the bruise hard, making the man scream.
“Think about it, hero– your charity might cost you your sister’s life. She just entered college, didn’t she? Tsk tch tch, she must have so many dreams…” he threatened with a voice dripping with mock concern while his eyes held a promise of acting through his words.
The man shut his eyes, gritting his teeth before looking dead into Yoongi’s eyes
“Raven”
Was all he said before pushing out a tiny bottle from his tied hands, it had been there between his palms. It happened within the span of seconds, one moment the man was there, and the next, he shoved the bottle in his mouth before dropping dead.
Cyanide.
“Where were your eyes?” Yoongi gritted out as he looked at his men with fury “Where.the.fuck were you looking when he had this in his fucking palms?”
His men trembled but said nothing, only hanging their heads in shame. Min Yoongi with raised voice was a threat, but he with a cold, low voice with gritting teeth was a warning that barely stood between one’s life and his gun.
Surely, the police officer's body was not the only one which would be laying there.
But to their utter surprise, their boss’ fingers, instead of going for his gun, went to his head, running through his long hair.
He took a few puffs from his cigarette before dropping it on the wet floor and viciously crushing it with his heavy shoes.
He sighed, closing his eyes, the thin cut running through his face could be seen in its complete glory with his eyes closed– it began from his forehead and sliced straight through his left eyebrow, and eyelid, ending on his upper cheek, parallel to his nose. It was faded but only added to the grim aura he carried.
“Find out who is Raven. And don’t be lousy fucky this time.”
That was all he said before marching out of the place.
Min Yoongi was many things but he was not a man to step back from his words, even if it was something he had promised himself.
No blood on his hands on her birthday. 
—---
The front light of the shop flickered before dimming considerably while Yoongi’s car pulled up in front of the flower shop. It was decent, but in Yoongi’s mind, needed a ton of renovation. It was already past midnight and his only regret was that he could not be there to wish her on the strike of twelve.
The door sign showed ‘closed’ but he rang the bell anyway, his heart thumping on hearing the muffled sound of her ascending the stairs.
His lips curved into a smile as soon as the door opened.
“You came? I thought you were busy.”
“And I thought I told you to wait for me at my place. Yet I find you here, sleeping with just a single lock at the main door.” he commented as he walked inside. 
The flower shop was on the ground floor, and the floor above was where she lived. It would seem odd, special in a way– a business tycoon and a florist. But it would turn bizarre at the revelation of his true identity. A man marred with the underground murk and a sweet florist, oblivious to the monster she was letting in almost every night at her home.
“I baked some cookies.”
“Mhm? I got you some fried chicken with cheese and beer.” her eyes lit up at that and she smiled, raining heavens on his heart.
“Oh, Yoongi, you always know what I want!”
 Her voice dripped with delight as she made her way upstairs, while he locked the door, making eye contact with his men stationed just opposite the flower shop, under the guise of some construction workers.
He sighed in delight as her delicate floral fragrance engulfed him while he followed her upstairs.
“Wait for me in the bedroom, I will bring the food. And–what is this? A cake? You even brought me a cake? Oh Yoongi, you did not need to.”
He shook his head and smiled, taking her hands into his.
 “But I wanted to.” 
His hand slid to her lower back and the other hand guided her hand to his shoulder as they began to slow dance in the kitchen, the food long forgotten at the kitchen counter. 
Fishing out his phone, he clicked to play a retro romantic track– slow, lovely and oh-so poetic. He smiled at her, stealing a fleeting kiss on her forehead as they continued to move, like a slow-burning flame that would ignite one’s soul.
“Happy Birthday my love.” he whispered ever so tenderly as she looked up with glistening eyes. 
She tucked her head on his chest, relishing the moment in silence.
—---- 
One of the best leisure activities had to be sitting on the bed and enjoying one’s favourite meal along with one’s favourite person, Yoongi realised that while placing another piece of fried chicken on her plate. She smiled at him, a smudge of ketchup on her lower lip and it made her all the more adorable to her. All he wanted was to protect her, love her and be loved by her.
He scrunched his nose lightly while wiping the ketchup with his thumb while she munched on the chicken with stuffed cheeks.
Min Yoongi was in love with her, he knew it, she knew it too and he hoped that she would trust him too, enough to believe in his love through thick and thin.
“Gina…” he began as he took her hands in his, not minding the crumbles and oil “Do you trust me?”
She blinked “Yoongi, where is this coming from?”
“Just tell me, do you trust me to never hurt you? To love and protect you with my life?”
She frowned before nodding, but that was not enough for him.
“I need words Gina, do you trust me, love?”
“Yes Yoongi…” her voice shook but there was a crack of uncertainty. 
He would admit that it did hurt him, but he also knew that this was nothing beyond normal human behaviour– blind trust was a luxury and he would taste that luxury soon, he only had to be patient. He knew that her trust would falter with his next words, but he needed to do what was required.
Taking a deep breath, he grasped her hands firmer “Gina…I love you, and I did not wish to lose you…so I hid something from you, but now I must come clean for the sake of our love.” licking his lips, he continued “Gina, you know me as the world does, a philanthropist business tycoon, one with multiple companies under his banner, international projects, the rags-to-riches guy and what not…But the truth is beyond that, darker than that.”
Her frown deepened at that “What do you mean?” 
Yoongi sighed and continued “I have an underworld business, Gina, I have my hands dipped in everything murky you can possibly imagine.”
He felt her stiffening at his words and as she attempted to pull away from his hold, his fear began to take the shape of reality. With each attempt to pull her hands away, his hold coiled tighter like a hungry snake. His jaws ticked at her futile attempts
“You promised to trust me, didn’t you?” his hand crept to her forearm 
“Y-Yoongi…”
“I love you, I love you so much Gina, don’t try to take that away from me.” hissed, turning desperate “I love you too much to let you go. I have everything prepared for you love, you will love the mansion, it has a vast garden and even a patch of woods, there are flowers, beautiful flowers, and the room I have prepared for you is your dream room, Love. We shall move to our room soon after the wedding.”
“Wedding?” she whispered out incredulously as if it were the most bizarre thing to hear from him. 
“Of course Jagi, are we not going to marry soon? I love you Gina and I thought this would be a perfect time to come out clean. I want to keep you safe love, pack up hmm? I have had the mansion all readied.”
“No” she whispered, making Yoongi pause
“No?”
He scowled, tightening his hold to a painful extent before jerking her closer to him, ignoring the whimper his actions and eyes had elicited.
“What do you mean by No?” he snarled before closing his eyes and looking away– his tongue pushed against the inner wall of his cheek to show his thinning patience as he remained unfazed by her struggle to slip away from his bruising hold. “Gina…I told you that I love you, didn’t I? I came clean to you like a good lover. Isn’t it your turn to show appreciation and fucking listen to me? You are so fucking unsafe here I cannot protect—”
He was cut off by the sound of a click that tore through the otherwise heavy silence like an arrow in a dead forest
He looked at her, hold loosening before she mouthed--
RUN!
But there was no time for that other than reaching for his gun strapped on his shin but the moment his fingers touched the gun, he felt the piecing of a bullet. Chaos ensued as a figure in black jumped down from the attic, opening the foldable ladder that dropped from the ceiling, and reaching the bed.
Yoongi felt hands forcing him down before he elbowed the assaulter. His palm was already suffering a bullet wound but his eyes never left her– his Gina, or that was the name she had used. She shook her head, tears now streaming down in full force. 
“Min Yoong, you are under arrest!”
How were there so many men in the room? Boots rang across the floor as many men in uniform stormed the room, forcing him down further. But his eyes remained on the woman sitting in front of him, nursing her bruising wrist yet looking down at him with the sorrow only a true lover could.
Her eyes widened as he smiled at her– a genuine smile that came from the realisation that she did warn him to run, that she had pain in her eyes. 
“What’s your name?” he whispered softly making her her eyes widen. “Your name…”
“Oi! You are under arrest for being involved in illegal business, you just confessed that!” 
One of the officers spat out as he snatched away the necklace she wore roughly, making her wince and Yoongi's jaws tick.
 “We have it all recorded you scum!”
 He waved it in front of him before landing a heavy punch, making Yoongi’s head whip to the side, a bruise already forming while blood trickled down the corner of his lips.
But he did not care, finding her frightened eyes once more as her hand jerked to reach him, only to be stopped midway by the officer “What’s your name?” he asked again
 “Get her out of here.” the senior officer barked before the subordinate approached, his actions and tone much gentler than his superior as he helped her get up from the bed.
But before went out, she turned to him one last time, eyes filled with emotions, while Yoongi focused on pushing his heel against the sole of his shoe– one press of the sensor and his team would be ready. He smiled at her as she disappeared from his sight.
Soon, Love…Very Soon.
—-----
The journey to the police station involved being shoved into a heavily guarded van with too many armed men.
Twenty men for one person? Even with a bullet wound?
He liked the fear. 
His eyes met with one of the amateur officers, young, naive and so fucking idealistic perhaps– a version of his in his early teens. Yoongi smirked as he watched him gulp subtly.
Good.
As soon as they reached the police station at an ungodly hour, he was shoved into an overly guarded prison, the captain watched him from outside as one would while inspecting a feral animal.
The middle-aged man held his gaze as Yoongi made himself comfortable behind the bars, sitting on the bed near the wall, his form faintly visible in the darkness.
The captain held his phone to his ear before speaking up, breaking the tense silence that felt like a bated breath
 “Mission Raven Completed,” 
He whispered out, his eyes holding Yoongi’s gaze in mockery as he cut the call and slipped his phone into his pocket
“Your game is over Min Yoongi.” 
Yoongi sat still, his feline eyes shining with amusement under the minimal light reaching his prison.
“What? Aren’t you scared? The whole world will come to know your true face in a few hours!” he snarled at him.
Yoongi knew that he had made many, many enemies along his climb to the top of the underworld rings. And this captain seemed to take things a bit too personally. But what did he know of the ‘games’ he played?
“ Captain Jiwok…” he watched in satisfaction as the smirk was wiped out from the man’s face “My game has just begun.”
Before the man could speak any further, a deafening boom shook the whole building as rubble began to fall,  he watched the building burst into bedlam, throwing his back into laughter while his eyes twinkled in delight.
****
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A sunny day, the bright colours of the summer and the gentle breeze playing with the new, tender leaves and the playful petals of brightest and softest blooms. 
It would make anyone smile. But not the mistress of the Jung Estate–(L/N)(Y/N), who could only resentfully look on as the servants, maids, dogs, cats, butterflies and even insects enjoyed their freedom of embracing the outside world– all but her.
The sprawling estate encompassed a vast garden with water channels running around in symbols, hosting a range of koi fish, one more stunning than the other and a number of servant quarters that housed the staff. 
The place would look idyllic to anyone who would first set their eyes on it. But underneath the beautiful estate, laid metal doors, bloody walls and unending, dark body chutes. One might find that shocking, but not (Y/N) – to her, the Jung Estate was an extension of the master of the property– Jung Hoseok– an angel’s face and a devil’s soul. But (Y/N) doubted that he had any soul at all.
Taking her eyes off the garden, she focused on the elaborate lunch spread out for her. At least she had a choice of food, she thought with contempt as the maid served her more rice.
“Would you like dessert after lunch Ma’am?” Lia, her personal maid enquired.
“No thank you.”
“They’re all your favourite Madame.” she pressed ever so gently.
Sighing, (Y/N) nodded. Dessert might do her soured mood some good.
“I will bring them right after you are finished, Madame.” Lia beamed
(Y/N)’s lips tugged up subtly with an amused smile as she continued to eat her lunch. Hoseok, her husband always told her how much he loved her smile. And yet, he had turned the reason behind its decline. 
Jung Hoseok was probably the most feared man in the country and she had made the foolish mistake of walking right into the lion’s den one sorry evening.
—-----
“Madame, sweet buns along with mini butter croissants.” 
(Y/N) had smelled the delicious aroma before the oven-fresh delicacies came within her sight. After all, something to truly smile about, without making her cheeks ache. 
“You should have your lunch, Lia.” she offered softly, aching to be left alone, truly alone, without his people following her like some…fucking guard dogs!
Lia, the dedicated girl was obviously not at fault– she was just doing what she was paid so heftily for– taking care of the mistress of the Jung Estate.
The Mistress of Jung Estate…Ironical, really, when she could not even step out of the iron castle without his consent. And if he were to go out of the city, even the garden was out of her reach. Even his pet had more freedom than her. 
And yet…
And yet he would claim to love her the most, adore her more than anything and appreciate even the most mundane thing she would do.
Huffing as such thoughts crossed her path, she violently tore the delicate croissant into two before—
Croissants were not supposed to make any tearing sounds! Or were they?
This time, she looked closer, only to two torn pieces of the same paper peeking out of the halves of the delicacy. (Y/N) frowned as she pulled the pieces of paper out before joining them. Only to part her lips in surprise at the sight of the message written there.
A phone number!
She crumpled the pieces of paper, hiding them away in her fist before carefully peeling apart another croissant– the same number!
This had to mean something, this could not be a coincidence.
Her stomach flipped as she gulped an uncomfortable lump in her throat. 
What is this?
The question rang louder than all other thoughts in her head as she delicately folded the paper and walked up to the closet before hiding the paper in one of her shoes.
Thankfully, there were only two such croissants and the rest had only warmth and aroma stuffed inside them, so were the sweet buns, simple and delicious. The incident felt more like a dream but (Y/N) knew that it was not.
—--
“Who prepared the dessert today?” (Y/N) prayed that she sounded absolutely nonchalant as she fiddled with her food, pretending to mix the sauce with the rice.
Sitting on the terrace, she could have a wide view of the spread-out property– all lit up and quiet, except for nature’s sounds.
“Oh, did you not like it Ma’am?” it was the butler serving her this time– breakfasts and dinners were his responsibility and she had no clue why this was a rigid routine.
“No, it was delicious, that’s why I asked…”
“I am glad Madame, Lia herself prepared the dessert.”
(Y/N) kept her eyes down, afraid that her eyes would give away the surprise. Somehow, she managed a mundane “Oh, I see.” but all she did was restrain herself from frowning.
She did not even remember when she fell asleep, in his absence, sleep seemed to come easy and deep. But this time, somehow she woke up with a start in the middle of the night. It was quiet but tense and while she was alert as soon as she woke up without the usual grogginess she would feel, the goosebumps all over her skin told her that something was just not right.
Squinting her eyes, she tried to adjust her eyes to the darkness when she spotted–
“Lia?” she hissed, annoyed that the girl was there inside her bedroom and had given her a nightmare-worthy scare.
“Lia, is that you?” she felt her parched throat before recognising her rising fear— what if it was not Lia but one of Hoseok’s rivals? What if the person wanted to hurt her? The silhouette matched that of her personal maid but she had not seen the person’s face yet and—
To her slight relief, Lia revealed herself as she stepped near the bed “Madame, you are awake at this time?”
What kind of question was that?
“What are you doing in my room at two in the morning?”
Lia only smiled at her counter-question, but there was something condescending about it.
“Don’t you feel better? More refreshed than mornings?”
“Wh-what? What kind of question—”
“I assume you’ve got the number and are smart enough to hide it in a safe place?” she cut her off,
(Y/N) gulped, feeling increasingly uneasy with the situation. She was alone, vulnerable in her room with her supposedly personal maid who seemed…just off.
Lia sighed and tilted her head “Don’t worry, I'm not here to hurt you. In fact, I can help you.”
“Help me?” she could feel her voice crumble at her words.
Help her as in helping her get out of the place? But who would dare to?
“No, woman, I am not a rival’s spy or something if you are worried about that. I work for the government.”
(Y/N) gasped quietly at that. Why would the government of the nation take the pains of infiltrating Hoseok’s home to rescue a simple girl? She gulped again, feeling her mouth grow increasingly dry.
“Don’t,” Lia’s voice was quiet but strong, halting (Y/N)’s movement immediately as she reached out for the water bottle placed on the nightstand.
“I was just feeling thirsty?” she could not help but feel fear beginning to grip her in the face of the uncertain situation.
“You can drink that once we’re finished with the conversation woman. You drink that right now, you will fall asleep again.”
“What?” (Y/N) frowned while Lia rolled her eyes with a slow shake of her head 
“You are such a naive girl, no wonder you are still stuck here.” 
 She sighed before explaining
 “Don’t you feel weird? It is only the butler who serves you breakfast and dinner, prepared by him in the boss’ absence? Don’t you wonder why you feel so sleepy, even after breakfast? You sleep until noon and yet feel tired after dinner”
“So…” (Y/N) gulped, feeling her stomach beginning to flip “So, y-you are saying that the food, the water is compromised?”
“‘Compromised’? Don’t soften this up now, you know what it is, just acknowledge it.”
“He–he won’t–I mean he couldn’t have—”
Lia smiled again, the same condescending smile that rubbed the ugly fact on her face and made her stomach churn.
“You are saying that—that the food and water I consume are…drugged?”
She knew that Hoseok’s ‘love’ was toxic, but this was straight out of some nightmare-inducing psychological thriller. She let out a shuddering breath as the horrible realisation dawned upon her. It was sick, absolutely sick. 
“You see, morning and night are the only times when guards change shifts and take breaks, he could not take any chances. You are after all his most treasured possession.”
She drawled, and her words slapped the bleak reality of her marriage right on her face. Was it even a marriage? She felt like a prisoner before, now she was reduced to a precious little pet.
Weren’t you always his fucking pet?
Her subconscious mocked her as she felt tears beginning to gather.
“It took me a while to figure out what was he giving you, but today I managed to slip an antidote in your dinner. How does it feel to wake up refreshed?”
When she did not answer, Lia threw something beside her, making her flinch 
“In case you realise how deep you are in. All you need is to call.”
(Y/N)’s eyes remind of the buttoned cell phone, she did not even hear Lia leaving– she left as quietly as she came.
But she left behind a storm brewing in (Y/N)’s mind.
—-------
Despite knowing the consequences, (Y/N) tucked the phone away in some safe corner and drank the water, she was absolutely parched. Everything was too much to take. She knew that Hoseok was no saint, but this made her sick to her stomach. She feared Hoseok but now…now she was terrified of him.
The sky rumbled before her eyes found the window gigantic window of the place– big droplets of rain had begun to dot the glass. From that height, the sky seemed nearer, yet all the more distant– it was just a better, clearer sight, especially when one could leisurely watch the thunderstorm up close– clouds flashing, clashing and the skies illuminating with blinding cracks.
No one seemed to notice, or care, but her. It felt like it was only her– just like her four years old relationship– it was only her there. She was the one making the effort, she was always the one apologising, she was the one making her plans, her schedule flexible, initiating dates and she was the only fucking person in a relationship involving two.
And it took her a whole bad fight and a slap on the face to realise that. It was the worst fight the two had, and also perhaps the third major one in a span of four fucking years– so used to ‘sweeping things under the rug’ and ‘keeping the peace’, she had was, for once glad to let it all out– the bottled disappointments, suppressed anger, resentment, frustration hurt, envy, jealousy– every ugly emotion one could come up with when they had to carry the weight of a dying relationship and when she was spitting the facts on his face, he retorted with a slap that shook everything– the relationship, her perspective, her beliefs— everything shuddered and began to crumble with nothing. 
Noted, she had pulled his parents’ failed marriage in a fit of rage but reacting with violence? Was it ever okay?
Thankfully, she knew the answer. She did not even remember how she simply picked up her phone and wallet in dead silence after he stormed out of the house in tears. She had her vision blurred with unshed tears as well, but she did not let them escape her eyes, at least not until she drove back to her apartment. She had seen her first-ever serious relationship crumbling into nothing and she had no clue how to deal with that.
After days of crying herself to sleep and being on autopilot, her friends decided to intervene and drag her away to the fancy event. She had blocked him from everywhere but she was not sure if he even tried to contact her. Even in the glittering and gilded place, she could not stop thinking about him and the relationship she had dragged on for such a long time, but not romantically. She could not bring herself to do that after what had transpired that evening.
“Ma’am, a drink for you.” 
(Y/N) frowned as the bartender slid a fancy-looking shimmery drink in front of her. While her friends were busy chitchatting and flirting with people they knew, she had excused herself to the quieter part of the gigantic hall, a bar. But she had not ordered anything yet.
“But I did not order anything.”
“The gentleman bought you this.”
Not all drinks were free and the drink definitely looked like it had soaked up a fortune. Her eyes followed the bartender’s gaze and found a man she had never seen before leaning against the other end of the long island.
He looked sleek and mysterious and every last thing she wanted at the moment. While he smoked and raised an eyebrow, she smiled apologetically before shaking her head before getting off the barstool and making her way back to her friends.
She did not know what she needed at the moment, but she did know what she did not need.
As the event dragged on (Y/N) had begun to feel more uninterested. Maybe such high-class parties were more suited for her millionaire friend who had thrust the invitation card in her face. (Y/N) knew that all she wanted was to make her feel better but the event was quickly turning her eyes droopy. 
Bidding her friend goodbye with an excuse, she sighed in relief the moment she walked out of the hall, as the door closed, she was greeted with a silent hallway leading to the exit of the building.
“Hello there” the voice made her jump as she turned around, only to find the same man just a foot behind her.
“Oh, didn’t see you there.” she mustered up an easy smile as her feet remained in the direction of the exit.
The man hummed and assessed her with a ghost of a smile on his face, the tilt of his head had a few strands falling on his exposed forehead. He was an attractive man, no doubt, but she was just not interested. He seemed well above twenty-five, even past thirty perhaps.
“Did you not like the drink, Pretty?” she cringed internally at the nickname.
“I am in a hurry actually, thank you for the drink by the way.”
His lips tilted into an amused smile “Let me have the honours to drop you home, pretty.”
“I have my car.”
She had come with her friends and she had no car, but a cab would always be nearby in a posh locality.
“Oh yeah? Let me walk you to your car then.”
She tried to rack her brain for some excuse but the glint in his eyes confirmed her fears, he knew that she had no vehicle to return home and he was taking advantage of her situation. Even if he only intended to flirt, he was making her easy. 
“There you are!” the loud and buoyant voice startled her.
`
The man cornering her turned around, giving her a view of another man approaching them.
“And there I was, searching for you in that hall!” the new man beamed with a blinding smile before turning to him “Hi Juk, you’re here too.”
“Mr Jung, I did not that she is—”
“She came with me.” he declared, finding her gaze briefly before flickering back to…Juk– or whatever his name was.
She understood what he was trying to do and played along. 
“I was searching for you too!” even if her voice showed her relief, she did not care anymore.
Oddly, she felt less threatened in the smiling stranger’s presence. Juk came up with an excuse before walking back into the hall, leaving them alone. His gentle gaze fixed on her before his smile turned soft.
“Are you okay?”
“Eh yes, yes, thank you—I should get going now.” she bowed to show him her gratitude as he shook his head.
“Ah, it’s nothing, sometimes people here get pretty intense. I’m used to this.” he explained before realisation flashed in his eyes “I never saw you here before?”
“Yes, I came here with my friend.” 
“And you are leaving alone?”
“Yes, I was bored.” she slapped her hand over her lips immediately as the realisation dawned upon her. But it was too late.
Now what if he was the host?
“N-No I mean–I’m sorry—.” she was immediately in damage control mode, but he only waved his hand, laughing.
“No, no, I appreciate your honesty…I’m Hoseok by the way. Jung Hoseok.” he offered her his hand for a shake.
“(L/N)(Y/N).” she shook it with a smile.
—-----
When she opened her groggy eyes again, the room was illuminated with the sunshine filtering through the curtains fluttering. She rubbed her eyes as they began to close again.
Wait, she would never leave her window open at night?
“Good afternoon, Love!” 
Her actions paused as she rose from her bed, pushing away the comforter, only to find Hoseok standing in front of her, dressed in his casual olive t-shirt and sweats. Her eyes widened in surprise, the conversation with Lia floating back in her mind.
But he did not give her much time to think, instead, he got on the bed and pulled her for a searing kiss, never minding her morning breath or her stiffness.
“I missed you so much Jagi!” there it was, the deceiving smile that had blinded her to all the bright red flags once.
His arms engulfed her, pulling her towards his chest as he hummed in delight “You were sleeping when I returned, so I made breakfast for you myself.”
Schooling her expression and keeping her voice steady, she hugged him back “Thank you Hoseok.”
“Oh, no need to thank me, Love. I have been gone for a while, haven’t I? It must have been hard for you.” his voice dipped to a tone of regret before he pulled away and cupped her face “Being locked in here all by yourself. But you know it's for your safety, don’t you?”
Gulping, she dropped her gaze and nodded. He smiled in return before kissing her once more. “There, there, nothing to worry about anymore. You can even go to the garden unattended! But why bother about a garden when we have a whole vacation planned?”
Surprised, she looked up, earning a coo from him as he placed a kiss on her forehead. 
“Like, out of this place? This city?”
Hoseok nodded “Now, freshen up, I will serve you some breakfast. Okay?” 
 With a nod and a small smile, she made her way towards the bathroom, feeling increasingly uneasy in his presence. As soon as she was out of the bathroom, she was relieved to find no trace of her husband in the room. The bed was freshly made and crisp, everything seemed right in place, speckless. 
A vacation…
Lia’s words never left her mind, not even for a moment since she woke up. Did she want out?
Yes. Of course, she did. And she knew that deep down, Hoseok knew that too— she never asked to be here. That was why she was not even allowed to step out of the mansion in his absence.
But the real question was…
Was she safe?
She pondered as she held the phone in her grip.
****
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She cursed herself as the thick rain pounded on her back while she jogged her way back home. Had she brought an umbrella, she could have avoided this situation. She hated getting wet in the rain. She hated such stormy evenings overall.
“Shit!”
She cursed out loud as she stumbled before slipping down on the ground, her one leg folding painfully in the process. Gasping out in pain and shock, she tried to steady herself.
Breathe (Y/N), keep calm, you are almost home, you can have a good sleep and—no, not a peaceful sleep maybe but you will be taken care of.
Nodding to herself, she rose from the ground and continued her way home with a limping foot while the sky rumbled unpleasantly over her. She should have slowed down before.
Her apartment was quiet when she entered it. Closing the door with a huff, she took off her now-soaked shoes but gasped when she rose after putting them away. 
There was someone in the apartment with her!
She cursed herself before hastily switching the lights on, only to fall into a fused state of relief and annoyance.
“Namjoon!” she hissed “Why didn’t you tell me you were coming? And why were you just standing there like a creep?”
Namjoon chortled and folded his arms over his chest “Why? Did I scare you little bird?”
Rolling her eyes, (Y/N) shook her head “I’m not a little bird Joon.”
“Oh Little bird, you are dripping.” he cooed as he made his way towards her.
If there was someone who could simultaneously get on her nerves and warm her heart, it would be Kim Namjoon, her boyfriend of six months. 
And she wondered often how come he was a college professor. At the rate he lost and broke things while managing to look like the most innocent soul with round eyes and full cheeks and–no wait, he was annoying at the moment!
“There, there.” he gently patted her with a towel and yet had the audacity to tease her in between “You look like a dunked kitten by the way.”
She simply sighed. There was no stopping him, she had realised that within a month into the relationship. He was like a child sometimes, really.
“Move, I have to get changed.” Pushing her laughing boyfriend away, she made her way to the bathroom.
“Hey kitten, I have turned on the heating, be careful not to burn yourself!” He called out from behind as she slammed the bathroom door shut.
(Y/N) had met Namjoon in the most cliché place possible– a coffee shop. One moment he was passing by her seat and the next, he was tripping on plain ground and the entire content of his ‘extra-large’ cold coffee was all over her.
Before she could even turn around with smoke leaving her ears, he was on his knees apologising profusely with repeated bows, so much that he had hit his forehead twice on the table in the frenzy and his ID was on the ground, taking a dip at the spilled, frothy cold coffee.
The rest? Looking at them, anyone could have guessed the rest. 
It was hard to believe that a man this clumsy was teaching at a reputed college. She often wondered ‘How did he survive this far?’, especially when he tried helping her in the kitchen.
He was banned from the kitchen for a reason.
When she entered the living room, Namjoon was busy cleaning the muddy footprints near the apartment entrance.
“I ordered us some chicken ramen with some snacks and beer.” Namjoon perked up as soon as he saw her enter the room
“Finally, something good to look forward to!” she beamed
“Oh, was work not good?” His smile faded with a frown of concern replacing it.
(Y/N) smiled and shook her head dismissively "Nothing, just the usual running around. We have some sillies coming in with bizarre complaints” she scoffed
“So, where else people would go if not the police?”
“Joon, there were claims of alien sightings.” She huffed, rolling her eyes as she plopped on the couch “Thanks for cleaning up though. I am so tired.” (Y/N) could not stop the wince when she tried to stretch her legs. 
People might consider that once someone joined the police force, they attain immunity against injuries and pain– the fact was, she and officers like her, were only human.
“What happened?”
“Nothing, I just slipped while jogging back home.”
“(Y/N), how many times have I asked you to not rush? It's even more dangerous during the rainy season!”
He was immediately by her side, bunching the loose gown she wore to her mid-thigh. He winced at the sight of the bruised shin and knee.
“Look what you have done to yourself now.” Namjoon chided as he gently ran his fingers through the darkening bruises.
“I’m a police officer Joon.” she scoffed, attempting to pull away, but he would have none of that 
“So? You are still human. Moreover, it has barely been a year since you joined.”
“A year Joon, a year has 365 days.”
Namjoon simply smiled and for the first time, the warmth was missing “Oh, little bird…I bet you’ve seen nothing. The world now rivals hell.” he leaned closer and placed a peck on her knee “So, be careful what you fly into.”
Although his eyes held a playful glint, they darkened under the light, ironically, they seemed to swallow the light falling on them, not reflect. It felt like she was starring at the eyes of a stranger, a man she had never seen before and—
Ring! Ring-ring!
The doorbell rang, shoving her out of the trance as she flinched– eyes darting towards the unanswered door, the smart LED mounted on the wall– anywhere but him.
Namjoon rose and walked up to the door in silence. Looking through the peephole, he unlocked the door and opened it, while she rushed to cover her legs and look decent.
It was their dinner. 
“Dinner’s here!” he turned to her with the paper bag dangling from his hold as soon as he shut the door. 
His smile was warm, the one she knew– it was her Namjoon. 
“Don’t worry, I will set it up. Why don’t you play the sitcom we were watching last time, hmm?”
She smiled as he walked towards the kitchenette. It was so usual of him– he was Namjoon, her boyfriend. Why did it feel different then?
Shaking her head, she moved to switch on the TV– she was just tired.
—-----
There was a thing about being in the police force. One came under numerous circumstances, met numerous people and remembered most of them. It was a part of the training, or maybe the experience she had over a year of joining the Police. 
The spies, the police, and the military had somewhat of a peculiar kind of instinct– in fact, they were trained to follow their instinct, trained to not hold the gaze for too long without the necessity and to never stare at the back of the head of the people they were supposed to keep an eye on.
The training, perhaps made the observation and the intuition stronger– like their subconscious would note things before their conscious mind realised.
Even after days after Namjoon’s visit, (Y/N) could not forget the moment– the brief, dreamlike moment that, even for a part of a second did make her see her boyfriend under a different light. Even if it was just for a moment, the Namjoon she knew seemed to have turned into…someone else- someone who made her…uneasy.
So, aside from the cases she already was handling along with being a part of a confidential project, she took it upon herself to research more on Namjoon– her boyfriend. He had told her that he had discarded his 'original' surname, he was just Namjoon– even his ID showed that– ‘Namjoon’. But he had been making official changes for adding 'Kim'
And that made it all the more difficult for her to dig more about him. It had not bothered her before. In fact, she had not even bothered to dig up about him, she never felt like he was hiding something or even remotely pretending. He was an unsuspecting College professor– a clumsy, endearing gentle giant who loved bonsai, flowers and everything small and cute.
Until that one night.
It is just to ease my tension. Just to ease my suspicion, it's nothing probably.
She kept telling herself as she searched through digital file after digital file without a trace of anything familiar. At one point, she even thought, why bother anyway? It might just have been the light doing its trick, or maybe her tired brain making up things.
But there was something that distinguished a person in uniform from an ordinary civilian– their reliance on their gut feeling. Even if people might find it strange, the police relied heavily on their gut feeling.
So if her gut feeling sensed something, she was trained to go with it– no matter who or what. She might be an amateur, not a speedy learner like her colleagues but she knew her job and she knew was, at the end of the day, a police officer.
—----
“The police in Busan have discovered a shipment... cocaine.”
There was an emergency meeting held as soon as the station’s in-charge received an e-mail.
“But they are suspecting that it is not the whole shipment.”
“Sir, what is the amount?” (Y/N)’s colleague Han raised the much-awaited question
Their superior’s eyes turned grim as he sighed.
This did not seem good
“48 kilograms.”
The room fell into a tense silence.
“And how do we know that it is not the whole shipment? 48kgs of cocaine is no joke.” (Y/N) spoke up this time.
“Yes, (Y/N), but the shipment was most probably for Gangnam. I had some people working for the police keeping an eye out. Those people are cunning– they evaded the Busan police– I had spoken with the station’s in-charge there and got to know that only the shipment was discovered, not the dealers.”
 He switched on the projector and the screen showed a map of major cities in the country but there were places marked. 
“You see these places? These are the places we have foiled major shipments in the past year.” He pointed at the flagged locations “But there is a worrying pattern here. These are the areas where most hotels, resorts, and other tourist destinations are. And before last year, neither these places nor such a jump in the number of drugs was detected…You know what this means, right?”
“There is a new snake in the town?” (Y/N) guessed.
Their senior nodded “Yes, most probably– you see, this person is experienced, cunning. They know what happens in the streets, they know how things work and yet we get are able to sack the major shipments, but not a single dealer…It seems deliberate.”
“Deliberate? Those cost billions Sir,” Han was right, but so was her boss.
“Hmm, but we have no idea how vast this empire is, do we? It is the underground we’re speaking of, Han, these people are powerful dangerous, cruel and cunning. You never take them as fools. That might be your last mistake.”
Han nodded at his words before he continued -
“For now, we need to increase the patrol. Patrol officers here, keep vigilance and let some officers loiter around in civil attire, we need to keep an eye out for this area, we have  quite a few tourist places here. Dismissed for now.”
With that, the sounds of screeching and pushing chairs filled the room as the officers made their way out of the room one by one. 
“Officer (Y/N), please wait, I have a discussion with you regarding the burglary case.”
“Sure sir.”
As soon as the room was empty he walked up to the door and closed it.
“Sir, the case has been–”
“Closed, I know, this is regarding the shipments.” he paused before continuing "It's a mind game (Y/N). I’m sure of it.”
“May I know the reason, Sir?”
 “This time, they have targeted Busan. It's like a flag of ownership and victory, not a missed shipment. Whatever actual shipment was headed for Gangnam, has already reached there while the police were distracted with this one. It's like a declaration– they have their hold beyond this city now.”
“But 48 kg of cocaine costs a lot Sir, and Han was right, whatever shipments we have found over the months, they cost billions.” 
“And..do we know if those belong to this new…snake?”
(Y/N) frowned at his response
“The underworld, (Y/N) is no stranger to brutality. As I mentioned before, this new player knows the streets. They’re experienced. Do you really think that they will make such an amateur mistake? Not a single dealer caught, no man caught. They are mocking us, making us run around like puppies...But now, I have a name for the snake…”
“A name?”
Her boss nodded before handing her his phone. There was a message from an unsaved number. A message with only two letters.
RM
“So–so who is this?”
“Can be anyone, a business tycoon, a philanthropist or whatever, but a looming figure in the underworld with eyes and ears everywhere. Ever since the last major drug dealer was shot dead in Dubai last year, we have been receiving anonymous alerts on such shipments.”
“So, you are suggesting that this…person has replaced the notorious Don? He was a Godfather, Sir and wasn’t his son about to take up—”
“And where is his son (Y/N)? Vanished, we have no idea where he is but this is not their pattern. We know that. Their businesses are sealed– legal or illegal, their bank accounts were frozen, properties here sealed– the family is not a threat now (Y/N). But this…” He pointed at his phone in her grip “This is. They are a clear, looming threat and it is so obvious that they fear no, nothing. It's like a game to them.”
“So, what do you want me to do?”
Her superior sighed and nodded as he took his phone back “It is not easy but I know I can trust you on this. I am forming a team, and I will update you soon about that but for now, we know that this snake knows the street well, maybe they belonged there once. Take a few days off and take a sweep of the street meanwhile. We need to have more information.”
“Sure, Sir.” she squared her shoulders
He nodded “Okay, you can go now, do not let anyone suspect anything until I inform you of the rest of the team.”
“Sir.” giving him a salute, she turned to walk away.
“And (Y/N).”
“Yes, Sir?”
“Be careful. We have a cunning and venomous one here.”
“I will keep that in mind, Sir.”
“Okay, you can go now.”
—-------------
The place looked as peaceful as ever. The aroma of roasted coffee beans, blended with that of butter and chocolate– it was a typical cafe. And the same cafe she had met Namjoon for the first time.  And as she watched the couple sitting across the place, the same seat she had been sitting on months ago, her meeting with Namjoon, her interaction, it all felt surreal. Their story was indeed novel-worthy! Like a perfect romcom—
Perfect…
(Y/N) froze completely for a moment when the realisation struck her– her chewing, her fiddling, even her breathing and blinking.
Each movement spent with her boyfriend flowed in and each moment seemed so…Perfect.
Beautiful or not, (Y/N) knew one thing about the world…Nothing is perfect.
Yes, there were some shortcomings here and there but the meetings, the bumping into one another again…Everything was indeed perfect.
She gulped, then blinked.
No, she was thinking too much. Namjoon was a true gentleman. A man she was falling for, she really liked him. Maybe–maybe even loved him? She was not much sure about love but she knew one thing for sure, her job’s stress was spilling over on her personal life and affecting her personal relationships.
Before her thoughts could spiral any further, the chair in front of her was pulled out and her boyfriend took a seat in front of her, boring holes into her form as he made himself comfortable.
“Oh, Hi Namjoon.”
Namjoon did not respond immediately, he just sat there, staring right into her eyes, fingers folded into a contemplating posture. For the first time, (Y/N) realised that indeed, it would not be difficult for him to take control over a class of even hundreds– he had a commanding presence.
“You have not been answering my calls,” he stated. 
There was no questioning regarding the possible reasons. There was no trace of ‘questions’ in his tone at all.
“Yes, I have been a bit busy lately– just the usual, police things.”
Namjoon simply hummed, eyes still searching hers without a shift. “What are you getting, little bird?”
“Uh…Coffee?” she was left baffled at her own reaction. 
It was Namjoon, just Namjoon. So why did she feel… scrutinised? She was reminded of the night she had seen a glimpse of…something in his eyes. 
“So– what would you have?” her gaze dropped to the menu card in front of her.
“The usual.”
She nodded to a waiter passing by 
“Would you like to order Ma’am?”
But before she could speak up, Namjoon ‘s voice intervened “One cappuccino frappe and a caramel macchiato along with some choco-chip cookies please.” 
As soon as the waiter was gone, he reached out for her hand on the table and sighed “You scared me (Y/N).” his eyes looked so soft and vulnerable, she thought she was crazy. Something had to be wrong with her to doubt a man like him.
“I’m so sorry Joon, I was so stressed about my job I…” he squeezed her hand gently and nodded.
“It must be stressful, right? See, you have dark circles forming.” His fingers reached out and traced the subtle bags forming under her eyes. “But please let me know (Y/N), let me know that you are okay, not too stressed, not hurt…I was so worried!”
Guilt encompassed her as she stared at his vulnerable gaze addressing her. He had been so worried about her and there she was, letting her investigative brain rush to conclusions and scenarios.
“I’m...I’m so sorry Joon, I should have informed you– I was so wrapped up in things and—” she stopped herself lest she would accidentally let something confidential slip out. And no matter who it was, having a loose tongue as a police officer was unacceptable.
“It’s okay, I understand Baby. Just never...” his hold on her hand tightened with a pause “Avoid me again.”
—-----
Everything was settled. Han, her, Dok and Kyong were in the special team. They met up at Han’s place in order to discuss their strategy.
“So we have a layout of the regions where we found drugs worth millions and from different cities. Each time, different location and different day.”
“Where’s the pattern though?” Han questioned, 
“In the fact that everything time, it is a city, a town at least, no remote area.”
“Yes.” (Y/N) added. All eyes turned to her and Kyong nodded “Not yet.”
“So, where do we begin?” Dok asked the much-anticipated question
“ As we know, we are on leave on paper. This is a highly confidential mission. First thing first, Sir asked us to be lowkey. No matter what we need to risk, just don’t get caught. The department would refuse any connection without activities here.”
“If it's a special mission then, why not involve the intelligence?”
“We are yet to receive any message from the higher-ups,” Kyong explained
“So we are on our own?”
“Definitely,” Han added.
“What we can do now is to track where the recent shipment was supposedly headed for– Gangnam. Why don’t we all spread to different high-profile clubs? Meanwhile, tell our informants to be on high alert, especially in Gangnam and nearby localities, even universities and colleges.” (Y/N) proposed.
“You’re right. Shall we go tonight?” Dok proposed
“Yes, we can but would not this be obvious if anything happens tonight? We found a shipment yesterday.” Kyong suggested,
“The weekend then?” 
“No (Y/N), the weekend is just too obvious. If anything does happen this weekend, it might be planned too, maybe to distract us—right–Kyong, your best informants are active nearby airports, stations and docks right?”
Han perked up as if a fuse went off in his head
“Tell them to be active tonight and especially this weekend. We can spread it in different clubs in Gangnam. If anything happens there, we shall also alert the informants and the police near dockyards, train stations and transportation areas. Because if they do plan to distract us, they might be up to something much bigger. Shipment, I assume, for now. We can catch them red-handed.”
“But where would be the official orders? Like, we are involving police officers from other regions Han.” Kyong had a point.
“Well, right, we can speak to Sir, right? He will provide us with the required.” Han proposed.
“Han is right, if this is a special mission at the department level, there is no way that the higher-ups have no idea. And even if they have no idea and Byuk Sir is risking it all for this mission, he has to have some loopholes in his mind. He can manage and he can help us all manage.” (Y/N) added.
“But, wait, we were supposed to just collect information, not arrest anyone.” Dok pointed out.
“Well, not this RM, we can’t reach to such a level by ourselves, but maybe get out hands on this…RM’s men? Won’t this be a breakthrough?” Kyong argued.
“And would alert them further? We don’t even know if this is a man, woman, organisation, or group–we are in complete darkness!” Dok pointed out and he was right.
“Dok’s right. We will only collect information, a full-fledged operation would happen only after approval from the higher-ups, we don’t know who we are dealing with Kyong and if something goes wrong, the whole department, especially Byuk Sir would be under fire. We have to first find out this…RM’s reach and standing.”
“Seems obnoxiously confident to me, deliberately giving away billions worth of shipments,” Han added.
“And we will let them be confident. Won’t take long to turn into overconfidence– one misstep and we can have them.” (Y/N) spoke up and everyone nodded in agreement.
“This weekend then.” Dok reminded.
“This very weekend Dok,” Kyong assured.
—-----------
“Are you free this Weekend?” Namjoon asked as he poured her some wine. 
They were dining in a moderately fancy restaurant to celebrate his promotion as the Department Head. Now he would be responsible for all the inter-section activities and event organisations for the Literature and Culture Department of the University.
“I wish I were Baby, but I need to help a friend out. She’s a colleague, her mother is sick, I need to take care of her baby for a day.”
“Oh, what happened?” he asked before sipping his wine.
“Cancer.”
She hated the fact that she was having to lie to him. But what was needed, was to be done.
“Oh, the type?”
“I don’t know much, it has been rough on her, I’m trying to help as much as I can.”
Namjoon hummed before smiling “It’s okay, Jagi, we will get to spend a lot of time later. Just take care of yourself, hmm?”
“Yes, sure Joon.” she smiled back, but guilt continued to tap within.
But it would be alright. Once she was done with this case, she would make up for the lost time with her Joonie. She reassured herself.
—------
“Okay, I’ve reached, Dok,(Y/N), Han?” Kyong’s voice was clear despite the thrumming music across the floor littered with moving and blinking streaks of neon. The earbuds were incredible.
.
“Yes, I’ve reached. Over.” (Y/N) responded and followed.
“Okay, you have your informants inside?”
“Yes.” (Y/N) replied, as she neared the bar, body language relaxed and dressed up to mingle with the crowd.
She ordered a drink– her eyes met with that of the bartender. They flashed with recognition and he nodded and prepared her drink. He poured yellow syrup over it.
A subtle sign that he was suspicious of someone in the nightclub.
“Here you go Ma’am.” he smiled and leaned further for the final garnishing, and as he leaned, he managed to whisper out “A man in a white shirt, scotch on rocks– corner seat.”
Taking her drink, she turned around and looked around the area. It was too chaotic and dark. And if there was someone, she did not want to seem even remotely suspicious. Fishing out her phone, she connected with another informant in the place– a waitress.
“Man in a white shirt, scotch on rocks, a corner seat. Use a bug.”
For an hour, whatever she had heard had been irrelevant but then, something caught her ears
“Yes, whole forty-eight, the shore, where else? Let's talk upstairs…”
From where she stood, she could see the man, partially visible under the shadows– he was a middle-aged, bulky man. But he was not alone, there were three more people. As they moved, (Y/N) slipped further under the shadows, pretending to be just another girl on call. Yet, from the corner of her eyes, she could see them beginning to walk towards the more private space of the club.
Under the shadows, she was about to stalk them when, with a beep, her team reconnected with call.
“ This is Kyong. We have information regarding a suspicious shipment at the dockyard, I repeat, we have information regarding a suspicious shipment to be loaded at the dockyard within an hour. Over.”
“Kyong, I think we have a suspect here. Over.” (Y/N) informed.
“We have to move to the dockyard first (Y/N) give the tell your informants to stay alert there. Over.” Kyong spoke
“Kyong, this might be important.”
“(Y/N), this is more important, you are alone there anyway. Just meet us near Cafe 18.” he named the meeting point in coded language.
Sighing, (Y/N) threw the door leading upstairs one last look before reconnecting with her informants 
“Keep an eye, bug the place if possible. Also, keep tonight’s footage ready. I’m leaving now.”
—-----
To their utter disappointment, there was no suspicious shipment discovered at the dockyard. Everything was in place. But the people the informant was suspicious of, had vanished into thin air as well– tightening the knot on the case further. 
“It's far more complicated than I had expected,” Dok spoke out, running his hands through his hair. 
After such a hectic night, the four of them decided to call it a day and grab some dinner at a good, old ramen shop.
“This is only our first attempt Dok, we can’t lose hope like that.” (Y/N) patted his back.
“It makes no sense, they are in the CCTV footage but they never reach the dock.”
Wait–CCTV footage!
“Oh right, I think I have found a lead.” (Y/N) dropped her chopsticks and perked up. She prayed that at least the bartender would have his hands on the CCTV footage.
“Really? What?” Han asked, 
“See, I have the recordings, I already sent them to each of you, just listen.”
Fishing out their earbuds, they listened to the part of the recording she had sent them. 
“Sounds familiar? He did not use anything directly, not an amateur for sure but the words, forty-eight, shore. Don’t they ring a bell?”
“They surely do. Can we have access to tonight’s footage?”
“I hope so too. By tomorrow I guess?” (Y/N) prayed what she said would come true.”
“Okay, as soon as you get hold of that, inform us. Han, is your girlfriend home?”
“No, she has gone to her parents’.”
“Perfect.” Kyong clapped his and together.
—------
“Have you watched the footage yourself?” Kyong asked as Han began to set up his laptop.
“No, I came straight here.” (Y/N) replied with her eyes still stuck on the laptop screen 
“That's a good move, what if people are keeping an eye on us too?”
“Quiet possible.”
As soon as Han clicked on ‘play’, the strenuous task of analysing the video began. But four pairs of eyes were far better than one.
(Y/N) could feel her patience waning. The man and those people with him had been so exceptionally discreet, there was no trace of them in the footage even after hours of watching and—
“Wait, wait wait! Rewind that.” She jumped up as soon as something caught her eye.
“What, this?” Han was clueless.
She tasked and took the laptop before rewinding the footage again. Narrowing her eyes, she zoomed in.
“It's him, the man.” She declared and placed the laptop in front of everyone.
“I see. We need to save this picture, take a screenshot Han.” Kyong suggested as he clicked a picture on his phone too. 
It was thankfully, not blurry enough to be unrecognisable, and the fact that they had not reached the end of the video made them more hopeful of catching something else. 
Han clicked on play again before they discovered the people with the man as well. One by one.
“Hmm, there are three more men and a woman. But only their backs are visible until now.”
“Wait!” (Y/N) yelled out, catching them off guard.
“Did you find something?” Han asked as he paused the video once more.
(Y/N) licked her lips and took hold of the laptop. Rewinding the part, she watched closely again. The second man…Even though his back was to the camera, he was too familiar to her.
After a few seconds, they all turned to the side to take their seats. There, she could see his side profile and her legs were fast turning brittle.
“You have seen anyone from here (Y/N)?” she could not answer Dok.
Instead, her eyes stayed on the frozen screen, she zoomed in and a wave of nausea hit her.
Namjoon...
It was Namjoon!
Her boyfriend Namjoon. She would recognise him anywhere– from the way he walked, to his back, his hair and now his side profile. Too many coincidences could never be a coincidence.
“(Y/N), you know him?” Kyong asked.
Yes.
She wanted to scream a ‘yes’ but she just could not.
“No, I was just…taking a good look at them.” she deadpanned.
—------
“Hello, this is (Collage Name) College, how may I help you?” The receptionist’s gentle voice echoed through the phone, but it only turned (Y/N)’s heartbeat erratic.
“Hello, I would like to leave Professor Namjoon a message regarding the upcoming semester.”
“Let me check Ma’am, please let me know your details.” She requested
“ Choi Hana, Guardian of his student.”
“I request you to stay online, please…Yes, thank you, Professor Namjun you asked. Let me transfer your call to the Economics Department.”
“Economics Department? But isn’t he a professor in the Department of Literature and Culture Studies?”
“Ma’am we only have Cultural Studies Department. Literature is a separate Department. Shall I forward this call, Ma’am?”
“Okay.” (Y/N) managed to squeak out.
After a few beeps, another voice greeted her.
“Good afternoon, this is the Department of Economics of (College Name) College, how may I help you?” Another woman’s voice filled her ear.
“Can I speak to Professor Namjun, please? I am a guardian of one of his students”
“I am sorry Ma’am, he is attending the Department meeting right now. But you can leave a message.”
“He is the department chairperson, right?”
“No Ma’am, not anymore, he was, two years back.”
“Oh?”
“Yes Ma’am, would you like to leave a message?”
“Sure, please let him know that…that I would be thankful to him if he could give me an appointment to meet him. It's an urgent matter.”
“Surely ma’am, would you like to share your name and contact?”
“Yes, uh, Choi Hana.” she gave the email address she used for her undercover investigations before the line was cut off.
(Y/N) felt her throat close up and her eyes turn blurry. The park was scarcely populated during the afternoons– thanks to that. But she would still not risk breaking down in a public place. Se ought to hold herself up like a true officer.
Leaning against a tree, she tried to gather herself together. But with each passing moment, her lips quivered just a little more.
No. Not now. Now now!
She tried to school herself. But nothing seemed to work. One stubborn tear managed to escape her eye anyway.
I loved you.
Another tear followed.
I trusted you
Then another.
But she managed to stop herself from bursting into a fit of tears and the scream that was itching her chords with deep, calming breaths.
A drink.
Yes, that was what she needed.
—-----
By the time she was home, the sun had already set, but it was a pleasant evening– ideal for walking home. She was not drunk, or even tipsy. It was just a buzz but it could not make her feel any better.
The apartment was plunged into a tense darkness when she stepped in. Her fingers twitched, ready to reach for her gun at any moment, but she kept her body language calm– casual and unassuming.
“How was babysitting?”
She jumped at his voice. But it was too dark for her to see. 
Before she could reach the light switch, Namjoon switched on a table lamp, illuminating the space enough for her to see him sitting on the sofa but somehow making her own apartment appear threatening. 
With him in it, the place did not even feel like her own. She no longer felt safe with him.
Switching on the lights anyway, she schooled her expressions to that of being pleasantly surprised, even though her throat felt parched. Sometimes, working in the police paid off immensely.
“I was babysitting yesterday Joon,” she replied, putting away the titbits she had bought on her way home.
Namjooon gave her the heart-melting smile her heart had fluttered for. She managed to smile back at him as she made her way towards the kitchen. The delicious aroma of her favourites hit her. Switching on the kitchen lights, her suspicions were confirmed as takeouts from her favourite ramen stall awaited her at the kitchen island.
“I missed you awfully today. Couldn’t help myself.” Namjoon's hot breath teased the back of her neck, making goosebumps appear all over her body.
“Oh, Joon…you didn’t have to.”
“I don’t mind doing this for you, Jagi.” He placed a kiss on the back of her neck as she held back a grimace, keeping her smile plastered on her face.
Her heart stung bitterly as his lips tenderly traced her cheek and the side of her neck. She was greeted by his warm smile and soft eyes as he turned her around, fished out his phone from his pocket and played her favourite song. Perfect for slow-dancing to.
“What has gotten into you?” (Y/N) chuckled, keeping her composure as he led her steps, twirling her now and then.
“I love you so much, Jagi. You know that right?” his fingers wrapped gently at the back of her neck as he pulled her into a breath-robbing kiss.
“Yes, I know that.”
Now that I know your true face.
His lips descended to the side of her neck as he pulled her closer. 
Bear it.
She told herself.
Do not let him be suspicious.
“Then why are you trying to investigate me?”
His voice dropped into something heavy and unrecognisable and everything stilled. But before she could think of anything, she felt his fingers pressing at the side of her neck and her eyes rolled back.
*****
Pheww! It was a long part, but I enjoyed writing it and hopefully, it would not disappoint you all!
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ofbreathandflame · 4 months
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stans are actually very funny bc they often time talk themselves into the weirdest corners.
the whole point of criticizing acosf and its handling of nesta's character is to prove the point that sjm...doesn't like nesta as a character. that's is literally THE point - that sjm often abandons her moral themes (abuse, trauma, assault, etc.,) for character's deemed as undesirable or villainous to a capacity - and its through the handling of those 'vilified' (i.e. main character opposed - not even villianous) that we can gauge the extent to which sjm actually believes the ideals of her story. like - it is alarming that the only tolerable, empathetic parts of the a court of silver flames were the moments you could tell where ripped straight from sjm's own life (the hiking, training, mind-stilling etc.,). any actual characteristics about nesta weren't explored...like at all. her relationship with feyre and elain, with her mother, her trauma from her sexual assault, her conflicted relationship with her grandmother, her life before the cabin, her life during the cabin. in 800 pages - i still don't know mama archeron's name. what was life like in the cabin? what did nesta do all day? what was the dynamic? what was going on between elain and nesta?i don't know anything about her and nesta, we don't know anything about nesta's human life, her conversation with clare bedor, her relationship with clare beddor, moments with her dad - not even touching moments with him (and part of this story is her finding love for her dad). mind you we read 800+ pages and we learned absolutely nothing about her.
we essentially read sjm's emotional journey in one part, and a taming of the shrew narrative in another. i think the only way sjm had genuine interest in exploring nesta's story is through essentially self-inserting herself and avoiding the actual plot-points she set up in the first three books. like did nesta have childhood friends? if losing the wealth so drastically affected her life wouldn't she reminisce about it a lot? would she yearn for her mother? who were her childhood friends, how did she function at court?
and the whole point of saying alll of that is to argue the misuse of these topics - serious discussions abuse are only reserved for certain situation, and others its completely undermined in a way that only reinforces the negative ideals to begin with. (i.e. nesta needs to abused bc..." "the intervention was harsh but" - pair that with discussion around what feyre needed in acomaf - and it makes much more sense).
nesta antis often jump between the fact that nesta is so favored that sjm nerfed feysand to 'redeem her' and arguing that sjm secretly does everything in her power to embarrass and secretly laugh at people who like nesta's character. (1) we've gotta pick one or the other (2) in my humble opinion - sjm would have always given feyre a pregnancy plot like this regardless of whether this was nesta's book or elain. its literally so sjm. im shocked people are surprised she pulled the pregnancy as she did.
as with the tamlin discussion we had under this post - i think the story undermines its discussion of abuse with feyre/tam by essentially insinuating that tamlin (when placed in the same victimized position as feyre) should have sucked it up and braved out his abuse with amarantha (and the same with rhysand as well - esp with the deliberate foil of rhysand's 'willingness' v. tamlin's unwillingness). and when we start to have a real conversation ultilizing our own irl analysis and standards we really see how harmful and rather sisyphean the conversation becomes. instead of engaging with these topics earnestly, they only engage in them to prove a point - which is how the issue began in the first place. the whole issue with rhysand isn't the fact that he engages with harmful, potentially villainous positions. no - its that the book wants to prove that tamlin is wrong by justifying rhysand's actions. so even though rhysand and tamlin almost always have the same written and expressed intentions in their abuse of feyre, the book flocks to justify one, and eschews the other. and thats why we get so much reactionary critcism of rhys that is surface: people only admit the problems because they know antis will, not because they actually believe their are issues in the story.
and perhaps im still speaking into a void here but i can tell there's tension between pro stans wanting to have these serious conversations but understanding they can only really introspect so far until the conversation begin to prod at the validity of the topics being brought forth. so stans have to jump between invalidating the romantasy genre ("its just faeries") and treating this book as a serious topic (cue: "sjm put a hotline in the back of the book"). this is also the exact reason why the racism conversations stall (i.e. why inherent superiority is always passively emphasized - despite cc1 + 2 centering human oppresion there is no human in the ensemble cast. despite the fact that illyrian women are the most oppressed - rhys has no illyrian women - or reg illyrians (not his brothers) in his inner circle. aelin 'sacrificing' her human body).
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thechibilitwick · 2 months
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As an honorary Shidou apologist, I am breaking my silence. I’ve finally decided to go on a rant on why I don't think Kirisaki Shidou is an organ harvester.
(fair warning I like absolutely suck ass at organizing my thoughts, so if some of this is incoherent or if it seems like i'm repeating myself my bad 😭 I mainly wrote this for fun)
So, I'm aware that this theory is the most popular consensus when it comes to Shidou (and tbh, I think part of it is because a lot of people kinda look over him? Like at least a tiny bit more than the others, considering a lot of people also don’t realize how his main victim was probably his son and not his wife, but I digress) (plus I think all milgram characters are looked over to a certain extent). While I do think parts of it are probably accurate in some way, I don't think he was a full-on organ harvester (as in he actively stole from patients through illegal means. emphasis on actively) and that the theory in and of itself is flimsy at best. He's morally questionable, yes, but it’s more in the sense that he’s a somewhat apathetic guy who lacked understanding on how his own set of morals and values (i.e. pushing for organ donation) could be seen as wrong. So if he were an organ harvester, wouldn’t he be aware that it’s illegal? That’s what confuses me whenever people bring it up. I don't actually doubt that he may have done something illegal for his family's sake, it’s just that I still highly doubt it was something he actively did. And that seems to be what a lot of people think when they refer to the theory. (if i’m wrong please forgive me, i just assume organ harvester shidou = people think he did it as a job)
Anyways, more under the cut for those interested (it's a bit lengthy my apologies)
It then kinda trickles down to how his guilt stems more from the consequences of his actions rather than the actual action of taking organs. The root of his guilt comes from the realization that basically asking families to pull the plug and use their loved ones' organs for donation is a very, very hard decision; one that he kept pressuring for. If he was an illegal organ harvester, and was aware that his actions were in fact illegal, why the hell would he feel so guilty to the point that he’d start having suicidal ideations? That’s the key difference between his profession and his possible criminal activities; one is a burden both emotionally and morally, the other is more or less a literal burden. And based off of Shidou's character, he seems to be much more emotionally affected. That's also why I think a lot of people jump to the conclusion that his guilt stems from his actual actions rather than their effects. (does that make sense oh lord i am going ☝️🤓 so hard rn)
I get that some parts of his MV or lyrics seem to be suggesting that, but also it’s important to note that Shidou has a very strong bias against himself and definitely painted himself in a negative light. I mean, that's why he thinks every single preceding patient before the final incident is a victim to him, why he shows himself staying professional in a professional setting as apathetic (minus the pressuring part), and why he literally equates his job to STEALING. Not only that but, imo, it's also a little too unrealistic and might not actually fit the criteria of Milgram. Milgram is for crimes that are in a morally grey area. So if it really was organ harvesting, is it really in a grey area? (though I guess you could say that doing it for family's sake would be, but that's only for his family. He'd have no reason to do it otherwise). Plus, it'd make more sense and fit the theme of touching upon social issues (i.e. abortion, bullying, societal standards, mental health, etc.) if shidou’s entire dilemma was in regards to (albeit questionably done) organ donation, a complicated ethical topic in Japan.
Throw Down actually gives a pretty good rough idea of Shidou's thoughts towards his crime and his feelings in regards to it. He felt like he was blinded by his own values, and that inadvertently caused him to be unaware of the suffering he caused through his job. It really does shock me that he somehow was able to pull-off getting a forgiven verdict in T1 because he certainly comes off as cold and uncaring in regards to his work.
I think the final bridge in Throw Down kinda summarizes his entire mindset, actually.
​​Now slowly close your eye, put your regret on display Wishing you for someone else's sake With the same expression no matter who comes I don’t feel scared because I don’t know
Shidou doesn't quite understand the feelings of his patient's families, and therefore he acts remorseful and sympathetic more than he actually feels. Why? Well, because he didn't know. Up until that point, he never understood the weight of his actions, and focused on his role as a doctor. "This is an upsetting subject, yes, but it's for the greater good, right?” A braindead person has little to no chances of living, so why not use this as an opportunity to donate their organs? Moreover, as a doctor I believe it’s typical to be "emotionally detached” (for lack of a better word) since I’d assume becoming emotionally connected with a patient would make things at least a bit messy.
His mindset comes crumbling down though, presumably because he experienced the same or a similar situation. This part remains muddy for me, since we don't know much about what the actual cause for Shidou's guilt is. There are several possibilities, with the most plausible ones being:
he lost his own family member and had to go through with the same decision,
he tried to save a family member using donated organs, but failed, making it seem like everything he has done as a doctor was in vain
(a secret third option would be him making someone he cares about make that decision but it's very unlikely and also requires too much mental gymnastics)
But no matter what exactly he did, it all trickles down to the validity of his morals. After realizing the pain of losing a loved one, the struggle of trying to save them, and the unfortunate failure which left all efforts practically pointless, Shidou would understand the actual weight of his actions and why all those families were so reluctant to let go of their own.
This is even more evident in his T2 voice drama, Asclepius.
"In order to save the life of someone you don't know, please let me kill your family," I told them. It doesn't even take much thinking to realize how cruel that is, but… I didn't realize it until the very end.
This is the gist of Shidou's crime, or at least part of it (considering he says "Well, about halfway" when Es asks if their judgment was right). Again, this tells us that Shidou's guilt comes from the act of the effects of organ donation rather than the literal action. And this also implies that his "murders" did in fact have to do with being in a medical situation, it's just the way he went about it was at the very least morally questionable.
I will also acknowledge that he says he killed for selfish reasons, which most likely relates to trying to save his own family member. Here he could possibly have actually done something illegal such as tampering with patients or illegally taking their organs (latter is a stretch imo). Plus, his distorted T2 voice trailer line is literally "You're in the way, hurry up and die" which would only make sense in the context of waiting for a patient to die. But it could also just be him continuing to pressure for organ donation, but now with his own selfish motives.
Going back to the "halfway" comment, while I personally believe it might have to do with how Shidou views his crime as more than just taking organs, it more likely implies that something else happened that Shidou would consider murder. That being the actual death of his family member. It's implied through Throw Down that he was trying to save someone but failed, which he was responsible for. Then from there it'd make sense to assume that he would feel some form of guilt for the rest of his patients, either for the reason of failing to actually utilize donated organs even with the opportunity of being able to save them, or for just realizing the what it actually feels like to have to give up on your loved one. (does. does that make any sense.)
So yeah, I don’t think he’s an organ harvester due to what’s known regarding his crime, the reasoning for his guilt, and with the way he is as a character. The most I’d personally believe is that he decided to harvest organs for the sake of his loved one, but even that seems like a stretch to me. Thus, that is why I believe Kirisaki Shidou is not an organ harvester.
Anyways I’ve rambled on long enough, thank you for reading if you did and remember to drink water and vote shidou innocent in trial 3 because i will shit my pants if he doesn't get inno
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tyran-the-tyranical · 18 days
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I’m currently writing a fic and writing for Raphael is a little infuriating if I’m being honest.
Mostly because he has such a way about him, and unlike the other characters where there’s some room for deviation, he’s quite rigid in his mannerisms. So I’ve literally been scraping through his dialogue and ‘analysing’ his behaviour, and this is what I’ve ‘boggled’ it down to.
EDIT: This is actually really long, and in fact not boggled down at all, Keep Reading at your own peril...
(OK, So I've completely reorganized this post to be more readable) 
Raphael is a complex and multifaceted character, but here are some main character traits of his that I'll delve more into as we go on;  
-Manipulative and Deceptive 
-Arrogant and Condescending 
-Sadistic and Enjoys Suffering 
-Cunning and Strategic 
-Relishes Power and Control 
-Patient and Calculative 
-Dark Humor  
-Alluring and Subtly Flirtatious  
-Dual Nature and Contradictory  
-Ambition
Though Raphael wants to paint himself as an honest person, that still doesn’t mean he isn't Manipulative with us, he uses many tactics to gain our trust, from crafting this honest and helpful persona to literally threatening us and building pressure to make a deal to escape ceremorphosis. 
"I'm here to help, not harm” 
"I am master here. A prince of bargains cloaked like scarlet satin. All that hidden under sublimely obvious truths that cannot be discounted." (From Chapter 3 of his Diaries) 
“Come now, why playing hard to get when you're in deep over your tadpole head all those pretty little symptoms sundering skin dissolving guts they haven't manifested yet have they?" 
"I'll be around watching you squirm like a tadpole through a nice juicy brain" 
As we progress his threats go from subtle to outright fear-mongering, but this also goes into somewhat of his dual nature as when he moves past his honest persona to just pressuring you, he still wants to paint himself as some sort of Saviour. Of course, this is also just another tactic of his, painting himself as a friend or helper, as though he doesn't have his own ulterior motives, which sure he admits outright but in the ending where you do give him the crown he drops this façade and tells you he's planning on taking over more than the hells and will eventually come for you next. I also think this bleeds into his own needs to be adored, you can see this further in his little plaques he has around his house. 
"Am I a friend? Potentially, an adversary? Conceivably, but a savior? that's for certain. Try to cure yourself. Shop around - beg, borrow, and steal. Exhaust every possibility until none are left.  And when hope has been whittled down to the very marrow of despair that's when you'll come knocking on my door. Take all the time you need but make up your mind before you're counting down with tentacles"  
Additionally, this all just feeds into his performative nature - to the extent that he sometimes borders on narrator territory. He has his little monologues as he talks about us as though we’re characters in a story and he’s just recounting our actions to some unseen audience.  
[His speech before the Yurgir encounter is a good example of this]
 
"Through the dark, she went creeping and awoke what was sleeping" 
"The Shadows grow long and the hour is late" - also wherever this quote is from works well too 
There are even more subtle moments where he's still being performative, even when he's not physically present, which goes into his desire and constant longing to be seen as something akin to a True or Full Devil (or archdevil). Since he is a cambion he is restricted a lot by his mortal half. He is held back by his human needs like sleep and presumably food too. I think he tries to cover for this through excess, as if you go to the HoH in Act 3, you can see the food on the table is just filled to the brim of just rotten food, basically all of it wasted. Also, there are loads of scattered areas that have fruit or wine throughout his house. I believe he does this on purpose to try to come across as though food is nothing but a pleasurable activity he indulges in now and again rather than a necessity and he doesn't care if he wastes it (Also just saying he's rich, let them eat cake, L + Ratio). 
However his façade isn't perfect since he is still fallible, and he can fail/die. We can see this because, at every opportunity he possibly can, he attempts to convey this front of being omnipotent and powerful - as close as he can to an archdevil. To be fair, he manages to do this pretty really well, At times he can even come across as this truly unbeatable force, that we can’t ever truly defeat. This is exemplified by the fact that, even if we kill him, if we look in his logbook of previous visitors, it hints at him trying to find a way to cheat death by transferring his soul into a clone or something adjacent. 
Now whether he ever managed to accomplish this by the time we attack him is uncertain, (though there is a non-canon / cut content line where he begs for his father's help as we fight him, kinda of insinuating he never fully realized his backup plan in time and he’s actually afraid he’ll die, but that’s also not in the game so who can say for sure) 
“I cannot lose to you. Not here. Not in my home. I cannot die! Mephistopheles, hear your son! I am at your mercy - save me!” - NOT CANON BTW, but omg do I love this line 
Another slight hint that Raphael might not be as indestructible as he'd like us to believe is when he is playing lance board with Mol. 
"My, the double counter Gambit. Vicious. Exactly what I would have done" 
Now for all intents and purposes Raphael does not need to win against Mol, that wasn't the purpose of their game, either way he already had his eyes set on her to make a deal anyway. Yet it demonstrates that whether you cheat or actually manage to outwit him, he can be beaten, since he can't hide behind a persona when playing (Mostly). 
Furthermore, Raphael is like an English teacher, he loves his little similes and metaphors, and just talking in a verbose manner, and it’s not just word vomit, no no no, he makes it sound interesting, he is performing for us after all. For me personally tho, it’s difficult to replicate, unlike other characters or companions where you can deviate their dialogue, like hearing Astarion say ‘fuck you’ to Cazador, I don’t think you could get away with that for Raphael.  
"The mouse smiled brightly it outfoxed, then down came the claw and that love was that"  
"Perfect, one more rhyme for Old Time's sake; The master was slain within his own house, they dined on him both, the cat and the mouse."  
"Like a mosquito nibbling at a dragon, be gone"  
I also think it's so interesting that the man who does nothing but spout rhymes and poetry will say this if you call his poetry out for being dirt; 
"I admit it isn't my primary interest not, by any stretch" 
Excuse me, sir?  I do think he genuinely likes poetry/writing in general, he supposedly even wrote a play before sooo, also I just think that all these contradictory things he says are on purpose, he's trying to be mysterious to some extent, and he doesn't want you to be able to gauge or understand him, he just wants you to believe in his persona he's crafted for you and that's all. Though like I've said before, his mask can slip off, especially in private or when he's enraged. An example is when he's referring to his employees who have failed him.  
"[A record of various associates of Raphael's, listing their duties, and their respective performance.] 
Korrilla Hearthflame - field work - so far I've barely 
had to singe the tips of her fingers. This one shows promise. 
Archivist - naughty boy, supposed to be looking after the collection, 
but has a tendency to drift. May have to start breaking his neck to 
give his spine a chance to recover. 
Nubaldin - little shit let Gortash get away. Not letting 
him near the prisons ever again. Chamber of Egress will 
do fine until I find a replacement for him." 
Moreover, he’s also very condescending/patronizing. (I think even in one of his dialogues, the devs noted he should even come across that way). I think that’s just a part of his little superiority complex, he’s the chess player and we’re all just his little pawns (that is until we kill him ourselves, it almost makes me think that Tav/Durge is actually the other player in the game and to some extent Raphael knows this and tries to play accordingly). He constantly wants to portray this cool and confident personality, that he’s accounted for every possible outcome (and in a lot of ways he has) and that even if he doesn’t get what he wants, it doesn’t faze him, and in fact, he’ll try to make it seem like either way it benefits him, and sure in some ways it might, but I do believe he’s just saying that to mask his failure to achieve his goal. 
"I should snuff you out and make coin of your soul, but it will be more amusing to let you see the consequences of your actions. Do you really think that the crown is safer in the hands of a goddess than in the claws of a devil?" (Look, I don't like Mystra, but do I think the crown is safer with her? UH yea)  
"Such an eager little pup."  
"You really do think highly of yourself. My sights are set on something much more valuable than your soul, succulent though it would be."  
He's Definitely pissed at us for being a little shithead and giving the crown to Mystra (even tho in the game if you complete Gale's quests you rlly have no choice lol) But he still tries to play it off as this will be terrible for you but great for him, since if shit hits the fan, he's just gonna get more souls - Though I'm sure this is him just trying to save face, or at least to some extent. We can see him actually lose his composure if we ascend Gale. 
"Do not toy with me, Wizard!" - R 
"I thought you liked playing games? You can have the crown Raphael, but you'll need to come and collect it from my realm" - G 
"You can't do this!" - R 
"I hit him where he's most vulnerable, pricked his pride, and sent him back to the hells to lick his wounds. He'll be back, the question is will he find us side by side?" - G 
This is really fun to see since even Gale knows Raphael has no power over him and can just mess with him, and initially, Raphael tries to gain control by saying like 'Oh no, I'm not going to take the crown Gale's going to give me it, like we agreed' and then when Gale fucks with him and it utterly infuriates him because there's not much else he can do really since Gale, though he might not be as powerful as Mystra, is definitely more powerful than Raphael. I also think it's very interesting that, even though we've basically gone against Raphael and screwed him over, he doesn't plan on taking it out on us, and I know he says he wants us to see the consequences of our actions but I think there's a different reason to why he doesn't take action against us. I think he's genuinely afraid of us, let me explain. He was clearly already afraid of our potential before any of the endings, shown in his dream he wrote about in his diary, and when we manage to survive everything that the game throw at us and defeat the nether brain, we've basically become undefeatable (Not really but you get what I mean) The only time he even suggests he'll take one of our souls is if Gale explodes while trying to ascend and well, there's not going to be much resistance since he's already blown up. 
"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 
In waking, my courage has firmed. I progress my plans for
the tadpoled even now. 
I am Raphael. I am not easily bested." 
Raphael is not only fueled by his ambition but his fear (I'll talk more about that later too) and so he acts accordingly, he plans and schemes for hundreds of years trying to account for every possibility, and at times he can even come across as a total control freak lol. He has Korilla literally stalk us throughout the game, he also knows personal facts about our companions (he’s done his homework), and he’s literally planned and orchestrated events in the plot to help lean towards us giving him the crown in the end (it’s implied he helped vlaakith chain Orpheus or idk some other devil did with infernal chains, and he’s the one who helps wipe Ketherics lil army to just one justiciar) he’s had a lot of time to plan and plan he has. He’s constantly aware of your movements since he picks very specific points to appear to you.  
"[Laughter] The good thing is though there's only one little voice you really should listen to, Mine" - Total control freak behavior  
"you'll be back, it's something of great importance to your master is it a love letter a warning or a deed of ownership I can give you all the Gory details"  
"Carved into that Ivory skin of yours is one part of an infernal contract between the archdevil Mephistopheles and your former master" 
"Karlach, why does that name ring a bell? hmm, perhaps I read it in a book somewhere." 
An interesting thing to note is that I think his controlling and performative tactics are the ultimate reason to why he inevitably fails (If you decide to kill him I mean) Since he's spent so much time controlling the narrative literally and figuratively, he's literally altered events leading up to our arrival so that we can give him what he wants and he even talks about us as if we are just a character in his story he's created, he's been doing this so long he truly believes he can control the narrative, that he's predicted every outcome and he really doesn't think we'd go against that we could go against him. He's been so out of the narrative himself, an observer who might nudge things to go his way now and then but never be in the action himself that he truly believed he was untouchable, that he could just float above it all like he did with Karsus’s folly happened. 
Now onto an aspect of Raphael I find very interesting – His relationship's with those around him. As I said before he’s a total control freak, and that’s clearly fueled (if not caused) by his narcissism and we can see that even outside of our protags. Look at Haarlep for instance, (there’s so much to dissect with these two) but Raphael strictly has Haarlep made to look like himself, and is the only form he’ll sleep with. There isn’t just one answer to why he’d do that, firstly, it just boils down to him being a narcissist sure, but on the other hand a point can be made that he’s doing it strategically. 
Haarlep was sent to distract him, and presumably to spy and report back as well (Hypothetically, it's not confirmed) and presumably, Raphael is clever enough to realize that. So why would he reveal anything about himself in such a vulnerable way, so why not just make the incubus be in one form and one form only? It also serves as a lil bit of a punishment I suppose, since Haarlep can be 1000 different people but is forced to stay as one. There’s also another angle to this, that narcissists generally find intimacy difficult, and being vulnerable with other people. So why be vulnerable when you can stick to the devil you know? 
Party member: How did you end up here? 
Haarlep: Sent by Mephistopheles... distract naughty son. 
He knows himself better than anyone, so why would he bother with anyone else? It’s a bit of a defense mechanism, he’s not willing to be vulnerable or let his guard down (and to be fair, for good reason) so it’d be better for him to stick to what he knows, what he’s comfortable with. I’m just going to throw this out here but he comes across as a total hedgehog dilemma sorta of guy, gives off real Shinji Ikari vibes tbh. (NOT REALLY, He's more Gman than anything but just without the charisma 💅) 
Party member: Did you ever turn into forms besides Raphael's? 
Haarlep: Raphael... loves... only... Raphael. 
Now, this is just supposed to be a Raphael analysis but I find it impossible not to mention Haarlep and their motivations as well, since they are arguably the closest person (Literally) to Raphael. Haarlep comes across as a complete gossip type since they seem to just love to air out Raphael's little secrets, they even say how Raphael can Deny them nothing so either Raphael does trust them to some extent to make them his confidant or well, Haarlep just Wittles it out of him during their sessions. Either way, they hold some closeness to Raphael, yet I find it revealing that they immediately will expose him and actually help you (for a price ofc) and intentionally try to help you kill Raphael. Now whether they believed we could actually kill him or not is up for debate, but after you give them your form they do say that they'll enjoy misusing you and they do tell you what will happen when they use your form, so if they believed you were going to die why bother? 
Haarlep doesn't seem to be the only one as in their letter to you in the epilogue it's revealed that even the devils in Mephistopheles's court seemed to hate Raphael. 
"Since the timely end of Raphael's reign, I've gone back to Mephistopheles' Palace in Cania. Many of his Father's court are celebrating the demise of my little brat - behind closed doors. And I'm making a fortune selling evenings in his form now there is no contract binding me to secrecy. Rather tasteless to desire a dead man like that, even amongst devilkind, isn't it?" 
Haarlep even calls Raphael their little brat, though perhaps it was out of endearment as even Haarlep remarks how low it is to desire a dead man when they use Raphael's form. This could possibly show some sort of remorse towards Raphael's death, but it's pretty unclear, yet that's also to be expected since Haarlep is a full devil and they even state they're a crueler master than Raphael so perhaps that was true as well. It genuinely seems that no one actually cares for Raphael, besides perhaps Korilla, and I mean that's fair in all honestly, considering how he treats most of his employees (Hope too) but it's also funny that the people he wants to impress or become most, the devils, also hate him or want to well.. Have some fun times with his form after he's already dead.  I also think it's interesting that Haarlep refers to Raphael as a dead man rather than a devil, they don't even say 'amongst his own kind', It's interesting because Raphael himself is so adamant on calling himself a Devil rather than cambion or whatever (tbf he's not the only one, Mizora does the same or at least out characters don't care to make the distinction) Yet Haarlep doesn't care to make that distinction. Now, of course, man doesn't necessarily mean a mortal man or whatever, but it's still intriguing to note.
An interesting thing to note about Devil society is that, unlike Demons who usually just outcast or kill their cambions, Devils at least allow Cambions to intergrade into their Hierarchy, but at the same time it's a system that wasn't built for them to succeed in since cambions can't physically be promoted, they aren't guaranteed anything form their work, so everything they have, they've had to work hard for. Unlike those around him, Raphael has had to work extra for his position (though I'm sure his title of Son of Mephistopheles did help somewhat) he seems to have it quite good, and tbh I even initially thought he was his own free agent, and didn’t even have to serve under Zariel (but he does) he just has it really good, or at least better than most cambions from what it seems. At the same time, I find it intriguing that he sparsely even mentions who he is in relation to his father. Through subtle hints throughout that game, it's clear that Raphael actually probably hates his father or is perhaps extremely jealous of him, since at the same time he mirrors him in some aspects.  
I think the Dungeoncast said it best when examining the devil's mindset that I also think apply to Raphael quite well too;
"Their dogma essentially revolves around seeking power over others, always adhering to an eye-for-an-eye principle. They exploit any kindness shown to them and show no compassion for the weak, exhibiting traits of a sociopath. Winning at any cost is their mantra, often cloaked in the guise of promoting personal excellence and independence. When they harm others, they rationalize it as providing motivation to succeed."
Even though his society basically looks down on him, whether he's successful or not, Raphael still believes in their mindset, mostly since that's probably how he's survived and thrived in the Hells. This mantra that the devils have has warped who he is as a person entirely and also his ambitions, he doesn't want any other than control, he sees no point in forming meaningful relationships or other interests, and he only sees domination and power as his goal since that's all his society has told him is important.
Another thing I’ve read about cambions is their sense of entitlement, especially over mortals, and well Raphael certainly fits the bill. Which might contribute to why he wants what he wants. I mean, why does Raphael want to take over the hells? To end the blood war? Sure, almost all devils want to rise the ranks but Raphael’s goals are a lot more lofty than that, and why is that? Is it solely his ego? To be seen as something kin to a god-like Asmodeus, or is it to best and humiliate his father? Perhaps both, or perhaps neither, it’s somewhat unclear, but perhaps he just feels entitled to something greater or maybe he wants out of the rat race that is the Devil's Hierarchy.  
"It's the Fatal flaw of mortal kind take away their free will and they call you a tyrant, allow them to indulge it and they become tyrants" 
 
A final point is since he’s a narcissist, he’s obsessed with his image, yea I know, very obvious. And it’s been mentioned a few times that this is probably why he and Haarlep look so different, it’s either insecurity or wanting to come across as something more mature, why he’d look older than Haarlep when they should be an exact copy. It’s the whole reason he’s been performing, curating this image to us, one that he barely even allows himself to break at home unless he’s enraged. If you look at it for what it is, it’s just insecurity and almost desperation. A desperate desire to be seen as something greater, something akin to his father (daddy issues are making their appearance) and it honestly comes across as erratic, and extreme. 
 
He’s so obsessed with his image that perhaps when Haarlep said they’re a perfect copy of Raphael they didn’t mean as an exact copy, they meant they’re are literally a perfect version of Raphael, a better version (most likely a result of insecurities of how he's perceived). Who can say for sure what the reason is why they look so different if they’re supposed to be mirrors of each other. His whole obsession with is image really matches his father, since Mephistopheles is known to change his appearance and curates it for mortals as well (It's why he's confused with Asmodeus a lot since he just goes for a basic generic devil look). 
One more thing, considering all the characters we meet throughout the game, Raphael is or is one of the oldest characters in-game, seeing as he's possibly 2000+ years old. Considering this, it makes sense that on top of him being a devil anyway, he finds himself detached from mortals as well as his own mortal half. Though he is quite proactive in his contract seeking seeing as he not only seeks us out but characters like Mol and Lyrthindor (Tho that was more towards orchestrating his own goals) Otherwise he can just sit up in his Ivory tower devoid of mortal's strive, I mean he even says multiple times that his house is a safe haven for the tired/sick/restless/etc. On top of him already trying to detach himself from his mortal half, he also has the benefit of being so old that he probably has already become numb to it, to mortal thoughts and feelings. He wouldn't be able to emphasize or understand it (tho him being a devil wouldn't have helped either) all he would understand is how to use their suffering to his own benefit. Any possibility for humanity within Raphael is either so faint it's practically not there or there is none left entirely.  
"Never have I been so attracted to mortals as I am to those infested by the tadpole." 
He even says this himself. Mortals have never had any impact on him, physically or emotionally. Yet in saying that, they've never really been given the chance to. The closest a mortal besides us the player to have ever gotten 'close' to Raphael or have impacted him is Hope. Raphael is not only a complex character but he has so many complex relationships with the few people he lets around him. As I said before Raphael is completely blinded to humanity, he's definitely a person who believes the ends justify the means and that has never been more evident than in what he does with Hope. He doesn't care what It takes just as long as it gets him what he wants, that's why he helps orchestrate the plot to lean in his favor, why he basically tricks Yurgir, and why he has no problem torturing Hope even though she's basically no one to him, she isn't even a debtor.  
Though Raphael is almost completely removed from being anything close to a human being, even after all this time, whether he likes it or not, he still does have some human traits. His interests for one help humanize him (Which tbh he is probably aware of and uses to his advantage) Sure he likes poetry and literature, but he's also just obsessed with everything surrounding Karsus and Hope (or at least the concept) He even names his house The House of Hope and whether he renamed it that after Hope or whether that was it's original name isn't clear but either way he really likes the idea of hope in hell. You can see this throughout his house on the little plaques he has scattered throughout, he definitely wants to be people's last hope or perhaps just hope in general, it would make sense as well since he wants to literally break hope and bend her under his will. 
"Karsus's folly the Bard and Scholars call it. I call it hope, the hope of creating a better world, and The Perils of unchecked hubris"  
(Karsus and Hope are basically his only two special interests that he starts to literally combine them) 
Another very human trait of Raphael’s is that Raphael has a fear of failure. He even has dreams about us destroying everything he's worked for and killing him.  
"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 
In waking, my courage has firmed. I progress my plans for the tadpoled even now. 
I am Raphael. I am not easily bested." 
Even though he reassures himself that he is Raphael and cannot be easily bested it's clear he's still very desperate. The only variable in his plan that he can't truly control is Us and he definitely knows this. Even other characters like Gale can tell how desperate he is. His facade of Invincibility is one of the tactics he uses against us to keep us in check against him. To be honest, all these things lend to humanizing him far greater than any poetry or quote he could ever spout because it shows his vulnerability, it shows he's not as invincible as he'd like us to believe, that he does have weaknesses and can in fact fail. A very mortal trait to have in all fairness. 
Also on another quick note, he totally has a special interest (obsession) in Karsus, like him seeing Karsus accidentally kill thousands of people in the netherese cities became a core memory for him, one that he’s never let go, even now.  
"The archdevil Mephistopheles snatched up the crown and squirreled it away in one of his vaults. He is not more than a frigid archivist"  
"I want the crown that dominates the Elder brain and then we all Gather in the House of Hope me dressed in my finest silks, you skinless, hanging from a hook to watch as your world dies"  
"you would have been Heroes if you only dealt fairly with me, instead you're not so different to doomed Karsus, overreaching your limits and burning your world to Ash"  
"The screams oh the screams hundreds of thousands of people watching in horror as the ground came up to meet them" 
His ambitions seem to be fueled a lot by his narcissism and this belief that he can achieve all he's set out for and actually do a good job in implementing order, etc. Whether this is a founded belief or not is debatable, since we don't really know what he achieves past supposedly Avernus. 
"Though with the crown, I would impose perfect order, Unity, efficiency, control, my kingdom would control its borders and stay within them" (Sure pal) 
OK, onto the kicker here; Raphael is a very alluring character, he can even come across as flirtatious at times (Also through his body language and I obvs can't demonstrate that here but u get it) Throughout the game he's saying how he'll wine and dine us if we give him what he wants, yet In the ending where we actually give him the crown, I think it's so telling that after all his promises of dining with him and getting to see him again if we deliver it, he literally doesn't follow through at all (There's a debate for this since we don't know if he might've once his plans were done) and this just proves what we were to him; that we were in fact just pawns to him. Even if he does invite us to dine with him, it'll most likely be with a purpose, that he wants something from us or for us to do something for him because otherwise he's gotten all we wanted from us, the facade has been lifted and he doesn't need to try charm or threaten us, he's effectively done with us (literally, since it is an ending). It's all just another aspect of his manipulation and Persona he uses against us (And I mean, It worked) We're all just a means to an end for him. 
ALSO, A little side thing I should note is the silly lil Dark humor Raphael has. Raphael, being a devil and all, definitely has a dark humor. You can defo gather that from his dialogue but also the way he comes up with creative punishments for his debtors. Now some of it is just basic evil shit like the guy who does the Self-flagellation stuff and the one who's forced to act like a dog, but some of it is more than that, like the guy who worships his chamber pot which just so happens to be under the statue of Mephistopheles or the debtor who's forced to dance (which I think is a reference to The Red Shoes story/movie where the character is literally forced to keep dancing) or the chick who just voyeuristically watches what goes down in the boudoir, like yea it's horrible but sometimes it just cartoonishly ridiculous and you can't help but find it somewhat amusing. 
"Hope [Laughter] such a tease" like when he says this, unbeknownst to us, he's referring to the real-life Hope, more of an inside joke to himself really. 
On top of all that - this specific paragraph isn't really poignant to Raphael's character necessarily, it's more of a personal observation but - I think if there were to ever be a romance with Raphael the best option is to not give him the crown (tho I do kinda wanna see him with his lil crown being the prince of hell). It's similar to Gortash, in that if you want to be his equal you shouldn't grovel and just give him the netherese shards, you need to challenge him and show your mettle basically. Now I'm not saying Raphael would be pleased with this, but if you wanted to be an equal, this is the best route, otherwise, there's always going to be that power imbalance like with ascended Astarion. (AKA, kill him, Do It) 
My final point that I wanna make is, that all the characters in Bg3 are designed with a fatal disbelief. Y'know Gale believes if he becomes a god he can prove himself to Mystra, Lae'zeel believes that  Vlaakith is righteous and will allow her to ascend, Shadowheart believes she can find herself/ her purpose in Shar, and Astarion believes he'll finally be safe if he becomes the vampire ascendant, yet we that these believes are all unfounded and end up being untrue wif they achieve them, and the same goes for Raphael. Now, if Raphael achieves his goal of getting the crown, he most likely will still end up not getting what he wants, for two reasons; Asmodeus literally cannot be defeated - Let me explain; So there are a few origins for Asmodeus and to most popularized one (and the one I prefer) is the one where he and some of the other archdevils were actually previously angels that got corrupted while fighting demons. 
Yet, in earlier editions, it's stated that all of that is just speculation and mythos surrounding Asmodeus and his real origin is that he is literally a cosmic force that was there at the beginning of time. OK. Now personally I don't care for this origin but either way, whichever one you believe I think my next point still stands the same. Whether Asmodeus is just a being that has achieved something as close to godhood as he can or a literal cosmic force of lawful evil, Raphael probably would still be unable to defeat him even with the Crown and scepter and any other of Karsus's little items, he most likely if anything could only get to the eighth layer. Now in saying this, this is still not his disbelief, because his personal belief is also one that all devils share, which is a complete lie, that being the entire hierarchy they abide by. Every devil abides by this meritocracy hierarchy, and the belief that if they become more powerful, and ascend - that they can reach Asmodeus status, but this is a complete an utter lie. Asmodeus keeps this facade that he could be defeated, but in truth, he's kinda way too powerful for any of the devils in hell, and he knows this and uses it as a tactic to keep them in his control.  
Now Raphael to some extent knows that he has to basically cheat to be even able to ascend, since he's a cambion and the hells system wasn't exactly designed for him to be promoted. Yet even if he manages to conquer every layer up to Cania, he's still going to lose since he's basically destroying the hierarchy and therefore he won't have control over the devils beneath him. Now the crown can be used to literally dominate people but that's not what Raphael necessarily wants - He wants to be adored and willingly followed, and of course, he'll use the crown when he has to, but to wholly subjugate everyone in hell to mindlessly obey doesn't seem to be his goal. There are more practical reasons as well why there are certain devils that have control over the layers, and Raphael, no matter what power he can possess, is still just one individual, and inevitably it seems as though there would be a lot of chaos rather the perfect order he believes he can achieve. 
I know that the crown can basically make you a god, and if Asmodeus has powers akin to a god and Raphael can theoretically do the same, then why can't he just defeat Asmodeus? well, it goes into Raphael's fatal flaw, his arrogance. If we look at Gale, for example, he made himself a literal god and still wasn't powerful enough to defeat Mystra, and yes, Raphael 'Is no mortal' but this is what I mean, he believes is above Karsus and Gale, that he'll succeed where they failed but that's just not the case. Like I've said before, Raphael desperately wants to be seen as more, his ego won't let him accept anything less but that still doesn't change the fact that he is fallible, and we don't have to look any further than when we managed to defeat him. Now in saying all this, this is all theoretical and kind of bleeds more into an opinion, since we don't know what plays out after he gets Avernus, perhaps the other archdevils managed to kill him before he achieved anything, or perhaps he really did manage to conquer Baator and the other realms, Who knows. (I might be cooked for saying this, especially since I do wanna see him be a lil prince of hell, but arguably giving him the crown, besides being our bad ending, is also his bad ending - No further explanation) 
Like I know I said, this is what I’ve boggled it down to and well, it’s not very boggled, but that’s what I mean! There’s so much going on with this little guy, it’s almost hard to keep up with, you gotta write him as suave and mysterious but also somewhat threatening and intimidating, he has to be articulate and persuasive as well as theatrical, while also keeping in mind his manipulative and narcissistic/egotistical tendencies, which doesn’t come easy to write for. 
This isn’t a slight by any means either, he’s a complicated character and that’s why I like him, but my sorry ass struggles to replicate it 🥲 though I hope this post will be a good reference to circle back to when writing for him. 
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imsobadatnicknames2 · 8 months
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top 5 ttrpgs for beginners
Sorry that this one took me a bit longer to answer than all the other Top 5 asks :p i wanted to explain a bit of my reasoning behind it and this gave me q chance to ramble a bit about something that bothers me lol
So, first of all I want to talk about what TO ME makes something a good beginner RPG.
Ramble:
I've talked a bit in the past about how I have sort of a bone to pick with the way so many people, when asked for recs for beginner TTRPGs, immediately decide to recommend extremely rules-light/minimalist/one-page RPGs (Hacks of Lasers&Feelings in particular seem to be somewhat popular on this front), when IMO these types of RPGs are at their best when played by an experienced group (or at the very least with least one very experienced player/GM who can provide some guidance to the others). I think a lot of ppl seem to have the impression that simpler mechanics inherently make a game more beginner-friendly, and that thus the most beginner-friendly games are inherently gonna be the ones with the simplest mechanics. And while this is true to an extent (a 700-page RPG with tons of complicated mechanics to remember is obviously gonna be inaccessible to beginners), when you consider that mechanics exist to DELEGATE decisions about the fiction away from the players and the GM so that they don't have to manually arbitrate them every time, there is point where less mechanics are gonna make harder for new players because it means there's more thing they're gonna have to find a way to arbitrate on and decide by themselves, and that's a skill that takes time to develop. An experienced group can probably get a ton of mileage out of a system that essentially ammounts to "the GM describes the world. The players describe what their characters do, and the GM describes how the world reacrs. When the outcome of a player action is uncertain, then [simple resolution mechanic]" but a beginner group is gonna be a little lost. Especially if the game, like many of these types of games, includes practically nothing in terms of GM tools. So I think recommending beginner RPGs solely on the base of how simple they are is well-intentioned but misguided.
(Ramble over)
So, some of what, to me, makes something a good beginner RPG is
Rules provide enough support that the group won't have to constantly be figuring out how to adjudicate stuff on the fly, but they're simple and flexible enough that they're easy to remember and learning them doesn't feel like a daunting task like it does with a certain game (*cough cough* D&D)
Relatively short and uni timidating. Maybe between like 20 and 100 pages. Players should be able to read through the rules and mechanics in one sitting.
Plenty of examples of play, often a good example of play is what makes a game's rules really *click* for a new player.
Relatively quick and painless to start running for the first time. Character creation should be quick and snappy, and if possible a short pre-written adventure (hopefully with some room to be expanded into something larger) should be included within the same book and ready to run out of the box. Even if your group doesn't like using prewritten adventures, having a *good* prewritten adventure can be a huge help in understanding how to write/design them.
Solid set of GM tools and resources (if it's a game with a GM, of course)
Optionally, plenty of compatible material to either use or take inspo from.
So, I think my recs would for beginner games would be...
Mausritter
If any of you have EVER heard me talk about RPGs you knew Mausritter was gonna be here TBH. I've repeatedly talked about it being one of my favorite RPGs and also that I consider it pretty much an ideal introduction to the hobby. I think the woodland critter theme is extremely charming and attractive for people of any age, while the slightly darker elements that rear their head from time to time keep it from feeling too childish.
The mechanics are simple and flexible but still provide enough structure that even a new GM will rarely if ever be at a loss about how to resolve a particular action. They're familiar to anyone who's played a dungeon game while still being extremely streamlined. 3 stats with the main action resolution being roll-under tests, no classes, characters are defined mostly by their inventory, all attacks auto hit and initiative is extremely streamlined, which keeps combat quick and dynamic, etc. And the mechanics are pretty short and esy to digest too, the players' section of the rulebook only takes 18 pages, including stuff like inventory tables and examples of play, and the website features a handy one.page rules summary (which also comes with the box set)
It's super easy to get running: character creation takes a couple minutes at most, and it features both a simple adventure and hexcrawl that can be used right out of the box with plenty of interesting directions to expand for further adventures.
Now, Mausritter takes most of its mechanics from Into The Odd, so a lot of its virtues come to it, but I think the few changes it made DO make mausritter most beginner-friendly, such as its inventory system which makes inventory management into a genuine challenge without having it devolve into a slog of tedious book-keeping, and the incorporation of a streamlined version of GloG's magic system, which manages to still be simple and easy without being as loose and freeform as the magic system from a lot of OSR games of similar complexity (which can be initially daunting to new players)
But what REALLY makes mausritter shine IMO is the extremely solid set of GM tools. In just a few pages mausritter manages to provide simple rules, procedures, generators and advice for running faction play, making an engaging hexcrawl, making adventure sites, and generating stuff like treasure hoards, NPCs, an adventure seeds and overal just a ton of useful stuff that takes a huge load off of the shoulders of any beginner GM.
Cairn
Lets say you're into Mausritter mechanically but your players aren't into the whole woodland creature theme and want to play something more traditional. Cairn is also built on Into The Odd's system, and takes inspiration from some of the same sources, so it's very similar mechanically. It does feature some significant differences regarding magic, character advancement, and how injury and healing work, but overall it's still mostly the same system under the hood, so a lot of what I said makes Mausritter a great introduction to the hobby mechanically still applies here (quick and flavorful character creation, dynamic and streamlined but dangerous combat, etc). It's also a classless system that features msotly inventory-defined characters, but aside from the option to randomly roll your gear, the game also offers the option of picking a gear package in case you wanna emulate a particular fantasy archetype.
Now, Cairn is a much more barebones document, and doesn't even feature examples of play or an explicit GM section with resources for running the game, which breaks with the things I said I look for in a beginner RPG. However, in this case I'm willing to forgive this because, first, Cairn's website features a plethora of first party and third party stuff that isn't featured in the book itself, including examples of play, GM procedures and tools, modular rules, and a wealh of conversions of creature stat blocks and adventures from D&D and other fantasy adventure ttrpgs.
And Second, something different that specifically distinguishes Cairn as a good example of a beginner RPG is how it explicitly outlines its philosophical and design principles, and the principles of play for both the GM and the players before it even shows you any rules, which is something that I think more games and ESPECIALLY begginer games should do. IMO the whole book is worth it just for that little section.
Troika!
Troika is a game built on the Fighting Fantasy system (which originally was less of a TTRPG system and more of an engine for a series of choose-your-own-adventure books) with a really interesting pseudo-victorian space opera weird gonzo setting which is a load of fun. It has very simple 2d6 mechanics, with characters having three stats (Stamina, Skill, and Luck), and being mostly defined by their inventory and the special skills from their background. Character creation is quick and snappy. The game gives you 36 weird and extremely creative character backgrounds, but creating a custom background is as easy as coming up with a concept and the names of a couple special skills that support that concept. It also has a very unique initiative system which might be a little divisive but which I DO find fun an interesting.
While it lacks many of the GM tools I praised Mausritter for, it makes up a little bit for it with an initial adventure that does a wonderful job at naturally introducing the weirdness of the setting, and which at the end presents a ton of opportunities to segway into a variety of urban adventures.
Now, a lot of beginners come into RPGs specifically looking for a D&D-type fantasy game (which is a problem because D&D is a pretty bad option for a beginner RPG) so for those types of players I would recommend
The Black Hack
The Black Hack is probably my favorite game for doing D&D-style fantasy roleplaying. It's a game that at its core uses the original 1974 white box edition of D&D for inspiration, but modernizes, reimagines, and streamlines every aspect of it to be one of the most simple yet elegant D&D-like experiences out there. For example, TBH uses the six stat array that all D&D players know and love, and with the same 3-18 point range, but does away with the attribute score / attribute modifier dichotomy, instead building its entire system around the attribute scores, with all rolls in the game being roll-under tests for a relevant attribute (including initiative, attack/defense rolls, and saving throws). It also innovated some extremely elegant mechanics that went on to be very influential for other games, such as its Usage Die mechanic as a way to streamline keeping track of consumable resources. Basically, it's like if D&D actually played the way it looks in cartoons and stuff: character creation doesn't take 3 hours, every combat encounter doesn't take five hours, and you can place some emphasis on resource management without the game making you want to tear your hair out with boring bookkeeping.
And one of the coolest things about it is the way it handles compatibility. Despite taking loose at best mechanical inspiration from D&D and playing very differently from it, TBH is intentionally designed to be compatible with a wealth of old-school D&D material. While it very clearly stands as its own distinct game, it's designed in such a way that you can prety much grab any creature stat block or adventure module written for any pre-3e version of D&D and use it in The Black Hack with little to no effort in conversion required.
The first edition of the game is a pretty barebones 20-page booklet that just describes the basic game mechanics, since it was assumed you'd probably be using D&D creature stat blocks and adventures with it anyway, but the second edition was significantly expanded with a bestiary, expanded GM procedures and advice, and tool for creating anything you could want: Hexcrawls, towns, dungeons, quests, treasure hoards, NPCs, dungeon rooms, traps, secrets doors, etc. plus a short premade adventure and even a few premade unkeyed dungeon maps that you can take and key yourself if you're in a pinch for a map, which as you all know, I think GM tools are an important part of a beginner game.
The game only includes the 4 basic classes from old-school D&D (fighter, thief, cleric, magic user) but the community has made several supplements adding back more modern classes.
Now, if you're that type of player that wants a D&D-like experience and you want an alternative that's still beginner-friendly but doesn't deviate as much from D&D's design, I would suggest:
either Basic Fantasy, or Old-School Essentials (or any good retroclone of Basic D&D tbh)
BF and OSE differ a bit from each other but at their core they're both attempts to repackage a relatively faithful but slightly modernized version of the 1981 Basic/Expert D&D set, retaining mostly the same mechanics while ditching a few of the aspects that might seem counterintuitive to a modern audience (such as descending AC, which I personally don't mind but I udnerstand why a lot of people find it confusing). I'm recommending these bc I think if you're gonna play any actual D&D product, the B/X set represents D&D at its most beginner-friendly (character creation is at its quickest and simplest, combat flows faster and remain itneresting due to doing side initiative rather than individual initative, the mechanics forsurprise, stealth, and dungeon exploration actions such as looking for traps are streamlined to simple D6 rolls) while still being recognizably D&D and these retroclones put in a bit of an extra effort to make them even more accessible to modern audiences.
Now, just like The Black Hack, these retroclones are limited in their race/class choice to the classic old-school D&D human/halfling/elf/dwarf and fighter/cleric/thief/magic user, but in the case of Basic Fantasy, the community has made several race and class supplements, some of which are showcased on the official website, and in the case of OSE, the OSE: Advanced addon reintroduces many of the modern classes and races that were originally introduced in the Advanced D&D line.
Have in mind that this list is pretty limited by my own tastes and experiences. I'm very aware that the very specific type of game I tend to play and like and experiences inroducing some of my friends to the hobby completely color the scope of what I can recommend as a good beginner RPG, and that that scope is significantly limited. I also like more narrative storygame type stuff, and I don't doubt that some of them would also make a fantastic introduction to the hobby (some PbTA stuff like Ironsworn, Dungeon World and Monster of the Week comes to mind) but my experience with them is not significant enough for me to feel confident in telling which of them are good beginner RPGs.
Also note that there are several games that I consider to be more MECHANICALLY beginner-friendly than the ones I listed here, but that I avoided mentioning specifically because they offer extremely little to no support in terms of GM tools, which I think is an important and often overlooked aspect of beginner-friendliness for any game that includes a GM! But they still might be worth checking out. These include games like DURF, FLEE, OZR, A Dungeon Game, Bastards, Dungeon Reavers, Knave 1e, and Tunnel Goons.
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dekusleftsock · 4 months
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Yada yada, kudou looked through Izuku’s memories and saw big gay thoughts, but we already knew they were gay. Of course they were gay. They’ve always been gay.
YOU KNOW WHAT I WANNA TALK ABOUT? THIS OFA QUIRKLESS THING!
It’s so FASCINATING! And I know I’m late to the party (school, work, life, depression, art block, the list could go on) but all I can think about is the trust that this entire situation holds.
On one hand, Izuku has to trust Kudou and his abilities. Defeating him from the inside out is probably the only way Izuku will win at this point.
And on the other hand, Izuku in his own way, is having to trust shigaraki, something he hasn’t done nor even considered before. He sees that little boy inside of him, but there’s more to that little boy. The man that stands before him, broken and beaten and shattered emotionally by society, is a person too. It truly doesn’t matter that the boy exists; yes it’s a way for Izuku to understand that concept of “heroes and villains are cut from the same cloth”, but it’s also the understanding that even when someone has fucked up their life, still deserves to be treated as a person for doing so. Everyone, EVERYONE, deserves the right to be and feel like a real and alive human being.
To me, it’s in the same vain as Izuku as a little boy. We could go over he details ALL DAY as to how he became the person he is, what could’ve been different, what could’ve happened. But at the end of the day, the only thing that changes the past is how we view it; Katsuki knows this.
There’s a part of me that whenever I see a fanfic where Katsuki meets his old middle school self that he hates him, wants to kick him down, humble him, whatever other verb here:
But that small part of me always thinks that it’s… oddly out of character.
Okay, comparing Katsuki and Izuku, who is more ashamed of their pasts?
If you guessed Izuku (and you agree with me), tell me what exactly inclines you to think that?
Because the difference between them is who accepts themself, and who doesn’t.
Accepting yourself doesn’t just mean, accepting that you were a bad person but you’re better now so it’s okay. No, I think that’s actually more complex than implied.
In my opinion, seeing your past actions as something to forgive is important too. Katsuki meeting his middle school self may seem like an aggressive cat fight in idea, but it practice may turn into high school Katsuki being unaffected by middle school him. He knows why he thought what he did, understands that it was bad, but also understands why that mindset came to be. He can be sorry to Izuku AND sorry to himself.
Izuku I think feels a sense of shame for his middle school self, especially that weakness. He cried more in middle school too; he didn’t try. That’s what he’s most mad about and unable to forgive himself for, he didn’t try.
And to an extent, Izuku has to learn that his perception of his past is what matters most: Shigaraki is the same.
Shigaraki as a little boy could’ve lived better circumstances. He could’ve found a hero and been saved. He could’ve had this or that or made a better decision. And I think a small part of him feels guilty for it. Shigaraki also doesn’t accept his past.
Ofa being taken away, as saddening as it may seem to fans, was always an ending I was hoping for. Of course I could be wrong and by the end of the manga he still has it, and while I’d still be happy with that ending… I just really want Izuku to let himself be a human being. A flawed one, with things he could or could not change, and accepting that fact.
After all, “You’re still human.” Right?
And sorry to bring up the girls again, but part of the key components to saving Himiko were trusting her, and not clinging to a small part of her. She wanted to see and know Himiko as she is, not who she was.
That’s this dudes problem; even if he wants to tear that rug to pieces, there’s certain ideas that hold him back. Think, the idea that your emotions matter less over others, or hating yourself for flaws that nearly every human being has.
Izuku saving Shigaraki has always always always been about saving himself too, and I love that.
Izuku had to trust Katsuki in this battle, trust allmight, trust Ochako, trust people. He had to let them take the wheel, the burden. Maybe he and Shigaraki can lift that burden for themselves too. His mask is broken, he’s become a monster blackwhip thing…
What’s your move Izuku?
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rainybyday · 2 years
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Wayne Spirit Au (now)
IDEA
So, if the Infinite Realms is basically a connection for many many many dimensions do you think Danny would go to the dc dimension after realizing what this means
Like imagine dc is also a fandom in the ‘Danny Phantom’ universe that Danny is a big fan of. He would never think that such a world exists but the idea of it is so cool, and he wish he can go to a world such as that. 
But that was before he kind-of-sort-of-possibly-died-and-is-now-currently-half-dead-and-would-you-look-at-that-he-became-ghost-king-what-a-small-world-we-live-in
well, it’s about to get smaller
Now when he finds out that the Infinite Realms is a connection to other realms, he doesn’t think much of it because he thinks it’s like worlds that have a boy Sam or Mr. Lance as president kind of thing. He doesn’t think much of it until he realizes the extent of what “dimensions” means
Finding out that one of your childhood heroes are real in a different world literally blew his mind
So, imagine this young teenage Ghost King DC nerd willingly going to the dc universe to geek out and possible spook his heroes for the heck of it
Oh! IDEA!!!!!
What if he goes to the dc!universe back and forth where to him it would be like a day and it would be weeks or even years in the dc!universe so he would be young even if years pass by. The heroes are being haunted by this weird ghost kids for years!
GASP
WAIT
What if the Bats were his favorite heroes? 
Like imagine an excited Danny going to Gotham expecting to see Batman but came during the time when Bruce was still a child and was disappointed, like, he wanted to see big bad batman not a child >:0
But every time he comes back, he would just like watch over Bruce thinking like how this kid couldn’t possibly be Batman while also getting attached to the child Bruce. Durning the night he would tuck him in tighter, hum a tone when their alone or blowing cold air his way when its summertime. The little things. 
Bruce thinks it’s his imaginary friend or like the spirit of Gotham
(shot i made another idea in an idea but i’ll come back to that later)
Danny comes back one day to find out it’s been days since the murder of the Wayne’s, and he’s excited to see how the Batman comes to life only to see a devastated crying and depressed Bruce.
that’s when he realized he was waiting for a murder in order to have a child-like enjoyment of seeing one of his childhood heroes for the price of a child to lose their parents
he made a mistake
he wants to fix it but Clockwork refused point blank that he can’t change the past, however, he won’t stop him from taking any action after as whatever he does will affect this universes even more, 
After that Danny made it his mission to bring Bruce comfort and protect him from any types of threats from greedy rich higher ups to thieves coming to steal from the Wayne Mannor. He comes back and forth to his world and this world to look after Bruce and learns how the character in his comic book pages became a person he cares for. 
He watches him leave to train
He watches him come back
He watches him become Batman
He watches him become a father
 (From there I don’t know if Danny would change major things like Jason’s death or even Bruce’s journey through time, but I’ll like to think he does something when it comes to find Damian or even bring in Tim earlier rather than letting him go through that rollercoaster ride he had called a ‘personal life’)
(And yes through this all Danny is still a teenager but he can be around 17-19ish by the time Damian’s 14 or so)
Danny became something of a Wayne protector and Bruce knows that something/someone is keeping him safe as both Bruce and Batman and just let it be. This spirit or thing was there since his childhood so he has a certain attachment to whatever good will this spirit was providing him and pass down the knowledge to Dick and then his children when he notices that the spirit was protecting or helping his children as well
Like:
“B, I didn’t know you have a great singing voice!”
Bruce paused from his newspaper and looked up. “What do you mean?”
Dick pop a piece of bacon in his mouth before talking again, food flying everywhere. “You were humming me to sleep before your patrol!” 
“Mouth close Master Dick,” Alfried wiped the counter. He looked at Bruce with a raised eyebrow. “I wasn’t aware Master Bruce had to time to see the young master to bed.”
Bruce took only a second to understand. “Ah. No that wasn’t me. It seems our littler friend likes you chum.”
“Friend?”
“There are many things you must learn when living in the Wayne Manor Master Dick. Learning to find a little help now and again without one of us at present is also one of the number of things you will expecting while at your stay.”
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emilystheories · 1 year
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ACOTAR if the books were written from Tamlin's perspective
Exploring the nuance that the fandom often overlooks.
The ACOTAR series is told in first-person perspective. Although this allows us insight into the inner workings of certain character's minds, it also means that these accounts can be biased, or lacking nuance. To this day, Tamlin's perspective has not been shared, and I want to attempt to do that.
Please note that although the books were predominately told from Feyre's viewpoint, it doesn't mean that her thoughts and feelings are invalid. I am also not condoning Tamlin's actions (explaining ≠ excusing). These are fictional books; breaking them down and considering different angles is of great merit - even if you don't personally agree.
The story of Tamlin; how it all started.
Tamlin grew up in an extremely violent and abusive household - the extent of which largely remains unknown to the readers. We do know that his parents did not love each other, and that his father and two older brothers were canonically worse than Lucien's (and we know how bad they are).
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Tamlin's father was even friends with the King of Hybern and Amarantha; two of the most insidious individuals in Prythian. In fact, Tamlin's father would regularly drag him along to visit them. It was during these visits that Amarantha grew to desire Tamlin, presumably when he was still rather young.
Amarantha then continued to sexually harass Tamlin for centuries. As readers, we do not know exactly what Amarantha did to Tamlin during that time; he is yet to open up about it.
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An unlikely ruler.
Tamlin never wanted to rule the Spring Court. He stated that if he did, his brothers would have killed him "before he could reach adolescence." As a result, his only choice was to join the brutality of the army.
Instead, what Tamlin actually wanted was to become a travelling musician, spending his days playing the fiddle.
However, when Tamlin's entire family was (justifiably) murdered by Rhys and his father, he was forced into the role of High Lord of the Spring Court. Unlike Rhys, Tamlin had no friends or Inner Circle to help him, or to offer him support.
Although Tamlin rightfully shares the blame in what happened to Rhys's family, we still never received his version of events. Many have theorised that Tamlin was tortured by his brothers and father for the information about Rhys's family (as at this point, Tamlin and Rhys were best friends); I believe this to be likely.
Whatever the circumstances, one thing was now clear - Tamlin was entirely alone.
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A reign ravaged by Amarantha.
Despite the circumstances, Tamlin does his best to rule the Spring Court. Although he is still largely inexperienced, he is vigilant about not following in the footsteps of his abusive father and brothers.
However, his efforts are halted when Amarantha, the woman who has relentlessly sexually and romantically pursued him for years, curses his entire court, and turns his heart to stone. Tamlin is forced to watch all of his companions and court advisors either die, or suffer tremendously, as a result of the curse.
Despite this, Tamlin does what he can for his people - even those outside of his court; offering shelter and employment to countless refugees.
In fact, when one of Tamlin's civilians was killed by Amarantha, he carried the faerie in his arms and into the gardens. He then buried the faerie with his own hands; "a High Lord, digging a grave for a stranger."
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Meeting Feyre; the beginning of the end.
By chance or fate, Tamlin met Feyre Archeron. She was the first person he had ever loved in 500 years - the only one to make him feel "less alone."
Tamlin brought Feyre's family out of poverty and healed her father's leg. He rebuilt the art gallery for her. He was the first person to recognise the sacrifices she had made for her family. Most of all, Tamlin fell in love with Feyre in her human form - exactly as she was, with no mating bond to biologically pull her to him.
Prior to the events of Under the Mountain, Tamlin tells Feyre that he is "not her jailor." He tells her that she doesn't need a "keeper," as he kneels before her, and dedicates a song on his fiddle to her.
So, what changed?
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Under the Mountain.
Amarantha happened.
Tamlin was forced to witness the woman he loved be brutalised and tortured. Knowing Amarantha was in love with him, Tamlin is powerless to help Feyre; to make his feelings known, means instant death for her. It is why Tamlin gets on his knees and begs Rhys to keep Feyre's identity a secret.
However, Feyre is ultimately killed. She was only brought into this situation because of Tamlin; he is riddled with guilt and despair.
Yet, by some miracle, Feyre is resurrected. Tamlin now has the chance to protect Feyre, to save her, in all the ways he was unable to before.
However, he goes overboard. He becomes possessive and controlling. Despite promising Feyre that he was not her "jailor," he locks her in the manor. He shuts Feyre out. The trauma only festers - for both of them.
Tamlin's behaviour was abusive. Feyre had every right to leave, and she was far better off for it.
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Readers react (but, is it fair?)
It is for the above reason that Tamlin is one of the most hated ACOTAR characters. That hatred is justified.
But, where is that same hatred for all other SJM characters who behaved just as badly as Tamlin? Or, those who behaved even worse?
Rhys is still the character who:
Drugged Feyre and made her dance provocatively Under the Mountain (until she threw up). Rhys later admits he did this in part to make Tamlin jealous.
Twisted Feyre's broken arm to enforce consent.
Kept a 24/7 shield around her (the same sort of action Tamlin is criticised for...).
Refused to tell Feyre that her pregnancy would likely be fatal (despite their 'no secrets' promise); stripping her of the autonomy to make decisions over her own body.
Then, threatened to kill Nesta when she revealed this information.
And I hear you - "Rhys was just trying to protect Feyre!" Yet, wasn't that Tamlin's motive too?
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This double standard exists for most other SJM characters:
[TOG Spoilers] Rowan, one of the most powerful fae warriors to ever exist, punches Aelin, a 19 year old who is newly discovering her fae abilities, so hard in the face that she hits a wall and bleeds. He then tells her that she should have "died long ago". Tamlin never directly laid his hands on Feyre. Yet, Rowan does, and his behaviour is always excused (and even romanticised). What's more, is that his relationship with Aelin is one of the most highly regarded.
[TOG Spoilers] We then have Manon who committed literal mass genocide for centuries (and delighted in it), even killing her own sister in the process.
There's Azriel who has a twisted affinity for torturing people.
Nesta who was verbally and emotionally abusive towards Feyre throughout their childhood.
Don't get me wrong, I love all of these characters. They are nuanced, morally grey individuals; this complexity is what makes SJM books so great.
Yet, why does this same nuance rarely exist for Tamlin?
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Considering the events from Tamlin's perspective.
Readers criticise Tamlin for collaborating with Hybern to 'get Feyre back.' However, from Tamlin's perspective, Rhys was the person who willingly served Amarantha for the past 50 years. Tamlin also believed Rhys's facade that he was the insidious dictator of the infamously cruel Night Court. What's more, Tamlin is also aware of Rhys's mind control powers. So, when he receives a vague letter from Feyre (who as far as he knows, couldn't read and write), of course he is suspicious.
Tamlin truly believes that Rhys has kidnapped Feyre, and that she is in danger. In order to rescue her, Tamlin pretends to work with Hybern. He jeopardises the safety of his civilians, puts his entire court at risk - all to save the woman he loves.
If Rhys sacrificed the Night Court to save Feyre, we would deem it an act of true love. So, why do we condemn Tamlin?
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What's more, both readers and characters blame Tamlin for the King of Hybern's actions; that Elain and Nesta went into the Cauldron because of him.
However, as soon as Tamlin realised Hybern's true plans, he blew his cover in an attempt to stop the King. He was the ONLY character who lunged for Hybern in an attempt to save Elain (whilst everyone else stood there in shock).
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Shortly after, Tamlin realises that Feyre left him willingly. That she is with Rhys, and they are mates. Then, Lucien, Tamlin's only friend, leaves for the Night Court too.
To top it all off, in an act of revenge, Feyre orchestrates for the downfall of the Spring Court - an action that risks the lives of countless innocent civilians. As a result, Tamlin now has no one. No court.
Tamlin has nothing left.
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Tamlin's choice.
If we are all being honest with ourselves, most people in Tamlin's position would feel immense resentment. Many would resort to revenge, just as Feyre did. However, Tamlin never takes this path - he never gives in to the hatred and bitterness that could so easily consume him. He chooses otherwise.
Not only did he turn the tide in the war, saving Feyre and Elain's life;
Not only did he resurrect Rhys - the man who took so much from him;
But above all else, he wished for Feyre to "be happy."
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Yet, despite all of this, although most other characters got their happily ever after, Tamlin now roams around the decimated Spring Court. He stays in his beast form, as if he doesn't even feel worthy of being fae - of his humanity. Tamlin is depressed, and very alone. He has always been alone.
To me, his character can be summarised by this quote;
"I sat with my anger long enough, until he told me his real name was grief."
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Tamlin's redemption.
Some believe that Tamlin deserves no redemption. That instead, he is better off dead. However, I think that sends a rather grim message to the myriad of people who suffer in the same way that Tamlin does.
To those who externalise their pain, rather than internalise it. To those who were never shown love as a child, and therefore struggle to display it as an adult. To those who were hurt by the people they trusted most, so they hurt others in return. To those who still hold onto guilt over their past. To those who try to be a better person, but still feel like a failure deep down.
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That doesn't mean that Tamlin's past actions should be excused, or even forgiven, But, just like every other character, it does mean he should have the chance to heal.
In her most recent interview, SJM says it herself; that no character is doomed to be an "asshole" forever, and that any day you could choose to wake up and be a better person - to live a better life.
A fairytale ending.
Ultimately, ACOTAR was inspired by Beauty and the Beast, and Tamlin is the perfect personification of the Beast. Not just for his shapeshifting form, as we came to believe in the first book. But rather, just as the Beast in the fairytale was a man haunted by his past mistakes, so too is Tamlin.
Yet, as the tale goes, the Beast's once hardened exterior begins to melt away, and he is able to look towards the world with kindness. To love again. To love himself. When this happened, the enchanted rose came back to life.
I believe this foreshadows what will occur with Tamlin in future books. As he begins to heal, to find his place in the world, he will blossom.
And, so too will the Spring Court gardens around him - vibrant again, once more.
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mxtxfanatic · 10 months
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@zykamiliah Ok bear with me because I’m just writing off the top of my head.
I think I misspoke a little in the tags on your post: I don’t think Shen Yuan attributes all of his good deeds and skills to Shen Jiu throughout the novel; I think he attributes them to Shen Qingqiu the Character. Now, walk with me a little:
I like playing video games, especially those in which I can customize my own characters. Two such games are The Sims and Dragon Age. In The Sims, you can create your own character from scratch, meaning you are in charge of their looks, their personality, their backstory, their narrative, and life progression. You are in charge of everything if you so choose to be. Dragon Age, however, is not like that. You get to decide what your character looks like (to an extent), but you don’t get to create a backstory. You can decide romance but you are not in control of the story beats of those romances, just the choices you make in them. You can influence certain aspects of your character, but they will always go through certain events and always arrive at a predestined conclusion. How does this apply to Shen Yuan? Well, he’s just been stuffed into the character of a seemingly Dragon Age-type narrative.
Shen Yuan doesn’t get to decide Shen Qingqiu’s backstory. He doesn’t get to decide what his story designation is; he is automatically assigned the “scum villain” role. He doesn’t even get to decide Shen Qingqiu’s personality until he unlocks the ooc function. Shen Qingqiu is already a teacher, he is already a powerful cultivator with a renowned name, sword, skills, and he is already Luo Binghe’s abuser that will eventually throw him into the Endless Abyss, all story points that are unchangeable. And Shen Yuan is fully aware of this—uncomfortably so, in fact, with how the system exists to monitor his every move in order to keep him “on track.” It’s not unreasonable, therefore, for him to believe that this predestination applies to everything and everyone else, so much so that he believes that his small acts of kindness can only serve as pockets of reprieve for the “characters” before the predestined hardship arrives, nothing more.
But, as we find out, these “small acts of kindness” are narrative-changing—much stronger than the so-called predestination—and it is the formerly stated awareness and surveillance that leads Shen Yuan to be unable to see this, disregarding the tangable ways that his style of playing Shen Qingqiu has altered the narrative written by the author and upheld by the system. This applies to as early as Ning Yingying’s bolder personality and as late as Luo Binghe’s corruption by Xin Mo. It’s probably very significant that just how much the world of pidw had diverged from the original book is revealed to Shen Yuan only after Shen Qingqiu the Character self-destructs and Shen Yuan resurrects himself using the plant body. From that point on, he has to contend with how his actions have changed things, how Luo Binghe has been changed by him, enamored with him—not Shen Qingqiu the Character—and how, actually, the book he has transmigrated into doesn’t have a predestined ending because he has broken everything wide open.
And this isn’t to say that Shen Yuan doesn’t fully see himself as Shen Qingqiu, but it’s the difference between seeing himself as a part of Shen Qingqiu vs. seeing Shen Qingqiu as a part of himself. “Luo Binghe can’t love me because Shen Qingqiu is his scum villain.” “I can’t love Luo Binghe because Shen Qingqiu is his shizun.” “PIDW is destined to be a stallion novel, and Luo Binghe is guaranteed happiness with his harem.” These are the “predestined facts” that Shen Yuan has been shaping his pidw experience with, until they stop being facts and he has to actually look at the changes he has wrought and what he wants out of them, not what Shen Qingqiu would want or expect or react to. And I don’t think he ever fully divests himself of this mentality (we can still see him being casual about his skills even in the extras), but he is much freer in his actions and desires at the end of the story without the weight of Shen Qingqiu the Character dogging his expectations and even more so in the extras without the system acting as enforcer to his thoughts and behaviors.
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weaselandfriends · 6 months
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Web Fiction, Recently Read
Hello! I'm still early into writing the Pokémon story I discussed in a previous post. I've been writing and rewriting certain parts to better grasp some of the characters, so while I do have some completed chapters, I still consider the story in the planning phase. At the same time, I've recently read a few webfics, and thought I'd share some thoughts here.
1. Floornight by Nostalgebraist
Floornight is short but dense, and in terms of its plot, themes, and focus shares many similarities with Almost Nowhere, a later work by the same author that I read and discussed in a previous post.
This work is the Problem Sleuth to Almost Nowhere's Homestuck. At least, reading the two works back-to-back, that was the impression I struggled to shake. I would often encounter an idea in Floornight that I remembered being expanded on in much more detail in Almost Nowhere, and as such it became difficult for me to appreciate Floornight in its own right.
It's a comparison that reminds me of a quote from Roberto Bolaño's 2666:
Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
An unfair comparison? Certainly. Especially since longer works are not always commensurately ambitious, but instead simply bloated.
Almost Nowhere is ambitious, however, and pushes ideas touched on in Floornight to their limits, which makes reading Floornight afterward a less impressive experience than it otherwise might be. (Nostalgebraist's other work, The Northern Caves, is fundamentally dissimilar from both and thus not victim to the same comparisons.)
That's not to say I disliked Floornight. I was especially fond of the character Hermes Cept, who might be my favorite character in Nostalgebraist's canon. I love characters to whom the reader is introduced from the perspective of another character, giving the reader a certain first impression that is completely decimated when the character is given their own perspective later on. (A lot of Modern Cannibals hinges on this technique.) In Cept's case, what first appears to be an egotistical and incompetent celebrity scientist turns out to have significantly more depth and nuance than the first impression provides. Love it!
Nostalgebraist also shows off some serious writing chops during a certain battle scene near the story's climax. Another reader's longform review of Almost Nowhere comments that the story lets all its major events occur off screen, only to be known to the reader via the reactions of the characters, and to an extent Floornight is similar: Despite a Neon Genesis Evangelion-esque premise of soldiers fighting aliens, there are essentially zero scenes where soldiers fight aliens on screen. The climax changes that, though, and really makes me wonder why Nostalgebraist is so content to let things happen off screen, since he's so good at writing action when it happens.
I've now read all three of Nost's major published works, and there isn't a more exciting web fiction author today, at least that I know of. Can't wait to see where he goes next.
2. Worth the Candle by Alexander Wales
Floornight is a lean 70,000 words. Worth the Candle, an isekai LitRPG, is 1.6 million words.
I started reading this one years ago, but only made it to the second arc before giving up under the sheer immensity of it. The start was slow, and while it was improving steadily, I couldn't see myself wading through something of its size. Compared to Nostalgebraist, Wales' prose is more "serviceable" than exciting, so the value in reading is almost entirely from the plot, characters, and themes rather than the actual line-by-line reading experience. After finishing my own isekai story, Cleveland Quixotic, I decided to take a second stab at it.
Upon the reread, I was more amenable to a story that is simply a fun fantasy romp, and WtC has a strong sense of forward progression despite its length, which avoids the trap most long stories fall into of spinning their wheels without accomplishing anything.
As I got further into it, however, a strong metafictional element increasingly came into play. The conceit of the story is that the protagonist, a tabletop RPG fanatic in his previous life on Earth, has been put into a world eerily similar to the ones he created as a dungeon master. His actions seem to be guided or obstructed by a mysterious, unseen dungeon master with godlike powers, and the story often becomes more about trying to understand and play to the narrative that the dungeon master wants rather than simply brute forcing through challenges one after another.
At the same time, the protagonist's dead friend from Earth seems to have been transported to the world much earlier. Their narrative was Campbellian in nature, Hero's Journey incarnate, while the protagonist's is much more postmodern and subversive. This leads to some fascinating meditations on the develop of narrative over history; one of my favorite scenes is when a story-obsessed villain believes they can kill the protagonist despite his Chosen One status because it's a postmodern story and the protagonist dying unceremoniously wouldn't be out of place.
My absolute favorite part, however, is the climax. Without spoiling too much, it involves a long delve into a seemingly endless dungeon, where characters and abilities fall away one-by-one until what is left is only a bare, emotional finale. I love climaxes that involve some kind of literal and emotional ascent; I did something similar in Modern Cannibals and Cleveland Quixotic.
In general, it's difficult to finish something so long in such a satisfactory way, which only makes the ending more impressive. I was worried this story would Muv-Luv me. A year ago, I read the famous visual novel Muv-Luv, a sprawling work that begins as a comedy slice of life and ends as a futuristic science fiction war epic. My problem with Muv-Luv wasn't that it was bad; it even had many elements I adored. But its ending, while not terrible, was merely okay, and I ultimately felt like what I got wasn't worth the time investment I put into it. Worth the Candle's ending avoided that entirely, so I can wholeheartedly recommend it despite its length.
3. Cowboy Grak 5: Yet Another Fistful of Obols by Remy (gazemaize)
Lastly, this one is a fanfic of Worth the Candle, posted coincidentally one day after I finished reading. It's by Remy, the author of Chili and the Chocolate Factory: Fudge Revelation, one of the funniest stories I've ever read. With this fanfic of a webfic, Remy cements themselves as the comedy master of the webfic sphere. I can only hope they start posting stories with more regularity...
I can't say too much about this story without spoiling almost all of Worth the Candle, so I'll keep this brief. If you've already read WtC, then you should read this 100%.
Web fiction is exciting. People are able to write all kinds of insane stuff that would never survive the streamlined mainstream publishing industry of today. I hope to read some more unique webfics and see people continually push the boundaries of what can be done with a story. (Hopefully they're not all 1.6 million words though...)
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kylie-writes-stuff · 1 year
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heyyy was wondering if you did hcs and if you did could I request dating charlie kelly ones?? i cannot stop thinking thoughts
dating charlie kelly hcs!!
a/n: AHHH i love this i have so so many thoughts!! these are like my personal hcs but i still hope these make sense and i have a good grasp on his character. i think i do after watching 15 seasons multiple times but idk. let me know! thank you and i hope you enjoy it!! <33
not my gif!
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charlie absolutely adores you!! he looks at you and just has absolute heart eyes
he’s also very obsessive (to a certain extent, not like with the waitress (unless you’re into that))
when you first met, god, he was so awkward. he thought he was constantly making a fool of himself but you found him very endearing :)
sometimes still can’t believe that you’re actually together
he LOVES stealing getting you gifts whenever he can
he hangs onto every word you say so he knows your interests very well. when he sees anything related to them, wether it be a shirt, a keychain, action figures, or even just little trinkets he think you’d like, he just has to get it for you
you get little gifts for him too and he loves them. cherishes each and every one
charlie’s doesn’t really like being touched but you’re definitely an exception
especially after coming home from a long day of doing charlie work at the bar. all he wants is for you to hold him and run your fingers through his hair while some random show plays on the TV
he’s the only one who ever actually does work at Paddy’s, but if you work with the gang he 100% procrastinates just so he can spend time talking to you at the bar
always trying to get you on board with whatever latest scheme him, or the gang, has because he just always wants to spend time with you. doesn’t matter what you guys are doing
dennis often flirts with you, mainly just to get on charlie’s nerves, and you always turn him down. charlie trusts you more than he’s ever trusted anyone (besides maybe Mac), but he can’t help but still feel possessive
not a big fan of PDA but will always wrap an arm around your waist or shoulder as his little way of saying “hey back off, they’re mine”
will also brush against your arm and leave just little touches throughout the day, especially when no one else is around
not that he doesn’t like showing affection in front of others!! he’s not like embarrassed or anything. in fact, he loves showing you off
he would just rather save all the cuddly stuff for when you guys are alone, away from the worries of the world
i feel like one of his main love languages is definitely acts of service.
oh you’re afraid of spiders? he’s immediately squashing them with his shoe the second he sees one in your apartment
will try to make you dinner. it usually goes fine but if he ends up burning it then, hey, it’s the thought that counts. you’re still super appreciative and give him a hug and kiss, before ordering take out for the two of you
anything he can do for you, he will do for you. even if it’s something as simple as getting you a beer from the fridge after a long day
if you’re always sleepy in the morning, he knows that about you. when you tiredly get out of bed, forced to start your day, he’ll wrap an arm around your waist and pull you back into bed. he’ll mumble something about a few more minutes and the two of you just stay in bed for a while, content in each other’s arms.
he loves to just observe you. like if you’re running around the bar, serving drinks, he’ll just watch and admire you.
the two of you absolutely adore each other. the gang teases you often but you guys don’t care. and the gang will never flat out admit it, but they’re happy for the both of you :)
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little extra i think about often:
charlie has a soft spot for cats. if you happen to be a cat person too? you two are definitely going to the shelter and adopting one together
you’re content spending the majority of your time at home with just charlie and your cat. and so is he
he loves the gang, of course, but you’re his sanctuary. his safe place amongst all the chaos in his life.
spending time together on the couch, eating snacks and watching movies, with your cat cuddled up on your lap, is the perfect night to both of you <33
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picturejasper20 · 7 months
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I want to talk about Vlad Masters characterization in the game "Nickelodeon All Star Brawl 2" story mode.
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So, Vlad is the main antagonist of this game, or at least that's what the game makes you want to think at the start until the weird time loops start happening and Plasmius keeps repeating things like "Mind controlling everyone is the way to save everyone" and "Don't you understand?!", which comes off as weird to the hero character.
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The last time you beat him, Clockwork transports him into the same void "safe space" other characters are in. You can go and ask Vlad what he was talking about and he will answer how there is a bigger enemy at moment: Clockwork.
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It is later revealed that Clockwork got infected by Vlad's mind control device, which in reality doesn't work as it should and makes people acts volatile and agressive instead. The "evil" Clockwork has been sending the hero protagonist to stop Plasmius from fixing his mind control machine and make the universe destroy on purpose again and again. Vlas has been trapped in these time loops like that player has been and he remembers what happened each time, forced to see the same event repeat all over again
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Meaning that all this time the hero protagonist has been the "bad guy" while Vlad was trying to fix the mind control machine to prevent the universe from getting destroyed. Vlad even mentions this near the end of the game, calling himself "the hero of the story"
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Of course, that's incorrect because Vlad was trying to freaking brainwash everyone. But it is interesting is how he is potrayed as sympathetic to some extent as he was trying to do the "right thing". He talks to the hero protagonist about how Clockwork isn't himself and he shouldn't be trusted.
This characterization reminds quite a lot from the one that he has in "A Glitch in Time" graphic novel. In the novel he helps Danny with searching for the source of ghost power and defeating Dan. He realizes the wrong of his selfish past actions and starts a path to redemption near the end of the story.
Considering that Nickelodeon All-Star Brawl 2 involves time travel and time loops like A Glitch in Time, it wouldn't be out of place to say that Vlad's characterization in the game is intentional, probably being written with the goal to be close to his character version in A Glitch In Time.
While Vlad doesn't exactly regret his actions at the end of the game, the idea of him not being as evil as he looks/ having standars is still there. There has been certain change of how his character gets potrayed lately. To someone more sympathetic, less emphasis on "evil" and more "he doesn't understand what he is himself getting into" vibes.
It also suprised me how he was chosen to be one of the main antagonists for this game and one of the characters that has the most lines in the story mode. It makes you wonder why they didn't make a Danny Phantom game instead since all the plot revolves around Danny Phantom characters.
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On smaller observation, despite Vlad's motivations being "taking control over the universe" there are some lines of dialogue that hint as his own loneliness such as saying the game player that "they would make a good sidekick" and regreting "not having an audience" to see how he activates the mind control machine. In part it is understandable this doesn't get expanded upon since there are likely people who play the game that don't know about Danny Phantom.
I don't know who was behind writing the dialogue from this game but one thing i can say is that they seem to get Vlad's character in a good part, specially how he doesn't seem himself as a villain in certain moments.
All this emphasis in Vlad from AGIT graphic novel and the Nick fighting game makes wonder if he is going to have some important role in possible future stories from the series. It seems to me that it is trying to build up to something to be more than just pure coincidence. If he does gain more protagonism on long run, i hope they continue with this potrayal of his character because i find it pretty interesting.
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