#theres a theme going on here....

[sketchy-galaxy]

Las creaturas that spark gender

[ind1c0lite]

(while our shadows keep watching us)

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[nerd-al-lado]

oh how I love Outer Wilds

[good-beans]

Prisoner @gunsli-01, here and ready for Trial 1!

Crimes: Drawing in unsuspecting victims with elaborate analyses and meta, and then slamming them with Es and Kazui emotions, T1 guilties angst, and Kotoko’s attacks!! Also, putting a round of ocs through brand new milgram horrors at @milgrammaintenance (Think of the children!) So, wardens, what will it be?

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[gothamverse]

did someone say she/her yeehaw joker? no? okay well you still have to look at her

[dudethatsmyundeaduncle]

DP X DC AU the Batkids recognize Danny because they've seen his TV Show!

.....

Discuss.

(I just think it is an untapped vein of humor and shenanigans, if not Truman's world style moral drama, to have the Batkids not only immediately recognize and know Danny but are able to sing his fuckin theme song at him. 😭 😭😭)

[puppyeared]

isnt it great when u take your adhd meds and instead of using that brainpower for stuff like ASSIGNMENTS. AND PROJECTS. your brain decides the next 6 hours will be brainstorming ponysona names and making oc playlists

[extended-play]

i think this drawing took years off of my life actually

[zeyan]

local WoL still doesn't get it

[sparring-spirals]

i just love it when characters Say Things. u kno. just a real sucker for characters. Saying Shit.

Imogen saying "She's not any person. She was special. She was chosen." (Chosen, once, twice, thrice, for an early end). Ashton saying "Do I look like a person who doesn't know that?" (That things often have unsatisfying ends). F.C.G saying: "It seems kind of hard." (being alive, finding purpose). Orym saying "It always mattered." (F.C.G's life, what they chose to do with it, them). Ashton saying "I have had a lifetime, of bad hits." (Hits, and falls, and losses, that I am weathering. But I am telling you where I am drawing my lines, here and now.) Imogen saying "Laudna, you're safe!" (we chased off the shadows, you're not alone, you're safe, we're here).

F.C.G saying: "Well, I have to live."

Ashton saying: "Unfortunate, but true."

im just. such a fan of characters saying things, all the time, about all kinds of things, with all kinds of meanings. God i just. love it. when characters say shit. u feel me.

[daily-hanamura]

[starrysharks]

zeno's ultimate pokemiku tierlist ⁉️(it's all his opinion and he loves them all regardless⁉️)

[rearranging-deck-chairs]

yaz voice: i keep thinking,,, i keep thinking abt the.....future affecting the past of it all. the "if he runs out of time the hostile action would end and a time machine would know", "im fine because you fixed yourself", and "because it's not a grave"

like if it were me. if it were me. i still would have gone with the villa diodati conundrum. "save the poet, save the universe" what do we do when the poet IS the universe. "watch people burn now or tomorrow" like the distinction exists? like tomorrow isnt yesterday?

so we make them face the child. the doctor loses this one, right? too beholden to their rules. lost with shelley, will lose with the child. because there is no way to win it. not with the rules of the universe theyve clung to up to this point. not without play

so theres a child that needs to be saved but the doctor cant do it because it will take the foundation out from under the universe. she Can Not interfere. she fails to be the doctor when it comes to herself. but yaz is there. doctor's doctor. wont accept this. saves the child

the universe crumbles, but this or tecteun's revenge the outcome is similar except. the universe that crumbles if you save the child is the timelords' universe, their imposed histories, their laws, their logic. nothing makes sense anymore. it's terrifying. gotta let go gotta let go gotta let go. you HAVE to play. play or perish. please it's not that serious. it's just identity! funniest game there is. listen to the master; tag, youre it

[jce93]

thry have the perfect sun/moon dynamic but u guys arent ready to hear that js yet 🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫