#these kind of worldbuilding things are always so interesting!

[elbiotipo]

Some scattered thoughts about worldbuilding in Genshin Impact

Mondstadt is tiny compared to all the other* regions of Teyvat, though the city itself is big. However, what's really interesting to me is how close it is to Liyue, which is huge. I joke with my friend that one of the best and funniest things about Genshin is when you first start and after a while the game tells you "you wanna go to China bro? It's just south by that road" and you go and you're indeed in Liyue, no problem, it's so easy.

However, in realistic terms this makes me curious about how a small nation like Mondstadt next to Liyue would develop in realistic terms. The contrast between European-inspired Mondstadt and Chinese-inspired Liyue is striking... however, the thing is, they're just a road trip away, and not even a big road like the Silk Road, they're just next to each other. There are no major geographical barriers like with the other nations of Teyvat. And people like Xiangling do cross the border like nothing all the time, so it means there must be lots of contact between them. There also seem not to be any linguistic differences or barriers, but every RPG ignores that so I'll do it too.

What I mean is that Mondstadt should probably have a LOT more influence from Liyue than what we see in-game. This is especially interesting given that historically China (and Liyue is obviously a stand-in for China) has influenced the nations and cultures around it and they have influenced it too. I would imagine this would be the same for Mondstadt.

So it would be fun to imagine Mondstadt to have some more influences from Liyue. You kind of see this in game sometimes, but it might be more obvious in the architecture, in the dress, maybe more subtle things like spirituality or the organization of the knights of Favonius. Not a complete copy of Liyue, of course, but its own unique thing with lots of influence from it adapted to its geography, environment and people. And also, given that it's the "City of Freedom", it always sounded like the real-life city states of Italy or more like Germany to it. It also fits, since it seems to be a major city-state strong on its own (though unlike Liyue, you don't see a big port, and historically that's how big trading cities were born... however, well, there's teleporting in Genshin, so we should ignore that), something like Venice, in fact, a city in the middle of a lake screams Venice. Interesting to think about the Venetian Republic or the Hanseatic League right next to China. How would that develop?

*of course I know the real-world answer: Mondstadt is intended to be the "starter town" and it was probably the first to be developed, and as the developers got more confident they added bigger and bigger regions until we got the bloated, I mean beautiful, mess Teyvat is today.

[maniculum]

A post of mine from several months ago about the Perlesvaus self-rearranging forest just wandered across my dash again and made me think about it some more, so I wanted to talk about it a bit.

Perlesvaus, for those who don’t know, is a 13th-century French Arthurian romance. It’s intended to be a continuation of Chretien de Troyes’s Perceval, but it’s mostly known for being completely batshit when it’s known at all. (There’s an old book on Arthurian texts that dedicates a chapter to Perlesvaus and repeatedly speculates that the anonymous author had Something Wrong With Him. This is the longest scholarly treatment of Perlesvaus I’ve been able to find & read.)

Anyway, there’s an odd worldbuilding detail in the text. See, it’s a Thing in chivalric romances that the questing knights happen upon castles & lords & damsels & such that are unfamiliar to them and have to be explained. You know, “this is the Castle of Such-and-Such, where the local custom is as follows. It’s ruled by Lady So-and-So, whose character I shall now describe to you.”

This is a genre convention that largely goes unquestioned, but it’s a bit odd if you think about it. All these knights are at least minor nobility. They don’t know the other nobles in their region? They don’t know what castles are where? Don’t they have, like, diplomatic relations with these people or at least attend the same tournaments? Even if they’re all fully committed to the knight-errant lifestyle and don’t really engage in courtly diplomacy, you’d think they would share information with each other and get the lay of the land. But instead, to use TTRPG terminology, it’s like they’re all on a hexcrawl that was randomly generated just for them to have these adventures.

The author of Perlesvaus decides to address this. In what’s kind of a throwaway paragraph late in the text, he explains that God moves things around so knights always have new quests to do (and, presumably, is also making sure they always arrive at the right narratively-significant moment). So the reason they’re always encountering people & places they have no knowledge of is because those people & places really weren’t there yesterday. They didn’t know about the Castle of Such-and-Such because it’s normally a thousand miles away and the forest path they followed to get there used to lead somewhere else.

And I think that would be a really interesting thing to stick into a novel or a TTRPG or something. When a knight rides into the forest with the intent of Going On A Quest, at some point they go around a bend in the path, cross an invisible barrier, and wind up in the Forest of Narrative. This is a vast forest with no set geography, filled with winding paths and populated almost entirely with questing knights, damsels in search of questing knights, friendly hermits, strange creatures, and allegorical set-pieces. Then, at the narratively-appropriate time, they cross back over the invisible barrier back into the regular world, and find themselves wherever the Narrative has decided they need to be. This could be a different country, a different continent, or a different world entirely.

Whether anyone involved is actually aware that this is how it works is… optional, really. Though if it’s not a Known Phenomenon, the people whose jobs it is to handle trade & diplomacy & god forbid, maps, are going to end up tearing their hair out in frustration.

[01zfan]

hii could u write about eunseok and reader secretly dating in college ; like hes the cool boy who’s always helping us and when we do a joke he says its not funny just to see the reader smile ! and the reader is literally the sweetest girl + shes funny BUT one day reader go to college with a hickey from eunseok and their friend group (who doesn’t know about them dating) make suppositions about who she’s fucking behind her back (not in a mean way ofc !!!) and eunseok just happened to be with them at this moment ! soo he could get jealous and hint that she’s dating him etcetc till reader join her friends and sits right next to eunseok or wtvvv you can make wtv you want for the endung haha

hi anon! i hope you like what i did with your request, thanks for sending one in heh

hot girl semester | s. es

secret!bf!eunseok x reader | 2.6k words

mainly fluff and a little suggestive. basically the reader is supposed to be in her hot girl era but that is impossible when she’s immediately locked down by eunseok (she’s just like me). not proofread.

contains: making out. a lil bit of jealousy. random idols mentioned for worldbuilding

eunseok met you through a mutual friend. he had you in introduction to psychology but could never bring himself to say a word to you. you on the other hand, said hello to eunseok every time you passed by him on campus. whether it was in the quad or in a testing hall, whether you were alone or with your friends you never hesitated to wave your hand at him and say “hi eunseok!”. your chipper voice and cute smile had become engrained in his head. eunseok just couldn’t figure out why you wanted to say hello to him so badly. 

he was eating with his friends at the dining hall when he saw you before you saw him. you were browsing the different food they had available for the day.

“that’s the girl i was talking about earlier.” eunseok points to you. the whole table turned their head in unison.

“don’t all look at once!” eunseok wastes his breath, because they all stay staring at you across the dining hall.

“oh, that’s who you were talking about?” sohee finished his food a long time ago. he pauses whatever he’s watching on his phone to look at you. 

slowly, everyone at the table figures out it’s you who eunseok is talking about.

“she’s like the sweetest person ever.” sungchan says in between a bite of food.

“she’s always like…hi shotaro.” shotaro says copying the infliction in your voice.

sungchan laughs and points at shotaro. 

“that’s exactly what she sounds like. she’s adorable.” seunghan says.

“me and her are pretty close.” anton looks up from his assignment just for a moment to add to the conversation.

everyone else at the table was indifferent to what anton said. eunseok found himself taking an interest, turning to anton.

“how so?” eunseok tried not to pry. one thing his friends were good at was giving him a hard time.

“well we were in the same orientation group and we just stayed in contact. she’s probably the sweetest person i’ve ever met. she’s really smart too.” anton said casually.

“outta your league.” sohee says, not looking up from his phone.

“womp womp.” seunghan gave eunseok a thumbs down.

“i can’t ask questions?” eunseok said.

“she’s coming over here.” sungchan’s teasing voice was about five octaves higher than his normal one.

when you made eye contact with eunseok, sungchan elbowed him playfully. you came towards his table with a group of your own, girls eunseok did not recognize.

“hey guys!” you waved at everyone at the table individually. eunseok watched as all his friends smiled and waved back at you. your kindness had that effect of people. eunseok tries to recall seeing wonbin smile as big as he did when you playfully pulled at his beanie.

“you know it’s summer right?” everyone at the table laughed. eunseok felt himself holding back a smile.

eunseok watched as you intermingled friend groups. you introduced your girls to his friends, some of them already knowing eachother.

“now we are all acquainted, can we sit here?” giselle, one of your friends asked.

“yeah the dining hall is packed and you guys are taking up alot of the seating.” you said.

everyone at the table looked towards eunseok. eunseok was too busy looking at you looking at him to notice all eyes on him.

“eunseok is thinking.” shotaro laughed looking up at you from the table.

“of course you can sit here.” eunseok started moving everyones things to the side “move over guys.”

“wahh.” sungchan moved to the other side of the table to sit next to wonbin.

“our cool guy eunseok.” anton smiled. anton didn’t move, giving you space to squeeze in next to eunseok. 

your friends quickly chose seats. giselle and winter sat inbetween to shotaro and sungchan, bahiyyih sat next to anton, and sullyoon went by seunghan.

you squeezed in by anton, sitting next to eunseok. everyone went into chatting amongst themselves, many of them sharing the same classes. you watched bahiyyih and anton talk about their sociology class, helping eachother sign into the classes groupchat for study groups. you and eunseok were the only ones completely silent at the table.

“hey eunseok.” you couldn’t stop smiling. eunseok’s ear started becoming red. were you teasing him? he didn’t know anything except for the fact that he was smiling hard for no reason.

you and eunseok eventually started a conversation, but eunseok couldn’t wipe the smile from his face. he couldn’t wipe it away when you touched his arm, or when you snuck him your number underneath the table. you and your girls left eventually to get to class, while the boys stayed a little longer. eunseok had to remain neutral, trying to not bring any attention to himself. he kept your number safely in his pocket until he made it back to his dorm room.

eunseok texted you first. he was the one who took the leap to ask you to come over and hang out while shotaro was gone. of course, you knew what this hangout was going to be. within ten minutes of walking through the door, eunseok’s lips were on yours. before you knew it, you were waking up the next morning in eunseok’s bed. he had his arm wrapped around you and pulled you in close. you unwrapped his arm from yours, successfully not waking him up. you left just in time, turning the corner to see shotaro knock on the door before going in. you cursed yourself for leaving behind your bra. you made the trek back to your apartment, thinking about the night before.

giselle eyed you when you came through the door of your shared apartment. 

“i thought you’d be at class by now?” you said. you didn’t look too disheveled, but still it was obvious you had a night of fun.

“i don’t have class on tuesdays.” giselle laughed. she was sitting on the couch and pointed at your shared calendar “did someone fuck your memory away?”

“giselle!” you grumble.

“i’m not the one to judge. hot girl semester, right?” giselle said looking at you from the couch. 

“right.”

you forgot about the goal you and giselle set for this semester. focusing on school, not making time for men besides the occasional booty call. 

“no catching feelings.” giselle pointed at you mockingly. 

“it was a one time thing, giselle.” 

you went into your room and shut the door. you made a promise to yourself to not see eunseok again. this lasted only a few minutes after eunseok texted you saying how badly he wants to see you again. and that you left your bra, that shotaro almost found. it’s no surprise you were at his house the next night. and the night after that. anytime shotaro would be gone you were there. giselle never questioned it, but you believed she was bringing people over as well.

casual hookup turned to dates, and friends turned into dating. you had your reservations though, dating someone so close to the school year starting. so eunseok also ended up being the one to make the compromise.

“we don’t have to tell anyone we are seeing eachother.” eunseok had his hands in yours, gripping them tight.

“i’m not ashamed of us. i want you to know that.” you said, rubbing his hand. 

“i know. i get it.” eunseok hated the secrecy. he understood the privacy, but secrecy was too much.

“lets just keep this between us, for now.” you patted his head, making eunseok smile.

that was three months ago.

eunseok now sat next to you on the couch, breath hot on your neck. your book was long forgotten, the notes you were taking on it probably being wrinkled underneath your bodies. his laptop with his twelve paged paper (that was due tonight) sat open on the coffee table in front of him. all that mattered was trying to pull little whimpers from you, and to get as close to you as possible.

eunseok sat on the couch and pulled you to straddle his lap. you let out a little sound, probably surprised by how fast he grabbed you. 

eunseok wasted no time bringing you closer with one hand on your ass and his other pressing on the small of your back. you kissed him like you were in a rush or distracted.

“we have all day baby.” eunseok pulling away from you. you brushed hair away from his face, looking him in the eyes. eunseok smiled when you brought him in for a slow kiss.

it was yearning kiss. not only did sneaking around take a toll on you, but the course load was tiring as well. you often found yourself sleeping on eunseok’s couch sitting up, him moving you to the bed. you were losing time, always thinking about how badly you wanted to be with him.

eunseok must have felt the same, because he never let you out of his hands when he got a hold of you. at parties he would always stick close to you, keeping an eye on you at all times. he respected that you wanted to be with your girls, and that no one knew you were dating, so he kept to his group. he would be lying if he said he wasn’t watching you the whole night. 

you were both interrupted by a phone call. instantly your eyes shot wide open and eunseok almost laughed at the cartoonish expression you had. you reached for your phone on the coffee table behind you and eunseok kept his hands on you to give you balance.

you grabbed your phone and looked at eunseok in panic. you showed him the caller ID before answering it.

“hey giselle! what’s up?”

eunseok looked at you as you gave giselle all of your attention. you mindlessly grabbed on one of eunseok’s hands, tracing patterns on his hand.

“i completely forgot about the study group with everyone. i’m at the library right now, so i’m pretty close.”

giselle says something eunseok can’t hear, but he sees your eyes get wide.

“i don’t know where eunseok is, you’d have to call and ask him.” you try so hard to not sound suspicious, but a nervous twinge to your voice makes it go up an octave.

almost immediately, eunseok feels his phone ringing in his back pocket. he moves forward, still holding you in place to grab his phone. eunseok giggles before showing you the caller ID.

eunseok declines the call and puts the phone back in his pocket. eunseok goes back to kissing any part of your body he can get to, light and feathery.

“he declined? maybe he’s busy i’m not sure. but i’m coming. i’ll be there in like fifteen minutes.”

eunseok’s lips find his favorite part of your neck. he starts sucking lightly, careful not to leave a mark.

“giselle, no i’m alone right now.”

“no i’m not with jake!���

eunseok considered himself to be very level headed. he approached everything with an attitude that helped him shed negative emotions. but he couldn’t stop that jealousy from bubbling in his chest at the mentioning of jake, someone who had been doting on you since the start of the semester. so eunseok started to suck a little harder than usual. a hand also creeped its way up your shirt, squeezing your breast.

“i’m serious! okay bye i’ll see you soon.”

you hang up the phone and lean into eunseok’s lips. his hand grips you a little tighter.

“eunseok i have to go.” you say without moving. eunseok murmurs “mhm” into your skin.

you snap out of your reverie when eunseok lightly bites your neck. you break apart from him quickly and look down at eunseok. his hair is pushed back, his lips slightly parted in a pout.

“did you leave a mark?” you say bewildered. eunseok wordlessly nods his head.

“eunseok! all of my makeup is at my apartment across campus.” you punch him in the shoulder lightly, but he dramatically rubs his arm for effect.

“wanna leave one on me too?” eunseok bent his neck. you were tempted, but you were the one who wanted to have study group, you had to go.

you gathered all your stuff, putting your things in a backpack. you quickly walk over to his door. eunseok follows behind you, pulling at your clothes a little. before you open the door you turn around to face him. 

“show up ten minutes before me. say you were sleeping.” 

you take a detour before going to the study group. you make it to the bathroom to inspect your hickey. it’s unsalvageable. you take out a sweatshirt, from you bag. too warm for the weather. you pull it up all the way, covering up a majority of your hickey. you realize looking in the mirror you have eunseoks’ sweater on.

eunseok beats you to the study room. he walks in to see his friend group have a heated discussion. they are not talking about work, instead they have bahiyyih and sullyoon on each side of the whiteboard. on the board there’s “WHO IS SHE FUCKING?” im big bold letters. the entire room is laughing writing random names of every man you have interacted with this semester. eunseok sees jake, sunghoon, mark, jaehyun. with each name eunseok feels himself get more and more jealous. he remembers seeing some of these men approach you at parties, trying to get you to go home with them. eunseok had no reason to be jealous, each time you went home with him. sometimes you would even slip in declarations of your devotion to him while you were together.

but when eunseok sat down at the table, there was a silence that settled in the room. 

eunseok pointed at the name that pissed him off the most. sunghoon was the one you spent the most time with, especially because you two were in the same group for a project.

“he’s not really her type.” eunseok says simply.

“oh here he goes.” sungchan laughs.

“what’s her type then eunseok?” shotaro looks to giselle. giselle looks at shotaro.

when you enter the private study group room, instantly everyone is digging into you. you try not to look at eunseok, even though he’s staring at you intensely.

“what the hell is that on your neck?” sungchan points at the blooming bruise peeking underneath your collar.

“i thought you were in the library, you little minx.” giselle elbows shotaro next to her. you see those two are sitting pretty close together. 

“she was not reading books.” anton emphases the not causing the table to laugh.

“y’all need to mind your business.” you can’t stop smiling though. you know the teasing is lighthearted and comes from a good place. knowing that they don’t know it’s eunseok who left those marks made you want to laugh as well.

“we are trying to figure out who you’re fucking and you’re laughing?” wonbin looks over to you from the other side of the table. 

“i thought we came here to study?” you say pulling out your books.

eventually, you see sullyoon write an “e” everyone in the room goes dead silent. shotaro rips through the silence with a loud laugh. now your face is really hot, looking at eunseok’s name slowly be spelled out by sullyoon. 

you stare at eunseok’s name being written on the whiteboard. 

“if you guys bring that type of energy into exams you will ace them.” you smile looking to eunseok.

the study room erupts into cheers and laughs. you hear several “i knew it’s” and “i told you’s” as you take out your books and papers.

“now that’s out of the way can we study now?”

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[amerricanartwork]

RW Headcanon: Know the Difference! | An Overview of Quetzalli's Slugcats

Here’s a headcanon I’ve wanted to elaborate on for a while, and today I finally felt compelled to make it real! Also, just a disclaimer I am not a huge biology nerd nor have I studied it that heavily, so I apologize if something here doesn’t make sense or if I get something wrong. I just like fantasy worldbuilding from time to time, and I always like trying to make sense of things I’m interested in!

-.-.-.-.-.-.-.-.-

Basically, I’m in the crowd that interprets slugcats as mustelids rather than literal slugs. When I say this, however I don’t mean that slugcats would necessarily be classified in the actual mustelidae family, seeing as Rain World’s world is most-likely not Earth and therefore our taxonomic classifications and phylogenetic relations can’t necessarily apply. Thus, when I call them “mustelids”, I really just mean that I imagine them as some kind of weasel with all the necessary physical traits to earn that general label. 

The first half of the name “slugcat”, in my headcanon, is thus not referring to any literal connection to slugs or other mollusks, but is instead derived simply from their appearance. Due to their long ears and thick tail, and because their fur and fat often squishes together in such a way that it makes their features blend together and their bodies appear more smooth (it’s the same physics as that whole “cats are liquid” idea), the general silhouette of a slugcat can easily be likened to that of a literal slug. The second half of their name is also not literal, and instead refers to their jumping and acrobatic abilities and their skill in hunting and pouncing on small prey, which is very similar to that of small cats.

Species Overview

Now to give a little more detail on slugcats themselves as a species! I headcanon them as small to medium-sized mammals most similar to Earth weasels in both their biology and their ecological niche, who originally served as cute low-maintenance pets for the Ancients and as hunters of small pests in facilities on the ground. They���re clever by nature and good at fitting through tight spaces, and later on they evolved greater jumping abilities to pounce on prey. They’re also very social creatures, who’ve taken to forming medium to large colonies primarily in and around the massive trees that thrive between the cracks in iterators’ rainstorm areas (like the one Gourmand, Survivor, and Monk’s colony lives in). Due to this social nature they also generally travel in groups of at least two, both for company and protection against tougher animals. Travel partners are usually siblings or good friends, and sometimes even whole families will journey out together to find food and other resources for the rest of the colony.

Despite being a small prey animal, slugcats have managed to get by not only due to their intelligence — the evolution of which would be seen as a rather unexpected twist of events if you asked their creators, for the Ancients found them cute but rather simple — but because of their impressive adaptability. It’s similar to that of real life red foxes and pigeons, and it allows them to survive decently well even in less ideal environments; a trait especially necessary for a world as industrialized as this one, even if its people are gone and most of the machinery is inactive. As such not all colonies live in trees; some find homes in the abandoned facilities, large underground hollows, and a few bold colonies have even claimed territories high up in iterator cities alongside scavengers. Slugcats are opportunists and masters at making the best of their surroundings, yet even beyond that they carry a certain other, “special” ability of their own that makes them as diverse as they are clever. But that’s a headcanon for another day…

Reasoning

Now for some out-of-universe explanation for this classification choice. I’ve always seen slugcats as some kind of small scurrying mammal (kind of a bias on my part, I just like mammals honestly, and they’re most familiar to me), mainly due to the way they look and move when on all fours, and their place in the game’s food chain. Originally though I saw them as rodents and compared them to mice and rats, which I still sometimes use for anatomy reference for these creatures. But one day a friend of mine saw me drawing slugcats and thought they were weird ferrets, and the more I thought about it and the more I developed personal speculative biology headcanons for slugcats, the more that label seemed the most fitting for them. It was also solidified when I did a bit more research and realized the main characteristic of rodents is their buck teeth, which just didn’t seem to fit with how I perceived slugcats. Not to mention rodents aren’t really predator animals, and slugcats’ implied natural diet and the gameplay itself does strongly imply if not confirm they have some instinctive hunting ability. 

Thus, it seemed “weasel” was the best classification for these creatures, and I quite like it so far! Once again it satisfies my mammal preference, but I also just think it’s a fun idea that neither part of the “slugcat” name is literal, similar to a lot of real-life creatures named after completely different animals, including fellow weasel, the polecat. Plus, I realized recently it’s kind of ironic with how I perceive the messenger slugcats, Hunter and Spearmaster, as being like hunting or guard dogs for their creators, when weasels are exactly the kind of animal humans with their dogs would normally hunt for! It’s cute, it’s familiar, it’s fun, yet I think it still has just as much potential for some interesting speculative biology ideas as the literal slug slugcat interpretations!

-.-.-.-.-.-.-.-.-

I'm so glad to finally get this out! I like seeing specbio slugcat headcanons in the RW fandom, yet I haven't seen many more in-depth takes from artists who don't take the "slugcats are literal slugs/mollusks/primarily mollusk-based" angle. Not that that's a bad headcanon of course; do what you think feels right! But once again I personally prefer slugcats being mammals, and I always look for fan-content that's as close to my personal preferences as possible. And when I can't find enough of it, I make it myself!

So hopefully this serves as a bit more of that kind of representation for the mustelid slugcat interpretation. It at least helped me develop my own idea of the species a bit more; much of that stuff in the overview part was ideas I came up with while typing this whole headcanon out!

As always, I hope you enjoy this headcanon of mine! I've still got so many ideas to develop and share, and even more coming as I continue to ponder these characters and their stories, so as long as you guys still like these Rain World headcanons of mine, they'll keep coming!

[comicaurora]

You've mentioned before about how Dainix growing up in a society of all magic-users was difficult for him, is there anything you think is interesting about him adapting to that surrounding? Like, does he carry around means of manually creating fire with him (like flint); and is creating fire via anything other than magic something most other ignans would even know? What kind of things can most of his peers do that he has to ask for help for or find other ways of making it work, aside from general fire-blasts?

(Also, as a disabled writer, I think fantasy/sci-fi disabilities are an underutilized goldmine of worldbuilding & characterizarion, and I really like the way you integrate it into Aurora.)

I asked myself that when I was choreographing the Zombie Dungeon Funtime Adventure! When they lost the light source I knew Dainix would need to replace it in order to navigate in the dark without Falst, but I concluded he actually wouldn't be carrying firestrikers. Even if he personally couldn't magically create fire, he'd always been part of a team of people who could. Instead, he had to strike sparks off the wall using his metal knife. Something he'll definitely prepare for in the future! (Falst always carries firestrikers, but Dainix doesn't know that and wasn't about to go digging in his pockets)

Fire magic the way most Ignans use it is fairly utilitarian, but some people specialize in useful ways - some Ignans can gain bursts of speed or altitude by kicking out fire jets from their feet, or manipulate fire's brightness and color in precise ways to create simple illusions. And even without the expectation of specialization, being unable to do even basic fire magic basically means Dainix always has one fewer weapon than his peers - no emergency last-ditch flashbang moves, no covering fire, no way to do field repairs on damaged metal or glass tools. It's part of why he's always so careful with his equipment, and why he's such a precise and observant fighter - he has no room for error and has to work harder to feel like he's measuring up.

[raven-at-the-writing-desk]

How is no one talking about how the brar valley senate is only in slight dislike tier? I thought the fandom had unanimously agreed they were even worse than Riddle’s mom when that chapter 7 update came out. Surprised to see Riddle’s mom isn’t lower either, most people don’t like her for what she did to poor Riddle.

[My TWST character tier list can be found here!]

Ah, yes 😂 The TWST fandom’s top two enemies, the Briar Valley Senators and Mrs. Rosehearts... I find it kind of funny that on one hand we have some pretty politically powerful people to hate on but on the other hand we have someone who is comparatively very average and just your typical displeased angry mom that we also hate on… though in the end I guess both parties have harmed characters we care about, so they have that in common 💦

While I do think what the senators did to Lilia was (to put it as simply as possible) a dick move, I only slightly dislike them because this kind of political intrigue and social sabotage is what I looove to read. You can always count on old, conservative fictional politicians to stand in opposition to the change that the plucky young protagonists champion or represent. Terrible and alienating as the senators are, it sure does make for some tasty drama and informs a lot about why some of the Diasomnia boys turned out the way they did. I appreciate that worldbuilding, even if it does come at the cost of the senators not really shown to have a personality beyond being mad/intolerant of Lilia and sheltering Malleus.

I also slightly dislike Mrs. Rosehearts for similar reasons as the senators; yes, how she treated Riddle was rife with issues. However, I do believe she actually has a personality beyond being cartoonishly evil and genuinely cares for her son (but just uses very questionable methods). I think it's really interesting to consider their relationship--since Riddle appears to still love her--and the no doubt messy aftermath of it following their "talk" in book 4 (which we never got more details on). I talk at length about Riddle and how he may view his mother in spite of his trauma here; I'd recommend giving it a read!)

In my eyes... I can still enjoy a character even if they do or say deplorable things, so long as their words/actions provide something new or interesting to the lore or to other characters' backgrounds.

[foone]

Alright, listen up:

We need to stop with the anti-rooting attitude for brainpals, alright? You're just doing mnemonocorps job for them. Cut out the discourse about people with modded brainpals, for TF's sake.

(scifi worldbuilding by way of fictional Tumblr discourse under the cut)

There's tons of valid reasons for by people would hack their brainpals! Testing new memory/skills without paying for a dev kit, piracy of skills (and do not @ me with that "but you're stealing from the original skill creator!" bullshit. All the legit skills on the market now are from people who did work for hire by mnemonocorps, and THEY ALREADY WERE PAID. It's only mnemonocorps that is losing money!), home ptsd/cptsd/jptsd treatment, the list is endless.

And before you jump into the comments, YES I KNOW PEOPLE DO SEXUAL MEMORY PLAY. People do every kind of weird shit, name me a technology that no one has used for sex in some way? Hell, the first topless photo was taken within a week of the invention of the daguerreotype. But we need to be adults here, okay? These things can be simultaneously true:

1. People do memory play

2. No kids have memorypals

3. The vast major of memory play is NOT VP.

Mnemonocorps has done a lot of work to try to keep people from using brainpals for memory pal, with their artificial limits on how much you can block at once, but that's fundamentally an over reaction to the negative press from the whole VP scandal. The news loves a juicy story like "people are using a new technology for weird sex shit" because their readers/viewers are always interested in Weird Sex Shit, either because "ooh, sexy!" or "BAN THIS FILTH" reactions.

And like all big companies, the last thing mnemonocorps wants is a new law aimed specifically at regulating them! So they stuck a bunch more restrictions on brainpals so they could say they have taken steps to prevent VP.

Now, I need you to listen to me before I say this: I am NOT saying I condone VP, alright? I'm not going like "oh but no one is hurt, everyone is (technically) adults, it's basically roleplay"? This is not an excuse for VP, alright?

Memory play is not just VP, and it's deeply insulting to everyone who engages in memory play to conflate the two!

The reasons people would do memory play are many and varied, as are the things that people do with memory play. And I think people are extra quick to jump on the "memory play is bad" bandwagon not just because of the spectre of VP, but because it's all "eww, kinky sex things".

And yes, I'm not going to try to sugarcoat memory play, alright? There's a lot of weird stuff going on there, and it definitely isn't for everyone. But the thing y'all need to keep in mind is that it's between consensual adults and they (usually*) know what they're doing, okay?

It's safe and mind healthy and consensual. (yes I know these are the same arguments the veepers use to definite VP but I'm not talking about VP here, damn it!).

People can do CNC play with mblocks. People can do roleplay with temporary personality patches, either because they're too awkward/shy/whatever to have sex or because they (or their partners) want to do some vcheating. All these are perfectly safe if done correctly and don't hurt anyone. Especially not you, who aren't even involved in their memory play!

And I promise the slippery slope argument is bullshit: even if people use mblocks to age regress, that doesn't make it VP, alright? There's plenty of people (especially us elderly trans who missed out on a gender-correct early adulthood. (I wasn't able to get genespliced until I was nearly 60!). If I want to experience how my 25-year-old self would have had sex as a girl, that's my own god damn business! And it's not VP and it hurts no one. And all these non-vp uses of memory play are completely blocked by the stock brainpal software, because of their heavy handed approach to trying to prevent VP.

But with this whole stigma against hacking brainpals means that if I ever even mention I've got mine modded, people immediately start side-eying me because they think the only reason anyone would want to hack their brainpal is VP.

No! Piracy of skills and mblocks and yes, memory play. Which isn't entirely VP, even if it keeps getting tarred with that brush.

The piracy argument you'd think would be an easier one to make. I know half of you have all the PS6 ROMs downloaded onto your tangles. How are you gonna steal half the video games on the iarchive and then turn around and say it's wrong to download fluent-Japanese or woodworking to your brainpal? Come on.

Basically my whole point is that mnemonocorps has done a great job convincing the general public to associate illicit (by their rules) brainpal use with VP, and it's solely because they know the average person (rightly, I would add) thinks VP is abhorrent. They're using that disgust to turn the general opinion against the idea of brainpal modding.

And look, look me in my eye, do you really think mnemonocorps is doing this because they genuinely think VP is bad and want the public to help them stop it by shunning people who hack their brainpals? Or is it, just maybe, because they don't want to lose trillions of n$ on skill piracy? And they're just using VP as an excuse?

It's like, come on gals. No one ever went broke assuming companies are acting out of the most basic capitalistic greed, because THEY ALWAYS ARE.

And don't get me started on the people clitriding mnemonocorps for inventing the brainpal in the first place. Look, we all love the brainpal, yes, but it's not like you owe them endless loyalty over it, okay? They can and have done wrong in the past. Accept that you can love the work and hate the company trying to control it.

(it's like: is Thomas Chellae an abusive asshole who should not be out of crimrehab? Yes of course, no question. Is Shadowed Skies the best album of the last 30 years? Also yes! It can be both! Bad people can make good things)

Anyway: end of the day, stop bringing up VP every time anything involving brainpal modding comes up. Don't judge people for modding their brainpals.

(especially since half the problem people have with memory play isn't VP, it's just y'all being antisex. Which is bullshit given how many people subscribe to those "expert oral sex" skills! You're using your brainpal to have better sex, then turning around and going "but I'd never use it for WEIRD sex!". Grow TF the fuck up!)

Also, just because I know someone would bring it up, the whole mind control thing is A MYTH. There have never been any legitimate cases of people getting hacked through their brainpals, hacked or not, okay? I mean, who knows what the nsa or uhsa can do, but no one has ever been able to demonstrate a remote hack on a brainpal. Anyone being "mind controlled" through their brainpal did it to themselves, either with a ppatch or intentionally routing their admin to someone else. "you'll get hacked and turned into a bpZombie!" is a bullshit reason to be against brainpal hacking: it simply does not happen. I used to be a rengineer, I've looked into the brainpal security: it's well done!

* Yeah, Adrian Reach was a tragic case, but it was definitely a million-to-one case. Make your backups, run the ccheck, and don't try to mblock your whole damn life on a failing bp! You'll be fine.

EDIT: I forgot to elaborate on the "no kids have brainpals" thing: yes, I know there are some kids who do have them, BUT they're not the same as regular brainpal installs. They're only done in some extreme cases of mental distress (like survivors of the cWar) and they're locked down. Only their doctor can adjust them, it's not like regular consumer brainpals where you can just fiddle with the settings themselves. So all this memory play stuff we're talking about is only between adults. REAL adults, alright? Even when people are doing VP, everyone involved is of age.

[am-i-the-asshole-official]

aita for breaking a lot of romantic and platonic relationships over the other imitating me

ive happened to take an automatic mentor role for a lot of people throughout my life, mostly due to my artistic skill/creativity. that includes close friends and romantic partners. i dont enjoy this role at all but i keep getting swept into it. this is a very pervasive pattern and always ends in a messy fight and a break up. after a while the other person ends up imitating me (in terms of copying my interests, art style, stories/worldbuilding, personality traits, etc.) because they want to be more like me and/or impress me, becoming some kind of junior version of myself (this is recognizable to others as well so im not delusional). i enjoy others sharing my interests, however they arent doing this out of a genuine passion for that interest, but because theyre engulfed in trying to appeal to me or simply lack own creativity/identity. i communicate my boundaries and ask them to stop, but this usually has no avail, we fight and i end up dumping them.

the thing is, ive always NTA'd myself but others opinions seem to differ here sometimes. ive been told to take it as a compliment (i dont because its an insult), or that im too sensitive about my identity (true, but i dont see anything wrong with that), while others agree with my actions and find said people annoying as well. controversal topic, so open aita.

What are these acronyms?

[christiansorrell]

RPG Read-through: .dungeon//remastered

For a while on Twitter, I've been doing read-through threads where I post my thoughts as I'm reading through a game for the first time. I recently did the same with Snow's .dungeon//remastered, a TTRPG where you are players logging in to a dead/dying MMO and exploring the digital fantasy world. I'm adapting those thoughts here for a proper Tumblr post! Enjoy!

First up, credits! Good folks who do good work in my experience. Also, we get the first of what seems to be a common through-line here that I enjoy: an online fandom bent to this all being a sort of GameFAQ style guide for an in-universe game.

My initial impression from most of the interior spreads I've seen just flipping through it is that I really love the style and layout. I think black and white layouts are underrated generally, but it really pops here with the pixelated text/symbols and the old school GUIs.

It's interesting to have these kind of "no bigotry" rules you see in many games couched within an in-universe framing. I think this more personal angle actually makes them land better for me than they typically do in games.

Of course, the author is still powerless to stop the players (just like with any instance of these rules, and all game rules in general tbh) BUT this is worldbuilding too, and it gives me a greater sense for the kind of in-universe fandom that's risen up around .dungeon.

Similarly, here's the game's unique version of safety tools - an in-game help menu that reworks things like lines/veils, x-card and more into the game world itself. I really like this.

Once again, the art in this is just great. I love the Fez-like runes/symbols. My ARG brain wants to know if there's a hidden message here.

I was surprised it was jumping right into the starter adventure, Tutorial Town, but I quickly found out that this is character creation AND a starting area/adventure all wrapped into one, video game-style, and that's so cool.

Each room of the starting area introduces a step of character creation. It's interesting that stats are based on real-world (not you the player at the table real-world but your PC at the "real-world" computer playing the game) ability. Your game knowledge, response time, etc.

As a long time Dota player, I also just really enjoy that the saving throw-like stat here is TILT. I have tilted many times and known many of my teammates to tilt regularly. Just fun to see that phrasing in a TTRPG.

There's more of the in-universe real-world player here than I expected coming in. Definitely has some really intriguing potential. I do wonder though if the intent is to be playing a "real-world" level character or if you are "playing" as yourself at that layer. Both would work.

Monster statblocks. Easy to parse and straightforward to run as the GM (tho at time the layout does have one two many things laid on top of one another that can make them hard to read at first glance - like where "GOBLIN" is here):

Health here is SYNC, and it's shared across the whole party - I'm interested to see how that full mechanic plays out and how it may affect play.

Reaction rolls. I'm surprised to see them given the video game setting, cus mobs in MMOs just always attack you. I've gone back and forth on it with my video game-inspired TTRPG. Don't think it's a bad choice, just one that means the game world is more than a usual video game.

So you have your real-world level Job (based on your characters' out of game job) and your in-game "Role" which follow the classic "holy trinity" of MMO design:

PCs and monsters can team up to attack and can forego damage for stunts - potentially fun/interesting moments happening from that. Monsters deal dmg to SYNC but only per type is interesting, means a crowd of one-enemy is more a long trickle of damage than an overwhelming burst.

Not knowing the ramifications of SYNC damage yet, I'm not sure what the Risk v Reward looks like for Respawns but it's intriguing. Letting your avatar die to keep the party in a stronger position overall (but being able to re-join after a fight) is definitely unique.

This is another fun room (and I like that other than saying late 90s/early 2000s it leaves appearance options open). I am not sure where to find the starting origins tho (they aren't on this spread and there's no page reference). Sadly, the PDF isn't bookmarked either, it seems.

This feels like a smart roadblock to place in player's paths early on. It's unlikely they'll have a lockpick at this point so really, it's about getting players into that creative mindset. What is in the room for you to exploit? What gear do you have you can use in a new way?

Might seem basic, especially to the OSR-experienced out there, but you'd be surprised how many players don't have experience with thinking more freeformly about the game in this way. No fault to them, most trad games condition you to use your PC's abilities/skills as a menu.

Another cool interaction between the layers of the game here (tho I do wish they all played more off of something more than just the tarot card being in the real-world layer). Still wondering if most folks play as themselves or as a real-world level PC.

This is interesting. I wonder if there is going to be a real-world layer to play or if this is meant to be the amount your party can heal between sessions of play (like when the actual real you stops playing in actual real life - this meta layer stuff is tricky to communicate).

I like this - a very short and sweet travel system.

I continue to love this art. Also, this tease here around dual-wielding requiring the discovery of new Roles out in the game world somewhere first is really enticing (I added the highlighter there btw).

This is fun - there are both in-game NPCs and PUGs which are other real-world players' in-game avatars. That extra layer to those types of NPCs is really fun and them running the gamut of fully out-of-character chatting to being hardcore RPers is fun to consider.

Whenever it leans into the digital world aspects, I'm super into it. Very much my kinda thing. I do wonder though how often players can swap their Roles. I don't believe I've seen that said yet - my inclination would be once on the fly (like Final Fantasy's Job systems).

And if these various layers weren't enough, .dungeon also features in-game collectible cards that are sort of enchantments and buffs. I wonder if my real-world level character can spend real money to buy Bytes to buy more packs from a merchant in town? lol

I won't spoil/detail too many more of these but these kind of fun (and common to video games but rarely seen when thinking of the world of a game or the intended way to play) moments are really appealing. Also, this game has Goons in it. Oh no.

Now I'm thinking the intention is the "real-world" level of play should be the real actual you, the person playing .dungeon the TTRPG (as opposed to a real-world level character still within the fiction of the game) since stuff like this would be tricky to track. Cool item!

Tutorial Island is cool, a good blend of char creation, intro to what the game is, and just a fun adventure with a session or more of play to it. I'd have to run/play this to really see but I find the Sync being tied to essentially your real-world session length interesting.

This stuff is cool and leans into that meta/fan-level play that only comes out of these big community-driven games, both MMOs but also things like Dark Souls.

A lot of these kind of possible secrets come as comments in the text, possibly just to inspire the GM and to get players interested in ways that the table can build out on their own over time. So far, I don't see some of the more esoteric secrets to be laid out (which I like).

The rest of the book, as far as I've seen, is lots of resources, gear tables, monsters, etc. to build out the game after player's leave Tutorial Island. The game world here has that anything goes Final Fantasy bent to it. There's swords & wagons, but laser guns & skateboards too.

The setting here is also explicitly queer (mostly seen so far in the "real-world" PUGs) and includes things like sex workers and other elements that it maybe could not have had but that would certainly lessen the richness of its world, the fandom presented throughout, etc.

The spellcasting uses the in-game money as mana points essentially. That's a cool way to limit spellcasting and motivate player's, especially spellcasters, to get out there and make some $$$.

Okay, here's the real-world explanation I was waiting for (after the in-game gear lists and such). This is cool - it's fun to have a real-life layer to this and to have the game's world support that sort of dropping in and out, doing things outside of a full party session, etc.

I know a lot of folks do this with ongoing campaigns anyway, but this is one of those fun things to include here to build that in as an expectation in play. You have your raid nights with friends and you have your little solo sessions after work where you sell your loot.

Now, the rest is a nice collection of random dungeon, NPC, settlement, hexfill tables and more. Everything you'd expect from an OSR-like ruleset but occasionally with some fun added meta-layers.

Players getting a quest from an in-game Moderator and then being able to become a Mod themselves is a really fun idea and something I could envision becoming a long-term goal for one or more players at a table. The threat of encountering an Admin is scary as well!

To finish it up, we've got a cool AASCII-style character sheet, complete with MingLiU-ExtB font (my beloved)!

And that's .dungeon//remastered! I really enjoyed reading this, and I think it has a strong core that's really enhanced by its real-world interaction layer. Gonna put this on "Play Soon" list. There are some smart rules in particular I'll likely steal for a future project.

.dungeon//remastered is available digitally NOW with, I believe, physical copies coming soon. I backed the Kickstarter to get this digital version. CHECK IT OUT HERE!

[astriiformes]

Comparing your work to other people's is a great way to kill your joy for a thing so let me be clear and say this is not that, I am just a human person with human emotions and sometimes that means needing to be the tiniest bit petty and then moving on. You know. For your health or something.

There is a very popular cosplayer who coincidentally keeps doing the same costumes as me, and I am just the tiniest bit annoyed about it, because as is the case with many (...most) very popular cosplayers, they have a very specific, airbrushed, conventionally attractive, perfect makeup, etc aesthetic to all their photos that is. Not what I personally value in cosplay, at least. Which is fine! Different people having different approaches to costumes is part of what makes cosplay such an interesting hobby!

But it does bother me a tiny bit that the work I put into my costumes is not necessarily the kind of work that gets attention, and it does make it a little glaringly obvious when it's The Same Characters.

(Also you all know the kinds of characters I cosplay. I gravitate towards them in part because they have weird energy, not super put together attractive energy. But that's only part of my point.)

Anyways. I do not follow them on Instagram because why would I do that, but nonetheless I saw that they're apparently also doing a Laois cosplay now, which I guarantee will get lots more attention than mine. And for the most part that's fine, I love cosplay and I love doing my weird little thing and I especially love that I do in fact know other people that value the same things as me & that we have fun together. I will have a great time in my fun little costume, dressing up with my friends in their fun little costumes and I am looking forward to it. And I do not actually need likes to validate that I am becoming a pretty damn good cosplayer (whose stuff is better quality than many popular cosplayers' because I care more about craftsmanship than I do getting attention). I am even thinking pretty seriously about having Laois be my first ever competition costume if the armor turns out alright, because I think I'm genuinely getting to that level.

But it would just be kind of neat if being a weird little guy with weird little ideas who is into the hobby because I like sourcing historical patterns and materials and thinking about the worldbuilding that goes into costumes and creating neat little "in-universe" ephemera to hand out to people and all the things I like didn't always mean getting overshadowed by Instagram Perfect Attractive People.

Alas. Okay glad that's out of my system I'm normal again. I'm going to make some more chain mail.

[dailyadventureprompts]

Monsters Reimagined: Asmodeus, Lord of all Hells

I think I know what may be happening....You’re trying to atone me, and I didn’t do anything wrong...You want to know what I’ve always hated about mortals? why I spit on your forgiveness, why I loathe your redemption? To reach a hand down to somebody they need to be beneath you,

And I’m Beneath Nobody.

Brennan Lee Mulligan as Asmodeus for Exandria Unlimited: Calamity

@pikablob​ was asking about my ideas on devils and mentioned Asmodeus in the process, and while I’ve already done a monster’s reimagined on devils, I figured it was a good opportunity to talk about my take on the biggest of big bads. To summarize, I like to go back to the mythological roots of devils less as agents of a universal evil but as individual manifestations of judgment, looking to test or punish mortals for their failings. This ( along with Brennan’s showstopping performance in calamity) gave me the idea of an Asmodeus as the ultimate critic of mortalkind, an entity that can see all of our flaws and nothing of our virtues.

TLDR:  There are many evil gods, wicked things that preside over cruelty and misfortune in all its forms, but there are few that would claim to be the god of evil itself. Though to hear the lord of all hells tell it, there is nothing touched by mortals that is NOT evil: no act that is not in some way rooted in self interest, no moment of self determination that is not a transgression, no soul that is not some way corrupted. To allow the Father of Sin into your heart is to accept that people are fundamentally wicked creatures deserving of punishment, and that punishment cannot come soon enough.

Bio: Ruling from the lowest depths of the pit, Asmodeus sits a throne surveying an empire built on torture and damnation and deems it insufficient. There is evil in the multiverse and that evil is called mortals, things gifted with the tiniest spark of life who every day choose the wickedness of existence. His purpose is  to be the scourge that drives the animal towards the slaughterhouse, to take hold of mortal life and shape it into useful purpose, with the only useful purpose being the ultimate destruction of all wicked things

The hypocracy of being an evil god punishing evil does not for a moment shake Asmodeus. Spirits cannot choose their nature, nor can animals, but mortals which live in the intersection choose to be evil every day, and worse yet, have the capability to choosing evil at any time. In spite of his divine status, and in many ways because of it, Asmodeus is actually incapable of perceiving good in mortals, believing that good intentions or earnest affection are yet more lies and hasty justifications that mortals buffer themselves with to excuse their faults and selfish action. None can then judge the atrocities he commits because none are without sin, even if to find that sin he needs to peel back layers of causality and unconscious feelings to find a thread of wrongdoing. 

To purge the universe of the blight of mortals Asmodeus cultivates power and fear: Power in the form of legions of devils and devoted servants who’s hateful hearts he feeds like a furnace, fear in the form of agents which sow division in mortal hearts and a myriad of private hells filled with infinite forms of torment.

Swear to serve Asmodeus, say his mouthpieces, and you will be spared the infinite torment when the boot on your neck breaks through to your spine, or when his hordes come to put your home to the torch.  Give up on the falsehoods of hope, love, and kindness,  visit punishment on others and you may be rewarded for your service

Behind the scenes: I’ve talked quite a lot about how d&d uses the idea of objective evil as a staple of its worldbuilding, and how in doing so it ends up falling face first into pro genocide rhetoric. In attempting to make badguys that the party is 1000% justified in killing on sight it ends up stumbling into some very fucked up thought experements.    Monsters in vanilla d&d arn’t just evil because they do bad things, but they do bad things because they are inherently evil:  They pillage, they enslave, they despoil, not because these things benefit them ( as it invariably gets them killed by adventurers) but because these acts serve as an outlet for their wicked natures.

If our heroes’ enemies are fundamentally evil, then any action which opposes them must be good, and any pillaging, enslaving, or despoiling the party does can be excused provided the targets belong to the designated ingroup. This is almost identical to the reasoning that was used by crusaders, conquistadors, slave owners, and fascists, and what is now being used by the evangelical to deny people rights and life-saving aid to this day.

What I wanted with Asmodeus was an entity that looked at the party like a group of murderhobos look at an orc: an ugly brutish thing that is only useful in so far as its suffering and death can benefit them.  Maybe it’ll be funny if they make it beg for its life. The party feel they’re justified in this because they know the orc is objectively evil ( because the books said so), just like Asmodeus is justified in plucking the souls from mortals and making them suffer for eternity because he knows, in his flawed omniscience, that they are deserving of it.

Signs: The sounds of tortured souls wailing from below, symbols of power glowing red hot, the manifestations of lesser devils.

Symbols: A five pointed star made of jagged metal, a black throne or crown atop numerous bodies.

[venomous-qwille]

how did u get so good at writing? i envy ur ability to write so well so i do wonder wut u have done to improve urself to reach this point (aka writing better than most non-fanfic authors ive ever read) ofc improvement comes with time and practice, but im just curious as to wut things youve done specifically

Ahh that's very kind of you! I'm so happy you have been enjoying my work!

Honestly before writing gitm I hadn't written anything at all in about twelve years, though I have been working on other narrative-lead projects (I do a lot of worldbuilding for d&d and other stuff). For me, the biggest thing is just reading lots from lots of different genres, finding stuff I like and then trying to reverse engineer it and figure out why I like it. It doesn't just have to be reading either, but watching films, plays, animation, standup. I consume a lot of poetry too. Go out and find art that moves you and then try to absorb it via osmosis. The other thing is: do stuff. If you ever get an opportunity to go out and try something new, do it. Real human experiences are the lifeblood of interesting fiction. Pay close attention to the funny interactions you have with people, the strange things that you see and sensations that come from everyday life. I think that including all those real lived experiences is what really makes writing come alive, certainly that's what I enjoy reading most. Human experiences resonate with people, so I try to wrap all my interactions, all my characters and all my descriptions up in things I have personally experienced. Obviously, this gets easier as you get older, as you have more stuff to draw from ^^ Honestly I think people enjoy gitm so much because it is something I love writing, and that comes across in the work. If I had changed the story to make it shorter, or more fast burn, or something more in line with what I thought people wanted to see, the writing wouldn't be as strong, because my heart wouldn't be in it to the same extent. I am writing gitm for me, it is the story I always wanted to read but wouldn't exist unless I did it myself. Writing is like cooking, people can always taste the love.

[queenofbaws]

! Pride Month Challenge 2024 !

Well hi there, everyone! With May winding down to a close and June just around the corner, it's about that time again...the time where @jadedsunshine, @unicornaffair, and I host our yearly create-a-thon! 🥳

What's the Pride Month Challenge, you might find yourself asking? Well, this year it's a little bingo game we've put together, featuring some classic tropes. The aim of this particular game? Make something!!! Anything! Just get those creative juices a-flowin' and see if you can snag a B-I-N-G-O along the way!

This challenge is open to everyone and anyone who wants to take part, whether you know the three of us or not! We're going to be using the tag #pridemonthchallenge2024 for the stuff we create, so if you decide to join in on the fun and games, feel free to stick that tag on whatever you make, too! If you're interested in more details, you can check below the cut or reach out and ask ;)c

Either way, happy almost-pride, and happy creating!!!

I don't write fic - can I still participate?

Ab. So. Lutely!!! We've done this challenge for a few years now (we've missed a year or two for weddings and other life stuff, whoops!), but in the past we've had people doodle, sketch, draw, make edits, create props or other physical art, and even curate playlists! The three of us are writers, so you're very likely to see fic or ficlets from us...but you? Oh. Oh, you can do whatever your heart desires!!!

Are there word limits/expectations for a finished product?

NO!!! :D Zero. Literally zero expectations. We aren't putting together an exchange, we aren't holding a competition, we're just trying to get the spirit of creation in the air. That's it! So whether you're writing 50 words or 5,000, whether you've made a rough sketch on a notebook page or fully lined/colored a scene, you're good! You're so good. As long as you've made something, you've earned a stamp on that bingo card, baby!!!

What if I don't want to do something fandom-y? Can it be OCs/original work?

OF COURSE!!! 100%. You don't even have to ask!!! Show the world your OCs! Tell the world about your story's worldbuilding! It's all fair game :)

What if I don't want to post what I made?

Don't sweat it! Again, this is...the farthest thing from official. This is for fun, and this is for the sake of making something. Sharing your work can be nerve-wracking - don't feel like you have to! We'd love to see you playing along with us, of course, but as long as you've made something that you're proud of, you've earned that stamp! No ifs, ands, or buts!

Is it cool if my creations aren't necessarily pride-themed?

Totally! We host this challenge during pride month because (1) it traditionally works better for the three of us than NaNoWriMo because of our schedules, and (2) we're queer creators ourselves! But if you're feeling a prompt and can't find a way to make it relevant to pride, PLEASE don't sweat it! As I've been known to say (and then get laughed at for saying), this challenge is no rules, just right, Outback Steakhouse :P

Let's say I get a bingo...what do I win?

:) Nothing. <3

Wait, really?

:) Really <3 Hehehe, in all seriousness, this challenge has been a fun way for us to sit down, take our minds off of life and our bigger projects and just...make some fun stuff! In our humble opinion(s), being able to point at a finished piece and say "I did that! I made that!" is its own kind of reward. The bingo board itself is really more for bragging rights ;)c Which, of course, we encourage wholeheartedly. Nothing wrong with a little bragging!!!

We hope to have you along for our month-long adventure! Again, we're going to be using the tag #pridemonthchallenge2024 for our own stuff, so if you'd like to use that tag - or tag any of us!!! - in whatever you end up creating, feel free!!! We love seeing what everyone comes up with, and this challenge is always so much more fun, knowing other people are taking part! <3 Hope to see you along for the ride!

*The bingo board was made by the lovely @jadedsunshine 🥰

[wuffgang-ameowdeus-moozart]

Aren't you tired of forced romances with no chemistry that only take away from the actually interesting plot? Don't you just want media where romance isn't portrayed as being superior and more important than (queer)platonic relationships?

Well, my exhausted aro ass is too, so here are a few tricks and wisdoms I've gathered over my years of being a-spec (which is all of them) on how to avoid romance (in media) in a very allonormative society 💚🤍🩶🖤

(this is a rec list btw. no I am not shitting on the shows that I tagged, quite the opposite)

1. Middle Grade

I get if you aren't really into that, because it is kind of annoying to be pointed to literal children's literature when all you want is a story that isn't constantly being interrupted by describing the main guy's heated eyes for the twentieth time.

However.

It is true that in middle grade, friendship is always more important than romance. Because, let's face it. Making two eleven year old characters kiss is kinda weird. So even if there is a romance, it isn't very prominent and treated more like friendship and/or a puppy crush. Plus some stories get surprisingly dark?!?!

Examples

- Howl's Moving Castle (Diana Wynne Jones), technically a romance in the end, but mostly focused on found family, shenanigans, and finding your own value

- House of Many Ways (DWJ). Yes, again. I really like her books okay? They always have something so fantastical and whimsical about them. This is my other favorite book by her and it has literally no romance at all. Plus a hmc cameo that is so fun !!

- Coraline (Neil Gaiman). Maybe this is cheating because I never actually read it. However. a) the movie traumatized me. b) Wybie was added to the movie, he doesn't exist in the book, so if "power of friendship" isn't your thing this will be great. Probably vibes over plot.

Flyte (Angie Sage). Technically this is the second book, but I never read the first one and still understood everything. Once again, no romance at all. A fun read, which can get surprisingly dark at times.

2. Short Story Collections

Once again, I get it if it isn't your thing. Short stories are - as the name reveals - short. Which means: no worldbuilding, very limited narrator, open ending, no time to really get attached to characters, etc.

But.

The cool thing about collections, is that they always have a certain theme. And as long as the theme is not romance, romance will not be the focus. Even if there is a romantic relationship, it will be used to explore this theme since there simply isn't time for anything else.

Examples:

Life Ceremony (Sayaka Murata) This is the book that actually made me figure out: hey! I do actually like short stories !! The main theme is basically about being different and it plays a lot with body horror and the perception of your own body in contrast with how society sees it. There is even a story about two women who platonically live together and raised multiple children!

Canterbury Classics: Classic Tales of Horror (introduction by Ernest Hilbert). As the name suggests, this is a collection of horror short stories, featuring well-known authors such as Bram Stoker, Edgar Allan Poe or Charlotte Perkins Gilman. As these are classic old tales, the language is a bit complicated at times and you can read them for free on Gutenberg. However, the book is very very pretty and the introduction is very interesting (Origins of the genre, specific tropes and monsters, etc.)

3. Podcasts

PODCASTS!!! If you follow me, you are probably already aware of those. However, in case you don't, let me introduce you to the wonderful world of Audiodramas.

The cool thing about Podcasts is that pretty much anyone can do it. All you need is an idea, a mic, a lot of motivation, and you're pretty much set to go. No producers or publishers you need to get approval from. So it is only natural that this medium is filled to the brim with queer creators. Basically every character is somewhat queer. It's awesome.

Examples:

- The Silt Verses. I adore TSV. I listened to the first season like, four times. (the second one is good too but OH MY GOD THE FIRST ONE). And one of the main characters is canonically and explicitly aro!! Sister Carpenter, I love you with my whole being. And the great thing is, it is very clear that the writers love her, too!! There is a lot (like a LOT) of body horror so it isn't for everybody. But if you think you can handle it I really recommend it. (Plus, not any romance plotlines at all !!)

- Wolf 359. This is one of the older ones and it is really good. It's a bunch of restless and very unwell people stuck in a spaceship under the unforgiving rule of capitalism. However bad you imagine it, I can assure you it is worse. But the really cool thing is that there literally isn't any romance at all. Like, there are great m/f friendships but they never even hint towards a romance. Some people are so unused to that that they literally ship the main dude with the fucking robot AI. (don't worry, not an actual romance plot).

- Girl in space. I am sure you will be absolutely shook to know that this one also takes place in space. It is about a girl. In space. Shocking, I know. Except that she has been on her own for well over a year when suddenly a fleet of strange ships arrive and kidnap her. There is also a very asshole-y robot. And questions about what makes us human. And found family!! And a goat. And cheese. Just go listen to it okay. This is also one of the shortest ones of the list, so maybe a good start.

- Malevolent. I have to confess that I personally am not a huge fan of this one? Like the premise is really cool - a detective who wakes up blind and with a demon in his head who can see through the detectives eyes. What the fuck?, you may ask yourself. So does Arthur Lester. Mysteries and other dimensions and a whole lot of pain ensues. Harlan is undeniably an awesome VA and a great writer, but his stories just seem a bit too repetitive to me? Nonetheless I know of lots of people who enjoy it a lot. Trying to define the relationship between Arthur and John (his demon) is perhaps the biggest mystery of them all. (Jk. there are multiple murders and stuff. they've really got other priorities)

- Middle:Below. This is another short one and probably the least famous of this list? It's about this funky lil dude with a ghost roommate and a cat who can talk (.....or can it?). There is a m/f friendship but it never turns into a romance (wow it is possible!!). They all go on adventures on the dimension between life and death. Despite the description, this is literally just a comedy. A bit spooky at best. Reminds me a bit of scarier kids cartoons like gravity falls.

4. "Gay" movies/series in countries with homophobic censorship

Now you may think, "hey that seems like a bit of an asshole move!". And you would be 100% correct in thinking that.

However.

It does also mean that the main relationship of the story can never be explicitly romantic. They can allude to it, they can try to show it. But they can never confirm. So it is very easy to interpret them as having a QPR. (because tbh I don't think I've ever seen one on television.)

Examples:

The Untamed. Look. I am aware that the first episode is so fucking atrocious, all right? And no, the CGI does in fact never get better. And sometimes the translated subtitles are a bit awkward. But I swear that it is so good. Trust me on this one, okay? Just make it through the first ep. It's a wild ride. Lan Zhan I love you. (However the book it is based on (written by a woman) depicts them being in an explicitly romantic relationship, with lots of very inaccurate and badly researched smut, so the fandom pretty much sees them as exclusively romantic.)

- Word of Honor. Very much in the same vein as The Untamed. Except that the first episode is less horrible. And the one dude has a very fruity fan. And they also raise a kid together. And the costumes of the villains are really fun!! I actually never finished this one tbh. I know that the book it is based on has one very extremely terrible ableist plot point, but I don't know if that made it into the show since I never got that far

The Devil Judge. The last two were fantasy, this one is a dystopia. Very tense and interesting. There is a romantic subplot (typical childhood friend vs bad boy love triangle), but he rejects the childhood friend and they can't exactly show him and the "bad boy" (who is actually a judge. and also kinda his sugar daddy) as explicitly romantic for the reason above. They also live in the same house and cook together and take care of a child together. Can totally recommend.

Assassination Classroom. A bunch of students have to kill their teacher who is an alien. that's literally the plot. I cried so hard at the finale. Nagisa and Karma have MASSIVE vibes and you can't convince me otherwise. (There is a romantic subplot that does end in a kiss, but they agree to continue as friends since those were..... extenuating circumstances. The dude very clearly is not into her). Nagisa also very aro-spec coded imo.

5. "Straightbaiting" Anime

Sometimes Anime does this thing (which I personally find very hilarious) where a boy and a girl will have no other romantic involvements or love interests while growing closer and closer, but never get together. A bit like reverse queerbaiting.

Examples:

- Fairy Tail. The ultimate power is friendship anime. That is all you need to know. (I should also perhaps warn you that the end of the last arc (and the sequel series, but we don't talk about that) are huge letdowns. Like the buildup? So good. But....welp. If that doesn't bother you too much and the idea to have a group of people be the main character instead of one person only, this may be the series for you. Just do yourself a favor and skip all the filler arcs

Soul Eater. I really love the vibes of this one. Once again, most of the fandom likes depicting them as explicitly romantic, but they never canonically are. It also reminds me a bit of creepy children cartoons. It is also where the superior fictional school exists, Devon. Frankenstein teaches there (the dude, not the monster). People transform into badass weapons. Nobody can convince me that Make Albarn is not a trans woman. However the ending deviates a bit from the manga, and I personally think the anime one is a bit worse

Noragami. This one will always hold a special place in my heart because it was the first anime I really watched. This one also has people who transform into weapons, but the vibes are very different. It goes a bit more into Japanese folklore in case that interests you.

Bonus: Canonically Aro/Heavily Aro-Coded Characters

They were not anywhere above because the stories they are in didn't really fit any of the categories. But they exist!

Wolf (Kipo and the Age of Wonderbeasts). I adore Wolf. There is also barely any romance. Like, it will seem like it at first, but don't worry, it's only straightbaiting. There is a romance subplot but it's very brief and very much in the background. Overall very good aro show 👍

Isaac (Heartstopper) Very queer show, very high likelihood that you already know of it. The series per se is very romance focused, but as far as I've heard the a-spec rep in S2 is really good

Georgia (Loveless). Actually never read it. But, well. Title pretty self-explanatory dare I say. By the same author as Heartstopper (Alice Oseman)

Chance/Chris and Shadow/Ryan (woe.begone) Are explicitly in a QPR together !! they are also probably the healthiest couple in the podcast lol

Henry Clerval (Frankenstein). Henry is the "a couple of besties!!" to Victor's "we look like a couple <3"

Barbie (Barbie 2023) If you've seen it you know what I mean.

Jo Marsh (Little Women). I never read the book, but Jo in the 2019 movie??? very sus.

I would also recommend checking out Japanese books! I personally think they are much better at writing romance than the western people lol. It's more about knowing each other and sharing your views of the world, thus changing each other and leaving a mark forever, even if the relationship ends. (studio ghibli romance vibes). My favorite Japanese book doesn't have an English translation :(

aber an alle Deutsch-Sprecher*innen: Die Katzen von Shinjuku (Durian Sukegawa) -> og title: Shinjuku no Neko

Can't think of anything else right now, but please leave some of your own recommendations! Hope this helps ^^

[2btheanswertothequestion]

Eddie's Kissing Lesson #3: It's way more than kissing now

(Lesson 1 | Lesson 2 | AO3)

A few years ago, Eddie made a habit of driving to Indianapolis. Inevitably, he ended the trips at a club or a bar. The visits were usually solo affairs, though not always; sometimes Donnie or Zac (the only ones in Hellfire who looked old enough to get past the bouncers) or Callie (who didn't look old enough, but who could charm her way in), would tag along. If they did, they'd go to a straight club. If he was by himself, he'd roll a die between a straight or a gay one. No matter the kind, he'd be approached at least twice every night. Beautiful strangers with appreciative eyes, a drink in hand and a line ready on their lips.

Eddie would accept the drink, flirt for a second, then tell them he 'wasn't interested, but thanks anyway'.

It was half true – he was interested (fuck, was he interested), but also… not. He'd never say it out loud, but even at his horniest there was something in his way. A roadblock. Because the thing was, intimacy required, as one might suspect, intimacy. Although, one night stands walked hand in hand with alluring anonymity. Like being watched without risking being seen.

Eddie liked that, most of the time. Liked shrouding himself in a mystery. But when it came to sex, he wasn't so certain. Something instinctual told him it wouldn't be truly good unless it was real. For it to be real, walls would have to come down. Leave an unobstructed field of view for wide-open eyes. Terrifying and exhilarating; he wanted it so bad, but he couldn't (wouldn't) have it with just anyone.

It had to be special.

So, he accepted the drinks, flirted for a second, and sent the beautiful strangers on their way.

Steve writes with a rhythm. It goes tap-tap-tap-tap with the pencil on the pad while he thinks, followed by scritching, before he pauses to tap-tap-tap some more.

It's strangely endearing, not to mention relaxing. You'd expect a guy like him to be rough, leave imprints on the papers underneath and constantly break the point, but no. His large hand is soft as it writes. Eddie could fall asleep to it. A shame they're too busy to sleep.

Star Trek IV came out a week ago and the kids, Dustin especially, have been obsessed ever since. The moment they stepped out of the theater, the little twerp turned to Eddie and begged for a science fiction-themed campaign. And because he's a chump who can't say no to the kids nowadays, Eddie agreed – to a one-shot, not an entire campaign.

(Also, he's already been crafting a solar system for a potential space exploration-campaign on the down low. Why not finish and use it?)

And because Eddie Munson doesn't do half-measures in these circumstances, he spent the next week worldbuilding and polishing his new universe. At one point, as he put the finishing touches on the water planet's cuisine, Steve peeked over his shoulder and asked about sports. Eyebrow raised, Eddie said 'what about sports'. And that's when Steve snottily pointed out that Eddie had developed everything about these space cultures except for the sports, which didn't make any sense – sports was a huge part of every culture, whether Eddie liked it or not.

So! Because Eddie Munson does not do half-measures… he's currently creating extraterrestrial sports games in Steve's kitchen. Although, right now Steve's doing most of the work. After Eddie came up with the base concepts, Steve stepped in to use earth sports as inspiration for the technical aspects: rules, scoring, player positions, player numbers, playing fields, seasons (which ties in with the climate of each planet), and so on.

If he's being honest, he'll never use most of this. God knows the kids (except maybe Lucas, but he wouldn't bring it up) wouldn't notice or care about the absence of sports. But. Turn down an opportunity to hang out with Steve? Never. Also, deciding how much of real baseball should inspire their thinly veiled version of space baseball (spaceball) is kind of fun? What's a penalty and what isn't is just exciting when you throw anti-gravity into the mix.

Most importantly, it's nice seeing Steve be in his element. Dude is so fucking knowledgeable about this. Hearing him say that this will score x points because of that reason, confidence dripping from every syllable, has Eddie's tailbone tingling.

Would it be rude to swipe their notes off the island and jump onto it, offering himself like a buffet?

He knows he's allowed. Or, he knows that Steve wouldn't mind if he asked for a break, even if it was to make out. They've made a habit of sucking face when it's just them and there's nothing else to do (or when there are things to do, but they're easily ignored). Question is if he truly wants to interrupt those soothing pencil scritches and put an end to Steve's surprisingly sexy thinking face. He's got a little furrow between his eyebrows while chewing on his bottom lip, and every so often he'll mutter hoarsely under his breath. The fact that he's being so serious about doing this for the campaign, for the kids, for Eddie, is…

'Unreal' is what Eddie would've said nine months ago. Now he knows it's entirely in character. It's still noteworthy enough for him to memorize every detail of this moment. The King creating nerdy sports with the Freak is a picture that must be immortalized.

He doesn't realize how hard he's been staring until Steve looks up from their work, raising his brows in a silent 'what is it?'

Eddie shakes his head, warmth creeping over his cheeks. He pushes off the kitchen island and turns away to hide it. The sink is conveniently right there, so he grabs a glass out of the cupboard and fills it as excuse.

Behind him, the pencil hits the pad, rolling across the paper. Steve's footsteps are deliberately loud, telegraphing his advance over the surge of running water. Eddie fills the glass, drinks it in one gulp, and puts it on the counter. When he turns, heart thudding, Steve is standing inches in front of him. Steve leans forward, bracing his hands against the counter on either side of Eddie's waist. Boxing him in, but not trapping him.

"Did you want something?" Steve asks.

Eddie crosses his arms casually and shrugs. "Not really."

"Huh. It seemed like you wanted something."

"I was admiring your dedication to the campaign. It warms even this barren heart that you'll partake in nerdestry for the sake of the children."

"Oh, okay," Steve says and doesn't move; his hands remain on the counter and his face stays inches away. His eyes shine like suns, hot and intense. Eddie meets his gaze, face schooled into something calm. At least, he hopes – years of DMing have taught him how to regulate his expressions, but there's a big difference between DnD and this.

"Did you want something?" he asks to fill the silence and – yes! – his voice didn't tremble.

Steve grins. "Now that you say it, I did."

And with that, Steve kisses him.

The initial second, Eddie's brain shuts off, as it always does. It's simply too much too fast and all he can register is Steve Steve Steve. His taste, his scent, his firmness as he presses against Eddie and backs him into the kitchen cupboards.

But only the initial second. After that, he's back on, and that means he's on. Loping his arms around Steve's neck, Eddie tilts his head at the perfect angle until their mouths fit together just so and licks the inside of Steve's mouth. His hands delve into product-stiff locks and tug the way Steve likes it. Steve moans, slumping against Eddie. Eddie giggles into the kiss. He fucking loves knowing Steve better than his own back pocket, loves coaxing these reactions out of him, loves when he melts and leans his weight on Eddie.

It could be better only if they were horizontal and on a bed, or couch, or the fucking floor, and he'd get to feel the hair on Steve's chest and legs, the jut of his hipbone, and his evenly distributed weight. He so badly wants to know how heavy Steve is. He wants to be fucking crushed underneath him.

Maybe he could if he asked. Or maybe that'd be too much. The only time they've gone past second base is during the spontaneous blowjob he still can't fathom happened. Since then, their hands and mouths have stayed strictly above the waist. Eddie, though he's dying to blow Steve, is not going to complain or rush. Steve's the teacher here; he decides the curriculum.

All Eddie can do is show off the results of his rigorous practice. Today, it's by slotting their faces together like a pro and perfectly executing that tongue-sucking move Steve seems to love having done to him as much as he loves doing it to others. It brings a guttural noise out of Steve; he grabs Eddie's ass with both hands and yanks him closer. Eddie nearly loses his balance and must cling to Steve's neck to stay upright. Laughter rumbles within Steve's chest as he steadies him and rolls their hips together. The neck of his shirt bunches in Eddie's vice-like grip. They're as close as during that first kiss, no room for Jesus' finest hair between them. Eddie feels Steve's heartbeat, which means Steve can feel his, and the combined thud-thud-thuddings have his knees shaking.

Steve's hands round Eddie's hips and tug at his belt buckle. Eddie jerks back, breaking the kiss; a string of saliva still connects their mouths. Steve's eyes are enormous, more black than hazel. There's a question in them, a plea for permission.

Eddie nods and doesn't look as Steve opens Eddie's jeans and pushes them down his thighs. His face is on fucking fire. You could fry eggs on his cheeks. Which is a little debilitating. This is never how it goes in his fantasies – he's a lot suaver in those. Quicker on the ball, so to speak. On top of things, one could even say. But not here. Because here's an unfortunate fact about sex:

It's embarrassing.

Exciting and sexy and fun, obviously. But also embarrassing. It was the same during the blowie. The moment his pants were coming off and his dick popped out, Eddie was more inclined to run away than anything else. Hopefully, the feeling will fade as he gets used to it. These hopes are supported by how at ease Steve is, going from de-pantsing Eddie to unbuttoning his own jeans like it's nothing, second nature.

Eddie couldn't look away from that if he wanted to. Why would he want to? Steve's dick is a sight to behold. It's the eighth wonder of the world. Worthy of worship, of a dozen temples and daily sacrifices. It's long and thick, smooth and symmetrical, flushed at the tip and with a bead of precome already pooling in the slit.

It's pretty. And it's hard. It's hard for Eddie.

"Hey." Steve cups Eddie's face, tilting his head up (as well as bringing to his attention that his mouth's been hanging open like a fool; Eddie's teeth clack when he shuts it). "Is this okay?"

Eddie nods, breathing harshly through his nose. "Okay. So okay."

Steve smiles like Eddie just did him a favor. Eddie could – would – analyze that a little closer, except Steve lines up their cocks so that they rest against the broad expanse of his palm, rest against each other, and-

That's another guy's hand on Eddie's dick. It's another guy's dick on his dick. Steve's. Steve Harrington's dick. Next to Eddie’s.

Hoooooooooly shit.

It's happening right in front of him, and he's still having a hard time believing it. But it's real; it has to be real. Imaginarily gifted as he might be, not even he could daydream this into existence. Like, the way Steve's fingers curve around their cocks as he squeezes and strokes? The scratchy calluses on his fingertips? The ever-present chill of the Harrington mansion? How Eddie's testes keep catching on Steve's shaft, rising and rubbing against the dry skin? Steve's softly labored breaths? The edge of the fucking countertop digging into Eddie's lower back?

That's real. Uncomfortably and amazingly real.

Steve pauses to spit in his palm; Eddie whimpers out loud. When Steve resumes stroking it's just amazing, the glide so much easier now. It lets him go faster, put his hips into it and grind their pelvises together. Eddie keeps whimpering, these shamefully squeaky little ah-ah-ahs that he tries to swallow until Steve moans, hotly against the shell of his ear, that he sounds so pretty and sexy and "fuuuuuck, Eddie, wanna hear you like this every day."

He stops holding back then. Gets even louder when Steve noses along his jaw and sucks what'll surely become a mark at the underside of it.

The saliva has rubbed off but the glide is only improving, thanks to the precome dripping everywhere. Both are leaking, but Eddie especially – he's so fucking close. He tries to say it, but his skull is full of cotton and he can't form the words.

Steve must have some sixth orgasm sense, though, because he presses his lips to the scar on Eddie's cheek and mumbles, "So good, baby, you're doing so good, so perfect, wanna hear you come, wanna see your face, looked so pretty last time, almost made me cream my pants-"

Eddie screams. Head tossing back, lungs bursting, as he slouches against the counter. Most of all he'd like to sag to the floor and nap for an hour, he's that spent. But he can't – Steve hasn't come yet, and there's no way he'll go without again.

"Steve," he says. "Whaddya wan' m' to… C'n I…?"

The syllables slur together; he takes Steve's dick in his hand while licking his lips, hoping the point comes across. He just wants to make him come. 'How' doesn’t matter, as long as he's the one doing it.

Steve, thankfully understanding, puts Eddie's other hand on his cock, molding them tightly around the shaft, and rocks back and forth. Eddie almost whines a little since… well, he honestly has never before been so keen on having a cock in his mouth. Like, Steve towering over him, holding his head in place while fucking his throat? Yes and please, Jesus Christ, amen!

But this image is also pretty good: Steve's face inches away, pink with exertion and arousal, fringe plastered to his forehead, mouth kissed raw, and him thrusting wildly into Eddie's closed fists. Eddie's gaze darts between it and the throbbing cock in his hands. It's the second he's ever touched, after his own. It's a bit like jerking himself off, except a million times better, despite the kinda awkward angle.

Steve makes a noise, reedy and desperate. Eddie's eyes snap up just in time to see the climax wash over him, his mouth dropping into a perfect 'o' and his half-closed eyelids fluttering in pleasure. Ridiculous, beautiful, intoxicating; Eddie could become addicted to it.

Sighing, Steve lumbers forward to flop his head into the crook of Eddie's neck. Eddie drapes his arms over Steve's shoulders, probably smearing body fluids on his shirt. Neither says anything – they simply hold each other and breathe.

It's been a while since Eddie last was in Indianapolis. Been even longer since he visited a club. After some time, rejecting willing strangers and going home with bluer and bluer balls, no one to blame but his own fucking hangups, got old. Why waste the gas when he could just as well be getting no dates and not laid in Hawkins instead?

Except here he is, sweat sticking his shirt to his skin, hair frizzing around his ears, come drying under his nails. Standing with his dick hanging out in Steve Harrington's kitchen, with Steve Harrington in his arms.

He's sure he could've gotten this exact experience in a gay club bathroom years ago.

"Rather unhygienic doing this in the kitchen, hmm?" Eddie says.

Steve grunts, grossed out, but shrugs a shoulder. "I'll disinfect it."

Eddie giggles, and so does Steve, rubbing circles over the scar tissue on Eddie's hips. Burrows farther into Eddie's neck and makes no indication he'll move anytime soon.

Yeah, Eddie could've had this in a club. But he couldn't have had it with Steve in a club. Couldn't have felt this swoop in his stomach, like he's at the top of a roller-coaster, anywhere but here. Couldn't have felt this special.

You're ruining me, he thinks as he pets Steve's head.

Do you know that? he wonders when Steve ducks away, griping about what a pain it is to get semen out of hair. Squinting, Eddie asks how he figures. Steve blushes and laughs and doesn't reply, eyes glittering.

Can you see it?

------------------------------

Not tagging anyone except @piratefishmama because she's the reason this exists in the first place. Also, I'm pretty sure she's even more excited about this than I am, so. Here you go, girl. I hope you enjoy this very late continuation.