#they literally mean the entire world to me

[dukeofdelirium]

never gonna understand the argument that Katara didn’t love Aang or something.

Katara was 100% more physically affectionate toward Aang. She almost always initiated their physical contact.

She also expresses clear jealousy over him as early as ep4 at Kyoshi Island lol. Aang was literally right when he said “you know what I think? I think you don’t wanna come because you’re jealous” 😂 SHE WAS

Katara was hesitant to start a romantic relationship with Aang because of the war, not because she lacked romantic interest in him. I mean, she quite literally says this on screen.

This is another thing that confuses tf out of me. How can anyone actually watch that scene in Ember Island Players and think it translates to “Katara doesn’t like Aang and is gently rejecting him” ?????

Katara 1) denies viewing Aang platonically and 2) straight up says her reasoning for not pursuing a romantic relationship with him after they kissed during the invasion is because the war is still going on and 3) she then continues by saying she is confused about WHEN they can be together if ever.

Both of these characters expected the war to already BE over. That was why Aang kissed her at the invasion, at least partly. Also partly because, yknow, he could’ve died and never gotten the chance. Which also brings up another thing, the argument that she rejected him kissing her then?

This isn’t true. Katara very much did kiss him back. But once it was over, and once he was going to leave her and face what could’ve easily been certain death, she looks upset. Not really difficult to understand why she looks that way, considering Aang did just tell her “what if I don’t come back” right before said kiss. Katara has already witnessed him die right before her eyes. This is a difficult topic in their relationship. And that fear of losing Aang continues to keep her away from their romantic relationship until she finally feels safe to express it at the end of the show.

Aang’s actions are also not difficult to understand at all. He confronted Katara during that play after she sought him out. He never asked her to follow him. And the only reason he confronted her was bc he was feeling 1) super insecure bc of the play’s depiction of everyone in their group and 2) bc he’s about to face the world’s greatest military force and their leader on the anniversary of his entire people and culture’s genocide completely ALONE and could very easily be killed.

Aang shouldn’t have kissed her at the play. No one says he should’ve and he reprimands himself afterwards. With that being said, though, it’s totally understandable as to why he does kiss her, that being that he’s afraid he is going to die again and he wants to express that he loves her before it happens. Also, the fact that Aang wasn’t there for his own people is surely a driving factor in how he expresses love to others afterwards, that being that he feels the need to “be there” so to speak. And “being there” in this moment is showing Katara that he does love her, and the only way he rlly knows how to is to kiss her bc words did not work.

Like… idc if ppl like the writing or not. Acting like it’s some huge mystery or impossible to comprehend is you essentially saying you’re dumber than the 6 year olds that watched ATLA 😭 like how could I at 11 completely understand this whole thing yet these grown ass adult women can’t wrap their minds around it for even a second? Like it’s actually sad lol

[scentedpeachlandcreator]

why are law of assumption women on tumblr so defensive and fragile? i wasn't trying to harm you. i just hoped you can say something beautiful and poetic to help me feel like i deserve my desires even tho others worked 20 years for success

Warning: A Rant + plus if you don't like what i said just scroll down buddy:

Well i'll excuse myself if i offended you, cause some anons just Comes at me and sending hateful Asks or don't believe in loa (and please stop saying mean words about everyone, be grateful that i'm answering your ask).

Anyways, many people, no BILLIONS OF PEOPLE around the World don't know the existence of Law of assumption.

So you should consider yourself lucky that you discovered the cheat code to life.

We were taught since we were young that for achieving something or deserving something we need to work hard, so you'll start noticing that many people that discover loa will have difficulties manifesting their desires, why? Because they still have this lingering thought and feelings that they should work hard to deserve it or consider loa too good to be true that it is easy and simple.

Everyone deserve success and a better life, no one deserve horrible circumstances, being poor, being Homeless, having abusive parents and partners.

You deserve every single thing that exist in this entire universe.

We were born to learn, explore, have a better life and many more.

You don't need a degree to be a millionnaire.

You don't need money to have a car.

You don't need to be perfect and pretty to be with your SP.

You don't need to be a good student to get accepted to your desired university/college.

You have this power at the palms of your hand, use it and you'll be the happiest person alive.

Decide your desire+ affirm + persist.

That all you need to do.

Now for the part where you said that people wasted so much time working for 30 years to have what they want, well sadly these people doesn't know the existence of LOA.

This life is not supposed to be a burden, it is supposed to be easy, but sadly the society kept feeding us that WE can't have that and that without working hard for it.

I feel so Bad about those who have commited suicide and they didn't know there was too much to life.

But don't you DARE Say that these people who have Dreams to achieve are pick me or lazy, you don't know them and you don't know what happening to them behind their blogs/account.

If you don't like what i said, you're free to leave.

No one, literally NO ONE is forcing you to believe in loa.

If you think it is unfair well that is your belief and your opinion.

But i'm just here to tell you that you deserve every fucking desire you want to have, that include wealth, happiness and health, even the most illogical things.

I Hope you realize that there's more to life.

Xoxo, Eli

[yuurivoice]

Hi Yuuri I just wanted to say I miss Howell. That’s all I hope you have a good day😊

I do too! There's still a lot about him I want to know and figure out. I was able to delve into him a bit more (and get some much needed closure) with some friends. I don't think he's really a character that I want to do various iterations of in different worlds and campaigns, because it's that specific story of his that I love. If it's removed from that world and story, I'd rather have another shot at a new character.

I was able to salvage a couple of relationships out of the rubble from the entire ordeal surrounding TnD, and I've got no beef with anyone who wasn't literal human trash, so Howell's place in my heart is unscathed in terms of being attached to a really shitty time and situation.

Reflecting on those days, that shit was a nightmare scenario. Obviously my own emotional turmoil pales in comparison to the literal criminal and victim in our midst, don't get that twisted because those most directly impacted by one asshole's actions should be the primary concern. It is a hell of a pill to swallow having something that dear to you go up in flames in such a public and grotesque way.

I don't blame anyone who feels any type of way about how it was handled and the aftermath of it. The truth of it all is, one person's really fucked up actions had widespread effects on a lot of people. The radius of that bomb was no joke.

Howell is very dear to me, and those Sundays were genuinely the favorite day of the week for me over that time. The backlash, anger, resentment, and then emptiness of it all really took its toll, as I'm sure it did on everyone caught in the blast zone.

The bad guy got got in the end, and I'm thankful for the folks who made sure that happened.

That year as a whole was really difficult. That wasn't the only heavy thing I had to work through that year. There was a stretch of six months that were probably the worst of my adult life in terms of interpersonal turmoil. The universe really took a bat to my kneecaps.

Saying ALLLLLLLL of that to say, if I had lost my love for Howell, it would have taken a significant toll on me creatively. I would not so freely share the parts of myself it takes to create the stories and characters I do now. I can pretty confidently say that something like Echoes or Shattered would never happen.

I struggled mightily with BitterSweet Chapter 3 for that reason. It was hard to want to carve out pieces of myself to share with the world, and certainly very difficult to work with anyone else out of fear that their bad actions could rob me of my passion even more.

But I learned a lot, and over that time I also think I was able to show my community how serious situations get handled while I'm at the helm. I hate that me and the team have been on the frontlines of a few really serious community PR nightmares, but I do think we've been able to exhibit an ability to treat things with maturity, respect, and direct action.

So Howell means a lot to me. We've been on two journeys, one fictional, and one real...and boy we've gotten our asses kicked more than a few times.

There is a chance, albeit a small one, that there's a DnD story to be told with Howell and some friends, for the world to partake in. Don't know if it'll happen, but the chances aren't 0%...

[nondelphic]

hey! i was wondering if you have any advice for me: I am wanting to write an epic/high fantasy book, and i started with my worldbuilding, then i moved to characters and their individual arcs. my main struggle is coming up with the overarching plot, the main conflict. any tips for coming up with ideas?

thanks for the ask, anon!! (˶ᵔ ᵕ ᵔ˶) ♡⋆𐙚₊˚⊹

tbh i don't have a lot of experience writing fantasy, but! just because i don't have "a lot" doesn't mean i don't have any!! i was in a similar situation to you literally just a few weeks ago when i started worldbuilding and outlining a fantasy plot :D

so!! i'll just tell you the process of how i came up with my plot!! i hope it can help somewhat!

♡ pulling from your worldbuilding

the beauty of worldbuilding and having complete characters is that you literally have everything you need to START writing. but as you said, coming up with an overarching plot can be difficult. i don't know how extensive your worldbuilding is, but for me, my planning included a list of major historical events/eras in my fantasy world. from this, i just decided "okay, the plot is gonna take place during the *insert historical era from my fantasy world*."

then i'd think "okay... what was society like during this historical period?" what kind of power struggles, conflicts, or changes were happening at that time?" from there, the plot practically started writing itself! by narrowing down a specific time and place within your world, you're essentially placing your characters in a pressure cooker of events that are naturally going to generate conflict.

♡ character-driven plot

another approach you can take is to look at your characters’ arcs and ask yourself what situations would force them to grow or challenge their beliefs. think about what each character wants most in life—what would happen if they couldn’t get it? or what if they got it, but at a great cost? you can build the main conflict around these personal stakes, and that can really help drive your plot forward.

for example: say you have different species in your fantasy world, and one of your main characters belongs to a species that’s an outlier in their geographical area. maybe this species has been historically oppressed, or they’re seen as a threat due to some misunderstood ability or ancient conflict. you could focus on how your character fits into the world—they might struggle with their identity, trying to prove their worth in a society that fears or rejects them. this inner conflict could be the spark for a much larger plot, like starting a rebellion or becoming the key to resolving a long-standing feud between species. their personal journey, then, could naturally tie into the broader conflict of your story.

the key here is to use the uniqueness of your character's background and situation to fuel the plot. how they navigate the world around them can lead to choices and events that shape the entire story!

♡ external threats

sometimes the easiest way to spark an overarching plot is by introducing a big external threat. it could be anything from an invading empire, a natural disaster, or even a rising rebellion. something that shakes up the world your characters are comfortable in and forces them into action. this external conflict can intersect with their personal journeys and create some interesting tension.

♡ combining personal and world stakes

the most gripping plots often combine both personal and external stakes. maybe your character is fighting for their home or family, but there’s a much larger political or magical conflict brewing that they become a part of. it’s not just about saving themselves, but the entire kingdom or world. the trick is to make sure the personal stakes are always tied into the larger conflict, so it feels cohesive.

♡ take inspiration from your fav fantasy works

don’t be afraid to pull ideas from the things you love! if a specific scene, mission, or plotline really stuck with you in a book, game or movie, ask yourself why. for example, when i came up with my fantasy plot, i was inspired by a mission in the witcher 3 where geralt and triss are navigating the tunnels under novigrad. triss, living in secret as a mage, is forced to use these hidden passageways to carry out her plans. i remember thinking, “hmm… tunnels or catacombs are a great way for people with secret missions to carry out said missions!” that one detail sparked an entire subplot for me, where certain characters use an underground network to secretly move around, gather intel, and plot revolutions.

you can take bits and pieces from your favorite stories and use them as springboards for your own original ideas. sometimes it’s a specific setting, a character dynamic, or even the vibe of a scene that can get your creative wheels turning. the key is to make it your own and let it evolve naturally in your world!

i hope these ideas don't sound too "obvious" or like "well, duh," but rather a reminder that you've already done the worldbuilding, so use it!!

good luck with your epic fantasy!! sending digital hugs filled with all the creative energy i have left today to you and anyone else reading this (´｡• ᵕ •｡`)

[roblogging]

i've had a LOT of people message me about the reboot video and the other discussions that i've had recently about jkr, about fandom, about being trans in fandom.

and i just remembered about this draft from before i even posted that video, and i think it sums up how i feel pretty well.

as a fandom, i think we need to clarify again what reclaiming a space means.

because it is not removing ourselves from the artist, especially not one as problematic as jk rowling. it is impossible for us to separate from her views as they are the forefront of her person and are heavily embedded into her works. to separate entirely is not possible, and to strive to do so is, in my opinion, optimistically ignorant.

we cannot separate art from artist when confronted with two-dimensional female characters that we have to bulk out through fandom. we cannot separate art from artist when gender norms are prevalent in the works (see here: rita and umbridge - villain women - being described as masculine). we cannot separate art from artist when queerness is attacked in her works (see here, less vividly: harry being treated awfully at a primary school called. stone. wall. (arguably a reach, i agree)). we cannot separate art from artist when names likes cho chang and kingsley shacklebolt are a thing. we cannot separate art from artist when, in books published during the irish troubles, the one irish character's entire personality is blowing stuff up.

the nazi imagery (see also: jkr denying the holocaust), the antisemitism, the oppression of women, racism.

her entire transphobic platform that has now gone on to harm cis women (which, by the way, trans people have been screaming for years that transphobia harms cis women, and we weren't listened to. see again: rita and umbridge. if you are not feminine and pretty, you are bad).

we cannot separate art from artist and we shouldn't.

reclaiming a space means that those marginalised communities? every single one of them? every single person who was harmed by her works and her subsequent platform? they can find a space in fandom.

they can find works that represent them, works that rectify the harmful stereotypes in her books, works that are inclusive and safe that still allow us to engage with the world that we love.

they can be safe.

you can engage with fandom however you want. whatever ships, headcanons, stories, ANYTHING. you can engage with it however you want.

as long as your wants do not harm others.

and even then, we cannot stop you from doing that. all we do is ask that you acknowledge that this is not reclaiming.

you cannot reclaim a space that causes harm by causing harm, no matter how indirect.

we cannot separate art from artist, no matter how badly we want to.

we can 'separate' our works from her views, absolutely. we can say that these works do not align with her views and alleviate the harm caused by what she wrote, i agree.

but that is all.

her merchandise, her parks, her books, her films, her reboots. everything with her name on and her bank account attached?

we cannot reclaim those. we cannot separate those.

and i will not pretend to be perfect. i will not pretend that i don't have merchandise, or even that i haven't considered purchasing more. i was literally contemplating going to see cursed child a few months ago, arguing with myself to try and justify why that would be a once in a lifetime experience for me.

but so was starting hormones. so was getting my top surgery approved. so was coming out and subsequently moving out of an abusive home. so was changing my name. so was living.

going to see cursed child would have been a once in a lifetime experience for me, yes. but at the cost of funding a woman who does not want me to have the same lifetime as cis people. at the cost of providing money to a woman that does. not. want. me. alive.

and it's so easy to say that one person doesn't make a difference, and i agree! i have literally said this before!

which is why i have used the collective we throughout this post.

but i also think, it's worth acknowledging that one person can make a difference. and that one person is jkr.

it is not reclaiming a space to simply say that you do not stand with her.

it is not reclaiming a space to exist as something jkr hates - i am not reclaiming this space by existing in it as a trans man. my existence is not a form of protest.

boycotting is.

it is not reclaiming a space to say "fuck jkr" and then profit her.

it is reclaiming a space when your actions reflect your words.

and that is the bare minimum.

we cannot change the source text or the views that went into them. we cannot change jkr's personal views or the way that she chooses to use her money.

we cannot use the term "reclaiming the space" to feel better about our actions, and to avoid accountability. not when funding her account.

and i don't want to hold people to account. that's not my goal; never has been, and never will be. i am not typing this to cause further harm, or to point fingers, or anything like that.

i am typing this to clarify what i mean when i say reclaiming a space, and ask that those who disagree do not enter the space i have forged for myself here.

to ask that those who put once in a lifetime experiences over me living a full lifetime do not enter my life. here for a good time, not a long time, right?

i am not in this space to explain why jkr is a bad person. i am not in this space as a form of protest. i am not in this space to explain to people that their actions have consequences - that's for teachers in nursery to explain.

i am in this space because it's fun.

and i feel annoying talking about it. i feel like i'm annoying people by bringing this up time and time again, but, to be honest, i hope that they feel the discomfort. i hope that they do get annoyed, and i hope that they recognise that any annoyance they feel about me speaking up about transness in the marauders/hp fandom does not come anywhere close to the annoyance i feel watching these videos.

because i shouldn't feel the need to take a step back from engaging interactively in fandom.

i shouldn't need to cater my online experience in a fandom that claims to be all inclusive, to get rid of people that aren't?

and these conversations are uncomfortable and, yes, to the people that it addresses, they likely are annoying.

but it makes my space feel safer. it makes me feel safer. it's allowed me to talk to now over 100 trans people in this fandom about their experiences, and made me feel less alone in this.

so yeah, i feel annoying. but i won't apologise for making my space feel safer, and i certainly won't do so to people that have shown inconsistent/no regard to the safety of these marginalised communities.

this is me ✨reclaiming my space✨ if you will

[azaiakart]

I haven’t been here in a while (bnha fandom) but as a day 1 togachako lover the recent chapters are driving me INSANE I will never be the same ever again after this

[idwdonnie]

yea. just yea.

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[kyouka-supremacy]

Yeah having infinite alternative universes where the same two people love each other no matter the world no matter the time is nice but have you considered dedicating your entire existence to find the only universe where your loved one is happy, even if they're going to hate you in that universe, even if you yourself have to die in that universe, because their happiness always came before everything else? Because you never mattered as long as they were happy? Have you considered it??????

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[yyorkwest]

happy anniversary, Fire Emblem: Three Houses. what a beautiful five years it's been

[gabester-sketch]

Had something sketched out when the news dropped but couldn’t bring myself to finish it until now 😖

[possamble]

Going back to work after this but

[non-un-topo]

My Neekeys over the last two-odd years. I was curious to see the changes 🤔

[writer-room]

Honestly Rayla is equally 100% ride or die for Callum too.

That's so true I almost mentioned it in that post. They're so ridiculously feral for each other it's hilarious to watch. Callum's the legitimate "we ride AND die together" whereas Rayla is the "I will ride and die FOR you" sort of deal yknow?

Could be literally any situation, no matter how dangerous, and she's already decided she will die here. Does it ensure Callum lives? Then batter-up buckeroo we're going in swords blazing! Everyone cheer and clap for her human or she'll blow this whole place up. Kinda person who says "even if you hate me I'd still lose everything if it meant you were okay". She thinks they're in a tragic love story where she's always at risk of losing him but that's okay as long as it keeps him safe and happy like y'know Viren parallels, she'd risk losing her very self for him over and over. Except Callum would wait until the end of the world itself, and even beyond, and she wouldn't even have to ask.

The difference between them, really, is that Rayla will die for Callum on any given day. Callum will kill for Rayla on any given day. Something something matching sets

[reachingfortheday]

saw the waitress proshot. feeling totally fine and not like i have physically depleted my store of tears