#they look fearful

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[doglikecadaver]

So like… do you guys think women want him… fish fear him???

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[beanghostprincess]

Monkey D. Luffy. Emperor of the sea. Bounty of 3,000,000,000.

[chloesimaginationthings]

Michael shows FNAF movie Mike his son,,

[schreibfederlaerm]

it's just really funny to me to imagine Fabian actually being a great big brother honorable nemesis.

like, putting a nemesis ward on the nursery with aelwyn's help since "it won't do if they die before their eighteenth birthday, will it?" (aelwyn, deeply sarcastic: "well of course, that is exactly why I put the ward on adaine's room." fabian, too deep in denial for sarcasm: "see? you get it")

gifting them a battle sheet baby blanket since they should start preparing for their battle early on (and yes it's extra fluffy, it's for a baby stop laughing everybody)

generally trying to teach them everything he knows "so their battle to the death will be a fair one"

giving their adventuring party the same lecture on tactics that the bad kids got from his papa

hunting down chungledown bim and any other nemesis so his sibling is the only one who could get a piece of his fund (he just wants it to stay in the family, shut up)

just. fabian being an amazing big brother but also if you call him that to his face he will cut you

[captainjonnitkessler]

Things I wish women were learning from true crime podcasts: how to spot early warning signs of abusive relationships, how to escape abusive relationships, how easily domestic violence can escalate to murder, how incredibly unlikely it is to be the victim of a crime done by a complete random stranger as opposed to friends and family

What women are learning from true crime podcasts: I am in CONSTANT danger and every day I survive without being murdered by a serial killer is a miracle. I should react to everyone I meet with distrust and paranoia and live my life as if I am in mortal peril and if anyone suggests that might not be healthy then they just don't understand what it is to Be A Woman In Today's Society

[agnes-come-back-challenge]

I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.

[zillychu]

hmmm "stuck in the ghost zone" no one knows au thoughts :)

[bunnybabbits]

today I learned Marina can hold guns

[0m3n-0f-d3ath]

Sock eye salmon

𓆝 𓆟 𓆞 𓆝 𓆟

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[bet-on-me-13]

Danny holds an Intervention for Brucie Wayne.

So! Danny is the head of R&D at WayneTech, and he often works closely with Bruce and Lucius when they want him to make "Proof of Concept" Gadgets and Vehicles. He doesn't question the absurdity of some of the stuff he builds, he was raised by Mad Scientists after all, all of it seems perfectly normal to him!

But he has noticed something concerning about his Boss.

He really needs to get his Partying in control. Every time he comes into work he has eyebags covered by makeup, some bruises from tripping while drunk, and he is always super cagey about what he did last night. Danny asked some of his coworkers about it, and they noticed it too.

They also bring up that he sometimes comes into work with a really foggy mind, which is probably the aftereffects of doing some kind of drugs at whatever party he was at the previous night.

Even his Hangovers seem really bad! Worse than usual, but he powers through them and keeps acting like his normal Himbo self! Danny realizes that Bruce needs to calm down. He has Kids to take care of, and Alfred needs less work on his plate

So he contacts a bunch if Bruce's Friends, his Family, and even a few coworkers who brought up their concerns to him, and he stages an Intervention.

...

Bruce didn't know what to expect when he walked into the conference room at Wayne Enterprises. He had been called in by Danny, his head of R&D, for a Meeting earlier that day, but Danny had failed to explain the purpose of the Meeting.

He had barely made it on time. He had spent the entire night chasing down Scarecrow, and a slip up had caused him to get hit by some Fear Toxin, which took forever to work its way out of his system. It didn't help that the Antidote gave him a splitting headache.

Bruce opened the door to the Conference Room, and was met with a mishmash of faces. Clark was sitting close to the head of the Table, with Lois at his right, and Diana to hers. In the crowed he could also see Dick and Steph holding in barely contained laughter, with Tim looking a little lost to the side. Damian looked as if he would rather be anywhere else, Duke was looking as list as Tim, and Cass was just smirking at him with a look of amusement.

He could also see the faces of various employees of Wayne Enterprises, among them being Lucius and Tam.

What was going on?

The door closed behind him, and he turned to see Danny standing behind him.

"Bruce, this is an Intervention."

[demigods-posts]

headcanon that when estelle is old enough. percy and annabeth take her trick or treating. and estelle dresses up in the loudest colors she can find. and claims she an international super spy. and percy and annabeth accompany her while wearing tuxedos. claiming that their her bodyguards.

[dyke-in-crisis]

I have noticed a pattern & I’m guilty of all of these

[captainswan618]

there is a person standing 73 yards some distance away, watching you. they look like they’re trying to tell you something. you can’t get away from them, nor can you get close to them. they’re just...standing there.

so your friends and loved ones try to help you by talking to them, and the person must be saying something to them, because they look at you differently now. but you have no idea what it was, all you hear is static.

you try to tell them not to listen to the person, but no matter what you do, no matter how much you plead with them, they look up at you with suspicion-hatred-fear and just run. they don’t care where they’re going, just that you’re not there. and you can’t do anything to stop it.

the more that the people in your life care about you, the worse it is, because anyone who tries to help is turned against you. so you are just gradually shut out of your own life by the people you love the most, until eventually you no longer recognize your surroundings.

there is a person standing 73 yards some distance away, watching you.

[puppetmaster13u]

Prompt 41

Hear me out, DP and DC crossover where Scarecrow is cousins with the Fentons. 

 His mother was siblings with Jack’s father, and both Jazz and Danny met ‘Uncle Jonathan’ during one of the many Fenton-Nightingale family reunions that happens every few years. Honestly, perhaps it’s what gets Jazz interested in psychology, hearing from her ‘uncle’ about fear and its effects.

 And honestly once they start having to deal with ghosts and having had to deal with their parents for years it’s not really hard to talk with their uncle. Crane still doesn’t know how he became these kids’ favorite uncle, or even all of the family kids’ favorite uncle-cousin, but that’s just how the family is. 

 Really he’s not even the only villain of the family, with both Jack and Maddie being close but not quite, even if they’re definitely mad scientists. Their son becoming a local hero, even if they’re not aware of that fact, is just ironic. 

 John knows. The two kids told him when they found out that Danny may or may not need to feed on fear now that he’s half ghost, and well he’s the specialist about the emotion so…

 At least they have someone to stay with when Jazz goes to Gotham university and brings Danny with her, even if the local vigilantes are concerned as to why Scarecrow attacks have suddenly took a nosedive…