#to be their own people and start their own society and without that help their creators just... poof! gone

[autisticrosewilson]

Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.

[cathalbravecog]

what do you think both societies would be like if toons and cogs finally make peace with each other and got along? (like with inklings and octolings from splatoon)

ohh!! interesting!! to be honest though, i know nothing about splatoon - but i can still work with this!

thing is, as the game is right now, peace really can't be made because it removes the main conflict that makes toontown, well, toontown - without it there's no gameplay. but imagining an au and a future where cogs and toons get along is interesting!

with my past headcanons i spoke of, i think it'd apply mostly to just toons from toontown and cogs inc or suitopia in general. i'll keep it as just toons of toontown and suitopia in general to keep things a bit easier to speak of since i did state i imagine suitopia as the one place where cogs are while toons are all over the place in different 'toontowns'.

in the case of ttcc (of course), i think it'd have to come with the defeat (or change of heart) for robert. probably not possible for the latter. cogs didn't know much about toons and stayed in their own place until robert and thomas started their company and basically invaded toontown.

i am not sure how that could happen - but i imagine if toons and cogs unite, perhaps they had to go against a third, bigger threat who's after them both. not all toons would agree to make peace with cogs, and not all cogs would be exactly thrilled to have to be friendly with toons -

but in the end it is better for the both of them. the cogs would have retract their invasions, polluting and taken over buildings. however, they don't have to worry about having to be repaired or have pies thrown at them due to a toon attack. that certainly saves some money - even if there's no in-come from all the other things cogs inc does.

cogs inc would probably disband completely, or turn into something else under new leadership because i highly doubt robert would agree with any of this. possibly thomas, since he's getting friendlier with the toons. (but then again, he still does regular cog stuff and doesn't stop anyone - just pointing out he isn't perfect and good himself either.)

but i imagine they could make a profit for having a place for cogs to travel to and relax in and have toontown as a tourist area. i am sure many cogs are curious about the toons and we know how tourists are. despite this being very controversial especially in relation how real life tourist attraction hot spots are (high living costs for natives living there, driving them away from their own homes), i can see this totally happening for toontown. not only that but the cogs and toons could even work together! but yeah it's to drive the point that the cogs are still cogs, they wanna make a profit. even if they're nice with the toons now

especially if they have a bigger threat now which could drive them to work together - because if everything's at peace there's just little to no story to tell.

i can see the cogs helping toons produce more gags to fight with - and perhaps helping with whatever goofy tech they may be building.

i feel like the toons and cogs would be on good terms but have conflict in a silly way - with the temperament of a lot of cogs they're still very serious and just want to get their work done - and not deal with a toon being silly and loud and annoying. still some looney tunes conflict, but in a more light-hearted, well meaning way. like, the war's over.

many toons would take time to adjust, and many would disagree with this. i can see this kind of like HTTYD, when the vikings first began befriending the dragons and inviting them into berk. they had to think of adjustments and how to live together to suit both sides.

on the other hand some cogs wouldn't be fans of this either - but in their case they can just quit, honestly. go somewhere else, find a different job. but that's okay because they're not being like sent to fight the toons now or anything. the cogs that are neutral or even happy about this would stay though.

like it'd take a looong time to adjust yknow? ive mostly been rambling about how they're FIRST getting used to each other without even knowing HOW and WHY it occurred in the first place. it'd need them to put their differences aside and see something they both want to fight for, or some other thing they share. issue is cogs and toons have MANY differences - they are supposed to be polar opposites in general if we don't think about individuals.

but again toontown is a cartoon and i think some big friendship unity COULD happen even if its less realistic. but yeah the first changes that cogs inc would have to be is to stop polluting shit and find different ways to make the company work. i'd say just turning the company place into a living area works since i already headcanon that cogs inc offers that, its basically its own smaller country for cogs outside of suitopia.

in the faaaaaaaaaaar future, things could be far different. it's just second nature that cogs and toons have peace now. perhaps the cogs learn to live simpler, more fun-filled lives. perhaps what the toons could do for the cogs is just go Fuck Capitalism and there's some reforming for suitopia? who knows! hard to imagine for the cogs who are all based on this. a hard question to answer 'coz it's like asking how to fix OUR real life society, LMFAO.

the cogs can learn that, despite them being robots made for work - there's more to life than that, they don't need to live according to their past like that. we don't even know where the cogs come from, but obviously someone had to have built them (even if i imagine cogs as part cartoon magic since they ARE alive they aren't 'JUST' robots)

the toons (of toontown) at least don't have to live in fear of the cogs invading anymore and they're possibly doing well from the new attention from the cogs AND other toons around the world. the toons can relax now, too, and focus on whatever fun hijinks they wanna get up to instead of strategizing and fighting off mean cogs. instead they can just, yknow, be chillin with them!

my brain's a bit scrambled now, i promise i had better comprehensive thoughts last night when i first read this ask so i'm sorta just blurting things out. hope y'all get what i mean!

i don't think it'd be impossible, with how many toons wanna be friends with the cogs (or lovers) (hell even family) with the cogs. but it'd be a hard feat to achieve considering how cogs are. But since many cogs just follow orders it'd need to be a change in how things are lead. (but some cogs would be more easier convinced, we already have some toon friendly/neutral cogs after all)

if i just think about this more and flesh out some of my tooniverse suitopia headcanons more, i think i'd have more comprehensive less repetetive and all over the place thoughts. but still, this is a fun thing to think about, and i'm sure it's something a lot of us cog fans would like to see in-game even just a little bit though it goes agains the whole point of the game. (but it's still in there! just within the realms of how the game works i suppose. looking at misty especially, she's the one who actively wants to befriend toons. then there's neutral cogs like cathal who doesn't even wanna fight. or chip. can't say much i haven't finished his fight yet. or hell, even high roller - they're neutral to cogs and toons - bringing them together on the show. then there's dave dave is something else okay)

but YEAH These are some long ass closing thoughts so lemme end this here since it's LONG. i just wanna explain myself my adhd is showing. TOODLES! i love your guys' asks, please do keep them coming!!

[dyketubbo]

i used to be really into the love is what makes the world go round type posts but now that ive realized a lot of that was because i was trying to Make Up for being aspec all those posts just feel so bitter to me now

[dabisqueen]

Pornstar!Dabi (Touya Todoroki) x female reader

⇢ word count: roughly 7K

⇢ plot: as a broke student, you sign up for an assistant job at a movie set. It turns out the job is more than you bargained for.

⇢ warnings: 18+, minors DNI, swearing, size kink, pierced big-cock Touya, fingering, cunnilingus (f receiving), multiple orgasms, loss of virginity, overstimulation, exhibitionism (sex in front of other people (movie set)), creampie, sweet aftercare

⇢ personal note: thank you @/blankexpressions-and-falsefires for bring my beta again! As for what you're all about to read – I have no regrets. Virgin kink goes brrr

"College has always been so crucial, such an essential part of what measures a person’s worth and determines their future."

They say college life is quite challenging. That it can help you come to realize your potential, that you learn more about yourself while in it. That the challenges you experience in university help you grow into a mature person in society.

You have several challenges to face. There's the problem that you focus entirely too much on your studies. In some ways, it’s to secure your future and to compensate for your lack of private life. In other ways, it makes you, because of inexperience, too naive for your own good. Or, as your friends have called it: too innocent. You've never had anyone touch you, never been with anyone in that way. Thus, you never get the hint when someone hits on you or finds you attractive. You have excellent grades – but unlike many of your peers, you’re still a virgin. 

Another challenge you are facing is that you aren't wealthy. One semester into your studies, you are closer to the end than you expected. Leaving your landlord's buro, you take a few steps before coming to a halt and close your eyes as if to gain some semblance of composure. You're broke and desperately need money to cover your rent and living expenses. The bank isn't going to give you another loan, and you find yourself on the verge of having to leave college without a family to support your education.

They say you have to fail first to be successful in the future. But you are beyond failing – you are simply screwed. 

You are very aware of your financial predicament. And you loathe having to live day to day on just pennies. To put it short—you are sick of being a broke-ass, loser virgin.

You sigh. 

Giving up is not a choice. So you do the next best thing: grab life by the horns and start looking for a job. Searching under your bed, clothing pockets, and between couch cushions, you scrounge up enough money to get a local newspaper. In its classified ads, only a few offers deem themselves feasible with your busy school schedule: a late-night shift at a local diner, pizza delivery, or a job doing telemarketing. None of those sound too appealing, but there might not be a choice. Then, your gaze stops at an offer that sounds too good. A movie company is looking for a production assistant on a film set; you don't need prior experience, work hours are during the weekends, and pay is double what the other jobs offer.

You don’t think before hastily grabbing your phone, punching in the number, and waiting while the dial tone rings.

After a distinct click over the other line, a man hisses, "Shimura?"

"Uhm, hi. I- I am calling about the assistant job offer. I was wondering—"

"You're hired. Tomorrow at 5 pm," the man at the other end interrupts in an annoyed tone.

He rattles off the address as you fumble around for a pen, hastily writing it down when you find it.

Before you can reply, he finishes with Don't be late and hangs up unceremoniously.

You exhale, realizing you’ve been holding your breath since he started speaking.

What the hell just happened? 

***

The path to the location is littered with brown leaves, and you struggle to keep from slipping as you walk toward the building. The address given to you is an old warehouse on the edge of town. Its monotonous, featureless walls covered in graffiti make it feel abandoned. There are no visible signs that anything is happening inside at all.

As you walk across the parking lot, you start to see small indications of life: fancy cars—far too fancy for this area- and sensual music permeating through the corrugated steel walls. 

You weren’t sure how to dress for a job you knew nothing about, so you opted for blue jeans, a white blouse, and pointy shoes with heels. Your hair is tied into a neat ponytail, and simple smokey eyes complete the look. 

You aim for a large steel door that the cars are all parked close to. As you lift your head, you take in the old brick building you are standing in front of, lined with large casement metal windows. 

There is a single doorbell, no name on it, and you hesitate before inhaling and pressing it with the tip of your finger.

You hear a clicking sound, and then the heavy door swings inwards. 

Alright, here goes nothing.

***

The set is surprisingly professional—like a luxurious bedroom sliced in half. A row of chairs faces the set on a concrete floor behind multiple cameras and some sound equipment, with the crew standing around talking.

The producer, Tenko, as he introduces himself to you–with tufts of pale hair and seemingly chronic dry lips in dire need of some chapstick – explains that your job will consist of helping around the set, distributing beverages, and handing out the script. Simple work you could do. After introducing you to the crew, he hands you a stack of papers, instructing you to pass them out.

Then you see her—the actress. She is gorgeous, dressed in an ivory-colored silk robe. Her hair is the color of the sun. Her skin is flawless and tanned, and her body is perfect- although almost definitely sculpted by a professional surgeon.

"Where the fuck is he?" You hear Tenko grumble, pulling a phone from his pocket, thumb tapping against the screen.

A flurry of activity breaks your concentration. A door flies open, and a man strides through—the leading actor, you gather, from how everyone else suddenly perks up.

"Fucking finally," the pale-haired director groans, tucking his cell back into the pocket of his jacket.

The man's hair is coal-colored, falling in messy strands into his face. His eyes remind you of the bright ocean, almost glowing in the dim light of the set. His sharp lips pull into a wide grin, his canines peeking out. He is casually dressed, wearing a pair of dark, ripped jeans and a white t-shirt, allowing you to notice just how well-toned his arms are. He is handsome, with delicate yet masculine features and sharp angles set in his face. His eyes are heavy-lidded, and his thin lips form a troublesome grin when his eyes meet yours. 

Shit. 

He holds your gaze before dragging his sinfully blue eyes over your figure and looking away again. Your heart skips a beat because even in the low light, you can see that the actor is incredibly hot. Totally your type. You can't help but stare at him, watching how he moves, the way his muscles ripple under the thin fabric of his shirt, the way his thighs bulge in his tight pants. 

Speaking of bulge. 

It's the biggest one you've ever seen, and the sight of it sends a pang straight to your core. Your cheeks heat up automatically. 

Stop it!

You curse inwardly a few times for thinking lewd thoughts on a professional movie set.

But—you can't help it. He just looks too handsome. It stirs something inside of you you've never felt before. You sigh, knowing that this man has already made his way into your dreams, but in the end, they’ll stay just that— dreams. 

Someone like him would never want to lay a hand on you.

As he approaches the stage, the man stops dead in his tracks, staring at the actress with a bored expression. 

“Not her again.” You hear him groan.

The actress snaps her head around, a stunned expression on her face. “Pardon me?”

"The script calls for an innocent girl." The actor deadpans. "No one's gonna believe that with you in the female role."

The actress jumps to her feet. “How dare you talk about me like that!”

Tenko hisses, “Didn't you read the script? You would have known you film with her today, Touya—"

“I told you not to use my real name on set,” he says with a blase, somewhat impatient gaze.

“And I told you not to let out your frustration on the set, Dabi.” The director retorts.

“Frustration caused by your actions.” Dabi deadpans.

You hold your breath as your eyes dart from the director to Dabi and back to the actress. The rest of the crew acts like this is an everyday commotion on the set. 

“This is not a request— I'm not doing the scene with her, " Dabi says, crossing his arms in front of his chest.

The actress jumps from her chair, visibly outraged, as her cheeks flare red with anger. “You're such a dick!”

“Yeah, you're right. But I’m the best dick in the industry.” He turns around, a sardonic finality in his tone.

You stare at the scene before you, the forgotten papers clutched tightly to your chest. The blonde woman stares at the dark-haired man, infuriated. 

“So, it's either me—or her.” Dabi addresses Tenko, who isn't even trying to de-escalate the situation. “That's my final say.”

“I can't believe you're doing this to me!" The woman wails exaggeratedly.

"Sweetheart, we need someone who conveys innocence. Not some chick as fake-looking as you," Dabi purrs with false care. “Go carry your plastic off the stage already.”

Tenko scratches his neck in annoyance. He watches as the actress slings an array of profanities at Dabi before storming off with quick strides toward the door, slamming it shut behind her.

The dark-haired man stands at ease, reaching into his pants pocket to retrieve a cigarette, lighting it, and taking a deep drag. “Thank god she's gone. What were you thinking, Tenko?”

“Dabi, she's the most requested—” 

“I don't give a fuck.” he runs a free hand through his dark bangs. “She sucks.”

You listen to them bicker, getting more confused by the second. 

“So—what do you expect me to do now?” Tenko's scratching increases as he starts pacing up and down the set. “Production costs will double if we cut and pick things up on a different day. Not to mention the cost of finding a new replacement.”

He jumps off his chair, pacing around the set. Then he grumbles, “We’ll take a ten-minute break. I need to come up with a solution or else—”

“We need someone Pretty, no makeup, normal clothes.” Dabi suggests, "That won't be too expensive. Someone who looks undefiled, innocent.” Dabi's gaze wanders across the room. “Like a student or something.”

Then he sees you, and a smirk tugs at his lips. His stunning sapphire eyes look you up and down. You swallow hard, your shaking hands almost crumpling the papers in their tight grip.

"Like her." Teal eyes narrow as they focus on you. 

You blink back at him dumbly, the room around you completely silent.

"Me?" You answer, his words catching you off guard.

"Yep. You." Dabi's smirk returns, a playfulness in his eyes. 

The director stares at you with the same baffled expression written on your face. "Her?"

"Yep. Her." His grin widens.

"B-But, I can't!" You counter. " I'm a simple student, not an actress—"

"That's exactly what we need." The twinkle in his eyes is still there, "And you have a pussy, don't you?"

"Yes, I—” You catch yourself, your cheeks flaring hot. “W- What does that even have to do with this movie?"

Suddenly, the room goes alive with murmurs and whispers.

Dabi quirks a brow. "You're telling me you don't know?"

"Don't know what?" You helplessly look around.

The dark-haired man turns to his director, "You didn't tell her?!"

Tenko mumbles something about how you would have found out eventually. 

Dabi steps toward you and crosses his arms in front of his chest. "Doll, this is an adult film set."

"A what?" You dumbly blink at him.

"An adult film set. You know, where people fuck." He leans forward, deep azures sparkling salaciously. "You know how fucking works, don't you?"

"Yes, I mean—in theory?" A heat washes over your face and flushes down your entire body.

"Yes or no. What is it?" Dabi asks teasingly, raising an eyebrow.

The heat in your face has reached the tip of your ears as you stammer. "It's none of your business."

He steps even closer. "C’mon, sweetheart, tell us."

He smirks, eyes narrowing as he leans closer. He looks at your lips, then back at your eyes. You can smell him with how close he is leaning in. His deep, masculine scent surrounds you, sending a jolt of heat straight through your core. Even though your mind wants to scream at him, to tell him off, you hear a timid voice whisper, "I’ve used my fingers? Maybe some toys?"

It is your voice.

"You're telling me you've never done it with another person?" This time, it is Dabi’s turn to sound baffled as he leans back, taking you in. "That you're a virgin."

"I-I…" You stammer, swallowing dryly.

Looking over his shoulders, he calls over to his director, "It'll break records if we film this. You're aware of that, right?"

"I am." Tenko snaps, scratching at his neck irritably, "You don't need to tell me."

"Ok, then it's a deal.” He nods towards you. “I want her—or I'm leaving."

"You little piece of—" Tenko growls. "That's extortion."

"You won't regret it," Dabi says, shrugging nonchalantly.

"Shouldn’t I have a say on this too?" You ask, but both men ignore your words.

"Ok, it's a deal," Tenko murmurs. "How much do we pay her?"

Dabi turns his gaze back to you. "You need money, right? Or else you wouldn't be here.”

"That’s none of your business."

"C'mon, sweetheart, This is your chance."

“Yes, I mean… " a sound of annoyance bubbles up your throat. "I can't afford my rent anymore, and my landlord will kick me out if I don't pay up soon."

“I sense an opportunity here," Dabi smirks. "Tenko, how much will you pay her if she agrees to do this with me?"

"How much do you want?" Tenko asks you.

“I-I don't know. I've never thought about it." You shyly add.

"Pay her rent plus an allowance," Dabi suggests. "Tenko, you know she's worth it."

"That’s too m—" You swallow hard.

Tenko mumbles disgruntledly: "OK, I'll do it.” 

“You what?" His words leave you stunned.

Dabi interrupts quickly. "What he's saying, sweetheart, is that he'll pay for your rent - if you let me fuck you.”

His lewd words and the deep blue pools of his stunning eyes send a flutter through your stomach. 

“In front of all these people?!" 

“That's what porn is all about, doll.” Dabi chuckles, studying your reaction.

You swallow hard.

"So? What's it gonna be?" He cocks his head, waiting. 

You have always prioritized safety, so common sense tells you to stick to your usual way of life. However, look where common sense has led you: You're almost broke and may need to drop out of college. 

This could be a bad decision. But, it's time to throw safety to the sea.

"OK, I'll do it," you proclaim, and a round of applause and cheers erupt on the set while Dabi nods appreciatively.

“Congratulations, you're hired. Now, get ready before I change my mind.” Tenko waves a hand. “We still have a movie to film here.”

Your heart starts to race, a crushing weight bearing down on your chest. But you know that you have no choice. It's either a free porn loan—or being a forced college dropout. Taking a deep breath, you ball your hands into fists, trying to ignore the signs of panic your body is giving you.

"Okay, everyone, resume positions. And hand her the script.” Tenko moves to his chair, sitting down in it. “Let's do the first take." 

"Hold on," Dabi says. "Why not do it a bit differently this time? No script, no acting— just raw footage. The whole thing.”

“You mean a one-shot film?” Tenko looks surprised. “I suppose that would work. Especially with a new actress.”

“Are you okay with that, doll?” Dabi smiles at you, and there's a warmth in his voice that wasn't there before.

“Do I have a choice?” you sigh.

“Not really.” He winks.

"Are you two lovebirds done flirting over there? " Tenko asks, " Because we're ready to film.”

“We weren't flir—” you protest, but Dabi bridges the distance between you.

"So, sweetheart?" He leans in, his face hovering close, sharing a breath with you. "How are you feeling about being fucked on camera?"

“Nervous.” you bite your lips, your face starting to burn.

"Doll, don't be; just focus on me," he soothes, stroking your cheek. “Forget about everyone else; I'll take care of you.”

He takes your hand and pulls you towards the bedroom set.

“Quiet!” Tenko raises a hand, and complete silence falls over the set as the crew prepares to film you both. 

Tenko calls out a set of commands, which different crew members around the room answer.

“Sound?”

“Set.”

“Camera?”

“Set.”

“Roll sound.”

“Sound rolling.”

“Roll camera.” 

“Camera Speed.” 

“Marker.”

A man with a clapper board enters the scene and calls, "Scene one. Take—uhm— whatever." 

Dabi nods, and that is the cue. The lights dim, and the cameras vanish into the darkness; only the red lights betray their existence. 

You glance around, your stomach in knots, as you realize that this is no game, that this is it. The only thing visibly lit was the bed standing a few feet away. The crew's faces are barely visible as everyone watches you, the man behind the camera tilting it, filming you from bottom to top.

“Hey baby, you alright?” You hear Dabi's voice.

“N-No, not really.” You stammer, your hands trembling, your breathing picking up, as your eyes frantically dart around the dark set. “I don't know if I can do this.”

“Sweetheart, look at me.” You feel a finger hook under your chin when Dabi tilts your head to meet his gaze. It's intense, the turquoise of his irises gleaming almost unnaturally. 

You feel your heart sink into your stomach as his thumb caresses your skin. When he closes the already minimal distance between you, your eyes flutter close in reflex. His lips are sensually warm and addicting against your cheek, and your heart starts thrashing wildly inside your chest in response. Something changes between you, an intimacy blooming as the voices of the people mute.

It's all you need to distract your mind, to make your body heat up. Not with anxiety—

—but in anticipation. 

“Are you ready to give me your virginity?” His low voice rumbles close to your ear.

You nod, like in a haze, every caress of his lips causes your skin to tingle, to burn with passion. He shifts, and you feel him faintly brush your lips, and a zap of electricity courses through your veins. Then, your lips are united in his first tentative kiss. They are so soft, and the way he kisses you is so delicate, almost tender— deliberately slow.

You relax, giving in to how wonderful this feels. His tongue slowly traces the shape of your lips, and you feel your brain short-circuiting. Angling your head to the side, you part your lips, begging him to enter. Dabi reacts instantly, his tongue slipping your mouth, delving deeper, tasting you, consuming you.

You groan—how could a man taste so good?

It makes your knees buckle, and you start panting into his mouth, your instincts taking over, your body reacting to his touch. A desire, a passion, awakens like a wild animal roaring, and you feel a wave of arousal pool in your panties. You can't help it, and you slide your hand underneath his shirt, your other hand circling his neck. You can feel him smirking into the kiss, but the sound carries off into a groan when you rake your nails down the small of his back. 

As he breaks away, a warmth lingers between you and him while he admires your wet, pink, swollen lips, "A little eager for your first time, huh?"

The kiss leaves you dizzy, and you can't seem to form an answer, too stricken by his closeness and intoxicating scent.

The moment passes, and then his lips smash against yours so fast you don't even have time to react. He presses his hips against yours, his clothed hardness grazing against your heat, letting you feel just how hard you’ve made him.

Holy shit.

He's not gentle anymore; he's rough and demanding now. He is taking you, enjoying the shaky gasps that leave your lips. Dabi’s hands trail down your side to find your ass cheeks. He lifts you by the thighs onto his waist skillfully, never breaking the kiss. Carrying you easily toward the bed he releases his hold and you topple onto it, panting heavily.

The lights around you heat the air, and you notice one camera panning across the set while the other tracks toward you on a dolly. Just as your heart starts picking up an anxious speed again, you see a movement to the side. Dabi yanks his shirt above his head, the muscles in his stomach flexing with every movement.

The second the fabric touches the floor, he's on you with his lips pressed to yours and his tongue in your mouth. You feel yourself getting lost in the moment of passion and all you can see is him. Your stomach somersaults and the world around you ceases to exist; it is just you and him— the people around you and the cameras wholly forgotten. The world, right now, only revolves around the two of you.

“You taste so fucking good,” he breathes into your mouth, hazy eyes glowing with arousal. "How do you taste so fucking good?”

You feel his hand sneak underneath your shirt to slowly pull it off over your head. Next, he skillfully removes the rest of your clothes off until you are lying below him, sex and breasts cupped by delicate cotton underwear. 

“Look at that,” he muses. “So innocent.”

Sliding his hand behind your back, he unhooks the bra with an expert pinch of his fingers. Your breasts spill out as he slides the straps off your shoulders, tossing it aside. Then his gaze lingers on your soft, round tits.

“Damn,” he cups them and squeezes them gently, “Where have you been hiding, girl? You're perfect.”

He slides his fingers over your nipples and a low moan tears from your throat. Dabi lets out a low rumble as his hands continue to work your breasts, rubbing and plucking at your stiffening nipples. There’s a deep throb low in your body, pulsing between your thighs, and you're startled at the way you’re reacting. You are so turned on—his touch only adds to your body’s cravings, and as his large palms glide over your breasts; it pulls the breath from your lungs as it simultaneously fuels your desire. His thumbs drag over your nipples again, rolling it between his fingers before leaning down to lick at your pebbled nub. He makes you feel breathless with excitement the more he focuses on toying with your breasts, rolling the tips back and forth between his thumb and forefinger. 

It makes you crazy with need until you're aching, shivering throughout your entire body. You're gasping for breath the entire time Dabi has his lips wrapped around your erect nub, sucking it to send a tingling sensation straight through to your core. Then he's biting just hard enough to make you squeal before soothing the puckered nub with a flick of his tongue.

“You’ve got the most amazing tits,’ Dabi murmurs against your skin. “So soft and full. So natural.”

While he switches from pliant nipple to pliant nipple, you feel a stray hand hook its fingers under the seams of your panties. He releases your nipple with a pop and peppers kisses down to your tummy while he adeptly pulls the little piece of fabric down and off your legs. You're now utterly naked below him while Dabi continues revering your body with wet kisses and nibbles, moving downward until you feel his warm breath on your pubic mound. He spreads your trembling legs, his eyes glazing over your pussy, pupils expanding and then retracting into pin slits.

"Look at that pretty pussy." His breath is hot against your soaked folds. "And so fucking wet—you're dripping."

A shameful sound spills from your lips at his words, and you writhe in his hold. But his hands keep you in place. 

"You're seriously telling me,” he slides his fingers up and down your glistening folds, “No one's been here before?"

You squirm below him as a camera zooms in on where Dabi’s eyes are affixed– between your thighs.

“Cause you have the prettiest pussy I've ever seen.” He snickers. “And I've seen a lot.” 

His warm, calloused fingers slide up and down your slippery folds, his hot breath fanning over your sex. Then he spreads apart your sweet lips; it makes you shudder in anticipation, and Dabi chuckles.

“I can see you twitching for me.” A finger sinks in, making you arch your back the deeper it goes. 

The camera behind him zooms in on your blushing face, and you cover it with trembling hands. 

"Nu-uh, no hiding. Look at me." He slaps your clit lightly—making you jolt. "Let us see your pretty face."

You whimper softly, because you've touched yourself before—

—but this just feels so much more intense.

“Dabi—” you choke out, flinching in pleasure when he slides a hand underneath your ass, 

raising your hips to have more access to you. 

“Relax, baby, I'll take care of you.” A growl tears from his throat, and then he drags his tongue over your gleaming folds, tasting you. 

You cry out, your body shuddering. Over and over, Dabi licks you with deep, claiming strokes, using his tongue to explore every bit of you. 

“Damn, you taste better than anything I've ever tasted.” He pushes his wet muscle into your core, frantic to have more of you. 

“Oh my God. Dabi!” Your toes curl, and your thighs tighten around him. You're both – startled and aroused at his eagerness. Any worries you have are melting away as he drags his tongue over you again and again, making you squirm with need.

A moan escapes your lips– loud, uncontrolled– when his tongue flicks over your folds. When he grazes your little button, you jolt as if you've been stung. 

He hums appreciatively and buries his face into your warmth, seeking out that sweet nub. Your body jerks as he moves his tongue over it, repeating the action when he does it again. You give a little wail, and your hands curl into the fabric the longer he teases. He eagerly works that spot, and you cry out with little choked gasps.

As his tongue circles your clitoris, your sensations spiral out of control. You can feel the tension increasing in your body with a growing urgency to be released. 

“Dabi,” you pant with every flick of his tongue. But he doesn't respond, does not hear– or pretends not to. He buries his face in your folds, hands holding you down by your hips.

With every quiver that moves through your body, with every shiver of response, every tensing of your muscles, you draw closer to the edge.

You writhe against Dabi, with his face between your thighs, lapping at your juices. All the while, he continues to work your little clit with his tongue in slow, steady strokes. 

Suddenly, the feeling that you’re about to cum overwhelms you. Your pussy clenches, dripping with your juices, and your clit is ready to burst.  

Your hips jerk against him, and then a release explodes in your mind, your thoughts crashing all around you. You come with a slight scream that morphs into a moan, but Dabi does not stop his ministrations—

—no.

He continues to lick and suck as you come and come and come.

It's too much; you feel like exploding. You’re a moaning mess, fingers slipping between Dabi’s strands, pushing and pulling at his roots unsure if you can take it if he keeps going like that. 

Your entire body is on fire. The orgasm continues to surge through you– more intense than anything you’ve experienced by yourself– with Dabi gently sucking and licking at your clit. You are delirious, feel like you are floating with no way to find your path back to earth. 

“Dabi, please—” you choke out.

Dabi’s mouth detaches from your overstimulated nub and straightens up, licking your cum’s sweetness off his lips. Crawling on top of you, he gazes into your eyes. “Doll, tell me—what do you want me to do?”

You see his jeans straining from the bulk of his erection and swallow, your body responding with a flood of hormones. 

“Please fuck me,” you whisper, thinking in ways you never have before.

You want to beg him to be gentle, but you can’t seem to form the words when you see him unbuckle his belt before unzipping his jeans, his eyes carefully watching your expression as he does. His cock springs to life, and you swallow thickly. It's enormous—and pierced. 

You feel a momentary pang of doubt, questioning if that monster will even fit inside you. The previous excitement and adrenaline pumping through your veins gradually turn to panic. Your breathing picks up as you stare at his cock, wide-eyed. 

“You look worried,” Dabi says, stroking it with one hand. His raised eyebrows and amused grin tell you he's used to this type of reaction. 

“Are you sure…” you nod towards his cock.

“Trust me,” he says. “I’ll make sure you feel good. It’ll be the greatest thing you'll ever experience.”

Your entire body yearns for his touch, and there’s no way you're saying no now. He’s spreading you wide open, hands on your knees, before he moves to hold himself in hand to align his cock with your entrance.  

"Do you want me to fuck you?’ Dabi asks as he drags the head of the tip up and down your slit. 

“‘S not gonna fit,” you whine with a worried expression.

“Don't be scared,” Dabi says, "I know what I'm doing. So, you'll be a good girl and take it all, right?”

“I'm not sure,” you whisper.

“I know you can...” His eyes stare at you with a desire so intense that you almost feel intimidated. 

He’s spreading you wide open, hands on your knees, before he moves one to hold himself and align his cock to your entrance. The pressure between your legs increases as Dabi nudges the pierced tip of his cock against you.

“Get ready,” he whispers.

A mix of a gasp and a cry leaves your lips as Dabi strains against you, feeling like he’s trying to shove a massive pole inside of you. You squeeze your eyes shut as tears gather in your lashes, and Dabi holds back, kissing you, waiting for you to relax.

“Easy,” he says softly, “I’ve got you.” 

The softness of his tone relaxes you and the tension in your shoulders lessens. Then, somehow, something gives way, and he enters you. You gasp, your body opening up to accommodate the massive dick that is now sliding inside of you. 

"Oh my god—” You throw your head back, hands clawing at his shoulders in a weak attempt to push him away.

“Fuck, you’re so fucking tight,” he hisses, eyebrows furrowing before he hits resistance and then pushes forward.

There’s a sharp pain slicing through your core, and you don't know if it's from the stretch or a tear. Probably both. It hurts, and you squeeze your eyes shut, forcing tears down your cheek. Dabi continues to push his hips forward, only stopping once he’s entirely inside, heavy balls pressed against the crease of your ass. The cameras zoom in on the bulge in your womb, where his dick sits buried deep inside of you. But you don't notice them, your brain too consumed by him filling you up, his whole weight resting against you. 

“You ok?” Breathing heavily, he drags his eyes back and forth over your face. 

“Gimme a sec.” Your lips press into a thin line as the pain from the stretch slowly turns into a dull throb. After a moment, you nod...

"I'm gonna start moving now," Dabi says— and then does precisely that. 

Just as you start to feel your body relaxing, he withdraws, only to plunge himself in again. The sudden shock of the movement is incredible. You feel every ridge, every single thick vein. It feels fantastic, and as he slowly slides back in, you can appreciate every inch of his cock. He starts an even rhythm, rocking inside you gently. 

“Shit, just squeezed me so fucking tight,” he moans in response. "I’m warning you, don't make me lose my composure. You don’t want to see me act up.”

Your mind feels detached from your body; you don't hear him, don't even notice the camera zooming in, focusing on how your face scrunches and your lips quiver because of how good he makes you feel. 

He grabs you by the waist and brings you closer to him. Raising both legs in the air, he pushes them forward until your body is folded in half.

“Oh—shit—” You choke out, the walls of your sex stretching to accommodate him. 

“I’m gonna make you cum,” Dabi is panting hard as he starts driving his cock rapidly in and out of you. “You won't be able to walk for days.”

“I-I can’t—” your jaw slackens as you tighten around his dick again, the ability to form comprehensive answers having left you the moment he breached your walls.

He rams himself deeper while his fingers slip between your strands, guiding your face upward, your mouths colliding in a frantic kiss. 

It starts as a slow burn that gradually builds into a white, blistering heat. A feeling begins coursing through you, making you lose control of your body. You tense and arch your back, your head digging back into the pillow, voice caught in your throat. And just when you think you can't take it anymore, all that tension releases, and you cry out loud, a turbulent wave of pleasure hitting you like a storm. All your nerve endings are seemingly set ablaze while Dabi fucks you through your orgasm. 

His eyes are wide with wonder, hearing and feeling you come undone around him. The way your eyes are shut tightly in pleasure, your entire body trembling and shaking in ecstasy, is the best thing he's ever seen. It makes his chest swell with pride. Still, it feels like it's not enough, though, and he needs more. He wants to own you, possess you, make you his.

Dabi snaps. 

With a suppressed growl, Dabi grabs you by your hips and flips you over onto your stomach. He's not letting you catch your breath before he propels his cock back inside you again. His hand slides from the dip in your spine to the spot between your shoulder blades, pressing down until your face is buried in the sheets. At this angle, he reaches even deeper than before, his piercings rubbing your G-spot just right. Your hands tightly fist the soft duvet with every drive of his hips, knocking the air from your lungs.

Dabi seems delirious, pistoning in and out of you now. Reaching forward, he gathers your hair around his fist, tugging it to keep you in place, forcing your head up from the sheets. You sob out his name, your chin and cheeks covered with your drool and tears. 

But Dabi is drowning too deep in pleasure to notice. 

"I’m gonna fuck you so hard you’ll never think of anyone but me in your fantasies," Dabi growls while your elbows shake under the pressure of his forceful thrusts.

Slowly, your mind is falling apart with the pleasure pulsing through your body. Dabi starts drilling his big cock into your even faster now. You tremble below him, thighs quivering when you feel another orgasm building up. 

“You gonna cum for me again, princess?” Dabi groans, “I can feel your pussy clenching around me.”

You nod, too exhausted to form any words. Dabi tightens his hold on your hip, fingers digging into your plush skin, holding you still. 

“I’m gonna cum with you,” he tells you. “I’m gonna fill up your tight hole, gonna breed you so good—fuck!”

"Please—" you whimper pathetically, finding yourself trapped in his lewd promises. 

And then you lose it, feeling like the world is disappearing underneath your feet. Pleasure rips through you, leaving you with no strength. It’s an intense tingling pleasure that starts in your core and spreads through your whole body, from your fingertips down to your toes. It's all-consuming and euphoric, your body not knowing what to do with that much sensation at once. 

You feel your body falling off a cliff into a pile of tingling ecstasy as you cum again with a broken whimper escaping your lips. The orgasm is even more potent than the last ones, like a massive burst of pleasure; all that tension explodes and shoots up the back of your legs and everywhere else. You moan and shudder, your pussy clamping around his cock. 

“That’s it,” Dabi lets out a long, shuddering groan. “Just like that.”

You forget to breathe while Dabi keeps fucking your harder and harder, feral with desire, shoving his cock as deep inside you as he can.

“Oh fuck—” You gasp out, arching your back, fingers twisting against the sheets.

No sooner have the words slipped from your lips that you feel your whole body lock tight again—and then unravel. You forget to breathe as an unending cascade of euphoria detonates deep inside of you. You come undone, shaking uncontrollably as juices gush from your pussy, dripping down Dabis balls, drenching the sheets below. 

Dabi groans, his eyes screwing shut, head dropping back. With one final possessive thrust of his hips, he cums, shooting his seed deep inside you. You feel his cock twitch as he moans heavily, eyebrows sewn together. His body is shuddering, his hips hitching while he rides out his orgasm.

You’re faintly aware of your surroundings, buried too deeply in your bliss. Unable to take any more pleasure, you slump backward. Dabi slides his softening cock from you with an obscene wet sound before dropping down onto the bed beside you, taking you with him.

“Fuck…” he breathed out, caressing your skin. “That felt so—”

‘And—cut!’ You hear a voice call, speaking its way into the mush that is your brain, slapping you back to reality.

You open your eyes and look around in shock, having completely forgotten where you are. The lights switch on, almost blindingly bright. People start hustling about the set, and cameras mere inches away from you now pull back into their waiting positions. 

“That was perfect,” you hear Tenko say through the noise filling the set now.

Your breath catches in your throat, an unsettling feeling beginning to well inside you. Your heart starts pounding at an increasingly rapid pace while you feel panic stretch its icy fingers up your spine.

You feel a warm hand cradling your face, angling it to the side. It’s Dabi. He places his mouth over yours without further ado. 

“You are perfect.” Dabi coos into the kiss, and it happens again— butterflies erupt in your gut, the world around you fading until there's only you and him.

Instinctively, you let go, feeling the tension slowly dissipate and your heart calming down. Dabi smiles as he breaks away from you, and you feel it— a lingering warmth, an unseen connection that spins fragile threads between you both.

A man approaches to help you get out of bed, but Dabi, whose face is still dewy with sweat, moves between you both. He takes the bathrobe from the guy and wraps it around your shivering body before getting dressed himself.

Helping you off the bed, he drapes an arm around your shoulder and leads you past the celebrating crew members from the set until you’re backstage. 

Once in the changing room, he closes the door behind him and leans against it. 

“That was something…” he muses. “You’re a natural. Would you ever consider doing this again with me?’ 

You're caught off-guard, his face radiating a tenderness that fills your heart with something joyful. A warmth spreads across your face, your hands gripping the soft belt of your robe as you nip at your lower lip. “I-I don't know.”

“You should,” Dabi kicks off the door frame and saunters over you with a sinful, obscene sway of his hips. His hand finds yours, fingers interlacing in a silent agreement, pulling you into a tight embrace. “Think about it…”

He lets the words hang in the air for a second. When he pulls away, his arms wrap around your neck, lower half still pressed against you as if you’re not a stranger. He looks down at you like the two of you have been dating for years.

“So, I was wondering… what are you doing later on?” Dabi kisses the tip of your nose. “Do you want to grab a bite to eat and get some drinks?”

“Are you asking me out on a date?” A new desire for him grows inside of you. You smile back at him, reaching up to gently play with his dark hair.

“Maybe?” His lips curl into a devious smirk.

“Is this even allowed?” Chest to chest, your heartbeat slowly catches up to his, as if your bodies react simultaneously to each other's warm touch.

“Maybe?” Dabi repeats, his thumb gently brushing along your lips.

When you look into his eyes, a tenderness softens the rough edges of his sharp features. It makes you wonder, he’s been so sweet and caring after everything that happened today– you actually believe he’s a genuinely sincere and nice guy. You feel your heart quiet when you’re with him, as if you have found peace. 

“Well…” you consider, “I've just thrown all my morals into the wind. So, might as well go on a date with a pornstar, right?”

“You won't regret it.” Dabis laughs softly. “Even though you might not be able to move after I'm done with you—”

“Is that so…” You are torn between scolding him or laughing because he's so cute. “Ok, big boy, whatever you say.”

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[trans-axolotl]

also in regards to that last article about varied ways of thinking about psychosis/altered states that don't just align with medical model or carceral psychiatry---I always love sharing about Bethel House and their practices of peer support for schizophrenia that are founded on something called tojisha kenkyu, but I don't see it mentioned as often as things like HVN and Soteria House.

ID: [A colorful digital drawing of a group of people having a meeting inside a house while it snows outside.]

"What really set the stage for tōjisha-kenkyū were two social movements started by those with disabilities. In the 1950s, a new disability movement was burgeoning in Japan, but it wasn’t until the 1970s that those with physical disabilities, such as cerebral palsy, began to advocate for themselves more actively as tōjisha. For those in this movement, their disability is visible. They know where their discomfort comes from, why they are discriminated against, and in what ways they need society to change. Their movement had a clear sense of purpose: make society accommodate the needs of people with disabilities. Around the same time, during the 1970s, a second movement was started by those with mental health issues, such as addiction (particularly alcohol misuse) and schizophrenia. Their disabilities are not always visible. People in this second movement may not have always known they had a disability and, even after they identify their problems, they may remain uncertain about the nature of their disability. Unlike those with physical and visible disabilities, this second group of tōjisha were not always sure how to advocate for themselves as members of society. They didn’t know what they wanted and needed from society. This knowing required new kinds of self-knowledge.

As the story goes, tōjisha-kenkyū emerged in the Japanese fishing town of Urakawa in southern Hokkaido in the early 2000s. It began in the 1980s when locals who had been diagnosed with psychiatric disorders created a peer-support group in a run-down church, which was renamed ‘Bethel House’. The establishment of Bethel House (or just Bethel) was also aided by the maverick psychiatrist Toshiaki Kawamura and an innovative social worker named Ikuyoshi Mukaiyachi. From the start, Bethel embodied the experimental spirit that followed the ‘antipsychiatry’ movement in Japan, which proposed ideas for how psychiatry might be done differently, without relying only on diagnostic manuals and experts. But finding new methods was incredibly difficult and, in the early days of Bethel, both staff and members often struggled with a recurring problem: how is it possible to get beyond traditional psychiatric treatments when someone is still being tormented by their disabling symptoms? Tōjisha-kenkyū was born directly out of a desperate search for answers.

In the early 2000s, one of Bethel’s members with schizophrenia was struggling to understand who he was and why he acted the way he did. This struggle had become urgent after he had set his own home on fire in a fit of anger. In the aftermath, he was overwhelmed and desperate. At his wits’ end about how to help, Mukaiyachi asked him if perhaps he wanted to kenkyū (to ‘study’ or ‘research’) himself so he could understand his problems and find a better way to cope with his illness. Apparently, the term ‘kenkyū’ had an immediate appeal, and others at Bethel began to adopt it, too – especially those with serious mental health problems who were constantly urged to think about (and apologise) for who they were and how they behaved. Instead of being passive ‘patients’ who felt they needed to keep their heads down and be ashamed for acting differently, they could now become active ‘researchers’ of their own ailments. Tōjisha-kenkyū allowed these people to deny labels such as ‘victim’, ‘patient’ or ‘minority’, and to reclaim their agency.

Tōjisha-kenkyū is based on a simple idea. Humans have long shared their troubles so that others can empathise and offer wisdom about how to solve problems. Yet the experience of mental illness is often accompanied by an absence of collective sharing and problem-solving. Mental health issues are treated like shameful secrets that must be hidden, remain unspoken, and dealt with in private. This creates confused and lonely people, who can only be ‘saved’ by the top-down knowledge of expert psychiatrists. Tōjisha-kenkyū simply encourages people to ‘study’ their own problems, and to investigate patterns and solutions in the writing and testimonies of fellow tōjisha.

Self-reflection is at the heart of this practice. Tōjisha-kenkyū incorporates various forms of reflection developed in clinical methods, such as social skills training and cognitive behavioural therapy, but the reflections of a tōjisha don’t begin and end at the individual. Instead, self-reflection is always shared, becoming a form of knowledge that can be communally reflected upon and improved. At Bethel House, members found it liberating that they could define themselves as ‘producers’ of a new form of knowledge, just like the doctors and scientists who diagnosed and studied them in hospital wards. The experiential knowledge of Bethel members now forms the basis of an open and shared public domain of collective knowledge about mental health, one distributed through books, newspaper articles, documentaries and social media.

Tōjisha-kenkyū quickly caught on, making Bethel House a site of pilgrimage for those seeking alternatives to traditional psychiatry. Eventually, a café was opened, public lectures and events were held, and even merchandise (including T-shirts depicting members’ hallucinations) was sold to help support the project. Bethel won further fame when their ‘Hallucination and Delusion Grand Prix’ was aired on national television in Japan. At these events, people in Urakawa are invited to listen and laugh alongside Bethel members who share stories of their hallucinations and delusions. Afterwards, the audience votes to decide who should win first prize for the most hilarious or moving account. One previous winner told a story about a failed journey into the mountains to ride a UFO and ‘save the world’ (it failed because other Bethel members convinced him he needed a licence to ride a UFO, which he didn’t have). Another winner told a story about living in a public restroom at a train station for four days to respect the orders of an auditory hallucination. Tōjisha-kenkyū received further interest, in and outside Japan, when the American anthropologist Karen Nakamura wrote A Disability of the Soul: An Ethnography of Schizophrenia and Mental Illness in Contemporary Japan (2013), a detailed and moving account of life at Bethel House. "

-Japan's Radical Alternative to Psychiatric Diagnosis by Satsuki Ayaya and Junko Kitanaka

[warrioreowynofrohan]

Seeing Protector of the Small fanart reminded me of something I wanted to say.

One of the things I love about the series is that Kel’s life gets better over the course of it. Oh, the enemies she’s facing get tougher - in the first book of the quartet she’s an 11-year-old fighting bullies at school, by the fourth one she’s an adult fighting in a war - but the number of people she’s got on her side and at her back expands immensely.

In the first book, she’s virtually on her own at the start and she has almost no control over her fate - whether she will be able to pursue her dream of being a knight depends solely on the arbitrary judgement of a raging sexist. By the second one, she still has enemies, but also a sizeable group of friends, and is a mentor to younger students. By the third, she has some of the most powerful people in the kingdom on her side, and is virtually never without either emotional support or people willing to go to bat for her. In the fourth, she has dozens of people – including the aforementioned raging sexist, who has some of the best character development in any Tamora Pierce novel – supporting her when she does something that is technically illegal.

She’s never more alone or less in control of her fate than the moment, as an eleven-year-old girl, when she says (paraphrased): “If I want to be a knight in order to help people, then I’m going to help people now even though it will probably ruin my chances of ever becoming a knight; because otherwise what was the point?” And the fact that she sticks to her principles doggedly and refuses to turn aside from anyone who needs help is why she has so much support by the end. With a lot of that support coming from people whom she helped and supported because they needed it, people whom the rest of society ignored and discarded and regarded as useless, and who turned out to be tough and talented and invaluble friends. It’s not an authorial gift, it’s the cumulative effect of the mountains of hard work she’s put in over the previous books, usually with no expectation of any return.

[cinnamonest]

I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.

I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.

The most important fact, if you read nothing else, is this:

Most women have rape fantasies.

62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!

The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)

To specifically address common harmful and pervasive myths:

the "go to therapy!" line

Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)

Here are some particularly insightful resources:

1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.

2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).

3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)

4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.

5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.

the "why would you want that?" line

The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.

the "it's only valid for survivors then!" line

On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.

The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.

No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.

ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.

Good resources on the subject of why women have these fantasies and how they are helpful in general:

(X) (X)

The "what you consume will make you do it in real life!" myth

Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.

The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:

1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)

2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.

What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).

Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.

You are not abnormal or wrong for the fictional content you consume or the fantasies you have!

[magnetic-rose]

i guess my gripe with people who are just writing off the tv show as lore-breaking and bad without watching it is that the show itself actually addresses a lot of the complaints that fandom always makes and people are instead taking information out of context to rage bait about it.

"why isn't civilization advancing" it WAS advancing! shady sands was a beautiful city with thriving crops and a bus system. it got burned down because vault tech is not interested in letting civilization advance on their own terms.

"why can't fallout ever be hopeful" the season ends with infinite renewable energy being implemented into the world so that society can finally start healing and advancing. it's just currently at the hands of the wrong people.

"why does bethesda hate the NCR and have such a boner for the brotherhood" this one makes me laugh because the show portrays the NCR as ultimately the ones who are really trying to help the world in meaningful ways and it portrays the brotherhood as these big cultish losers who are obsessed with the past. the show even points out that their obsession with the past makes no sense.

"why was shady sands nuked in 2277" it wasn't. it started to DECLINE in 2277 and eventually it got nuked at a later date.

"why is everyone on the surface portrayed as savages" because lucy is the POV character and that's how she initially sees them. she was literally raised to be a colonizer and her view eventually gets challenged first with the inhabitants of vault 4 and then when moldaver explains to her the real history of shady sands and her father's involvement with the state of the world.

[aptericia]

Not proud to be here.

--

Ok, here goes draft like 5 of this fucking post. I spent 4 hours tossing and turning in bed last night thinking about this, and then this morning I found a tumblr post that really helped me understand what I was trying to say.

The post talks about how aromantic "advocates" claim that "aros don't take up resources, so there's no reason not to include them!" And if that's actually what people believe, I think I can finally articulate why it is that I feel so alienated in queer spaces.

It's because aspecs in general aren't "welcomed" by much of the queer community. We're tolerated. We perhaps get the luxury of not being contradicted on our own identities, or not being specifically kicked out of LGBTQ-only spaces, but that's the whole point: what we get out of the queer "community" is people NOT doing things, not actually doing things FOR us. And that, frankly, is not enough. We deserve conversations about us. We deserve to have others consider our feelings, even when making lighthearted jokes. We deserve varied, respectful representation in media. We deserve the active deconstruction of amatonormativity in society. We deserve to have space made for us, rather than at most being told we should "go take up more space!" ourselves.

Of course, the reality is that my being aspec is a personal matter that does not inherently affect anyone else. But the same can be said for literally any queer identity. Your being gay doesn't say anything about me, so of course I shouldn't hurt you for it, but why should I help you either? Because your happiness and comfort are important. The same goes for aspecs.

And most of the time, I don't even need anyone to make space for or expend resources on me; I can live fine in everyday, non-queer-specific places without mentioning my identity at all. But it's the queer community that claims it will make that space for me, doesn't, and then acts defensive and morally pure if I call out the hypocrisy because "we're queer too, you can't erase our identities to advocate for yours!!!!"

Again, this post isn't about specifics. I have queer friends who are incredibly thoughtful and supportive about my identity, just as I have non-queer friends who are. I find more solidarity in aspec-only communities, as well as trans/genderqueer ones, although there are still many exceptions. This post is also not about amatonormative ideology, which is extremely common from queer and non-queer people alike. This post is about the reason I've felt so betrayed by the queer community.

--

On a personal note, I remember being so excited when I started identifying as aromantic (and later asexual). Fitting myself into labels has been a lifelong struggle for me; to this day I still can't confidently say if I'm White or PoC, neurotypical or neurodivergent, abled or disabled, cisgender or not cisgender. I continue to struggle making friends because I don't fall into social cliques. To discover that I officially, certainly, was LGBTQ+ lifted a huge weight off my shoulders. And now I'm just so sad to find that despite that, I'm still stuck in the middle. I didn't get rewarded with a community. I still feel alienated from both queer and non-queer people. I know it was silly to get my hopes up when there's such vast diversity in both groups, but it really was a disappointment. Going to my first Pride parade last year was really the moment where I realized this.

[tojisbbygworl]

He’s Not Actually That Cool - Hobie Brown x Black!Reader

Based off of this post

Part 2 bonus bonus ii

Masterlist

Imagine Hobie, the undeniably coolest person in the Spider Society, is a virgin nerd with a big dick

Tags: Hobie is a pathetic virgin loser, 18+, a lil smut, Oral (m receiving)

"How are you even cooler under your mask?"

"I was this cool the whole time."

A scoff behind the both of them. It's you shaking your head in your mask.

Hobie smirks at you. "Something funny there, love?" You don't say anything, just pretending you don't hear him and looking away innocently.

Hobie was the reason you were a part of the Spider Society. He and Miguel had captured the anomaly in your own universe with your help, of course. You knew Hobie had immediately took a liking to you what with the way he stared at you through his mask when he first laid eyes on you, frozen in place, color palette pink.

You liked him the moment he ripped his mask off when it was all said and done. He looked real good with his wicks, his sharp facial structure, wide-set nose and even larger lips. You actually believed him when he said he was briefly a runway model, emphasis on the briefly.

He invited you to join them and pulled you into the portal before Miguel could even say anything. You two have been inseparable ever since.

As you met more people, they all told you of their opinion of the man who seemed to be your best friend. Everyone says the same thing, that he's effortlessly cool and it makes him a little obnoxious. It always made you tilt your head.

You've seen the anime action figures in his room ranging anywhere from Naruto to Tokyo Ghoul.

"Oi, don't touch my things. You're the only person I trust to let in here, don't ruin it."

He's talked your ear off about the intricate lore of FNAF (he HATES MatPat btw)

You've groaned at how many times you've heard the name 'Afton' leave his mouth.

"So the place shut down again after the victim lost their entire frontal lobe"

"And that's the bite of '83, right?"

"No, that's the bite of '87. Thought I told you about '83?"

He probably did but he talked about it so damn much that you forgot. "It's cool, I'll tell you. So the bite of '83..."

This man is a fucking nerd but the BIGGEST misconception everyone has is that he's probably great at sex.

He has a reputation of "running through" everyone who wants him at the society...and yet no one has actually done anything with him. Everyone whispers about it, but no one has ever come out and admitted to having sex with him.

He's without a doubt your closest friend, so you asked him about it while you were chilling at his, watching him strum his guitar.

"So I heard you been running through the Spider Society like a tomb raider."

He cackled, "Yeah, that's what they all believe, innit?"

"It's not true?"

He shook his head. "I haven't got bottle, luv. Don't know what the bloody hell I'm doing."

"Oh really?"

He stopped strumming to look up at you, his smirk falling upon seeing your sultry and mischievous face. He grew a bit nervous, but was more excited if anything.

"What's that look about?"

"Would you like someone to teach you?"

He dropped his pick from how badly he was shaking. Hobie gulped and slowly nodded his head. You walked over to him and slowly lifted his guitar off his body, then pushing him back into the couch and sitting on top of him.

That's how this current make-out session started with you doing most of the work, taking off yours and his clothes feverously.

Hobie just sat back and let you do whatever you wanted. He especially loved watching you strip down to your underwear, blood shooting to his dick as soon as he watched your breasts bounce out of your shirt. He watched you pull your panties off of you leaving you completely naked and him only in his boxers.

He shifted in the couch to relieve some tension. You giggled at his starstruck face.

"You good?" You asked him. He nodded. "Do you need me to pull it out for you?" He nodded again.

You laughed, but was quickly shut up by his long, curved shaft slapping back onto his stomach. His underwear did him no justice, nothing could have prepared you for this.

He shyly looked away and bit his lip, not wanting to admit that he liked the way you gazed at it. It fueled his ego, but he didn't know how to tell you without stuttering.

He was actually shaking pretty bad, and it worried you. "Are you okay?"

"Y-yeah...I just..." he gulped and looked back down, his dick jumping upon looking into your eyes. Just like his, yours were a deep brown. Your eyes were furrowed in concern, and your full lips were parted. His breathing got deeper.

"You really want to have sex? With me?"

You deadpanned him, then leaned your head down to his base. Hobie gasped when you stuck your tongue out and licked all the way to his tips. Your played with it for a couple seconds, leaving him a shuddering mess. His precum leaked from it and you licked it all up reveling in the salty taste.

"O-oh..." he moaned when you grasped it gently and began to pump. He closed his eyes and tilted his head back, so glad that he didn't have to imagine it was your hand beating his dick. He humped into it a little, and he looked so sexy crunching his abs that you couldn't help but to enclose your mouth over him.

"Oh, fuck," he exclaimed. He threw his head back up and gazed upon your form. You were giving him the sloppiest top he had ever seen, (he only watched BJ and missionary porn and you were much better than those girls)

God, he couldn't wait to get you under him and hump into you like's he's thought about for so long. He's used his hand, his pillow, he even looked up how to make his own flesh light because he would never be able to hide a real one from you. It was gross but fuck, how else was he supposed to get his rocks off? If he didn't do any of those things, he would have no control around you.

"Fuck, babe. Please keep going~" Hobie was drooling - actually drooling - out the side of his mouth. He panted and clenched his hands. You had to reach out and move them to your hair.

The poor thing panicked, he had no idea what you wanted him to do. He gently pet your small afro, more concerned that he was close to cumming down your throat.

You stopped and popped him out of your mouth, laughing a little at how cute he was.

You didn't notice how stressed he looked, him sitting up a little more in the chair. "Ngh, wait, no-" he whispered.

His dick bounces with each spray of his cum with him letting out a string of moans and curses as it lands on his stomach and chest. "Ffff...uh...uck..."

"Oh, I'm so sorry," you say, watching his fucked-out face. His head bounces with each deep breath he took.

"Why...did you...stop?" he asked in between pants.

"Why did you pat my head?" you asked, standing up, begrudgingly putting your clothes back on despite the ache between your legs.

"What was I supposed to do?" Hobie stares at your ass lustfully, feeling the blood rush back into his dick from how it moved.

"You were supposed to grab my hair and choke me with your dick, baby."

He gulps not being able to take his eyes off of you. "Oh."

You turned after putting your panties back on and froze. His dick was standing straight up again, the head glistening with thick white liquid. He stared at you embarrassingly, hoping that you would just come back over and kiss it.

"You could have said something before I started putting my shit back on."

"Sorry," he said, not being able to contain his excitement when you walked back over to him. His smile went away when you instead hovered yourself over his lap. His cum was still on his stomach and his dick. "W-Wait-"

"Yeah?" You whispered sensually, grabbing him again and pulling your panties to the side to line him up with you.

"I'm still-, I still have-, Is this okay?"

"I'm on the pill."

He starts getting nervous again, but he doesn't know why.

"You scared?" She asks.

He looks at her and rests his hand on her hip. "I don't want to hurt you. Or make you uncomfortable."

You giggled again. "I promise you I'll be fine."

"But, I still got my cum on me, babe."

"I know." You leans over to his ear and lick it. He shivers. "Isn't that so nasty?"

Hobie moaned as you begin to sink yourself onto him. You moan too, Hobie splitting you like you never imagined.

"You really want to shag a virgin?" He finally asked her, his voice wavering.

She rolled her eyes and sighed in frustration. "Virginity is a social construct. Don't be ashamed. Now shut the fuck up."

Definitely making a part 2 and a lil bonus and another bonus (ii)

Taglist is closed!

Masterlist

[hoshigray]

Pleasurable Practice

Here's what I got: when you're left in headquarters to study for an upcoming language skit, your boss and work crush, Miguel O'Hara, does what he can to help his subordinate. And he does, in more ways than one...

A/n: It's been a week since I saw the film in theaters, and my brain hasn't been the same. I tried very hard not to write for this man, but here we are. Sighhhh, I swear I wasn't this bad when playing EoT (curse you Oscar Issac, and the ATSV art department!!!). And it doesn't help that my social feeds are full of him...Anyway, I hope you enjoy this piece! It's WAY longer than I wanted, but I guess that's meant to show how much fun I had writing, hehehe~. Also, ty so so much for 600+ followers!!

Cw: Miguel x fem!reader - some ATSV spoilers so tread carefully - sexual context so minors DNI - fingering (fem! receiving) - cunnilingus - clitoral play (Miguel's fangs lightly brush your clit, but doesn't bite it) - praise - kisses on the stomach - pet names (amorcito/little love, mi alma/my soul; amor/my love; vida/my life) - sexual acts in public - outside intrusions, but you two don't get caught.

Wc: 2.8k

"Hey, Lyla. You sure you wanna leave me here?"

"Aww, you scared something would happen without me?" She chuckles when you shrug. "You'll be fine; everything's been taken care of for today. If something pops outta nowhere, you know where to find Miguel or give me a call. Alright, I'm outta here. Cya tomorrow~."

"Bye, Lyla~" With that, the pixelated woman signs off from your line of sight, and you slump into your chair with a sigh.

It's late at night in Nueva York. The Spider Society headquarters is still active, but fewer people occupy the halls and sectors in these late hours, you being one of them. You're sitting at a conference table by the teleportation room, taking in Margo's shift. But since things are quiet around here, you use this time to work on your homework.

Well, you would've if a pair of hands didn't suddenly come from behind and blocked your vision. "Guess who?"

You shake your head with a smile. "Aren't you supposed to be at Earth-50101 hanging with Gwen and Pav?"

The hands are removed, giving your shoulders a quick rub. "Can't say a quick bye before I'm off?" Hobie Brown walks from behind to sit on the table, avoiding the scattered papers on the surface. "What's all this? School?"

"Yeah," You pick up a paper with color-coordinated dialogues. " I got a reflection to finish and need to read this script for a skit in my modern language class on Wednesday."

"What language?"

"Spanish." You flip the script for him to look at. A giggle slips from you. "Suppose you can't help me, huh?"

Hobie grins. "Yo lo haría si pudiera." Your eyes go big. Of course, the guy who "doesn't believe in consistency" would know a thing or two about other languages.

".....Please stay and help me."

"Can't, perhaps next time." Another heavy sigh as the tall other gets up from the table and opens a portal to Pavitr's universe. "We'll save some snacks to bring back tomorrow. See ya then."

"Bye, Hobie." You groan with your head meeting the table surface as the portal vanishes with Hobie's dismissal. In despair, you lift your head up and proceed with your work.

It's about 11 p.m., and you were able to finish your paper in about two hours. It's now time to work on your Spanish script. Unfortunately, your class partner can't be here (obviously) to say his lines with you, but you two promised to highlight your lines and recite on your own downtime. So you follow through with the blue lines — your lines — avoiding the red lines and announcing all the words to the best you can.

After the third time around, you start to get to the rhythm of it. So in tune with what you're doing, you don't mind your surroundings as you circle around the table with your face glued to your script.

"What're you doing?"

However, it all comes to a halt when a voice startles you. So used to the silence and your own tone that you didn't notice a familiar man creep from behind you. Your eyes widen at the tall and well-built figure before you.

Miguel O'Hara, Spider-Man 2099 and the leader of the Spider Society — your boss who you have a major crush on and is still waiting for you to reply after nearly scaring you to death.

"O-Oh, Miguel, umm," you quickly straighten yourself up, but the heat in your face encroaches. "Sorry, didn't see ya there. I was just looking at this script."

"A script?" He slightly tilts his head, surveying your moves as you sit back at the table. He follows and peers behind your shoulder to see what you're working on. "For what?"

"It's for a skit in my Spanish class. I'm reciting my lines for Wednesday." He nods at your answer, glancing around to see you're alone. "Lyla signed off for a while, but she told me to tell you that if you 'need anyone to put a leash on you,' Jessica would answer the call."

The man narrowed his eyes and sucked his teeth, "of course she said that..." was all he murmured under his breath from his pixelated peer's words. With a heavy sigh, he turns back to the paper in your hand and extends out his. His silent request is answered when you pass him the sheet to skim. A brow is lifted. "Is the skit like some kind of married couple or—"

You confirm. "Yes. Our unit is on relationships, and my partner and I wanted to do a skit where the husband — my partner — comes home and surprises his wife with their favorite flower and then gives a nice speech on how much he loves her." Miguel still reads the script, but you continue on. "Luckily, our instructor said it's not our final where it's required to talk entirely in Spanish. So, we can say some English phrases or words if our brains go blank."

Miguel finally stops examining the script and eyes at you. "I can help."

Huh? "Excuse me?"

"You're the blue lines, right?" Correct. "Then I can be the red lines and help you practice."

Wait, no! "Oh no, there's no need for that, Miguel! I'm sure you're busy looking at the screens on your station and—"

"No pasa nada, Y/n," You gulp when he grabs a chair and sits close to you. "I'll say your partner's parts, and you reply with yours." There's no use in arguing with him out of this, so you just follow suit.

For the past thirty minutes, you and Miguel have been practicing. Sometimes he'll call you out on words you forget or mispronounce, which hurts your little heart being scolded like a child. But then there are times when he praises you for saying something correctly without second-guessing, or he'll ask for a pen to scratch off something and write a better phrase for you to say. And you can tell that your memorization's been improving thanks to his help. Maybe there was no need to be nervous.

The time is now 11:46, and you feel way more confident about this skit than before. Miguel can also tell by how much you've performed that you'll do fine on Wednesday. Guess that should do it. He puts the script down and gets up, heading back to his original post.

"Hey, wanna do the actual skit with me?"

Huh? "What?"

"Well, I was thinking," You squeak. "Maybe we can try acting out the skit without the paper now that I'm kinda getting the hang of it? But, I mean, that's only if you're okay with it, ya know..."

His brows trench down. Miguel knows he shouldn't do it; there are many universes in his post that he needs to keep an eye on in case anything pops off. He can't afford to just act out a scenario for some class. However, when he glances back at you, he faces mixed feelings. Your eyes look at his, nibbling on your bottom lip, and your fingers fidget with each other as you wait for his answer.

Miguel knows he shouldn't...but it won't hurt to comply this one time.

"Fine," your heart skips when he turns back to face you fully. "But don't mention it to Lyla or Jess. I'll never hear the end of it from those two."

"Of course!" You reassure him as you ready yourself, mentally calming the happiness brewing inside down. "You go."

He nods and plays the scene. He acts like he opens a door and holds an imaginary object. "Estoy en casa, cariño."

"Oh, bienvenido a casa, bebé!" You rush to Miguel and give him a hug. You feel him go rigid, and you freeze. Wait, he's still my boss and not my actual partner! Oh, God, I bet he regrets doing this now...Ughhh!! Commit now, cry later!

You quickly improvise and pull him by his spider suit to come close, placing pretend kisses on his cheeks. "Llegas pronto a casa, mi guapo muñeco. Is something wrong?"

Miguel stares at you for a few seconds before he blinks and coughs. "Ahem, Querida, vine temprano porque es tu cumpleaños. Y quería darte esto." The hand with the invisible object comes up, and you take it.

"Dios mío, ¿mi flor favorita en mi día especial?" You give the man a warm smile and place a hand on his cheek, stroking his skin lovingly. Miguel hitches his breath. "Eres demasiado buena conmigo, muñeco. Pero no tenías que regalarme nada."

It takes Miguel a moment, but he coughs once more and returns to the task. "Puede que la flor no fuera necesaria, pero tenía que conseguirla para ti, mi amor." He puts a hand on yours that's still on his cheek, now it's your turn to slow your breathing. "Cada vez que veo esta flor, sólo puedo pensar en ti. No sólo hoy, sino todos los días. Veo todo lo que haces por mí y nunca lo doy por sentado. You are my everything, Y/n. Tú eres mi mundo. Mi luz. Mi corazón. Mi… Mi…"

He stops, noticing your expression and shallow breaths. Your eyes never leave his, mouth agape, and your attention entirely on his words— no, on him. Even in this little act, you dare not move or say something out of turn. Listening to the man before you intently, your hand still in his.

He knows he shouldn't, but Miguel leans into you, and a small gasp leaves you before his lips press onto your soft ones. "....Mi alma."

Your brain short-circuits, the feel of his lips overtaking you. You awkwardly kiss him back, resulting in a moan from Miguel. He grabs your waist while pushing himself forward, making you walk backwards until you hit the table. The bump has you two break the kiss, forcing you back to reality.

Miguel says nothing, and so do you, your eyes honing in on his deep red orbs. Your thoughts go too fast that your head pounds. What? What was that? Did he mean to do that??

"Túmbate."

He captures your attention. "What?"

"Lie down, mi amor." He commands in a stern voice. Hesitance restrains you, yet you still follow orders and sit on the table with your back to the surface. A small smile creeps up on Miguel, and he leans down to plant more kisses on your sweet lips. "Good. Now, say your part."

Slow smooches from your chin to your neck leave you breathless. Although the heat in your face is unbearable, you play along and stick to the script. "My wonderful husband...Y...You are so thought—"

"Se supone que está en español, Y/n." He corrects you. Lifting your shirt to reveal your abdomen. Miguel kisses your exposed tummy while his hand snakes past your bottoms, pressing a finger down on the wet spot of your clothed vulva. Your toes curl as your first moan leaves puffy lips. "Try again."

You intake a deep breath. "Ere...Eres muy considerado con—Mmmm....conmigo." Your bottoms and undergarments are now off, your bare cunt out for Miguel to see. The older man props your legs upward with both hands as he brings his face close to your pussy. He lightly blows on it, and you bite your lip from the cold air. "Keep going, mi vida."

"Cuando....no haya luz en mi—Oooh!!" Miguel flicks your clitoris with his tongue before nestling it between your soaked folds, sucking and laving your essence. "Nnnmp! Mi-Miguel, I can't do thisss...Your tongue, it feels so, so—Oh Christ..."

His ruby eyes peek at your face. "But you were doing just fine, Y/n." The way he says your name feels so sinful, so forbidden. But so pleasing to the ears. "Repeat it."

His tongue goes back to torment your slit. The risque noises the wet muscle makes with your slick-covered chasm ring your eardrums. Ecstatic whimpers fill the space around you, and you grab tufts of Miguel's brown hair when his tongue flicks your clit again. He's impatient, so you concede.

"Cuando no haya luz en mi vida....Haaaahhh, sé que estarás ahí para protegerme." Miguel pushes your tender bud against his teeth. His canine brushing on your pearl, causing you to jerk. "Eres mi sombra...Mi—Ahhhh!....escudo....Mi rey."

He chortles, "Good job, mi alma."

Satisfied with your cooperation, the man sucks on your precious sex as his forefinger nestles between your folds, your slick providing lubricant to naturally push his digit through your entrance. You jolt with a sharp cry, tears falling from your beautiful face.

His tongue and fingers go faster, and your release climbs higher with every lick. The stimulation of your poor cunt and clitoris is hardcore that you come in a few seconds, the walls of your chasm fluttering around Miguel's fingers coated with your personal fluids.

Your heavy pants slow down to steady your body that subsides from the aftershocks of your orgasm. Miguel withdraws his mouth and fingers from you, standing upright to take in your figure.

He scoffs with a tiny grin, licking his lips. "Amorcito."

You open your mouth to say something, but a flash of colors and shapes captures the attention of both of you. Your eyes go wide. Oh no, someone's coming!

With haste, you immediately grab for your bottoms and underwear before taking cover under the conference table, using it to quickly put your clothes back on before someone enters through the portal. That someone was Jessica Drew, making her arrival known by revving her motorbike.

"Jess," Miguel puts on his usually serious face. But on the inside, he's almost as nervous as you. Because he swiftly pulls a chair out to cover his erection lower regions.

"Hey, Miguel! I thought I'd find you here." The woman addresses him when she's done a lap around the table. Her portal vanishes from the scene. "I've been trying to call you through your watch. You not wearing it?"

He looks down at his wrist where it was supposed to be. "...I was using the restroom, so I left it on my station."

"Mmm, I figured." Jessica then notices the paper and backpack on the table. "This is Y/n's stuff, right? Where are they?"

"R-Right here, Jess!" To her surprise, you come out from the table with your bottoms fully secured. "Sorry, I was looking for my pen before packing up." You smile to ease the awkward tension and your racing heart.

"Oh, okay then." Jessica nods to your words and turns to Miguel. "Anyway, I was calling you up because I need backup. The guy I was dealing with somehow switched places with another villain. Took care of the other one, but my guy's elsewhere."

He hums. "Lyla."

"That's me." The yellow-pixelated woman with pink heart-shaped glasses appears once more.

"Where are the coordinates of the anomaly Jess was handling?"

"I'm sorry, you want me to do what?"

"...."

"What's the magic word?" The tiny woman teases him while you and Jessica hold in your laughs.

Miguel's brows furrow with a slight pout. "....Canyoupleasesend—"

"Woah, woah, woah," Lyla gets closer to his face with each word, raising his irritation as she does so. "Little too fast there."

"Can you please give us the co—"

"Already gave it to Jess."

"Then what was the point—"

"You know how much I love to pester ya," her smile doesn't help squander his frustration, not when he also hears the exchanged giggles between you and Jessica. "And call that payback for not having your watch on you."

To avoid their eyes seeing Miguel's situation, he leaves and fetches his watch quickly after being repeatedly teased by the two women. He returns ready with his mask on and the device on his wrist. Lyla and Jess are waiting for him, same with you and all your stuff packed up. It's 12 in the morning now, you have to get home. "Ready?"

"Yup, see ya there." The woman on her bike starts it up. Lyla disappears when the dimension is opened. "Bye, Y/n!"

"Bye, Jess!" You wave goodbye to the woman, who does one final lap before entering the portal to her new destination. And now you're back to being alone with Miguel, who you find looking at you. You gulp and say your thoughts. "Don't worry, I didn't tell them! And, sorry that it happened. I was being a little too close to you in the first—"

"Hey." Miguel lifts a hand to stop you from rambling on further, and you listen. "Your skit. When is it again?"

It takes you aback that he asks, but you still reply. "Wednesday?"

"Hm. Alright then." And with that, he walks to the portal to his next mission. But before he exits, he peers from his shoulder and proclaims something.

"Tell me how you did on Wednesday, then we'll continue with this talk."

[linkspooky]

PITY VS. EMPATHY

Jujutsu Kaisen Chapter 265 quickly surpassed Gojo's death chapter as my favorite chapter in the entire manga. It's a high point in both Yuji's character development and the Sukuna fight, a notion most of the fandom agrees with. That being said, it's once again time for me to take a stance contrary to most of the fandom opinion. I was going to make this post two weeks ago but I'm glad I waited, because this week's chapter helps me illustrate my point in the contrasting way Yuji treats Sukuna and Megumi.

As you can probably tell by the title, my hot take of the week is that what Yuji is showing Sukuna isn't true empathy. It's not atn attempt to understand Sukuna's worldview, but rather condescending pity from a place looking down on Sukuna, which is why it infuriates him so much. This is illustrated in Yuji's atual actions this chapter, which is to go at great length to show memories from his past to make Sukuna understand HIM and not the other way around.

Whereas, what Yuji shows Megumi is compassion, because he's not telling Megumi what to feel or imposing his own views on him but rather accepting the fact that Megumi might be suffering too much to keep living on.

I'll explain more under the cut:

Guanyin, Goddess of Mercy

Yuji is, not as far along in his character development as he might seem. I don't want to undervalue his growth, this chapter shows definite progress, and I understand why it would seem that this is the completion of his arc of being a cog in society because he straight up says people don't need roles, and it seems like the manga is quickly coming to a close.

However, sometimes characters words don't exactly match their actions. Sometimes characters aren't self aware. People often call characters multi-layered and complex, but what does that mean exactly? For me, a mutli-layered character is the embodiment of "people are never what they appear to be."

A story has multiple layers when you're not supposed to take everything the author says at face value. Every time you read a story, whether you are aware of it or not you engage in some level of personal interpretation. You're not supposed to automatically accept everything the author feeds you without question. Therefore characters are not exactly what they are stated to be, and good character writing allows room for interpretation for what is going on in a character's head beneath the surface.

In a jungian sense this would be the ice berg model of consciousness. There's the persona, or the ego, which is what the person presents to the world and the people around them. Their own-self conceived image. Then there's the part of the ice berg that submerged, which accounts for all of their internal mechanisms and facets of their personality they aren't aware of. This could range from anything to like, how trauma can affect people's actions without them realizing it, things they are in denial of and don't want to admit to themselves or just like someone who's bossy but not self-aware about that trait until someone else points it out for them.

Everyone's have that friend who you try to call them out on their bad behavior, but no matter how hard you try they just won't admit it. That alone illustrates there's a difference between self-perception, how we view ourselves, behavior - how we actually interact with the world, and pther people's perception of us. Somewhere in between these multiple points of view there exists a vague outline of a person, and personality, whatever "personality" means exactly.

To step away from Jung, in a character writing sense this means a good character's motivations, personality, and actions can be viewed from multiple angles. There is conflict between how Yuji views himself, his actual actions in the story, how other characters might view him, and how he's framed in the story. The first two, Yuji's self-assigned roles, and what his actual actions amount to is a conflict that's run over the entire story.

It starts from chapter three, where Yuji's answer for why he wants to become a sorcerer is that he wants to fulfill his grandfather's dying wish, and Yaga immediately says "Is that what you really believe, or are you just using your grandfather as an excuse?" The story shows us Yaga was right to point out the discord between Yuji's stated motivation and his actual desires because Yuji changes his answer.

This stated motivation, "To do something that only I can do", or have a role as another way of putting it is Yuji's central motivation for most of the manga. Of course as I said people have multiple layers, so he can also have multiple motivations. Yuji's desire to have a good death, him wanting to be surrounded by people when he dies, his belief that fulfilling his role as a sorcerer will save other people from curses, all of these things are equally true but that one desire to have a role to play in the grand scheme of things is at the center of it.

The role Yuji has chosen is to kill curses so people can have more natural deaths, and also to stop more victims of curses from piling up. He's also resolved from the start to die with Sukuna in his body, to also spare victims of curses Sukuna might attract, and also kill Sukuna for good.

Even these stated motions are challenged right away, and then again continually through the comic.

I'm not going to go over Yuji's entire arc here, but the fact that Yuji is someone constantly interrogated for his motivations and even punished in story for his altruism is a constant pattern in his character arc.

It extends deeper than just the fact that Yuji is a selfless person in a world where selfish people like Mei Mei, and Sukuna get ahead while people like Nanami die young. A world where it is in your best interest to stick out your neck for others.

For me a lot of the harsh consequences Yuji's conflict in the story also centers around the fact that he can never live up to the role that he has assigned himself. Not only is Yuji mistaken in his perception of himself, but the fandom in general is as well, because most people tend to take Yuji's stated desire to guide people to good deaths and save them at face value.

For example, people were excited to point out the Guanyin symbolism directly referenced this chapter, and also the significance of the seal for Yuji's domain.

There is much speculation, but it seems certain that this hand sign is an invocation of Ksitigarbha, a revered bodhisattva in East Asian Buddhism. Ksitigarbha is also known as Jizo Bodhisattva in Japan. His name can be translated as Earth Womb, Earth Matrix, and Earth Store. These translations evoke the image of a vessel, which seems relevant to Yuji's role as Sukuna's vessel.

While I agree the symbolism is well suited for Yuji's goals, someone who wished to guide people to a more peaceful death, and also the way Yuji opposes Sukuna right now determined to kill him who lingers in this world as a parasite for a thousand years finally back to the cycle of reincarnation. It even alligns with his desire to try and make Sukuna understand the value in one individual's life by showing him his memories. In that way Yuji is fitting the role of someone guiding others to enlightenment.

However, Yuji is not a bodhivista in the end. He is a normal teenage boy. In fact this is the crux of Yuji's character to me, he is a good kid, but he's not as good as he thinks he is. If anything this is what this chapter goes to great length to demonstrate, that Yuji despite being a science experiment to create the perfect vessel for Sukuna for Kenjaku's 1,000 year plan, had a normal childhood. All of the things Yuji says in this chapter are for the most parts the musing of a normal kid his age.

This isn't me criticizing Yuji. I'm just trying to state the message I believe Gege is getting across in this chapter. It's similiar to the conclusion Yuji himself comes to, the conclusion that the value in life lies in the memories you make on a day to day basis, even if you're not living a life full of adventure.

Yuji's conflict is that he pursues the role of a bodhisvatta, and he holds himself to the standard too of someone who exists to be a sorcerer because by doing his job as a sorcerer people will get saved as a result. However, Yuji as a person will always fall short of this ideal, because ideals by the nature of them being IDEAL and therefore not compatible with reality.

To use an example for another media, it doesn't matter how hard Shirou Emiya strives to save others, or how selfless he tries to be, he will always fall short because the ideal of saving absolutely everyone is impossible. However, in most versions of Fate's story Shirou absolutely refuses to compromise on this and in the future, Shirou will continue to strive towards the ideal of saving everyone until his inability to achieve that ideal and the number of people he's failed to save eventually breaks him.

So Yuji may genuinely hold onto an unbreakable ideal, but is his inability to let go of that ideal necessarily a good thing? His ideal might break but what about Yuji as a person? Yuji will in the end always fall short of that ideal because of his humanity, especially since Yuji is the most human character in the story and practically the only one with a normal background.

There's also as I stated above Yuji might not be aware himself of the ways he falls short of his ideal, because he has a flawed self perception. Yuji is getting closer with his revelation in this chapter of looking at reality instead of trying to have a role like a character in the story, but that doesn't mean he's finished (since the story's not finished) or he's become a fully realized character.

One of my favorite quotes from my favorite Yuji video helps describe the point I'm getting at with Yuji's lack of self awareness and the way he sometimes falls short of the savior he sees himself as.

By assigning himself the role as heroes, and the other characters as victims to be saved Yuji sort of condescends to the people he endeavors to save. I describe this as condescending because this way he doesn't see the people he saves as fully fleshed out human beings who are separate individuals from himself.

Yuji is alligned with Higuruma of all people, someone who shares Yuji's savior complex and becomes disillusioned because the people he decided of his own free will to protect as a defense attorney are not perfect victims.

Someone who becomes disillusioned when looking at flaws in other people, and also cannot deal with his own guilt when he too, becomes like the crimminals he once defended after becoming a murderer.

In fact Yuji sees himself in Higuruma's inability to live with his guilt, and only being able to see himself atoning with his death. Yet, despite Yuji seeing himself Yuji also seems uneasy with Higuruma being unable to see one other way forward in life.

Also, remember that Higuruma is a defense attorney. The whole point is he's supposed to defend crimminals even if he knows they did the crime and try to get them off their sentence and win the trial. Therefore at this moment Higuruma has failed to live up to his ideal.

There's another character Yuji is paralleled to constantly, who also shares Yuji's symbolism of being associated with a divine, and benevolent figure.

Geto's ears, his dressing as a monk in a Gojo-gesa, this official art all connect Geto to be Budha and yet it's quite obvious that Geto has failed entirely to live up to his role as the budha.

There's so much symbolism aligning Geto as a divine figure bringing salvation to others, and this corresponds to his original ideal as a sorcerer who belived that sorcerers had an obligation to use their powers to protect others, because in a just society the strong protect the weak.

Geto is an outsider who wasn't born into the Jujutsu World who entered in with an attitude different from most sorcerers by trying to become a sorcerer for altruistic reasons. However, Geto, like Higuruma grows disillusioned when he's confronted with the fact that the people he wants to save are flawed.

However, Geto's ideal was mistaken to begin with because much like Yuji, by distinctly separating people into the weak and the strong, he's separating them into two categories where the former is inherently inferior to the latter. Other people existed to be saved by Geto. He couldn't cope with the fact that the people he wanted to save were people and not victims.

So we finally circle back to chapter 265 where Yuji is attempting to relate to Sukuna and see some humanity in him... or is he?

Yuji shares the same flaw of both Geto, and Higuruma where he sees the people he wants to save as existing in a separate category than himself. So, is what Yuji is offering Sukuna understanding and an attempt to emotionally reach out to him, or is he attempting to show Sukuna the mercy of a conqueror.

Even if Yuji wins the battle and spares Sukuna's life in the end, it won't be Yuji's compassion or empathy that won him the fight. If Yuji wins against Sukuna it's simply because he's stronger. Yuji only feels confident trying to offer Sukuna in the first place because this time he's finally confident he's stronger. It's mercy, offered at a threat with the same time. Yuji, like Geto, is still separating people in categories of strong and weak, he's just showing mercy to someone he now considers weaker than him which is why Sukuna reacted the way he did.

As I said above, Sukuna begins by just assuming that Yuji had just let go of his anger, and was now trying to reach out to him on some other way. He calls him weak for being unable to keep hating his worst enemy, because in Sukuna's world view Yuji should keep hating him and wanting to defeat him with all his strength to the end. Sukuna mistakenly believes for a moment that Yuji is the kind of person who, cannot sustain his anger even towards his worst enemy.

It's when he realizes that Yuji is just showing him simple pity that he snaps. Yuji doesn't care for understanding Sukuna's worldview or seeing the humanity in him, in the same chapter he says he can't forgive people who act like lives are worthless.

To Yuji's credit he admits he doesn't really know which side of the fight is truly human, or whether or not he's right, he admits it's his own personal belief. A lot of Yuji's wisdom this chapter, I'd argue, comes from admitting the things he does not know, and acknowledging that there's no objective truth or "meaning" to the world. However, he still separates people into "good guys, and bad guys".

Yuji isn't actually that interested in considering the perspective of those he considers the "bad guys" he just still had a faint hope that he could somehow convince Sukuna to see worth in his life by sharing memories, therefore convince Sukuna that an individual's life can have value.

He doesn't want to understand what Sukuna thinks, he wanted to change the way Sukuna thought so it was more like himself. Yuji doesn't ask Sukuna any real questions about himself while exploring his memories. Kind of ironic, because for some reason Sukuna of all people was patiently listening and even engaging Yuji in conversation while he went through the most mundane memories of his childhood.

Irony on top of irony, Yuji's worldview does resemble Sukuna's in some ways. They're supposed to mirror each other after all, Yuji is literally the son of his identical twin brother reincarnated. First and foremost Yuji's offer of mercy isn't really breaking away from Sukuna's ultimate ideal of "Might Makes Right." Yuji isn't seeking some other way of settling this besides fighting Sukuna, he's going to make Sukuna submit because he's stronger.

Maybe there was no hypothetical "third way" for Yuji to put down Sukuna other than fist fighting him into submission. There probably wasn't, Sukuna's pretty up front what he's about, and what he's about is being the strongest and nothing more. He lives and dies by violence, a Sukuna who isn't the strongest is nothing more than a corpse so can that person be reached? However, I just wanted to point out that Yuji wasn't interest in solving this in any way other than a fist fight to begin with. As opposed to say, the way that Takaba handled Kenjaku taking a third route by making Kenjaku feel entertained for the first time in 1,000 years.

In the middle of that fight Takaba even APOLOGIZES to Kenjaku, for saying that it doens't matter if he doesn't understand his audience and he fails to make 1% of them laugh as long as the other 99% of them are laughing and states it's his duty to make everyone laugh otherwise he's failed as a comedian.

Yet, another reason why this is the greatest fight in the manga. Yuta even remarks in the end that Takaba isn't someone who can kill people. Not only does his cursed technique negate most damage to him by turning it into cartoonish antics, but Takaba's comedy is also all about understanding his audience and trying to get his audience to understand him because his comedy began when he clowned around as a kid when he was lonely. All of this to say we've been shown more points of view than just "Might makes Right" and there are characters who've resolved conflicts in other ways. Kenjaku is also, probably as monstrous as Sukuna, and yet Takaba engaged him right from the start by asking him about his motivations and if there was some other way he'd be happy than the merger.

You could argue that maybe Sukuna can't be understood. Characters in the story certainly try to and all they amount to doing is projecting their own ideas onto Sukuna. Yorozu projects her obsession with love onto Sukuna and we get the idea that Sukuna must somehow be lonely at the top, but in the end Gege subverts this expectation by showing us that Sukuna was never lonely, rather characters like Kashimo and Gojo projected their feelings of unresolved loneliness onto him. They are strong, and he is strong, ergo he must feel the same crushing loneliness as them. Gojo himself demosntrates not understanding Sukuna as he expresses regret in the afterlife that he was unable to make Sukuna go all out and that he related to that guy's loneliness only for Sukuna's response to be a very gratified "You cleared my skies."

Sukuna: Others love us for our strength, and we respond to that love.

The twist of that is Kashimo and by extension the audience assume that Sukuna must not understand love, and therefore he's lonely. However, Sukuna all along had his own definition of love, that people express their love and admiration for him by trying to fight him and he receives their love by facing them at his full strength and giving them the chance to prove themselves. Sukuna's habit of toying with his opponents is an extension of this he wants to see them realize their full potential in their fights with him. Sukuna does understand love, he just REJECTS our understanding of love. Sukuna does not think in the way that we do, but that doesn't mean he doesn't have things he values, or is devoid of positive traits. Respect for his opponents, honoring strength, these are all values they're just not Yuji's values.

As stated above, the irony of all this is that Yuji does buy into "Might makes Right" to an extent. To reiterate, following Geto's "the strong exist to protect the weak" still divides people into two categories strong and weak and implies the weak are helpless. A benevolent might makes right, as you might say. Yuji wants to show compassion to the weak, but he also loathes weakness, he loathes himself for being weak.

"There still may be lots of people who are weak like you."

Higuruma even points out the flaw in his mindset, well if you loathe yourself for being weak, then what about other people who are weak do you loathe them too? I think it's no coincidence that Yuji is paralleled not one, but two (Geto, Higuruma) people who tried to use their strength in benevolent ways only to start out loathing the people they were trying to help. I'm not saying that Yuji secretly hates weak people, but his mindset of black and white, weak and strong, a mindset that can't accept the greys of reality is a dangerous mindset to have and Yuji has the potential to become like those two.

However, these parallels exist for us the audience to see just how close Yuji was to repeating the cycle, because it makes it that much more meaningful when Yuji grows in ways that Geto and Higuruma doesn't to move one step forward towards breaking that cycle instead.

Yuji is someone who experiences the same loneliness as Sukuna and Gojo for being the strongest, though to a lesser extent because he wasn't born into the realm of sorcerers. At the start of the manga we're introduced to Yuji a kid who despite being someone friendly to everyone he meets and incredibly social, has a friend group consisting of two friends. Two friends who hang out with him because they need a third member for their occult club. Yuji for the whole manga excluding one exception really only knows how to form relationships based on someone else needing him.

Noritoshi Kamo: Itadori why did you become a Jujutsu Sorcerer? Itadori Yuji: It just sort of happened. i'm a loner. I wanna help a lot of people so when I die I'll be surrounded by people.

Yuji has also appeared in flashbacks in early culling game as someone who doesn't really understand, or even take notice of weak people. Yuji in Amai Rin's flashback is beating up bullies, a heroic notion, but from the perspective of somone spineless like Amai who was just going along with the bullies so he himself wouldn't be bullied because he didn't have the strength to stand up with them, and wasn't born with the body of an MMA fighter at fifteen, Yuji looks scary.

The reason why reducing people to labels like strong and weak is reductive is that humans are complex and contradictory creatures. Let's take Amai Rin for example, an incredibly minor character. In the real world, Amai Rin would be someone as equally complex as Gojo Satoru. Amai Rin a middle school bully would have just as many layers to his personality, inconsistencies, contradictory behavior, different sides of himself as Gojo Satoru himself.

Humans are complex in the first place because we can't see inside their heads, we can only see inside our own heads and know that we're complex and sometimes say things we don't mean, behave differently depending on the situation, do things we're not proud of, but we also usually don't perceive others the same way because we are not inside their heads like our own. Amai Rin is just as complex and multifaceted a human being as Gojo Satoru, he is a person with his own memories and life experiences that shape him, but from Gojo's worldview Amai Rin is a minor character. By reducing him into someone weak, Gojo doesn't care to try understanding him.

So Yuji for the longest time does not try to see the humanity in weak people (except for his big moment with Junpei) he just sees them as people to be saved. Which is why his real moment of progress to me comes the next chapter, with the way he shows empathy to Megumi.

Yuji begins when speaking to Megumi by relating his frustration with his grandfather for not wanting to go through chemo and accepting his own death in old age. Yuji is now mature enough to understand that just because his young body is tough enough to endure chemo, doesn't mean an old man's body can withstand that pain. When he was young Yuji had a very immature viewset of "Well, I can endure it, so why can't they?"

Yuji then compares the situation with his grandfather to Megumi. Yuji wanted his grandfather to keep living, so he couldn't understand why he wouldn't even try the chemo. Yuji wants Megumi to keep living, but he now understand why Megumi wants to give up. Yuji' fe elings of wanting Megumi to live are not more important than Megumi's own feelings of despair and wanting to escape pain.

Yuji is no longer imposing his feelings onto Megumi. Yuji is respecting Megumi's feelings, because in the end he can't FORCE Megumi to live. It has to be Megumi's choice whether he wants to live or not.

Yuji is no longer pushing Megumi away, or acting protective of him, while disregarding his feelings. He has gone from "as long as I'm around you'll suffer" to "I'll be lonely without you." Yuji doesn't ASK Megumi to live even though he wants to, because he knows he can't tell Megumi to keep on living. What Yuji does is just an honest expression of his own feelings. He's sharing his own feelings after listening to Megumi's ideal life with Tsumiki and Yuji, because that's what empathy is, an exchange, a conversation.

People often jokingly use the term "yap sessh" on Twitter, but yeah that's the different between a conversation and a "yap sessh" in the former you actually care what the other person has to say, in a latter it's only about expressing your own opinion.

That's why this panel, is such a perfect contrast with this panel.

One is Yuji offering Megumi a choice. The other is Gojo taking Megumi's choices away by giving him the false choice of "go to the Zen'in Clan and be a sorcerer and your sister will be abused, or come with me and be a sorcerer." Gojo railroaded Megumi into being a sorcerer and never let him decide for himself if he wanted a normal life. Gojo didn't see Megumi as his own person either, he, just like the Zen'in Clan just saw Megumi as the holder of the Ten Shadows Technique.

This is entirely different to Yuji who respects Megumi's feelings. Yuji expresses that he'll be lonely without Megumi, but that's just laying the cards on the table. In the end Yuji leaves what happens next entirely in Megumi's hands. Yuji cannot tell Megumi to live, even though he wants him to live so badly, he cannot tell Megumi to just get stronger and keep on trucking because he's not Megumi, he's not experiencing Megumi's pain right now.

Yuji does not tell Megumi to live and therefore becomes the first person in Megumi's entire life to give him a choice. This choice is the most important choice of all, a choice we make every day of our lives. The choice of whether we want to keep on living in this world.

Hopefully, Megumi chooses yes.

[tarotwithavi]

I get money, I am a star

How can you make more money? How can you attract abundance into your life?

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

This is a general reading, so take what resonates and leave what doesn't.

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THANK YOU SO MUCH FOR YOUR LOVE AND SUPPORT 🫶🏻❤️

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 1

You have a special ability to attract people, and that's because the way you see and understand life is very different from everyone else. I'm also getting the message that you can use your unique perspective and appearance to earn more money. For example, you could become a social media influencer or start your own blog where you share your opinions with others. You might even consider writing articles or books to share your knowledge, which could also help you earn more.

You have a talent or skill that could lead to great financial success. All you need to do is focus on developing it. This might seem like a random message, but I sense that some of you have hacking skills that could be used to catch online predators. You could make money while also doing something good for society, and you can do this without revealing your identity.

I also heard the phrase “secret superstar,” which might have special meaning for some of you.

You can attract abundance into your life just by being yourself. You don’t have to follow strict instructions on how to manifest things. You are fully capable of discovering new methods that work for you when it comes to manifestation. Remember, sometimes you need to "fake it till you make it." Don’t worry about what others might think or say; be the most confident and imaginative version of yourself. Believe in the impossible, and you’ll see it become reality. Dream big, and don’t hesitate to manifest the most outrageous things, even those that seem out of reach.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 2

I see that some of you are thinking about choosing a business major in college, and I want you to know that this is a great choice for you. I got the message that you have the potential to make more money by helping others learn how to manage and grow their own money. You could become a freelancer, offering advice on how to use money wisely, or you might even start a course where you teach people how to invest and handle their finances.

You have a special knowledge or skill that could be valuable to others, and you could exchange this knowledge for money. Some of you might also be excellent teachers, guides, gurus, or counselors. You hold the key to success—your ideas, inspirations, and whatever thoughts come to your mind right now could be what lead you to success.

I also see that some of you don't feel the need to make a lot of money; you just want to earn enough to live a good, comfortable life. You don't necessarily desire a luxurious lifestyle. Some of you could even become great spiritual teachers.

You can attract abundance into your life by growing spiritually. However, I also notice that some of you have been slacking on your spiritual practices. For example, something you used to do regularly, like manifestation, meditation, or journaling, you now barely do once every two weeks. These practices help keep you emotionally stable. If you start doing them regularly again, you'll notice a significant change in the energy around you.

At this moment, you need to focus on your studies and avoid chasing temporary pleasures. Concentrate on the things that will bring you long-term fulfillment and happiness.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 3

You need to break free from the cycle you're currently stuck in, and I'm getting the message that this may be connected to your ancestors. It’s possible that your family has experienced a fluctuating cycle of wealth and poverty over time. As a result, you might be afraid of making more money because you fear that you’ll end up facing the same ups and downs as your ancestors did.

I also see that you have a mindset of lack when it comes to money, and this needs to change. If you don’t shift your thinking, you may struggle to manifest more money in your life. Another issue is that you tend to overspend on things you want but don’t really need. Then, when it comes time to spend on something you actually need, you might find yourself short of money. It’s important to learn how to manage your finances better so that you have enough money for both what you want and what you need.

Some of you might be thinking about starting a business or entering a partnership with someone. This could be a good opportunity, but you need to be very careful about who you choose to partner with. For others, starting your own business could be a great option. I see that some of you are considering businesses related to jewelry, clothing (especially thrifted clothes), or decorative items.

You also need to let go of habits or memories that are no longer serving you. You can attract abundance by releasing an addiction or behavior that is holding you back. For instance, I see that some of you may be spending too much time on social media or on your phones. You need to be mindful of how much time you’re wasting on these activities. Instead, invest your time in something that will benefit you. If something isn't adding value to your life, don’t waste your time on it.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

[deepmochi]

Ways to love yourself more: according to your Venus sign 🐚

Image: Viggo Christian Frederik Vilhelm Pedersen.

Some recommendations for self-care and self love for you, lovelies. Take what resonates only 🩷.

Aries: express your needs and behaving as you want without damaging someone. Being rude don't take you anywhere, you feel hurt later. Enjoy your mobility more, dance, sports or more. Feel alive, do what makes you happy. Protect your body, now, jump!

Taurus: be reliable not only to others but also for yourself. Take things slowly with new people, but try to know others. Relationships are for two. Don't waste your potential procrastinating or being with people just because you invest them years. Paint or binge that new series.

Gemini: explore your mind and all that need for learning. Wear those styles and express your mind. Slow down, bb. Take your time. Stimulate your brain with those people who make you feel alive and understood. See others perspectives. Play board games with friends.

Cancer: Spend time with your home, family, and pets. Create a place call home under your own beliefs. Nurture yourself like a mother would do it, like you do it for your loved ones. Share your emotions and your emotional turmoil with someone who cares. Start a journal about whatever you want.

Leo: Live, laugh and cry. Wake up your inner child, and go play with them. Be the queen or king you are. Leave your ego behind for a moment. You can try again the next day. Buy those earrings and what make you happy with moderation. Take a moment and say love you to someone who deserves it. Also, eat that dessert.

Virgo: reaffirm your value without seeking approval from others. Be nice with yourself. Go and relax for a day. Do nothing,it is fine to rest. Find a new hobby where you can appreciate each stage from learning to mastering it. While doing this, try to accept you imperfections because you are worthy of love. Buy that new facial cream! And read that fanfiction book.

Libra: try to accept your natural beauty, not what society expects from you. Date yourself, take a nice coffee or tea. Wearing what you like for the sake of being honest to your essence. Appreciate solitude, the same way you care for partnerships.

Scorpio: learn from past mistakes by taking responsibility for it. Using those transformational gifts for better understanding of your human psyche. Watch that embarrassing movie that you love. Go ask your pet or some person a hug.

Sagittarius: try new things and discovering your humanity but welcom those fears you try to leave in the past. Instead of running away and seeking new knowledge, take a moment to appreciate your surroundings and your grow. Take a silly video of you and your pet or just ride a bicycle.

Capricorn: Spend time with your family, friends and yourself. Find a space in your agenda to be grateful for the people you love and care. Go and enjoy life, do soemthing that makes you feel alive: a simple walk around the park or sleeping 8hr is enough.

Aquarius: share your interests with someone who cares and listen to you. Learning more about different perspectives and ask for help when you need it. Watch that documentary you like, or create a blog where you share experiences with others.

Pisces: be grateful for what you have, people in your life and small moments. Watching that old t.v. show that make you happy when you were a kid. Asking your inner child to choose something random and do it. Wrote that fanfiction about your favorite pair in that t.v show, or just eat cereal watching animal videos.

Take care, love

Credit: @deepmochi

[vanteguccir]

── ୨୧ !　𝗔𝗧𝗘𝗟𝗢𝗣𝗛𝗢𝗕𝗜𝗔

　　　　　　　　𝒎𝒂𝒕𝒕 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: Where Y/N has suffered with an eating disorder for years, but lately, - because of the some "fans" and social media - her insecurities have been taking her to a more than dangerous path, which she couldn't get out without help.

WARNING: anorex!a, eating disorder, comparison, self sabotage, self hatred, panic attack, pure angst... PLEASE read with caution!

REQUESTED?: No.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

　　　༻✦༺ 　༻✧༺　༻✦༺

Atelophobia; the fear of not being good enough.

This was one of the millions of fears and problems that haunted Y/N's mind. Her head convinced her a long time ago that she simply wasn't enough; for her school teachers, for her classmates, for her friends, for her parents, past boyfriends... not even for herself.

This led her to listen to what others said and thought about herself since she was very young, the desire to be perfect and within society's standards in all aspects of a human being consumed her; personality, thoughts, knowledge... body.

She was told all the time how she should behave, act, and be. She was just a child, but that didn't seem to matter to those who did it, clogging her up with responsibilities and comparisons.

One thing led to another. Her desperation to be the best at everything started to include her own body. "Fat" was the first word people used to describe her. She had no control over the situations around her, but she had control over her weight.

Y/N was always the biggest girl in her class, and her classmates seemed to love reminding her of that; often being excluded from work groups, forgotten in groups of friends, or not chosen in any team during Physical Education classes.

Until the year when everything changed. During the school vacation, she decided to change, intending to return to school as a new girl. The new cycle started well, Y/N saw a nutritionist, cutting out all fatty foods from her routine and consuming only healthy ones. She started going to the gym daily, doing the recommended training time. All of this led her to lose a significant amount of weight.

Soon, the vacation was over, and with that, the negative comments from her classmates were replaced by positive comments. Girls asking what she had done to lose weight like that, searching for advice and seeing her as a miracle. Boys saying how changed and prettier she looked.

How could she not fall in love with her own illness?

So, that made her feel good. Too good... her mind began to yearn to become thinner, more beautiful, just to hear more from others. And then the healthy diet and the one hour training at the gym were no longer enough for her. She needed more if she wanted to be better.

Y/N then intensified her training, staying at the gym for 2 hours per day, doing more reps with more weight. She crossed out several foods from the list of permitted that her nutritionist had made, choosing for herself the ones she thought were ideal, until it had almost nothing left.

Her brain self-sabotaged so that she wouldn't go out with her friends, because they would definitely want to eat somewhere and she wouldn't be able to.

She no longer participated in family dinners, creating excuses so as not to be forced to sit at the table and eat.

Her mind convinced her that she wasn't thin enough to satisfy her boyfriends' sexual and non-sexual desires, which made her pull away during or at the beginning of any relationship she had until the guy got tired, or she simply ended it.

She spent hours on the internet, searching for sensational diets that reduced daily calories to 500 or less, promising extraordinary weight loss. In addition to getting on the scale at least 4 times a day, hoping for a miracle every time she looked at the numbers.

Y/N replaced her eating schedules with random hobbies like drawing, learning a new instrument, or picking flowers from her garden to make flower crowns, occupying her time and mind.

Some things scared her, her period hadn't come in months, clumps of hair fell out every time she ran her hands through it. Her vision went dark at least 3 times a day. Her body shivered from the complete cold of her insides, and her stomach hurt more than usual.

But she had to suffer them alone since she had no one to talk to about, always alone.

Until Y/N met Matt.

Matt was the boy who made her want to get better. He encouraged her to look for a hospital that fit her preferences, where Y/N finally began to receive psychiatric and psychological care.

Her diet changed for the better, into foods that Y/N saw as safe. She did not abandon the gym but reduced the weight and time, maintaining her training just for the health of her muscles, as she had lost a lot of lean mass during her worst moment.

The calculator in her head finally stopped. Her eyes started seeing food as just food and not as the enemy. Her stomach craved for all the snacks she loved, and she finally ate them, without feeling guilty.

Matt was so thoughtful about her entire situation, having suffered himself with extreme anxiety from a young age. He could tell he understood in parts what it was like to live with a mental illness.

So he helped her maintain her healthy diet and eat all her daily meals within her limit - often opting to eat together in their room, since he knew the trepidation Y/N still felt about doing it in front of other people.

Matt praised her in every possible situation, trying not to be extreme but to show his intense love and support for the girl. All of that was helping her a lot.

Until it wasn't.

Y/N and Matt never hid their relationship from the public, the girl knew how famous her boyfriend was and how difficult it could be to keep their relationship hidden, they would be seen together at one time or another.

So it wasn't surprising that the girl appeared in some of the triplets' pictures sometimes, and that's what happened that Friday.

As usual, Nick posted a photo dump on the triplets Instagram to promote the publication of their new car video, and one of the photos was of Matt and Y/N, specifically one in which the two were sitting on the couch in their living room, the girl had her legs draped over Matt's thighs, while his tattooed arm wrapped tightly around her waist, huge smiles decorating their faces.

It was a cute photo, but apparently, that wasn't what fans thought.

While Matt and his brothers were in the kitchen, preparing healthy snacks - a habit they built through the girl, but which in the end helped everyone -, Y/N was lying on her bed in the room she shared with Matt, wrapped in too-warm covers, holding her phone with her right hand while her left hand wrapped around her stomach in an almost painful grip.

Her thumb scrolled through the comments screen beneath the post. Almost everyone there talking about her picture with Matt.

"Matt can do so much better than her"

"I really don't know what he saw in her"

"She's going to end up crushing him like that"

"I'll pay for the gym for her if that's the price for Matt to have a worthy girlfriend"

And so on, it was as if they knew all of Y/N's weaknesses.

Some fans of them could be cruel when they wanted to, and Y/N knew this by heart since seeing Nick crying several times because he was body shamed, or when she noticed Chris being quieter than usual after reading comments saying how loud he was and how that was unbearable.

Her heart was crushed every time she saw Matt suffer in silence until he couldn't hold it in any longer and finally cried in her lap for hours after reading people saying how insignificant and quiet he was in the videos.

Even though a huge mass of the fandom loved them with all their hearts and took care of them as much as the distance of a phone screen allowed, it still wasn't enough to swallow the hate comments.

But when it came to Y/N, more than half of the fandom turned against her. Maybe out of envy, but it was obvious that the girl didn't see it that way. She was convinced that they were right.

Her heart tightened as if someone was crushing it with their bare hands. The air seemed to escape her lungs, and the lunch she ate hours before seemed to want to go up her throat. Her fingers trembled as she held her stomach, feeling everything she had and didn't have there. Her eyes began to water, her lips quivering from the tears that wanted to escape.

Y/N quickly moved her finger to the back button, hoping to break out of the horrible cycle she was about to enter. A loud sob escaped her lips when, upon finally leaving the post, her feed reloaded, and a picture of a model that Y/N followed and admired appeared.

Comparison was her biggest enemy.

Negative thoughts about herself began to pollute her mind, everything around her becoming a fog. The sounds coming from the kitchen became muffled to her ears. Y/N's right hand - which was holding her phone - was gripping the device in such a way that her fingers turned white. Painful sobs escaped her mouth as her eyes remained fixed on the woman's perfect figure.

Why can't I be like her?

The longing for the sensations she felt when she starved hit her chest hard. The desire to want to be as thin as before - or more - filled her.

It didn't take long, and soon, the bedroom door was slowly opened, Matt's silhouette appearing behind it. His face was lit up with a smile - probably because of some joke his brothers made - while his right hand held a plate with two sandwiches.

His cheerful expression was replaced by a frown of concern. Matt quickly closed the door with his feet, walking towards the bed, haphazardly placing the plate on the nearest bedside table before sitting down on the mattress.

His hands flew to Y/N's waist, stopping over her own hand that was squeezing her skin with a force that was sure to leave it bruised.

The girl seemed to wake up from her trance, lifting her head and meeting Matt's calming - but worried - gaze. She cried harder as she imagined what her boyfriend would be thinking of her now.

Automatically, her mind started to play her current state, messy hair, swollen and red face, skin wet with tears, eyes half closed and mouth open, allowing sobs to escape from there.

"M-Matt-" Her sentence was cut off by a sob, her eyes closing tightly.

Matt took a deep breath, trying to process what to do next. His left hand - the one that didn't cover hers - slowly took the phone, taking it out of his girl's death grip. He glanced briefly at the screen, automatically understanding what was happening before locking it and putting the device aside.

He moved his body so that it was closer to hers, resting his hand on her spine and guiding her until she laid her head on his chest, caressing the area below his fingers.

Matt felt his heart break with every tremble that rocked the body beneath his caused by the sobs. If he could take that pain away from his girlfriend, he would.

"It's okay, baby, let it out. I'm right here." He cooed, his fingers caressed the tangled strands of her hair lightly, stroking the area while moving his upper body back and forth, slowly calming his girlfriend.

"Ma-Matty-" Y/N's voice was weak, wobbly from the pain in her heart.

Matt removed his hand from hers for a few seconds, stretching it to the bedside table - where the plate was -, taking the bottle of water that Y/N always filled before going to sleep. He opened the lid in one quick movement, bringing it close to his girl's face.

"Come on, my love. Sit down for a moment and take a sip of water. Please." The boy asked in a soft voice, helping Y/N straighten her posture before bringing the bottle closer to her lips, helping her take a few small sips of the contents.

He closed the bottle after making sure she was satisfied, placing it on the mattress before turning his attention to Y/N again. He brushed away the strands of hair from her face, tucking them behind her ear.

"What if they're right?" She asked in a whisper, catching her bottom lip between her teeth in an attempt to keep from crying.

"No, they aren't." Matt's tone was convincing, as if he was absolutely sure of what he was saying. "You are not worse than others because of your weight. You look great as you are. Your body is perfect, do you know why? Because he's healthy enough to carry you around and take care of you." The boy held her hands lightly, stroking the back of her fingers gently as he looked into her eyes. "The recovery journey is not easy, I remember the words your psychologist said to me when we had that session together. I imagine your head when you see clothes getting tighter, and these comments certainly make you want to give up, I know you, baby."

He paused momentarily, watching her reactions carefully.

Y/N knew that, recovery was hard work. Not wanting to die was hard work.

"Recovery is not a race. You don't have to feel guilty about taking less or more time than you originally thought or having relapses from time to time. This is part of the process, and I want you to understand this. You are the most beautiful girl I have ever seen in my entire life. When I look at the most beautiful things, I remember you. In the pink tulips of the flower shop across the street, in the Cassiopeia constellation, in the bees that fly in our garden and in the greenest tree I have ever seen." Y/N let out a tearful laugh when she heard him mention the tree, knowing his immense love for nature. "Because you're pretty like them."

"I-I'm sorry." The girl whispered, sniffling then lowering her gaze in shame. "I... I saw the photos that Nick posted, and there were comments..." She shook her head, closing her eyes tightly.

"Oh baby." He leaned slightly over Y/N, sealing his lips over her warm forehead. "If you want to apologize, let me do it. If you went through this now, it was because of me."

"No, Matt. It was never and will never be your fault." Y/N shook her head, wiping her eyes momentarily with the sleeve of her - his - hoodie, sniffling slightly before taking one of Matt's hands, intertwining their fingers. "You don't control people, much less through the internet. They will always talk a lot because they are behind a screen that protects them, but that will never be your fault. I would rather go through this a thousand times and have you with me than never have you again."

"I understand." He paused momentarily. "Please, don't let it get to that point again while you're alone. If you see something that upsets you or makes you feel bad, turn it off instantly and call me. I want to be there to help you. I want to be there for you." The brunette asked, staring at her eyes.

Y/N sighed, nodding her head and leaning slightly closer to him, resting her forehead on Matt's shoulder, exhaling the softening scent and perfume that exuded from the fabric of the hoddie on his body.

Her eyes burned from the tears she shed, closing them tightly to prevent more from falling, her heart still feeling sore from everything.

"If you want, we can contact that psychologist again, the one who helped you throughout the process at the hospital." Matt lowered his head, bringing his face closer to the back of Y/N's head, pressing his lips against his girl's hair, closing his eyes as he felt the warmth of her body close to his. "I want to attend some sessions just like we did last time, so I understand how I can help you this time."

Y/N felt her heart warm instantly, her free hand snaking to Matt's thigh closest to her, stroking the covered skin lightly.

"Okay."

Matt loved Y/N more than he loved himself, and he would make sure that she understood that she wasn't alone anymore.

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