#trying my best to keep them in character here

[darkficsyouneveraskedfor]

Cool for the Summer 4

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: After finishing your degree, you return home only to find things aren’t as you left them.

Characters: Bucky Barnes

Note: baby girls, he we go.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You rinse out the bowl you used for your oatmeal. It’s only as the back door opens that you notice the roar of the mower’s stopped. You put the porcelain in the dishwasher and shut it as you hear footsteps down the hall. It’s almost ten o’clock. 

“Hey, baby girl,” Bucky greets your back as he enters. “I just put fresh water in the hot tub. Might go for a soak myself, try to loosen up these muscles.” 

You face him, “hot tub?” 

“Oh, yeah. Guess that’s new too.” He chuckles. “Another one of my projects.” 

“Right,” you nod. A sudden buzz makes your jump. 

You look around and scurry across the kitchen to grab your phone. It’s a message from your mom. But why would she text you? Can’t she just come downstairs? 

‘Is Bucky still there?’  

You stare at the message and frown. Huh? 

“Everything okay, doll?” Bucky asks. Your eyes flick up. 

“Um, yeah, erm, it’s my mom...” you shake your head. 

“Right, how’s work going for her?” He plants a hand on the counter and leans. 

“Work? It’s her day off,” you blink. 

“Ah, yeah, she said she didn’t want to wake you up when she left. She got called in. Emergency.” He explains. 

You clutch the phone as you stare at him dumbly. Why didn’t he mention that earlier? Well, it’s not on him, you could have checked. But if she’s gone, why is he still here? 

“Don’t spoil the surprise,” he says, “about the lawn.” 

“I won’t,” you look down and text her back. 

“So how about it? You up for a soak?” He asks again. 

“Um, I’ll think about it. Just gonna chat with my mom,” you waggle your phone at him and meander to the door. 

‘Great. You two can get to know each other.’  

Her answer is disappointing. You thought she’d be surprised, maybe confused. It’s all perfectly normal to them. You’re still adjusting. If she’d told you before you got there, it wouldn’t feel so strange. 

At the same time, you don’t want to let her down. You can’t just ignore her message. You have to try but you feel like you haven’t even had time to settle in. And he’s not the only thing that’s different. Your room doesn’t even feel like yours. 

You stand at the bottom of the stairs. You key in a final reply. ‘Ok’. That’s it. A tepid agreement. 

“Hey,” Bucky surprises you again. “Invitation stands,” he wipes his forehead, his bicep bulging as he does, the muscles of his chest straining. “I’m just going to get in my trunks.” 

“Uh, I... I’ll think about it,” you make yourself take a step up and climb steadily, refusing to look back. 

You stare at the phone. You don’t want to be rude. You’re sure there’s a reasonable explanation for why your mother didn’t mention him. You might do the same in her shoes. After so long being single, she was probably just letting it pan out. 

Still, she could have said something when you were on the train. 

Whatever. It’s not your place to complain. You’re still living under her roof, rent-free, after years of tuition on her dime and a lifetime of dependency. You can pretend like this is all okay. 

You go into your room and shut the door behind you. You wouldn’t have a swim suit in the dresser, you didn’t bother to pack it for college. Wherever your other clothes are, it should be there. You just don’t know where that is. 

A tank top and shorts should do the trick. You prefer that to an actual swimsuit. It won’t feel so revealing.  

You take out a hot pink spaghetti strap shirt and a pair of black shorts. You switch out your clothes, catching your foot in the shorts and tripping slightly. You stand up, shirtless, leaning on the vanity as you get your balance.  

You glimpse your reflection and shy away. You tie the string of the shorts and reach for the tank top. You pull it over your head and check yourself in the mirror. It will do. You hope. 

As you come out of the room, another door opens. You peer down the hall as Bucky emerges from your mother’s room. You gulp and flick your eyes away from him. He wears a pair of light blue shorts, so short you might mistake them for briefs. His thick thighs and torso flex with his movement as he approaches, a towel over his shoulder. 

“You changed your mind?” He asks as he comes closer. 

“Erm, well, I... I’ll give it a try. I’ve never really been in a hot tub, so...” You poke your fingertips together nervously. You don’t want to tell him your mother told you to be social. 

“Great, kinda feel like a loser sitting in there by myself. It’s really too bad your mom had to go in.” He sighs. 

Yeah, it is. You wonder why he didn’t mention it sooner. Or why he’s hanging around. You guess you don’t really know how things work around here anymore. 

“Don’t forget a towel,” he winks as he pats the one on his shoulder. “I’ll go get the cover off and you can come hop on in.” 

He brushes by you, his knuckle glancing off you as he does. You shuffle down to the linen closet and take out a towel. You don’t follow him right away. 

Your stomach is a flurry of nerves. It’s just the oatmeal. It always sits like a lump. You didn’t think about that, you were just hungry. 

You go downstairs and drag your feet to the back door. You come out onto the deck and peer around. The tub sits in the deck, installed where the table used to be. It steams as Bucky steps into it. He sighs and groans, muscles clenching up his back and sides. He must work out a lot. 

You look down at yourself. Self-consciousness creeps over you. It’s been a while since you thought so much about it. You tried not to focus much on your body; as long as you liked what you’re wearing, you don’t worry about what’s underneath. You don’t have the most extravagant taste but you have a few cute pieces. 

He lowers himself into the water and lets out another drone. He shifts around to face you but doesn’t seem to notice you as he closes his eyes and leans his head back. He takes a deep breath so his chest puffs out. 

You set your towel next to his on the small table near the edge. You near and stand at the lip of the tub. Can you just sneak away? 

“Hey,” his voice rolls over the bubbling water, “it’s not bad. Come on. It feels great. It’ll loosen you right up.” 

You nod and bite your lip. You get down on your butt before you ease yourself down onto the seat of the tub. The water steams and spits just beneath your shoulders. It is nice though it does raise a thick sheen across your forehead. 

“Mmm, trust me, when you’re mine age, you’ll need one of these,” he smirks. “So,” he stretches his arms around the frame of the tub, “what’s the plan, doll?’ 

“The plan?” You flap your lashes. 

“For the summer? Beach days with the girls? You wanna invite some friends over? You can have the tub to yourself,” he offers. 

“Mm, no, I... I’m looking for work. Uh, probably send out more applications.” You shrug. 

“Looking for a job? Ah, right, no more school, huh? Exciting. You got the whole world in front of you.” 

“Mhm, yeah,” you reach to rub your neck. 

“I’m sure you’ll still have time to hang out with your friends,” he insists. 

“Uh, I don’t... I don’t really have any,” you utter. You look away and stare at the fence. 

“No? Well, all my buddies are too busy for me. I know how you feel.” He says, “you know, we could be friends.” 

“Um, yeah, maybe,” you look at him again as you chew your lip. His eyes snap up from your chest. You look down and try not to show your horror. Your nipples are entirely visible as the pink fabric clings to you. You cross your arms. “You’ll be busy with my mom.” 

“Not all the time,” he says “You know, ever since she got this promotion, she’s been too busy for me.” 

“Ah, erm, I'm sorry.” 

“Why are you sorry?” He asks. 

You shake your head, “I don’t know...” 

“Mm, I know why,” he tilts his head. 

You stare at him in confusion. 

“You know a guy like me shouldn’t be kept waiting around. You’re a sweetheart, aren’t you? You can’t help but feel bad knowing I’m left all on my own. Lonely.” He traces a finger along the edge of the tub as he speaks. 

“I... guess. I don’t... know? I just...” You look away again. You can hardly stand the heat of the water as it boils your blood. 

He snickers and you wince as he shifts around the tub, sliding into the seat next to you. He slips his arm behind you as he does. You shrink down and stare at the deck railing. What is he doing? 

“This is nice, isn’t it? Getting to know each other?” His fingers tickle your shoulder as he crowds you. “You know, seems like we have a lot in common, doesn’t it?” 

“Um, erm,” you squirm in the seat. “I think... maybe... I should...” 

“Relax, it won’t do you any good if you don’t relax,” he girds. “I’m just saying, baby girl, seems like we’re both pretty lonely.” 

He leans back into the hot tub and lets his head fall back. You bend your arm, rubbing your other, and fidget. You want to just go but you’re scared to move. You don’t think you’re really afraid of him, he probably won’t stop you, but you’re just all locked up. 

You sit there, staring through the slats at the green lawn. The water babbles and your ears pulse. He continues to caress your shoulder. 

“Mm, baby girl, come on, just let yourself...” he taps your arm, “lean back, huh?” 

You obey. You lean back into the tub and slide down in the seat, trying to mimic him. Your head hits his arm as you recline. It is nice as the jets shoot up your back. 

“Wait, wait, you gotta get in the right...” he grabs your thigh and drags you towards him. “..place. Make sure you hit all the pressure points.” 

As he moves you, you spasm and cry out in surprise. A jet blows right against your shorts, a stream of water that sends tingles through you. You try to move back but he holds you in place. He squeezes your thigh and kneads. 

“Ah, yeah, baby girl, right there? Doesn’t it feel good?” 

You squeak as the water hits your clit through your thin shorts. You put your hand on his and wiggle. That only makes it more intense. Does he know what’s happening? 

“Please...” you gasp. 

“What did I say? Relax,” he continues to rub his fingertips into your thigh. “You’re all tense, baby girl. Let it go.” 

Your eyes round and you contort, trying to take the pressure off your clit. It doesn’t help. You puff out and grab onto his arm without thinking. He needs to let go. You can feel a throbbing inside of you. It hurts. Please, stop. 

The sensation crests and coils through you. Your muscles clench then release all at once. You squeal in shock and shame as your body twitches. You think you just... orgasmed? 

“Baby girl, what is it?” Bucky leans into you. 

“I...” you heave. “I-- nothing.” 

“Mmm, nothing?” His hand crawls up your leg and over your stomach. He twists and bends his arm, cradling your head and turning you to face him. You shiver as he cups your chest through the wet fabric and runs his thumb over the hard bud beneath. “Cause I think you just came in this nice clean water.” He leans in closer until you feel his breath against your lips, “baby girl, I thought you were going to be good for me?” 

[aziraphales-library]

Y’all are awesome and I appreciate the hell out of this account! Any fics that are an attempt at a season 3? Preferably comedic ones! Thank you so much and keep up the amazing work! ❤️

Hello. We have a #good omens s3 speculation tag, so check that out. Here are more to add that have some kind of humour tag...

a place to be by kaiyen (NR)

In which Crowley moves back into his flat, Aziraphale has problems at work, and the Second Coming of Christ is but a stone's throw away. In the end, Crowley makes it to rolling green hills, leant against a stubbornly yellow Bentley. He remembers the first morning. He had slithered out of the ground not long before dawn, the dirt damp even before the first rain, the grass cool and crisp against his scales. And the sun had risen, jewels spilling across the great blue sky, warm and golden from the East. Crowley – Crawly, then – had wanted to follow it, had felt a great pull Eastwards. He went, too, until he found the ripe red fruit nestled amongst the lush green leaves and knew what they were for. It was luck, then, that the humans had left in the direction of the sunrise. Luck, or– ineffable. The sun rises over the South Downs, and Crowley finally wants to stay.

The Ineffable Shades of Gray (Good Omens Season 3) by altsernative (T)

After returning to Heaven, Aziraphale learns the Metatron's true intentions, finds himself disillusioned, and regrets his choice to leave Crowley, who has been working in the Temptations department. They reunite, and find themselves stopping the final war between Heaven and Hell and learning God and Satan's true intentions for the world and each other.

Demons are Forever by in_a_pickle (T)

After finallly finding the courage to tell his best friend his feelings, Crowley's dreams are shattered when Aziraphale once again chooses Heaven over happiness together. With ‘Great Plans’ afoot upstairs, Aziraphale discovers that the starring role he accepted comes with some unforeseen duties and that Crowley’s kiss has become something of a distraction. Crowley meanwhile is trying to come to terms with a broken heart and is trying to fathom why Heaven is so keen to have Aziraphale back in the fold. A mini adventure with our favourite group of two, written in case I get hit by a bus and never get to find out what happened next.

The Intended Effect by Esme_Abner (E)

A post-S2 fic that begins with a very sad Crowley and a conflicted Aziraphale and a surprisingly not-awful Jesus. It's all building toward our boys reconciling, because like everyone else, my heart is broken and I need to pick up the pieces somehow. And they might try to like save the world again, too.

(I just can't wait for) Season 3 Good Omens! by RCReveal (T)

After Season 2, I really needed to find out how Aziraphale and Crowley could get their reunion: a real reunion & not 'pretendy real'. They both have so much growing to do with neither of them, yet, being able to even say 'I love you' clearly to each other. Angel, what's going on? What kind of doublethink are you doing to still think that Heaven is the Good side & that you can't even admit to being friends? But you'll do anything to protect the World. Crowley, always planning on running. Sorry, but that won't work. If you had run at Armageddon there'd be no here to be in. But somehow, still a little seed of optimism. And wow! what you two can do together! Especially with a little help from old and new friends. So here's a story about averting the Second Coming with that great ensemble cast of characters in Heaven, Hell, and Whickber ST. Long set up, but then starts to speed up, kinda a wild ride from chapter 42 onto the end. This story is at about the same level of cursing, violence (well, maybe a little more Gaiman-esque), humor (definitely much more Terry Pratchett-esque) and romance as that of the second season.

There's a Special Place on Earth for Beings Like You by Kipje (T)

Set two years after Aziraphale leaves to become Supreme Archangel. It’s the Second Coming. Aziraphale is tasked with finding parents for the new Christ and returns to earth. He needs Crowley’s help, but the two haven’t spoken since the break-up. Crowley doesn’t want to forgive the angel, nor does he want to help out with the baby, but he finds it incredibly hard not to get involved. OR Aziraphale and Crowley raise the new Christ together; a girl named Eden. While they try to sort out their feelings and avert the apocalypse. Excerpt: Crowley had always assumed Aziraphale would want to run away with him in order to be together. He had never bothered to ask if there was a version where they would be an ‘us’ on earth. What was Aziraphale supposed to do once they arrived in the Alpha Centauri system. How would that even work with his book collection? Sure, Aziraphale had fallen in love with the demon – and it had taken him a while to be able to admit that – but he had also fallen in love with humanity, with earth. He had never planned on leaving. He knew earth would be no fun without his favourite wily serpent, but that did not mean he would be fine anywhere as long as Crowley was there. He had standards.

- Mod D

[tragedy-of-commons]

Heyo Gwen!! Congrats on 200 followers once more!!!!!

If you don't mind, allow me to drop in a request too hehe, no pressure of course!

"Wanna make a bet?" + Kamisato Ayato

I'm excited to see what you write for the event (>u<)!!!

– sincerely,

Maple

"Wanna make a bet?"

Ayato's lips curl at the question. Why not bite?

"Such a trap you're laying out for me," he tilts his head, sun reflecting off his pastel blue tufts, right directly into your corneas. You squint, grimacing at his sly expression. "Please, inform me of the stakes."

The Yashiro Commissioner knows which cards to play and when to play them to ensure victory, but he also knows better than to count his chickens before they hatch. You're clever and get your way more than he intends - which is precisely why he's letting you hold his hand in the privacy of the Estate's gardens.

You compliment one another perfectly. It seems like such a childish sentiment to any onlookers (those who dare to look), but even they can't deny this wonderful synergy that you two share, really two halves of a whole--

"I bet you a kiss that you can't remember our first date."

Sometimes, you can be cheekier than him.

"The art of subtlety is lost on you," Ayato tuts, already resigned. "Setting me up to fail like this... one would think you're a sadist."

It's almost comical to utter the words whispered about him by all sorts of political figures to your unassuming character. Even so, he probably won't be winning this bet. Robbed blind of another kiss - how tragic.

Kamisato Ayato is used to this being the way things go, usually nestled between sparring (where he's only lost to you twice), and hushed nights of mulling over poetry (where he still constantly watches the clock). If this routine is at all like the others that came before it, you're about to start gloating about your checkmate.

"I'm not hearing an answer," you singsong, admiring the various flora and painstakingly spoiled greenery.

He sighs, squeezing your hand. "I'd have to give you my best guess."

His memory isn't all what it used to be. Too many precious moments have been lost to the tumultuous sea of work and his constantly occupied mind; it's hard enough to keep it sharp, and even harder to fall into your arms after a long day, given the fact that there's still a lingering worry you may try to assassinate him in his sleep.

Your impish nature softens, grin shrinking into a sweet smile.

"That's all I want from you, Ayato."

Ah. Nevermind.

Before he answers incorrectly, he brings your knuckles up to his lips and kisses each one reverently, maintaining breathless eye contact. He's inclined to savor this while it lasts, after all.

"It had to have been when I first saw you. Mentally, I was already preparing to deal with the eventual public backlash of our marriage," he delivers, smirking against your skin--

You wrench your hand back to presumably elbow him, but Ayato is prepared, capturing your wrist with a gentle flair.

"I am ready for my kiss, as per your terms."

You heave a world-weary sigh, and Ayato has won.

🏷️: @akutasoda, @aviiarie, @lowkeyren

a/n: MAPLE 💗 thank you for your well-wishes n support thus far! you're so silly and fun, hope u like what i did with ayato. i know it's short, but ehhhhhhh i think i did an okay job at characterizing him.

event post here

[ssa-dado]

5 - Antithesis

Aaron Hotchner x bau!fem!reader

Genre: angst, slowest burn in history

Summary: The BAU tackles a complex case involving international victims and cryptic messages. Hotch’s growing insecurity intensifies as an agent returns from an undercover operation, revealing his close past with you. At the hotel, you and Hotch have a heated argument, exposing hidden vulnerabilities and unspoken boundaries between you two. Hotch struggles with his feelings of being just a replacement and questions his connection with you. Rossi confronts Hotch, encouraging him to be the partner you truly need.

Warnings: Usual CM case stuff, grooming (it feels to me, at least. To someone wouldn’t but idc), angst

Word Count: 6.1k

Dado's Corner: the dreaded chapter, I've been working on it for a week and still I'm not completely satisfied yet. I had to use another OC character, I'm sorry if you're bothered with that, but even if I hate him with all my heart he will be helpful in the future to narrate Y/N's backstory. If this broke your heart, synthesis might even more

previous part ; masterlist

Hotch’s gaze dropped, the weight of your accusations settling on him. “I thought that’s what was best,” he murmured, the admission almost painful. “I thought… I thought it was enough.”

●

It was yet another early morning at the BAU, and as usual, you walked into the office to find Hotch already at his desk, a cup of black coffee in hand, looking as composed and sharp as ever. No matter how early you tried to get in, Hotch always seemed to be one step ahead and especially today, you couldn’t help but comment on it.

“You know, Hotch, that’s 76 coffees you owe me now,” you said, dropping your bag on your chair and crossing your arms, pretending to be stern. “Maybe it’s time to rethink your strategy. You could try showing up late, just once. Shake things up.”

Hotch glanced up, an amused smirk tugging at the corner of his mouth. “I could, but where’s the fun in that? Besides, I have to keep beating you just to remind you of your constant failure.”

You rolled your eyes, leaning against the side of his desk. “Wow, Hotch, who knew you were this petty? I bet you’d stay up all night just to make sure you’d beat me here.”

He chuckled softly, not denying it. “Well, someone has to keep you grounded. Can’t have you thinking you’re invincible, partner.”

In the past couple of months, the term “Partner” had become a running joke between you two. Whether by design or coincidence, Gideon and Rossi kept pairing you together on cases, and even when they didn’t, you’d find yourselves seeking each other’s opinions anyway – you were desk mates after all, it was impossible not to rely on each other’s expertise. Yet the nickname stuck, a testimony that had made working together more natural than either of you could have ever predicted.

Your familiarity with Hotch’s desk arrangement had grown, too. You knew his precise system of organizing case files, the way he stacked them according to urgency, but today, something was different. As you glanced at his desk, your brows furrowed in confusion: the stack of case files was unusually tall, casting an odd shadow that didn’t quite match its usual shape. It looked as if something bulky was hiding underneath.

“Hotch, what’s with the fortress of case files?” you asked, pointing at the strange shadow. “Are you hiding something under there?”

Hotch hesitated for a moment, as if he didn’t expect to be caught in the act. With a slight, amused shrug, he grabbed the files and lifted them off the hidden unknown object – or the unob - revealing a thick book on architecture history.

You raised an eyebrow, genuinely surprised. “A World History of Architecture?! Didn’t take you for the type, I’m surprised.”

Hotch looked down at the book, his expression a mix of embarrassment and pride. “I picked it up after the Frank Lloyd Wright case,” he admitted, almost shyly. “That night we spent going over his designs at the library, I don’t know why but something about it stuck. I guess I wanted to know more. So I’ve been reading this during my ‘waiting for you to show up’ time.”

You smirked, leaning in to examine the book. “SSA Aaron Hotchner, secretly an architecture buff. Who would’ve thought? Next thing I know, you’ll leave the Bureau and go to architecture school, you would still owe me 76 coffees though.”

He scoffed playfully, closing the book and setting it aside. “I don’t think I’m quite ready to go that far. But it’s been... nice. You know - learning something just because I want to, not because I have to.”

You gave him a teasing nudge. “Hey, don’t underestimate yourself, partner - maybe one day you’ll be the next Frank Lloyd Wright of the FBI. Designing prisons, interrogation rooms, you name it.”

He chuckled, shaking his head. “I think I’ll stick to profiling, but thanks for the vote of confidence.”

Just as you were about to tell him your kitchen needed some renovation – so he could start with something easy – an unexpected way-too-familiar voice interrupted from behind.

“Y/N!”

You turned around, and there was SSA Peter Rogers - one of your closest friends you ever had since you were fifteen - standing in the bullpen with his easy smile and that overly confident stance of his, just as you remembered him.

“Pete!” you exclaimed, a genuine smile spreading across your face as you rushed to hug him, the familiar warmth on your body you missed so much made you hold on to him a little longer. “What are you doing back so soon? I thought you were still overseas.”

Peter shrugged with a modest grin. “Operation wrapped up early. Figured I’d come back and see what kind of trouble you’ve been causing around here.”. That smile of his had the ability not to change one bit since the first time you saw each other, causing you to travel six years back in time.

▪︎

It was the first day of your mother’s Italian Literature class at the university. You were just fifteen, juggling between high school and university courses, your hunger for knowledge insatiable as a shield from what was daily happening between the walls of your own house. You always sat in the front row, scribbling notes furiously, letting your brain disconnect from reality in order to lose yourself in the lyrical beauty of Leopardi’s poetry.

Peter had been sitting a few rows back, finishing his degree in linguistics. He’d noticed you immediately, you were quite easy to spot as you were visibly way too young to sit in that room – and if it wasn’t enough, you made sure to ask at least a question to the professor, at least once in the lesson, always being deeply engaged with the material. Hence why after that particular class, he approached you with curiosity.

“Hey, you’re not the typical student, are you?” Peter asked, leaning against the desk beside you. “You’re taking university classes while still in high school? That’s quite impressive.”

You looked up, a little taken aback by his easy confidence but not put off. “Yeah, I’m kind of…double-booked,” you replied with a shy smile. “I just really love literature. My mom’s a professor here, so she lets me sit in when I can.”

Peter nodded, intrigued. “I’m Peter, by the way. Linguistics major. So you must be some kind of prodigy, huh?”

You laughed. “No, not a prodigy. Just…curious. I love philosophy, languages, psychology, all of it.”

The two of you clicked instantly, and since that encounter both of you would always exchange notes, in order to make sure none of you ever lost a word said in the class. Peter became a sort of unofficial mentor, “Have you ever thought about profiling? It’s all about understanding people, their languages, their motives. With your skills, you’d be amazing at it.” He asked one day after class.

That was the very day you learnt what a profiler was.

▪︎

Peter greeted Hotch with the same familiarity. “Hotch! Good to see you again, man. I missed having my desk buddy around.”

Hotch stood up, shaking Peter’s hand with a polite but reserved smile. “Welcome back, Peter. I heard about the undercover operation. You handled it exceptionally well, no one expected for you to come back so soon.”

Peter shrugged, his usual modesty in place. “Thanks, Hotch. It was a tough one, but we got the job done.” He immediately turned his gaze towards you “Y/N, who knew you would have stolen my desk too”

Hotch raised an eyebrow, glancing at the two of you briefly. That “too” echoed in his mind, the sudden realization just hit that there was more history between you and Peter than he’d previously understood, founding himself feeling like an outsider.

Peter, ever observant, caught the flicker of something in Hotch’s expression. “So you know Y/N? She’s one hell of a smart cookie,” he said, looking between you and Hotch with a teasing smile.

You rolled your eyes playfully, brushing off the compliment. “Oh, please Pete let’s not start with this just yet”

Peter laughed, leaning closer to Hotch as if about to reveal a secret. “Did she ever tell you she can sing? Like, really sing. She’s incredible. I’ve heard her at a few college events back in the day.”

Hotch looked at you, surprised, taking in this new piece of your past. “No, she never mentioned that.

You felt your cheeks heat up, flustered by Peter’s unexpected praise – especially because you were both standing in your workplace. “That’s because it’s not important,” you said, trying to steer the conversation back to safer territory. “Besides, Peter’s just exaggerating. I’ve only been in the field twice with Hotch anyway, so there’s not that much to tell, most of my work has been here at the office.”

▪︎

A year ago, you attended a conference at the FBI Academy, and Peter was there as a speaker, discussing linguistic analysis in criminal profiling. It was the first time you’d seen each other in years, and the connection was immediate, even stronger than your days together at the university.

‘’Y/N is that really you?! You’ve grown so much you’re making me feel kind of old” Little did you knew that you would spend the entire evening catching up, sharing stories of your separate journeys still having in common your mutual love for the complexities of language and behavior.

“You’re exactly where you’re meant to be,” Peter told you as the two of you sat at a table, away from the noise of the main event. “I knew it from the moment I met you. You’ve got the mind for this work.”

You’d been touched by his confidence in you, feeling like the teenage girl he’d mentored all over again. “Thanks, Pete. But you’ve always been the one pushing me forward, I don’t know if I’d have chosen this path without your nudging.”

Peter’s smile was genuine, warm. “You would’ve found your way, Y/N. You always do.”

▪︎

The more Hotch listened to the two of you catching up, the more he felt that gap, as if Peter was pulling you back into a shared history that he hadn’t been part of.

Peter grinned, nudging you playfully. “Always aiming for perfection, huh?

You tried to brush it off, cheeks warming under their combined scrutiny. “Oh, please. That was a long time ago.”

Peter shrugged, turning back to Hotch. “But she hasn’t changed. I can see it in your eyes, you know?! Same drive, same brilliance. So, how’s she been doing? What cases has she solved?”

Hotch took a moment, his expression unreadable as he considered Peter’s question. “She’s been doing great,” Hotch said finally, his voice measured. “We’ve worked on a few tough cases together, a few high-profile cases. She’s brilliant, as you know, we’ve had our hands full. But it’s good to have you back - we can always use the extra help”

Peter nodded, his enthusiasm palpable. “Looking forward to jumping back in”

Before anyone could say more, Rossi approached, cutting through the atmosphere with his usual flair. “Well, looks like we’ve got our team for the day. Gideon’s out, so Peter, you’re coming with us. We’ve got a complicated case ahead, and I’d rather have all hands-on deck, we might be in desperate be of two linguists on this one”

Peter’s eyes flicked to you, then to Hotch, his smile never wavering. “Wouldn’t have it any other way.”

The team’s arrival at the police station was met with a wave of unease that hung heavy in the air. The case they were stepping into was far from simple. Multiple international tourists had been brutally murdered, each crime scene marked by cryptic messages in different languages. This was a killer who thrived on complexity, and with every new clue, the puzzle seemed to grow more intricate.

Rossi led the team inside with his usual calm authority, his eyes scanning the room with the practiced ease of someone who had seen too many crime scenes in his career. Peter and Hotch moved in tandem, flanking him on either side as they entered the station. The moment they stepped inside, the chaos enveloped them like a wave crashing on the shore.

The police station was a flurry of frantic movement and tension. Officers darted between desks, paperwork scattered in their wake, and phones rang incessantly, demanding attention that no one seemed able to fully give. The space, clearly not designed to handle the intensity of a high-profile investigation, felt claustrophobic and stifling, the walls closing in under the pressure of a case spiraling beyond control.

The air was thick, not just with the stress that permeated the station but with the unmistakable grit of dust being churned by the old, neglected air conditioning unit overhead, blowing more dirt than relief, only adding to the oppressive atmosphere. Everyone was on edge, their nerves stretched thin by the weight of a situation they were ill-equipped to handle. Rossi could almost taste the desperation in the room, a palpable sense of urgency that clung to every officer as they hustled to keep up with demands they were never trained to meet.

Rossi exchanged a knowing look with Hotch, both of them wordlessly acknowledging the uphill battle they were about to face - not just against the unsub but against the limitations of a team clearly overwhelmed.

The lead detective, a grizzled man with a permanent scowl, approached Rossi, barely acknowledging the rest of the team. “Agent Rossi, we appreciate the Bureau’s help, but I hope you realize this is a time-sensitive situation. We’ve got international press breathing down our necks, and the mayor’s about ready to pull his hair out.”

Rossi nodded calmly, his authoritative presence immediately establishing control. “We’re here to provide a profile and assist in any way we can. What can you tell us about the latest victim?”

The detective began briefing but his eyes kept darting towards you, flickering with something between doubt and annoyance. Finally, he couldn’t hold back any longer. “I’m sorry, but are you sure you brought the right team? She looks like she should be at a college lecture, not a crime scene.”

The comment hit like a slap, and you felt the familiar burn of frustration flare up. You’d been here before, countless times, actually. You were used to your youthful appearance and academic background drawing skepticism, but that still didn’t make it any easier to swallow, especially in that particular case. Before you could respond, Peter jumped in, his voice carrying a mix of defense and pride.

“Detective, she’s not just some college student. Y/N’s one of the best linguists you’ll ever meet, and she’s cracked more complex cases than most agents twice her age. I’d trust her instincts over anyone else’s, any day.”

There was a quiet confidence in Peter’s words that seemed to force the detective to take a second look, though his skepticism remained stubbornly in place. Hotch, noticing the tension, stepped forward, his expression firm. “Agent Y/L/N’s skills are exactly what we need for this case. If anyone can figure out what the unsub is communicating, it’s her.”

The detective hesitated, then gave a reluctant nod. “Fine, but we don’t have time for trial and error. Every minute we waste is another chance for him to strike again.”

“We’re all already aware of this, Detective. I’m sure you know that making my work any more difficult than it already is isn’t going to benefit any of us.” You finally had the courage to bite back.

As you settled into the briefing room, you felt Peter’s hand gently squeeze your shoulder, a silent but reassuring gesture as he said, “Don’t let it get to you.” You glanced at him, grateful for his unwavering support, and gave a small, determined smile in return. You were here to do a job, and you weren’t going to let some old-school cop’s doubts throw you off your game.

Once inside, the team gathered around the evidence board, covered in photos, maps, and printed copies of the unsub’s cryptic messages. Hotch and Rossi started dissecting the behavioral aspects, but your eyes were immediately drawn to the linguistic patterns.

Peter set up next to you, and the two of you fell into an easy rhythm, just like old times. “This one’s in German,” Peter pointed out, highlighting one of the messages. “It’s a proverb that loosely translates to ‘The apple doesn’t fall far from the tree,’ but it’s the context that’s strange. He’s placing blame close to home.”

You nodded, your mind already racing through the implications. “And this one in French, ‘Nul n’est prophète en son pays’ - ‘No one is a prophet in their own land.’ He’s building a narrative where he’s the misunderstood hero, vilifying his victims in the process.”

Hotch watched from the corner of his eye, noting the seamless back-and-forth between you and Peter. It was clear that you two shared a deep understanding of each other’s thought processes, effortlessly piecing together the unsub’s motives and the cultural implications behind each message.

Rossi leaned over to Hotch, his voice low. “They’ve got something, don’t they?”

Hotch nodded, keeping his expression neutral even as a flicker of something uncomfortably familiar passed through him. “Yeah. They do.”

As you and Peter continued to dissect the messages, the detective returned with another dose of skepticism. “So, what’s the point of all this? We know he’s targeting tourists, but what’s the endgame?”

You hesitated, feeling the weight of his judgment holding yourself to punch him in the face, but Peter jumped in, his confidence never wavering. “The messages aren’t just random: they’re statements about identity, belonging, and betrayal. He’s targeting people who represent something he feels threatened by, probably linked to his own experiences.”

The detective was confused by the complexity of the message Peter was trying to communicate but at least he seemed less doubtful. Hotch and Rossi exchanged another look, Peter’s ability to not only support but elevate you was undeniable, and it left a lingering question in Hotch’s mind that he couldn’t quite shake, an unresolved history between you and Peter that was palpable to everyone in the room, even if no one dared to say it aloud. As the team continued to piece together the unsub’s twisted narrative, it became increasingly clear that the linguistic clues were the key to unlocking his motive.

“Here’s the first message,” Peter said, pointing at a wall covered in scrawled Italian text. “‘Chi semina vento, raccoglie tempesta.’ He’s quoting an old Italian proverb. It translates to ‘He who sows the wind shall reap the storm.’ Classic justification tactic. He’s blaming his victims for their own deaths.”

You nodded, running your fingers along the paper. “He’s using cultural proverbs to deflect responsibility. It’s not just about justifying his actions; he’s making a statement that he’s in the right, that the victims somehow deserved this.”

Peter smirked, recalling your sharpness from years ago. “You know, you’ve always had this annoying habit of being right. Remember that time back in your mom’s class? You corrected Professor Ricci about Dante’s theological influences.”

You laughed, half-embarrassed. “Oh, God, don’t remind me. I just couldn’t let it go.”

Peter turned to the others, Rossi didn't throw away his shot. "Remind us, Peter. I'm not going to let an opportunity like this slip from my fingers"

Peter jokingly cleared his throat. “Y/N stopped the guest professor right in the middle of the lecture and said,”

He made sure to pitch his tone up in order to mimic yours “While Dante’s work is often linked to the influence of Saint Augustine, we also need to remember that his beliefs were also shaped by the dominant philosophy of his time: Platonism, especially the Neoplatonists and Plotinus.’ The whole room was stunned, and Professor Ricci just stood there.”

Hotch couldn’t help but smile, picturing a younger version of you challenging a university professor with such confidence. Yet there was something more bubbling up in his blood, this was another glimpse into a part of your life he hadn’t seen, hadn’t known. It made him feel strangely out of the loop, like an outsider looking in.

Peter continued, still caught up in the memory. “You finished him when you also provided proof to support your thesis”

“Of course, how else was I supposed to-“

He immediately cut you off. “Early Christian thinkers adapted Greek philosophical ideas, particularly Plato’s concept of eternal forms from which the material world originated. This was quite convenient for the Christian theologians of that time, indeed this philosophical influence is evident in the biblical phrase - and the Word became flesh and dwelt among us.' You had everyone in the room, including the professor, rethinking what they knew about Dante.”

You shrugged modestly, glancing at Hotch, who seemed both amused and thoughtful. “I wasn’t trying to show off. It just… bothered me that no one pointed it out – and because of that my mom forbid me to attend her class for two weeks straight. Pete, I’m still thankful for your notes.”

Hotch chuckled softly, meeting your eyes. “Some things never change.”

The team continued working for hours straight, but the frustration began to mount. Despite your and Peter’s best efforts, the linguistic puzzles refused to crack completely. The police officers were growing visibly impatient, and you could feel their skeptical glances as they hovered around the room.

One officer, who had been particularly dismissive, sneered as he walked by. “So, this is the genius team the FBI sent us? Still no answers?”

The comment hit harder than it should have, and for a moment, you felt the sting of self-doubt. Peter, noticing your silence, shot the officer a glare. “We’re not here to waste time, Detective. We’re here to solve this.”

Peter leaned closer to you, his hands grabbing your shoulders, speaking softly so only you could hear. “Don’t listen to them. We’ll get it, like we always do.”

You nodded, trying to focus on his words rather than the creeping sense of inadequacy. Hotch watched the exchange, noting the way Peter seemed to know exactly how to lift you up when you needed it most. He wanted to say something reassuring himself, but the moment passed, leaving him feeling strangely sidelined.

The hours dragged on, and eventually, the team left the station to get some rest. At the hotel, Rossi and Hotch were assigned to share a room, while you and Peter were given the one next door. As you walked down the hallway, Rossi turned to Hotch with a pointed look.

“You know, Aaron,” Rossi said with a grin, “if I catch you working tonight, we’re gonna have words. You need sleep just as much as the rest of us. I’m serious when I say I’m a light sleeper, so I swear, if you keep me up with that damned desk light, you’re a dead man.”

Hotch gave a tight-lipped smile, appreciating Rossi’s concern – even if he expressed it in his own unique way - although he knew he’d never be able to turn his mind off. “Don’t worry, Dave. I’ll try my best.”

On the other hand, in your room, you and Peter settled in, and immediately surrounded yourselves by case files and coffee cups. You tried to solely focus on the work, but as the night wore on, the conversation drifted, after all it had been over six months since you’d seen each other, and there was a lot to catch up on. Peter leaned back, studying you with an easy smile.

“You’ve changed, Y/N,” he said, his tone light but sincere. “You’re still that perfectionist who can’t let a puzzle go unsolved, but… there’s something different.”

You glanced at him, surprised. “I don’t know about that. I’m just… trying to keep up, I guess.”

Peter reached out, brushing a loose strand of hair behind your ear in a gesture that was both familiar and affectionate. “You’ve always been better than just keeping up. Don’t forget that.”

You found yourself caught between the comfort of Peter’s presence and the tug of unresolved emotions that you hadn’t quite figured out.

“Let’s go to sleep, shall we? I think we’ve done enough work for today” He winked at you as he placed his hand on the small of your back guiding you towards the bed.

“Oh don’t worry, you should sleep though. I think I might go down the lobby to clear my head for a bit.” You lied to him, but you couldn’t ignore your gut feeling telling you that there was something else you hadn’t considered yet.

Similarly, just across the corridor, the case weighed heavily on Hotch’s mind, and despite Rossi’s threat, he knew he wouldn’t rest until he’d figured out what was missing. Hours passed with Hotch lying in the dark, the puzzle pieces of the case refusing to align, finally, at nearly two in the morning, he couldn’t take it any longer. Careful not to wake Rossi, he grabbed his files and slipped quietly out of the room, making his way to the lobby to continue working.

To his surprise, he found you there too, hunched over a table with notes sprawled out, lost in concentration. You looked up when you heard him approach, unable to hide your surprise.

“Partner,” you said with a grin, noting his rare appearance in his white t-shirt, checkered blue pants pajamas, with the slippers provided by the hotel at his feet. “I’ve got to admit, this is new. Did Rossi finally threaten you into losing the suit?”

Hotch smirked, taking the seat across from you. “He did, actually. But desperate times, right? I didn’t think anyone else would be up.”

You chuckled, enjoying the casualness of the moment despite the late hour. Hotch spread out his files, his brow furrowing as he glanced over them. “I think there’s something we’ve been missing, there’s a pattern in the language choices. It’s not random. He’s escalating with each message.”

You leaned closer, your fingers tracing the messages. “You’re right. It’s chronological. He’s building something: a timeline, like each phrase is a step toward his endgame. It’s not just blame; it’s justification.”

Hotch nodded, grateful for the way your mind seemed to work so fluidly alongside his, especially in the late hours of the night. But as you continued to dissect the sequence, Hotch’s thoughts drifted back to earlier, watching you and Peter work so seamlessly together. The old familiarity, the easy way you bounced ideas off each other, it had been hard to ignore. And now, in the quiet of the night every sensation was amplified, especially the ones he’s been trying to brush off for the entire day, they stung a little more than he wanted to admit.

The ease of the moment was shattered when Hotch suddenly broke the flow of your thoughts with a wry comment. “You know, I’m surprised you’re even here working. I figured you’d be busy... catching up with Peter. He’s been flirting with you nonstop since he came back.”

You froze, your jaw tightening as his words sank in. The casual, almost careless tone hit a nerve, and you could feel a flicker of anger flare up inside you. “What’s that supposed to mean, Hotch?”

Hotch leaned back, crossing his arms, trying to mask the hint of frustration that was seeping through. “Nothing. Just an observation. It’s not like you haven’t been a little distracted since he got back.”

You stared at him, incredulous. The casual arrogance in his words struck a nerve, and before you could stop yourself, the frustration that had been building all day came spilling out. “You really think you know everything about me, don’t you? Just because we work together, you think you’ve got me all figured out.”

Hotch’s expression tightened, caught off guard by the sudden burst of anger. “That’s not—”

“No, let me finish,” you said sharply, your voice steady but laced with a quiet intensity. “You don’t know me, Hotch. You have no idea what I’ve been through or what I’m dealing with. You’ve worked beside me for months, calling me partner, acting like you’ve got me all figured out, but you don’t. You don’t know the first thing about who I am or what’s going on beneath the surface.”

Hotch opened his mouth to respond, but the sting of your words left him speechless. You were relentless, every word cutting through his composure. “You think just because we’ve been working together constantly, you’re entitled to know me? To judge me? But you know what, Hotch? You’re wrong. You don’t know a damn thing.”

Hotch’s jaw clenched, the carefully maintained façade he wore slipping for just a moment. “I’m not judging you,” he said, his voice low but strained. “I’m just trying to figure this out, okay?”

“Figure what out?” you shot back, your frustration boiling over. “The fact that you’ve been constantly analyzing everyone around you while keeping yourself locked away? You think that you’re the only one capable of reading people like an open book? You act like you’re open and honest, but you’re not. You insist on wanting to be called ‘Hotch’ on the job by everyone, and you think I wouldn’t catch onto that? You do that because ‘Aaron’ is too personal and ‘Hotchner’ is too formal. You straddle the line because you’re scared to be either. You’re terrified of being too close to anyone, yet you don’t want to seem too distant. It’s like you don’t even know who you are.”

Hotch stared at you, your words hitting deeper than you knew. You had seen right through him, through the carefully constructed barriers he put up to keep everyone at a manageable distance. He didn’t know how to respond because, for once, someone had called him out on the one thing he feared the most: his own inability to truly connect.

“I keep things professional because it’s easier,” Hotch admitted, his voice tinged with frustration and a hint of vulnerability. “Because it’s safe.”

You scoffed, shaking your head in disbelief. “Safe? You call this safe? You’re so busy keeping people out that you don’t even realize how much you’re missing. We’ve been partners at work, sure, but that’s all it’s ever been, right? Professional, compartmentalized, no mess, no feelings. That’s how you want it.”

Hotch’s gaze dropped, the weight of your accusations settling on him. “I thought that’s what was best,” he murmured, the admission almost painful. “I thought… I thought it was enough.”

You sighed, your anger waning but the hurt still fresh. “You don’t have to figure out anything, you said that yourself – I thought - It’s not enough for you Hotch, and not even for me.”

There was a long, heavy silence between you, both of you staring at the scattered papers on the table, as if the answers you sought could be found in the scrawled handwriting and cryptic messages. But this wasn’t something that could be solved with profiling or deduction. It was messier, more personal, and neither of you were sure how to navigate it.

“I’m sorry,” Hotch said finally, his voice barely above a whisper. “For making you feel like you’re just another piece of the job.”

You nodded, the tension easing but not entirely gone. “I appreciate your apologies but if you really want to change things up all you have to do is to agree to be vulnerable with me, that’s all.”

You turned your attention back to the case, pushing through the lingering discomfort to focus on what you could control. You worked in silence, each of you lost in thought, both aware that this argument had pulled something to the surface that couldn’t be ignored.

By the time you finally cracked the pattern in the unsub’s messages, the sun was beginning to rise.

As Hotch made his way back to the room at nearly 4 a.m., he was trying to be as quiet as possible, mindful not to wake Rossi. But as he slipped inside, he was met with the sight of Rossi already awake, leaning against the edge of his bed, arms crossed, his expression a mixture of amusement and disapproval.

“Couldn’t resist, could you?” Rossi’s voice was low but carried a playful edge, tinged with the knowing tone of someone who had seen this behavior from Hotch too many times before.

Hotch tried to hide his fatigue, rubbing a hand over his face as he set the files down on the desk. “It was important. I found something we missed. Had to double-check.”

Rossi’s smirk didn’t waver. “You found something, huh? Or did you just need an excuse to get out of this room and clear your head?”

Hotch stiffened, but he knew there was no point in denying it. “We figured out the sequence, the messages weren’t just random. They were chronological, like a timeline leading to his next target. We were close, but we couldn’t afford to miss it.”

Rossi nodded, his expression softening just a little. He knew Hotch was right; they were on a tight timeline with no room for errors. Still, he couldn’t resist teasing his friend. “You could have figured that out in the morning, Aaron. You can’t solve every problem by burning the candle at both ends.”

Hotch sat down on his bed, glancing at the clock, Rossi’s words lingered, cutting through the tension Hotch had been carrying all day. “I know. But you said it yourself—we can’t miss anything.

Rossi studied Hotch for a moment, his voice dropping to a softer, more serious tone. “You’ve been different since Peter came back,” Rossi said, watching Hotch’s reaction closely. “It’s like you’re working twice as hard, pushing yourself even more than usual. What’s going on?”

Hotch’s expression tightened, his usual stoic demeanor wavering under Rossi’s probing gaze. He knew exactly Rossi could read from his face what had just happened between the two of you. “I just… wanted to make sure we didn’t miss anything,” he repeated, his tone defensive.

Rossi wasn’t buying it. He moved closer, sitting on the edge of his own bed, facing Hotch directly. “You’re not fooling me, Aaron. I’ve seen this before. You’re not just worried about the case. This is about Y/N, isn’t it?”

Hotch looked away, pretending to be preoccupied with the files on his lap. But Rossi’s words hit too close to home, and he couldn’t ignore the knot of emotions that had been building inside him since Peter’s return. “It’s not what you think,” Hotch said quietly, though even to him, it sounded unconvincing.

Rossi leaned back, giving Hotch a knowing look. “Look, it’s natural. You and Y/N have been working closely, you’ve got this rhythm. Peter comes back, and suddenly you’re reminded that you’re not the only one who clicks with her. But it’s not a competition, Aaron. You’re more to this team, and I’m sure you are to her as well, than a stand-in.”

Hotch’s jaw tightened. He had spent the last few months building a partnership with you, appreciating your insights and the way you challenged him. But Peter’s return had stirred up insecurities he hadn’t even realized he had.

“It’s not that,” Hotch said finally, though the weight in his voice suggested otherwise. “I just want to make sure we get this right. Peter’s good at what he does. It’s just… different.”

Rossi gave him a pointed look. “Different isn’t bad, Hotch. And you’re still you. You don’t have to prove anything: to her, to Peter, or to anyone else.”

Hotch nodded, though Rossi’s words did little to ease the knot in his chest. “Thanks, Dave. I know.”

Rossi watched him for another moment before standing up, his tone lightening as he made his way back to his bed. “Just remember, she was never looking for a replacement for him while he was gone. She’s looking for a partner. And you’ve already proven you can be that.”

Hotch lay back on his bed, staring at the ceiling. Rossi’s words echoed in his mind, he knew he needed to get some sleep, but his thoughts were restless. It wasn’t just about the case anymore, it was about finding his place, about understanding what you truly meant to him beyond the walls of the BAU. As he finally drifted off, he promised himself that whatever happened next, he wouldn’t let his insecurities cloud his judgment. He’d be the partner you needed, and maybe, just maybe, he’d find a way to fit into your life outside of work, too. If you ever let him after today.

[dreadnought-despair]

hey y'all yeah this is the post you think it is

after two official tries and several unposted attempts over the course of almost 8 years, i think im calling dreadnought despair, er... mostly dead? BUT im bringing this blog back! ill be picking stuff to answer from the askbox (keep in mind i have a job and im getting old lol) as well as just drawing the kids bc i miss them

i also feel pretty bad about where i left off, so i'm considering finishing out chapter 1 (if i can remember how i had all the code set up 😬) but it would take A While. so heres a poll

more of an explanation under the cut. if you want to see what else I've been up to, check out my art blog @amelias-art and my twitch [AmeliasArt], where i've started streaming pretty regularly on tuesdays and thursdays around 7pm CST!

im sure this cancellation isn't a surprise to anyone but i just wanted to get this out there for my own peace of mind

it has nothing to do with the wonderful folks who supported me through the years and everything to do with my mental health, getting older, and frankly poor story planning. it's a classic case of a project that never had a strong outline and thus ballooned in scope as it went-- you'll see what i mean when i start trying to answer asks about what would've been the endgame LOL. and ill do my best to answer some stuff, but there are some unintroduced concepts and characters that i would like to save for other stories so i may be vague about parts of it

even if it was masterfully planned, though, it still would've been hard to really pick up again-- I started this fic in college when I was at my most suicidal, and the reboot happened in 2020 which, well anyway,, im in a better place now with a loving husband, a stable job, a healthier relationship with my queerness, and multiple mental health diagnoses and medications. im proud of what i did accomplish with dreadnought, and im grateful to it and the community for getting me through some miserable times, but it's still a reminder of those times in and of itself. maybe by officially shelving it i can move on

thank you so much for sticking around! it really means a lot to me

[yesimwriting]

Importance

a/n i don't even feel the need to justify my taste in evil men anymore lmao, here's a drabble as i try to figure homelander's 'voice' :))

Summary: Homelander begins to reflect on your sort of friendship when you come over to watch a scary movie.

Warnings/info: me writing for a character for the first time so pls be nice

----

Humanity's connection to fear has always been a subject of fleeting interest to him, a concept that's only occasionally managed to become more than a shift of hormones and heart rate.

Now, though, with your legs pulled beneath you on his couch, body angled towards him, yet eyes still glued to the screen, Homelander can't believe he's never given this kind of adrenaline a second thought.

"You okay?"

The question seems to bring you back, your head turning towards him. "Yeah." What the response lacks in certainty, it makes up for in determination. He can see it in your soft nod, in the way your fingers press into your knees.

The nerves you're doing your very best to hide are so different from your usual demeanor. An investigative journalist who's always running headfirst into danger, who never lets fear of retaliation get in the way of your writing, can't get through a scary movie. It's such a prevalent dichotomy, Homelander has to work at keeping himself neutral, at remaining focused on what's in front of--

"Stop," you mumble, the word far from harsh.

He lifts a shoulder in a partial shrug without removing his arm from the back of the couch. "Stop what?"

You tilt your chin downwards, your lips pulled into the start of a pout as you attempt a glare. The expression is so particularly you, it briefly seizes some remote, unnamed aspect of his being that lives deep inside of his chest. "Stop making fun of me--I told you, horror movies make me so jumpy, none of my other friends will watch them with me anymore."

Other friends. The reminder of the others that get to be recipients of your kind smiles and reassuring glances is usually enough to taint his mood, but there's a warmth to the phrase that redeems the sentiment entirely. He's more than a friend, he's the only one that's here for you.

Homelander straightens slightly, arm shifting forward until his fingertips are against your shoulder. For the briefest second, there's an increase in your general tension, a stillness that doesn't suit you. The implication of tension digs at him--he's been this close to you before, closer even.

Before the thought of rejection can fully latch onto him, you're easing, spine relaxing against the couch's cushioning. The new position is enough encouragement for him to continue, his palm coming to rest against the fabric of your shirt, the loose collar letting the side of his hand feel the warmth of your bare collarbone.

He remains steady, leaning into what he knows as he offers you one of his more subtle, yet openly heroic smiles. It's the kind of look he'd use to comfort an almost-victim, the gentle curve of his lips a silent promise. I'm here. You're okay now.

You watch him in that way of yours--eyebrows drawn together and eyes bright yet not exactly admiring in the way that he's accustomed to. His inability to understand that particular look is what drew him to you in the first place.

"I'm not making fun of you," he says, voice leaving no room for argument, "I'm just making sure you're okay. It's why you wanted to watch this with me, right?"

It's not so much an exaggeration as it is a stretching of context. You had mentioned wanting to watch the movie, but not loving the idea of watching it by yourself. You hadn't meant anything by mentioning it during your coffee shop catch up, you never do. Your words are usually free of both probing and placating subtext.

"I wanted to watch this with you because we're friends." There's a genuineness to the correction that jabs at him. He has no response, but you don't seem to mind the silence.

A high pitched scream and a flash of color has your attention drifting towards the screen. Your adrenaline spikes, a fact you attempt to dismiss by leaning into his touch. "It's nice of you to check in, though."

The acceptance leaves him feeling a little warmer than he did a moment ago. You have a way of doing that. "It's what I'm here for."

You look away from the screen, the corner of your mouth tugging itself upwards. "All in a day's work for America's favorite hero."

"This is top priority."

You let out a breath that feels like more of a laugh. "I feel important."

The movie steals your focus, a fact that a part of Homelander is grateful for. You're too distracted to think of what contemplating your value might do to him. He swallows, a pointed dismissal of the uncomfortable feelings probing at his chest.

You move slowly, legs straightening and feet finding the floor. Before Homelander can overthink the changes, you lean towards him, your head coming to rest against his shoulder.

[rosakuma]

DRDT EP 14 Thoughts(spoilers of course 😋)

I’m about to go insane

Okay for starters…..I’d like to apologize to the Hu nation and the Eden!cultprit truthers. To be fair, she was very sus before we clarified Nico’s murder attempt. To which damn Nico, I was trying to give you the benefit of the doubt only because it was strange how you held that wire, but it makes sense now knowing the reason. Man I feel awful for a lot of people here in this episode. Nico regrets trying to kill Ace even if they dislike him because he reminded them of the people who hurt Nico before(peers, teachers, and their father OOF). And now they gotta live with having “Almost murder” stuck to their name while also losing a potential friendship with Rose(we NicoRose shippers lost dang it). Poor Rose feeling guilty of her memory being out of shape(the poor girl is traumatized by remembering the clear deaths, I don’t blame her) and getting blames for it. But thank goodness my goat/best girl Teruko with some good old character development came in and reassured Rose that she is useful and it’s not her fault(Us TerukoXRoss shippers fricken WON!). David while still being an ass that I hate(albeit now feel more sympathetic towards) I feel bad for witnessing Arei’s body first….god no wonder why he’s so mad at the killer, I’m pissed at them too. And then there’s Ace….this episode turn me into the 1# Ace Markey defender. My poor man has been suffering this chapter and things keep getting worse for him. He pushes everyone away thanks to his paranoia, has a eating disorder no one notices which is hurting him, was ALMOST MURDERED with no one worried about him(hell Hu fricken defended his potential murder rather than reprimanding them!), and worse of all, the one person he thought who cared about him in this terrible place admitted he doesn’t care if he lives or dies….oh and now he’s being accused of killing Arei. F*ck Ace’s life is so tragic. Oh yeah speaking of the killer. EDEN HOW DARE YOU, I BELIEVED IN YOU!! She is 100% the murder and it makes me so sad and sick seeing how well she’s able to make Teruko take her side. She even hugged her like Min did(I am going to be sick). I will say, Arei would respect the hustle and manipulation though. Well done Eden, you impressed your would’ve been bestie. I might make another post about why Ace can’t be the killer unless someone beats me to it, but yeah it’s Eden. No way Ace is the killer and it sucks how David despite revealing his true colors is still able to manipulate everyone(bro gonna out do Kokichi Ouma man).

[mi-i-zori]

A Tiny World

CoD - 141 x Snail (OC/Fem!Reader)

SYNOPSIS : Snail really likes to play Animal Crossing to relax. Turns out, Ghost does too.

WARNINGS : None. But please read the Author’s Note below.

Author’s Note : Snail is an OC that can be read as a Fem!Reader - I do my best no to describe her too much, but may sometimes say that she’s small (height) and has long hair.

I do not give anyone permission to re-publish and/or translate my work, be it here or on any other platform, including AI.

Playing Animal Crossing is Snail’s way to escape the world whenever she can’t do or focus on anything else.

At the beginning, her first goal is to fill the museum to the brim - which she does pretty quickly, allowing her character to sit on a bench in front of the exhibits and enjoy the music playing in her ears. The aquarium is her go-to place to fully relax. Sometimes, she even falls asleep, leaving her little persona to bob her head left and right while watching the fishes.

When she really wants to empty her mind, she focuses on building her own little world. She’s quite indecisive about the theme she wants to follow to decorate her island, which leads her to divide it in multiple « regions ». Each one has an aesthetic that progressively gives way to another one, like a natural border that allows her to create a smaller theme in-between.

To go with these regions, she’s made different characters. They, too, live in a house and are dressed to fit a specific theme, and she enjoys crafting stories for each one of them. Her favourite house is like her own little museum, filled to the brim with curiosities of all kinds. Insects, fishes, plants, skeletons… The main room looks like an old apothecary shop, and a part of her longs to be able to make her own apartment a real version of this virtual house.

Ever since he stumbled upon her playing quietly in the common room, Ghost has been sharing this moment of peace with her, watching her play, learning about the game and the little world and characters she’s bringing to life. He rejected her offer to create his own character in there, but it doesn’t stop him from sitting next to her and throwing a few glances at the screen while reading or watching TV, or fully focusing on it while sipping on a cuppa.

« You sure you don’t even want to try playing a little bit, LT ? » Is what Snail keeps asking every single time - and, at some point, Simon gives in.

He finds that he really enjoys fishing the most, hunting bugs being a close second. Snail excitedly explains every single mechanic of the game to him, and the roles end up being reversed. She’s now the one watching him play as he keeps catching the most expensive things for her to sell as if he’s been doing this for his entire life, and he quietly listens as she blurts out random trivia about whatever fish or bug the little character is showing off.

There’s a moment when a neighbour actually manages to steal the expert’s target, immediately digging their own grave. Simon now sees a mortal enemy in them, and is ready to unleash hell on their life whenever he can. Snail taught him how to use the net as a weapon, causing him to whack the poor fellow on sight, despite her asking him to not be too mean. She likes this neighbour - it’s a frog, after all, and they’re nice to her. She does her best to keep them on her island, making it up to them after Simon’s spent at least an hour bullying them.

To try and salvage what’s left of her friendship with that neighbour, Snail introduces him to the islanders she actually wants to move away.

« LT, this one said the custom mushroom dress I made for myself wasn’t fashionable. Can you please help me unleash Hell on them until they leave ? »

« This guy put his house on the beautiful patch of rare flowers I’d made for my new zone. It took me weeks to get them all and now I have to remake everything ! »

« I don’t vibe with this islander. They’re mean to everyone, and made my best friend sad. »

« Equip your net, » is what he always says in return, settling comfortably on the couch before grabbing the controller.

Simon never realised how satisfying it could be to whack the characters of a cute video game on the head in-between a few sessions of fishing. So much that it’s become a little ritual now.

Though he still adamantly refuses to create his own character.

[my-mt-heart]

The current state of the spinoff right now has nothing to do with what Melissa wants or doesn't want and I do not appreciate her being used as a strategy for Norman, AMC, and the three stooges to evade responsibility. I don't know what happens next, but whatever it is, it is on them. For prioritizing their own needs over the core audience. For mishandling the characters/relationship the core audience is invested in. For constantly gaslighting everyone and refusing to deliver the payoff so many people have been waiting for. For not fixing the problem when they had the chance.

Yes, I am sad because this is supposed to be Melissa's time to shine. Yes, I really do want to support her because if anyone on this show has earned the support, it's her. If anyone is going to be worth watching in S2, it's her. If anyone's input is going to make a difference, it's hers. I do think she was excited to show the impact that Sophia's death had on Carol, but that doesn't mean she's getting everything she wants and it doesn't mean fans have to sit through relentless nunbaiting and a retconned bond between Daryl and Carol similar to S11 (I can only assume at this point that's what we're getting). I will not do that. Platonic Caryl is inorganic to me, and speaks more to TPTB's ageism/misogyny than it does about anyone's creative input. Daryl being torn between Carol and French characters he's only known for a few months is just fucking ridiculous. Period. It doesn't mean that I don't want to be here anymore or that I don't care about the characters or about Melissa. It just means I won't put money in AMC's pockets for awful decisions, like letting Zabel and Nicotero run amuck, like shoving "BESTEST OF BEST FRIENDS" down my throat, like forcing their nun fetish on me, like turning Daryl into every other generic male hero there is. If TPTB show they value Melissa/Carol as much as Norman/Daryl, if she and Norman get equal billing, if Carol's name is included in the title, if Daryl and Carol are allowed the romantic beats that their story in the flagship show set up, then I'm all in. In the meantime, for those who asked, my plan is this:

I am going to watch the premiere because I've heard enough reliable testimonies about the heavy Carol focus, the lack of nunbaiting, Carol's determination to find Daryl, and Daryl's desperation to get home for me to assume it's worth it. I will review the episode and show Melissa my support. I will go no further as soon as I hear any of that starts to change, which I expect will happen rather quickly, but I will keep speaking up where AMC can see it so they understand what's working and what's not. If Melissa's fans keep speaking up, reminding AMC how much they value her and how much they detest some of Zabel's other choices, then AMC can't try to blame her if numbers are low or assume we'll settle for whatever inappropriate writing choices Zabel throws at us if Melissa does bring the numbers up, and I do believe she's the only one who can.

I have nothing to say about S3 and beyond because the only way I'm on board is if AMC somehow manages not to ruin Caryl's story in S2 and hires a showrunner who can do these characters justice. Hint: it's not Zabel, it's not Gimple, and it's not anybody who's ever worked for them.

[astroavez]

as the (self-proclaimed) biggest fischer frey apologist in the world, here’s how i would handle his (potential) arc this season.

assuming that fischer isn’t once again a one-off character thrown in for no reason & given screen time only to be forgotten about in the very next chapter with no explanation whatsoever, i think now would be the best time to really push his relationship with mc & get some much needed character development in there.

fischer frey has … a lot of catching up up to do in terms of redemption. as far as fleshed out characters go — he’s just not there yet, no matter how many scenarios i like to create in my head. he’s the oldest twin, but other than the fact that he’s mean, we don’t really know a whole lot about him.

i really think this season would be a great opportunity to do a deep dive into his character. he was obviously trying to impress his peers with his troll story in the first chapter — understandable. he’s a fourteen year old boy, he wants people to think he’s cool (as most kids do). the twins are not popular. on the social totem pole, they struggle to keep a standing, if at all. they don’t get invited to things, cassandra has friends other than them — they don’t have friends. they have each other.

i truly believe that deep in his heart, fischer knows that colby could make friends - easily. i think that fischer struggles socially. his personality, he’s found, turns people away; so, fischer keeps colby on a short leash. colby isn’t allowed friends due to the simple fact that fischer doesn’t want to be alone. he knows he doesn’t have friends, but he does have a brother that he can pull down with him so that he doesn’t look like a complete loser. fischer realizes he doesn’t really need anyone, just as long as he’s one step ahead of colby.

that being said, no matter how bad you want to seem cool — nobody is going to risk their life to go into the forbidden forest to do it. why does it matter so much to him? that should be focused on, i think. mc has a habit of putting other people’s needs before their own, and fischer needs someone other than cassandra, (whom uses the twins as guard dogs more or less) and colby, (whom wants to do his own thing.) fischer needs someone that genuinely wants to be his friend. someone that is able to slowly wean him off of colby and make him realize that he’ll be okay without his brother.

making fischer a core character, whether it be in this season or a future one is so important to the twins’ storylines as a whole. i really hope that the game takes a similar route, because when the twins inevitably have a falling out, there needs to be a common ground between the two — someone that goes out of their way to bring them together again, and i don’t mean cassandra. in order to do that, mc has to make some sort of connection to fischer, as that bond with colby has already been formed.

in a perfect world, they’ll survive near death experiences together & next time fischer decides to impress his whole class with a story, it won’t be a lie.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[ectonurites]

SUPER DARK TIMES [THE FROST — MITSKI]

this movie's had my brain in a vice grip all week

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

[in-tua-deep]

i have a star wars fic idea floating around my brain that is just a time travel fic centering around bodhi rook where part of the explanation for a suddenly-force-sensitive-bodhi is "the monster tore parts of me out and maybe that made more space for the force to fill in the gaps"

[edettethegreat]

10/10 manga for pulling a “we’ll defeat you with the power of friendship!!” “That’s… incredibly ignorant of you. I’m significantly more powerful, whether or not you have friends won’t impact this fight”

[hp-lonesome-actual-art]

Another batch or Mr. Puzzles quick sketches. I kept forgetting to draw his side pocket in the last couple ones. Random character featured in the little comic-ish Live Interview is some version of doodlesona. Can’t guarantee the dialogue will be believable/sound in character for Puzzles because honestly I’m still working on understanding his talking style and when he sarcastically jokes around or when he chooses to be serious and drop performance act. But in the off chance you wanna read it goes from left to right with reading