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#wait I like this
mushed-kid · 4 months
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bruhhh i need him
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ridiasfangirlings · 5 months
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Yata Misaki taking in orphans that happened to be dangerous strains? (Of course, two of those orphans just happen to be Minoru and Megumi, -because why not?-)
Yata Misaki’s School for the Gifted and Talented XD Imagine this as like a post-ROK thing, where all these new Strains have popped up as a consequence of Hisui releasing the Slate. Megumi and Minoru have both been exhibiting minor powers but haven’t said anything to their parents, not really sure what’s going on and not wanting to worry them. Then Yata’s family gets caught up in some dangerous Strain situation that leads to Yata’s mom and stepdad dying and Minoru and Megumi both awakening their powers (kinda like how Neko’s powers awoke when the Kagutsu Crater happened). Luckily S4 are there to handle the aftermath and of course Fushimi immediately recognizes Yata’s siblings. When he realizes they’re both Strains he takes them aside, tells the squad to get them some food and watch over them, and then he immediately phones Yata. Poor Yata is obviously devastated to find out that his parents are dead and then on top of that he learns his siblings are Strains. Fushimi offers to reach out to the Golds to see what kind of power dampeners they have on hand but say there aren’t actually a lot of those around anymore, maybe some got destroyed in the Green clan’s rampage through Mihashira and the rest are being used on dangerous Strains who can’t be imprisoned without having their powers sealed.
Yata takes in his siblings and figures the best he can do is at least try to help them with their powers, they’re both all wide eyed and surprised when they find out that their big brother also has powers (though maybe Minoru expected, because he heard you could get powers from jungle and then he got that mail from Fushimi telling him to stop using it, and he kinda connected the dots that maybe Fushimi has powers and if he does Yata definitely does too). Imagine Yata takes them to the bar so Anna can help them with control and everything is going pretty well. In the meantime Yata starts winning skateboard competitions and even getting sponsors, making enough money to move to a bigger place where Minoru and Megumi can have more space.
One day there’s a big catastrophe involving some other criminal Strains near where Yata lives and Fushimi shows up at Yata’s place looking annoyed and toting a kid about Megumi’s age with him. He tells Yata that the kid is an orphan Strain who got caught in the mess, S4 will handle her eventually but right now they need someone to watch her and he knows Megumi is about the same age. Yata complains that he isn’t a babysitter but he takes the kid anyway because he can’t say no to a crying kid. Soon the kid is playing with Megumi, who’s showing her how to contain her powers, and Yata starts wondering what S4 is planning to do with her anyway. The kid might have other family but can they handle someone with powers and what if they turn her away, what if she gets pulled into shady stuff just because she’s different from other people.
And that’s how Yata suddenly finds himself taking care of a whole bunch of kids. I imagine him talking to Kusanagi and Anna about this and maybe Kusanagi helps him out some, Yata using the money he’s been winning from skateboarding and Kusanagi providing the business expertise to help set up like a Home for Wayward Strains. S4 assists with this too, imagine Fushimi showing up at Yata’s place to help him handle the financials, claiming it’s not like he wants to help Yata but Munakata thinks S4 should work with Yata as a partner on this and anyway here’s how we get you a bunch of government grants. It’s not all orphan kids, like some have parents but those parents can’t handle their kids’ powers so they stay for a while at Yata’s place until they learn control. Meanwhile whenever S4 finds a dangerous child Strain without parents they get brought right over to Yata’s place for help. 
Maybe some of the Strains that were working at S4 get brought over to Yata’s place too, as like teachers to help the kids learn control (and after she graduates Anna tells Yata that she’s always wanted to be a teacher, like Honami, and eventually she becomes one of the teachers at the school too). Yata has no idea how this happened, because he never thought an idiot like himself would run a school. At the same time he’s also kinda excited because after years of not really knowing what to do with himself he’s finally found something he’s passionate about and he gets to help all these people, he’s able to make sure all these kids will always feel like they have a place to belong no matter what.
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tbh i think the funniest phenomena that's been happening in the last couple years is "youtuber, having gone too deep into the research hole, has been made an investigative journalist against their will"
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bookwyrminspiration · 8 months
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god I would be UNSTOPPABLE if I was capable of consistently initiating tasks. just you wait. you'll be waiting a while but just you wait
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adaarsvitaar · 4 months
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reminder to myself and whoever else needs it to stop feeding the machine. I'm aware I'm yelling into the void but look at the past couple years of games. They're pushing $70, $80, $100!!! for games that are completely unfinished, unpolished, and sometimes completely unplayable. Yes the game showcases were cool. The doom game looks sick and I don't even go there, but they're shaking the shiny keys to distract you and get you swept up in the hype. They're going to push so much fomo marketing to get you to jump for it full price.
Wait for sales. Wait and buy a used copy. Hell, wait a couple days (even hours!!!) after launch and reviews and breakdowns will start coming out. Our game backlogs are already packed, and mr big AAA studio can deal with some of us waiting to see if they actually delivered what was promised.
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historical drama/sitcom where two gay best friends (woman and man) get lavender married--and proceed to spend the Fancy European Honeymoon their parents paid for acting as each other's wingman
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pangur-and-grim · 9 months
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I'm turning 30 this month, and for some reason have become suddenly interested in material possessions. like what if,,,,,,,,my couch was nice. what if my sheets were nice. is this what happens to you??
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spaceistheplaceart · 1 month
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thinking about what mabel and ford have in common <3 sweaters, diaries, and bad breakups.
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kimquatz · 7 months
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process of drawing an OC: - you design them - you get attached to them - their hair gets bigger without you realizing it
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viorhysealberia · 7 months
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pokemon fans when they have to wait another year for the next big game with no major releases in-between
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smiledog15578 · 4 months
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How it feels to like a character so much but there's no new art or photos of them so you're just checking the tags like a mad man thinking there's gonna be something
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linipikk · 1 year
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Aziraphale shielding Crowley from water
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and Crowley shielding Aziraphale from fire
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verflares · 5 months
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just how long is forever? // not long enough, with you
pssst. check this out on inprnt :]
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aphel1on · 10 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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neuro-psyche · 4 months
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I think Dick and Jason would have multiple “what the actual fuck are you saying right now” with Tim and Damian when it comes to quality of life/monetary differences. Sure, Dick and Jason got used to Bruce’s “is $100 a good enough tip on a $30 bill?” shit, but hearing Tim talking about a new laptop he bought for $5000 literally is like a punch in the gut.
If they ever went on a cruise (which they totally wouldn’t because cruises are floating death traps), Jason and Dick would be in awe of the fancy amenities, where as Damian would be unsatisfied with the quality, since he grew up with every single amenity known to man. Tim would just feel like it’s all normal since the Drake’s were extravagant and travelled all over the planet.
Jason : My bedroom is bigger than my fucking apartment.
Dick : I could do a full gymnastics routine with the space in my room.
Tim :
Dick :
Tim : My room is normal sized…
Jason : You grew up in a mega mansion. I hardly think you’re the benchmark of a normal room-
Damian : I must agree with Drake. This room is frankly underwhelming.
Dick, staring wildly at him : What do you mean underwhelming- Dames there’s an aquarium wall in your room.
Damian : Yes. Underwhelming.
Jason :
Dick :
Jason : Do you want to-
Dick : Jump off the boat? Yes.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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