#we didnt need that and i dont want it

[daughterofsarenrae]

Why is atla trending lol did something happen (<- is pretending to live in a world where live action atla adaptations dont exist)

[redysetdare]

I think i just need to express that the culture surrounding QPRs right now made me think that i couldn't have strong bonds with my friends. Society told me i cant have strong bonds with friends because that was only for romantic relationships. Then i went into aro spaces and this idea was reinforced using QPRs instead of romantic relationships. it was "You can still have strong bonds with people without romance! It can just be a QPR instead!" "QPRs are MORE than friendship so you can have STRONGER BONDS than you would with friends."

it made me think that the relationships i wanted with my friends HAD to be something other than friendship for it to be as strong as i wanted. If i wanted to be the first person in someones life i had to enter some sort of committed relationship. if I wanted someone to care about me as strongly as i did them then it would have to be a relationship that was "more" than friendship.

I thought I wanted a QPR because i was told the only way to get that care and security that I wanted was to enter into a relationship that was "more" than friendship. because friends didn't care that much. because friends didn't live together their entire lives. because friends were never the priority relationship wise. and it took me years to realize that i didn't want any partnership and i shouldn't have to be in one to want these things from a friend. these things CAN be something friends can do. but i found that out on my own. because the aro community kept saying "you want a QPR" when i just wanted a friend who finally saw me as a priority in their life.

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[pineappical]

in light of tedtrent becoming so real, im also jumping on the tedtrent epilogue 😊

there's just no way ted wouldn't keep in touch with the others (and have weekly zoom meetings just like in the christmas special) and I just love the thought of the whole team having reunions once in a while.

and going back to trent's arc in s3, the sunflowers conversation, "And your daughter?" "She's never been happier." I think it could go the same for ted.. we've never really properly saw how henry felt about his dad being in london, it's always other people that told ted his son misses him, who's to say henry would rather see his dad happy because that in turn would make him happy too? he was there to win the whole thing, right? I just know ted’s story isn’t done yet when he still hasn’t learned to let others take care of him in return and who else to pair him with than the man who blew up his career because a man was nice to him (and also because they were so. so cruel for the fakeout tedbecca scenes for that finale) 🥺

I'm no writer so just pretend these are snapshots of a slow burn fic where ted visits london for their team reunion and slowly realizes that trent has a crush on him and they kiss about it 💛

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[quaranmine]

collapses on the floor and Dies

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[antennatoheaven]

simon and betty are like. "we're going to make this work no matter what. no matter the cost we're going to try to be together" and the results are terrible for the both of them

[lollytea]

Huntlow situationship gives me such intense brain termites you don't get it

[omgcatboi]

I don't often post my non kink related art but I'm tryna get the attention of someone else in the community and am too shy and cringe to reach out so. Here, have this portrait I did of Hanzo Shimada. With my finger. On ibis paint. This took me four hours. Progress for proof below.

[melatien]

tiny yoichi (unwillingly) lures out soldiers by being his helplessness little self so his brother can strike

[iguessitsjustme]

This is off the top of my head of shows that should have had some sort of poly but instead were cowards. (im kidding i love these shows pls don’t shoot me)

[skunkes]

i have soooo much more i cld say abt him, and have explored more thru other doodles, but quick summary of talon's whole deal, which is subject to change still as he's only almost 2 yrs old as an oc