#we love an alternate history novel

[clockwrkpendrxgon]

I saw you love red, white, and royal blue and I've just gotta ask you: have you heard of Burn the House Down by Kenna Jenkins? It's an alternate history novel abt the 1st woman president and her secret sapphic relationship/bearded marriage with her mlm best friend. It also includes a subplot about arson at the White House, ft. An entirely queer main cast and really fleshed out characters, and has a really satisfying ending!

oh i actually haven’t, but it sounds exciting! one of the biggest twists that get me started on a book is it being an alternate history novel. it’s always intriguing (and fun ngl) to see the author’s vision of what could have happened (as what has actually happened) and secret relationships??? entirely queer mains??? and arson in the white house???? WHERE DO I SIGN

[2soulscollide]

The right FREE tools to write a book

hello hello, it's me!

today I was thinking of how much you loved my masterlist featuring some free tools for writers, and I thought I would do something like that again but, this time, featuring just one or two tools per step while getting the best of "the writer's workbook" (which is also free).

before going any further, for those who don't know, "the writer's workbook" is, as the name says, a workbook for writers, with over 90 pages. it has lots of sheets divided into categories, to help you build the skeleton of your novel. (know more about it here).

however, we can get the most out of it using other complementary tools to ease this process.

Brainstorming

Reedsy generator - it's one of my favorites, and it can be quite useful when you're stuck and want to get an idea. you're free to make changes to it so that it is as unique as possible.

Mindmap

Lucidspark - although it has a premium version, I find it so helpful when it comes to making a mindmap. I've used it multiple times before, including for college assignments, and it's one of the best I've found so far.

Mindmup - I'm sharing this one here as an alternative to lucidspark, since this one doesn't require to create an account, and you have access to unlimited maps. however, in my opinion, it is not as good or intuitive as lucidspark is.

Come up with names

Behind the name - it's a classic, but one of my favorites. you can search every name you could ever imagine, and get its meaning, history, variations, etc. it still has some tools you can use such as a name generator, anagrams, and much more.

Make a profile

Fake person generator - although it was not created for authors, you might find it useful since it gives lots of details and you can be interested in some fields.

Character generator - this one was made for writers, and is simple and easy to use.

Family tree

Family echo - it's so simple yet so helpful.

Maps

Inkarnate - it has a paid version, but you can use it for free and create a great map.

Politics

Filteries - this is sooo complete and accurate!

hope this was helpful! have a nice day <3

[safety-pin-punk]

Punk History Resources: Vol 2

This is a compilation of resources found and recommended by various alternative bloggers, each of whom are credited for their contributions. This started because I was getting SO MANY asks about resources such as videos, books, and websites to use to learn about punk history. Admittedly, my own list wasn't that long, so I thought it was best to reach out to some others and share their knowledge with everyone. Now, I'm hoping to make this an annual occurrence, where we all share our knowledge with each other. So thank you again to everyone who helped out with this!!

Link to Volume 1

@whatamibutabutteredcroissant @unfriendlybat @ghost--in-a-machine @mushroomjar

YOUTUBE:

Part 1 of The Decline of Western Civilization (It recieved mixed reception from people in the scene) (whatamibutabutteredcroissant)

Part 3 of The Decline of Western Civilization (Focuses on the gutter-punks of 90s LA) (whatamibutabutteredcroissant)

BOOKS:

Some Wear Leather Some Wear Lace by Andi Harriman and Marloes Bontje (It's mostly goth/horror rock/post punk/deathrock but I feel like it's adjacent enough for it to merit a read) (unfriendlybat)

Spray Paint the Walls: The Story of Black Flag by Stevie Chick (whatamibutabutteredcroissant)

Kids of the Black Hole: Punk Rock in Postsuburban California by Dewar Macleod (whatamibutabutteredcroissant)

We Got the Neutron Bomb: The Untold Story of L.A. Punk by Marc Spitz and Brendan Mullen (whatamibutabutteredcroissant)

Left of The Dial: Conversations with Punk Icons by David Ensminger (whatamibutabutteredcroissant)

The Art of Darkness: The History of Goth by John Robb (A comprehensive history of Goth) (whatamibutabutteredcroissant)

Punk Zines by Eddie Piller and Steve Rowland (whatamibutabutteredcroissant)

The High Desert by James Spooner ( A graphic novel memoir of how the authro came into the scene) (ghost--in-a-machine)

Let Fury Have The Hour by Antonio D'Ambrosio (About the band The Clash) (anonymous submission)

MOVIES / DOCUMENTARIES:

Masque (A 10 minute doc about the Masque club in LA) (whatamibutabutteredcroissant)

ARTICLES:

History of Anarcho-Punk and Peace Punk (mushroomjar)

Late 80s and Early 90s Puerto Rico Hardcore Punk (mushroomjar)

The Jewish History of Punk (mushroomjar)

Japan's Impact on Punk Culture (mushroomjar)

The Forgotten Story of Pure Hell, America's First Black Punk Band (mushroomjar)

The Black Punk Pioneers Who Made Music History (mushroomjar)

Why Poly Styrene is Punk's Great Lost Icon (mushroomjar)

Alternative to Alternatives: The Black Grrrls Riot Ignored (mushroomjar)

Abandoning The Ear? Punk and Deaf Convergences Part II (mushroomjar)

Race, Anarchy, and Punk Rock: The Impact of Cultural Boundaries Within The Anarchist Movement (mushroomjar)

Street Medic Handbook (safety-pin-punk)

ZINES:

Sticking To It (safety-pin-punk)

So You Say You Want An Insurrection (safety-pin-punk)

All Power To The People (safety-pin-punk)

How to Survive a Felony Trial: Keeping Your Head up through the Worst of It (safety-pin-punk)

Collectives: Anarchy Against The Mass (safety-pin-punk)

Social War on Stolen Native Land: Anarchist Contributions (safety-pin-punk)

A Civilian's Guide to Direct Action (safety-pin-punk)

Critical Thinking as Anarchist Weapon (safety-pin-punk)

Security Culture: A Handbook for Activists (safety-pin-punk)

Betrayal: A Critical Analysis of Rape Culture in Anarchist Subcultures (safety-pin-punk)

ETC:

The Anarcho-Stencilism Subreddit (people upload stencils for others to use for free) (mushroomjar)

I would love to make a Vol. 3 post next year, so if you have resources and want to share, PLEASE message me!! (Preferably DMs)

[atiny-for-life]

Ateez's Full Storyline Explained - THE MEMBERS (A-World)

Masterlist

This is fully focused on Ateez from the A-World since we don't yet have much backstory on the Black Pirates' individually. Thus far, even all I could gather on their shared history is largely speculation based on the Thanxx MV.

SIDE-NOTE: The majority of their backstory is easily found in their Diary Film which was released prior to the Inception MV. But for further details, look to the Fever Part 1 Diary Entries.

HONGJOONG

BACKSTORY

He comes from a troubled or at least not particularly close-knit family - they all moved away as he grew up, splitting up across the world and leaving him behind

When he was younger, before he met Ateez, he didn't have a dream and struggled to see the worth in life - he tried to please his parents with his grades but otherwise felt trapped in a pointless routine

After meeting Ateez and bonding over a shared love for music and performing, he finally got a dream: to become a star and be seen by his family so he can reunite them

But until then, he sees his fellow Ateez members as his main family

Him, Seonghwa and Yunho seem to have known each other the longest and were regularly performing in the streets as a trio

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He naturally took on the role as Captain since he was the first in their hideout and brought the rest of them together; additionally, he was also the one to be handed the Cromer by his alternate self

This role was likely also strengthened by Yunho who's been with him the longest alongside Seonghwa, and sees hints of his dead older brother in Hongjoong and thus tends to look to him for advice

In addition to his position as Captain, he'll also fulfill whichever other role is needed for their missions just like the rest of his crew

Frequently displayed character traits: passion, character strength, leadership, cleverness, caution, intuitivity, loyalty, bravery

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

He's lonely, missing his members who drifted apart after their permanent return to A-World

In order to ensure he won't forget their adventures, even as time keeps passing, he documented their shared journey on a blog which blew up in popularity, leading him to turn his entries into a full blwon novel

Now, he's got it all: a best-selling book, a family who returned to him, fame, but alone in his room at night, he still feels empty

SEONGHWA

BACKSTORY

His outlook on music was permanently altered when he witnessed a girl with a 'Be Free' bracelet dance

He was part of the original Ateez trio alongside Yunho and Hongjoong

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

His unique connection to the 'Be Free' girl transcends realities and has allowed the fusion of the currently two biggest known revolutionary groups in the Z-World (see: Will - The World Ep. Fin Diary Entries)

As a result, I would describe his current role as a mediator between Ateez/The Black Pirates and Thunder since he's so far been the most willing to extend good faith toward Thunder and learn about their backstory

Previously, like most other members, he simply took on whichever role was needed for the current mission

Frequently displayed character traits: intuitivity, kindness, trust, loyalty

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

After struggling majorly with anxiety and trying to cope with the trauma the Z-World inflicted on them, Seonghwa threw himself into his studies and later became a firefighter

There are fulfilling elements to saving people in this way, but he still can't forget their shared dream of making it in the music scene

He has yet to read Hongjoong's book, having kept it on his desk since it came out

YUNHO

BACKSTORY

His older brother died in a car accident after giving up his dream of becoming a musician

As means of fulfilling his brother's dream post-mortem, Yunho wants to work alongside Ateez and establish a successful music career

Yunho admires Hongjoong as a person and artist but also feels he resembles his older brother which surely influenced how he originally viewed Hongjoong and why he's always looked to him for guidance

He, alongside Seonghwa, has also known Hongjoong the longest and used to be a street performer trio with them

Prior to his brother's accident, he spent a lot of time riding around on his motorcycle with a separate friend group

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He was the first to establish an emotional bond with Left-Eye, who is still one of their first and closest allies, when they bonded over their shared loss of a loved one and lingering survivors guilt (see: Fever Part 3 Diary Entries)

Other than that, he'll fulfill any role needed, such as utilizing his established ability to operate a motorcycle and whatever else is needed (though it does seem like all of Ateez have learned to drive pretty much any street vehicle since they've arrived in the Z-World)

Frequently displayed character traits: honesty, empathy, loyalty, bravery

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

He became disillusioned with their world, recognizing it as colder than the Z-World - people don't care about each other, just about themselves

After the situation with Ateez fell apart, he threw himself into archaeology, hoping to find another artifact like the Cromer which could reunite them for another adventure

YEOSANG

BACKSTORY:

He comes from a very strict household

His parents, especially his father, had already planned out his entire life and filled his days to the brim with schedules, such as violin practice

As a result, he felt trapped his entire life (like a caged bird) to the point where he compared his upbringing to Strictland upon first arriving in the Z-World (see: Fever Part 2 Diary Entries)

His only escape was studying the inner workings of machines which is how he taught himself the basics of engineering and robotics

He was the last to join Ateez and got in by building them a drone upon their request

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He's in charge of controlling the surveillance butterflies seen in Will - The World Ep. Fin Diary Entries which tells me he's still their main tech-guy

This role is also highlighted in Guerrilla when we see him inside the surveillance van

Frequently displayed character traits: self-blame/guilt, self-sacrifice, loyalty, quick thinking, bravery

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

Yeosang recognized money as the biggest obstacle between Ateez and achieving their dream so he decided to tackle the problem head on

Reinventing himself, he became a leader of the investment world - profit in mind but also investing in the arts on the side, even if that meant losing money

He's the one who invested in Hongjoong's authorial debut

SAN

BACKSTORY:

He was forced to move around a lot growing up which left him lonely and isolated

Ateez were his first real friends and he was desperate to stay with them, even when his family already planned the next move

His strong longing for a fixed friend group carry into his current behavior and reflect in his emotional reactions to certain situations, i.e. his immense devastation when they first lost Yeosang, his outrage when he found out Android Guardians burn prisoners' treasured memories

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He has no set primary role, so he'll also simply execute whatever part of the mission is assigned to him, such as playing the decoy (see: Guerrilla)

Frequently displayed character traits: strong sense of justice, bravery, loyalty, empathy, sensitivity

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

San started his own business after Ateez drifted apart, a food truck, and ended up in Jeju where he got to meet a lot of people as he prepared their food and watched them eat with their loved ones

Through their shared conversations, he quickly learned most never got to live out their dreams and wondered if it was time for him to accept his fate may be sharing the same fate

MINGI

BACKSTORY:

He grew up in poverty and with no family left except his grandmother

He's been suicidal since he was young which led to him building up walls that keep others from getting too close

However, he's known Wooyoung since elementary school and Wooyoung's persistence eventually wore Mingi down and they got closer

Since then, Wooyoung was the only one who could make Mingi laugh

Wooyoung was also the one who introduced Mingo to the rest of Ateez (i.e. Hongjoong, Seonghwa and Yunho)

Once all of Ateez had been established, Mingi's grandmother got into some kind of accident which made Mingi relapse and shut down since he felt like he wasn't allowed to be happy while his grandmother was so close to death

His resulting decision to fully depart from Ateez had him call their dreams meaningless, upon which Jongho became enraged enough to lash out and punch him but Yunho intervened before it could escalate further than that one punch

His mental well-being was brought up again when he overheard Left-Eye talk to the Grimes siblings about their lingering hope to fix the state of the Z-World because it led him to realize how powerful dancing could be and how much he'd been letting the past affect the way he sees the world (see: Fever Part 3 Diary Entries)

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He has no designated role, but did recently team up with childhood friend Wooyoung to go undercover as security guards at Prestige Academy during their mission (see: Outlaw - The World Ep. 2 Diary Entries)

He unfortunately also got traumatized during another mission when the Prestige Academy boy's brother died right in front of him and he was left to take out a bunch of Android Guardians by himself without time to process what he'd just witnessed (see: Will - The World Ep. Fin Diary Entries)

Frequently displayed character traits: bravery, quick thinking, empathy

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

Despite coming from a broken home, Mingi made it big, becoming a professional model for a fashion magazine working with high-end designers

His social media was flooded with adoring comments, his influence far reaching, but he still couldn't help but get captivated by a group of boys busking on the side of the road

When he tried to distract himself from the memories, he came across a video of Hongjoong reuniting with his family

WOOYOUNG

BACKSTORY:

He grew up alongside Mingi and wormed his way into Mingi's life despite the strong walls Mingi had put up

Whenever he feels shy, he'll laugh it off and when he's scared, he'll keep talking until it wears off

He doesn't mind being teased for his habits

He had a strong desire to be a performer but was dealing with intense stage fright until he met Hongjoong, Seonghwa and Yunho at a street performance and they took him under his wing and helped him overcome his fear

Once he became a member, he introduced Mingi who proceeded to join the group as well

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

He has no set role but the injury he sustained during the first Android Guardian raid they experienced in the Z-World (see: Fever Part 2 Diary Entries), did lead them to finding out about Left Eye's existence and connect with the Grimes siblings who were then the catalyst behind the establishment of Thunder (see: Will - The World Ep. Fin Diary Entries)

Frequently displayed character traits: nosiness/curiosity, playfulness, quick thinking, bravery, loyalty

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

Struggling with dread and anxiety after their return from Z-World, Wooyoung was desperate to get back on stage but couldn't see Ateez making it there after their many failed attempts to grab the public's attention

He became a flight attendant instead, making the plane his stage - their guests adored him

On his latest flight, Yunho and Mingi just happened to be on the plane

JONGHO

BACKSTORY:

His original dream was to become a pro basketball player but a serious ankle injury shattered that dream and made him feel like his life was over

Meeting Ateez became his second big dream

When Mingi tried to walk away from all of them and called their dreams meaningless, Jongho felt betrayed and like his dream was being taken from him and lashed out - he gets reminded of this incident again in the Fever Epilogue Diary Entries

ROLE IN Z-WORLD (FEVER/TREASURE/THE WORLD SERIES):

His trauma from his past as a basketball player is further explored in the Fever Part 2 and Part 3 Diary Entries but since then, he seems to have moved on and left it in the past

Like most of the other members, he has no set role and will fulfill necessary roles as needed

Frequently displayed character traits: bravery, commitment, quick thinking, loyalty

CURRENT ROLE (AFTER 3 YEAR TIME SKIP):

Jongho became a songwriter for an idol group after getting signed by a label who approached him after hearing a song he recorded with the members

After breaking up a fight between the boys he now worked with, he thought back to his own argument with Mingi so long ago and got lost in the memories

Putting on the song they'd recorded together so long ago, he cranked up the volume and felt the painful ache caused by the sound of their voices singing his song

[ardatli]

I need book recs again, this time for kid 2! 13, "neurospicy," high reading level for vocabulary but has difficulty with parsing subtly-drawn emotional motivations for characters. Fairly black and white worldview / very strong sense of justice and injustice, but he's slowly starting to integrate more nuance. He's bored with the books we have in the house and overwhelmed by the options at the library. Help me narrow it down?

He likes:

Giant robots and mechs - current very well-read favorites are the Pacific Rim novelizations.

Science fiction, as long as the science is internally consistent.

Legend of Zelda - we just got him the graphic novel box set for his birthday.

Star wars / Predator / Megaman / kajiu franchises (Japanese - he's deeply scornful of the US Monsterverse, but loved Gamera: Rebirth. Any book recs that hit similar vibes to G: R?)

(Caveat: any media based on another media property needs to be consistent, or it'll drive him batshit. He still brings up his irritation at inconsistent Jaeger weights and armaments and build dates cross-referenced from design docs on the original PacRim vs The Black vs the info cards on the action figures, etc.)

Enjoyed LotR and has read - and enjoyed! - the Silmarillion. Not currently interested in checking out other high fantasy.

He does play TTRPGs as well as computer and console games, and I can see LitRPG working as a genre, but he hates romance / is uncomfortable with sexualization and sexual references in media, and is very sensitive to racism and discrimination, and there's a lot of not-great stuff lurking in that sphere.

I picked up Iron Widow for him and he says he enjoyed it, but not enough to read a sequel. Too explicit in some sections, I think.

He did enjoy the old Tales Of books from the Star Wars EU, as well as a book of short stories in the Predator universe, so short story collections or anthologies are good too.

We've just started getting into the Assassin's Creed franchise (Ezio series) - any good official novelizations, or recs for non-AC alternate history books set in medieval Italy?

He does not want to read books about romance, or other books that are mostly about Big Feelings or interpersonal relationships. He doesn't mind it as a minor subplot, as long as he can skim those parts.

He's already read as much Warrior Cats as he cares to. Ditto Wings of Fire. He's "over dragons" for now.

He loves the bad guys, and would probably enjoy books from a villain's POV.

Older kid has the first murderbot book and I'm going to ask her to lend it to him to see if that hits the right spot. I'm thinking maybe The Martian would be good?

Edited to add: He's read and liked Percy Jackson, and his sister owns (and he's read some of) all the Rick Riordan Presents books to date. Also already considering Artemis Fowl.

Edit 2: Big sister has added Dark Lord of Derkholm to the pile, along with Artemis Fowl and Murderbot.

Any suggestions welcome!

[mysticstarlightduck]

WIP Aesthetic Tag!

I don't know if something like this already exists as a tag game but I'm inspired so here we go: new tag game!

Rules: Make a moodboard for your WIP, a playlist (3+ songs/music will suffice but it can be as long as you want) and describe the Vibe of your WIP.

I'll go first with my new side project, Crooked Fable, a twisted/dark fairytale-style fantasy novel!

✦ Moodboard! ✦

✦ Playlist ✦

Instrumental:

Prologue - Beauty and The Beast

Once Upon a December - Piano Version (Emile Pandolfi)

Ice Dance - Edward Scissorhands (piano version)

Love Story - Indilla (piano version)

Salvatore - Orchestral Instrumental Cover

Vocal:

Rewrite The Stars - The Greatest Showman

Hold Me (Alternate Version) - The Sweeplings

The Wish - Eurielle

Running Up That Hill - Kate Bush (Karliene Cover)

As Long As You're Mine - Wicked

Far Too Late - Bad Cinderella

✦ Inspirations/Vibe ✦

Traditional fairytales given a dark/unexpected twist

"There's something lurking in the enchanted forests and that something isn't very nice"

Forbidden Love Story/Princess & The Pauper Love Story

Magic, prophecies, spellcasting, and other mystical shenanigans are a daily occurrence.

There are actual soulmates, prophecies, enchanted mirrors, talking animals, memory-changing magic, potions, a Mysterious Morally Grey Supernatural Guide, nightmare fuel magic, story-bound magic (magic that needs to be written, fates and lives as threads in the tapestry of history, etc). This is, after all, a Twisted/Dark Fairytale, so most fairytale tropes are present here but given a twist or subverted.

Masquerades, mystery, enchanted places and cursed ruins!!!!

Tagging (gently): @sleepy-night-child, @kaylinalexanderbooks, @smol-feralgremlin, @oh-no-another-idea, @littleladymab,

@winterandwords, @eccaiia, @sarahlizziewrites, @illarian-rambling

@agirlandherquill, @anoelleart, @ray-writes-n-shit

@the-golden-comet, @writernopal, @anyablackwood, @unstablewifiaccess, @forthesanityofstorytellers

@i-can-even-burn-salad, @cakeinthevoid

@lassiesandiego, @thepeculiarbird, @clairelsonao3, @memento-morri-writes, @starlit-hopes-and-dreams and OPEN TAG

[electronickingdomfox]

"Killing Time" review

Novel from 1985, by Della Van Hise. Published right after Ishmael, it involves again time-tampering. Only this time, the villains (here Romulans) are successful in their attempts to rewrite history, so most of the novel is set in an alternate universe. The basic difference is that, in this new universe, the Federation was founded by Vulcans instead of humans, so Spock is the starship captain, while Kirk is a mere Ensign with a troubled past.

The story presents some interesting concepts, like the flow of time and history being somehow ingrained in the very fabric of the universe, so no matter the alterations, it tends to revert to its original course, or rip itself apart (a concept which, in some shape or another, was also present in The Entropy Effect and the previous novel). There's also much discussion about "alternate selves", paths not taken in life, and whether these versions of ourselves still exist somewhere and can be reached through dreams. Sometimes, the "mechanics" of time-alteration are a bit iffy, or poorly explained. For example, it seems very unlikely that people like Uhura or Scotty would have the same exact post in the alternate universe (shouldn't they be replaced by Vulcans?). And since it's explained that travelling at warp drive makes one immune to the time alterations, why aren't more starships (the Enterprise included) spared from the effects? Anyway, this is just to be nitpicky; after all, the story doesn't require much more suspension of disbelief than other TOS novels.

Other than a bit of purple prose here and there, I didn't find the writing bad. And characterization is pretty fine. The portrait of Kirk as a rebellious Ensign is a curious precedent for the 2009 movie Kirk, and his grief is quite moving. Spock and McCoy's interactions are spot-on. And so far, this novel has the best, most complex portrayal of the Romulan Commander (from "The Enterprise Incident"), as a cunning, powerful woman, and yet vulnerable in her love/hate for Spock. It's perhaps the latter who comes off most out-of-character; at times Spock seems a bit too emotional and soft, though not to the point of being unrecognizable.

On the other hand, the structure is a bit clumsy. A good chunk of the book keeps going over and over the effects that history alteration has on the mind, turning people crazy, or inducing dreams about the original reality. Since the Romulan scheme is fully revealed quite early on, these chapters don't have all that much interest: we already know what's happening, we already know why people are having those dreams... (So no, I'm not interested in the content of Ensign Kirk's dreams, since I already know what's there; stop trying to put him in that vid-scan thing, McCoy). However, the plot takes off once the characters finally decide to do something about all this mess, and get involved in further Romulan schemes. The later chapters, thus, are more interesting, and there are some pretty emotive scenes towards the ending.

In conclusion, this isn't one of the best novels, though it has its high points. It would have been rather unremarkable among the long string of TOS novels, were it not for the controversies surrounding its publication. For those, see the "Spirk Meter" at the end.

Spoilers under the cut:

The Enterprise is patrolling the Romulan Neutral Zone, when several crewmembers start experiencing disturbing dreams. A common theme in those, is seeing Spock as the Captain, in a somehow changed Enterprise. While Kirk sees himself as a mere Ensign. There are also some rumors about an experiment going on in the Romulan Empire...

After an abrupt change, the next chapter presents a totally different reality. Kirk is now an Ensign recently assigned to the "VSS ShiKahr", commanded by Spock. Having been in prison for the murder of an Academy teacher (of which he has no recollection), Kirk was subjected to the Talos Device, which left him having frequent nightmares and addicted to drugs. He was given the choice between a rehabilitation colony, or forceful draft into the Fleet. Anyway, he has little interest in serving in a starship, or life in general, since he knows he'll never get his own command due to his past. His life is made even more miserable by his bully roomate Donner. Soon thereafter, strange phenomena are experienced by some crewmembers. Spock gets fleeting glimpses of another reality, that leave him dizzy. And one crewman succumbs to madness, and tries to blow up the entire ship, after sabotaging the matter/antimatter valves. After performing some scans on the insane man, McCoy discovers that his brain has two separate sets of brain waves, as if they belonged to two different persons altogether. Further cases of insanity throughout the galaxy are suspected, when a Vulcan Admiral orders the ShiKahr to invade the Romulan Empire in a suicidal mission. Spock, of course, stalls the order as long as he can.

The narrative changes focus then, to present what's going on in the Romulan ship "Ravon", where Commander Tazol remembers his recent confrontation with her wife Sarela. She was strongly opposed to the Praetor's plans to interfere in Earth's past, and assassinate three key figures in the founding of the Federation, so it never comes to be. Sarela is afraid the plan will be a total failure, like all the other plans of the Praetor to tamper with timelines. Nonetheless, Tazol is a complete blockhead, and proceeds with the plan. The idea is receiving the Praetor aboard (a mysterious, hooded figure that only his close advisors have ever seen face to face), and then enter warp drive to avoid the history-altering effects. That way, everyone aboard the Ravon will keep intact their memories of the so-called First History, along with its records, to later compare them with the situation in the Second History (the altered timeline). It turns out that, as Sarela expected, Second History isn't all it's cracked up to be... The Federation wasn't founded on Earth, true, but in its place, a similar Alliance of planets was started in Vulcan. The Romulan Empire has hardly benefitted from this, and now its enemies are mostly the tough Vulcans, instead of humans. The Praetor orders Sarela to his quarters, for a private discussion of the situation, much to Tazol's chagrin.

Meanwhile in the ShiKahr, McCoy has been performing vid-scans (a kind of visual recording of people's dreams) on several persons. Some of them show dreams of a "golden-haired Captain". While others show disturbing "negative scans". McCoy is a complete genius, because from this flimsy evidence he concludes, correctly, that reality has been shifted. And those that have ended in different positions in life, will become maladjusted to the changes, and eventually turn mad. Also, those showing negative scans now, are persons who are already dead in the original timeline (and this opens up an interesting ethical dilemma when reverting the changes, since it will mean instant death for those persons; sadly, this isn't further explored). For his part, crazy Admiral is still doing his crazy thing, and now orders the ShiKahr on a diplomatic mission, on a planet of savages that weren't expecting diplomats at all. The landing party is attacked, Donner is killed (good for him) and Spock is injured.

Cutting back to the Ravon, Sarela discovers that the Praetor is actually... a woman! Something that's not allowed in the Romulan Empire, thus the need for the permanent hood in public (and it also explains why all the Praetor slaves are now pretty boys...). Automatically, Sarela's respect for the Praetor goes up tenfold (huh, wasn't the Praetor a complete idiot a second ago, with all those stupid plans? The fact she's a woman should change nothing!). Well, as it turns out, the stupid plans weren't hers, but came from her father. She just went ahead with them because it was too late to back out, and also because she still expects some good to come out of it. Thea (the Praetor) explains that she's going to use Spock to sign a peace treaty with the Alliance, and introduce Surak's teachings among Romulans, to further the cause of peace (doesn't sound like a very evil plan, if you ask me). By kidnapping Kirk, she'll blackmail Spock into doing all this, while disguised with the hood as if he were the real Praetor. She still holds a grudge towards Kirk and Spock, since in First History, those two stole a cloaking device from her, revealing thus that she's the Romulan Commander from the series. Thea suspects that the Vulcans will, sooner or later, discover the time tampering and revert it, but some effects of Second History (like the peace treaty) will be indelibly embedded in the universe, anyway. Sarela agrees to help her, specially after she receives her own pretty boy slave.

For his part, Spock instructs Christopher Pike (here still a happy captain of a ship) to stop the crazy Admiral, before he causes all-out war. After this, the ShiKahr intercepts a Romulan shuttle, apparently crippled and adrift, and takes it aboard. The only passengers, apparently, are Thea and Sarela, and they're taken into custody. However, hibernating inside the shuttle, and thus not detected as life forms, were Thea's slaves. They wake up a while later, disguise themselves as Vulcan guards, and order Kirk to the briefing room. Sensing a trap, Kirk attacks them, but the Romulans subdue and kidnap both Kirk and his new roomate: Richardson. They depart in the Ravon, and leave the two hostages stranded in a desolate planet, with just basic survival gear. Spock learns about this too late, so he has no alternative but cooperating with Thea. Secretly, though, he plans to infiltrate the Romulan Empire to get the secret of time travel (unknown to the Alliance), and the details to revert the timeline.

Spock, dressed as the Praetor, McCoy, half-dressed as his...slave, and S'Parva, some kind of dog-girl with telepathic powers, accompany Thea back to the Ravon. Spock, as many other people, is also succumbing to madness, which in his case manifests as pon farr. He covers it up as a simple infection, and requests the medical assistance of slave-McCoy to create a distraction. The moment is seized by S'Parva to get inside the computer system. Later, Spock reviews the data, learning about the slingshot effect to travel through time. Both Spock and S'Parva receive also telepathic transmissions from Kirk and Richardson, respectively (S'Parva having formed previously a mind link with Richardson through an experiment). This way, they learn the location of the hostages. Nonetheless, Spock ends up losing consciousness due to the worsening of his symptons. Thea, who still loves Spock in some way, forms a temporary bond with him, and helps him out of pon farr (that is, they fuck).

Once in the Praetor's palace in Romulus, Thea learns about all the incidents of madness happening in the Empire. And finally, after a lengthy conversation, Spock manages to convince her of the necessity of reversing the changes. If this goes on, soon half the galaxy will be destroyed by madness. Spock regrets that he can't stay with her, as his present persona will disappear along Second History. Nonetheless, he will bring Kirk along to the past, to restore the timeline; that way, both of them will keep some remembrance of this alternate history, and will later use their influence to realize Thea's plans for peace. Thea relents, and after rescuing Kirk and Richardson, they make a slingshot maneuver in the shuttle, arriving in Earth's past. However, Thea leaves them to their own devices from now onwards.

Having arrived in San Francisco a while before the assassination, Kirk, Spock and Richardson enter the conference room, where the three politicians are due to make a speech. Kirk creates a distraction by revealing Spock's alien features to the surprised humans, and this prompts the assassins to reveal themselves. In the commotion, everyone escapes to safety (including the politicians), while Kirk and Spock confront the assassins. These are actually human-looking androids, and after a difficult fight, they destroy them, though Richardson is killed in the process. Then Spock takes out a disruptor to destroy the android remains (his excuse for not using the disruptor earlier being that Kirk needed to reassert himself as Captain by getting into a fist-fight, which is... a bullshit excuse, really). After this, Kirk and Spock (also mortally wounded in the fight) go to the rooftop. And there's a pretty sad scene, where both wait for their current selves to disappear in the reality shift, thus dying in a sense.

Everything is back to normal, though Kirk, Spock and Richardson keep having dreams about their alternate lives. Kirk also finds a ring that belonged to his other self, and reflects with melancholy about the fate of "Ensign Kirk". After a mind-meld with Spock, both of them get a clearer view about the events of Second History, and decide to cooperate with Thea to achieve peace. In the end, Kirk leaves the ring behind, knowing it will disappear and return to its real owner, somewhere.

Spirk Meter: 10/10*. Now, this novel is generally regarded as the K/S novel par excellence. Is it very slashy? Yes. But is it something completely in a different league? Well, no. Most of the Marshak & Culbreath novels are as slashy as this one (and The Price of the Phoenix definitely more). Hell, a good deal of this stuff is just taken from TOS episodes, and while in "Amok Time" Spock got out of pon farr by rolling around with Kirk, here he uses the more conservative approach of sex with a woman (and Kirk is totally okay with that, not showing the slightest jealousy). I suspect that most of this fame is simply due to the novel's publication history, and not to the actual content. I've encountered two versions of this incident. The most popular one tells of readers being so scandalized by the novel's first edition, that some higher-up (even Roddenberry himself) had to intervene, and censor the novel for subsequent printings. Della Van Hise's version (presented in several fanzine articles, that you can read in sites like Fanlore) tells a much less exciting story: Basically, the editor made some cuts here and there, she approved of the changes, and then sent the novel for printing. There was an error, and the unedited version was printed instead. When the publishing house noticed it, they corrected the mistake in the second edition, which was the one supposed to see the light from the beginning. In my opinion, Van Hise's version sounds more realistic. I have difficulty believing that the same public who received Triangle a couple years before without batting an eyelid, would start a riot for this. Let alone that Gene-t'hy'la-means-lover-Roddenberry would give two shits about it (was he even that involved in the franchise by 1985?). Apart from this, the edits seem very cursorily: a slight toning-down of some affectionate scenes, cutting curse words here and there, removal of partial nudity (even in medical settings that have absolutely nothing to do with K/S), etc. They really don't look like the kind of heavy censorship of someone set against K/S after a scandal.

Now, for the slash elements (I read the first edition, so this is based on that version): Kirk and Spock are quite affectionate, often reassuring each other with a touch on the shoulder or the hand, or confiding things that they wouldn't trust to anybody else. The mental link between them (which is a staple in many novels and comics, and thus not that remarkable) is given, however, a special relevance, with them often using it to transmit warm feelings, and even communicating over great distances. The link is so strong, that some effects of Spock's pon farr start affecting Kirk. And when the reality first shifts into the alternate universe, Kirk experiences great anguish, upon feeling the link broken. It's also noteworthy that other characters that share this kind of link (Spock and Thea; Richardson and S'Parva) are in romantic relationships of sorts. Apart from the permanent link, Spock performs several mind-melds with Kirk. The first time, when he finds the Ensign sleeping in the garden and suffering nightmares, he attempts a meld to soothe his mind (similar to "Requiem for Methuselah") but Kirk rejects it. Spock, who's already starting to go crazy, attacks Jim then, and forces a mind-meld with him. The fight and Kirk's submission are vaguely homoerotic, and this was by far the most censored passage in the book. The second meld happens when they're both waiting for "death", Spock resting his head on Kirk's shoulder, and the Vulcan uses it to bring Kirk to the other reality along him. The third meld was already covered in the plot summary. Apart from this, when Spock receives glimpses of his previous life, he misses a companion by his side, once wondering if the man he sees there is his t'hy'la. And when Kirk visits his quarters at night to get his medication, Spock interviews him while still shirtless, and understands that he can't keep secrets from him. But perhaps the most blatant examples aren't what Kirk and Spock actually do, but what other characters think about them. Thea is unreasonably jealous of Kirk, and kidnaps him with the belief that Spock will do anything to rescue him, since he's his treasured human and dearest to him in all the combined universes. Actually, this isn't the real reason why Spock complies with Thea, but he agrees with her assessment that "James Kirk is even deeper in your blood than Vulcan". Richardson, as well, has the impression that Kirk and Spock belong together in any universe.

Although this is definitely a K/S novel, there's also a bit of Spones, and it's kind of hilarious that it went totally unnoticed by censors, considering the sexual element is more blatant, compared with the rather spiritual relationship of Kirk and Spock. For starters, when Kirk is first having dreams about Spock as a Captain, McCoy dismisses it as just a typical fantasy of wanting to be under Spock's authority (which totally seems like McCoy projecting there, since that's not the real cause at all). Once Spock gets the first symptoms of pon farr, McCoy is very stubborn about going with him to Romulus to treat his illness, even if he has to be his slave to do so (and as previously seen, those slaves are also the Praetor's lovers). And when Spock gets worse, McCoy confronts him about being so proud and rejecting something that should be pleasurable, pointing out that many people would want to sleep with him... while blushing himself. Finally, McCoy refuses to leave Thea alone with Spock to do her thing, and has to be brought out basically by force (like, what was his alternate plan?). It doesn't help either that McCoy is said to care for Spock more than professional ethics should have permitted.

Also incredibly explicit is Kirk's relationship with Richardson. Kirk comes out from the shower totally naked in front of him. And later they both swim naked in a pond, while Kirk experiences the heat of pon farr through his link. Not enough? Well, Richardson often calls Jim "Juliet", while Kirk calls him "Romeo". Yup.

*A 10 in this scale is the most obvious spirk moments in TOS. Think of the back massage, "You make me believe in miracles", or "Amok Time" for example.

[mostlysignssomeportents]

Francis Spufford’s “Cahokia Jazz”

Tomorrow (December 5), I'm at Flyleaf Books in Chapel Hill, NC, with my new solarpunk novel The Lost Cause, which 350.org's Bill McKibben called "The first great YIMBY novel: perceptive, scientifically sound, and extraordinarily hopeful."

Francis Spufford's Cahokia Jazz is a fucking banger: it's a taut, unguessable whuddunit, painted in ultrablack noir, set in an alternate Jazz Age in a world where indigenous people never ceded most the west to the USA. It's got gorgeously described jazz music, a richly realized modern indigenous society, and a spectacular romance. It's amazing:

https://www.simonandschuster.com/books/Cahokia-Jazz/Francis-Spufford/9781668025451

Cahokia is the capital city of Deseret, a majority Catholic, majority indigenous state at the western frontier of the USA. It swirls with industry, wealth, and racial politics, serving as both a refuge from Jim Crow and a hive of Klan activity. Joe Barrow is new in town, a veteran who survived the trenches of WWI and moved to Cahokia with his army buddy, Phineas Drummond, where they both quickly rose through the police ranks to become detectives.

We meet Joe and Phin on a frigid government building rooftop in the predawn night, attending a grisly murder. Someone has laid out a man across a skylight, cut his throat, split his chest open, and excised his heart. This Aztec-inspired killing points at Cahokian indigenous independence gangs, some of whom embrace an apocryphal tale of being descended from Mesoamerican conquerors in the distant past. That makes this more than a mere ugly killing – it's a political flashpoint.

The Klan insists that Cahokia's system of communal land ownership is a form of communism (Russia never ceded Alaska in this world, so the USSR is now extending tendrils across the Bering Strait). They also insist that Cahokians' reverence for the Sun and the Moon – indigenous royals who have formally ceded power to elected leaders – makes them a threat to democracy. Finally, the Cahokians' fusion of Catholocism with traditional faith makes the spritually suspect. A rooftop blood-sacrifice could cause simmering political tension to boil over, and for ever white oligarch drooling at the thought of enclosing the shared land of Deseret, there are a thousand useful idiots in white hoods.

Joe and Phin now have to solve the murder – before the city explodes. But Phin seems more interested in pinning the case on an Indian – any Indian – than he is on solving the murder. And Joe – an indigenous orphan who has neither the language nor the culture that the Cahokians expect him to have – is reappraising his long habit of deferring to Phin.

This is the setup for a delicious whodunnit with a large helping of what if…? but Spufford doesn't stop there. Joe, you see, is a jazz pianist, and his old bandmates are back in town, and one thing leads to another and before you know it he's sitting in with them at a speakeasy. This gives Spufford a chance to roll out some of the most evocative, delicious descriptions of jazz since Doctorow's Ragtime (no relation):

https://www.penguinrandomhouse.ca/books/41529/ragtime-by-e-l-doctorow/9780812978186

It's not just the jazz. This is a book that fires on every cylinder: there's brilliant melee (and a major battle set-piece that's stunning), a love storyline, gunplay, and a murder mystery that kept me guessing right to the end. There's fakeouts and comeuppances, bravery and treachery, and above all, a sense of possibility.

Most of what I know about Cahokia – and the giant mounds it left behind near St Louis – I learned from David Graeber and David Wengrow's brilliant work of heterodox history, The Dawn of Everything:

https://pluralistic.net/2022/03/08/three-freedoms/#anti-fatalism

Graeber and Wengrow's project is to make us reassess the blank spaces in our historical record, the ways of living that we have merely guessed at, based on fragments and suppositions. They point out that these inferences are vastly overdetermined, and that there are many other guesses that fit the facts equally well, or even better. This is a powerful message, one that insists that history – and thus the future – is contingent and up for grabs. We don't have to live the way we do, and we haven't always lived this way. We might live differently in the future.

In evoking a teeming, indigenous metropolis, conjured out of minor historical divergences, Spufford follows Graeber and Wengrow in cracking apart inevitability and letting all the captive possibility flow out. The fact that he does this in a first rate novel makes the accomplishment doubly impressive – and enjoyable.

It's EFF's Power Up Your Donation Week: this week, donations to the Electronic Frontier Foundation are matched 1:1, meaning your money goes twice as far. I've worked with EFF for 22 years now and I have always been - and remain - a major donor, because I've seen firsthand how effective, responsible and brilliant this organization is. Please join me in helping EFF continue its work!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/04/cahokia/#the-sun-and-the-moon

[msmargaretmurry]

hi i’m sorry super random question — i love your writing, and i was wondering if you had any fav books to recommend? i’m trying to read more lately!! thank you so much!!! 💖

no apologies necessary and thank you so much!! yay for reading more! i have so many books i love and usually i would try to tailor recommendations to someone's interests so i will just try to give a little smorgasbord here.

under the cut please find a very long list of recs; i hope there are a few that sound appealing to you! if there are things you like to have content warnings for and can't tell from the goodreads listing, feel free to message me to ask! 💕

literary/contemporary fiction

beartown by fredrik backman: this is the hockey novel, imo. somehow backman captures everything hockey is — violence, entitlement, racism, privilege, misogyny — while still writing a breathtaking story about people who love the sport and people who unwillingly get caught up in its wake. there are two sequels, which i haven't read yet solely because i'm afraid of how many feelings they'll make me feel.

the secret history by donna tartt: yes, the og dark academia book. moody, atmospheric, and pretentious, i feel like it's a you-love-it-or-hate-it, and i love it. a delicious critique of elitist academia even while filled with morsels for classics-loving nerds. fantastic, deeply fucked-up characters.

station eleven by emily st john mandell: not sure if reading this during a pandemic was the best idea, but it certainly added something to the experience. i love emily st john mandell's prose, and the post-pandemic-apocalypse world she builds feels simultaneously fantastical and painfully real.

evvie drake starts over by linda holmes: this is the perfect example of what i want in a contemporary romance novel. deeply character-driven, sweet, achy, lovely.

historical fiction

in memoriam by alice winn: oh man oh man. we read this one for book club last month and it blew me away. brutal, devastating, romantic.

how much of these hills is gold by c pam zhang: really loved how this book brought a new lens to the American western/frontier story, loved how it blended Chinese mythology into the story, loved how it unflinchingly did race and gender in ways that felt both illuminating and historically true.

the island of sea women by lisa see: i love lisa see's historical fiction because she does a shitload of research and weaves it into her stories in ways that don't feel like infodumping. on top of her being an excellent writer, i always feel like i've learned something.

the book thief by markus zusak: just a masterclass in point of view. made me ugly cry in public.

the nickel boys by colson whitehead: i mean, colson whitehead is just so good. harrowing, atmospheric, and smart, the characters and story feel absolutely real in the best and worst ways.

fantasy/sci-fi

the radiant emperor duology by shelley parker-chan: man, this duology is one of the best fucking things i've read in the past few years. kind of an alternate-history 14th-century china, now with more magic and more gender. brutal and delicious. morally gray everything.

the farseer trilogy and the liveship traders trilogy by robin hobb: these were my favorite books as a teen and i've recently been rereading them (i'm finally on the third book of the second trilogy!) and having such a good time. structurally they're very classic high fantasy but i think hobb is so fucking good at worldbuilding and characters.

the left hand of darkness by ursula k. leguin: look, it's a classic for a reason! i will say if you start it and you feel kind of lost: stick with it, slow down, and be patient. the pov character is a stranger in a strange land and you feel every bit of that. another masterclass in point of view.

tuyo by rachel neumeier: i love reccing this book because it's just a random self-published fantasy novel that one of the gals in my book club found somehow and it wound up being super fun? the worldbuilding is fun, the culture clash is tense (and fun), and i feel like the concept of a "tuyo" could do numbers as a fanfic trope if people got on board!

the thief by megan whalen turner: another great book for pov!!! just a really fun and satisfying read (and pretty short, if you need something short!). the rest of the series is also very good and worth reading but none of it hit quite as hard for me as this first book, possibly because the first book is just so excellent.

young adult/middle grade

on the come up by angie thomas: this is specifically an audiobook rec. i'm sure this book is also good reading with your eyes, but it's about a teen girl who wants to be a rapper, and i think being able to hear the rhythm of the language, esp the rapping itself, makes for a fantastic audiobook experience.

the westing game by ellen raskin: another classic for a reason!! one of the smartest books out there, a joy to read for the first time at any age.

michigan vs the boys by carrie s. allen: the thing is, i usually i find first person present tense so annoying it's nigh unreadable, but i found this book about a teen girl having to play on her high school's boys' hockey team after they cut funding to the girls' program so charming and compulsively readable. bonus points that the author really knows her hockey!

darius the great is not okay by adib khorram: even just thinking about this book puts a lump in my throat lmao. just a beautiful coming of age story that deals with identity and depression and belonging and family and more.

the loneliest girl in the universe by lauren james: pretty sure i tore through this book in one sitting. great sci-fi setting and sense of creeping dread.

a wrinkle in time by madeleine l'engle: another classic for a reason, lol. including it on this list because it is actually my favorite book. l'engle has such a special touch with writing — it's so full of heart. as a kid one of the things i loved about this book was that it didn't dumb any of its sophisticated worldbuilding and characterization down for me, which i think is a great lesson for a writer.

memoir-ish

they can't kill us until they kills us by hanif abdurraqib: hanif is the GOAT and i recommend anything he's written, but this book of essays about music, culture, and hanif's life is easily my favorite of his work.

a ghost in the throat by doireann ní ghríofa: stunningly original mix of personal essay, poetry, history — i'm not even sure how to describe it. but it floored me.

in the dream house by carmen maria machado: speaking of creeping dread!!! many people have said many smart things about how good this book is so i will simply say they are all extremely correct.

sports nonfiction

the boys in the boat by daniel james brown: a gorgeously written love letter to rowing juxtaposed hauntingly against the rise of hitler. i have not seen the movie, but there's no way it could be as good as the book.

bottom of the 33rd by dan barry: possibly this is a baseball book for baseball people, but i loved every meandering moment of this lovingly written microhistory of the longest baseball game ever played.

the last best league by jim collins: another baseball book, sorry, baseball books are so good. this one's about the amateur league on cape cod where the best college players play in the summer. a great august read imo.

impossible owls: essays by brian phillips: a sprawling book of sportswriting from a former grantland writer. i read it five years ago and still think about it sometimes

other nonfiction

forget the alamo by bryan burrough, chris tomlinson, & jason standford: i made myself pick only ONE history nonfiction for this list because otherwise we'd be here all day. but this one is so good, especially if you're interested in the making and unmaking of american mythology.

empire of pain by patrick radden keefe: i do actually recommend anything prk writes, but this book on the sacklers' evil pharmaceutical empire is both timely and exhaustively reported. another audiobook rec as well, because prk reads it himself and you can hear the disdain in his voice.

because internet: understanding the new rules of language by gretchen mcculloch: really fun read about the development of online dialect and language! at five entire years old it's already a smidge out of date, but still so enjoyable.

[alexanderwales]

Book Review: The Ministry of Time

I picked up The Ministry of Time when I was in Berkley. It was prominently placed, it had a bold and colorful cover, and I'm a sucker for time travel of any kind. When I brought it up to the counter, the cashier told me that it was one of her recent favorites and really brilliantly realized for being from a debut author. The inside cover promises "an ingeniously imagined, hilarious romp through time, space, and the human heart".

As a veteran of time travel stories, I think they fall into two basic camps. The first camp is the thinky camp, interested in the time travel elements, the layers of cause and effect, the twists and turns that history or characters might have undergone for want of a nail, branching universes and stable loops, the raw matter of causality itself. The second camp is mostly interested in history, whether that's alternate history or historical characters. These are stories where the premise is that modern warship gets transported back to Ancient Greece or whatever and then we just do not interact with time travel in any meaningful way until the end of the book, if that. Sometimes (maybe even often) time travel stories straddle these two camps, but when I read a time travel story I usually immediately clock it as being one or the other.

For the first three quarters of its word count, The Ministry of Time is so firmly in the latter camp that I thought it would just stay there. The basic premise is that the titular ministry has pulled people through time and set them up with "bridges" who are essentially civil servants that live with the temporal "expats" and get them acclimated to the near-future modern world. Our protagonist "bridge" is a British-Cambodian woman, while her "expat" is Graham Gore, a member of the doomed Erebus and Terror mission to explore the Northwest passage. He's very loosely based on a real man about whom so little is known that his character is invented from whole cloth, but there's quite a bit of historical grounding.

Kate & Leopold was a 2001 film about a modern woman who works at an advertising company (Meg Ryan) and gets embroiled in a love affair with an aristocrat from the late 1800s (Hugh Jackman). It's a romcom, and I thought about it a lot when reading this book, which turns out to mostly be a slow-burn romance. It hits a lot of the same beats. Gore is a man out of time and we milk this for entertainment value as we watch him acclimate to the modern world in various ways, seeing the things that he loves and the things that puzzle him. He's also a gentleman from a simpler time, and his nobility stands in contrast to the boorishness of the modern male. A lot of this is stock: I don't read many romance novels, but "man from the past" is a whole genre, whether he's come through to the present or the female protagonist has been sent to the past. I am pretty sure that the first book of Outlander is this, but I only watched half of the first season of the TV show.

(The other piece of media this reminded me of was the Norwegian show Beforeigners, which hits the "past is a different country" and "refugees from the past" theme a lot harder, at least for my money.)

The Ministry of Time does all this far better than Kate & Leopold did. Part of this is simply the writing quality, but there's also at least a little engagement with ideas of colonialism, the horrors of the past, how we assimilate into the dominant culture, and what that means. Gore is well-realized, and our protagonist has a lot of complexity to her, which brings some brushes with identity and living in the wake of someone else's trauma (particularly because the protagonist, like the author, is mostly white-passing half-Cambodian). It's just that this isn't the sort of time travel novel that I like, because it feels like the core premise, traveling through time, gets set to one side while we focus on the relationship between the past and the present, and how fuckable guys from the past are. I appreciate that there's some depth to the female fantasy on display here, but I don't find this particular female fantasy all that interesting on its own. When I realized, about twenty pages in, that this was primarily going to be a well-written romance, I could feel my enthusiasm for it waning.

Aside from the romance between these two, which is the largest chunk of the book, we have a few people from other eras. They're not given nearly enough depth for my taste, but they serve their purpose well enough, and help add another dose of "actually, the past was kind of shit", which I think any work that is flirting with romanticizing the past needs. The two main ones are Arthur, a gay man from World War I who doesn't get enough screen time, and Margaret, a lesbian who comes from the 1600s. I think there's probably a lot to say about identity and queerness, especially because modern notions of these things are not historical, but as with many things, the novel touches lightly on them and then flies off to the next thing like a timid dragonfly.

The best thing about the book, and the reason I kept looking forward to it, is that the prose is really really good. On almost any random page I open up, I can find a passage that delights me. There's a real art to the metaphor and how it's employed, and I really enjoyed most of it, even the ones that maybe made me scratch my head a little bit. Things like "sparrows gusted along the curb" or "I looked into Margaret's face, the sultry peach color of her mouth and her acne glowing with unprinted newness" or "sheepish, excitable expressions, like children caught drawing on the walls". On the prose level, I was a big fan.

The setting for the novel is near-modern London, a city that's suffering the effect of climate change, with blisteringly hot days where they can't do much more than lay on the floor and wait for the heat to pass, and occasional flooding. The ministry itself is a bureaucratic monolith in a way that feels like it's a piss take, but it doesn't go terribly far toward saying anything here. There's a genre that I'm trying to coin a name for called bureaupunk or bureauporn where we focus on huge organizations with matrix management and endless meetings and paper trails, and how that all feels to live with, but this doesn't quite go to that level, even if it gets close. (The ur-example of this is The Laundry Files, for a future post.)

On the plot level ... I hesitate to use the word "sucks", but I had a lot of problems with it even before we get to the last fourth of the novel where it shifts gears from being a slow romance.

To start with, why are they forcing this man to co-habit with this woman in a way they acknowledge to be scandalous from his perspective? Why didn't they select a bridge that would ease him into the 21st century? Why co-habitation rather than, say, a bridge having regular check-ins or something? Actually, why is all this time and effort being expended on getting these people to acclimate to the 21st century in the first place? The novel doesn't really seem to want to engage with this either, and the answers, to the extent we get them, are always pretty vague. Uncharitably, the bulk of the novel is just an excuse plot to get this woman with this man and have them fall in love.

It's not until the last fourth of the novel that it really starts to pick up steam, at least from a plot perspective. There's a mole in the ministry, there are mystery people from the future, there are plots and plans firing off, people are revealed to not be quite who they said they were ... and I enjoyed this part a lot less, in spite of it being ostensibly more toward the type of thinky time travel fiction I'm a fan of. There are two major reveals, and I didn't think that either of them landed, in part because of how weakly they tied into the thing that the novel had mostly been about, which is this central romantic conflict. It's also in this last fourth of the novel that it becomes a type one time travel story instead of a type two one, but the time travel mechanics are never explained, it never matters, and the whole story is worse for it. There's something that a lot of time travel stories sometimes do where they say "well it's time travel, it's confusing, no one really knows" and I fucking despise it because it's lazy shitty writing. Even if you don't have perfectly consistent rules that make sense on a physics level, you need to have rules that make sense on a narrative level, and usually the kinds of authors who write passages like that don't have either.

Prose aside, I think I didn't like this book. I like some of the stock time travel stuff, like a man from the past discovering Spotify, and a woman from the present reveling in a man from the past. I thought the sentence level stuff was great. I thought that some of the recurrent themes of identity and running from the past were interesting, especially the stuff about power dynamics and fitting in with the governmental overstructure ... but I didn't feel like the novel hit all that hard, aside from a single passage midway through the book. The author has some thoughts on growing up with this Cambodian heritage, but I don't think I necessarily got all that much understanding on top of what I could have gotten from trying to write a character like that myself. I got the sense that the author was putting a lot of herself into the novel, sometimes to a degree that felt embarrassing to read, in a way that the novel is explicit about. Sometimes that was embarrassing in a good way, raw and real, and other times it was just confusing, elements of her life put onto the page without enough introspection or background to understand it.

The romance is good and compelling though, I'll give it that. If you like romances, and don't really care about time travel, you might like it.

[madwolfxiii]

Season 3 of Bridgerton. Holy shit. I loved it. As a fan of not just the show, but also the books, I am excited with some of the changes they are throwing in. But everyone on the Bridgerton fb group I am in are not. Should I be shocked since it's people on fb??? But I just had to share my little rant review that I posted in the group for all of the people being salty. Spoilers below!

What can I say about those final 4 seasons of Bridgerton except WOW. And it's a good wow. I was upset that it was split up but the season was still amazing. Romancing Mr. Bridgerton has been my favorite of the books (so far). And I feel like they really did it justice. They had the main story beats while still doing something different.

Moving onto the Francesca stuff. You know what. I am actually excited about the change to Michaela. At first when people were spoiling it I was just like, why do they have to do that? I feel like genderbending an established character is just lazy. But I can forgive it because I think it would definitely make their story interesting! Now I could be saying this because I haven't finished her book. I started it before watching season 3 and just got to where John died and Francesca had her miscarriage. So I am not so invested in her and Michael as people who have read the book and may consider it their favorite. But I can see why people would be bummed with a major change to their favorite couple.

But I HIGHLY disagree with everyone saying that the show will be unwatchable now. It's still the same story. Just Michael is Michaela and that will just present more obstacles for them. I do realize a big part of Francesca's storyline is her infertility and wanting children. That really doesn't need to change just because she falls in love with a woman. She can still have that struggle. They can show it during her marriage with John before he dies. Maybe they really struggle to get pregnant then they do and he dies and she loses the baby. Michaela can help her through that and they fall in love and maybe adopt!

But before I hear the "well their relationship can't be public because it wasn't allowed back then." Are you really looking for historical accuracy with Bridgerton? Mixed couples were DEFINITELY not allowed back then but the Queen is poc. Bridgerton is presented as like an alternate timeline to history. The real Queen Charlotte was not of color. None of the couples in the books are mixed. But Shona created this world where it is accepted in earlier times then real life. Not without scrutiny and struggle, obviously, as we see in Queen Charlotte when skin color is commented on throughout the season. But some people are okay with that inaccuracy but put their foot down with a main couple being a gay one? On the topic of them being accepted and being able to be public, well that may be part of the storyline and maybe the Queen helps them out. In the novelization of Queen Charlotte, her and George knew about Brimsley and Reynolds and they were okay with it. I'm sure the Queen would have found a way to let them be together if the story wanted to go that direction. Sadly we never found out what happened to Reynolds.

Also people are saying that Michael is supposed to be one of the hottest love interests and their book is the steamiest. Uh it still can be. Michaela looks pretty hot to me and I am as straight as they come. If seeing two girls be intimate on screen makes you uncomfortable then that's your problem. I am ready to see Franny get down and dirty with her lady love.

Also I totally saw Benedict as bi since season 1. He always came off as a little bi curious and I was so happy that he finally accepted it. Good for him for having a threesome. The only complaint I had about that particular storyline was how we would be watching some Whistledown drama then it would suddenly cut to the threesome. It was sort of jarring, as hot as the threesome was. But I thought it was cool seeing Benedict explore his sexuality because like I said, in actual history that was not allowed. But Bridgerton isn't following actual history to a T. It's paving its own way and I am fine with that. With the mention of the masquerade ball next season, Benedict will FINALLY get his love story. Maybe Sophie would be down for a threesome. Who knows.

Also to all the people STILL saying Polin was unconvincing...you need your vision checked because their love and their happy ending had me in tears. I was really happy with how well it did follow the book while also changing it up enough to make it interesting. Because if I want the beat by beat story of the book, I will just read that again. That's the thing people. WE STILL HAVE THE BOOKS. They are not going anywhere. This show will not "ruin" them.

[inquisimer]

mer's arlathan eXchange works

Creators for the 2024 @arlathanxchange have been revealed and I'm excited to share the pieces I wrote! I was absolutely inspired by the wealth of amazing prompts and had a lot of fun creating all of these.

Check out the entire collection here for more amazing works! Thank you to everyone who created lovely gifts for me💜

a sky full of stars - gift for @about2dance | Rated G, Alistair/Female Surana, 2512 words

what has been forgotten - treat for @kiastirling-fanfic | Rated G, Avexis & Cassandra Pentaghast, 2523 words

show me your thorns - treat for @amarmeme & @kiastirling-fanfic | Rated T, Alistair/Avexis, 2059 words

what time does with us - treat for @kiastirling-fanfic | Rated T, Fiona & Female Surana, 1672 words

gatekeeper of an endless war - treat for the collection | Rated T, Garahel (Solo), 1145 words

I still use velvet gloves - treat for the collection | Rated T, Alistair & Female Surana, 3324 words

summaries and more below the cut!⬇️

a sky full of stars - gift for @about2dance

Rated G | Alistair/Female Surana | 2512 words | No Archive Warnings Summary: On their way to Haven, Alistair and An'da share a moment under the stars. An'da is about2dance's OC and she has SO many layers!! It was an absolute joy to dig into her lore and craft this bit of fluff for her and Alistair. Dorks in Love, my beloved😌

what has been forgotten - treat for @kiastirling-fanfic

Rated G | Avexis & Cassandra Pentaghast | 2523 words | No Archive Warnings Summary: Cassandra seeks an alternative means for the Inquisition to fight the red lyrium dragon. Kia rolled in with SO MANY good Avexis prompts and this one snatched me up right away, I just had to write the Dawn of the Seeker reunion that we never got.

show me your thorns - treat for @amarmeme & @kiastirling-fanfic

Rated T | Alistair/Avexis | 2059 words | No Archive Warnings Summary: Over a cup of tea, Avexis confronts Alistair about his intentions—and finds common ground she wasn't expecting. The Alistair/Avexis ship was another genius idea of Kia's and it was so fun to play in that sandbox! And to see other people there as well :3 I loved the idea of Avexis getting to have some of the first crush/love emotions she lost to Tranquility, and in the process found a link between post-Tranquility Avexis and formerly-Drunk Alistair that just clicked.

what time does with us - treat for @kiastirling-fanfic

Rated T | Fiona & Female Surana | 1672 words | No Archive Warnings Summary: At Leliana's behest, Surana makes a detour through Skyhold before heading West in her search to cure the Calling. Two elven Circle mages-turned-Wardens, one who was somehow Cured of the Blight and the other in search of a Cure? Yeah, this was just another pairing too juicy to pass up. They're so similar!! And Fiona is right there, and Leliana definitely can contact Surana, and you can see how I ended up here. I haven't thought much about Surana as a Warden, since my Surana is not, so this was a fun one to dive into!

gatekeeper of an endless war - treat for the collection

Rated T | Garahel (Solo) | 1145 words | Major Character Death Summary: The Wardens sent him and Isseya to the Anderfels. Garahel would not forget. Even though this didn't quite fit anyone's specific requests, I've been all up in my Last Flight feels since reading the novel a couple months ago and couldn't resist. Garahel, the city elf Warden hero, his legacy of lifting up and protecting the lowest in society lost to a history that didn't want to remember his ears. I broke my own heart a bit exploring how his knowledge of that legacy might have worn him down by the end ;-; (also check out the quote that I used to title this fic because DAMN if it isn't Grey Wardens to a T, especially elven and/or mage wardens)

I still use velvet gloves - treat for the collection

Rated T | Alistair & Female Surana | 3324 words | No Archive Warnings Summary: The Landsmeet wounded Alistair and Catrin Surana in ways only time can heal. This piece was inspired by some of the prompts in this year's exchange, and even though it ended up not quite fitting anyone's requests specifically, I'm still quite please with it! An exploration of the broken friendship between King Alistair & Warden Commander Surana after she spares Loghain, and how they come back together over the years. Not gonna lie, I did not have a Warden Surana OC before I dove into this fic but. uh. now I do 😂 it was a lot of fun to look at this friendship dynamic from a more turbulent angle!

DAFF Tag List: @warpedlegacy | @rakshadow | @rosella-writes | @effelants | @bluewren

@breninarthur | @ar-lath-ma-cully | @dreadfutures | @theluckywizard | @nirikeehan

@oxygenforthewicked | @exalted-dawn-drabbles | @melisusthewee | @blarrghe | @agentkatie

@delicatefade | @leggywillow | @plisuu

[qqueenofhades]

just saw your offer for book recs and would love some fantasy/sci fi books, it seems like we have similar taste. i just finished nk jemisin's broken earth trilogy, and also loved the city we became by her.

Aha, I am at work right now and thus do not have my bookshelves at hand to make sure I'm not missing something blindly obvious. However, I will start you off with these:

The Rook and Rose trilogy by M.A. Carrick (The Mask of Mirrors, The Liar's Knot, Labyrinth's Heart). Yes, this is the series I have been screaming about nonstop for the past few weeks and thus craftily suckering unsuspecting passersby into reading. An AMAZING world, an OT3 who own my entire ass, lots of political intrigue, cultural and social commentary, a unique magic system, and also plenty of humor. It really has it all. I continue my one-man quest to make this fandom bigger. Ahem.

The Green Bone trilogy by Fonda Lee (Jade City, Jade War, Jade Legacy). Another fantastic fantasy series that NEEDS more readers. Inspired by Chinese/Hong Kong kung-fu movies, set in a gritty modern universe, kind of like the Godfather but with magical jade-wielding families. Tons of discussion of empire, culture, violence, appropriation, power, war, family, Asian identity, more. They're likewise nice and long to keep you busy.

The Daevabad trilogy by S.A. Chakraborty (The City of Brass, The Kingdom of Copper, The Empire of Gold). Another you-gotta-read-this trilogy (yes, I have many of them). Set in the 18th-century Middle East and the magical djinni kingdom of Daevabad. Politics, empire, religion, history, intrigue, magic, scheming families, ancient wars, and my most beloved, Muntadhir al-Qahtani. What is not to love.

The Priory of the Orange Tree and its standalone prequel, A Day of Fallen Night, by Samantha Shannon. Absolute doorstopper (800+ pages apiece) epic-with-dragons-and-medieval-worlds fantasy, like Game of Thrones if Game of Thrones was a) good b) gay c) feminist and d) had people of color. She is also the author of the Bone Season series (four books thus far) which is a unique blend of futuristic sci-fi and fantasy set in an alternate totalitarian London and a ruined Oxford.

Winter's Orbit and Ocean's Echo by Everina Maxwell. Two M/M space opera romances (set in the same universe, but can be read independently). She got her start as a fanfic writer and it shows; these are both delightful, plotty, funny, and full of sassy gay disaster homosexuals in space.

A Memory Called Empire and A Desolation Called Peace by Arkady Martine (I have read the first one, need to read the second one). Historian of medieval Byzantium writes space opera set in Space Constantinople which is also Space Tenochtitlan. Explores language, history, memory, power, identity, assimilation, and more, and is also very funny.

Autonomous, The Future of Another Timeline, and The Terraformers by Annalee Newitz. High-concept social-commentary dystopian science fiction; of the three, Terraformers (the newest one) might be my favorite. They're not related so you can read them in whatever order.

Two books that I have not read yet but I really want to: Swim Home to the Vanished by Brendan Shay Basham and To Shape a Dragon's Breath by Moniquill Blackgoose. Both are fantasy novels by Native American authors; Basham's is magical realism and Blackgoose's is about a Native American dragon-rider facing assimilation at an English (Anglish) boarding school.

Likewise coming soon and I am excited: The Jinn-Bot of Shantiport by Samit Basu. Middle Eastern-inspired fantasy, cyberpunk, techno-magic. In space!

There are definitely more that I will get home and be like oh wait yeah. But this should get you started.

[tazaryoot]

Star Trek Novel Review #3

Killing Time (1985) by Della Van Hise

Hi everyone, this is my third Star Trek novel review! This one’s a wild one, I doubt my review can accurately summarize how crazy the plot is. Initially, I was going to just read the rereleased copy I had picked up and compare it with the pdf of the original, but I was able to come across an original copy of the book at a retro paperback book fair. Regardless of how you feel about the book or the Premise, its an interesting niche bit of Star Trek history! As always, thanks for reading, and LLAP 🖖

A bit of context before we begin: The original publication of Killing Time by Della Van Hise was recalled and rereleased after changes were made to remove what was deemed too overt implications of homoerotica, making the book notorious for it’s particularly slashy plotline.

Summary :

Kirk and Spock experience a shared dream about an alternate reality where Spock is captain and Kirk is an ensign and become concerned over its implications. Over time, other crew members come forward relaying their dreams about the alternate reality as well and Kirk begins to wonder if some strange illness is affecting the Enterprise.

Soon after, Kirk seemingly awakes to find that the dream has become reality. The whole Enterprise crew and ship have been transformed into the VSS Shikahr, where Spock is Captain and Kirk is a lowly ensign. Suddenly, Captain Spock is given orders to violate a Vulcan-Romulan treaty with means to attack the Romulans. He and McCoy question whether their higher-ups are possibly affected by the mysterious brain fog sweeping across the ShiKahr.

Meanwhile, orders given to Romulan Commander Tazol reveal that the Romulan Empire is attempting to tamper with our reality. Their master plan is to time travel into the past to kill historical figureheads that ensure the creation of the Federation. However this mission proves unsuccessful, as reality has already shifted and a multi-species alliance resembling the Federation is still formed- except with the Vulcans as the leading force.

McCoy deploys the use of a neural vid scanner to compare crewmember’s dreams, but Kirk is unwilling to participate. Spock and Kirk struggle to communicate amidst their vague recollections of each other, but Spock believes Kirk is somehow the epicentre of the illness. Eventually Spock and McCoy determine the cause of the ‘illness’ sweeping through the crew to be the dimensional alterations being made; resulting in a sort of psychosis. As their orders to attack the Romulan territory linger over their heads, they predict they have around 15 days before the madness becomes wide scale. Then, the Shikahr is given orders to pick up a diplomat for an escort mission and Spock assigns Kirk to the team. Before they can react, the team is surprise attacked.

Romulan Science Officer Sarela is permitted to meet with the Praetor of the Romulan Empire. The Praetor reveals herself to Sarela as a woman named Thea, who surprisingly wants the Romulan Empire to put an end to their opposition and join the alliance. However, she believes the only way to do this is through Spock. Their plan is to kidnap his beloved Kirk so he has no option but to agree to peace.

The away team recouperate on the Shikahr, with McCoy and Spock realising their ‘mission’ to retrieve the ambassador was a trap. Spock finds an unconscious Kirk in the botanical gardens and impulsively initiates a mind meld, waking him up. Spock tries to explain to him their theories on the alternate universe, and Kirk angrily questions why Spock would want to return to the old world and give up command. A brawl between them breaks out, resulting in Spock forcing another mind meld which reveals their repressed memories. So I guess they’re besties again. Love is in the air? Wrong. It’s Pon Farr. And now Spock is quickly succumbing to blood fever. Pike mention.

The Praetor and Sarela pose as remaining crewmembers of a Romulan ship sending a distress call to the ShiKahr. Spock takes the bait, and they capture Kirk and his roomie Richardson to desert them on some planet. (Around this point, the plot started being incomprehensible to me.) The Praetor has Spock pose as her to do some infiltrating of a Romulan ship since her identity is largely unknown. Spock has McCoy pose as his personal slave (because the Praetor just has a tonne of them and that’s normal in Romulan society) to administer drugs to lessen the symptoms of his blood fever, this shit is really getting crazy!

On the deserted planet, Richardson suggests Kirk call out to Spock via their mindlink, because I guess he knows about their personal relationship somehow. This results in them having a steamy shared dream where they become one. On the Romulan vessel, Spock is now super dying of Pon Farr, and the Praetor seems to have sussed his condition out. She reveals that most Romulans do Not experience Pon Farr! But don’t worry, she says she knows a way to fix his condition! …Oh.

The Praetor offers that Spock rule together with her to continue to fulfill her dreams of an alliance between Romulans and the Psuedo-Federation of this world. Spock doesn’t really like her back, and explains how the instability of this tampered reality will cause everyone succumb to madness if they do not restore it, so it’s a no. Once the universe is corrected, Captain Spock will cease to exist and effectively die, undoing everything that has occurred so far. The Praetor just can’t have this though, and asks Spock why he’d turn her down. James Kirk, obviously, he says. This is just a novel and we can’t make any major changes to lore so the Praetor does a 180 and accepts that the Romulans must always be the enemies of the Federation. Then she goes into another room and talks to a huge evil demon lord which they never mentioned until now and remains totally unimportant afterwards, and then retrieve Kirk and Richardson to fix the timeline.

Kirk, Spock, and Richardson travel back in time to precisely when the Romulan operatives alter the universe, tracking them down to a swanky reception where the founding members of the Federation were assassinated. They take down the Romulan android operatives and restore reality, but not before being hit with poison darts or something. Kirk and Spock share their final moments together, pondering their lives and mind melding one last time before death.

Back in our normal reality, the dreams and madness have slowly dissipated. Kirk and Spock remain hazy about what truly occurred, and meet in Spock’s quarters to sort it out…Through some more mind melding of course! They acknowledge their lives in the alternate universe and Kirk makes a rather poor joke about the Romulan woman suing Spock for child support, even though now that never happened. The story ends with Kirk wistfully thanking alternate universe Kirk for his sacrifice to restore their world.

Review :

Star Trek is no stranger to time travel and alternate universe stories, in fact they tend to be some of the most compelling episodes of the franchise! …That being said, Killing Time still manages to be a bit far fetched in its premise and execution… It’s shaky attempts to justify the thinly veiled K/S elements sacrifice much of the plausibility of the overall story. The logic can be more than iffy at times- How Kirk and Spock are the centre of the alternate universe in this when they aren’t the only ones to undergo change and retain dreams of their past lives, why the Romulans would need specifically Spock to execute an alliance when he doesn’t have the rank or status to officiate that, why if they want a peace alliance they don’t just ask for one, why Spock is randomly having Pon Farr as a result of the timeline-change induced madness, the Praetor’s instant admit of defeat, the demon lord???? that just lives in her closet, the odd focus on the side character who is literally just a dog woman…

The inclusion of a female love interest for Spock is an obvious attempt to dismiss any notions of queerness and makes for a pretty uncomfortable scene when they use Pon Farr as a selling point for it. There’s questionable consent here; Spock adamantly rejects her initially but is literally dying of his symptoms at this point and she uses it to her advantage. They then go back and forth on whether Spock even has feelings for her afterwards, ending in a sort of unclear jumbled answer. Spock is very firmly against being in a relationship since he’s devoted to Kirk and the Praetor is actively jealous and bitter towards him for this. At the end they have them do a flimsy “If we truly had free will and were able to choose, maybe in another universe…. Perhaps…” thing, which is honestly just a paradoxical cop out.

The plot and reasoning for itself just doesn’t stand on any solid ground and much of it is just bafflingly irrelevant to the end result. The writing is cliche in every sort of fanfiction troupe. But hey, they were bullshitting their way through for a greater purpose : Spirk. And they do deliver. (I’ll get into the k/s review in a reblog to keep the post from being too long)

Conclusion :

Worth reading? Sure, why not. It’s hot trash, but it’s shippy to high hell and I love some good accidentally officially liscensed K/S fanfiction.

[sachikoii]

My thoughts on what year ikevil is set

I just finished Harrison's route a few days ago so I wanted to share some of my thoughts 👀

THIS IS JUST A POST FOR FUN 🥺

SPOILERS AHEAD (just in case)

The premise of Ikemen Villain is that you are living in 19th century London. Crown works for the Queen. This would have to refer to the only female British monarch in that century, Queen Victoria, who reigned from 1837-1901 aka the Victorian era.

I think most people know by now that Arthur Conan Doyle (the non-vampire version) makes an appearance in Harrison's route. Harrison's day job is being an editor and he's also a big fan of mystery novels. He mentions enjoying Conan Doyle's novels and being excited for new releases.

Sherlock Holmes is also mentioned a few times in his route, and not just by Harrison. MC also references Watson (wish I had the screenshot for this, it was in the middle of Harrison's route 🥲). We can assume at this point that Sherlock Holmes has reached enough mainstream popularity as even regular, literate folk like MC vaguely know the characters.

Sherlock Holmes made his first appearance in 1887, meaning our setting is already quite late in the Victorian era. He became increasingly popular after having his short stories published in a magazine, beginning in 1891.

To add to this, Liam mentions Alice's Adventures in Wonderland (William's route, Chapter 2) and specifically says it is "a story released a few decades ago". That book was published in 1865. A few is usually considered to be 2 or more, confirming again that it is late in the 1800s (at least 1885).

Therefore, Ikevil takes place between 1891-1899. Of course, this assumes the timeline matches our timeline and it isn't in an alternate universe where things we know from history are sprinkled in here and there haha wouldn't that be funny 🙂

Honestly though, I do know that Cybird hasn't always been the most accurate when it comes to historical events (I wouldn't really expect that of them either). I just think it's fun to imagine that Ikevil and Ikevamp could be happening in the same universe ☺️ I would love to see a crossover event (I know there's one with Harrison and Arthur my two favs)

Let me know if you have a different perspective! I'm so curious if they added any other historical references in other routes. I just started William's and haven't done Liam's yet.

[balter-fox]

about oda, dazai and the book. short because I'm too lazy to write arguments (re-upload because of shadow ban lmao).

recently, my friend and I had a lot of discussions about bsd. I love it because my friend understands me. she understands my way of thought, and in the course of our conversation, we come to interesting conclusions.

and now in short.

natsume gave oda his novel. his novel is a book. the history of this world, which natsume wrote. for some reason, he couldn't continue writing it and found a candidate for this role — young oda.

«writing novels is writing people. it's about how they live and how they die»

maybe natsume killed someone, which meant he couldn't write anymore. so he told oda not to kill people. his novel wasn't finished, and he needed someone to finish the story. so when oda was dying, he told dazai not to kill anymore. a man who kills cannot write lifes.

dazai took the book from oda. that one book he's carrying is the book. I only remembered it now, but dazai said that this book can be read by many times. it's just like oda with natsume's novel.

and dazai is one of the pages.

remember how it was said that one page was torn out of the book? today I was walking and realized that it's impossible to tear out just one page. if you tear out one page, the second one will fall out because there will be nothing for it to hold on to. dazai is the second page that fell out of the book along with the first. I decided this is true because on the cover of «the day I picked up dazai» oda is holding the page.

judging by how many alternate universes we've seen, it seems like there was already someone writing in the book before the main story began. it's obvious, but I didn't think about it, honestly.

and my little thought as odazai simp - what if oda changed reality many times so that dazai wouldn't die?..