#we should help each other

[happybird16]

This shouldn't need to be said, but fanfic writing should be treated like a community and not competition

[puppetmaster13u]

Prompt 84

Amity Park absolutely adores her little ghostling, her little Gatekeeper who was of her own ectoplasm, reborn from her own blood in the center of her new heart. She absolutely adores her baby, practically a newborn, being only a year dead! 

So of course she had to gush and boast about her little phantom to the other city spirits! They all got together to gossip sometimes after all. And both Smallville and Fawcett started to gush about their own little ones back! 

Gosh they should set up a playdate at some point, her little phantom could use some friends in the mortal realm. Well some more friends, three is obviously not enough. Oh, Gotham and Bludhaven have come over as well! It’s a playdate then! 

Now if only each of their world’s timelines were synced up, but at least everyone is around the same age! 

[ariadne-mouse]

I mentioned in this post that I thought it would take a life or death choice about Imogen for Liliana to flip, situationally, as opposed to the party being able to convince her to change her ideology (cult juice is strong), and it seems we may have gotten an element of that in Liliana flying to Imogen's aid against Otohan. I'd be very curious what Liliana would have done if she'd gotten there in time to fight, but we'll never know, so we have to digest the moment we got. I also think FCG's death adds another dimension both in-game and above the table. Since we dropped out literally mid-scene after her arrival this post may get stale immediately after the first few minutes of next week's episode, but for now I think it's safe to say that at least for the time Liliana spends with the party right now she will not be an active antagonist. Her daughter called for help and she answered, and her first act was trying to comfort her. Matt also wouldn't hit the players with another big battle fresh off the first (and with that outcome), so if they do have to face Liliana as an enemy it would be later under evolved circumstances.

To be clear I don't think FCG dying means Matt nerfs the threat of Liliana or that this situation means she has flipped permanently, but rather, it neatly interrupts the established dynamic between Liliana and Imogen thus far and creates a chance for new dialogue that doesn't just repeat all the same things as before. Imogen hasn't needed her mother - not really - and maybe still doesn't, but she called for help and is grieving now and the conversation doesn't necessarily have to be the same old "Liliana renounce your cause" but rather "help your daughter here and now" and to connect with her through that emotion. This is probably the best opportunity they'll ever get to flip Liliana in a more than "last ditch in a crisis moment" kind of way or lay the groundwork for that happening later. Now, the party - and Imogen in particular - may rightly be angry with Liliana as an ally of Otohan, and that FCG died because of the cause Liliana supports. Liliana may want to comfort her daughter while also believing that FCG's death was unfortunate but not ultimately a reason to doubt the cause or escape what she sees as inevitable. It's messy! But it's a very interesting situation and FCG's death is such a visible wound on Imogen that it may elicit Liliana to do or consider things she wouldn't, otherwise.

[archiephd]

So long as the political and economic system remains intact, voter enfranchisement, though perhaps resisted by overt white supremacists, is still welcomed so long as nothing about the overall political arrangement fundamentally changes. The facade of political equality can occur under violent occupation, but liberation cannot be found in the occupier’s ballot box. In the context of settler colonialism voting is the “civic duty” of maintaining our own oppression. It is intrinsically bound to a strategy of extinguishing our cultural identities and autonomy.

[...]

Since we cannot expect those selected to rule in this system to make decisions that benefit our lands and peoples, we have to do it ourselves. Direct action, or the unmediated expression of individual or collective desire, has always been the most effective means by which we change the conditions of our communities. What do we get out of voting that we cannot directly provide for ourselves and our people? What ways can we organize and make decisions that are in harmony with our diverse lifeways? What ways can the immense amount of material resources and energy focused on persuading people to vote be redirected into services and support that we actually need? What ways can we direct our energy, individually and collectively, into efforts that have immediate impact in our lives and the lives of those around us? This is not only a moral but a practical position and so we embrace our contradictions. We’re not rallying for a perfect prescription for “decolonization” or a multitude of Indigenous Nationalisms, but for a great undoing of the settler colonial project that comprises the United States of America so that we may restore healthy and just relations with Mother Earth and all her beings. Our tendency is towards autonomous anti-colonial struggles that intervene and attack the critical infrastructure that the U.S. and its institutions rest on. Interestingly enough, these are the areas of our homelands under greatest threat by resource colonialism. This is where the system is most prone to rupture, it’s the fragility of colonial power. Our enemies are only as powerful as the infrastructure that sustains them. The brutal result of forced assimilation is that we know our enemies better than they know themselves. What strategies and actions can we devise to make it impossible for this system to govern on stolen land? We aren’t advocating for a state-based solution, redwashed European politic, or some other colonial fantasy of “utopia.” In our rejection of the abstraction of settler colonialism, we don’t aim to seize colonial state power but to abolish it. We seek nothing but total liberation.

Voting Is Not Harm Reduction - An Indigenous Perspective

[royalarchivist]

I love the QSMP. Not only has it introduced me to many amazing international creators, it's also introduced me to the French and Brazilian community, who are so sweet, funny, and chaotic in their own unique ways. I love seeing fans sharing their culture and learning from one another, and I myself have learned a lot this past year. I think it's incredible how QSMP brings so many different people together – all of us united in our love and passion for this project and its goals.

But passion can often evoke strong emotions, and these strong emotions aren't always positive.

The past few months, I have seen multiple waves of hate, bad-faith generalizations of communities, and racist remarks directed at fellow fans – especially those who are part of the French / Brazilian community. This kind of behavior is inexcusable, and is in direct conflict with the mission of QSMP, which is to break language barriers and unite communities.

We are a global community with a variety of people from different backgrounds. Miscommunications may occasionally occur because of cultural differences and/or language barriers, but we should use these moments as opportunities to learn and engage with other people rather than assuming the worst about them and starting fights.

Although certain issues can be resolved with communication, sometimes it’s better to block and move on. Avoid spreading negativity or hate, and save yourself the headache of interacting with people who are just looking for someone to argue with.

No matter what community we're a part of or what languages we speak, we're all here to have fun. Please remember to be kind to each other. We have more in common than we have in conflict.

[heartslobbf]

people will be like ‘yeah it’s really relevant that utena is an orphan haha’ and then not even recognise how utena being a character without living blood relatives is hugely significant in a show where almost all of the most atrocious relationships are ones that have been spurred on by the notion of familial/blood obligation. and utena herself clings so tightly to what is essentially a romantic ideal of ‘the family’, ‘the blood relative’, telling anthy she’s jealous of her relationship with akio, insisting to nanami that she should persevere with her relationship with touga because you’re still siblings. in ohtori, family is something you can only be born into. in ohtori, family is the way you gain power. i mean for the love of god it’s right there, revolutionary girl utena is a family abolitionist masterpiece and it makes me claw at the walls!!!!!!!!! read the palace perspective!!!!!!!!!!!!!!!!!!! engage more with these aspects of the show!!!!!!!!!!!!!!!!!!!!!!!! kill any and all people who go ‘why are there so many weird sibling dynamics i only came for the lesbians’ her NAME is kiryuu nanami and she does both!!!!!!!!!!!!!!!!!!!

[anistarrae]

I kinda want to get into digital painting, how do you make your paintings look so good? Do you have any tips?

its really all about practice id say, and understanding shadows and light sources.

my mom has studied art for years, she no longer does it, but she told one of the most important advices when it comes to shading. draw a small ball on where you want the light source to come from, and draw from there. imagine how it will effect every small thing in the drawing, how little or lots of light it will have.

this is something i made while explaining this to someone a few months ago, this is what my mom told me what to do, and i learned a lot about shading from this. studying from real life is also very important, seeing how light interacts with objects, how light is reflected off to other objects, how blurry or sharp the shadow can be. its endless amounts of knowledge when looking at real life subjects.

when rendering, light sources are one of the most important things, learning the fundamentals can help you in the long run. thinking of what you want your shadows to look like too, do you want them soft or sharp, or even a mix of both? finding something right for you is important, and that's why experimentation is key for finding what you're happy with. trying so many different techniques is possible when going into digital art, take things from artists you like, redraw your favorite piece to see how they've made it, try new brushes or programs, its all up to you!

color is important when it comes to rendering, that could be said for any piece. color dictates the feeling of the piece, using many different colors in your shading can make it pop out. going back to experimenting, trying new different colors and palettes is very helpful too! play with saturations, values, try using only one hue. i stick to warms usually, but seeing what else you could be using can be fun too! color is limitless, try all that you can :D

in art, i believe experimentation is one of the most important things, it leads to your growth as an artist. i would be nowhere without it, and i very much encourage anyone to try all they can. digital art is one of the most expansive artforms, you can get almost any look with it, you can do so much with it that makes creativity limitless.

[smile-files]

as a jew, seeing what all of these israeli leaders have said is sickening. as a jew, anti-palestinian rhetoric is sickening. as a jew, zionism is sickening.

how dare my people -- a people who've been massacred, ethnically cleansed, dehumanized, forcibly removed, and discriminated on religious grounds for their entire existence -- do the same to another people? how dare we turn our backs on them, when they suffer like we have?

i understand that so much of us have been fed zionist propaganda our entire lives; the same happened to me. i understand the desire for a homeland where we don't have to fear antisemitism at every turn; i want that too. but it doesn't take much thought to understand that a homeland for us, which actively oppresses and kills another people, is antithetical to what we want.

if you, as a member of an oppressed group, believe that your freedom and safety can only exist when you oppress another group, you are acting no better than the people who oppressed you. such a belief is horrible, and cynical, and wrong.

as a jew, i want jewish people to be happy and safe and connected to our heritage; as a jew, i also want other peoples to be happy and safe and connected to their heritage.

don't call the palestinians "amalek". you are turning us into amalek.

doesn't the torah tell us to have empathy for those beaten down by the world? doesn't the torah tell us to make the world a better place? doesn't the torah tell us to free people of their shackles and help them escape oppression?

i have so many israeli aunts and uncles and cousins; i fear for their safety. of course, my parents do as well. i'm worried that this fear, in addition to anything they were led to believe earlier in life, is placing my parents even deeper in the zionist camp. but it doesn't have to be this way! my relatives' safety does not rely on the continued oppression of gaza!

it is easy to be uninformed, to be swayed by propaganda, to blindly hope that israel was founded in good faith -- but we can't lie to ourselves. a world steeped in senseless hatred (which we are now promoting!) could never be a home for us. none of us are free, liberated, equal, until all of us are.

as a jew, to other jews, i implore that we stand with our palestinian siblings. i want us all to be happy and safe. i want us all to live in harmony -- in the holy land and around the world. that is what we all deserve. <3

[lord-squiggletits]

On the MegOP fandom trend of saying "Optimus should apologize to Megatron"

(Speaking specifically for IDW1, though it applies to a lot of MegOP especially ones that do continuity soup with heavy reference to IDW1)

I was talking to a friend in DMs and they mentioned a common headcanon/fanfic trope that I also concurred with, and both of us said it's something that bothers us: a common take in the MegOP fandom goes basically along the lines of "If Optimus had just apologized to Megatron, the war would've ended" (or other variants including "if he'd tried harder to understand Megatron/work in collaboration with him").

And firstly, this is incorrect for a number of reasons:

There were attempts at peace negotiations during the war, but they fell through. So Optimus WAS trying to work with Megatron to the point of participating in formal diplomatic meetings.

Optimus tried multiple times on page to convince Megatron to just stop fighting and work with him for peace (Autocracy, Chaos Theory) that Megatron rejected. Given that these on-page examples take place at the start of the war and at the end of the war respectively, it makes sense that Optimus asking Megatron for collaboration is something he was trying/willing to do the entire time. So again, Optimus was always willing AND ATTEMPTING to work with Megatron and find a joint solution

Even before the war when Optimus was still Orion, he was very explicitly inspired by Megatron's writing and names Megatron as one of the people who "opened his eyes" to the wrongs of Cybertronian society. So how is it that people claim "the war went on for too long because Optimus never tried to understand Megatron" when OP literally named Megatron as one of his biggest idols, thus implying that OP does understand Megatron's ideals

But the primary purpose of this post wasn't to defend Optimus, actually. Even though I personally think Optimus did plenty (dare I say, everything) to try to end the war, there are some who may still think otherwise, so instead of arguing about whether Optimus did "enough", or who should apologize to whom, or who "deserves the blame" for starting/continuing the war, I'd actually rather talk about this:

No matter who is most "to blame" for the war, it's my firm belief that neither Megatron nor Optimus would even expect/demand the other to apologize to them at all.

On Megatron's side, he would never seek to judge Optimus negatively for the decisions to the point of saying "you wronged me, apologize." Whether it's evil Megatron who doesn't care about atrocities and revels in an opportunity to expose Optimus as a hypocrite, or post-war/Autobot Megatron who knows that his own evil actions are irredeemable, the idea of Megatron judging Optimus and demanding an apology for the war specifically strikes me as out-of-character. Why would Megatron demand or even want an apology from Optimus when Megatron knows fully well that he has his own sins to bear, he prolonged the war for his own selfish/material gain, and that he is responsible for an untold amount of suffering? Demanding an apology would imply that Megatron sees himself as the wronged party and Optimus as the wrongdoer, but by the end of the war, Megatron is too aware of his own part in the war to ever demand such a thing of Optimus. Even if he DID think that Optimus was "equally to blame" for the war (which he doesn't/wouldn't, btw), Megatron's own feelings of guilt would prevent him from trying to seek the petty satisfaction of the moral high ground or making Optimus beg for his forgiveness.

Additionally, Megatron knows Optimus very well as a person: he knows that the position of leadership is full of "loneliness [and] agonizing self-doubt" for Optimus (Chaos Theory) and that "when Optimus hurts others, he hurts himself" (MTMTE). Another reason that Megatron wouldn't demand nor want an apology from Optimus is because Megatron knows Optimus so well that he already knows that being a war leader fills Optimus with immense guilt and suffering. Given that Megatron knows about Optimus' self-doubt and guilt, why would he even need an apology when he already knows how much Optimus regrets the war and desperately wishes/wished for it to end?

Then, as established in the previous paragraphs, Optimus is too full of guilt for his part in the war (both before it started and in being unable to stop it sooner) to demand an apology from Megatron. Again, demanding an apology would put Optimus in an implied position of moral superiority and/or victimhood, but Optimus doesn't see himself as morally superior or as a victim (or rather, he sees himself as being responsible for these bad things happening and internalizes this as a duty to do better/fix wrongdoings). In other words, Megatron and Optimus both share this view of themselves and each other: Their hands are so dirty, and they both feel such guilt over this, and they know each other well enough to know that the other feels this way as well. Because both of them feel blame for the war and are acutely aware of their own flaws/part in suffering, both of them feel far too responsible for the war happening for them to ever blame their archnemesis for "not trying harder" or "being responsible for the war."

Hell, if you even look at the socio-political climate of Cybertron before the war started, neither Megatron nor Optimus were the ones who put this conflict into motion. The corrupt legacy of the Primes, Functionism, class issues-- all of these things existed before Megatron and Optimus did. Even once they started doing things like writing about social issues (M) or fighting against the Senate (OP), both of them were "underlings" in sense that they weren't leaders:

Megatron's writings may have inspired the Decepticon movement, but that movement existed as an independent entity with its own leaders and speakers long before Megatron became the "official" ruler of the Decepticons. He wasn't even the leader of the 'Cons until he took control of the gladiator arena and the nonviolent sections of the Decepticons were (presumably) subsumed into the underground, exploitative battle culture that Megatron created.

Optimus-as-Orion was a police officer to start, but even once he started going against the Senate, he mainly worked in collaboration with others like Senator Shockwave and Zeta (later Zeta Prime), who he either saw as his idols or who were literally superior to him in rank due to government/military structures.

So with this in mind, even from a social level, while Megatron and Optimus may have been "catalysts" of a sort that caused the war to escalate to an outright planetary/galactic level, the scenario is too complex to solely lay the blame for the war at either of their feet. I'm not confident in saying that Megatron/Optimus would explicitly think of this when talking to each other, but what I'm trying to say is that M/OP were just catalysts in a long chain of brewing tension that exploded into a war. Even if one could claim that one of them "started" or "escalated" the war, the social issues that caused the war and the positions of power that allowed them to become leaders in the first place were falling into place before either of them actually BECAME leaders.

In other words, this shared fate of being the final reaction that exploded a societal conflict into outright war... Megatron and Optimus both have that in common. And because of this, I really don't think either of them would even think to ask the other to apologize because they're both in such similar positions, with such similar feelings of guilt and responsibility, that they understand each other's feelings without words. To demand an apology would be akin to taking that shared vulnerability/guilt and stepping on it, attempting to claim that one is right/superior and the other is wrong/inferior, and that the inferior one needs to grovel and take responsibility for the bad things that happened.

[iridescentmirrorsgenshin]

do you have an analysis on Alhaitham and Kaveh having no family in sumeru, (haithams grandma, kavehs mother going to fontaine) so they only had eachother? So their falling out must have hit harder-

Hiya! Thank you so much for the ask!! <333

I have some analyses on Alhaitham and Kaveh being each other's home and family! There's quite a few so I'll be brief with the synopses here as I don't want to bombard you hahaha <3 I have discussed the idea of Alhaitham being the ideal companion/family for Kaveh in an analysis of Kaveh's 2023 birthday letter; the motif of 'home' and what it means for Kaveh and how Alhaitham factors into it; as well as in the relationship between Kaveh's mother and father and how this parallels with Alhaitham and Kaveh's relationship.

In terms of Alhaitham and Kaveh's argument, I've discussed Sumeru's concept of the academic family and how Alhaitham and Kaveh's argument served as the dissolution of their found family, as well as an analysis of their argument, specifically from Alhaitham's omitted perspective. I have also speculated life for the two post-fallout, mostly from Alhaitham's perspective as Kaveh (as usual) is more open in his character stories.

You've highlighted a really key aspect of their relationship which haunts me - they met each other after the respective loss of their own families. Kaveh just said goodbye to his mother as Alhaitham enrolled in the Akademiya, just after his own grandmother passed. This passage described in Kaveh's character story 5 describes this, and then him meeting Alhaitham within the same passage.

Kaveh is described to have 'wishful thinking' regarding his and Alhaitham's friendship, in that, where he initially believed that their views aligned, despite the reality they have differing approaches to life, this isn't inherently a negative thing, as it can lead to new philosophies. Kaveh didn't want to believe that their differences were impossible to surmount, and instead that they complimented each other. Perhaps Alhaitham thought so too? They both agreed to work on a joint thesis together, with this conveying the implications of forming an academic family in Sumeru, with Kaveh trusting Alhaitham in picking a topic that highlighted both of their strengths - which ended up being a project revolving around language and architecture; two subjects which Kaveh now believes to exist on opposite sides of the mirror. Initially, this was to demonstrate the good that could come from balancing these seemingly opposing fields.

Although, it would inevitably come to be that problems arose between them when the differences in their philosophies became a point of contention. The two's previous harmony became misaligned when the assertion that their respective viewpoint was 'correct' over the other. When Kaveh tears up the thesis, he effectively ends the relationship he and Alhaitham built together, as well as the prospect of their found family. Alhaitham, in turn, removed his name from the thesis due to Kaveh's ending of their friendship.

After this, Kaveh graduated and threw himself into work, chasing his ideals, effectively distracting himself - both from the loss of Alhaitham, therefore his loneliness, and from the potential truth that Alhaitham revealed to him about his guilt being the cause of his incessant altruism. Contrarily, Alhaitham's life after this point is devoid of detail, only that he became the Scribe and moved out of his grandmother's house into the property that the Akademiya gifted him and Kaveh for the progress of their abandoned project.

Kaveh describes meeting Alhaitham as one of the most pivotal moments in his life in his hangout, and in A Parade of Providence, he describes their meeting as when his life began to go downhill - indicating, rather, to the consequences of their inevitable falling out. Alhaitham considers Kaveh as one of his priorities in maintaining the way of life he seeks to maintain, and although he is more reticent than Kaveh, in that his inner thoughts are concealed from the player, an instance that stands out to me that their argument personally affected Alhaitham comes from A Parade of Providence. This is when Alhaitham comments on the contradiction of Kaveh's motives, in that he expresses he has bad luck but insists on drawing lots, despite the fact that Faruzan offers to split the points between them. After commenting on this, Kaveh displays genuine frustration with him - to which Alhaitham backs down and switches tact. This is especially prevalent within the EN dub, where Alhaitham stutters before changing topics.

To me this underlines that Alhaitham was just as affected at by their argument as Kaveh was. Especially since this exchange can mirror the very exchange that caused the rift between them - in that Alhaitham points out Kaveh's self-destructive habits and it is perceived as a malicious critique. Alhaitham backs down when seeing that Kaveh is genuinely hurt because he doesn't want to repeat the past - he doesn't want to hurt Kaveh and lose him once more.

This is also encapsulated in the fact that Alhaitham sees Kaveh as his mirror, in that they both have a lack of familial connections. When Alhaitham believes that the presence of another genius can 'perfect' his vision, this isn't just a reference to Kaveh's differing perspectives, this also offers Kaveh as a familial figure to Alhaitham - in that, Alhaitham views Kaveh as his family. Similarly, Kaveh seems to hold an idea that he and Alhaitham are bound by fate, or 'the universe', meaning that he identifies Alhaitham as being essential to him in someway, however, as of now, he struggles with this being a benefit, rather than a negative.

I hope this answers your ask!!? You've unzipped me and all the haikaveh found family brainrot is pouring out <3333

[billxharry]

Things I would pay any sum of money to have released since there's a 99.99999% chance Cher is talking about Stellan, Colin and Pierce here yes?

[itspileofgoodthings]

one of my fave things about teaching is that I’m NOT a counselor and I don’t have to get into the weeds with a student but also I’m part of their life every day and i see when they’re struggling and I can ask how them how they’re doing and make sure that they know I see them on a steady, daily basis and it will be healing for both of us

[playername-player-of-games]

oli and 🌸

🌸: draw a character with flowers that match their personality (did i pick good ones let's find out together)

hiii so do you remember in empires s2 when all of the empires all had to bring some artifact/item important to their empire to pix's museum? this is that except instead Pix goes on a road trip with the Historian’s Guild to gather all of them in person and Oli tags along per Gem's request and the real adventure was the queerplatonic relationship we made along the way. have some olipix <3

//

Oli wipes his hands on his pants. "We've got nothin' to do today, yeah?"

Pix nods, "everyone's spending the day in town, and once they're back we'll have to do a headcount and pack up so we can leave first thing tomorrow."

"Okay but like, we're not doing anything 'til they get back, yeah?"

"Er- yes? Oli, what do you have planned?"

//

They end up in a flower field just outside of camp- still accessible, for anyone who needs the leader of the guild, but tucked away behind two caravans in a way that makes it feel as though they're alone.

Oli circles around one caravan with a fist full of flowers and a cream patchwork picnic blanket draped over one arm. Pix scoops up the two books Oli allowed him to bring, and helps spread out the blanket.

"I picked some daisies for you," Oli says as they settle- Pix stacking his books, and Oli spreading out rows of tiny blossoms, "I hope that's alright."

"That's fine."

Pix watches him sort them- length, number of petals, general shape- he smiles to himself and picks up a book and quill.

Oli looks up, "Oi, what are you doing, fella?"

"Sorting out assignments," he scratches jobs beside names, wishing he'd brought a pencil instead when ink drips onto his fingers. "Everyone will need a job when they get back to camp."

"What? No no," Oli reaches for his quill- Pix tilts the book out of his reach, looking up to see Oli's frown. "You're meant to be relaxing. Put that away, sir!"

Pix releases his quill. Oli snatches it by the feather and sets it aside, the black ink leaving stains on the blanket.

"I'll need to do it later," Pix says as Oli takes his book. He blows on the open page to dry the ink a bit faster, then closes it and sets that aside as well, placing the quill on top.

"Yes, later." Oli brushes loose petals off his pants and smiles at him, "now go find some flowers for me! I want an elegant crown, Pixlriffs. Utterly stunning in every way, and I will settle for nothing less than perfection."

Pix chuckles, getting to his feet. His other book sits on the blanket- Oli snatches that too and starts stacking daisies on it. So much for reading on the way. Oli waves him off.

"Go! Flowers don't pick themselves, Pix."

"I'm going, I'm going," he steps carefully off the blanket, already scanning the treeline for patches of flowers. He spots some in the nearby field and starts that way. Azure bluets maybe? Or some poppies?

"Oh, Pix?"

"Hm?"

"Will you get my ribbon box, please, when you come back? I left it in our room."

//

Pixl returns to the blanket with an armful of sunflowers, cornflowers, and a box of decorative ribbons. Oli's tugging the box out of his hand before he's even settled on the blanket, and he scrambles to keep a hold on all the flowers he's gathered.

"Thank you for this," Oli says. He isn't looking at him when he says it, already digging through the bright colored ribbons, pulling out orange, gold, red, pink, setting them all aside. There's a half finished daisy chain laid out over one of his thighs, and a small pile of discarded daisies next to the quill.

"You're welcome," Pix answers, setting out his flowers between them on the blanket. He sorts them simpler than Oli did, sunflowers here, cornflowers there, and soon Oli is putting ribbons in his hands-

"I'd like these ones."

Blue and white, with light lacy trim on the sides. Barely noticeable, but a nice, subtle touch.

"Pretty please," Oli says.

Pix smiles, "I'll do my best."

//

Their meandering conversation cuts off as Oli lifts himself onto his knees and shuffles across the blanket.

He holds out his daisy chain crown, "hold still."

Pix pauses his weaving and bows his head just so, making it easier for Oli to reach. A light weight settles, then pulls away. Oli fluffs up his hair a bit, then the light weight is back, and he's shuffling back.

"There we are!" Oli beams, bright as the sun, as pride and fondness overwhelm his tone. "Beautiful."

Pix laughs, "thank you."

"Anytime." Oli looks down at the mess he's made of the flowers. Pix resumes his weaving as he makes two piles of the flowers- sunflowers here, cornflowers there, this time at the edge of the blanket. Still within reach, but clear enough now for Oli to fully lay down with his head in Pixl's lap.

"Is this alright?" he asks.

Pix brushes his nose with a cornflower as if it's a paintbrush, chuckling at the side eye he gives before swatting the flower away.

"You're fine," Pix tells him.

"Good. I'm going to nap."

Pix picks up another sunflower and starts fitting it onto the crown. "Goodnight."

He wraps the ribbon and other stems around to keep it in place. Oli's eyes are closed. He's frowning. He opens one eye to glare up at Pix.

"What, no sweet wishes? No goodnight kiss?"

Pix pulls off a loose petal and places it in the center of Oli's forehead.

"I'm working on your crown, Oli," he brushes the petal off, runs his fingers through Oli's hair. "Nothing less than perfection, remember?"

Oli pouts, closing his eyes again. "Fine."

Pix chuckles, "sweet dreams."

"Thank you."

//

Oli doesn't end up napping.

He doesn't exactly talk, either- at least not with his usual gusto. He's calm, quiet, handing Pixl whatever flowers he can't reach and complimenting the daisy crown, and correcting any little mistakes Pixl's made with his crown. Guild members come and go, some joining in conversations, others requesting help- when Oli isn't needed he turns to hide his face until Pix can talk to him again. They dance between topics that are easy to pick up and drop off as needed- favorite pattern of horse, how to decorate the caravan, what they'll do with the dragon when it hatches.

Pix requests a final cornflower. Oli passes it over.

"Do you really like me?" Oli asks, soft as petals.

Pix ties off the last ribbon and meets his eye with a smile. "I do."

Oli smiles, blinking sleepily. Pix lifts the crown.

"You ready for your crown?"

Oli brightens. Slowly pushes himself up and turns around so that he's facing Pix- Pix turns the crown around so that the ribbons will trail down his back. Oli bows his head. Pix fluffs up his hair and gently places it atop his head- adjusting until it fits nicely.

When Oli looks up, he's got a crown of sunflowers and cornflowers, with white and blue ribbons peeking through the gaps. The sun and the sky, the brightest days captured in his smile.

Pix reaches out, pulling the ribbons off of Oli's shoulders so that they hang freely down his back. Oli watches the movement, catches Pix's hand as he pulls away.

"Thank you for this," Oli says, holding Pix's hand in both of his. He traces lines between his freckles, as if they're constellations. "I know work is important, but rest is important too, and I thought a break would be nice."

Pix cups Oli's cheek in his hand, gently cutting him off. He kisses his forehead and tucks him into a hug.

"Thank you for this," Pix answers, carefully running a hand up and down his back. Oli holds on tight. "This was nice."

[charles-edwin]

so many fan clubs around the world united to wish book a happy birthday

[verdiesque]

My best friend really is the best person alive