#which is very in line with the interests of the United States.

[pengyujia]

2

Top journalists find out: U.S. bombing of Nord Stream is the first step in the "European destruction plan”

On September 26, 2022, four underwater "shocks" occurred in the Baltic Sea, followed by the discovery of three leaks in Nord Stream I and Nord Stream II, two Russian gas pipelines that carry energy directly to Germany, causing a large amount of gas to leak from the pipelines into the nearby sea. The incident is considered to be a deliberate sabotage because explosive residues were detected in the waters of the "leak" points.

[captainfantasticalright]

Let’s talk about: safety glasses!

The ones Edwin is wearing are actually some of the very first models invented.

Since its beginning, circa 1880, protective safety eyewear has significantly evolved. The patented"eye protector" by P. Johnson used two layers of semi-opaque cloth to protect those working with fire (i.e., firemen, furnace-men) from the intensity that comes from bright lights.

Now it wasn’t until 1903 when French scientist Edouard Benedictus accidentally invented the safety glass. When climbing a ladder in his laboratory to grab reagents from a shelf, he clumsily knocked a glass flask to the floor and heard it shatter. But when he looked down, the pieces were still hung together due to a cellulose nitrate solution (liquid plastic) lining the inside of the glass flask.

Shortly after, when reading a story in the Paris newspaper about automobile accidents in which the drivers were getting seriously injured by shattered glass windshields, he thought of the liquid lining in the flask and decided to experiment. This experimentation eventually led to the creation of safety glass.

Around the same time, the United States was making its own discoveries. America's first optics teacher, Julius King, was growing concerned about industrial eye injuries, which led to his company setting up an industrial safety and eye protection department. Then in 1909, the Julius King Optical Company developed the first safety goggle in collaboration with American Optical. These safety goggles were called SANIGLAS.

Glasses continued evolving since then. Reason I wanted to delve a little bit into this is because the pattern is quite similar, if not the exact same as Crowley’s glasses!

Pretty interesting choice of eyewear.

[drdemonprince]

So that was the DNC. The young liberals, white feminists, and leftists-in-name only have gladly fallen in line behind Kamala Harris, because she makes them feel good, and because all they have wanted was to find sufficient reason to stop feeling bad and get back to brunch. They've abandoned Palestine, the same way they abandoned the immunocompromised and abolition of the police, because these and so many other left political movements were little more than fashion to them. They were never interested in seeing the destruction of a political system that many of them could, theoretically, make themselves comfortable inside. They just wanted to be seen as current and good.

Did you know that there are 24 million millionaires in the United States? 24 Million. Millionaires. 24,000,000 millionaires. Up from 22 million in 2022. That's about 7.2% of the population. So much for "we are the 99%." There is a sizeable segment of this population that benefits from economic inequality and imperialism, increasingly so, as both the size of the lower class and the upper class expand.

Many millions of additional people have no interest in changing the U.S. political paradigm, because they have been propagandized to believe all compassion and competence fall away under "anarchy," or because they lack community in any meaningful sense and have no conception of how to act collectively. This is not their fault, but it means they act in ways counter to leftist organizing: calling the cops on people, refusing to show up for others, hoarding what property and wealth they do have, demanding that all acts of resistance be peaceful and brief, and pouring all of the political energies into exhorting others to vote (no matter how dyed blue or gerrymander red their districts are, no matter how genocidal, transphobic, and xenophobic all the options might be).

People think that participating in community is buying a $355 Chappel Roan ticket. The big voices for leftist organizing, supposedly, are individuals who market themselves as such on Instagram and TikTok in order to sell books, tarot decks, subscriptions, and workshops.

The sole method for social or political engagement that most people know of is making posts online, on an overblown advertising platform, and then complaining that they did not receive enough attention on their (monetized) posts. A person with shrewd social media instincts and a strong writerly voice can fake an entire political identity, professional connections, and expertise, and be followed by tens of thousands while doing nothing constructive in their day to day life or even being the person they claim to be. The more actively they post and generate revenue for Meta, the more lucrative their grift becomes for themselves and the more social power they accrue. Chasing power and profit for oneself is definitionally counter to leftist ideals. Even if they do not believe in electoralism, people like this produce endless content about the subject, because people follow it like it's sports. They're glorified entertainers, selling politically themed content, never taking themselves off the stage.

Challenge any of this and people will lash out at you, because you've attacked their cloth mother, and they're very lonely and afraid. The corporately-moderated semblance of connection is nearly all they ever get. You can't talk about sex, drugs, death, or any difficult human realities. If you don't present a disneyfied version of yourself you get accused or being a degenerate predator. If you don't participate at all, you must be apathetic, which is very bad, because having the wrong emotions or thoughts makes you evil.

The protests at the DNC were all either ill-conceived PSL honey traps leading dozens of 19-year-olds into arrest via Signal chat, or bloated 3-hour fundraising attempts miles away from the United Center and corralled by the police and Department of Justice marshalls and their collaborators. Everybody else is far away, enjoying brat colored cocktails and picking out demure tradwife clothing to disappear into for the fall. Dreaming of not having to worry anymore is akin to longing for death, and many liberal Americans have gladly embraced total obliteration.

It's not just conservatism that is a death cult. It's also the preservation of the nation-state. State-making obliterates whole cultures, languages, lands, traditions, and unique, person-to-person modes of relating. You get your food from a corporation or a government bureaucracy that does not know you and makes you fight for it, never from a person. This makes you forget that it's just persons, like the ones you know, like yourself, who do everything. It makes you cling to the state, and to normalcy, rather than speaking openly and messily to anybody else.

This is where it all begins and ends. The hope of a revolution rising up to somehow liberate Palestine was always a fantasy, the stuff of kid's movies. The truth is much darker, but more bearable, because it's real. We are very far from a dramatic political change. Most people aren't willing to even let a stranger into their homes to keep them sheltered. Did we really think they were going to rise up and put their body on the line to fight the state? Give up Starbucks and their PPO? Break the law? Lower their property value? Of course not. Get real.

And so, where do we start? By moving far, far away from the individualistic, capitalistic, clout-based avenues of political "participation" that do nothing but benefit people who present themselves as influential voices. By doing the small, slow, humble work of actual community building. Talking to your neighbors, feeding people, housing people, sacrificing something for others, driving a senior to the doctor, building a way outside of your own head.

We have to become more reliant upon one another and less moved by big personalities who will never know us or give a damn about us as people. Instagram pays me the more of you look at my posts and share them on their app. It pays every other high follower account you take political guidance from, too. You should be suspicious of me. And all the rest of them. You should place more trust in your friends, your neighbors, and the power of your own mind.

The way out of all this will not be easy. And it will not happen on here.

[machineheraldbabe]

arcane, populism, and why viktor is the odd one out (yet again)

as a piltover-anti, a silco criticizer, and a pacifist, i am very very interested in how arcane presents not just the political undertones of both topside and the undercity, but the characters/dialogue through which they communicate those undertones. allow me to use some political science bro lingo to air out some thoughts.

long, long post incoming.

there are 2 ideological struggles at war throughout s1 (and i can predict that the struggle will carry over into s2): neoliberalism and populism - in their broadest terms since we're talking ofc about a fictional show dealing with surface level political machinations. by neoliberalism, i mean a focus on the social, political, and cultural structures of a polity (piltover, for our purposes) refocused into a strictly economic vacuum. and by populism i mean a unifying belief that the existing political systems of a polity fail to adequately represent their constituents, so the masses choose to rally around a specific gripe or issue, i.e., class discrimination, xenophobia toward immigrants, etc. this, in turn, forms a populist party or movement. an applicable example i can think of would be Nasser's Egypt in the 1950s.

*i know these are weighty topics with very real world implications! i just want to separate the theory to apply to our favorite fictional world.

the political struggle in question is put forward immediately by piltover, who, though presented as a technocratic state, embodies crucial neoliberal ideals emphasized especially by up-and-coming counilor mel medarda, much like how fresh-eyed american economists blew up the economic scene in the 1980s with a revival of capitalist, free market enterprise. take how she seizes the advent of hextech, for example:

she quickly sees hextech's potential yet not from the solely intellectual standpoint that jayce and viktor do - for her, it is profitable, literally and in terms of international relations. her goal is for piltover to prosper, but she has no rose-colored glasses on; prosperity means capital gain, and she's willing to override piltover's political and social systems to achieve her goal. an important caveat is that she draws the line at ambessa medarda's progression into militant authoritarianism, which deserves a whole post of its own!

piltover's populism moment will come later. first, let's unpack silco, who is probably arcane's most blatantly political figure, and a masterclass in the merits and failures of left wing, class-based populism.

silco, having been spurned by the classism and xenophobia that piltover's elite proliferate, and assisted by his rampant shimmer operation, fills the vacuum that vander's pacifism opened up. though silco's methods are unilaterally cruel (argue with the wall), the undercity clearly invested faith in him at some point, especially as vander's credibility as a guiding figure wavered over the years. he was fighting alongside vander for zaun's right to exist as their own independent body. in other words, he was uniting the undercity toward a common cause because the existing political system failed their constituents. to quote councilor shoola: "they may not be our preferred constituents, but they're still our people."

the track record of populism in our real world frequently ends in the ruin that silco himself brought upon the undercity. the kingpin is too dedicated to self-preservation, sees himself as too central to the movement, which prevents both compromise and/or a necessary armed revolt (insert your own politics about self-determination here). see italy's right wing populism party, Lega Nord, as a real-time example of this phenomenon.

but arcane makes an interesting plot decision with jayce, a very unexpected and "unwilling" contributor to piltover's abrupt dip into right wing populism. the showrunners love foils!

in arcane lore, i think it's safe to say that jayce's moniker "the man of progress" is pretty tongue-in-cheek. both he and viktor have a bemused tone about it in the run-up to his speech, and jayce is taken aback by heimerdinger's insistence that he deliver said speech. but the glowing, savior-esque imagery can't be ignored, nor can jayce's quick switch into his councilor role, no matter how reluctantly he makes it.

jayce is confronted by 2 forces that he seeks to combat in his quick tenure as councilor: internal corruption and an ineffective governing body. the latter goal is inspired almost solely by viktor, playing into jayce's naivety as a fresh-faced political figure, but this will be especially important to note later on. the innocence he offers up to mel is quickly erased, transformed instead into an uncomfortable - and inexperienced - militancy:

important in the bridge scene to my analysis is the populist "out group," or the designation populists give to those whom they actively oppose, and this opposition serves as their basis for organization. in this case, it's the undercity (keep this in mind for viktor's role!!).

jayce's combined frustrations at the unrest in the undercity and the council's (namely heimerdinger's) refusal to act, to both save viktor and to deal with the undercity's looming violence, motivates him to act like silco for a short time. unsatisfied with the status quo, he unites a likeminded individual, vi, along with the enforcers, to undercut the political system he feels is unable to represent its constituents or act in an effective manner. however, UNLIKE silco, jayce's realizes the inevitable cost the method of violence has and refrains in the end. he returns to the council and capitulates to some of silco's demands in the name of a peace piltover and zaun always thought impossible.

jinx's complete undoing of this underscores the failures of populism, especially as an extended movement over time. she wasn't accounted for. it's common sentiment at this point that she didn't attack the council for political gain. she was not invested in zaun's independence. she did it out of her and silco's twisted parental bond, and thus undid piltover's brief instance of compromise and compassion.

so...where does viktor fit into all this? and what are his implications for neoliberalism vs. populism in season 2?

viktor is neither wholly within nor wholly outside the populist outgroup - though jayce unintentionally shoves him back there in the pivotal bridge scene. furthermore, viktor also makes use of piltover's technocracy. he seems to have had a "raise yourself up by your bootstraps" history in arcane, contrary to left wing populist insistence that neoliberal ideals make this impossible.

this compounds as a double alienation for viktor, who also is straddled with the complications of his disability. a lot of his story is searching for a fellow in arms, if you ask me, and he had that with jayce until the pendulum swung, hence his return to singed.

if we stop there, viktor represents the failing of these 2 very flawed political ideologies. he fits nowhere and arcane uses him adeptly as a symbol of the failings of binaristic ideologues and systems. but let's speculate some more!

i'm convinced that viktor, due to his ambiguous 3rd party role in the story so far, will be one of the central villains (if not THE villain, if you allow me to be admittedly hopeful/biased) in season 2. consult the innumerable very well written theory/meta posts about the subject for more details, but one piece of evidence i want to focus on is this inherent physical, cultural, and ideological separateness that is innate to his character.

can we see him allying ever again with piltover, knowing that there's a split incoming? even without outside knowledge of league lore, singed's damning prediction ("if you take this path, they will despise you") cannot go unheeded. alternatively, then, can we see viktor allying with the supposed jinx-as-revolutionary side? no. personally, i see him as becoming increasingly unwillingly to compromise his a) immediate survival; and b) his ideals, especially after being endlessly sidelined in his attempts to express them in acts 2 and 3. he's also just a loner, guys.

there's some controversy on this point, but i'm convinced that the finger-printed cultists/followers we saw in the s2 trailer are devoted to viktor. starting with the shimmer addict he touched in the teaser, he is accruing a following all his own. and since noxus is here, touting their authoritarian militancy to replace piltover's outdated liberal ideals, nothing that jinx's revolution OR viktor's following does can be apolitical. to organize and to fight is survival under s2's raised stakes.

there aren't any binary spectrums when it comes to political theory in my opinion, so i am prepared to witness viktor introduce an entirely separate totalitarian narrative into arcane. where it will surely lack in militancy, it will make up for in its domination of the arcane. my biggest speculation is that, as they always do, piltover will fold and compromise at the last minute, perhaps yield to noxus, and invest wholeheartedly in taking down viktor's BBEG cultist regime. and by isolating his narrative repeatedly in s1, the writers planned this out expertly.

even if i'm wrong about viktor as third party, i like to think my observations still stand about the specific and qualifiable political divisions between piltover and zaun. the biggest hole this leaves for me is the question: will arcane ever take a stand? they seem very averse to making a blatant political statement, but i think their pervasive anti-police thread makes it clear that we're not meant to sympathize with piltover yuppies or their seasoned, jaded councilmen. let me know your thoughts!

also, as a jayce fan and a fan of arcane's overall story, none of this is meant as a CRITIQUE of him, mel, or silco. as silco said, "we all have our parts to play." i believe arcane's very greatest strength is their archetypal storytelling, and these distinct character roles are crucial to the success and vibrancy of the story.

if you read all the way to this point - ily <3

[susansontag]

I’ve always shied away from discussing ikuhara’s usage of incest in utena because it’s quite a sticky topic in shoujo manga and anime but also because those uninitiated with that are likely to assume his using it is somehow perverted and will have a knee-jerk reaction. but I think he’s honestly very clever with it, using it both on a metaphorical level to elicit sympathy for the characters and their romanticised notions of these relationships but also on a literal level to show the dangers and abuse inherent in these kinds of relationships.

nanami is the most obvious example. even though we as an audience may not understand her almost romantic fixation on attracting the attentions of her older brother touga, we can still sympathise with her behaviour on a metaphorical level; she is thirteen, she is lonely, he is her entire world and the world is taking him, and thus her childhood, away from her and she is helpless to stop this. nanami is not perverse, she is trying to secure control over a situation in which she has none. a more common and relatable example is when one feel as though they, their siblings, their parents, etc, revert back to the dynamics they solidified in childhood when they spend time as a family unit. it’s a phenomenon that can be irritating (‘they’re treating me like a child’) but also comforting, familiar, and certain.

yearning to remain in a permanent state of pre-adolescence is something a lot of different characters in utena contend with, albeit in different ways, but hers is so interesting because ikuhara decides she must at one point be met with the reality of what this would mean if taken to its extreme. nanami understands akio is abusing anthy before utena does, and draws strict lines between what those ‘perverse’ siblings are doing and her pure love for touga. yes, she lacks sympathy for anthy outwardly, but her horror at confronting incestuous abuse in a real, unromanticised context, forces her to understand how her innocent outlook can be taken advantage of by people who would mean to do her harm.

and then touga assaults her, and when she rejects him, bewildered, he accuses her: isn’t this what you wanted? of course he can’t understand it’s the absolute opposite of what she wanted to preserve. one could argue here that ikuhara is blaming nanami for her naivety, even punishing her for being so short-sighted. but on the contrary I think he’s desperately seeking our empathy for her here, in showing us that a child’s romanticisation is not an excuse for her victimisation nor her offering consent. and if all we want to focus on is the fantasies of an alienated child, we fail to appropriately condemn abusers from taking advantage of children like nanami.

[sy-on-boy]

My 2 cents on the plot / thematic relevance of Ch 95

This is not about advancing Plot B or showing Anya's school life (which is still true but has been discussed), but rather the overall theme of education and war. There was an excellent post about how Eden is at the frontline of the cold war and it is subtly shown through the innocent lens of the first graders (I can't find it now, would link it if I could). And I think that perfectly applies to Ch 95.

Quick recap on some references about education/students/war throughout the series (that I remember at the moment):

Sylvia gravely condemning the Berlint University Student Terrorists during the Doggy Crisis arc (Ch 20) and saying "did you learn nothing about war at your university?"

Henderson talking about his experience as a history teacher (Ch 27.5, Short Mission 4) and quote: "Yes, well, I have always maintained that there is nothing to be learned from the memorization of time lines. From the grand efforts with which our forefathers crafted society to the foolish notions that sent them racing to war, to not study the human element at history's root is to not understand history at all"

Note that Damian's best subject has been established to be history, and his family (father) has been involved in war, at least Donovan was PM during most of the war (established by Melinda in Ch 91). Donovan is also a graduated Imperial Scholar (Ch 64).

The Red Circus group started out as a peaceful student demonstration "advocating for peace and quality" (Ch 72) and "speaking out to protect the weakest members of our society". And Billy Squire said, "We were a respectable movement that fought for our cause with respectable means. It was the state that turned violent against us. So I'm not taking criticism from a member of the establishment (referring to Henderson, an educator). I'm gonna see to it that they reap what they've sown." Billy's daughter Biddy was killed by the state at a protest.

Less of a point, but Becky is the daughter of the CEO of a major military manufacturer. Despite their very likely involvement in military conflicts because they sell arms, the Blackbell cohort has been depicted positively so far: Becky being a kind, wonderful friend to Anya, Becky's father doting on her, and Martha again being kind and dignified (and also being an ex-soldier and acquainted with Henderson).

Eden Academy is a major setting for SxF and the themes of politics, education, and war are embedded in it. The students involved in protests/groups are older (the university students, Billy's daughter), but the political implications remain even among the youngest of the students— the first graders.

Hence, Ch 95. When mere first graders are shown to fight to gain connections, which can be political as pointed out by Henderson: "In the world of politics, dances serve as major social events". But of course, they are kids, so they see it more playfully and innocently, especially Becky with her shipper lens on.

Of course, there is also the aspect of getting to know other people better out of interest (the boys asking Anya and Becky to dance because they were impressed after the bus hijacking). But as people have mentioned, nobody mentions this to Damian despite him being equally involved in saving the class (all three of them got a star). The girls aren't interested in Damian as a person, they're interested in him as an asset because of his family and their power.

And I can see the teachers trying to diffuse the tension and create camaraderie with their friendly competition. To me, this reads as the teachers fully realizing "the battlefield of political maneuvering", and they want to remind the kids to have fun, to show good sportsmanship, to unite the kids, to operate as a class and be friendly with one another, and overall make it more lighthearted. It's nice to see the classes work together and get excited / win as a unit, especially compared to the more "individual" bits of fighting for a dance partner later.

We get a bit of comparison between Bill and Damian, with Bill showing good sportsmanship while Damian scoffs at him. But Damian ends up becoming ultra competitive and telling his classmates to not screw it up.

Like the Dodgeball chapter, Damian is clumsily attempting to lead the class by doing good in his quiz, while getting stressed and yelling at his peers when they don't succeed like he did. So he's not really a good leader. Like how him being good at history does not necessarily mean he is good at being peaceful (Short Mission 4 ends with Henderson staring in exasperation at Damian + Anya bickering with each other). But obviously, he is merely a child, and he is naturally immature.

At first Loid is all for advancing Plan B and analysed Anya's suitors in a rational (reductionist?) way by ranking them in terms of gaining intelligence, but he remembers this is just a dance, Anya is a kid, and she should do whatever she wants. Loid (and the adults) are very aware of the political side of the gala, but ultimately they want the kids to have fun and not worry / worry less about politics.

Because they're kids! They'll grow up and learn more and be politically active later, but right now, they're just kids. Kids who don't know much about the world but are eager to make the world a better place.

In the end, we get a panel of Anya and Loid "teaming up" to win Damian's hand for Plan B / world peace. The Damian-Anya dynamic is cushioned with the silly crushy feelings, but underneath it, Operation Strix continues to be a core motivation.

I find it interesting that Endo chooses to focus on the first graders and their innocent view of the world / politics. It's embedded everywhere and especially in a prominent school like Eden, but the kids don't really realise it / realise the severity of it. Heirs and heiresses are educated at Eden and grow up to have incredible influence and the power to shape the world. Our protagonist's best friend comes from a family that manufactures arms. Henderson mentions the importance of learning history to avoid making the same mistakes (ie. war).

So Ch 95 is a cute prom chapter. But I think it also helps to show the themes underneath the fun, bubbly interactions.

[weirdgenetic-fuckup]

Can you do axl rose and slash too (safe words)

A/n: I will never get over Slash's obsession with tits. I also cannot explain how much I love the thought of him just using anyone as a pillow because I know he's prone to falling asleep wherever he can

Please someone request something for Slash, I love him too much rn :'3

Warnings: Smut, angst, use of safe words (There's technically no use of a safe word in Slash's but it's kind of implied? There's a boundary that's definitely crossed), bondage, smoking (Slash attempts to burn reader with his cigarette), oral sex (male receiving), if there's anything you think I missed please let me know otherwise enjoy :3

Axl was an interesting man, for sure. You’d met at a club and after just a few weeks of seeing each other he asked if he could move in. He explained that his band was just getting going and he didn’t have a place other than a storage unit on Gardner that his band used as a house/party room/practice place, knowing that you were much more open to letting him crash with you.

Things were going fine between you two. You’d wake up and make breakfast, not because of any other reason than Axl wasn’t awake until about noon on most days, which you didn’t mind either because it meant you got to see him so peaceful and calm.

Fast forward to now. You’d fallen asleep with Axl beside you. He’d been whining all day about one thing or another, obviously trying to get something but he was too stubborn to say what it was and nothing he did gave you a clue either.

In the middle of the night you woke up to some strange noises and an odd feeling. The room was completely dark because something was covering your eyes, you tried to move it but found that your arms were tied, your legs too.

“Axl?” You called in an attempt to find out what was going on and whether you should start worrying or not.

“What is it?” Axl’s familiar deep voice answered, sounding somewhat distant.

“What are you doing?” You asked, trying to move again to no avail. You felt a weight on the bed, signalling that Axl had gotten on the mattress and was sitting beside you. He ran his hand over your bare stomach, you preferred sleeping in just your underwear and Axl was in no way opposed to that. Now you were rethinking that idea.

“Having some fun, don’t worry about it.” Usually that deep voice of his was nice, it could calm you or bring that familiar warmth to the pit in your stomach. Now it just scared you. You couldn’t see, couldn’t move, you were fully at his mercy.

“I am. Axl, I am worried about it.” You stated, struggling against the restraints again. “Axl, I’m serious.” Axl got on top of you, your legs were already spread thanks to what you assume to be rope around your ankles.

“Shut up and be good for me, will you? That’s what you’re good for.” He hooked your legs over his, from what you could feel he’d already stripped himself down to nothing.

“Axl, we could do something if you’d just get me out of this.” You told him. The ginger lined himself up with you and pushed in despite your complaints. The feeling reminded you of many times before, this isn’t the first time Axl’s ever woken you up for sex but it was the most worrying time. Usually it would just be him fucking your thighs, or he’d just outright wake you up and tell you he was horny. Never had he even mentioned that this was something he’d be into. It certainly wasn’t something you were into, not right now at the very least.

“Fuck, always so tight for me.” The ginger groaned as he rocked his hips into you. “My perfect little slut.” He held your face in his hand, squishing your cheeks together and opening your mouth. You weren’t sure what he was doing until you heard a ‘patoo’, then you felt this cold liquid on your tongue. He spat in your mouth.

You violently thrashed against him and the restraints. “Get me the fuck out of this you fucking bitch!” You screamed. Axl quickly took the cloth covering your eyes off and tossed it away.

“Jesus Christ, better now?” He groaned. You glared up at him as you tried to think of anything that could get him to stop.

“Pumpkin!” You yelled. Something flicked in him, you could see it in his eyes even in the dark room. He wasn’t looking at you with lust or hatred, that line you were never really sure if he crossed whenever things got hot between you two. There was a disappointment in his eyes. Not in you but himself.

Axl pulled out and got the ropes taken off of you. He pulled on a pair of pants and found you one of his shirts for you to put on before he left the room.

You threw the shirt on and went out to find him.

Axl was on the couch, rocking himself slightly. His head was down and he was staring at the floor, refusing to make eye contact with you.

You went over to him and sat beside him on the couch. You leaned your head on his shoulder and put a hand on his back, gently rubbing it.

“I’m sorry, I didn’t mean to.” He blurted, still not looking at you.

“Didn’t mean to do what?” You asked in a soft voice.

“I-I don’t even know...” He said, fidgeting with his hands in his lap. You reached for them and held them in your own. “I just... I thought it would be fun.” You nodded in understanding.

“It wasn’t.” He rolled his eyes and nodded.

“Yeah, I got that.” Finally he looked up at you. For a moment he just looked at you, then he wrapped his arms around you and pulled you close, kissing your forehead and cheek and nose, pretty much anywhere he could reach in this hold. “I’m sorry I made you say that.”

“You could’ve just said something earlier.” You mumbled, looking at his face and just taking in his features.

“I know.” He let out a heavy sigh. “So,” he started, “wanna give me a blow job?” He asked with a smile. You swatted the back of his head and stood up, walking back to the room. Axl followed and wrapped his arms around you.

Your boyfriend was touring and after months of dating but not going on the road with him you finally got the chance to actually come with him.

The separation was not the ideal circumstance for either of you and you called all the time, every day and night you’d be getting calls from him asking how you’ve been. At night the calls usually took a turn to more sexual areas, you were alone and needy and so was he.

The crew going with Guns was the real issue, they wanted to save as much money as possible, even if it wasn’t necessary. That meant that you wouldn’t be getting a free pass on the plane with the band. Slash had offered to pay for your ticket but you refused because you didn’t know when you’d be able to pay him back. But all of that was behind you now and you were finally on the road with the band.

It was right before one of their headlining shows and Slash was backstage with you in his dressing room. You were on the couch and he asked if you’d give him a blow job before he went on. You didn’t want to at first because you didn’t think you’d have time but Slash promised you would, and so you did.

You were on your knees sucking him off, you could tell he was enjoying it by the faces he was making. You knew if you really wanted to you could make him a whining little mess but you were focused on speed right now.

While you were busy bobbing your head on his length he got a cigarette out and lit it. Nothing out of the ordinary, Slash was a known chainsmoker. You watched his euphoric expression and the way his head fell back as smoke drifted past his lips and into the air.

Then he looked back down at you with this expression that you just couldn’t place. He had this smirk as he looked down at you. “You’re so pretty, you know that?” He asked, not expecting an answer while your mouth was full of him. You caught his gaze wandering to the cigarette between his fingers. “Think I could make you hotter?” You raised a brow at him.

“What?” You asked as you pulled back. The exact moment you did so Slash tapped off the end of his cigarette where you would’ve been had you not moved. You stared up at him wide eyed with fear and anger.

He seemed to have realised his mistake as soon as he made it because he stared back at you with those same wide eyes, except his were of worry. You didn’t say anything else, you just got up and left the room.

You stayed to watch the show, the band still put on a great performance and you didn’t want to miss it, but you didn’t stick around afterward like you normally would. Instead you took a taxi back to the hotel you were staying at.

Slash came home later, much later. You had fallen asleep already by the time he got back. He saw you crashed on the bed with the TV on. You were laying over the covers and still had your clothes on so he figured you’d passed out while watching a movie or something.

He went to his suitcase and found a shirt to get you into. He undressed you and tried his best to keep you asleep but you fell asleep while he was struggling with your pants. “What are you doing?” You mumbled, rubbing the sleep from your eyes. Slash froze. He slowly looked up at you.

“I was trying to get you into something comfier.” He explained his usual soft yet raspy voice.

“Oh...” You mumbled and just let him continue. He eventually got your pants and shirt off, he took your bra off per your request because it was not comfortable to sleep in. He offered to let you wear a pair of his shorts as well instead of the pretty lace you had on. Of course you accepted the offer and Slash helped you get his clothes on. They didn’t fit you but for sleep they were perfect.

You got under the covers while Slash turned the lights off, though he kept the TV on for background noise. He got under the covers with you and rested his head on your chest. “I won’t do that again.” He mumbled. You were barely conscious yourself at this point so you just nodded with a hum. “I don’t want to hurt you.”

“I know.” You mumbled back. “I love you.”

“I love you, too.” He gave a small kiss to your collarbone.

“If you ever do anything like that again you’re sleeping with Axl.” You threatened. Slash grumbled and after a small pause he looked up at you.

“You wouldn’t really, would you?” You could tell there was some genuine concern.

“Do you really want to find out?” Slash stared at you for a moment longer before going back to nuzzling your tits.

[cecilysass]

Why I Think The X-Files Isn’t Really As Much About Watergate and Governmental Conspiracy As Everyone Claims, Maybe Including CC

This one’s really nerdy, get ready.

Media covering the X-Files has always emphasized how much the show capitalizes on a post-Watergate worldview, a paranoia about government and belief in high-level conspiracy. I think CC signed on to this interpretation entirely. So much so that he sure kept on feeding those conspiracy plot lines in the mytharc—even when every other plot line was going hungry. 

So much so that in the revival, he really created a problem for himself, which the media picked up on. Government conspiracy nuts in 2016 no longer were hot sensitive 90s guy outcasts like Mulder or quirky cuddly little nerds like the Gunmen. Government conspiracy nuts in 2016 were media savvy right wing commentators manipulating the masses, getting presidents elected through willful misinformation.  The revival series tried to address this head on with Tad O’Malley, a character who represented this new development. But it was definitely a sticky issue: the sociopolitical context of the original show was gone. Was the show relevant any more?

I would argue yes, or at least it could have been. I would argue that the interpretation of the XF as a show primarily about conspiracy at high levels of power and governmental manipulation is a flawed one to begin with. I think this take makes the show way too thematically narrow, limits it, and obscures the show’s more important appeals.

In the 1990s, media coverage of the show almost always mentioned Watergate the historical event. Sometimes coverage discussed how Watergate was directly referenced on the show (Deep Throat, meetings in parking deck, CSM and Diana both living in the actual Watergate), but also Watergate’s specific effect on creator Chris Carter, who specifically cited it as a formative event. Often it was claimed that the show’s popularity with audiences was rooted in post-Watergate suspicion of government.

I think this could have been true generally speaking, although I always thought it somewhat overestimated the impact of Watergate on the XF’s target audience. Consider that in 1997 many in the key 18-49 demographic would not even remember Watergate especially well, or at all. If you were 30 in 1997, you were 6 when the story broke in 1973. I’m sure that could have left a mark on you, but I also think it might have been something that simply left a much bigger impression on Boomers the age of Chris Carter himself.

Me? I was in college in 1997, and I was nonexistent / unborn during Watergate. So I didn’t remember it, and it held no personal significance in my worldview regarding the United States. I don’t think it ever would have occurred to me to trust that the government was telling me the truth all the time, and I wouldn’t ever be shocked to learn I was being intentionally misled. As a late Gen Xer growing up in the Reagan administration with post-Watergate ideas floating in the air, I just assumed the worst from the get-go.

So I admit: sometimes the earnest speeches from Mulder and Scully about the Truth and being lied to from men in power and a government we purport to trust seemed a little repetitive and obvious to me. It’s taken me a while to realize that these speeches are voicing something very specific and historically real, the furious indignation of Boomers that we can’t trust our institutions. I think I felt like, yeah, okay, okay, I get it. I never had the same kind of trust in institutions to lose in this respect, but this was a major betrayal for people my parents’ age.

All of this to say, I don’t think that the conspiracy worldview and the appeal of the paranoia about government was a big part of the draw for me. I’m not saying it wasn’t for many or even most others. But my instinct about storytelling is that that is a little too abstract or bloodless of an appeal to really hook most viewers anyway. Like, you might be interested in conspiracy to get you to watch initially, sure, but that’s probably not going to keep you watching for years. And it’s really not going to be enough to motivate you to tune in to a revival series in the 2010s.

So what was the big hook for viewers? You’re probably expecting me to say MSR, and if so, I’m going to surprise you a little. I do think that was part of it for some percentage of viewers, but I think it is more complex than that.

I think the show tapped into a late 20th century urge for individuals to become part of something greater than ourselves. Something we might think of as numinous or transcendent. Maybe something meaningful and good (like a quest for truth) — or maybe something that will look down and judge us, for good or ill. Something that means that we are not lonely in the universe. This puts X-Files squarely in an overall 1990s angels and aliens otherworldly trend. 

(Personally, and this could be an only me thing, but I can never quite separate out Tony Kushner’s Angels in America and The X-Files in my mind; Angels debuted on Broadway the same year X-Files first aired, and I was exposed to both at about the same time. They’re both about apocalypse and personal crisis and the end of the millennium and the transformative power of authentic relationships with others. I could do a whole thing on this.)

The desire for transcendence is the part of the show that is summed up by Mulder and Scully watching lights together in the sky, by Mulder’s wonder at seeing ships or aliens, by the entire notion of “I Want To Believe,” by the idea expressed in the last episode of the original series that both Mulder and Scully share—that the dead aren’t lost to us, that “they speak to us as part of something greater than us - greater than any alien force.” Mulder says to Scully that if “you and I are powerless now, I want to believe that if we listen to what’s speaking, it can give us the power to save ourselves.” There’s definitely a part of the show that is about little lonely human beings finding how they fit in a big, unfeeling universe.

The show's interest in conspiracy figures into this. Because after all, what are conspiracy theories but reassurance that there is some meaning behind everything after all? That there is some powerful system running the show, even if that system might be kind of evil. A grand organized secret an individual can actually uncover, rather than a bunch of random haphazard incompetence and chaos. I think this is part of the show's interest in transcendence, but only one part.

And there’s also part of the show that’s about a hero who is wracked with loneliness and alienation — and then two heroes who are wracked with loneliness and alienation—finding a kind of salvation in Truth, in Justice, in Trust, in Partnership, and, ambiguously, Love. (Sometimes Mulder sounds more like a 19th century Romantic hero than anything else.) This makes it a little allegory about late 20th century individualism and alienation and desire for meaning and authenticity and connection with others. 

I think what appeals to people emotionally in the show is that part of us that wonders: is there a universe that pays attention to me? Is there anyone who listens to me and who really, really knows me? Does anyone besides me care what is true and what is a lie? Will I find those who are lost to me and repair the parts of me that are broken? Is there anyone who would give up their life for mine?

I think that the desire to connect with others is a really basic human drive, and it’s most obviously foregrounded in the show the Mulder-Scully partnership. Even romance aside, we see from the first episode that these are two people with distinct worldviews who want to communicate, who see something in one another, who are hungry to be understood by one another. They ultimately see the other person as someone who reflects and affirms who they are. The partnership is definitely the emotional hook of the show, whether you see that as a romantic ship or not, and it thematically echoes the show’s overall themes of wanting there to be more in the universe. 

When the show was at its most emotionally devastating, it was one or both of its protagonists losing a relationship or connection that was important to them, or it was their frustration that their efforts were not meaningful on a larger scale: grief over a loss, a coverup that meant Justice wasn’t served or Truth was concealed.

When the show’s moments were most emotionally triumphant, they were always moments of overt connection, usually between Mulder and Scully, both more dramatic (“you’re my touchstone”) and subtle (reaching out to take a partner’s hand in Pusher or Field Trip). When there were moments of triumph concerning the government conspiracy, it felt more allegorical, like information (Truth) getting free, not progress made in specific governmental reform or anything. 

(And honestly, the moments of triumph against the conspiracy were pretty few and far between. We left the original run of show with the protagonists on the run, pretty sure there was going to be an alien invasion in coming years that had been facilitated by complicit human conspirators, so this conspiracy thread of the plot apparently didn’t even seem like the most important and emotionally satisfying story to resolve.)     

CC wrote a NY Times piece addressing the changing landscape on conspiracies in 2021, discussing why he was skeptical of a new UFO report. He was perceived as having the authority to write this because he created a show that quintessentially addressed government conspiracies about visitors from space.

But for me, the question of whether the government was hiding evidence of extraterrestrial life was really not the main takeaway from TXF. At least no more than the question of whether there needed to be an investigation into the undue influence of witchcraft in Scotland was my main takeaway of Macbeth.

I do acknowledge that I may have been in the minority. Maybe this is not how most people felt. But I also wonder if sometimes the urge to make the show primarily about political paranoia became a distraction from what it did best—these larger, more universal themes. I wonder if that is partly what was so frustrating about the storytelling of the revival.

[christinesficrecs]

These are also very classic but I feel like they're a little more well known. If you managed to miss it, Bones Straining is THE fic to read, followed closely by Reach Out. Also, forgot about this ficlet if you're up for a tiny bit of angst.

The Time Traveler’s Prerogative | 9.2K | Explicit

After the events of “117”, Derek doesn’t magically transform back into his twenty-five-year-old body. Instead, he’s stuck as a sixteen-year-old for an unknown amount of time. So the pack has to learn to deal with it.

Reach Out  | 20.2K | Explicit

In Which Stiles Falls in Love Twice…With the Same Person

Released (From Behind These Lines) | 15.9K | Explicit

Stiles was the first one. He doesn’t know how it started, what’s wrong with the house to make it like this, but he knows that he’s the first of them. The next one was Boyd, then Lydia, then Erica, and lastly, Isaac. It seems a habit, anyone who ever moves into the house leaves someone behind. But no one’s lived in the house for the last ten years.

Until Derek Hale.

See Me In Hindsight by weathervaanes, wishingonalightningbolt | 19.6K | Explicit

Stiles is 18 when he finds out exactly what’s going on in Beacon Hills. He has a few months left before he goes off to college, has a while to help Scott become the best werewolf he can be - and also to get into Derek Hale’s pants. And his heart.

Bones Straining Under the Weight  | 15.6K | Explicit

One of Stiles’ favorite things about life is Derek Hale’s food blog. He never expects to meet the man in person.

JEALOUS ORCHARD, THE SKY IS FALLING  | 5.8K

Stiles is away at UCLA for school. It may only be a few hours from Beacon Hills, but Derek still only visits every once in while. Suddenly, every time Derek even talks to Stiles, the boy just can’t help but bring up his new college BFF, Tara. When Derek visits, jealousy strikes. And make up sex ensues.

Can’t Be Saved (Not So Frail)  | 16.3K | Explicit

In which Kira is Derek’s ward, Stiles is Scott’s brother, and omega heat cycles are good for everyone.

This Kind of Luxe by horchatita394, weathervaanes, wishingonalightningbolt | 15.1K | Explicit

As they have for almost every US President since the 1910s, the Prime Minister and the royal head of their country pay a visit to the United States after inauguration. Which is why, when President Jonathan Stilinski is elected into office, Queen Talia Hale of Norland plans their trip.

For Love is Not Ours to Command | 18.5K | Explicit

Where Derek's skills at thinking on his feet mean that he and Stiles have to act. For the sake of Stiles' dad, of course, for the sake of the pack. No personal interest interference at all, whatsoever. Right.

Like Heaven Catching Lighting | 41.5K | Explicit

Prince Stiles of Cor has always known, somewhere in the back of his mind, that he was never truly going to marry for love. Fighting it has only made it worse. Now, presented with a choice between two children of the Hale family of Ignis, Derek and Cora, he must make the decision to determine who will rule by his side. If only it were that simple.

Sweet Dreams 'til Sunbeams Find You | 9.2K | Mature

But that’s when it happens. Stiles is on a down stroke when Derek opens his mouth against Stiles’ neck and says, “What do you think about having kids?”

Whispers in the Dark | 6.9K | Explicit

Stiles Stilinski would call himself a starving artist except for the simple facts that he is neither starving, nor does he know anything about art (unless you consider a novelist an artist, which Stiles only does sometimes). So when his best friend insists he accompany him to a show in the city, Stiles thinks it will probably be the most boring evening of his life.

Enter Derek.

[adragonsfriend]

Mace Windu: “only imposing if you see him that way”

Fuck it I’m bringing my Othello class into this again.

So we read American Moor by Keith Hamilton Cobb (review, full text is available as a free pdf if you look it up), which is a play that comments on the experience of black men who play the role of Othello as well as of course more generally on the experience of black men in the United States by showing the interior thoughts of an experienced black actor auditioning for the role of Othello in front of an inexperienced white director. There’s this line, it’s not even dialogue, it’s part of the description of what the actor is doing for the pre-show in the stage directions:

“He is a tall man, powerfully built and handsome, and only imposing if you see him that way.”

—American Moor, page 5

Sound like anyone we might know?

This caught my eye because I have noticed a bit of a pattern. Even very well meaning SW media—like Shatterpoint by Matthew Stover and fics that really love him—often goes out of its way to describe Mace Windu as intimidating and imposing.

And yeah on some level a tall man with muscles who knows how to fight might just be imposing, but to be honest I never remember Qui-gon Jinn being described that way, or Ki-Adi Mundi, or really any other tall, male Jedi. Dooku is sometimes described as intimidating, but it is usually framed in terms of either his Sith personality or his skill with a saber, not his physicality. Only some fics go out of their way to even describe Anakin as physically imposing.

And like I say, many of these works I’m noting are ones that have very good intentions and otherwise make mainly good, interesting moves with Mace’s character (works that take an explicitly negative view of Mace are a whole other can of worms I’m not addressing here). This is something that is being picked up from a deeply embedded culture of racism, not (in these cases at least) malicious. But that means writers, especially white writers—even if we have great intentions—we have to stay careful and aware of this. Readers aren’t off the hook either. It is through reading, and reading with a lot of love, that this pattern emerged to me.

Keep noticing these things, keep reading, keep writing, and maybe above all, keep revising.

Personally, I’m gonna be going back through my Mace Windu writing to check for this specifically.

[sehtoast]

That episode was insane. I’m getting tired of Firecracker’s ass she needs to get on somewhere. The racism the human centipede references the SA jokes like wtf..? I think that was one of the worst ones in the show.

Yeah, i’m… not entirely sure what the point of that episode even was beyond trying to expand their shock factor?  Hands down my least favorite episode to date, and i didn’t think i’d ever have an episode that stood out like that bc i’m honestly a pretty easy-to-please viewer. Hell, till now i’ve felt like s4 has been pretty strong with just a little bit of wavering in ep 5, but this was just… straight up bad. Sure, it feels like a season of pure filler, but the filler was at least strong– especially episode 4 since it gave us such incredible background on homelander.  Anyway, spoilers for s4e6, talks of SA, etc. following under the cut:

I haven’t been a fan of firecracker’s since she walked on screen, and i don’t think that’s going to change. Her character is incitement for the sake of it, which, given the state of the US irl, isn’t unwelcome commentary.  There was a flicker of hope when she did her little “i say this stuff because this is what the people who have nothing else in life need to unite.” For a fraction of an episode, she was interesting!  She was a strong show of how political grifters prey upon ignorance with outrage to turn otherwise normal, lonely people who are desperately seeking unity into the just… trainwrecks they’ve become today.  And then they dropped it. It’s like she lost the awareness of it just as much as the writers did.  She could’ve been really neat, but she’s nothing more than your average outrage manufacturing machine.  I mean… “jewish space lasers?” C’mon man.  Combine it all with the anti-trans rhetoric and it just is… overall sour (i have many thoughts on the anti-trans and other shit they’ve had homelander say insofar as how little he even believes in the shit he parrots [and i do mean parrots, because he has no idea what to do or say when it doesn't work, which we saw again very clearly in today's episode] for the sake of preserving his demos and appealing to politicians, but that’s for another time– maybe?)

As far as the racism and anti-trans stuff (hell, even the word for word parody of that politician who said “legitimate r*pes can’t become pregnancies because the body has ways of shutting it down,” or whatever it was verbatim)-- i think we’re to the point where the writers and kripke have begun to forget that these are things done and said to real people in real time. I understand the point is to show the audience how foul these things are, but there comes a point where it crosses a line and ricochets back to hurting the audience.  For myself, i’m trans. Every other episode containing a line that directly correlates to the real world dehumanization of us for political points is a stomach dropping moment because we’re being actively reminded that our rights are under constant attack. All three times have had like… non existent context relation to anything going on in the show and just feels… baffling? And then it feels bad.  And then it hurts.  The show has done this a couple times where they try to make commentary on the oppressive and cruel shit said about marginalized people (race, gender, etc) and it falls flat and just becomes a slap in the face to the viewer who it was perhaps trying to represent.

The human centipede deal with splinter, i could cope with. I actually laughed, because i can see people with cloning powers doing wild shit like that.  It didn’t seem far off from the context of the show that superhumans with superpowers will do wacky shit with said superpowers.  What we got in today’s episode was… not that. And it wasn’t good.  What we got today was an episode riddled with sexual abuse via CNC that was played as a joke the whole way through.  No, tek and ashley did not know that hughie was in that suit. However, hughie started yelling random words at one point. I’m not versed in kink culture particularly well, but i would think anyone partaking in that sort of act would recognize that as perhaps the sub has forgotten their safe word and they would call it off. That they’re yelling out random, out of context words would be a major, major red flag to cease. But they didn’t. So what we got was extremely unsettling, especially as it settled in more, and it gets played as a joke until hughie cracks at the very end.  Maybe the goal is to make people understand the gravity of sexual abuse toward men since society does tend to treat it as a joke. Maybe, and that’s strong if so! But i’m finding it difficult to understand how a show that put school sh**ting warnings in Gen V, warned of b*astiality during the Deep’s shit, and even just, y’know, hinted at what herogasm would be, could somehow not manage to warn that viewers were about to see someone sexually abused to such an extent.  I have an extremely strong stomach for media. I’ve seen a lot of fucked up shit online that i wish i could unsee, but it’s never made my gut churn like it did after this episode.

I have… a lot of feelings about this episode. I could even probably go into detail on why i think the whole breast milk thing at the end was less than stellar as well (which i'm almost positive i'm standing alone on), but i don’t want to stray too far off the ask content.  I’m just… yeah. This was hands down the worst episode i think the show has, with like two exceptions for a-train's scene with the kid and how hard i laughed at the webweaver shit (but the thing is, WW WANTED help boofing that stuff!!!! difference!!!). Based off critic reviews, i think the next two will be floating around the same degree of bad as well.  Given the last few episodes set the aftertaste of everything, i think the reviews being so negative are probably based upon eps 6-8 being awful.

As usual, we’ll fix it in fanon.

edit: i also need to know what the fixation is this season in making important things happen off screen. starlight gets pregnant off screen, has an abortion. it is central to the plot of starlight v. firecracker, but we're not shown a lick of that exposition. homelander and sage are plotting internment camps??? but we're TOLD, not shown-- which is the ultimate sin in storytelling. like... what is this season actually trying to do beyond just compound shock value?

[philsmeatylegss]

Have seen very little discussion on this website about the situation in Haiti and figured maybe I’d try to start the conversation?

For those who aren’t aware, Haiti is the only country that led a successful slave rebellion which led to the establishment of an independent country, and a day hasn’t passed where they haven’t been punished for it. The country never had a chance to flourish as the west made sure to suck it economically dry and then dip when nothing was left.

This has left the country horrifically unstable in every way possible. However, the last few years, it has been on the brink of collapse due to absolutely no political leadership and as of now, Haiti has completely collapsed. The country is mostly run by gangs all competing for power. There is no where for refugees to escape. The west has completely abandoned any meaningful intervention and it has mostly been South American, Middle Eastern, and African countries who only seem interested in trying to bring peace. But since 2024 has begun, it is a terrifying place to be full of completely innocent people being screwed over by the west for standing up for themselves.

Of course, this is heavily over simplified and I have no personal connection to Haiti. So under the cut, I’m adding much more accurate and insightful information, as well as fundraisers, books, petitions, and Haitian run businesses and social media accounts. As someone who is studying history, it doesn’t take long to realize most nations struggling today have been victimized for wanting autonomy and freedom. From Palestine to Sudan, to DRC to Ukraine, there is so much preventable tragedy. As someone from a country who has historically inflicted these conditions on a lot of these nations, it’s frustrating to feel powerless to the injustice. I truly find the only thing that puts my mind at peace is education and spreading awareness. Don’t let their suffering be in vain.

*please correct me if any of this information is inaccurate*

Basic information:

Wikipedia

HAITI: A Brief History of a Complex Nation

Britannica: History of Haiti

How Haiti Was Forced To Pay Reparations For Freedom

[video] A Super Quick History of Haiti

The Root of Haiti's Misery: Reparations to Enslavers

Timeline: Haiti’s History and Current Crisis, Explained

[video] Why Haiti is in a Constant State of Emergency

A Brief History Of Haiti

The Haitian Revolution and the Hole in French High-School History

[video] How the World Destroyed Haiti

A Timeline of Haiti

Haiti: a history of intervention, occupation and resistance

[video] Fighting for Haiti

How Toussaint L’ouverture Rose from Slavery to Lead the Haitian Revolution

The Disappearing Land : Haiti, History, and the Hemisphere

History of Haiti

A History of United States Policy Towards Haiti

What is the history of foreign interventions in Haiti?

Haitian history and culture: A selection of online resources

Books:

The Black Jacobins: Toussaint l'Ouverture and the San Domingo Revolution

The Haitian Revolution

Silencing the Past

Fault Lines: Views across Haiti's Divide

Awakening the Ashes: An Intellectual History of the Haitian Revolution

Haiti: The Tumultuous History

Written in Blood: The Story of the Haitian People 1492-1971

The Haitians: A Decolonial History

Why the Cocks Fight: Dominicans, Haitians, and the Struggle for Hispaniola

Outrage for Outrage: A History of Colonialism in Haiti and Its Legacy

Avengers of the New World: The Story of the Haitian Revolution

Black Spartacus: The Epic Life of Toussaint Louverture

The Black Republic: African Americans and the Fate of Haiti

The Farming of Bones

The Rainy Season: Haiti Since Duvalier

The Uses of Haiti

The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States

Charities:

*rating of 80+ on charitynavigator*

Hands Helping Haiti

Heartline Haiti

Hope for Haiti

Haiti Outreach

US Foundation for the Children of Haiti

Hands Together for Haitians

Haiti Empowered

Mission of Hope Haiti International

Haitian Health Foundation

Haiti Partners

Haiti Cardiac Alliance

New Life for Haiti

Locally Haiti

Clean Water for Haiti

Meds & Food for Kids

Haitian Roots

Project Medishare for Haiti

Friends of the Children of Haiti

Childrens Nutrition Program of Haiti

Fundraisers

Haiti Crisis Relief Fund

Haiti Emergency Fundraiser

Urgent Need to Complete Our Haitian Adoptions

Desperate Plea to Help Haitian Family

Haiti Food Emergency

Help a Deaf Haitian restore his life in Maryland

Help a friend get her sister & 3 kids out of Haiti

Daniel Jean - Haitian friend relocate to the US

Help Support My Family in Haiti

Support Young Haitian Artists!

Haitian Artists Need Your Help

PLEASE HELP and PRAY for OUR FAMILY IN HAITI

Help My Mother and Brother from HAITI PLEASE

Urgent Help for Marc Henry and his family in Haiti

Help Michaël in Humanitarian and Political Crisis in Haïti

Lycender Chery & Family

Trapped in Port au Prince, Haiti

Help Rosemica have surgery for her tumor!

Help My Family escape from ruthless gangs

Haitian Orphanage School: Classique Mixte du Rivag

Help Support a Hard Working Mother of Two

Haiti Emergency Relief of artist community

Help Save Gabe's Life and get him from Haiti to US

Aid for Haitian Artist Mario and his Granddaughter

Haitian-Owned Businesses

Kreyol Essence

LS Cream Liqueur

Creole Me Up

Caribbrew

Tisaksuk

Fanm Djanm

Makaya Chocolate

Kòmsi Like

Créations Dorées

Aeva Beauty

Levie's Essential Care

Bel Ti Boujique

It’s Seasoned™

Cremas Absalon

Kreyol Pale Creole Konprann

VagEsteem

Bijou Lakay

V.BELLAN

[macgyvermedical]

Hey babe, wanna hear something hot? *whispers* history of metformin

Ok okay I'll talk

So metformin is commonly thought of as the most boring of diabetes drugs. Like, everyone who has ever thought about maybe having type 2 diabetes is taking it unless it gives them diarrhea, and even then their doctor still probably wants them to take it. But it's a first line because it's old, it's cheap, it doesn't often cause hypoglycemia, and it has relatively few side effects compared to other diabetes drugs. Also, like a lot of older drugs, it does way more than it says on the packaging. And a lot of stuff we're still learning about.

In order to talk about metformin, we have to talk about a plant called goat's rue. Goat's rue is a plant native to Europe, Africa, and Asia, and currently grows just about everywhere. In ancient times it was used as an anti-parasitic, a plague remedy, and to relieve the excessive urination caused by what might have been diabetes. In 1918 it was found to contain a chemical called galegine, which did lower blood sugar. Galegine as an anti-diabetes medication is probably too toxic to use long term. However, with a few chemical tweaks, it could become a drug that lowered blood sugar without the toxic effects. Metformin was born.

Metformin came out in 1923 and is a type of drug called a biguanide. it's actually the only type in it's class still available as an anti-diabetic agent, because the other drugs in it's class that came out in the 1920s and 30s caused lactic acidosis and liver problems (similar to the types of reactions seen with galegine), and were taken off the market.

Metformin (and pretty much all oral antidiabetic agents in development at this time) didn't do well initially, probably because they came out the same decade as insulin, and insulin was a lot more effective at treating any kind of diabetes.

It fell out of use extremely quickly, and didn't get picked up again until the 1940s, when US access to antimalarial drugs was cut off, just as a war in the pacific was ramping up. Metformin was evaluated as an antimalarial during WWII, and while noted to have some anti-malarial properties (particularly as a malaria preventative) it also was noted to significantly lower blood sugar in diabetic patients- while not lowering blood sugar very much at all in non-diabetic patients.

This effect, rather than it's antimalarial properties, was what got scientists really interested. Unfortunately, it would not be until 1957 in France that metformin had its first major studies to determine that it did, indeed, work against diabetes. Metformin lost the race to the "first" (successful) oral antidiabetic agent by a year, to a different drug that was found while looking for a new antibiotic- Diabenese.

Metformin became a commercial success in France, while Diabenese became successful in the United States. Metformin would actually not be approved for use in the US until 1995.

But now we get to talk about what metformin does and why it's so freaking cool.

Type 2 Diabetes- lowers A1C (a measure of blood sugar control) by 1-2 full points

Prevents/reverses weight gain due to antipsychotics

Prevents and treats malaria

Makes the flu shot work better

Decreases severity of respiratory illness and complications related to the flu

Changes gut microbiome for the better

Regulates periods and reduces other symptoms in people with PCOS

Lowers risk of breast, colon, and prostate cancer

Lowers risk of dementia

Lowers risk of stroke

May increase lifespan

[redd956]

Worldbuilding Food: More than meets the eye

So, you want to world build food but maybe you don't know where to start, have hit a roadblock, or are just looking for some interesting places to addon to. I've got your back.

Vegetables, Fruits, Grain, Nuts, & Fungi

One of the first things I think of when it comes to food is fruits and vegetables, and the line between them is surprisingly small.

Like tomatoes are vegetables? Pumpkins are fruits but other gourds are not? When does a herb become a vegetable? Although important to classify, don't let it be your main focus.

Start with

How the produce grows

What it looks like throughout different stages of its life

What parts are edible

How most people consume the produce

How the product is harvested

Is it seasonal

What about the produce that makes its growable environment habitable

How it spreads/reproduces

There's many different unique ways fruits and vegetables grow in just our real world, but that doesn't mean you can stop there.

Cranberries grow on vines that actually float on the surface of soggy ground and water in wetlands. Cashews actually grow on the bottom of cashew apple, which is it's own edible product. There's lots of different ways plants can grow, and what they even need to do so.

Some produce even have their own defense mechanisms (which often which becomes a form of flavor to us). Don't think these defense mechanisms stop at protection from predators. Strawberries are an aggressive plant, fighting, killing, and taking over any nearby plant neighbors. Some plants have thistles and thorns, and others are the hard shell or peel we end up effortlessly cutting through.

Try to think of some environmental things in the world your working with that the produce would have adapted to.

I think my favor example of this IRL is sunflowers. They change directions to face the sun, and when they can't find the sun they face each other. Eventually their seeds weigh them down, and which they'll always face east.

Don't forget fungi is edible too, and has it's very own unique properties.

(Don't forget yeast -> bread, you can make up whatever food you want)

Meats & Agricultural Animals

I myself am not a meat-eater, but I understand the importance of animal products to a society. If you world doesn't have it, don't fret. This sector won't just be about meat products, but it will contain a lot of it.

Food and what animals are considered for consumption changes from culture to culture. The same can be said for treatment leading up to their role in society as the food on people's plates. Often times a culture cannot imagining eating an animal they see as part of the family, such as dogs or cats IRL, but other times it's seen part of a religious practice such as cows.

There's a lot of cultural stuff that goes into our agricultural animals, both for work, dairy, textiles, and food.

Here's some ideas to start with

What parts of them are edible and used for food

Do they produce any dairy or egg products

How old do they have to be before becoming a produce animal

Are the animals used for other resources too i.e. bones, fur, skins, skulls, blood, etc.

How much food does one animal make

Typically how are they are killed, if they are

What conditions are these animals kept in and are they viewed humane

What environments allow these animals to thrive alongside the people of your world

What does the animal eat

Now... Let's into some culture and religion

Religion and culture has a major impact on what we eat. Take for instance Kosher, Halal, and more. Historical shortages in food even to this day affect what foods we eat. Culture also affects our tastes. The corn line of the United States is drowning in corn, and yet corn is seen as a sweet treat over seas in many nations.

Harvesting

How the harvesting goes changes a lot about a society, big and small. Think about how terrible a year would go in medieval times if harvest came up incredibly poor, or how wealthy our modern day world would look to those people due to mass production.

Here's some things to think about

What time of year are the biggest and most important harvest(s)

How common are agricultural workers

What would the average person see if they watched people work

What technology/tools are used

What happens if the harvest goes wrong

Do farmers/harvesters get special rights for their role in society

In older societies harvesting and how that went completely shaped how the next year would look. In some cultures the harvesters have been revered, while in other if crossed to far would be expected to tear the country to pieces. Think about the role harvesting plays in your society. What would happen if they striked? Or if a disaster swept the land?

The environment itself will change a lot about what harvesting look likes. Why does this environment work? What are the environmental risk to both the crop and workers?

Are we farming in the water, in the middle of the arctic, underground, high up in the trees?

Exotic Food & Immigration

While establish what the everyday food in the area is, don't forget to pay mine to the opposites. Immigration and trade play a major role in what foods end up on our plate. As cultures combine and mingle so do their food.

Take one look at the United States, infamous for it's large potions, fatty foods, and immigrant culture cuisine. A lot of foods in the United States are the results of cultures meeting to improve and add onto one another's foods, that includes American styles of pizza, tacos, and more.

Even major cities around the world have styles of foods unique to them.

Let's think

What locally seen foods count as exotic

What foods are nearly impossible to get

Is there access to foreign brands/produce

How expensive is most exotic foods

What styles of cooking are being brought in by foreigners

How do people get exotic foods

What foods would the locals not be able to eat due to not being used to it

Try to think about what makes this food exotic in the local area. Maybe it cannot grow in the local environment. Maybe the quality of the food is simply better overseas. Maybe the animal or plant is far too aggressively invasive for locals.

Trade & Transport

Food is both a very important export and import, especially in time of devastation.

Don't forget about exports too, what is your society giving out to the world, and getting back. Not all trade has to be capital based. Perhaps your world simply trades on good or service for another.

Here's some things to think about

What's being exported and imported

Are whole animals imported/exported

How is the trade being done i.e. trains, boats, aircraft, teleportation, etc.

Are there any obstacles to trade

What places are all involved in trading

How is the trade brought to where it needs to be inland

In what ways do these trades improve the lives of locals

Transportation is also super important to where food ends up, and more so in what volumes. How do people get all these produce or animals relocated? What kinds of storage are we seeing to keep things fresh (if health standards are even up to code in your worldbuilding)?

What poses a threat to things in storage? i.e. mold, foxes, animal thieves, disease, etc.

Restrictions

With supply and demand, comes outages, taxes, and restrictions. Unfortunately not everything in the food world goes right. There's natural disasters to come and destroy crops, hostile settlements to block trade, and especially that person who is really bad at cooking but they love doing it so you don't have the heart to say no....

Anyway let's talk restrictions and where they can come from

Wartime

Wartime can cause a lot of original farmers and workers to become soldiers. It also can lead to the large scale destruction of precious farm land, crops, animals, and overall places to cook.

Laws

Perhaps there's a particularly poisonous food, and way too many suspiciously poisoned people. That's when law comes in. There's many reasons for food and drink to become outlawed. Religious reasons, danger, regulations, inebriation, etc.

Siege/Embargo/Thievery

Knock knock! It's the United States here to embargo your random country. Outside factions can always become an obstacle, leading to loss of traveling cargo or straight up missing farmers too. Nothing comes in, and sometimes nothing comes out.

Endangered

Perhaps a common plant or favored animal is running low on populous. Now locals are more so focused on reanimating a dwindling population, more so on eating it.

Sickness

Whether it be hoards of invasive bugs, prion disease caused by cannibalistic animal feed, or sudden inexplicable field of dead corn sickness happens. Maybe something has swept over the land, and no one ever bothered to try to plant said crop again.

Natural Disasters

Natural disasters can not only cause the elimination of entire villages, but accidentally bring in lots of invasive creatures too. Catfish is off the menu for as long as carp is intown.

Straight Up Difficulty

Sometimes a fruit appears once a year, or a tasty creature is a dangerous one to take on in order to eat. It can be difficult getting the right ingredient sometimes. Other times it's new to the market. So much can happen when food is involved.

Preparation & Flavor

Finally all the food in the world is available, but what are we going to do with it.

Make it even better!

I personally find preparation to be the best part of worldbuilding. Now I get to imagine my fictional little people stewing their pots, and kindling their fires. Reflect off of real world recipes, and maybe even write down exact fantasy recipes of your own.

Don't forget about herbs and spices (I see you British people).

You have five basic taste receptors in your mouth: sweet, sour, salty, bitter, and savory. They make great descriptors and fun places to explore when looking into what your foods taste like. Smell can play an important role too.

Does it smell awful and taste great, smell sweet and taste bitter, perhaps it doesn't have anything at all going on.

Happy worldbuilding!

[historia-vitae-magistras]

i’d never even considered how the civil war would affect alfred during ww1, that’s a really interesting idea. would you mind expanding a bit more if you haven’t already?

fuck yes I can expand on that. TW for historic nastiness.

Okay to prelude— I don't typically do 1:1 state/gov to character but considering the cession of the south into a separate state and the US itself is the Union, my boy is in blue. In this blog's universe there is no schizophrenia or split personality or Doppelgänger or any other representation of the south. It gutted him and he lost feeling in a lot of his usual area and it severely weakened him but he represented the United States and that means union blue. And considering the north really doesn't have all that much moral leverage on the south especially in matters of racism, it's not much of a jump. If you aren't crazy about that, look away now.

So. Trench warfare. It's as old as humans bashing each other's heads in. Defensive ditches are an archaeological feature across the applicable world. But it's the American Civil War that might hold the gold medal for largest gap between how technology designed to kill had advanced spectacularly over any innovation that might save lives. I won't say deadliest because you do have the Taiping Rebellion around the same time but a lot of that was sièges and counter sieges and river based naval engagements. But anyway— rifled artillery and direct fire techniques had changed the game and soldiers were driven underground behind parapets and sandbags. Around Petersburg especially. And it's towards the end of the war when the Confederacy is increasingly desperate and hand to hand fighting is getting more common and more brutal. Entire regiments were lost in hand to hand mêlée. And if a soldier didn't die instantly, it was off to a field hospital. Guts ripped open by iron shells, lungs hanging from the tips of bayonets, wounds so infected they glowed, limbs hacked off by a surgeon who hadn't washed his hands in six days and sepsis rot so foul someone can taste it on the air even with the mouth closed. Malaria and typhoid so fucking bad the army cots would literally shake apart from how bad men shivered when the chills aspect of the fever cycle hit. I know it's fashionable right now especially on vintage fashion YouTube to say people in history weren't disgusting but like, I've been in archives for years. Yeah it fucken was. Never was medicine so far behind the ability to kill.

So Alfred's probably died a solid dozen times half of which from shitting himself because he's probably riddled with parasites. He's been shot, stabbed, slashed. Shaken, rattled and absolutely steam rolled. And the final part of his almighty trauma is this is happening just up the river from where he was born in Jamestown. Alfred is on his belly in the earth beneath the feet of the people that bore him and then rejected him, begging his Protestant God and any of his own people listening and the very earth itself to protect him, to keep him alive as shell after shell lands around him.

When every battle is over, the dead rot in piles across the fields and trenches. The famous photos of the Antietam and Gettysburg dead are days old, you can see some of the bodies had been looted. There were so many dead and so many dying that upon its tardy entrance into world war one, the US had a more coherent body management and disposal program than any other of the entente powers. Who had already been at war for nearly four years.

So yeah, in my opinion he got ten steps into a front line trench where the British and especially the French were just causally walking on bodies, he vomited so hard New York felt California rattling around in there and said fuck it. My boy was either off to cleaner pastures like Belleau Wood or the air corps. It was too much too soon and he just couldn't keep it together in those conditions. They knew what bacteria were by WW1 and he was a burgeoning world power. So he probably only went full himbo with dysentery twice in France so it wasn't as bad as his civil war flop era but oof. That smell, the screams, pressing himself into soil that is not his own yet again is too recent and too vulnerable. He can't do it again so soon.

[nhasablogg]

Are you falling in love? I've a feeling you are

Fandom: Red, White and Royal Blue

Characters: Shaan, Henry

Summary: Once Shaan notices Henry's crush on Alex he can't not notice it.

Words: 1.1k

Shaan, despite what people might think, doesn’t spend his days watching Henry. Helping Henry, yes. Being close by and attentive and adapting to what is needed of him from both a professional and a personal standpoint, yes, but he knows the prince needs his space and therefore doesn’t linger unless he needs to. This means it takes him a while longer than he’s willing to admit to realize Henry has a crush on Alex, who always seems to sneer whenever Henry is near. Shaan thinks it might be a problem for only a second before he starts feeling sorry for him instead.

Once he sees it he can’t unsee it. Henry forcing himself to look into Alex’s eyes. Henry fidgeting with his shirtsleeves whenever Alex is near when he thinks no one is looking. Shaan knows that Henry’s gay - got to witness him coming out to him during a very low point when he thought nothing was worth it after his father’s passing. Shaan knows he’s gay and he knows why Henry can’t let it show that he might be falling for the First Son of The United States, but it doesn’t mean that behind the scenes, when he squints and pretends Henry is just a normal 20-something-year-old, it’s not strangely cute how flustered he gets about it. How he seems perfectly fine to never interact with Alex ever again while simultaneously doing everything but somersaults whenever they do.

“Alex is coming, right?”

Shaan looks up from his crossword. Henry’s sitting across from him on the jet, his own face stuck in a book, as if his question was simply a passing thought he’s nearly forgotten about already. But Shaan can see the tint of pink on his cheeks. Can see the way his knee is bouncing.

“I would assume so.” They’re alone in this part of the plane, so neither of them bother with titles or formalities. “I’m sure he will be delighted seeing us there.”

Henry cracks a smile, which makes him look so much younger than he is. Shaan sometimes sees flashes of Henry as a teen, especially when he’s being vulnerable or relaxed. Before the tragedies, when he had an easier time smiling.

“He’s a pain in the arse,” Henry says fondly. They are still teetering on the line between acquaintances and friends, but Shaan expects them to tilt over soon. Expects being dragged to the States more often than not in only a few weeks, which, secretly, he’s quite happy about.

“He can certainly be quite an interesting character.”

Henry snorts and puts his book down. “Tell me about it. The other day he insulted me by calling me pretty. Isn’t that strange?”

Shaan leans back and watches the blush spread over Henry’s face and tries not to smile. “How exactly did he turn it into an insult?”

“He said something along the lines of my face being so pretty he wants to punch it.”

“That sounds like a threat.”

“But then he started laughing.”

“Ah.”

Henry ducks his head, maybe realizing he’s treading dangerous waters. “Maybe it was just an insult.”

“Did you think it was a compliment?”

“No-”

“Did you want it to be a compliment?” Shaan has never tried to approach Henry about his feelings like this before. Not because he thinks he will be overstepping - Henry has spent many drunken nights describing certain activities with slightly too much details to him and Bea - but because he’s not certain if Henry’s coping with this crush by pretending it’s not happening at all. Shaan thinks, rightfully so, that he has enough on his plate already for him to be forcing confessions out of him as well.

But he doesn’t regret what he said, he realizes as Henry snaps his mouth shut. He has a feeling they’re about to see much more of Alex Claremont-Diaz soon, and he needs them both to be prepared for it.

“I, uh.” Henry twists his head to the side, but no one else is around them, and so he turns back to him with a hushed, “Maybe?”

Shaan does smile then. Can’t help it when the prince is sitting bright red in front of him, squirming like a teenager. “Good to know.”

Henry’s laugh is nervous, high pitched and giddy. “God, I’m so fucked, aren’t I?”

Shaan pats his knee. “We’ll figure it out.”

*

Shaan does watch him now, wondering if Henry will be able to handle the blooming friendship. He admitted to how long he’d been crushing on Alex and Shaan mentally facepalmed at not having caught it.

“It’s okay,” Henry said with a laugh. “I was very good at hiding it. I do admit it was easier when we only saw each other twice a year though.”

So Shaan now watches him to make sure his feelings are hidden well enough and hates himself for it.

It’s different when they’re alone and Shaan can hear their laughter through closed doors, sometimes with Nora and June and Pez and Bea. Whatever Henry chooses to display then is up to him, though Shaan has a theory that Henry would rather die than confess to having feelings for Alex. It’s a bit of a shame, because Shaan is pretty certain Alex has a crush on him too, but doesn’t really know it yet himself. But the times he gets to watch them, whether they’re in a booth or walking through corridors, and Alex goes out of his way to touch Henry (which Henry will be freaking out over later, he’s sure), he notices how Henry leaning into the touch doesn’t deter Alex at all. On the contrary he seems to start touching him even more, all arms slung over shoulders and knees knocking into knees and squeezes to sides and thighs once he realizes Henry’s ticklish. Shaan watches his prince giggle under Alex’s hands and is struck with such sadness that he has to keep this hidden.

*

Shaan keeps watching them, mostly to make sure no one catches them. Seeing Henry happy and in love is just a bonus. Because he is 99% sure Henry’s in love with Alex and that their friends with benefits situation is going to ruin him if it ends badly. He watches them and tries to determine if this is simply a good time for Alex, and he feels it isn’t. He feels he’s just as into it, just as invested, and then Henry of course starts pulling back because he can’t for the life of him figure out how he will be able to keep this up while living the type of life he’s living. Shaan hates that he can’t blame him for it.

For a while, before Henry tries to end things, it’s all hotel rooms and secret meetings and flying across the ocean too many times than he can count. It becomes a bit tedious, but Shaan never complains. Not when Henry all but glows every time he sees Alex.

“I��m not glowing,” he protests when Shaan brings it up, and Shaan doesn’t say anything about the way he smiles when he says it.