#with that being said...what do you think of the new icon? its not much of a difference but im still kinda proud of it. even if its old now

[bf-xml]

🎤 Look he’s pogging lol

🎤 I wonder what he’s missed...maybe the tags will give a hint or two.

(That means read the tags teehee thank you)

[hotvintagepoll]

Propaganda

Veronica Lake (I Married a Witch, Sullivan's Travels)—her look is so iconic they used her as a visual model for jessica rabbit in who framed roger rabbit and a bunch of other femme fatale types in cartoons and live action alike. i didnt think i liked women and then i saw her in sullivans travels and said gee i hope this doesnt awaken anything in me! every role ive seen her in she absolutely oozes an aura of "i know people would ask me to step on them" and her EYES bro every photo ive looked at for this submission its like shes piercing thru time and space to judge me <3

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Veronica Lake:

Her HAIR, her FIGURE, her VOICE, the way she wore LEATHER AND SANG SONGS FOR NO REASON.

I don't believe there's a person on earth who can watch Veronica Lake in I Married A Witch and not be struck by how gorgeous she is. She had that youthful wonder about her that almost every Hollywood starlet was trying to achieve. Her hairstyle (peekaboo bangs) became an iconic Hollywood style after she popularized it, and made her signature look all the more suggestive. Also, witches are tumblrs favorite!

ICONIC hair sweep

The US government literally begged her to change her hairstyle because it was TOO HOT to handle and women who copied it were getting their hair caught in machinery

Her hairstyle was so iconic and popular that the war department had to come out with a PSA instructing lady ironworkers with ways they could pin their hair up to avoid it getting bound in machinery. [https://veteranlife.com/military-history/veronica-lake/]

She played a lot of femme fatale roles but my favorite is Sullivan’s Travels opposite Joel McRea, which is a comedy. She became famous for her hair style at the time—she wore it long and parted on one side so it would fall over half her face in a very sexy way. They called it a peek-a-boo I think. You’ve definitely seen Bugs Bunny dressed up like her, so I think if she’s being honored in such a way she’s very cool.

look at her

she's GORGEOUS in her little witch outfits that she wore for promos and also in the oversized coats and pajamas she wore throughout the movie...she's got RANGE

My Grandpa supposedly dated her in high school, he drove her to school in his car every day. This is legend in the family.

She has gorgeous hair, has got the smouldering look over the shoulder down PAT, and is just drop-dead gorgeous too!

Schizophrenic icon, popularized the peekaboo hairdo long before Jessica Rabbit

She’s just so prettyyyyy

So much hot in such a tiny package. She was no more than 5 feet tall, and some reports claim as small as 4'9"

If you picture a femme fatale in your head, almost certainly Veronica Lake had a hand in shaping the image you think of. She came to embody the look of the noir leading lady as well as the sound and the performance. Certified Noir Baddie.

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.

[astonmartinii]

love love love these social media aus. i am obsessed. would love to see a soft launch with carlos maybe of him showing her spain and his home? carlos just screams old money european vibes and i love it

old money | carlos sainz social media au

pairing: carlos sainz x reader a class in soft launching 101

carlossainz55

liked by landonorris, charles_leclerc and 301,671 others

carlossainz55: some much needed time at home

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username WHOMST?

landonorris so i see my invite was lost in the mail?

carlossainz55 i thought you were tired of third-wheeling?

landonorris touche

username was deluding myself that it was maybe his sister but the third-wheeling comment just slapped me in the face

charles_leclerc ahhhh my favourite sainz

carlossainz55 thanks mate you're my favourite leclerc too charles_leclerc i meant the dog mate arthurleclerc that's not what you said to me at imola sainz

yourusername

liked by carlossainzz5, yourbff1 and 21,761 others

yourusername: let's go explorin'

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username i'd eat her last when we eat the rich

username what i'd do to be her friend? assistant at least?

username i saw her in madrid the other day and omg she's even more graceful in person

username her posture is insane i need it bad

username while she looks great and you're all right - are we ignoring that a MAN is driving the car?

username i am ignoring it because i don't want to think about it username she can't be the coolest person in the world and be in a relationship it's not fair

carlossainz55

liked by yourusername, landonorris and 359,561 others

carlossainz55: blood is thicker than water

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username my favourite pastime is watching the old money aesthetic overtake carlos' entire being as soon as he sets foot back in spain

landonorris oh he's getting braver

carlossainz55 you gonna be bitter under all my posts cabron? landonorris until i'm wifed again, yes.

username so like why is y/n here?

username is that defo her? username i was referring to her liking the post but now you say it, the girl on the horse does look suspiciously similar

charles_leclerc mommas boy

carlossainz55 didn't know it was a crime to love my mum

username so yall be yelling about y/n but not telling us who she is and why she matters

username y/n y/ln is a spanish socialite whose family own a lot of the high end restaurants in madrid but she's most known for her poetry and style username so do we hate or love her? username i like her, and a lot of people do, just usual dislike for being grossly rich but from what i've seen she's pretty down to earth

yourusername

liked by carlossainz55, charles_leclerc and 29,871 others

yourusername: keeping the operation smooth

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username THIS ISN'T FUNNY

username stop playing with us please

username i feel like this is all the confirmation we'll get

username y'all i know he's an f1 driver and everything but we all know he's PUNCHING

username i need her haircare routine STAT

f1wagsupdates

liked by username, username and 1,249 others

f1wagsupdates: it's all but confirmed!! after a pretty solid soft launch from both carlos and his new lover y/n y/ln, her latest post was captioned "keeping the operation smooth", playing on carlos' iconic theme song. our sources state that the driver and socialite poet have been together for as long as six months but after other relationships and relative platforms, both were determined to take it slow. what do you think?

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username they're very cute and i can't wait to see her paddock looks

username bestie i fear you'll be waiting a while she's notoriously private when it comes to event appearances - really only going out for her family or her own events

username they're annoyingly sexy like save some for the rest of us

username this soft launch feels like its been going for about seven years

username f1 drivers defo have a type

carlossainz55

liked by landonorris, yourusername and 720,778 others

tagged: yourusername

carlossainz55: mi hermosa

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username AHHHHHHHHHHHHHHHHHHH

yourusername you live in my heart

carlossainz55 and i never want to leave landonorris free real estate yourusername my favourite third-wheel carlossainz55 stay out of grown people's business landito

username they're so lana del ray coded

yourusername

liked by scuderiaferrari, carlossainz55 and 71,230 others

tagged: carlossainz55

yourusername: life with you feels like poetry in motion

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username NOOOOOOO WE LOST HER

username but does this mean new poetry ??

carlossainz55 you make me crazy baby

yourusername crazy in love

username when will it happen to me?

landonorris finally i can interact without having a year long argument with carlos

lando.jpeg

liked by carlossainz55, yourusername and 301,285 others

lando.jpeg: a study in third wheeling, a six month project by yours truly

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username i'm obsessed with this couple actually

carlossainz55 as much as you are annoying landito, thank you for these ❤️

yourusername we love you landito landonorris so i can use the boat yourusername i don't love anyone that much carlossainz55 eh? yourusername other than you obviously

username lando just starts domestics in these comments and i love that for him

note: sorry this one is a bit short, but i hope you enjoyed anyway!!

[pippin-katz]

Alright, I have mostly restrained myself, but I cannot stay quiet any longer. There is a question that has been eating at me...

Whose fucking idea was it to have Henry (Nicholas) constantly grabbing Alex's (Taylor's) hair?!

Note: I'm adding this in after finishing writing this because this was supposed to be a relatively short post, and then it spiraled out of control, so if you want to listen to me gradually lose my sanity over this question, feel free to keep reading, cause it is admittedly funny lmfao

Another Note: This is me being overly sarcastic and hyper cause it’s funny for me to think about that situation. This is supposed to be a funny post. I said that at the end, but I’m adding it here too.

Listen, remember what they said about the intimate scenes: they were planned down to every detail. Remember what Nicholas said about having conversations with Taylor, Matthew, and Robbie about boundaries, what was okay, and not okay. Remember that they have A LINE IN THE FILM ABOUT HENRY GRABBING HIS HAIR (iconic).

Do you see it? Do you see where this is going?

The hair pulling/grabbing is not random. It doesn't happen in just the New Year's kiss to set up a funny line later.

It happens all the time.

Even in soft moments, Henry has a hand in his hair.

The hair grabbing gets its own shot in their love-making scene.

Consistent small actions (twisting a ring, biting nails, drumming with fingers, etc.) are character habits. They're things that they do all the time, subconsciously or for a decisive reason, usually if you know that action causes a specific response that you want for any reason.

There's a coworker that drives you crazy, so you purposefully hum really loudly whenever they're in the room to piss them off. Your friend has a sensitivity to the color red, so on days you know you're going to see them, you avoid wearing it. Your partner has muscle cramps, so you massage their shoulders whenever you're standing behind them.

These habits usually start as conscious decisions, then gradually become subconscious, hence the term "habit". You've been doing something for so long or for frequently enough that you do it while on "autopilot".

I think it's pretty obvious why this action happens. It's because A: Henry likes feeling of his hair, and/or B: Alex likes when someone touches his hair. Note: This could be in any context, not just sexual; running fingers through it, washing it, styling it, etc.

Either you figured out what I am going to say, and you're wondering why I'm blabbering on so much, or you're just confused about where I'm going with this at all, so here's where it all clicks together.

When you have a character, habits are something you give them to give them more personality, more insight into their mentality through subtle things they do. It's something the director/writer/actor chooses to give to the character.

BUT - nothing in the intimacy scenes happen without being discussed and agreed upon.

This isn't like Nicholas fidgeting with the signet ring to show Henry's nerves. This isn't like Taylor frequently making little hand gestures (peace signs, finger guns, tapping the side of his glass, etc.) because Alex has undiagnosed ADHD and that's one way to physically imply it.

They can do those things without being told or given "permission" because it's their portrayal of the character, it doesn't effect anyone else, and small details like that are typically up to the actors, unless the director is incredibly strict.

BUT - AGAIN WITH FEELING - NOTHING IN THE INTIMACY SCENES HAPPEN WITHOUT BEING DISCUSSED AND AGREED UPON.

That means that someone, one of the four of them, brought up grabbing his hair as a suggestion, and further more, Taylor (and Nick, but obviously Taylor's consent is more important in this specific case) was fine with it.

Think about it. Think about them sitting around a table discussing the kinds of stuff that Matthew and Robbie would want to see, and what Nick and Taylor would be okay with. Think about the fact that one of them was sitting there, and looked at the other three, and said: "What if Henry grabs Alex's hair a lot?"

And then the four of them had to sit there, and talk, in depth, about what that would mean.

*inhale*

Who... the fuck... said it?

WHO SAID IT?!

Did Matthew and Robbie present it as part of the initial planning?? Or did one of them look Taylor and Nick in the eye and say it?? Did Nick throw it out there as something he thought Henry would do?? Was it Taylor??? Since it's his hair???

Cause it's not just like, running Nick running his fingers through it, combing it during some tender moment, like when Alex talks about his father being an immigrant.

HE FUCKING GRABS IT.

What the fuck were these conversations like?! I cannot think of a single way to have that conversation where someone wouldn't have to say something that would make me make me go UHHH-

What? So - Matthew's like "how do you guys feel about touching each other's hair?" -and they're like "what, you mean like running our fingers through it?" -and he's like "nah yanking it while you're making out"

Like... what do you say to that?! - "oh which one of us would do it to the other?" -and what, did Taylor fucking volunteer?? Just like - "he can pull my hair, it's chill" - WTF?!

Or did he suggest it in the first place, like they were discussing things that would that could be part of Alex and Henry's dynamic and he's just like - "he could pull my hair?" -and the other three just stared at him for a second, because wtf that's a intensely intimate action to suggest?!

Hair touching in general is really intimate, in like, every context, at least I think to most people, and definitely to me. Most people wouldn't just let someone, even someone they were friends with, start playing with their hair or touching their head. I wouldn't even let my best friend randomly touch my head; I would instinctually try to bite their hand off (not a joke). Maybe I'm a slight bit more touch-repulsed than most, but I feel like it's safe to say that the majority of people don't want their hair and head being touched, grabbed, or played with unless they say so.

And again, they do it CONSISTENTLY. It's not a one and done scene. It is an actual dynamic between Alex and Henry they chose to establish.

SO I ASK AGAIN: WHOSE IDEA WAS IT?!

I'm looking at you four, Matthew, Robbie, Taylor, and Nicholas. I know it was one of you cheeky bastards that suggested it. One of you brought it up, and the rest of you were like "sure".

I will be forever haunted by this mystery, as I doubt I will ever get an answer.

Note: Please don't take this super seriously. I'm not trying to imply anything; I'm literally just joking around cause the concept of having that conversation boggles my mind lol

[ju1cyfru1t]

Hiii pooks! 😙 I love❤️ ur writhing sm

I’ve been having such a spider man phase after watching the new spider verse movie and I was wondering what would the turtles think when they figured out reader being NY’s Spider women or spider person like they haven’t told thier turtle bf about it and stuff (live for the drama😵‍💫)

Always love you and def feel free to ignore!

I LOVE THIS thank you pookie 🤭 hope u like it 🫶🏻🕸️ u didn’t specify so I’m gonna assume you meant the rise turtles!

Rise! Leo, Mikey, Donnie, Raph x Spider-Woman! S/O

ROTTMNT x Reader

fluff! :D, fem! reader, contains swearing, not proofread

Leo

- He may not be the brightest mutant, but he is observant

- Probably interrogated the info out of you

- -> “Y/N, where exactly were you last night?” “Oh, uh…I was with, um, April.” “That’s funny…considering April was with us!”

- It didn’t really shock him to find out you had a big secret, what did shock him is what that secret is

- He’s also a little hurt that you didn’t tell him. Don’t you trust him??? But that wasn’t his biggest concern

- “Wait, so like…spider woman as in like, big mama kind of spider woman?” NO-

- You would have to really explain it to him

- But let’s be real, he still wouldn’t understand so you’d have to show him by like climbing up the fucking wall or something

- But he really does think your powers are super sick

- Laughs when you try to explain your spidey senses -> “wait, you’re serious?”

- ^ calls them your “tingly thing”

- maybe you can web his fucking mouth shut

- LOVES your suit, thinks you look stunning and super awesome

- “You know, I always said that was your color Y/N!”

- Invites you to patrol with them! (then he doesn’t have to do as much)

- thinks you’re so hot when you fight (NOT IN A FREAKY WAY YOU FREAKS) and hypes you up

- freaks tf out if he ever gets a web on him, including if you were to swing with him to get out of harms way

- doesn’t ask for them, but he can’t deny he likes the iconic Spider-Man kisses

Mikey

- would just straight up ask if you’re hiding something. Dr.Delicate touch DOES NOT PLAY ‼️

- Of course this would be something you’re hesitant about, but he would remind you that you can confide in him

- Def was not expecting THIS.

- He is asking you a million questions all at once, and will sit nicely and listen as you explain with starry eyes (stop lookin at me with them big ole eyes)

- You’re #1 fan and biggest hype man

- Thinks you’re the coolest person ever fr

- Wants to swing around on your webs with you. Around NYC, in the lair, in Donnie’s lab, on missions, it doesn’t matter he WANTS it.

- THE ICONIC SPIDER-MAN KISSES ALL THE TIME ITS HIS FAVORITE WAY TO KISS YOU NOW

- weirdly interested in your webs 🕸️

- Compliments your suit anytime you wear it around him; thinks your mask is so so cute

- ^ in his free time he’ll sketch and color new suit designs to show you (also just drawings and paintings of you in your suit)

Donnie

- isn’t going to pry any secrets from you; but he does secretly wish you’d come to him on your own.

- so you can imagine his gratitude and relief when you finally tell him what’s up

- Doesn’t really say anything about it, but he doesn’t get why you didn’t just tell him sooner. I mean, you do know he’s a hero too, right?

- he’s fascinated, he’s never seen anything like your powers before. especially because you’re not a mutant.

- really just asks questions about how it all works. Your webs, how you stick to surfaces, your enhanced senses, the whole deal yk?

- He did NOT like big mama’s webs, and he doesn’t really like yours either I’m so sorry.

- ^if he needs them, would ask to use some like he did with Big Mama’s

- It’s not you I swear he just can’t do it

- you could like climb all over his lab ceiling and walls and scare the shit out of him tho

- ^ “Y/N get down this instant! WE TALKED ABOUT THIS-“

- admires your enhanced senses and intuition of danger

- is absolutely gonna make gear for you, as well as offering to make upgrades to your suit

- wouldn’t really directly say it, but he really likes the design of your suit. it just fits you so well. (he IS going to make a purple one for you)

- would scream if you ever just dropped down in front of him to kiss him spider man style

- ^ traumatized; it’s not his favorite thing but he doesn’t mind terribly

Raph

- might take him a while to notice if something is off about you. Leo or Mikey would probably have to directly point it out for him to realize fully

- Isn’t going to beat around the bush and just asks why you’re acting lowkey shady

- really shocked, might take him a second to process even if he doesn’t really know exactly what you mean at first

- honestly he understands why you keep it a secret, just a little saddened that you kept it from him

- He’s gonna need you to really explain your powers

- “…where do the webs come out of tho?”

- would deepen your bond and connection. you can really relate to each other carrying a deep burden and the pressure of responsibility.

- AMAZING DUO with his strength and your agility

- very good hype man

- takes you on most missions and patrols, thinks you’re a really valuable asset to the team

- also calls your spider senses your “tingly thing”

- it’s not that he doesn’t like your webs, something about them just make him nervous. Refuses to let you swing him on them unless he’s in immediate danger.

- does NOT let you crawl around the lair walls, he’s scared you’ll hurt yourself

- ^ “Y/N! You’re gonna hurt yourself, GET DOWN!”

- really thinks you look so pretty in your special suit, he just doesn’t know how to say without feeling like he sounds dumb. He would DIE if it was red.

- “ I really…er, like your costume.”

- very supportive! he gets the struggle of protecting the city, but is happy you get to do it beside each other. :D

- he likes the spidey kisses, they just really fluster him

——————————————————————————

y’all I’m sorry if there is any misinformation in this don’t flame me but I haven’t seen atsv yet

[ratrrriot]

How do you feel when people call Amy a stalker?

People can call her what they want, however…

Do i think it's fair to call Amy a stalker?

In some of the games? Yes, and even in some of the ones she wasn't a stalker per-se, she still showed possessive and obsessive tendencies. So i get where it comes from...

Generally? No. Her character originally wasn't supposed to be a harasser and she sure isn't one in the present. the franchise has been clearly trying to do better for her these past few years.

I think Amy's changing characterization is an interesting topic of discussion, so even though i technically already answered your question i'll take this chance and proceed to talk about my fave for way longer than i need to :).

Note: This is just my take on Amy and the way i understand her ENGLISH PORTRAYAL. I won't be talking about her japanese one which would deserve its own analysis.

Sorry for any writing mistakes in advance (english is hard) and feel free to correct me if i'm factually wrong about something (i wrote this thing mostly from memory so i imagine i must be.)

Amy has changed A LOT troughout the games and has been in the hands of many different writers across Sonic media ,so when talking about her is important to be specific about what game,series or comic we are talking about (and language),and while i know that some of you might not agree and i respect that, i think that -looking at the subtleties- Amy has had at least 6 different portrayals through the course of the games. That being said,i believe the idea that she is a stalker comes especifically from the characterization they started giving her around 2003

Originally,Amy was envisioned as a sweet 12-year-old kid who had a huge unreciprocated crush on her idol and a passion for fortune-reading ,but who wasn't exactly much of a heroine herself. In the classic era,her place in the narrative was just to serve as a damsel in distress and a cute,funny detail. Ofc,in comics and animated shorts for games like Origins, we have gotten more content of classic Amy being fully independent and capable of defending herself (even more with the upcoming playable mode for her in Origins Plus), but i think we can all see how such aspects of her character weren’t included at the time she was created (only exception being Sonic Fighters)

Especifically in the adventure era (AKA the birth of modern Amy) they gave Amy her iconic strong,compassionate,romantic personality and an interest/love for adventure (and her sassy attitude ofc). She's outspoken,stubborn,brave and honest. I also want to point out that in this first portrayal ,her love for Sonic feels more like innocent childish idolization than an obsession and that her character doesn't revolve exclusively around it (she will stand in his way if she doesn't think what he does is right). Tbh i think she's incredibly funny,cool and lovable,

They slowly started planting the seeds for her character to stop being a "damsel in distress" by making her playable and defeat ZERO all on her own at the end of SA1,then also being playable in Sonic advance and helping Sonic get out of prison in SA2 (and tagging along for the rest of the adventure). In all these games,her character revolves around empathy,optimism and kindness. The way she protects the flicky since the moment she finds it,how she defends Gamma from Sonic and the iconic moment in SA2 where she convinces Shadow to help save earth are all great examples.

THEN, in Heroes , they decided to try something new with her taking her confidence and sassy attitude to a whole other level. Giving her the chance to be a fully-fleshed hero who didn't need rescuing anymore. She became independent and the leader of her own team of friends who she wanted to help. I love this Amy cause she feels really strong,determined and empowered without losing her peppiness,silliness,positivity and kindness. Her flaws are also especially endearing to me: How much of a wild kid she is,How even if she means well, she relies way too much in brute force, How she has trouble getting out of her own head, etc. She really feels just as confident and energic as Sonic,but just like him,you can tell she has a huge heart.

HOWEVER, as much as i love how they made her strength and bravery shine in this game, Heroes was the game that gave birth to the idea that Amy is willing to chase and even fight Sonic just to insist that they should marry (in SA2 she did follow him to the prison but it was only to help him and tag along in the adventure).

Ofc this was supposed to be comedic and to be seen as childish,harmless behavior- I say this because the rest of the characters,including Sonic himself,don't seem to take it seriously- but what was supposed to be seen as an endearing flaw at the time, would rapidly mute into what's probably Amy's worst portrayal ,as the writers turned it into harassment for the next mainline games (Ignoring Shadow the hedgehog where she is the same as in heroes and only has a brief appearance.)

Before i go into Battle,i just want to say that the definition of stalker according to google is “a person who harasses or persecutes someone with unwanted and obsessive attention.” A definition that definitely did not apply to her before Heroes,but that i can't deny that does apply to Amy for the next few games:

In Battle, Amy is suddenly written as aggresive and self-centered. All her compassion and empathy from the adventure era is gone, intimidating people (even Cream) and demanding information from them from the get-go. Of course she does a few good things throughout the game too,like take care of Emerl and such,but she still mainly uses him for her benefit (calories counter and emerald radar). Right off the bat,at the start of her storyline she insists on searching for Sonic even when she herself assumes he is hiding from her -which implies she knows what she's doing is worth hiding for- and tries to justify her behavior by saying that Sonic actually loves her and that he is being “ just shy “ or that “ he got cold feet”- while others characters react in a way that implies that's obviously not the case and that her behavior is worrysome..

I think it's important to mention that before Battle, we hadn’t gotten a single line of dialogue that implied that Amy tought that her behavior could be hurtful for Sonic, nor did she ever threaten anyone at all unless it was self defense. She knew he didn’t reciprocate her feelings and was actively trying to make him fall for her anyways,sure, but we gotta remember that while the canon ages might have been scrapped recently, at the time Modern Amy was created they were still very much canon and you can tell they had them in mind when writing these characters. Amy was supposed to be 12 ,so it makes sense that she didn't understand why Sonic wouldn’t accept her affection. She idolized him and misinterpreted the fact that he always was protecting her as possible romantic interest,but never actually imposed anything on him. The worst thing she ever did to him was wanting to hug him without consent,and again, the games implied that she clearly didn't realize such a thing wasn't ok. Sonic also didn't seem to want to hurt her feelings so while he did run away and expressed being annoyed by her he never explicitly told her to stop. I actually think that if he had sat her down and made it clear to her that what she was doing was truly bothering him, The Amy from the adventure era would have stopped, but i doubt he cared enough to do that honestly (after all ,in his recap screens it is implied that what truly bothers him about Amy being near him is not her crush,but that he thinks shes exposed to danger.)

BUT in Battle and for the next three games,Amy doesn’t seem to be written as a 12-year-old who mistakes admiration for love anymore. This is where the writers started to portray her as someone who is clearly still young and definitely childish but not innocent. Her whole character revolves around harassing Sonic and using her strength to intimidate others, and don't get me wrong,I like that Amy gets angry easily!! i like that she isn't afraid of a fight,that she complains a lot, and that she isn't peaceful. After all,those are important parts of who she is. But Battle!Amy is on a whole other level: she gets mad at her friends just because they don't agree with everything she does or says. It's not about having a strong personality anymore,she's just generally aggressive. For the next few games she and Sonic can't have one normal conversation that isn't Amy imposing her own wishes over him and him trying to get away from her, so it's hard to believe she wouldn't realize that what's she's doing is wrong nor accidental as we were supposed to before. This time It just feels like she is deciding to ignore the signs.

This continued in advance 3 ,where she literally threatens him with her hammer just cause he shows signs of not being interested in spending time with her when they meet, Then in rush she becomes possesive and jealous the second he mentions Blaze and also seems to treathen him with the hammer in the credits scene because he is running from her hug.

They changed the direction of her characterization again after Rush. The best way i can describe the Amy that is present in Riders,06,etc is one that has two very polarized sides to her personality. On one side,she is a peppy,sweet,over enthusiastic and romantic girl, on the other she is a pretty intimidating one with an obsession with Sonic and very fiery temper. However,contrary to her last portrayal,she is more polite and actually asks Sonic if she can come with him various times,doesn't harass him and doesn't threaten people simply cause they don't agree with her anymore, but she still doesn't seem to have any sense of boundaries,still follows Sonic without permission sometimes and still clearly has no consideration for his personal space. Another thing about this Amy is how her flirting is really intense, and even if she isn't as aggressive as the Amy from Battle,if someone messes a bit with her she doesn't hesitate to resort to intimidation or take her hammer out.

She still gets violent towards Sonic sometimes,but what's different from her last characterization is that instead of doing so merely because he doesn't show romantic interest in her ,its mostly because he doesn't follow on his promises (end of Black Knight) or shows up to save her “properly” (Referring to 1- that scene in Riders where he blows eggman -who had caught Amy- away with wind and she chases him with her hammer because “how could he not think that would hit her too “ and 2- the one in Zero Gravity where he arrives late to save her and she playfully throws him a few fists saying that “it took him long enough!”). I don't think she's necesarily right to do that but i don't consider it to be problematic either, since by that point the games had strongly implied that there was a non-spoken agreement between the two that he'll always show up to save her and the whole thing feels more playful than anything else. Mostly because Sonic seems to be fine with her being around again, as he never really denies her acussations or runs away when she gets mad,and even tries to explain himself to her.

So yeah,this Amy is one of the more famous -and infamous- ones,as her negative and positive qualities are more balanced than the one from Battle. However,i personally don't like her much as there's almost no focus on the empathetic/compassionate side of her character that was so prominent in the adventure era and ,even if i wouldn’t call this version of her a Stalker , she's still is way too obsessive and possesive for my liking. The writing for her character is still pretty much completely based on being attracted to Sonic, to the point that In 06 she tells Silver that, if she had to, she'd “choose Sonic over the world".

In Sonic Chronicles , Amy gets a lot of dialogue. She gets jealous in a scene but its not as bad as in Rush and she tries to make Sonic jealous by inventing a fake boyfriend (terrible trope) but her levels of aggressiveness are up to the player's treatment of her. I am ,however , mentioning this game because of a scene in specific near the final section in which Amy is scared they might die and aks Sonic if she can have a moment with him. She then tries to have a serious conversation and politely asks if he cares about her or if he likes her at all. if the player chooses to make Sonic say he does care for her she is legitimately surprised and thankful. Idk what happens If he rejects her cause i haven't been able to find any recordings of that and i never owned this game,but i'll assume that her reaction won't be too bad considering she is asking in the first place(?) feel free to tell me if you know…

This portrayal of Amy is still present in Unleashed (2008) ,in which Amy is there to cheer/support Sonic on throughout the game and to serve as an important indicator that Sonic is quite self conscious of his looks when he's a werehog. She is generally very sweet towards him in this game (especially when she shows no rejection towards his werehog form,which is a detail i adore), even if she does get annoyed when he doesn't pay as much attention to her as he does to Chip or reciprocate her feelings.

A good example is how, before the last temple ,she asks him if he'd like to go on a date with her after everything is over. If you choose the positive dialogue option she is ,again, positively surprised and thankful. If you make him say no she complains about how he's being mean, but doesn't insist on it and just accepts it.

In Free Riders (2010) ,Amy just generally acts extremely out out of character (like,she doesn't even fit into Battle's portrayal). It really feels like someone who didn't know anything about the character wrote her, so for the sake of the pink hedgie let's ignore it and go back to talking about portrayal 4.

I already mentioned her brief apparition in Black Night and there's nothing worth mentioning about her in Generations so i'll skip them.

This portrayal ended in Lost World (2013),In which they toned down Amy as a character in general,leaving out all of her flaws and iconic traits out. She feels plain and her strong personality,confidence,sass,energy,etc all seem to be completely gone. She's just sweet and that's it . For some reason there's a scene where she literally tries to confess to Sonic and is cut off before she can finish,which is very funny considering it had never been treated as a secret before??? it really goes to show how hard they were trying to pull some kind of reboot on her. Fortunately,this characterization was only a two-game-thing (She is just as plain in Forces (2015)) so i'll put it in the same bag as the Free riders one and we'll leave it at that.

After Lost world came Boom (2014) ,and then we got the most recent change of Amy's personality,which we all know has had a mixed reception from the fandom. Originally people thought that this Amy would stay just in the Boom universe ,but this personality has been showing up in the mainline games for a while now,like in Team Sonic Racing (2019) and Frontiers (2021).

This Amy feels older than any of the ones that came before her. She kept the sass,the love for romanticism,the positive attitude,the confidence and the strenght but her bad temper and over enthusiasm are gone,as she is generally more calm,less energetic and not childish at all. Most importantly,this Amy is extremely emotionally intelligent,as the rest of characters seem to look for her help and advice constantly ( to the point that she has been given the "therapist friend" title by the fandom and is even referred as "the nice one" by Eggman himself ). Another interesting thing about this Amy is that she doesn't flirt with Sonic anymore,In fact, she barely expresses her liking for him (She does so a bit more in Japanese chz the characterization varies) and Sonic seems completely comfortable with this version of her around.

A lot of people say that this version of her is out of character and I completely understand where that comes from, but i must disagree because this characterization of Amy is the first one since the adventure era that focuses on her compassion/empathy rather than on her crush on Sonic, which combined with her intelligence,makes her not out of character,just the most emotionally mature Amy to date instead. I actually think that if the og modern Amy had grown up,this is the kind of personality she would’ve developed while becoming an adult (although she isn't supposed to be one). A good argument to defend this point would be that one Egg-memo you can buy through the fishing minigame in Frontiers where Eggman talks about how Amy has "come a long way" and how it took her some time "to find herself" and get out of Sonic's shadow.

Only problem i have with this Amy is that i wish she was more flawed and bubbly,mostly cause she can come off as very plain from time to time and way too mature. She is a bit too perfect for my taste. I'd like her to mess up more,to not always be so smart,to be more impulsive,a little bit more clumsy,fiery and wild,just so she could have some more of the charm of the original,y'know?

Before i talk about her more recent Videogame portrayal (TMoSTH) i want talk about IDW Amy:

in IDW, all of Amy's flaws and positive traits from past games are balanced pretty well: she is flawed and relatable and can mess up a bit sometimes because of her impulsivity,but she's emotionally and strategically inteligent, optimistic and incredibly kind. She is a great fighter and leader,but also a wonderful friend who offers emotional support. She has a strong personality, lots of sass and can be very aggressive and intimidating towards her enemies, but not any less of an empathetic and compassionate person because of that. Her strength and confidence are pillars for her character instead of nonsensical anger,but she still shows self doubt and fear from time to time. She is energic, idealistic and still a romantic,but not obsessive nor possesive. peppy but emotionally intelligent. She still loves Sonic, but her feelings for him feel authentic rather than childish idealization,and given that she now respects his space,she's written to be happy just with fighting by his side and jokingly flirt from time to time. (their bond also seems stronger,but that's a topic for another day.)

I believe this portrayal of her is one of the best we've gotten in the sense that she represents a good mix of most things that has made her positively memorable since the beginning and lacks every problematic aspect of her character that was added post her creation. And because of this good mix of characteristics, IDW Amy is constantly praised by the fandom. But something i hear a lot is people saying how they love IDW Amy and despise "Main Amy" -by which i'll assume they refer to videogame Amy just in general- and that way of summarizing all of Amy's game portrayals feels very odd to me, especially because IDW Amy is a culmination of every single good aspect that has been added to this character combined with most of what she was meant to be at the start. In other words,IDW Amy couldn't exist if it wasn't for all the game Amys before her.

It's true that in IDW we haven't seen her character be as impulsive and outspoken as in the Adventure era or Heroes, and i miss that as much as every other Amy fan. But I do think that ,because so much assertiveness wouldn’t coexist very well with things like careful thought, the reason for that change must be that IDW is writing an more mature version of the character and It’s hard for them to keep such aspects of her personality intact without her being seen as childish by the audience now that they are paired up with big responsabilities (ex: the restoration) Especially since that super impulsive nature of hers probably came naturally at the time because she was supposed to be a 12-year old and wether we like it or not, it was implied by the narrative that it was one of the main reasons she got caught by eggman both in SA1 and SA2. Aka,IDW Amy isn't allowed to make as many mistakes as the og.

After all ,Amy used to be written to be mostly seen as a comedic character and as an "extra addition" to the main team rather than as an important,needed member of it. ( even in Heroes,where she had formed her own team,she was still trying to catch up to Sonic and his team because she had been excluded of it.) If she made a mistake and got caught by eggman because of her stubborness,the writers would just make Sonix fix things. In IDW she doesn't just feel older,but she has also gotten to have important roles in the fight against Eggman and people rely on her with their lives,so it doesn't surprise me that the writers try to make her be more conscious and careful when it comes to her actions now that she has more responsibilities and can't allow herself to make as many mistakes as she did back when she was written to be more immature and impulsive because of that extreme assertiveness.

Now,I personally believe that Amy in TMoSTH is the same as in IDW, just that she feels more like her OG self in TMOSTH because ,for the most part ,Bday Girl is on that train literally to just have fun and do as she pleases. She doesn't have any weight on her shoulders nor expectations,she is free of responsabilities all the way until the climax of the game and the game itself is very comedy-centric for the most part, so the writers pobably felt like they could set that impulsive,assertive side of her loose again, and i loved it!

In this game her character doesn't revolve around Sonic and she messes up a lot (The way she was so ashamed of how she broke her hammer when she tried to escape the closet with brute force that she lied, how she didn't realize Sonic was actually hurt because she was too excited about the game, how she was overconfident and impulsively tried to solve the case and completely failed ,how she and vector started beating a wall violently after realizing the train was alive,etc),but her positive qualities shine throughout the game as well ( How she took the time to organize a party that she'd think everyone would have fun at,How she is so thankful that everyone showed up and doesn't mind that Shad and Sonic didn't bring gifts, how she makes sweets remarks about others and cute jokes in distressing situations,how she has faith in Shadow's goodwill, The way she delivers the final blow at the end and says that despite everything,she loved the party because it was an adventure,etc ). Throughout the game,Sonic and the rest treat her in a way that really goes to show what a good friend and a lovely person she is ,and she expresses great appreciation for everyone's presence in her life.

It's honestly an amazing coincidence that this game takes place on her bday considering that it's the one that made this portrayal of her "game canon". As a fan of her, i celebrate it and hope we get more of it in the near future.

So yeah, i didn't talk about Sonic X Amy,Archie Amy nor all the comics,series and games that came out between the big videogame titles. There is much more about how Amy has been written that could be said, but i think i did a pretty decent summary of the most important changes her character has gone through the years mainline game-wise,at least good enough to defend my point that she wasn't a stalker originally and she definitely isn't one now. As i mentioned before,i agree that she was portrayed as possesive and obsessive for a long period of time and as an actual harasser for a shorter one , and that we should definitely recognize it and be critical of such things being portrayed as “quirky” and “funny” aspects when they are in reality, hurtful. BUT summarizing her whole character by calling her a stalker and an obsessive fangirl is defining her based on the worst examples of her characterization and ignoring her good ones completely.

Feel free to disagree with my character analysis,my opinions and the way i categorize her portrayals,but i strongly believe that Amy rose isn't meant to be a harasser,an obsessive fangirl or personal space invader.

My girl deserves better.

[buckleysbitch]

Streamer!Hazel inviting her fan favorite girlfriend to play stardew valley and having to fight chat bc they keep calling her their girlfriend too

WHO TOLD YALL ABOUT MY STARDEW VALLEY ADDICTION 😭

reqs are open!!

listen to hazels spotify here ᡣ𐭩 •｡ꪆৎ ˚⋅

once you and hazel moved in together, her already chaotic streams were bombarded with curious messages about who the gorgeous girl bolting across the background was. you didn’t mind though, hazel found such confidence and joy in streaming, so you were happy to support her, even if it meant sprinting or crawling across the room to avoid making a fuss of your presence.

as you grew more and more used to hazels life being in front of the camera, you began to warm up to appearances, which to your surprise was oddly…a hit. her subscribers were obsessed with the way her girlfriend would scruff up her headset hair and the witty one liners she would shout from the kitchen when hazel would scream bloody murder at her screen.

you became a sensation, a staple of hazels streams being highlighted by the floods of comments when you would make an appearance to comment on her gaming skills while lounging in your pink chair.

she had been hyping this up all damn week. you are somewhat of a gamer yourself, just not as invested as hazel is, so she decided to revive her stardew valley farm that got her viral in the first place from screeching at the screen when she finally found the mayors ‘shorts’.

“so chat, i know i’ve been hiding who our special guest is tonight….but i think you’ll find the wait worth it!” as hazel excitedly drags your iconic pink gaming chair into frame, the chat blows up, with gay keyboard smashes galore.

HOLY SHDITNJEJWE

ITS HER

IM TOO GAY FOR THIS

you giggle from offscreen; the fact that just your chair can set them off like that is too much for you, it’s incredible and hilarious and heartwarming all at once.

“okay, okay goddamn….come on in babe.” she nods over at your chair, as you flounce over and plop in it, slipping your pink headset on.

“hi guys!”

“you wanna tell them what we’re playing?” hazel ponders.

“oh, yeah! okay guys so….drumroll my love?” you glance over at your girlfriend, who pounds on the desk. “we’re starting stardew valley tonight!”

the chat erupts.

damn, gays really do love stardew valley.

as you boot up the game, hazel scrolls through the chat, and notices a comment-

she’s our girlfriend now bestie 🤭🩷

“hey! she’s mine guys, get your own!!”

“haze, what are you talking about?”

“someone said you’re all of chats girlfriend!!”

“rightttt….okay honey.” you giggle as you click through the startup screen, creating a new save file.

“okay, so…what should our name be?”

she sniffs and gets this shit eating grin on her face, while your jaw drops realizing exactly what she’s thinking.

“you can’t say pussy hazel.”

“damn it!”

she settles on naming and modeling the character after you, but insists on taking control for the rest of the customization.

“hazel!!”

“what!!”

“you can’t say my favorite thing is ‘this strap!’”

“but it’s true!!! stop looking!!”

you sigh and turn back over to the chat, where you’re stifling back laughter over the comments.

hazel can’t handle her she’s OUR girlfriend now

OUR GIRLFRIEND FOR REAL

petition for us all to date hazels gf she needs a break 😭

“hey, what’s so funny?” she puts her hand on your back as she skims the chat. “HEY!! SHES MY GIRLFRIEND!!! MINE!!” the smile spread on her face is unlike anything you’ve ever seen from her before. she truly loves streaming, and she loves showing you off in them, but of course she’d never confess that to her subscribers.

never xoxo 💋

sorry she’s not our girlfriend

she’s our wife

“FUCK!”

this is gonna be a long night.

[makapatag]

Tactical Combat, Violence Dice and Missing Your Attacks in Gubat Banwa

In this post I talk about game feel and decision points when it comes to the "To-Hit Roll" and the "Damage Roll" in relation to Gubat Banwa's design, the Violence Die.

Let's lay down some groundwork: this post assumes that the reader is familiar and has played with the D&D style of wargame combat common nowadays in TTRPGs, brought about no doubt by the market dominance of a game like D&D. It situates its arguments within that context, because much of new-school design makes these things mostly non-problems. (See: the paradigmatic shift required to play a Powered by the Apocalypse game, that completely changes how combat mechanics are interpreted).

With that done, let's specify even more: D&D 5e and 4e are the forerunners of this kind of game--the tactical grid game that prefers a battlemat. 5e's absolute dominance means that there's a 90% chance that you have played the kind of combat I'll be referring to in this post. The one where you roll a d20, add the relevant modifiers, and try to roll equal to or higher than a Target Number to actually hit. Then when you do hit, you roll dice to deal damage. This has been the way of things since OD&D, and has been a staple of many TTRPG combat systems. It's easy to grasp, and has behemoth cultural momentum. Each 1 on a d20 is a 5% chance, so you can essentially do a d100 with smaller increments and thus easier math (smaller numbers are easier to math than larger numbers, generally).

This is how LANCER works, this is how ICON works, this is how SHADOW OF THE DEMON LORD works, this is how TRESPASSER works, this is how WYRDWOOD WAND works, this is how VALIANT QUEST works, etc. etc. It's a tried and true formula, every D&D player has a d20, it's emblematic of the hobby.

There's been a lot more critical discussion lately on D&D's conventions, especially due to the OGL. Many past D&D only people are branching out of the bubble and into the rest of the TTRPG hobby. It's not a new phenomenon--it's happened before. Back in the 2010s, when Apocalypse World came out while D&D was in its 4th Edition, grappling with Pathfinder. Grappling with its stringent GSL License (funny how circular this all is).

Anyway, all of that is just to put in the groundwork. My problem with D&D Violence (particularly, of the 3e, 4e, and 5e version) is that it's a violence that arises from "default fantasy". Default Fantasy is what comes to mind when you say fantasy: dragons, kings, medieval castles, knights, goblins, trolls. It's that fantasy cultivated by people who's played D&D and thus informs D&D. There is much to be said about the majority of this being an American Samsaric Cycle, and it being tied to the greater commodification agenda of Capitalism, but we won't go into that right now. Anyway, D&D Violence is boring. It thinks of fights in HITS and MISSES and DAMAGE PER SECOND.

A Difference Of Paradigm and Philosophies

I believe this is because it stems from D&D still having one foot in the "grungy dungeon crawler" genre it wants to be and the "combat encounter balance MMO" it also wants to be. What ends up happening is that players play it like an immersive sim, finding ways to "cheese" encounters with spells, instead of interacting with the game as the fiction intended. This is exemplified in something like Baldur's Gate 3 for example: a lot of the strats that people love about it includes cheesing, shooting things before they have the chance to react, instead of doing an in-fiction brawl or fight to the death. It's a pragmatist way of approaching the game, and the mechanics of the game kind of reinforce it. People enjoy that approach, so that's good. I don't. Wuxia and Asian Martial Dramas aren't like that, for the most part.

It must be said that this is my paradigm: that the rules and mechanics of the game is what makes the fiction (that shared collective imagination that binds us, penetrates us) arise. A fiction that arises from a set of mechanics is dependent on those mechanics. There is no fiction that arises independently. This is why I commonly say that the mechanics are the narrative. Even if you try to play a game that completely ignores the rules--as is the case in many OSR games where rules elide--your fiction is still arising from shared cultural tropes, shared ideas, shared interests and consumed media.

So for Gubat Banwa, the philosophy was this: when you spend a resource, something happens. This changes the entire battle state--thus changing the mechanics, thus changing the fiction. In a tactical game, very often, the mechanics are the fiction, barring the moments that you or your Umalagad (or both of you!) have honed creativity enough to take advantage of the fiction without mechanical crutches (ie., trying to justify that cold soup on the table can douse the flames on your Kadungganan if he runs across the table).

The other philosophy was this: we're designing fights that feel like kinetic high flying exchanges between fabled heroes and dirty fighters. In these genres, in these fictions, there was no "he attacked thrice, and one of these attacks missed". Every attack was a move forward.

So Gubat Banwa removed itself from the To-Hit/Damage roll dichotomy. It sought to put itself outside of that paradigm, use game conventions and cultural rituals that exist outside of the current West-dominated space. For combat, I looked to Japanese RPGs for mechanical inspiration: in FINAL FANTASY TACTICS and TACTICS OGRE, missing was rare, and when you did miss it was because you didn't take advantage of your battlefield positioning or was using a kind of weapon that didn't work well against the target's armor. It existed as a fail state to encourage positioning and movement. In wuxia and silat films, fighters are constantly running across the environment and battlefield, trying to find good positioning so that they're not overwhelmed or so that they could have a hand up against the target.

The Violence Die: the Visceral Attacking Roll

Gubat Banwa has THE VIOLENCE DIE: this is the initial die or dice that you roll as part of a specific offensive technique.

In the above example, the Inflict Violence that belongs to the HEAVENSPEAR Discipline, the d8 is the Violence Die. When you roll this die, it can be modified by effects that affect the Violence Die specifically. This becomes an accuracy effect: the more accurate your attack, the more damage you deal against your target's Posture. Mas asintado, mas mapinsala.

You compare your Violence Die roll to your target's EVADE [EVD]. If you rolled equal to or lower than the target's EVD, they avoid that attack completely. There: we keep the tacticality of having to make sure your attack doesn't miss, but also EVD values are very low: often they're just 1, or 2. 4 is very often the highest it can go, and that's with significant investment.

If you rolled higher than that? Then you ignore EVD completely. If you rolled a 3 and the target's EVD was 2, then you deal 3 DMG + relevant modifiers to the DMG. When I wrote this, I had no conception of "removing the To-Hit Roll" or "Just rolling Damage Dice". To me this was the ATTACK, and all attacks wore down your target's capacity to defend themselves until they're completely open to a significant wound. In most fights, a single wound is more than enough to spell certain doom and put you out of the fight, which is the most important distinction here.

In the Thundering Spear example, that targets PARRY [PAR], representing it being blocked by physical means of acuity and quickness. Any damage brought about by the attack is directly reduced by the target's PAR. A means for the target to stay in the fight, actively defending.

But if the attack isn't outright EVADED, then they still suffer its effects. So the target of a Thundering Spear might have reduced the damage of an attack to just 1 (1 is minimum damage), they would still be thrown up to 3 tiles away. It matches that sort of, anime combat thing: they strike Goku, but Goku is still flung back. The game keeps going, the fight keeps going.

On Mechanical Weight

When you miss, the mechanical complexity immediately stops--if you miss, you don't do anything else. Move on. To the next Beat, the next Riff, the next Resound, think about where you could go to better your chances next time.

Otherwise, the attack's other parts are a lot more mechanically involved. If you don't miss: roll add your Attacking Prowess, add extra dice from buffs, roll an extra amount of dice representing battlefield positioning or perhaps other attacks you make, apply the effects of your attack, the statuses connected to your attack. It keeps going, and missing is rare, especially once you've learned the systematic intricacies of Gubat Banwa's THUNDERING TACTICS BATTLE SYSTEM.

So there was a lot of setup in the beginning of this post just to sort of contextualize what I was trying to say here. Gubat Banwa inherently arises from those traditions--as a 4e fan, I would be remiss to ignore that. However, the conclusion I wanted to come up to here is the fact that Gubat Banwa tries to step outside of the many conventions of that design due to that design inherently servicing the deliverance of a specific kind of combat fiction, one that isn't 100% conducive to the constantly exchanging attacks that Gubat Banwa tries to make arise in the imagination.

[bananaofswifts]

Taylor Swift is giving fans more insight into her new album “The Tortured Poets Department,” thanks to a track-by-track experience with Amazon Music.

Fans can now listen to the album — which shattered streaming records after its release on April 19 — along with commentary from Swift breaking down the meaning of each track. To listen to “The Tortured Poets Department” with Swift’s commentary, fans can simply say to Alexa, “I’m a member of ‘The Tortured Poets Department.'”

Through the experience, Swift has revealed the inspiration behind songs including “Fortnight” with Post Malone, “Clara Bow,” “Florida!!!” with Florence + the Machine, “Who’s Afraid of Little Old Me?” and “My Boy Only Breaks His Favorite Toys.”

“‘Fortnight’ is a song that exhibits a lot of the common themes that run throughout this album. One of which being fatalism — longing, pining away, lost dreams,” Swift said of the album’s opening song. “I think that it’s a very fatalistic album in that there are lots of very dramatic lines about life or death. ‘I love you, it’s ruining my life.’ These are very hyperbolic, dramatic things to say. It’s that kind of album.”

Of “Clara Bow,” named after the silent film actress, Swift said the track is “a commentary on what I’ve seen in the industry that I’ve been in over time.”

“I used to sit in record labels trying to get a record deal when I was a little kid. And they’d say, ‘you know, you remind us of’ and then they’d name an artist, and then they’d kind of say something disparaging about her, ‘but you’re this, you’re so much better in this way or that way.’ And that’s how we teach women to see themselves, as like you could be the new replacement for this woman who’s done something great before you,” she said. “I picked women who have done great things in the past and have been these architypes of greatness in the entertainment industry. Clara Bow was the first ‘it girl.’ Stevie Nicks is an icon and an incredible example for anyone who wants to write songs and make music.”

“Florida!!!” featuring Florence + the Machine is one of the rare songs on the album that doesn’t see Swift directly speaking of a former lover. Swift said the inspiration for this track actually came from “always watching ‘Dateline.'”

“People have these crimes that they commit; where do they immediately skip town and go to? They go to Florida,” the singer added. “They try to reinvent themselves, have a new identity, blend in. I think when you go through a heartbreak, there’s a part of you that thinks, ‘I want a new name. I want a new life. I don’t want anyone to know where I’ve been or know me at all.’ And so that was the jumping off point. Where would you go to reinvent yourself and blend in? Florida!”

As for “Who’s Afraid of Little Old Me,” Swift revealed that she wrote the tune “alone, sitting at the piano in one of those moments when I felt bitter about just all the things we do to our artists as a society and as a culture.”

“There’s a lot about this particular concept on ‘The Tortured Poets Department,'” she added. “What do we do to our writers, and our artists, and our creatives? We put them through hell. We watch what they create, then we judge it. We love to watch artists in pain, often to the point where I think sometimes as a society we provoke that pain and we just watch what happens.”

Lastly, Swift broke down the metaphor within “My Boy Only Breaks His Favorite Toys.”

The song is about “being somebody’s favorite toy until they break you and then don’t want to play with you anymore,” she said. “Which is how a lot of us are in relationships where we are so valued by a person in the beginning, and then all of the sudden, they break us or they devalue us in their mind. We’re still clinging on to ‘No no, no. You should’ve seen them the first time they saw me. They’ll come back to that. They’ll get back to that.’”

[elderscrollsconceptart]

This will be a long post but I've been thinking about this since last night.

I get a pit in my stomach when I think about the new Fallout TV show and the chance TES may get a show if the Fallout show is super successful.

I've been hearing the show has been pretty good, but ive also heard some grim rumblings and worries about certain directions Bethesda/Amazon are taking lore-wise in the Fallout show. Apparently Todd has said everything in the show is canon.

I've not watched it myself as I'm not a huge TV watcher in general, but I don't know if I want to see Bethesda or an outside studio make massive changes to TES lore which affect both past and future installments in TES purely for the sake of "making good TV".

I am most certainly not a "modern Bethesda" hater or of the opinion that modern TES/Fallout games are bad. I pretty much love them all. (I even enjoyed Starfield, huge glaring flaws and all!)

I genuinely believe they are trying their best to make fun games. I also understand they have had a lot of struggles over the past decade+, particularly in company direction and budgeting of necessary resources (pre-Microsoft acquisition).

The old Zenimax upper management was awful (Trumps brother was literally on the Zenimax board of Directors before he died). And infamously refused budget allocations towards serious game engine improvements that were desperately needed. Bethesda has had alot of struggles but I feel they have always tried to do the best they can, even if the final result is middling.

I am also not a Todd hater. Even if he's not necessarily the best game designer, he has a lot of heart and passion and seems to genuinely care about Bethesda and its employees. I am glad he seems to have a genuinely good relationship with Microsoft and I have high hopes for Bethesda's future in the long term.

All that said, there are just certain changes that can happen when "Hollywood comes knocking" per se., even if most of the main creative decisions still come from Bethesda. TV shows can be fantastic and lauded with praise but if they are based on an established property with established lore, they often ultimately go in creative directions which negates the lore and other non-TV entries in the series.

Just look at GOT. It started off amazingly, and GRR Martin had a direct hand in all the early series. It was the best show on TV until suddenly GRR was no longer involved directly and the show runners started making their own decisions. They started ignoring established lore and making "changes and improvements" which nose dived the series by the end.

Perhaps I am paranoid, but I can see something similar happening to Fallout if the show is big and keeps getting new series. Furthermore, I hold a deep dread that TES may be next. Just think, how many people talk about GOT anymore? How many people are hyped for the next book(s) in the series? The books didn't get bad right? Only the TV show did.

But that's my point. If Fallout or TES have these big smash initial hits on TV but begin to fail after a while, it damages the series as a whole, not just the TV show. Don't get me wrong, I'd love to see TES/Fallout TV shows be nothing but great. I just worry as I've been hearing of major major lore changes being made by the Fallout show. These changes are irrevocable and utterly change the lore of that series, and not necessarily for the better. I'll try to refrain from further judgment on that, but I'll leave with this question:

What if TES had a super quality and popular TV show which negated large parts of pre-Oblivion lore? Suddenly, due to the show, innumerable people/places/things which were iconic to the TES series were no longer around or perhaps not even canon anymore? What if those things were just lost or written off for the sake of a TV show?

As a fan of TES, and maybe even of that TV show, how would that make you feel?

I'm am not trying to stir controversy here, but I think we as a fandom need to have more public discussions about this. We also need to be prepared to not dump on any new changes to the series or lore without giving them a fair shake. Something being "new and different" does mean its awful. Changes can be good or bad but they must be carefully considered.

I hope this new Fallout show's premiere will provide us a good chance to consider the future of TES media and lore outside the games before any changes are announced or made.

[bumble-punch]

OK GUYS LISTEN IM GOING FULLY MASK OFF ABOUT CHIP X JASMINE DRAKE I LOVE THIS SHIP AND HOW IT INFLUENCES THE DEVELOPMENT OF FISH AND CHIPS

LISTEN TO MY UNHINGED RANTINGS ABOUT WHY ITS GOOD AND MAKES SENSE

(THIS IS MOSTLY ANOTHER CHIP INTERNALISED HOMOPHOBIA CHARACTER ANALYSIS I'LL BE HONEST)

(ALSO I HAVENT FINISHED RIPTIDE YET SO IF JASMINE TURNS OUT TO BE EVIL WHOOPS I TAKE BACK EVERYTHING I JUST SAID)

OK LISTEN so Chip has internalised homophobia, as I have previously established. I also, like many, ascribe to the popular interpretation that he has not-straight feelings towards Gillion. And it's really interesting how we can track how these feelings develop as the series progesses.

Chip starts off by freaking out the merest implication of something gay, but he gradually starts getting more comfortable around Gillion, and these reactions decrease. There starts to be more descriptions from Bizly of Chip being physically affectionate towards Gillion, putting his arm around him, leaning on him ect.

Which leads to their encounter with Jasmine... (from here on out we enter the realm of intense headcannoning and nebulous connection to canoncial events, just warning you)

What's SO AWESOME AND INTERESTING AND EXCITING about Chip's interactions with Jazz is that HE DOESNT FREAK OUT when Jazz flirts with him in an extremely forward way, and Chip almost seems surprised by how unbothered his own reactions are. It's like he's had all this time to gradually become accustomed to the potentiality of something gay possibly existing between him and Gillion. In a way, his relationship with Gillion was a safe avenue through which to explore his feelings, since Gillion never made any moves on him, and therefore, never made Chip feel threatened or under pressure to make a decision about how he felt. Chip had all that time to basically think "ok, OBVIOUSLY IM NOT GAY FOR GILLION THATS RIDICULOUS HAHA. what if I was though. What would happen. Would everyone hate me and i would die" and gradually explore the possibilty at his own pace.

Which leads to meeting Jazz, and suddenly being confronted with something extremely gay and explicitly directed at him, and.... he finds it's actually not that bad. It's ok. It’s not scary. He doesn’t feel threatened. What would have elicited a violent reaction from him before he met Gillion is no longer scary, because he's had time to think about it and come to terms with it before that point.

So I like to imagine that Chip ends up having a fling with Jazz, because he decides he's got to figure out how he really feels once and for all, one way or another. And unlike with Gillion, who he deeply cares about and loves as a friend and is terrified of misstepping with, Jazz is just some guy who thinks he's hot and is dtf, so Chip isn't as scared of experimenting with Jazz, since the worst outcome if things go catastrophically wrong is Chip has to jump out the nearest window and run away and just make sure to avoid the Jazz Pirates for the rest of his life.

After this fling, he pretty much is able to come to the decision that "ok. maybe i do like men. in which case oh my god these feelings for Gillion are actually a real thing that I have to deal with and can't just ignore" and he starts gradually, very slowly, expressing his feelings for Gillion more honestly, which leads to the iconic "babygirl/babyboy" moment in Zero, which was Chip extremely awkwardly trying to establish new ground in their relationship (though it's uncertain how effective it was considering Gillion's lack of understanding of Overseas culture. Oh well. Our boy tried.)

[the-solar-system52]

Negative Weapon Symbolism

I'm back on my bullshit again. Modmad gave Negative a sword, so I am now legally required to analyse what this means for the LORE. (Despite the fact I really don't know a lot about weapon types)

So, Negative's iconic scythe. Despite him only actually using it once in the comic, its still a very memorable part of his character, and has been shown using it in merch and fanart alike. First impressions are everything, and modmad continuing to associate Negative with this scythe long after he was shown using it means that this weapon is important to his character. Or at least, how the fandom (and by extention, Hero) saw Negative before the recent chapters.

But what does it mean?

Scythes are commonly used as a symbol of death, both in mythology and modern media. 'Grim reaper' esque characters are almost always seen wielding them, and are just generallly a weapon best suited for an intimidating villian.

Scythes are also less coordinated weapons. Their real purpose is to chop down large portions of crops, and the long wide blade compliments this. If a character is fighting with a scythe, then they are usually attacking their enemies with effectiveness, but with no real direction. Their enemies are just crops that need to be struck down, and this is exactly what we see Negative doing to the fears in this fight scene.

Not to mention that in-canon, the blade of his scythe was snapped of the a personification of fear. And used to kill off even more Fears. So yes, it's clear this weapon is supposed to encompass just how intimidating and deadly Negative is in his first appearance.

But that SWORD. Negative has been associated with scythes since the introduction of his character! So why would Modmad draw him with a sword instead? It was a complete shock, and I'm sure it was intentional.

And I think I have an answer! I talk about it more in another post, but Hero's (and the audience's) perception of Negative has altered greatly from when we first saw him.

Negative is still powerful and skilled, but he is no longer as menacing and scary as he once was. Hero and RGB talked about him earlier in the chapter and learned new things about him. And on top of that, Hero intentionally made him appear this time because she knew he'd find a way to save them from this dangerous situation. He's still a mysterious character, but he is more of a calm but powerful savior in this chapter then a cold and calculated killing machine.

What sort of fighter fits that character archetype perfectly? A KNIGHT! And what do knights have? SWORDS!

Ok so they may be a little bit of a stretch, but I hope you understand what I'm getting at. Swords are powerful and can still hurt someone, but they are still seen as more 'noble' weapons than scythes. I'd be more inclined to trust someone with a sword then any other weapon, since they are commonly associated with protecters. And that's exactly what Negative is doing in this scene, protecting Hero. So Mod gave him a weapon that better demonstrates that.

Swords are also more coordinated, and even graceful at times. People do fencing as a hobby because it requires more precise and deliberate jabs at your enemy to land a hit. When a character fights with a sword, they are typically only fighting with one person, and it gives the impression of them being less murderous, because all their attacks are thoroughly planned out. The swords long and thin blade also compliments this, because it is not a weapon designed for a mindless killing spree. I'd be much less afriad of someone with a sword accidentally hitting me than I would someone with a scythe.

I know he's only had his sword for one page, but from what we've seen, he is using this weapon to find a way out of the house, instead of immediately attacking the doubts or Anxiety. He could definitely defend himself if he wanted to, but right now he is on the defensive. It may tie back into what I said about Happy Tears VS Sad Tears. Negative is in a better state of mind this chapter, so a noble and diligent weapon suits him better.

Also do I even need to point out the symbolise of the sword being made out of MIRROR SHARDS? The same mirror that RGB was uncomfortable looking into after being told about Negative? The same mirror that was yet another Charlie Chaplin reference? The same mirror that reflected part of RGB's human appearance? Negative literally being a MIRROR IMAGE of RGB????? (Goddamn I love this series so much)

Edit: Nevermind, disregard this next part. Negative doesn't use a lancer, he uses a saber.

So I am definitely reaching in this part, but just hear me out for a moment.

This is a lance. A lance is a type of sword. I'm not sure if Negative's sword is supposed to be a certain type, but it could be possible it is a lance.

A person who uses a lance is called a lancer. But that word also holds another meaning in story-writing terms.

Going by this description, I think it is possible that Negative's weapon is referencing the fact that he is RGB's lancer character. I think it's a pretty accurate description of their dynamic, or whatever their dynamic could become once they get more character development.

Its a little silly, but knowing how much Modmad loves puns and visual gags, I wouldn't put it past them.

I'm no swords expert, so if Negative's weapon isn't actually a lance then please tell me. But if it is, then it'd like to think it was an intentional reference on ModMad's end.

[whywoulditho]

I'm glad, that DC writers are changing constantly and therefore the characters are protected from the Bat-family. The Bats are the cancer of DC comics. There wouln't be any independant characters anymore if they could gez their grubby hands on the other DC families

That's another way to look at it.. I agree that they're trying a bit too hard to connect every character to the bats' storyline. so you might have a point there. maybe it would create more bad than good if they let batfam authors interfere with the other storylines... but i still wouldn't call the bats the cancer of DC. I think if you took the bats out of DC, it would lose like half of its charm and quality.

with all that being said though, i still think the biggest problem of DC romances (or comic book romance in general) lies in each run having separate authors. think about why harley x ivy worked. it's because both of those characters already existed before they got together. both of them were loved villains and later anti-heroes, they both have their own story, their own past and their own redemption arcs. they're both INTERESTING. and when DC made the risky choice of making them a couple, it worked.

i'm not saying it would work with any other characters, or that they should make all their major characters date each other. but if you want to explore romance in your comics you have to give the readers an actual relationship, involving two realistically written and interesting people. not a major character and their accessory love interest. that's my issue with tim x bernard, or jon x jay. no one will get attached to, or even invested in, these relationships because we don't know anything about the love interests. they're just some random people. even if you try to give them personalities they will still not have a story outside of their relationship with the major character. bernard and jay were only created so tim and jon would have someone to kiss. it's hard to care about them, and therefore their relationship. they're just boring romance side plots.

you can introduce a character with the sole purpose of making them a couple with one of your major characters and still make it work, like batman and catwoman. you can create chemistry with a new character just as well as you can with already existing ones. but i think we need more of the first option. less last minute love interests and more people falling in love. i think what makes DC special is that they show us so many different versions of their major characters, we get to see them grow and change (take notes, marvel) so it wouldn't be off-brand to see already existing major characters, like superboy and robin, ending up together. not when it's DC. to be honest i think it would be like super iconic of them to do that. and i also think that DC fans would much rather have their favorite characters end up with the kind of person they went through hell and back with instead of like, a random citizen. tim and kon have so many parallels. they're both people who didn't have to be heroes at all, but still chose to do it. they both struggle with carrying a mantle too big and the fact that they were not chosen for it makes them even more insecure. they also have a past together, they're close friends, they would take a bullet for each other. so much potential. dont even get me started on damian and jon. those two are like, literal mirrors of their fathers. they have huge legacies on their shoulders and they're like quite literally the only people that could understand one another. again, so. much. potential. i'm not saying they have to be together, but if DC was gonna write romance for these characters I wish it could have been with each other.

[greenerteacups]

Hi! Just wanted to say the latest chapter is lovely & amazing & sweet & had me smiling the whole time! I absolutely love your characterisation of everyone, especially Draco, so it was so so lovely to return to this world & to his thoughts!! with his best friend and crush at malfoy manor no less! All the yearning is already off to a great start hehe I am so excited for the rest of book 5!

Wanted to ask you how has it been for you to write this new book and volume? Has your writing process changed since when you’d first begun taking on a long form project like this?

& also are there any moments or surprises in this book that you’re especially excited about?

sending so much love & gratitude for you and your incredible works 💓

Thank you so much! This is really encouraging, I so appreciate it.

Inasmuch as I can use this metaphor without having kids myself, I sort of see each of the books as a different child. The first one flew out in basically a few weeks of very intensive writing, and it was a total dream — plot, pacing, symbolism, major beats, all fell into place basically without effort. The character stuff was the hardest, as I've written about before, but even then, the glorious part of writing beginnings is it's the most energy you'll ever have for a project, so the lows were pretty soft lows. Book 2, in contrast, I had to drag kicking and screaming by its ankle from under the bottommost mattress of my brain. It's one of my least favorite books (tone problem; COS has killer plot/setting/ingredients for a YA novel, but it's stuck in the doldrums of Harry Potter's well-documented Early-Installment Weirdness, before Cedric Diggory slams the gas and upshifts the whole series into its correct age bracket). More specifically, once I'd gone through and picked out everything in the book that happened because of Lucius, I didn't have a plot — hey alexa how do you rewrite Chamber of Secrets when We Got No Fucking Chamber Of Secrets — and oh by the way, even if you want to do a moody tone/political setup book, remember that your protagonists are still twelve, so if you go too dark or too intense, you'll risk torpedoing your readers' suspension of disbelief. Good luck, Charlie.

Book 3 felt the most like its own novel, if that makes sense? It's the last truly feel-good book of the series; it's a great stand-alone mystery novel with relatively low stakes. Plus you get a bunch of the big series icons: patronuses, dementors, werewolves, Hogsmeade, the Marauders' Map, and time turners arithmancy. It just felt like a good old-fashioned motherfucking romp of a mystery/adventure story, before any of the complex character work and major stakes of the late books come in.

Book 4 was the most fun I've had writing anything maybe ever. I don't even know what it was. Maybe the tournament arc, honestly? Love me a tournament arc. But in any case, I opened every new chapter feeling a tingle of excitement for what I was gonna get to do. Oh, and the romance started, finally, Jesus God (if it feels like a slow burn reading, just imagine what it felt like writing it, when everything takes ten times as long, and you have to figure out how to word the fucker.)

Book 5, in contrast, has felt much less like that tingle of "here we go!" and more like "oh, man, this is gonna be cool." Because this is the arc of the story that composed the original idea for Lionheart, literally years ago, and to be honest, I didn't think I'd get this far! If you'd asked me "do you know that it's going to take you 500,000 words of backstory before you can start writing that concept you're thinking about, and you're going to do it anyway?" I would have said: "absolutely not, strange mind-reader!" But like... I'm here! Finally! And it's... real now? Like, this isn't just a bunch of clips of scenes in my head anymore! That's rad!

That being said, it's definitely been slower than Book 4, because I kept switching back to my outline document to make sure that certain things were set up properly, and that I hadn't lost any of the plot threads or forgotten a minor beat that was vitally important for the story three chapters later. And I had a minor crisis about three months ago when I ripped out about 8 chapters in the first third of the book — basically everything from September to December — because I'd done a readthrough to check pacing (big mistake! never edit while drafting, that's satan talking) and realized I had a missing storyline. Like, there was a whole layer of the story that was just. Missing. Not there. And the existing text really couldn't fit another thread, so instead of taking weeks to pore through and try to sift out what I could save, I needed to factory reset and start over. And I didn't want to! I vividly remember sitting there with my head in my hands, trying not to weep, because I'd decimated 90,000 words of work in a single edit. But it had to be done. Because the story wasn't going to work. And now (hopefully) it will.

And of course, there's still that sense of excitement and exhilaration from before. Always. But whereas Book 4 felt like a delicious chocolate pudding, Book 5 is a medium-rare steak.

(Book 6, so far, is four shots of espresso and a whiskey chaser. FWIW.)

[ajbullet]

My thoughts on PJO episode 3: part 2

Part one:

We have no food so I’m back

-Having Alecto outside the Garden was such a clever way of adding intensity to the scene and answers the question of like why didn’t they just leave?

-I loved the changed to them knowing who Medusa is right away. It fits the characters and the vibe of the story so much better

-MEDUSA Omgs

-She was perfect. Her outfit and voice and presence was just absolutely intimidating while also almost nurturing? I was confused as where I should trust her or not, which is the point.

-the way they changed her story was astonishing and all the better for it. Her devotion to Athena. The parallel to Annabeth and how they both worshiped a god who has never recognized them (besides the cap). Medusa’s blind faith and her hatred towards Poseidon after he used her.

-“I’m a survivor” 😘👌🏻 perfect delivery

-Medusa calling Poseidon a monster and it reminding Percy of what his mother said.

-HIM TRUSTING MEDUSA BECAUSE OF HIS MOTHER

-The parallels between Medusa and Sally. The unity Medusa believes they share.

-“I don’t think she’s like that” The only one who can speak about Annabeth like that is HIM

-The INSTANT Medusa mentions killing Percy’s friends he is out of there. Like most people have pointed out: a great nod to his fatal flaw of loyalty.

-The labyrinth was so freaking cool guys. Like wtf. That was amazing. I kept picturing the scene from the movie and it blew that out of the water (even tho that’s my favorite scene from the movie. I mean come on, the iconic iPod reflection? Shall never be forgotten) But the invisibility cap was really cool too

-Grover flying of into the distance, screaming his head off, and Percy and Annabeth just being like “whelp, new plan”

-THEM WORKING TOGETHER

-Annabeth watching Percy kill Alecto. Again, wasn’t sure exactly what she was feeling when I first watched it but looking back I think she’s finally realizing like, oh, this boy is more capable then I thought. Maybe he can be useful. Maybe he can do this. Maybe I have a crush on- wait no not possible. Eww.

-Them finally reconciling after Grover broke.

-Oh and I love that they made the uncle Ferdinand a more sad, meaningful moment. I mean, that part in the movie was funny, but that wouldn’t have fit the vibe at all and I think it really added to Grover’s character. I wanted to hug him.

-Leah’s expression after Percy says he picked her cause they could never be friends. She was hurt and it broke me.

-THOSE TWO ARE GOING TO FALL IN LOVE

-Percy not realizing Annabeth’s hat is so important. Then immediately giving it back.

-“I am impertinent” This boy is Percy incarnate.

-LIN MANUEL MIRANDA wtf I wasn’t ready. Jump scare bro. Like give a girl a heads up.

I’m sooooo excited for next episode!! I think it’s going to be one of the best yet. This episode was perfect in its changes and implications. It was a new take on what we’ve read and seen before and even tho some people are mad about it, you have to realize that they have to keep it new. They have to adjust and change and ADAPT! I knew what was going to happen but yet I didn’t and it kept it interesting to me. It was a job well done. Again, please comment or reblog with any other takes or add one because I love seeing everyone’s perspectives. Just please remember to be kind!

[moon-catto]

Can I request Gojo x reader where they both r teachers in JJ High? Due to some phenomenon a young final year high school Gojo comes in their time and now he is after the reader because she had been her gf since high school first year. The present Gojo doesn't want to share reader even with his younger self and they both are fighting over her like kissing her randomly , snatching reader away and all. At the end of two days the phenomenon reverses and young Gojo goes back and Gojo is relieved whereas y/n is still in shock

Double Trouble

Summary: Because of a strange curse phenomenon, the 17 years old Gojo Satoru is stranded in the future and meet with his future self and future you.

Warning: fluff, hurt/comfort.

A/N: Thanks for this cute idea! Having one Gojo is already a handful, but two Gojo... I think everything will be a pure chaos skskks also pardon me for leaving you waiting so long. I hope you enjoyed this one like I do!

Masterlist

In Y/N’s house.

The tranquil atmosphere in your house immediately interrupted by the sudden loud sound coming from your front door being smashed open by a six feet tall man with white hair.

“Y/N, My darling, where are you?!” he shouted in panic and goes running into your home after hastily removed his shoes.

“Y/N—” he stops mid sentence at the sight of you, currently chilling on the couch with... His younger self?

*Cue the dramatic violin music*

A gasp escaped his lips. His mouth went agape, as he found himself unable to make any comment related to this strange sight.

“... I know you love me too much, but having a clone of me is—”

“Sit down before I broke your kneecaps, Toru.” You warned with a heavy sigh. Your fingers rubbed your temple because you can sense a headache coming at you in the next moment.

The older Satoru walked to the couch hesitantly, like a cat analysing its’ surrounding. The younger Satoru also mimicked his gesture, his eyes squinted behind the iconic circular sunglasses of his, he’s being wary at the unexpected arrival of a new possible enemy.

“Where did you get this from?” He curiously examined the younger Satoru’s face and he hissed like a mad cat at Satoru’s continuous attempt to poke him. “It looks very realistic, ah— it can be mad too.”

“I’M NOT AN IT!”

“Please sit down first, and I’ll tell you what happened.”

“So that’s what happened.” Surprisingly, the present Satoru is having a decent reaction at this situation. You’d expect him gave you a bit more chaotic response, but seeing him calm like this helped you to think clearly too.

“I think I know what happened.” He said, and it irked both you and the younger Satoru’s interest.

Before he can explain, there’s a knock on your door.

“Come in.” You half yelled, the door can be heard swung open.

“Y/N, I heard you’re having a problem —” Nanami walked to your living room and completely stopped in his track.

Both Gojos looking at him with surprised Pikachu’s face.

“NANAMIN!”

Young Gojo approached him. Looking him from every angle possible. “Dang, your adult version is so fine!”

His glasses cracked.

“I’m sorry Y/N, I don’t think I can help you with this.” He fixed his crooked glasses and spare no glance at Gojo’s attempt to stop him.

“Wait, Nanami—”

The door slammed shut.

Darn it, now you lost a possible ally to solve this whole charade.

“I think he’s still have the trauma from high school after seeing my younger self.” The present Gojo said.

“Whose fault is that?” you gave him a glare.

“This brat’s fault.” He shamelessly pointed at the younger Gojo.

“My fault? You and I are literally the same person.”

“And? I’m better than you, obviously.”

“I always wanted to know what my future self looks like, but now I’m scared to grow up.”

“Listen here, you little piece of shi—"

“Alright, that’s enough.” You cut them off by standing between them. “Now that Nanami is out, we have to find way to return Satoru back to the past.”

“Why are you troubling yourself for him?” Satoru made a disgusted expression at the thought you’re spending more time with that brat. “He can find his own way back.”

“Who are you to decide on that? Huh?” The young Satoru clearly doesn’t show any signs to back down. He sticks his tongue out, a signature move of his.

“What are you? Five? Do you need help to go back to your home, little boy~?” Satoru taunts, putting his intimidating pose but it seems useless judging from how unbothered young Satoru is.

“Satoru, be nice.” You elbowed him but he used the momentum to pull you to his side. His lips found way to yours, he only let go after you bite his lips in retaliation.

“You see, infant. This beautiful woman right here is my girlfriend. And she, whatsoever, doesn’t have any obligation to help you—ugh!” you stepped on his foot to stop him from rambling bullshit.

“I am your girlfriend, but I don’t belong to you or anyone else.” You hissed and young Satoru lets out a loud “Oooooooooh! Burnt!”

“BUT BABY —”

“Shush!” you covered his lips with your palm. “Silence. If you don’t want to help, then fine. I’ll look for ways alone.” You took your coat and looked at young Satoru. “Come with me.”

Satoru’s face lit up at that. “Okay!” He quickly moved to your side and made sure to stick his tongue to other Satoru when you hold his hand.

Ah, Satoru never been this hurt before. He feels like crying and throwing tantrum. “You choose him over me?!”

“Stop being annoying and maybe I’ll consider.” You said before leaving with young Satoru.

The first place you visited is the Shizuoka train station where you met young Satoru. With his hand in yours, you made way to the bustling train station.

Satoru is quiet all the time, which concerns you.

“Are you okay?” you looked at him and caught him staring at you red handed. “Are you hungry?”

“No, I’m not—”

Rumble~

“.....”

“Let’s eat first, shall we?” you chuckled at his red face. His grip on your hand tighten slightly.

“... Okay...”

You quickly bring him to eat at a diner near the train station.

“I don’t need this much—” He complained when you ordered him bunch of foods. Bowls of hot foods served on the table in front of you.

“You need to eat more.” You hand him his chopstick and hand him the hot udon. “You’re so thin, Satoru.” He can sense the worry in your voice. Your concerned pretty face looking at him doesn’t help either.

His cheeks blushed before he digging on his food.

You smiled at his silent obedience. In high school, you used to think teen Gojo is menacing. With his height and immaculate strength, his existence demands respect from others.

Seeing him eating a bowl of udon right now, you realized that he’s nothing more but a young student. You knew this before, but the realization hits harder all the same.

He carried such burden from a young age. You sympathize with him, the selfish adults around him used him as a shield and ignore that he is a human himself. He may look perfect, but deep down is numerous scars and untold dark thoughts clouding in his mind. It’s amazing that he’s coping until now.

You put your hand on his head.

“?” he looked at you.

“Eat well.” You ruffled his hair gently. He should hate you for ruining his hair, but he found himself nodding. Melting from the warmth gesture you gave him.

Bowl by bowl, he finished every bowl and not leaving any bits of rice.

“Good work!” you ruffled his hair again.

“We haven’t done anything yet...”

“This is part of the work!” you told him. A smile adorned your face and made him smile too. “You can never—”

“Work well with empty stomach.” He finished your sentence. “I know. You always tell me that, Y/N.”

“Really?”

“Yeah. You acted like my mother more than my actual mother, you know.”

“Ah, I used to nag you a lot, don’t I?” you rubbed your neck in embarrassment.

“I don’t mind.” He shook his head gently. “I think it’s your way of caring for me.”

Is Satoru always this mature? You’re so used to his clown side, you forget that he’s actually capable of thinking these kinds of things.

“Let’s go to the train station now.” He offered his hand to you which you accept happily. His hand feels so warm on yours.

“Okay.”

“Isn’t that count as cheating?” Satoru sulked to Nanami as they watched both of you exited the restaurant while holding hands.

“She cheated on you, with your younger self?” Nanami doesn’t know why Satoru dragged him here. This stupid giant suddenly teleported to his office and pull him here in the next second. He should be kicking his ass right now.

“Does that make this as auto-cheating? You know, like autobiography where people write about themselves.”

“Enough, they’re getting farther.”

“Ah! We should move too!”

“You should move. I’m going back to school.”

“Nanamin!”

You explored the area where you met Satoru. You were trapped inside a half domain expansion of a special grade curse and met him.

“I think the domain expansion connected the past and the future.” You told him.

“That makes sense. The curse I fought here is able to manipulate time.”

“How so?”

“I think I was trapped inside the domain expansion for a day, but the date in my phone remains unchanged.” He showed you his flip phone and observe the date.

“So it stopped the time inside its’ domain expansion.”

“I figured.” He played with his flip phone, the snorlax keychain dangling with his movement.

“... He still have that keychain.” You muttered.

“Who?”

“Your future self. He still keeps that keychain.”

“.... That means he has kept it for eleven years now.”

“Hehe, that seems to be the case.” You giggled.

“He seems to love you so much.” He said, calmly.

“I’m stuck with him.”

“So what about you?” he stopped in his track. “Do you still love him like you did to me in high school?” he asked, but this time you noticed the insecurity seeped in his tone.

“Why are you asking me that?”

“I’m curious as to why you’re still with me, even after eleven years.” He said. “Because it’s hard... to love me.”

Ah...

“I’m worried if you will be bored of me.” He said with a solemn smile. “I can’t love you like the way normal people do, after all.”

He’s still seventeen years old, you reckon but his thoughts is already this heavy.

“Are you afraid you’ll lose me?”

Afraid is a strange word to him. He shouldn’t be related to that word, but the quick thumping of his heart tells him otherwise. Maybe he is indeed afraid. Of falling in love, with you. When he falls deeper, will you be there to catch him?

“Yes.”

“Don’t be.” You pinched his cheek lovingly. “I love you for who you are. I don’t care if you’re unable to love me like normal people do, i always love the way you love me.”

“You sure?”

“Yes. Because I think you are worth the hardships and everything.” You smiled at him. “I loved you in the past and I continue to love you more now.”

His eyes widens at your confession. What is this? This tingling feelings, he feels so full that he wants to cry. You made him feel similar thing when you agreed to be his girlfriend before. He’s falling deeper for you, and he’s not scared of falling now.

“You can’t take back your words.” He says, his hand holding your pinkie finger with his. “I’ll marry you. I definitely will make you my wife.”

His words amused you. Your grin widens at his sincere and eager proposal. Too sweet, you couldn’t contain your smile. “I’ll wait for the ring, Satoru.”

In the end, you can’t find anything. Despite the failure, you think you earned something far more valuable today.

“Welcome home, cheater.” The old Satoru stood in the middle of the living room with arms crossed.

“Glad to see you too, Satoru.” You gave him a kiss on the cheek before walking to the kitchen.

Satoru is still mad that you chose his other self rather than his oh-so-perfect self, but he’s content. You didn’t see it, the way his lips curled into a gentle smile while his finger traced the skin you have kissed.

“You better treat her well.” His attention is shifted towards his younger self. Currently frowning and glaring at him. “Or I will kick your ass directly myself.”

The present Satoru is rather delighted at the threat. “Don’t worry, she is my queen. I don’t plan to treat her lesser than that.”

“Good.”

“I should said the same to you.” He leaned closer to flick his forehead. “You shouldn’t wait for too long to propose her.”

“I’m planning to propose her after I got back.”

“That’s what I wanted to hear.” Satoru chuckled. “Buy a nice ring for her, won’t ya?”

“What are you talking about?” you shouted from the back. “Help me make dinner!”

“What did you told him?” you asked Satoru. His younger self magically disappear after saying goodbye to you the next day. You believed that the curse in the past already been exorcised, so the flow of the time became normal— thus the young Satoru automatically came back to his time.

“What?”

“I don’t remember buying this ring.” You showed him a gold ring on your annular finger. “And we’re engaged now? I don’t know what’s happening now.”

“I see that he’s keeping up with his word.” He muses before he gave you a kiss on the lips.

“... What are you scheming, Satoru?”

“Definitely not something bad. Come on,” he pulled you to the backyard in his house.

“Satoru, I swear if this is one of your prank—” your words are stopped as soon as you saw the flower arrangement in the backyard, people you knew are there wearing suits and dresses.

“Nanami? Shoko? Eh, Utahime too?”

“Took you both so long.” Yuuji groaned. “Man, I almost ate the cake.”

“Cake??? What is going on?” you noticed that you’re still in your pajama and immediately panicked. Satoru is wearing his usual blue shirt and dress pants, more appropriate than your attire. “Satoru, let me change first—”

“No can do, sweetheart. Everyone is waiting for us now.”

“Satoru—” he continues to lead you to the centre of the backyard. “What is happening?”

Satoru doesn’t give you any explanation. He stood there with a rather nervous smile on his face. “I’m fulfilling my promise to you.”

“Huh?”

“Remember when you took my younger self to the train station yesterday?”

You nodded.

“Remember what he said?”

“He asked me about my feelings and— Oh...”

Satoru kneeled in front of you. He pulled a red box from his pocket. He opened it, revealing a gold ring with a delicate diamond on top of it. “Y/N—“

“Oh, God. Are you serious right now?” you began to tearing up when he grabbed your hand.

“Will you marry me?”

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