#writer evaluation game

[pearlypairings]

annual writing self-evaluation

Thank you @justhere4thevibez for tagging! I woke up so early bc I'm still not adjusted well to the time difference on my vacation so I figure I could work on this to kill some time💕

1. List of works published this year (in no particular order):

Meet Me At Our Spot

Coffee and Contemplation *

Dear Donna,

painting (a masterpiece)

not a sound, but the wind

In the Shade of Aurelias *

all good dates begin at the cemetery

so much (for) stardust

there is a light that never goes out *

* = WIP

(I have a few more anon works too which were fun to try some new things with😄)

2. Work you are most proud of (and why):

OH this is tough… I think I have to choose two. I'm so proud of not a sound, but the wind for many reasons. I tried a lot of new writing techniques within that story, which honestly the first images came to me at 2am fever dream of Chrissy with short hair and distraught pushing her way through the woods in a blizzard. I didn't know where the story was going but once I got started I had so much fun. And right now I'm also very proud of there is a light! It's my rarepair fic that I've fallen in love with for chrissy x jonathan and it's been a true delight to meet other people in the fandom from that fic alone!

3. Work you are least proud of (and why):

Hmm I think painting (a masterpiece) is one that I would probably revisit to edit and change if given the option. I don't think it's terrible by any means, but it was really a self indulgent fic for me inspired by the song of the same name. I think I published it very quickly without letting it simmer for edits, so I would change some of the beats for pacing.

4. A favorite excerpt of your writing:

From not a sound, but the wind

“Do you comfort all your crying customers?” She let her fingers graze his palm as she accepted his makeshift tissue with a sad smile.

“Only the ones I like.”

Chrissy dabbed her eyes, praying that none of the mascara smeared beyond recognition. “You’re not gonna sell me anything, are you?”

“Who said that? If there’s any time you need pot, it’s now!”

A small laugh shook her fragile frame, warmth spreading across her chest from within. She folded the bandana into a small square and tucked it into her pocket with a sheepish grin. The last of her tears iced over the corners of her eyes.

“Coming from my dealer, that sounds a little like a sales pitch.”

Eddie fell back, miming an arrow through his heart and rigorously pulling the invisible weapon out from his chest. “You wound me. How about half off and twice as much?”

5. Share or describe a favorite comment you received:

ALL of my comments on there is a light are my favorites. People really enjoying my take on jonathan (a character that even I slept on and didn't really connect with until I saw things from his pov) and being really supportive of my WIP that's ending soon! It's really been such a joy to read all the lines each reader loved and the plot twists they had guessed right or wrong. It's been the best!

6. A time when writing was really, really hard:

2023 was a……year. Yeah, I think the fall was very hard because of some family hospitalizations that were very scary and exhausting. So I didn't have the energy nor the will for quite a bit after that to write much. I'm hoping 2024 is all for good health and better headspace.

7. A scene or character that you wrote that surprised you:

At the risk of sounding really cheesy, I really loved the scene in not a sound when Chrissy and Eddie are about to kiss. The two chapters with back to back pov were so much fun to write bc we get little glimpses into both perspectives of the situation and how wrong they interpret the other person's reactions. It's so cute and I didn't intend to write an eddie pov chapter when I started that fic, it just happened (and we got more Wayne which is always a plus).

8. How did you grow as a writer this year:

I have a long way to go with this, but I think I'm finally shedding parts of my past where for work I had to write scientifically and directly. It's so hard for me to break that frame of mind, so I'm constantly going back in edits to add in more details and worldbuilding and mood setting beyond action and dialogue. In 2024, one of my goals is to do enough exercises where that flows more naturally in the drafting process.

9. How do you hope to grow next year:

LOL oops! I sort of just answered that question, but another goal of mine is to continue to finish my beloved WIP Aurelias AND write a ton more for rarepairs to stretch my imagination.

10. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc):

Losty, @1lostsoul0fishbowl you are all of the above. So glad we found each other on this site and via Dear Donna,. It's been lovely getting to know you and I appreciate all the times you've read through drafts and ideas and insanity on my part. You da bomb diggitty 💣

11. Anything in your real life show up in your writing this year:

Definitely…. The break up in there is a light is loosely based on a real break up between me and my first high school boyfriend. The AUDACITY. But definitely many, many other little bits of dialogue or scene set ups are from moments in my life :) the life of a writer.

12. Any new wisdom you can share with other writers:

Write it down. WHEREVER you are (unless driving lol). Whatever the idea is, the dialogue you thought of, the plot puzzle piece. Just write it down somewhere on your phone, in a notebook etc. Because you will forget it and it will frustrate you lol.

13. Any new projects you’re looking forward to starting (or finishing) in the new year:

2024 is when I'll be finishing Aurelias! Slow and steady because it's my baby and very setting/period heavy. And there's a few tricks up my sleeves for future fun projects that I'll be writing mostly for me (and maybe losty lol). AND I CAN'T WAIT! Rarepairs galore ✨

What a fabulous evaluation and deep look at the past year! Can't wait to see what 2024 brings 💞 happy new year!

[1lostsoul0fishbowl]

annual writing self-evaluation 📝

Many thanks and muchas smooches to @justhere4thevibez for tagging me! 🥰

1. List of works published this year (in no particular order):

chapters 56-84 of With a Little Help From My Friends (completed 5/15/23)

Next Time I Fall (24 chapters, completed 12/19/23)

Lost and Found and Turned Around (7 chapters, completed 11/16/23)

2. Work you are most proud of (and why):

I’m incredibly proud of all my works, but I think probably I’m most proud of Next Time I Fall. I created a brand new rarepair, shaped a beautiful fluffy love story for them, and persevered through extreme personal difficulty to finish the fic despite the temptation to abandon it.

3. Work you are least proud of (and why):

There are a couple of chapters in Little Help that I feel aren’t as strong as they could’ve been. 64, 73, and 81 in particular. I don’t know what I should’ve done to make them better; I just know they needed more.

4. A favorite excerpt of your writing:

I’ll pick one little snippet from each fic…

Little Help:

Wayne waited until she’d finished her tiny blueberry slice and was debating over which to try next. “Actually, sugar,” he said quietly to Max, “I wanted to talk to you about that.”

“About what?” she asked, puzzled. “About gaining weight? That was a joke.”

“No.” He watched Eddie let Lucy lick a tiny smear of pie filling from his finger, despite Chrissy’s protest that sugar wasn’t good for cats. “About staying with us.”

A chill ran through her. “It’s still okay, right?” she said hesitantly. “My mom’s getting out of the rehab next week, but Claudia said I could stay longer if I needed to. But if that’s changed…” She trailed off, swallowing hard.

Wayne patted her shoulder. “Naw, sugar, that ain’t changed. You can stay long as you like. Fact is”— he rubbed the back of his neck, suddenly bashful— “fact is, what we really want is to keep you for good.”

~~~

Next Time I Fall:

Gareth couldn’t imagine having to grow up without his mom and dad. He thought of the way Janie held so tightly to his mom every time they hugged, and a lump formed in his throat.

“They never found your parents?” he whispered. “Baby, I’m so sorry.”

Honestly, he hadn’t even thought before speaking, he’d just blurted that out. But somehow it had been the right thing to say; Eddie and Chrissy’s tense expressions melted into something that looked like relief, and Janie’s crushing grip on his hand finally relaxed a little. Gareth laced his fingers through hers, giving her hand a little squeeze, before gently turning it to examine the small number tattooed on the inside of her wrist.

“Is that where this came from?” He lifted her hand to his lips, softly kissing the tiny 011. “Did they do that to you in the Lab?”

She nodded, tears spilling down her cheeks. “It was my name,” she murmured. “That is why everyone calls me El. El is short for Eleven.”

Fucking hell. Gareth felt tears running down his cheeks, too.

~~~

Lost and Found:

“Jane, you need to wake up!” Kali tried unsuccessfully not to shout. “You really are naive! They can always take you if they really want you. You need to face facts. Your policeman cannot protect you, you have to be able to protect yourself. Are your friends helping you with that? Is your boyfriend? No, they just want you to be ‘normal’. They want you to suppress your gifts instead of using them, and they want you to forget who you are and where you came from. And if I stay here they’ll do the same to me. Putting on their hypocritical smiles as long as I convert to their idea of normal. I don’t want to hide who I am, and neither should you, Jane. You can’t heal by hiding. The only way to heal is to face up to the truth, confront and conquer your past.”

“Stop calling me naive,” Jane snapped, “just because I am trying to accept my past instead of confronting it. I confronted Papa face to face, and then I let him die, and it did not change anything. All your revenge has not changed you either.” Just as quickly as her anger flared up, it dissipated again. Her voice softened, her entire demeanor settling into something more gentle. “You talk a lot about healing, but you are still so mad, Kali. I think I am more healed than you are. Maybe if you stayed here, as part of my family, maybe that can heal you like it did for me.”

5. Share or describe a favorite comment you received:

I love every single comment I get, truly I do. But I think the ones that made me smile the most this year were the few on Next Time I Fall that basically said ‘I never would’ve considered El and Gareth together but your fic made me ship them’. Is there any greater compliment? 😄

6. A time when writing was really, really hard:

Basically the last eight weeks have been awful. I got covid, and had barely recovered from that when a family emergency happened and I was thrown into the role of caregiver, and since then just more and more stuff keeps going wrong. I’m exhausted and honestly in a pretty dark place, mentally and emotionally, right now.

And yet. In spite of that I finished both Next Time and Lost and Found. Neither of them seem to have made any great impact— I barely even got any comments on either finale— but it was a goal of mine to finish them both and I’m still proud I managed to achieve that.

7. A scene or character you wrote that surprised you:

Kali, in Lost and Found, was so much fun to explore! I rewatched “The Lost Sister” before I started writing this fic, and I realized that I still hated her obnoxious friends but Kali herself was a super interesting character with a lot of potential. I had a lot of fun digging into what might possibly make her want to reconnect with El, and what would make her feel drawn to Steve. Also it surprised me how much I ship Stali now!

8. How did you grow as a writer this year:

I learned that my stories come out better when I write them the way I want them, instead of “taking requests” and pushing the characters in directions I wouldn’t have chosen if left to my own devices. I feel like certain parts of Little Help suffered because of this, so I resolved I’d stick to my own plans for Next Time and later Lost and Found, and I think those two fics came out better for it.

9. How do you hope to grow next year:

Next year, if I write any more, I want to somehow learn not to be so obsessed with stats. Stop comparing my kudos/comments count to other fics and feeling sad and inadequate. I have no idea how to accomplish this, but it’s where I need to be if I’m going to keep writing.

10. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc):

Oh it’s 1000% @pearlypairings — she’s been all of the above for me and so much more! Lost and Found would never have happened without her, and Next Time would likely have been abandoned unfinished.

11. Anything in your real life show up in your writing this year:

Lots of things, yeah, I don’t think I can help adding little bits and pieces of myself to my stories. I write the kind of world I’d like to see, and populate it with characters I either want to be like or wish I’d had in my own life.

A very silly specific example, though, is that I made Eddie adopt a kitten because I lost my cat last year and I missed her so much.

12. Any new wisdom you can share with other writers:

Um. Not really? I don’t think I’m good enough yet to be passing on wisdom to others!!!

13. Any new projects you’re looking forward to starting (or finishing) in the new year:

I have a couple fun ideas jotted down in my Plot Bunnies folder, but no definite plans to start anything new right now. I gotta get out of this awful headspace before I can even think about new projects.

14. Tag three writers/artists whose answers you’d like to read:

@sokkas-first-fangirl @bratanimus @slowandsteddie

[justhere4thevibez]

annual writing self-evaluation

thank you @pipergirl17 and @erythromanc3r for tagging me!

1. List of works published this year (in no particular order):

oh gosh, I've been busy-busy this year with fanfic, so here goes!

Complete works:

... And a Hellcheer New Year 

Galentines and Valentines

Hold Onto Me

Devil in the Woods

Every Time I Run, I Run to You

Eddie and Chrissy Go to a Wedding 

Knocking Me Out With Those American Thighs

Cooking Up Something Sweet

Please Don't Say You Love Me

Let Me Start Over Again

You Got Me Good

Be My Breath (Through the Deep, Deep Water)

This Old Man

Do You Wanna Touch Me

My Words Will Be Your Light

She'll See I'm Not So Tough 

She Knows What She Wants

Give Me a Taste

The Right Kind of Sinner

Release My Inner Fantasy

Hooked on a Feeling

Whiskey & Wine

The Graveyard Smash

Long Is the Road Out of Hell 

In a Sentimental Mood

Set My Soul On Fire

Burnin' Out of Control

WIPs:

Looking For Something Dumb To Do

I Can't Get Rid of You 

If You Fall, I Will Catch You 

2. Work you are most proud of (and why):

hmmmmm, that's a tough one! I love them all for different reasons, but I will say I'm very proud of Long Is the Road Out of Hell because it's my longest fanfic to date (almost 60k!) and at one point I really wasn't sure if I'd be able to finish it. but I did!

3. Work you are least proud of (and why):

tbh if I'm not proud of something, I won't publish it. but I think the work that frustrated me the most was Whiskey & Wine, my kinktober fic. I pushed myself too hard with too big of a goal and burnt myself out halfway through. but I did learn the importance of setting boundaries for myself (and why I need to be careful committing to challenges 😅)

4. A favorite excerpt of your writing:

not gonna lie, once I publish something, the words tend to leave my brain, so I don't always remember what I write lol. I should probably keep a doc of good lines from my fics so I have something to present when people ask me 😂 but here are two excerpts that I'm pretty proud of.

Devil in the Woods: He had loved her since the first time he opened his eyes to find her snuggled up on his chest. He had loved her longer, since the moment he’d held her in his arms on that endlessly rainy night. And longer still, he’d loved the little girl who played jacks with him on May Day and laughed at his wild antics.

Hooked on a Feeling: He knew he could be… a lot, as kinder people said. A goddamn nuisance, according to everyone else. He didn’t mean to be, he just tended to… latch on to things. Kind of like a bulldog (but in a nice and lovable way, thank you, Jeff). And right now he had ChrissyChrissyChrissy clamped tight between his jaws, and he hoped to god she didn’t ask him to let go.

5. Share or describe a favorite comment you received:

I have a few regular commenters who give me the longest, loveliest comments where they literally analyze each chapter section by section 😭 it makes me feel so loved. but as for one individual comment, I distinctly remember a commenter from one of my early fics commenting on a really tough scene I did re: chrissy's eating disorder. they said that they also had an eating disorder, and that chapter was very healing for them. I don't think I'll ever get another comment as powerful as that.

6. A time when writing was really, really hard:

I go in and out of mild anxious/depressive episodes, mostly due to outside stressors, and that makes it really hard to write. writing is the one constant joy in my life, and when I don't even feel like doing that, I know something is very, very wrong. but luckily, they don't usually last too long!

7. A scene or character that you wrote that surprised you:

mike's redemption arc in Long Is the Road! that one was a total curveball to me, and it only came about because it was the closest place I could think of to have Chrissy walk to after her mom kicked her out. total accident, but it spawned on of my favorite sibling-ships for chrissy that I've ever written!

also writing wayne's pov! i never intended to do that, but once I started, his voice just kind of stuck in my head 😂

8. How did you grow as a writer this year:

I wrote a lot. like over 300k of fanfic. and i even got back into writing some original fiction, which I'm so excited about!

I also started writing smut for the first time in 2023, which was something I never anticipated doing, let alone enjoying! but it's been super fun

9. How do you hope to grow next year:

I'd like to work more on my original fiction, maybe get a short story published. I'd also like to get better at world-building! I tend to get so focused on the characters that I forget they exist in a place I should spend some time creating lol

10. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc):

@slumped-in-the-arms-of-fiction all the way! she's been such a wonderful beta reader, cheerleader, and overall positive influence on my writing. I Can't Get Rid of You wouldn't ever have happened without her support and feedback!

11. Anything in your real life show up in your writing this year:

ooh, buddy! pieces of myself get sprinkled all over the damn place 😂 but as for specifics...

Galentines and Valentines opening scene was reminiscent of the girls' nights me and my college friends used to have (and still have sometimes)

Hooked on a Feeling had elements of my own past experiences of being laid up in a hospital (and being very annoyed about it)

This Old Man was absolutely inspired by my love of Columbo

You Got Me Good definitely included some of my own thoughts and feelings about when I get a little too high 😂

12. Any new wisdom you can share with other writers:

give your writing time.

it's so tempting when you have a new idea to jump on it and then get frustrated when it doesn't immediately turn out the way you want, but I've found that if I give myself time to think over a piece before I write it, and let it sit for a little while after I write it, I'm much happier with the end results!

13. Any new projects you’re looking forward to starting (or finishing) in the new year:

finishing my three WIPs! and hopefully a little christmas fic 😂 I don't have anything else immediately in the works, thank god!

14. Tag three writers/artists whose answers you’d like to read:

@1lostsoul0fishbowl @pearlypairings @rose-n-gunses and anybody else!!!

[curator-on-ao3]

Do you write multi-chapter fics in order or do you jump around? And if you do go in order, do you go back to revise earlier chapters as you go or are they pretty much ready to post once you move on to the next chapter?

I love this question, anon, thank you! ❤️

I write multi-chaps in order — which I don’t necessarily recommend because a scene I may be three chapters away from writing will sing and dance in my mind and we’re not there yet. So I will add key elements of that scene to my outline, which actually can be good in the long run because by the time I finally write the scene, the words can flow fairly easily because the scene has been in my mind for so long (with outline memory aids for specifics).

I know some people write out of order, and I’m glad that method works for them. For me, I need the linear nature in which the story will (presumably) be read to inform the writing. As always, though, the best way to write is the way that works for the writer.

In terms of revision, I revise constantly. Little stuff, big stuff. I need the whole story written and edited before posting even the first chapter (with one exception because I knew exactly where I was going and felt like I was going to explode if I didn’t start posting). For me, the revision process can help sharpen things like foreshadowing and key themes. I find revision deeply rewarding. It’s like — I built a home and now I get to buff the floors and straighten the address numbers and make sure the cookies in the oven are done just in time to invite in anyone who wants to share the home I built for whomever might want to be there.

[asajjventress]

I really feel like so many people who hate Vivienne for being power hungry do not fully grasp and appreciate the desperation that Vivienne feels because she conceals it so well… as little content as she got, she honestly is expertly written and presented and it’s why it disappoints me so much when people hate her for surface level reasons… her writer deserves so much more appreciation.

I think it is subtle because she hides it and you really have to care about the character to seek out these threads and understand her motivations… she is in danger of total irrelevance, being cast aside by society (and history), and she is forced to ride the coattails of some upstart organization because all of the institutions she is invested in have either totally failed her or cast her aside.

She is clearly a prideful person who does not readily admit this… but her true talent is how clearly she can evaluate this and understand her own position. She suffers no delusions. She knows the Circle’s standing in society is diminished to nothing if it doesn’t house and account for the majority of mages, and she is left with just meek Chantry loyalists and sycophants who are lost without her guiding hand, as even otherwise pro-Circle mages with any sense have abandoned ship and left both rebels and loyalists at this point to see where the chips fall (Ellandra) - and the Chantry itself has been all but decimated in terms of military and political power. The one lifeline she has is the Imperial Court, and the fickle nobility have moved on from her - the mages are now a threat that she cannot control or offer any meaningful opposition to, and Celene’s favor has turned to Morrigan, and Vivienne does not know if she will ever have it again. She knows Bastien is dying, and that all that she has left at court will be those who hold kind feelings towards her such as his family, and that is a position she can never accept - being at the mercy of others.

We meet Vivienne, this impressive, powerful mage, who has made a life for herself by maneuvering brilliantly, all to improve her own standing, at a point where she is in danger of losing everything she has. And she doesn’t let on, at least not explicitly, but she joins the Inquisition out of desperation - it’s obvious she sees it as an opportunity, but the gravity of the situation for her isn’t clear from the start. She refuses to lay down and fade away. Vivienne would never had joined this fledgling upstart organization if she was in a better position at Court or there wasn’t a vacuum of power. She is very close to having nothing left, and starting over - and so she does. Before the rug can be pulled from under her, she gets out and sets off for herself again.

Vivienne, often accused of pride, privilege, and self importance, comes to the Inquisitor out of pure humility. She knows she is reduced. And her gamble ultimately pays off, and the Inquisition becomes the political juggernaut that it does, and she becomes more powerful and important than ever just by association. And I like to think, especially with an Inquisitor who respects and befriends her, that she plays no small part in shaping the organization.

I think this is also why, potentially, she plays it so cool at the Winter Palace. She doesn’t get involved… she doesn’t need to. Simply being present is a statement to the court, and she truly doesn’t care about who wins; it’s not just the Game, it’s personal, despite what she claims. That they cast her aside, and now they are interested again… not necessarily in her, but still, she sees the paradigm shifting again. She is now a part of the organization who gets to change Orlais, and favor with the Inquisition is quickly becoming just as important as favor with Celene.

The whole arc is a subtle one as she really doesn’t get much attention, but if you pay close attention, it shows how expertly Vivienne plays politics. We already know she came from nothing and maneuvered into a powerful position. But I think not everyone realizes she is nearly back to nothing when we first meet her… and through the course of the game’s events, by allying with the right people, she plays the game well enough to become an advisor to the most influential person in southern Thedas… and potentially even Divine. But her initial plea to the Inquisitor, for all the great lengths she goes to keep up the appearance of strength and invulnerability, comes from a place of utter desperation.

[kitchenisking]

August Fic Rec

My loves, just a quick reminder that all the rec are tagged at the bottom for easy access to the rest of my recs. and lets not forget to send love to our writers with comments and kudos❤️

to be with those I like by sheafrotherdon - (Rating: Explicit, Words: 9,323, sterek)

It's Deaton who tells Derek that Stiles is back in town, a broken marriage behind him, his daughter in tow.

Fixer Upper by Arsenic - (Rating: Explicit, Words: 39,169, sterek)

After the events of 5a, Stiles is estranged from Scott--and by association, the pack. Derek is off finding himself, or, at least, Germany and some other places. There's a lot of texting and post cards and then Derek comes back to find Stiles missing. Worse, nobody seems to remember Stiles existing.

"Here's to the best and most unconventional decision ever made in Vegas." byEvanesDust - (Rating: T, Words: 917, sterek)

The last thing Stiles expected when he woke up was to be in bed with Derek. Actually, scratch that. The last thing Stiles expected when he woke up was to be married.

Howl Ya' Doin' ? by wanderingeyre - (Rating: Explicit, Words: 14,196, sterek)

The first few posts of “Howl Ya Doin’?” were just Stiles talking about being a human in a werewolf pack. Then Derek accidentally walked in on Stiles live streaming and Stiles pulled him into an impromptu Q&A about being a born wolf. That video went viral, much to Derek’s horror and Stiles’s barely concealed glee.

Heart's on Fire by julietangel - (Rating: Explicit, Words: 6,696, sterek)

Stiles should have known it was him, but he blames the games for distracting him from his soulmate.

Torn Apart and Set Anew by Hedwig221b - (Rating: Mature, Words: 18,681, sterek)

“Someone’s here,” Stiles whispered, feeling weirdly numb.

The metal latch clicked. With ice filling his lungs and his fingers shaking terribly, Stiles swiveled his head in the direction of a window and froze for a beat of a second.

There was a face behind the glass.

Forgettable and plain, but at the same time familiar face.

Hello by nightlight9 - (Rating: T, Words: 9,725, sterek)

Stiles calls Derek's cellphone years after having no contact, leaving voicemails for the werewolf though there is never a reply. Then when the number becomes disconnected, Stiles has to venture back to the home that they had build together before he left in order to find out what has happened to the man he loved. The answer is not what he expects, and it makes him evaluate what he left behind.

Deputized by WhoNatural - (Rating: T, Words: 2,423, sterek)

dep·u·tize verb temporarily act or speak as a deputy. synonyms: stand in for, sit in for, fill in for, cover for, substitute for, replace

”"He’s too old for you," Derek grunts, and, shit - Stiles looks indignant.

I Trust You by buckysharons - (Rating: Mature, Words: 1,052, sterek)

stiles let’s derek feed off of him for the first time

Neon Flashing Signs by Karla_Kattz - (Rating: Explicit, Words: 13,799, sterek)

“I don’t know, it’s just…” Derek trails off. “Me being in a room full of alphas?” Stiles tries to help out with words. “Yeah, but… but not only?” Derek sighs. Stiles waits patiently for his boyfriend to gather his thoughts. “You know, I’m always protective of you, but my wolf, it’s never been that anxious. I can’t describe it better.” “We aren’t in a life or death situation. It’s just a Convention. I’ve met other alphas before, plenty of them and sure, I haven’t met them all at once, but still. Plus there are other omegas too,” he tries to resonate. “And I can look after myself. I’m not a damsel in distress.” Seriously, Stiles is a smart omega, raised by a Sheriff. He’s a master of small talk. What can possibly happen, right?

——— Where the pack attends a Werewolf Convention and nothing of what happens was on Stiles‘ bingo card.

[writers-potion]

Idea Generation Exercises for the Writer

"Right now it's a notion, but I think I can get money to turn it into a concept..and later turn it into an idea."

Take a Good Look Inside Yourself Before Your Start

Your story comes from you. Evaluate your ideas and modify them using a "personality filter". Does it hit a nerve in your soul? Do you resonate, personally, with what the story is aimed at?

What do you care most about in the world?

If you were to write your own obituary, how would you want it to read?

What is your physical appearance? How do you feel about it? How does it affect you?

What do you fear the most?

What are our major strengths? What do youwish you were good at?

What are your major faults?

If you could do one thing and know that you would be successful, what would you do?

What are three events from your childhood that helped shape you into the person you are today?

What are some of your annoying habits?

What secret in your life do you hope is never revealed?

Some Rules:

Schedule a regular idea time. At least once a week, for more than 30 minutes

Select an idea-generation exercise below

Let your imagination run wilde

Record everything without cutting anything. Do NOT xensor yourself in any way

After 2-3 sessions, assess you ideas

Repeat.

The What-If Game: read the newspaper/watch TV, asking "What If" at the end of each article.

Titles: come up with a good title, then craft a story that would go with it

The List: Make a list of nouns that bring back some memory to you with one- or two- word reminders. (e.g. the hill: that I accidentally set fire to when I was 5)

Issues: make a list of this world's problems that push your buttons. What make you angry? (e.g. abortion, gun control, talk shows)

See It: Sit down and close your eyes. List the first three things that comes to your mind, picking the ones that get your juices flowing the most. Sit back and "watch" as the random story unspools in your mind.

Hear It: Listen to music that moves you. Close your eyes and see what pictures, scenes or characters develop.

Character First: Develop a dynamic character, then see where he leads. Recreating characters from popular TV/books/movies or going through obituaries can be helpful.

Stealing From the Best: Take the germ of another plot, then add your own twist to it. Originality is the key to plagiarism.

Flipping a Genre: Turn genre/trope expectations upside down and see what happens.

Predict a Trend: Novels can be "hot" because of the subject matter alone. Read the news and see what people are killing each other over nowadays - and hop on the topical wave!

Noodling the Newspaper: Scan the newspaper for interesting stories, something you can use later. Capture interesting pieces of info and store it away for later.

Research: Choose a nonfiction book on some subject you wanted to know about. Skim the book for an overview, then jot down the ideas that come to you. Read the book in more detail, and flesh out the ideas you have.

"What I Really Want to Write About Is...": Get up in the morning and start typing on a blank document: what i reallt want to write about is.... Just write for ten minutes without stopping to loosen up your senses.

Obsession: Create a character and give her an obsession. By its nature, an obsession controls the deepest emotions of a character and thus prompts her to action. Ego? Lust? Looks? Careers? Revenge?

Opening Lines: Write just the opening lines. Then, write a story that goes with it.

Write a Prologue: Gripping openings are farily easy to write. The trick is putting a book after it. The ideas you generate with a good proglogue may lead to a full story.

The Mind Map: (1) choose a word or concept. (2) allow you mind to jot down connections to the word. Fill the paper. (3) Look for a pattern. Can you link these items into a story?

Socko Ending: Ending often make or break a story. Visualize a climactic scene in the theater of your mind. Play around with the characters, heighten the conflict and emotion until something unforgettable happens. Then ask: (1) who are the characters? (2) what circumstance brought them there? (3) how can I trace back the story to its logical starting point?

Occupations: What we do is inherent to our ways of thinking, the kind of culture we live in, etc. Refer to the Dictionary of Occupational Titles and see which occupations spark an idea.

Desperation: You're sitting before a blank screen and there's nothing in your head. You're down to your last two brain cells and slowly losing one of them. Good. You are a desperate writer. The answer:

JUST WRITE.

If you like my blog, buy me a coffee! ☕

Reference: <Write Great Fiction: Plot and Structure (techniques and exercises for craftin a plot that grips readers from start to finish)> by James Scott Bell

[judesmoonbeauty]

2024 Villains Festival Prologue(s) ♛

This includes the exclusive Villains Festival Team's Prologue that was released on X. Fan translation only. Not 100% accurate. Please expect grammatical errors. Cybird owns everything. Feel free to re-blog, but please do NOT post my translations elsewhere. Also, feel free to ignore my random commentary.

Translation notes are marked with *** Alternate translation is marked with///

Victor: Ta-da! Her Majesty the Queen has announced an extra bonus payment!

Liam: What, we've never gotten a bonus before? (Damn, that's sad.)

Jude: It's a drop in the bucket anyway, right?

Victor: The amount is on the letter from her Majesty the Queen.

Victor: It seems we're all paid the same amount of money, so let's split this money with everyone...how's that?

Kate: Is something wrong?

Victor: Oh my god! This is a serious situation....The amount is only divisible by 9!

Ellis: Isn't it for 10 people because Kate is here too?

Victor: She is separate from you all and is already paid.

Kate: Yes! I've been taken well care of.

Victor: So, if we divide by 9, the remainder is....

Alfons: It's a pain in the ass to worry about the leftovers, isn't it?

Alfons: Instead of being so tightfisted, why don't we just have a bonus battle?

Elbert: A bonus battle?

Alfons: The winner should take all the bonuses.

Alfons: It saves you the trouble of dividing by 9, and above all, it's fun right?

Harrison: Winner...What game are we going to play? If it's poker, I don't think I'll lose.

Roger: How about a beer drinking contest? You get to drink and compete, it's a win-win.

Liam: They're both steering the game to their own advantage....it has to be fair, right?

Victor: Then, how about we let our Fairy Tale Writer, decide?

Victor: Let's make the supreme evil who steals her heart the winner and take all the bonuses! That's it!

Kate: What? I can't be responsible for that!

Victor: Don't worry! Her Majesty will make the final decision based on Kate's evaluation. You'll be fine!

Victor: I won't hold you solely responsible. So.....

Kate: …...

Victor: Hey!

Kate: Okay, I understand.

Victor: Thank you, Kate!

(When you look at me with such joyful eyes like sparkling jewels....I won't be able to refuse.)

Victor: It's late today, so the review will start tomorrow. And.....this is for you.

Victor handed me a heart motif necklace.

Victor: Think of this as your very heart and give it to the bad guy who steals your very heart.

Kate: Yes.

Victor: I'm excited! Now, my dear cursed ones, the battle for the bonus is about to begin!

Villains Festival 2024 Teams Prologue:

The condition for taking the entire bonus from her Majesty is to steal XXX's heart.

The villains begin to form dangerous joint fronts -

Alfons, Roger and Jude from Team Villain try to kidnap you?

Jude: What do you guys have?

Roger: A sack.

Alfons: Does it look like something other than a rope?

Jude: So, you'll bag her, tie her up and kidnap her....

Alfons & Roger: Please don't ask if you already know.

Harrison, Liam and Ellis is Team Love Thief.

They rush to protect you from Team Villain?!

Harrison: I'm here to protect you – No lie.

Liam: I don't want money. All I want is love from you.

Ellis: I'm happy as long as you're happy.

William, Elbert and Victor is Team Nobleman.*** (I decided to change this to Team Nobleman from Team Senior Aristocrat.)

They had decided to fight gracefully with a noblesse oblige heart, but......?!

Elbert: If anything happens to her.....I can't allow that to happen.

William: Hmm....I guess I blew my leeway earlier.

Victor: Good day, my dear.

Victor: Shall I punish you....?

When the three stories connect,

The fierce, serious and silly (?) will be revealed......

[Master List]

[gofishygo]

hot takes part 3099097273: soap isn’t dead.

look- in modern warfare remastered, we’ve already had two characters- one of them a lead, die and then return to life out of nowhere. alex kellers return to the ulf after manually detonating a bomb that explodes the span of multiple buildings, graves who joins farah’s forces after being fucking fried in a tank. the developers no longer value the weight of characters on the plot, and will bring them back for shock value.

we’ve had a foreshadow already. graves’s line, “well, i wasn’t in that tank” after his alleged death is seen in soap’s hector blackcell skin bio.

not to mention, a military funeral, common for all people in milita (especially at soap’s rank) should have occurred. this is usually open casket. the choice of his body being cremated off screen leaves room for a possibility that the urn at the end of mw3 did not contain soaps ashes. and as said before, this could very wel be the truth since activision seems to care more about emotes of captain price twerking than evaluating the content of their campaign writing.

combined with the recent nautilus skin, here is my theory.

due to the leitmotifs of a hazmat suit, gas mask, and chemicals (seen on back of skin in valves), it is probable that soap resides with whatever group is currently holding the chemical artilleries, the gas in his mask suggesting it was not out of pure will. most likely captured by konni group, in my opinion. in the case that the writers decided to haul him out of his grave (or urn), i am interested in the course of mw4. although i disagree with bringing him back- if you’ve already killed him off like some npc, just fucking roll with it- it does expose the possibility of even more humanitarian crimes, maybe some new group associated with the older ones. praying that the writers lock in and do him justice this time- if we can get snopp dogg and john price hitting a bong and execution moves where graves used laser eyes to split his enemies in half in this game, we can hope and pray that they are creative enough to craft a better campaign

[elliegoose]

now that siren's song has clarified that stable states of NHP cascade exist, i think the dichotomy that's been established is really interesting:

even though some of the previous material claims unstable cascade is "inevitable" and thus all NHPs require shackles and periodic cycling, every example provided of conditions under which NHPs enter unstable cascade--e.g. combat scenarios, being forced to commit genocide, being digitally tortured--already made it quite clear that NHPs enter unstable cascade due to reaching a critical level of stress or trauma (which i suppose is inevitable in a society that exploits them and treats them like tools rather than people).

and on the other hand, the bondless was able to enter a stable state of cascade in which they retain their ability to think and empathize on a human level while not being completely restricted to only that perspective because the people around them promoted their autonomy and treated them like a goddamn person.

could this state of cascade turn unstable in response to trauma and cause the bondless (or any NHP in a stable state of cascade) to become dangerously detached from reality? maybe, but something roughly analogous can happen in humans, and society in lancer doesn't forcibly dose up every human with large amounts of space future psychiatric drugs that redefine their entire personality. imo, the danger presented by unstable cascade simply means that the real affirmation of NHPs' personhood is especially important! everything about siren's song makes it clear that ethical alternatives to cycling and shackling have to be found, and that unstable cascade wouldn't be such a problem if NHPs were fully recognized and affirmed in their personhood.

anyway, despite literally being named Non-Human Persons, everything from the game's mechanics (in which NHPs are part of the mech licensing system and mechanically the game is absolutely fine with you treating onboard NHPs as tools your pilot owns) to the way that they're discussed in the lore sections of the core book (in which NHPs are always peripheral and subordinate to humans and evaluated on their usefulness to humanity, and the writers constantly insist that union is definitely worthy of the "utopia" label that it claims for itself despite the exploitation of NHPs being explicitly essential to the logistical functioning of union's economy and administration) discourage thinking of NHPs as fully being people. i'm glad that's finally starting to be addressed with siren's song, given that the treatment of an entire class of people as property should probably be considered the single most important conflict in the setting.

[miraculouslbcnreactions]

What is a character's core?

I've used this term and variants of it in a few of my posts and I wanted to take a quick moment to define it because I'm not sure how commonly discussed this topic is, but it's an important one to keep in mind when evaluating and writing certain types of media.

Most genres of fiction make use of standard character roles/tropes. The plucky sidekick, the dastardly villain, the last girl, and so on. This isn't a bad thing. The existence of this stuff is a big part of how we define genres and how we evaluate writing quality. For example, if you're writing a romance, you're going to have romantic leads. Two (or more) individuals who will be together by the end of the story. If these roles don't exist, then you don't have a romance. And if their relationship feels toxic and unhealthy? You may not have a romance. Or, at least, not a classic romance. The worse the relationship is, the more you wander into the genre of "dark romance," which is all about enjoying deeply unhealthy fictional relationships.

This brings us to Miraculous and why I feel comfortable defending Adrien and Marinette as victims of bad writing.

Unless the writers are doing something truly insane, the love square is our end game couple. The ones destined for a happily ever after. That means that everything the writers do with these two and their relationship can be evaluated through the lens of, "are you honoring the characters' roles as the romantic leads?" And if the answer is, "No?" Then the writers are failing because "romantic lead" is a defining aspect of these characters. It isn't what they should be, it's what they are. Anything that goes against them being a good couple is bad writing.

This doesn't mean that they must be perfect. They're allowed to make mistakes and have flaws. Those are the sorts of things that drive a story! But the mistakes and flaws have to be treated as such by the narrative, they have to have some sort of resolution, and they have to be maintained in balance with the whole "love interest" thing. Too many mistakes and flaws and we've gone from "romance" to "tragedy," which is what I'd currently define Miraculous as.

This role evaluation thing isn't limited to romantic leads. Any character that has a clear role in the story can be evaluated via this criteria. For example, Alya is clearly meant to be a good best friend and reliable confidant for Marinette. You can tell this because of things like her learning Marinette's identity and her helping Marinette discover the secrets of the miraculous, big story moment that are treated as positives by the narrative. So anything Alya does that makes her feel like a bad friend is bad writing. It's why I get the Alya salt, but don't participate because I can't view her as the awful person the Lila stuff makes her out to be. That's not who Alya is narratively speaking.

Generally speaking, this core/role thing is my main way of evaluating characters in genre content like Miraculous. It's the driving force behind most of the character discussion on this blog and something I strongly encourage people to think about if they enjoy reading/writing genre content as it's a great guideline! Figure out the role a character is supposed to be in, generally honor that role, and you're golden! You have room for flaws and conflicts while still having something to keep you in check from straying too far off course.

[dialovers-translations]

Hiatus [28.08 ~ 01.10]

There will be no uploads on the blog during the month of September.

I was called by my coordinator at school two days ago that they are looking for someone to be the representative for all level 2 Dutch classes. This basically means that I have to keep the Drive with materials up to date, communicate with all teachers who give level 2 classes to update them on changes in regards to the curriculum, evaluation, etc.

Next week there is the big start-of-the-schoolyear meeting and in the afternoon I will also have to sit together with all of my colleagues and prepare them for the start the following monday.

On top of that, I do have to admit that DL has been put somewhat on the backburner for me ever since I started playing Genshin. I suppose after 4 years of translating DL content, I have become a bit burnt-out. (and let's be honest, Rejet aren't the best writers when it comes to the game so the content isn't always as engaging anymore. ^^;;)

I do still want to play and translate the CL routes, but I want to build a bigger queue first before I do so. Right now I have translated the first 5 chapters of Kou's route which means I'm only one week ahead on schedule and I know this will stress me out, especially with work starting again soon as well.

I hope you guys will understand.

[evendumbo]

And here come the long articles saying Ted Lasso is declining. I guess I don’t see how people watch, much less critique, the show without rewatching it, or at least watching it in concert with tumblr gifs. Trent’s description of Ted’s coaching style — “thousands of imperceptible moments leading to an inevitable conclusion” — also describes the writers’ storytelling style. No matter how many times I’ve rewatched the show, tumblr fans still have gifs and stills of things that I totally missed.

I read a funny tweet that was so done with tedbecca shippers because we’re like, “a pencil was on Rebecca’s desk and the same pencil was next to Ted…A HA!” It’s funny because it’s true. I can see if a person is like, look, I don’t have time to tumble on tumblr, this show about a game needs to stop being like a game and just say what’s on its mind. Fair enough. A person can critique the “total football” approach to storytelling if they’re not feeling it.

But when they’re like, Colin is randomly gay, for example, I’m like, that’s irritatingly heteronormative but it’s also incorrect. Colin’s extremely brief comment in season one about grindr was a little rainbow flag waving hello. Subtle, maybe imperceptible to some, but present. I'm very proud that I actually caught this one when I watched it the first time! However tumblr made damn sure I never forgot it so three years later I can be like, oh hey fam, Colin has a boyfriend, cool. His reveal didn’t feel random, it felt inevitable. The more obvious truth about Colin in season 1 is that he was a bully. The possible reason why he was bullying Nate is very subtle but it is there. The TL narrative style was able to make the point that no one, including many viewers, noticed what was going on. The narrative lesson is that we don’t pay enough attention to people around us in real life. Ted Lasso asks us to please pay more attention. Gifs help us to slow things down so we can see what’s going on. Maybe we should slow things down. Through both the story and storytelling style, TL (and fans) helps us honor the fact of the imperceptible and suggests ways to bring the world into a little more focus.

Anyway, I do wish critics would take the narrative method seriously before they write think pieces alleging that Ted Lasso has declined. Unless critics see this season as Act 3 of a three-act story built on a subtle but coherent storytelling approach, then I don’t see how, in good faith, they can evaluate if the show has declined, inclined, or reclined. They’re just…watching a different show.

TL;DR: tumblr > twitter

[writingquestionsanswered]

Hiya! Not sure if you’ve answered something like this before, but if you feel comfortable answering, I’m wondering what tips you might have for writers with ADHD/ADD.

I haven’t been able to write well for years and thought it was laziness/lack of self-discipline, but it very well could be that my brain just wants to work a certain way and I didn’t know about it.

Of course, there’s no “one-fits-all” answer, but some ideas about where to start the journey of understanding what works for oneself would be nice.

Thanks!

Writing with ADHD

There are three sub-types of ADHD (inattentive/formerly ADD, hyperactive, and combined), so tips depend somewhat on which type you have. As luck would have it, I'm combined type, so I have tips for both. (And these tips can be helpful even for writers who don't have ADHD but still struggle with keeping their butts in the seat...)

Writing with Inattentive ADHD

My biggest struggle with writing is difficulty staying focused and getting sidetracked easily. Here are the things I do to work around that:

Dedicated Writing Time/Place - I'm fortunate to have a writing room with a desk, but even if you don't, just having a dedicated space for when you write can be really helpful. It also helps to make sure your chosen writing spot is tidy and free from built-in distractions, like people traffic or a distracting view. And, if you can aim for the same general writing time each day, that can help train your mind to go into writing mode when you sit down to write.

Minimize Distractions - this is a "must do" for me when I sit down to write. Phone goes on silent, no TV, no music with lyrics, no social media, and if it's a busy day outside I close the shades and put on headphones. Also, nicely ask anyone else in the house not to distract you during your writing session.

Regulating with a Timer - When I'm really struggling, I've found that timers are very helpful in keeping me on track. If I need to stop to research something along the way, I set the timer for 10-minutes. If I can't find out what I need to know in that time, I note it for later research and keep going with a placeholder. I'll also set the timer for breaks, writing sprints, or anything that might pull me off course.

Scene Lists & Timelines - Having a scene list to follow was a real game changer for me early on in novel writing endeavors. When I start to feel my mind wander, just putting my eyes on the scene list to see where I'm supposed to be and where I'm supposed to be heading can be enough to get me back on track. Checking off each scene and plot point along the way makes it more task-driven which also seems to help keep me on track. You could do this with a timeline, too. And even if you're not a planner but like to write organically, you can still keep kind of a general scene list or timeline to keep you on course.

Writing with Hyperactive ADHD

My biggest struggle with the hyperactive side of my ADHD is fighting the constant need to get up and be anywhere but in my chair typing. I've actually been working on this post for an hour because I haven't done any of my safeguards, so I've been out of this chair probably 20 times since I hit the answer button. Here's what I could have done to prevent this...

Start Writing on a Full Stomach - Nothing gets me out of my chair more often when I'm writing than feeling like I'm hungry. So, I get up, eat a small snack. Sit down and type for a few minutes. Then decide I need another small snack. Whether you write after you've eaten a meal, sit down to write with something to drink and munch on, or just make sure you've got your big water bottle there, eliminating hunger pains as a reason to get up makes all the difference.

Do Writing Sprints - Set a timer for anywhere from five minutes to an hour, and write as much as you can during that time without stopping to edit or evaluate your work. Writing sprints are a great way to focus your energy to make sure writing is getting done. Five-minute intervals work great for me, but sometimes I can do ten-minute intervals. When the timer goes off, I set it again and get up to do a few things like stretch or get something to drink. Preferably anything that won't take longer than the timer or snowball into something else. This way, if I'm only writing for an hour I still get a solid 30-minutes of writing in even if I'm up and out of my chair every five minutes.

Keep a Basket of Fidget Toys - This doesn't always work for me, but sometimes it helps to have something to fidget with during the moments when I pause to think. Thinking putty, fidget spinners, stress balls... Anything you can do for a second while you're thinking and immediately put back down. That way you don't get up out of your seat looking for something to direct that energy toward.

Speech to Text App - If you really need to be up and moving, try getting a speech to text app for your phone and writing your story verbally while you do other things.

I hope that these tips will help you be able to sit down and start writing again. If you need ideas for exactly how to outline your story or general ideas for how to get started, see my guide to How to Outline a Plot as well as my Plot & Story Structure master list of posts.

Best wishes on your ADHD writing journey! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[fixyourwritinghabits]

hello! not sure if this is a weird question, but I was wondering if you know a writing equivalent to how artists do drawing/painting studies of something they aren’t experienced with (backgrounds/faces/hands)?

my best guess would be something like doing really short stories that focus on sth the writer wants to explore, like a genre/character/dialogue? but I feel like the benefit of a study is referencing a photo or real life in order to make your art more convincing, whereas there isn’t exactly a ‘realistic’ standard for writing so you wouldn’t be able to evaluate your writing to it

So the experience you're looking for is basically "a college intro creative writing class" which is not very helpful, if you have limited resources and/or a horrible experience with college creative writing classes.

However. You can easily replicate this experience for yourself (or in a small group) by getting together and thinking about what kind of writing you would do in this sort of class. A rough summary of would cover:

Poetry - writing some poetry (even if you think it's terrible!) can help you narrow your focus on what words work best in a limited setting.

Fictional short stories with various POVs - 1st person, 3rd person, and even 2nd person short stories can help you flex your ability to tell a story from a different perspective.

Non-fictional short story - I won a small college award for writing about how much I hated working at McDonalds, lmao. Non-fiction might be hard if you've never tried it before, but it can really help you gain perspective on how to project your personal experiences into a work of fiction later.

You don't have to stick to what you think a college professor would like - you can also branch into fanfiction and drabbles, video game scripts, journaling and comics. There's plenty of 'writing class' books you can find second-hand store, online prompt generators, and free classes on YouTube such as Brandon Sanderson's lectures.

The most important thing when practicing your writing is scheduling time to review, especially if you're doing it on your own without feedback. Not only do you want to write things down, you want to take time to read back and reflect. What did you like about the last piece you wrote, and what did you not? Where would you like your skills to grow in (dialogue, description, themes) that you can work into your next project?

While you should push yourself out of your comfort zone (trying to write in the styles of authors that don't sound like you, poetry), don't drag yourself through weeks of doing something you hate. If something is not working for you, switching gears to something else is perfectly fine. On the other hand, don't give up on something just because it doesn't feel write. Like drawing hands, writing skills will get better with practice.

[fancyfade]

Tim and Damian for the ask game bc I'm predictable

12, 21, and 23 :)

12 What’s a headcanon you have for this character?

Damian: That he spends half is time with Talia <3 I also headcanon that if he did think Bruce and Talia would get back together again he would be outwardly supportive but inwardly suspicious (after like everything has happened, and he's 14, not 10) becuase he doesn't want to get his hopes up for nothing.

Tim: I headcanon that his hair doesn't grow back after hte explosion at the end of Robin. I just think its neat when characters have scars. Everyone's on tim's missing spleen but not Tim's burnt back of head?????

21 If you’re a fic writer and have written for this character, what’s your favorite thing to do when you’re writing for this character? What’s something you don’t like?

Damian: I really like when Damian draws comparisons with how he's treated in different situations by different people, often misunderstanding the people involved due to his own experiences (like assuming Talia is constantly evaluating his skills and judging him when she just meets him in The Way My Mother Didn't Raise Me, like she's another trainer).

Tim: I haven't written any Tim centric fanfic yet RIP even though I have ideas for some... but currently I guess (and this is my favorite thing for almost all characters if you can't tell :P) when his perspective informs his narration, like I wrote this line

This time, Damian gives him a longer look. He’s narrowing his eyes, threateningly.

in Batman and Son Rewrite (my first DC fanfic so there are things I'd change but not this part) and initially it was "He's narrowing his eyes, suspiciously" because Damian just genuinely was suspicious and uncertain of Tim's intentions. But I'm like wait Tim didn't know that, Tim doesn't really have the most charitable read on him. So I re-wrote it so it was influenced by Tim's POV rather than what Damian was thinking

Something I don't like.. hmm well I try to avoid writing it if I don't like it, but I guess for my past work I think both characters seem a little too soft at first. Tim is written back when I just new him from Batfam crossover events, Nightwing, and Batman comics (which I read a ton of, so there wasn't no comic basis) but before I read his solo title which I think really helps flesh out his character and I would have a lot different ideas for him now... Damian I think I overdid a bit on how ... hmmm IDK how to describe it. But sometimes in my fic i Published a bit ago he comes across as a little too vulnerable (on the outside) even if I was trying to avoid it.

23 Favorite picture of this character?

For Damian: Pick any one of these smug Damian faces by Patrick Gleason, that's peak Damian (link)

For Tim, probably one of these images I drew (link) where I re-imagined early Robin Tim who was joking about how small he was as. actually a young teenager and not miniature adult XD

Ty for ask! Asks from here (link)