#writing drafts

[alleyangelss]

what is this two different genres of writing I'm doing?? I'm going insane??

no the second one is actually I think I was basically high I have excuses

[kinky-jelloshot]

rb for a better coke bathroom

[to-thelakes]

just wrote a dinah madani one-shot and i also have like a 13k dinah x frank x reader one-shot AND a short and sweet emily prentiss one-shot, do i unleash the bisexuality by releasing them??

part of me is insanely nervous because i've never actually written a wlw romance in my many years of writing (woo for late realisations about sexuality). like?? women?? hot?? but?? scary?? help?? also WHAT IF THE CHARACTERS AREN'T WRITTEN RIGHT? frank's voice is so clear in my head when i write him that i feel like i do a bad job with any other character.

might just say fuck it and realise something but idk what.

[artbyblastweave]

I remember meeting a guy at a bar a year or so ago who told me he worked at the international consortium that does the porn parodies of all the top-grossing film releases. He said that the whole Barbenheimer situation presented his combine with some spectacular highs and lows. Because he said that with Barbie, right, the thing about Barbie is that there's already kind of a three-way ideatic, structural parallel between the curated artificiality of Barbie as a children's toy, the curated artificiality of Barbie as a mass market film, and the curated artificiality of pornography as a genre. Add on top of that that Barbie as a film is already feeling this tension, right where it's trying to be about a character graduating from the platonic sexlessness of a children's franchise to the functional-and-frank sexuality of being a living human woman, but it's also being bogged down in the "Everyone-is-beautiful-no-one-is-horny" aesthetic restrictions of any contemporary big-budget mass-market film so the two states end up looking pretty similar, he said. I mean the film itself is very aware of that tension, right, with that joke about how "casting Margot Robbie is the wrong move if you want to make that point," all that jazz. So, all that in mind, Barbie-themed pornography, he said, is in a weird way actually kind of complementary to the extant project, gesturing at unaddressed tensions and ideas, a dark mirror, the shadow self it wants to deny but can't, there's a lot of room to play in the space. He used the adjective "Lynchian" a couple of times, he seemed super stoked, he was talking with his hands. Oppenheimer, on the other hand. Oppenheimer he said presented a problem. Because obviously you can eroticize the detonation of an atomic bomb, we're all probably three mutuals removed from someone on this site who does exactly that, but obviously that's a niche market, and moreover it's a market that has a ton of overlap with high-minded thinkers who treat the historical use of atomic weapons against Japan with the level of gravity that atrocity demands. So they were stuck. They were really stuck. He told me that they'd been pulling their hair out for months trying to square the circle and all they had to show for it was a big whiteboard with the phrase "Grope-nheimer" written on it

[sanctus-ingenium]

split tongue / print

[sttoru]

older bf!toji is a sucker for you. especially when you both pass out after a long night of being lost in each other’s bodies and (barely) wake up to resume your passion.

toji’s eyes aren’t even open yet, his mind barely conscious, but his body can easily sense yours on top of him. you’re half-asleep yourself and yet your hips are moving on their own—grinding against his pelvis with slowed movements. his half-hard dick is still buried inside your warm cunt, having cockwarmed him to sleep.

“. . . mmh, shit,” toji groans in that sexy morning voice of his. he doesn’t bother opening his eyes, his hands instinctively coming to rest on the curves of your ass to guide your shallow thrusts.

his eyelashes flutter, his biceps flexing as he squeezes your plump cheeks lazily. “nasty little girl. can’t even wait ‘til i wake up properly,” the older man delivers a soft smack to your ass before soothing the sting with a rub.

he opens his eyes barely halfway, yet enough to look down at you snuggled against his bare chest. he huffs - almost condescendingly but with a subtle hint of affection. you’re seemingly more unconscious than conscious, still lost in deep slumber. despite that, your hips don’t stop their hypnotic up and down rhythm.

“so addicted to my dick got ‘er ridin’ me in her sleep,” toji mumbles to himself before closing his eyes once more. his hands never stop massaging your hips and rear, silently encouraging you to continue.

there’s nothing better than getting his dick wet by his gorgeous young girlfriend first thing in the morning.

certainly a great way to start the day.

[shinynewmemories]

Broke: "Katniss was only with Peeta because of their shared trauma from the Games and the events that followed. After what they went through together, there was no one who truly understood her like Peeta. But if Prim and Peeta had never been reaped, Katniss would have ended up with Gale/stayed single."

Woke: "The Games and the events that followed brought Katniss and Peeta together, but there was something special between them since the day with the bread. Katniss had a subconscious interest in him since they were 11, and after the reaping she couldn't help but fall for him due to their close proximity. The Games weren't her reason for choosing Peeta, but they were a catalyst for their relationship."

Bespoke: "The Games did more to hinder Katniss and Peeta's relationship than to help it. In fact, without the Games to complicate things, Katniss would have fallen for Peeta fast and hard. The Games and the events that followed were responsible for countless barriers to their love including (but not limited to):

1. Instilling in Katniss a distrust of Peeta that did not come naturally to her

2. Forcing her to act in love, regardless of the authenticity of her feelings, in order to survive

3. Broadcasting every moment they shared, no matter how intimate/private, onto every screen in every house in the country

4. Driving them apart due to the pain and confusion that followed the inevitable end of her "star-crossed lovers" act

5. Making their relationship a political tool of manipulation and oppression

6. Leading Snow to hold Katniss personally responsible for defusing the civil unrest within the Districts by means of their love story

7. Forcing them under threat of death to act in love for the rest of their lives, thereby taking away their agency and ability to choose each other out of real love or desire

8. Robbing them of a future together, even if they wanted it, by returning Katniss to the Games and ensuring the death of at least one of them

9. Traumatizing them in ways they'll have to deal with for the remainder of their lives

10. So many other things

The Hunger Games is NOT the story of how Katniss fell in love with Peeta due to or even during the Games. It's the story of how Katniss fell in love with Peeta IN SPITE OF THEM."

[rs-hawk]

Working on my novel and couldn’t figure out why it felt so empty. I didn’t have any filler. It was all 100% plot. The characters only interacted when necessary. I didn’t prattle on about the scenery or how the birds sounded. I had all my fuller stuff that I loved saved in another file because I “didn’t need it”.

Y’all, I knew this existed in TV shows but it didn’t hit me until this that everything is being whittled down. We are so starving for filler that we snap up anything. I unload all mine on Tumblr or keep it in a massive Google Docs. It SUCKS.

Honestly? Death to plot necessity. Revive filler. Revive unnecessary interactions. Revive just vibing with characters sometimes. I don’t want to just consume the plot and I don’t want to just create the plot either.

[ghostedbunnie]

there's something empowering in holding the razor to simon's throat when shaving his face for him. it's peak intimacy for someone like him who doesn't trust easy.

but to you he is like a well adjusted cat, purring with his eyes closed while showing his belly. his most vulnerable parts.

it warms your heart and you need to show it so you take the razor away from his throat for a second to drop a barely there kiss on his freshly shaved cheek. simon only reacts with satisfied hum and cracking one eye open.

"what was that for?" he asks.

"just felt like it." you shrug not wanting to be all sappy.

[evilmafuyu666]

[robo-writing]

Cockwarming with Logan is one of those ideas that sound good on paper, but could never work in reality. Listen up, and I’ll tell you why. (18+)

The heat of you enveloping him is nirvana itself, your hands on his body sending him to cloud nine. They linger on his chest, pawing, caressing, blazing a trail from his collarbone to his face, nails burying themselves into the darkened locks as you stare at him with nothing short of pure adoration.

“Feel good?” You ask, and he’s so drunk off you that he can only bring himself to nod, breath hitching when your hips circle themselves in his lap. Your laughter is nothing short of melodic, pressing yourself into the broad length of his chest.

He feels everything like this—the heat of your nude body against his, the scent of your body wash, your shaky breaths—every sense on overdrive. It’s there you sit, unmoving, unwavering, every movement causing your pussy to clench around him, and in turn, makes his chest rumble appreciatively.

“Should listen to you more often,” Logan mumbles, biting his lip at the feeling of you nibbling at his neck. “Just full of bright ideas, ain’tcha?”

“Full of a lot of things,” you sigh, and the sound makes his cock twitch.

But, there’s something missing.

Your quiet whimpers, your doe eyes staring at him from above—the way your pussy clenches in response to every touch, pulsing around his cock—it’s good, but it’s not enough.

Tugging at him, an itch he can’t scratch, it gnaws away at his mind until he finds himself searching for more, and the realization hits him like a wave.

It’s patience he lacks, an epiphany that has his lips curling into a smirk. It’s a lesson soon learned when his fingers dig into your hips and lift, surprise evident on your face. His downfall, as with most things, is his lack of patience. When it comes to you, he could even go as far to call it greed.

“Logan?” You ask, not a word given in response. His palms run up your back, large digits squeezing at your flesh, and yet the feeling does little to settle the sudden flare of nerves that build in your core. The calm before the storm, the impending sense of doom, women’s intuition—or maybe it’s because you’ve become intimately familiar with the devious smile that spreads across Logan’s face.

“Logan? What are you—“

You’re soon cut short, interrupted by the feeling of him slamming you back onto his cock, your short gasp making ego soar to new heights.

“Sorry doll, change of plans,” he grunts, bouncing you on his lap without a care in the world. The sudden change of pace has you scrambling for purchase, hands clamoring around his neck as you struggle to keep up.

“Logan, wait—ohmygod—“ you whine, and the sound is like music to his ears. His attempt at soothing your worries is his hand sliding across your ass, the sharp sting of it making you jump, but lucky for you Logan’s there to pull you back onto his cock.

Up, down, up, down. A constant rhythm that finally satiates the beast within him, the dull thud of skin on skin enough to have him melting into his chair, a wave of content spreading through every vein of his body. In contrast, you feel your own becoming more tense by the second; toes curling, breath caught in your throat, an incomprehensible string of noises leaving your lips as Logan watches with bated breath.

He tuts at you, the sound nothing short of mocking. “No runnin’ away sweetheart, this was your idea.”

“Not like this,” you moan, hiding yourself in his neck. “Wanted to relax…”

Your voice trails off, unable to speak when Logan’s practically fucking every rational thought from your head. Slowly but surely, any idea of protest is drowned out by the heat that burns inside of you, a dull ember that builds into a blaze, unable to focus on anything that isn’t Logan or his cock grinding inside you.

You can hear his laughter bellowing deep within his chest, amused at your brainless state, right before he quickens his pace. “Trust me sweetheart, I’m real fuckin’ relaxed right now.”

[moonstoast]

yes & no by natalie wee

[dollyfetti]

katsuki thinks it's fucking crazy whenever you get cuteness aggression from him-- a large, brawny, 6'2 boulder who isn't "cute" in any sense!

he may not openly admit it, but he adores when you excitedly rush into the shared bedroom where he's reading on his kindle, glasses perched on his nose. your face radiates with lovey dovey affection as you enter his space. and he loves it even more when you set aside his kindle and climb into his lap, covering his face in sweet smoochies. you wrap your arms around his thick neck and squeeze his body close. you adorably squeal, "missed you so much baby..!", filling up the room (and his swelling heart). you pull back to glance at his face where you're met with an uncharacteristic expression of fluster from your boyfriend.

"...my cutieee!!" you giggle, snuggling into him once more.

and the blond can't even say anything beyond a bashful, "love ya, sweets" cuz he just can't fathom the amount of joy he feels when you express your love for him.

[thewriteadviceforwriters]

🧩 How to Outline Without Feeling Like You’re Dying

(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)

Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.

If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.

So. Here’s how to outline your book without losing your soul (or all your serotonin).

—

🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.

Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.

—

🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.

If all else fails, try this dirt-simple one I use when my brain is mush:

Act I: What’s the problem?

Act II: Why can’t we fix it?

Act III: What finally makes us change?

Ending: What does that change cost?

You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.

—

🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.

These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.

Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.

—

🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:

Opening (what sucks about their world?)

Catalyst (what throws them off course?)

Midpoint (what makes them confront themselves?)

Climax (what breaks or remakes them?)

Ending (what’s changed?)

Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.

You’re not “doing it wrong” if you start messy. A messy start is a start.

—

🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.

Instead of: — “Chapter 5: Sarah finds a journal.”

Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”

This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.

—

🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.

Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.

You’re not building a museum exhibit. You’re making a prototype.

—

🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.

You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.

—

🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.

Try using “signposts,” not full scenes:

Here’s a secret someone’s hiding.

Here’s the emotional breakdown scene.

Here’s a betrayal. Maybe not sure by who yet.

Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.

—

🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.

Outlines should support you, not suffocate you.

Let yourself try. Let it be imperfect. That’s where the good stuff lives.

Go forth and outline like a gently chaotic legend 🧃

— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

[whoreforce141]

Hear me out...

Simon was hand picked by Price, his captain.

Now imagine, Simon finds himself a little birdie.

You.

And Simon has never had one, not truly. Sure he's had plenty of one nights and meaningless sex. But he doesn't know how to take care of you or love you or treat you right. He wants so badly to do right by you.

Who else would he turn to besides Price?

Especially when he finds out his birdie has never been with anyone else, Simon wouldn't want to hurt her :( so the obvious choice would be to ask for Price to help and take your virginity.

You were skeptical, it lead to a couple small arguments but his sweet honey brown eyes filled of adoration told you what you all you needed to know.

So you agreed to meet this john price fella, but nothing explicit.

That's why you're a little confused how you ended up like this, you really didn't mean to. If was just a dinner, invite him in and be a good host.

So why is John lying on his back on yours and Simons shared bed? Why are you sitting on his face like a good girl? :(

His large hands digging into the plush of your hips, his mutton chops rubbing your sweet thighs raw. But God, his tongue feels so good, the way he slurps at your sweet soppy cunny like he genuinely enjoys it.

It doesn't help that Simon is standing right by the bed, mask off as he smiles ever so slightly yet sweetly. Carefully brushing your hair out of your face as you ride his captains face. He's so proud of his girl.

And Price? He's fucking loving how you're getting so into it, good fucking birdie. The way you begin mindlessly riding his mouth, smearing your pussy juices all over. The way you occasionally bounced.

He'll have to thank Simon properly later for finding them such a cute little birdie.

[sttoru]

satoru has his phone in one hand while the other is patting your head, occasionally twirling a strand of your hair around his forefinger and thumb. he loves moments like these, when you’re cuddling together in bed, quietly enjoying the serenity that comes with it.

that is, until you interrupt the cozy silence with your random request.

“‘toru,” your voice is soft, yet it carries a tinge of pain and fear in it. your shaky breath doesn’t go unnoticed either. you tilt your head back and cup his face with one hand, to which satoru responds with by nuzzling his cheek against your palm.

“don’t you ever die before i do, ‘kay? promise me.”

a frown quickly finds its way onto his features as he lowers his phone, setting it aside on the bed. that statement sure is an unexpectedly gloomy one.

“aww, baby,” satoru sighs softly, reaching up to cover your hand with his own. he brings it close to his lips to press a kiss against your palm. he is about to make a joke—an attempt to lighten the mood—but catches the tears sparkling in your eyes and decides against it.

“of course i won’t,” is his determined reply. satoru gazes into your eyes with a reassuring smile. “don’t you do the same, yeah? because if you were to leave this earth before me. . .”

the light in his eyes dims just thinking about the possibility. he swallows thickly before responding, his tone serious as he declares his undying love for you;

“. . . i’d follow your soul right into the afterlife.”