#writing this on my way to work lol

[disciplinedindiscipline]

Talking Heads reuniting yesterday after 20 years is the best thing I saw today

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[macksartblock]

beware of burnout it's so real i'm afraid

also bc ended up making my writing into a font to avoid killing my hand as much and bc I saw Caden do this, I thought it would be fun to see who y'all think it suits lol

[ikeasharksss]

hey im curious

feel free to rb & explain your answer in the tags!

[pastelhooman]

[WVW Exchange Event 2023!]

"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."

----- ID under break -----

A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.

"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"

"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.

Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"

the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.

"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world. After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.

Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?" "Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.

----- End of ID -----

[crybaby-bkg]

Trainer Bakugou who you're a little terrified of the first day you're paired with him. when asking for a trainer at the gym, you had expected the friendly redhead who always looked so sweet and encouraging and cut as hell. you weren't expecting his grumpy looking blond counterpart, who was all glares and shouts for his clients to keep pushing themselves.

you were hesitant at first, before you quickly realized that it was all a ruse, for the most part. he pushed those who needed that extra encouragement, but was more lenient to people like you who simply wanted a professionals guidance. so, after a few weeks, you liked him for the most part, and his looks damn sure made it easier to cozy up to the big guy.

the only issue you've been having with Bakugou though are the...coregasms, as you've seen them been named on social media, that you keep experiencing. the first time, you weren't sure what it was, why your stomach and pelvis kept tightening up. you couldn't have...climaxed, or anything. you hadn't even been touched!

but, as the weeks go by, and the workouts get more strenuous, they've become harder and harder to subside and ignore, and so had Bakugou's commands to keep going when you suddenly stopped. you can only lie and say its cramps so many times before he realizes that something is up.

you're midway through a good morning, when that familiar feeling starts tightening in the pit of your gut. you clench your eyes shut, shaking your head a little, as if you could ward off the impending feeling. bakugou notices though, frowning at your almost pained expression in the mirror, walking up behind you to stop you as you pull yourself back up. his hands are on your waist, and as you come up, you feel his bulge glide over the curve of your ass, and something in you snaps.

you gasp, buckling over, one hand on your knee as the other reaches back for bakugou's hand to keep you up as your thighs shake. you can feel yourself spasming, clenching and unclenching around nothing, secretly wishing you had something that could fill you up, something that you felt throb against you as bakugou leaned over your form.

"Another coregasm, huh?" he asks you lowly, his lips brushing your ear as you bite your bottom lip to hold back your moan. your eyes buck open though, when his words sink in, head tipping back to look at him in the mirror, only to find his gaze already on you.

"You knew every time?" you ask quietly, panting now that its finally starting to pass over you. but bakugou doesn't let you up from this position, especially since the area you're in seems to be desolate for now.

"It's hard to ignore how pretty you look when you cum, sweetheart." Bakugou seals his words with a firm press to your ass, his cock rubbing the seam, and you can practically feel the heat and veins of it through your thin bottoms. you groan under your breath, getting lost in the feeling of him grinding against you, when he suddenly speaks again.

"You still feel it?" he asks, voice low as he looks at you through his lashes. you nod, biting at your bottom lip as you meet the steady rock of his hips, watching how he smiles before slotting his lips against your ear.

"Want me to help make it go away?" and he does, in the employee locker room after hours. he makes it go away, and rebuild, and go away again and again until you're hoarse and your legs are weaker than they typically are on leg day. bakugou helps the ache go away, but not for that sweet redheaded coworker of his, whose fists have fucked his cock the entire time of watching bakugou rail you over the locker room bench again and again.

[lexicog]

fuck it. kuchipatchi grow a flower

[bruciemilf]

:(( Early Adoption AUs where Dick and Jason kidnap baby Tim is such, such a good trope.

It all started when they were playing in the yard.

They miss Bruce everytime he leaves for a dumb meeting, and if they have to wait outside for him until it darkens, that's what they'll do.

They're having fun. Alfred even allowed them to turn the sprinklers on and get the bathtub toys out. It's not everyday Gotham allows sunshine showers, after all.

Jason spots Tim first.

A mess of dark locks creeping through his pink binoculars. Tim is a small kid. Jason notices the chair behind him. He also notices the inside of his house is fairly empty.

They don't agree on much, not on anything, really.

But they KNOW a baby isn't supposed to look that sad.

Bruce comes home a couple hours later, sighing in relief as moonlight shadows cool down his skin. He practically melts under the sun. Alfred jokes (or at least, Bruce hopes he is) its the vampire genes in him.

Still. He rarely, if ever, sees Alfred nervous.

" Don't you want to tell me about patrol?"

Bruce frowns, " You don't like hearing about it. I have to shower. I can't play with Dickie and Jay if I reek of blood."

" Just go to the other bathroom."

Now, he's suspicious. " In the bathroom you never let me use? Because the boys used it like a water park? The bathroom you've explicitly told me you'll make me an orphan again over?"

Alfred shrugs, " It's a nice bathroom."

There's giggles streaming through his bedroom door and Bruce pauses. He knows exactly how his babies sound when they're happy.

He knows the tell-tale mischief in Dick's bright snickers and Jason's ear popping shriek is Bruce's favorite sound.

But there's another one, smaller and thinner, yet joyful.

He gives Alfred one last look before entering, and the sight freezes him in his tracks.

Right there, there's his boys, drowning in his work suit jackets, with glitter markers smeared all over their eyelids. The bright reds and greens pop around Bruce's eyeliner.

And in the middle of them there's tiny, itty bitty Tim Drake, also smudge-eyed but GLOWING with a toothy grin.

"B!" Dick's eyes are wide, " Uh...So you're probably wondering...About this."

"Hn."

Then, Tim surprises them all when he points a finger at him, " Batman."

Oh, boy.

[raiiny-bay]

the kids released a new album

[genericpuff]

vent post

[pachimation]

an 8 page comic about childe visiting scaramouche after the sumeru archon quest

[buwheal]

We can't hear it Spam, but it's real to you. I get auditory hallucinations a lot, and usually what helps me is a distraction. Maybe... name 5 things you can see? Or make paper airplanes with old messages, or draw some pictures. Otherwise, I'm sure someone has a crossword or story they can send you to help you out!

[the-angst-chronicles-fanworks]

The Wolf and The Witch

Part 1/?

Steve knows better than to enter the Witchwood. He’d been warned from the time he was a child, back before the wolf, that it was home to its namesake. And not just any witch, a dangerous one. One that had killed an entire hunting party, unprompted, with the flick of a finger. None who have entered those woods since have ever returned.

Steve knows better than to enter the Witchwood, but he doesn’t have a choice. Robin is slumped over his back, hands clenched tightly in his fur, clinging desperately to consciousness. He can feel her blood, warm and sticky, matting the fur of his back. His own gait is slowed, every step jolting the silver teeth digging into his right hind leg and sending sharp pain shooting through him. He’s not sure how much longer he can run, and he can hear them - the bloodthirsty cries of the townsfolk dead set on his murder.

They had been found out. So many cycles of living in this town, living among its residents as a friend and neighbour, and still they’ve all turned on him. Of all the times for it to happen, too. It was the moon he had agreed to make Robin a wolf. She had already been weakened from the wolf taking hold when they had been attacked, the silver already a weakness but her body not yet given over to the strength of the wolf.

Steve wishes he could take her to Nancy, knows Nancy would help despite everything, but the townspeople have blocked them off, funneled him in his blind panic. His only hope is to lose them is the wood, but even then he might lose Robin to his own fumbling medical knowledge.

But first, he has to get away from their pursuers. Steeling himself with a deep breath, Steve enters the Witchwood.

————————————————————————

Eddie is no stranger to people trying to do him harm. It’s been a constant in his life from the time he was a child, long before his gifts had awakened. And one that had- well. It’s been a constant of his life, sure as the cycle of the moon and sun. So he notices the prickle of someone entering the woods, but he gives it no regard. It happens a few times a year, that someone gets it into their heads that they will be the one to kill “The Witch of the Woods”. None ever even make it to him, losing themselves in the enchanted trees.

These trees are older than him, and their magic is their own. They like him and welcome him among them, but otherwise are hostile to outsiders. In the beginning, he had tried to help those who became lost in the woods, but those days have long since passed. Despite what his uncle says about his soft heart, Eddie’s become bitter and jaded and he no longer pays any mind to those who venture into the woods.

But this time, something is different. Eddie feels the disturbance of someone crossing into the forest, feels the shift of magic as the forest warps around them, and it’s… different. The ways and paths of the trees are second nature to him, he can tell by the shimmer of magic against his skin which paths have been revealed and which hidden away and this…

The forest is being lenient, gentle. The interlopers are shown the ways to peaceful places, soft and danger-free. Eddie can recall only a few times that the forest has been kind to intruders, and it has almost exclusively been to children.

So he’s more than curious already when he feels the buzz of more people crossing the boundary into the woods. A lot more. And Eddie realizes that this hunt is not for him.

The trees are not so kind this time, opening its twists and turns like a maze, a trap for anyone foolish enough not to turn back immediately. They don’t, of course. They never do. Eddie pays them no mind, drawn instead by curiosity to the two that are being pursued.

He steps between the trees, slipping into a space that’s folded away between reality, picking his way with ease through paths that are there and paths that are not until he emerges at the edge of a small clearing, moonlit and mossy. Theres a tiny spring-fed pond and there, limping toward it, is a wolf. It’s huge, the size of a small bear, with a strong frame and thick russet fur.

It notices him at the same time as he notices it, and it’s massive head swings to face him, teeth already bared in a snarl. It’s hackles raise, and it turns fully, squaring up, a threatening growl rumbling across the little clearing to him.

Eddie steps back, already gathering his power until it glows around him with dark energy, because this is no normal wolf. Even without the size and the silver trap clamped around its leg giving it away, he can see it in its eyes, feel in its presence that this is something more.

He recalls his childhood, the warning tales at his mother’s knee. He remebers later, freshly chased out of town and taken in by his uncle, watching as the old man leafed through his ancient book and warned Eddie that he wasn’t the only dangerous thing in the wilds. Eddie has no doubt that he’s come across one of those dangerous things now. He looks at the wolf and knows exactly what he’s seeing.

A werewolf.

[tennessoui]

For the prompt list, nanny/single parent obikin would be amazing!!

(from this prompt list)

(the first time I answered this prompt two years ago, the nanny anakin au was born)

so to do something different, here's some gffa widowed anakin, nanny (sort of) obi-wan!

(2.5k)

It is hard to find time to grieve. There are too many things to do. Too many appointments to make, too many decisions Anakin isn’t sure he’s qualified for. Some decisions are easier than others. For example, the funeral will be on Naboo. There will be two services: a public one to honor Padmé’s public service, and a private one to honor who she was as a person. The casket will be closed, because his wife died when her cruiser exploded. There isn’t much left to bury anyway.

But some decisions are harder. Which flowers should go on her casket. What songs would she want sung and who should sing them? Would she prefer her grave closer to her ancestral home or the home she created in her adulthood?

If she told anyone the answers to these questions, it wasn’t Anakin. But then, the people who knew her best, who loved her most, died with her. Sabé, Rabé, Saché, Yané, all of her handmaidens—an assassination such broad strokes that it was impossible for it to fail.

So Anakin chooses Yali lilies, because Leia’s eyes linger on them the longest. He chooses a small Nabooian folk band to play after her service because their music is the first thing to make Luke lift his head from his coloring books in days. He formally requests that her body be buried among her ancestors, and the Nabierres agree immediately.

And he keeps telling himself that he will grieve, but there is so much to do. 

And then—then there’s after the funeral. Then there’s the rest of his life, sprawling out before him in a long, hazy road. 

There are more decisions to be made.

There are people who have opinions on them now, people who sat back and let Anakin muddle through flower arrangements and kriffing seating charts, who now step in to peer over his shoulder, monitor his every breath.

Should he really move the children back to Coruscant? Does he truly plan to continue to work as a mechanic in the Mid-Levels? Should he not think of the children, their needs? How can he support them on the thin amount of credits he makes? Would it not be better for the children to live on Naboo in the care of their grandparents and their extended family?

It would be what Padmé would have wanted.

Anakin cannot care about what Padmé would have wanted, because she isn’t here. Not to argue with him, not to make her wants known. She is dead. She doesn’t get to haunt him in the waking world too.

“What do you want?” he asks plainly, sitting down across the table from his two children. The twins blink back at him. Leia has finished her cereal. Luke has barely touched his.

“Bacon,” Luke says.

Anakin hadn’t meant for breakfast, but he figures it’s as good of a start as any. “Alright,” he agrees.

He stands once more and goes to the kitchen. It’s not exactly his domain. It was never Padmé’s either. The way Padmé grew up, food was made once you requested it—by droid, by cooking staff. Not by the hand of a Nabierre.

The way Anakin grew up, food was cobbled together carefully, sparingly no matter how much you requested it. And no matter how you cooked it, it always tasted a little like dust, which took the joy out of experimentation.

But the serving staff have been dismissed for the past two weeks to give the family time and space to grieve in private. 

(Padmé’s parents have been given a schedule for visiting hours for that exact reason.)

Anakin locates the pan; then, he locates the package of bacon strips.

When he glances up, both twins are watching him over the edge of their barstools, tiny faces showing both skepticism and incredulity.

“I want to know what you want to do,” Anakin says, raising his voice as he places the pot over the heating plate, the meat in a moment later. “Do you want to stay here with your grandmother and grandfather? Do you want to go back to Coruscant?”

The twins are quiet. Anakin twists his neck to look at them again, and they’re looking at each other, silently communicating the way only twins can.

“Where will you be?” Leia finally asks, looking at him with narrowed, suspicious eyes, bottom lip already jutting out.

Anakin blinks. “Wherever you are,” he answers.

“You won’t leave too?” Luke asks rather tremulously.

Anakin takes the pan off the heated plate and turns it off with a decisive flick of his wrist. “Of course not,” he says. “Come here.” He crouches down and barely has enough time to open his arms before the twins are there, pressing in as close as they can get to him. He holds them back just as tightly in return.

“I’m not going anywhere,” he promises into Leia’s hair. “Not without you two.”

—-----------------

It becomes apparent fairly quickly that this is, by necessity, a lie.

The twins don’t want to stay on Naboo, which Anakin is secretly incredibly grateful for. He doesn’t want to either, but he knows he’d just be called selfish should he express the opinion.

But the twins don’t want to go back to Coruscant either. This makes sense as well. It would be incredibly jarring for them to go back to living in the quarters they shared with their mother, her Upper Coruscanti apartments in the nicest district of the planet, without her there.

Anakin wishes it were as simple as sticking a pin on a planet and deciding to uproot the entirety of his family to live there. 

But it’s not.

Perhaps if he were still young, nineteen, newly free and in love with the taste of that freedom, it would be.

But he’s a widower now. He has his children to think about, their futures. Any planet he chooses must have what they need as well. 

And they are four year olds who have just lost their mother. Their needs are numerous.

What makes the decision for him in the end is that his boss knows a man from Stewjon, who is willing to hire him. Who is willing to pay a premium for his expertise with mechanics.

Anakin doesn’t know the first thing about Stewjon, other than that it’s an ocean planet in the Inner Core and his dead wife always said the Senators from Stewjon were so frigid and tight-lipped because they spent the first few days of each visit trying not to be seasick on the Senate floor.

Anakin isn’t sure why this is the very first thing he tells the man—his potential boss—he meets behind the counter in the mech-shop on Stewjon.

He’s left the children with their grandparents for the week—long enough to fly from Naboo to Stewjon, meet with his potential employer, interview, apply his work practically, and fly back out.

He’d explained to both twins why they had to stay on Naboo. He’d explained many times. That hadn’t changed the betrayed look Leia had worn as she saw him off. It hadn’t wiped the tears from Luke’s eyes.

“Ah, well, I can’t say I’ve heard that one before,” the mechanic says. He sounds amused, and Anakin is incredibly shocked to hear a Coruscanti accent. Everyone he’s spoken to since arriving planetside has had such a heavy brogue that he’d honestly struggled to understand their directions to the shop—Kenobi & Sons.

Anakin lets himself look again at the man behind the counter. He’s rather clean for a mechanic, he decides. His beard is red, a common factor around these parts apparently, but his beard is short and neat, trimmed to accentuate the strong lines of his jaw. His eyes are a stormy blue, the kind of blue that matches the Stewjoni ocean.

“Between you and me though,” the man smirks and leans onto the counter with his elbow. His tunic is dark gray, white starchy fabric peeking out beneath the v-necked collar. “I’ve never been a fan of Stewjoni politicians anyway.”

“Oh?” Anakin asks, sidling a step closer to the counter. The man has the beginnings of gray at his temples, and his eyes are lined with wrinkles. They don’t make him look old though, Anakin decides. They make him look…well-lived.

“I’ve not a head for politics much at all,” his future employer shakes his head slightly with a small smile. His eyes flick up and down Anakin’s face, lingering on his lips and then lingering longer on the scar over his brow. Anakin feels rather flushed under the inspection, and he shifts his weight forward until he’s leaning up against the counter too.

There’s something about this man that’s rather…magnetic. It pulls him in. It makes him want to linger.

Good characteristic for a shopkeeper to have, though Anakin privately decides that the man before him has a face that’s wasted on mechanics, buried under some ship’s underbelly in a backroom.

“Me neither,” he admits, a moment too late to sound anything but highly distracted. It makes the man smile again though, a flash of straight white teeth.

“Is there anything you do have a head for then?” he asks. His tone is light, airy, rather teasing.

This is the strangest interview Anakin has ever had.

“Um,” he says. “Well. There’s mechanics.”

“Oh?” The man’s eyebrow lifts at an elegant angle. He props his chin on the palm of his hand and looks up at Anakin through his eyelashes. “Then why come here to us then?”

“Um,” Anakin says, and not because the man looks rather unfairly flattering like this, amber eyelashes in sharp relief against the blue of his eyes.

They’re interrupted by the sounds of clattering in the backroom, stomping and cursing. The man before him straightens with a slight sigh and picks up the closest flimsipad. “And what brings you in here today, sir?” he asks rather loudly, pitching his voice back to the other room of the shop pointedly. “Problem with your speeder? Serving droid? Cruiser? If it’s your astromech droid, I regret to inform you that I’ll have to refuse you service on account of the fact that I don’t particularly care for them.”

Anakin thinks he splutters, but whatever noise he makes is definitely drowned out by the rather irritated shout of Obi-Wan! that comes from the back.

A moment later, a man storms through the door, looking annoyed. "We will service an astomech if that's what's broken, Obi-Wan."

Now this is a man that Anakin can believe is a mechanic. His nails are blackened with oil, and his bare, burly arms carry smudges of the stuff. He’s much broader than the man—Obi-Wan—that Anakin had been talking to. He’s bald with a reddened scalp and a rather large red beard that’s the antithesis of the other man’s in every way. His clothes are dirty, loose, and the color of ash. He looks older too—whereas Obi-Wan could easily be in his thirties, this man must be pushing fifty.

He snaps at Obi-Wan in a language that Anakin doesn’t understand. Obi-Wan shrugs and hands over the flimsi pad without argument.

“Um, actually,” Anakin says, feeling incredibly wrong-footed. “Which one of you is Kenobi?”

“I am,” both of them say. Obi-Wan’s smirking slightly. The other man’s voice is louder, carrying that Stewjoni accent so obviously lacking in Obi-Wan’s speech.

The older man closes his eyes as if he’s praying for patience. “We both are,” he says. “Though if your ship’s malfunctioned, sir, I’m the Kenobi you want to see. This one’s good for naught but magic tricks.”

“I have been told I’m rather good at other things,” Obi-Wan turns his smirk full-force at Anakin, dropping his eyes to Anakin’s lips once more.

“My name is Anakin Skywalker,” he says very quickly in a very normal tone of voice that is most definitely not a squeak. “I’m here to interview for a position. As another mechanic.”

“Oh,” the older Kenobi says.

“Oh,” the younger Kenobi says in a much different tone.

The older Kenobi pinches at his nose for a moment before turning around the counter and offering his hand. “Ben,” he says. “Ben Kenobi.”

Anakin takes his hand and shakes it, eyes traveling back to Obi-Wan. Is he supposed to shake his hand too?

“I’m the Son in the sign,” Ben says gruffly as if that answers his question.

“I’m the reason it’s plural,” Obi-Wan adds, busying himself with the contents of the counter. From what Anakin can tell, the man is just messing up the carefully organized piles of receipts. 

He decides that he would rather not get the job than point this out to Ben.

Ben huffs out something in Stewjoni that sounds downright insulting, but that doesn’t stop Obi-Wan from smiling sunnily up at Anakin. “My brother enjoys bitching and moaning that I came back home when I was seventeen, but he’s awfully quick to foist his children off on me when he’s called to shift at the rig offshore and Marci’s off-planet too.”

Anakin blinks. He feels like that’s the safest answer.

“Only thing good that blasted Jedi Order ever taught you was how to handle younglings,” Ben says, and then spits on the ground as if the words themselves have left a bad taste in his mouth.

Anakin blinks and wonders if he should say something to remind the brothers that he’s here. For an interview. “And my magic tricks,” Obi-Wan rolls his eyes slightly before catching Anakin’s eye and winking. With a wave of his hand, a flimsi-sheet flies over the counter and into Anakin’s chest. He catches it unthinkingly. “Would you like to sign in, sir?” “Get out of here,” Ben barks, snatching the flimsi from Anakin’s hand and pushing it back to the counter. “Like I said, the only one’s impressed with that is the younglings.”

“I don’t know, your man looks impressed,” Obi-Wan says slyly, even as he pushes himself away from the counter and around the edge of it.

Anakin isn’t sure what he looks like. He doesn’t think impressed is the word he’d use though.

When Obi-Wan brushes past him, the static electricity in the air jumps between their shoulders. Anakin feels as if he’s been shocked.

Obi-Wan must feel it too because he stops only a few inches away and looks at Anakin. For the first time, his expression is open. Curious. Considering.

“Get!” His brother insists, and Obi-Wan obeys, throwing one last look over his shoulder at Anakin before he slips out the door.

The shop feels somehow much bigger now that the other man has left. Ben sighs and rubs a hand down his face. He looks older now. More worn. “So that was my brother,” he tells Anakin wearily. “Who you would most likely see frequently if you were to take this job. I would understand completely if you would like to start by talking compensation.”

[gloriousmonsters]

the entire vibe of twilight princess is just *touches ground* something terrible happened here

edit: OKAY a few people requested/expressed dismay that so much was just in the tags so I'm taking them from the tags and putting them under a cut here :P i'm happy people like them

#no gerudo in the gerudo desert. the twili being the product of ancient magic mass incarceration. zelda's depression and guilt and fuckin#'i don't deserve a bedframe' type room. the triforce of power keeping ganondorf alive - what do the gods want? guess they must be crazy#or maybe we kiiind of fucked up (no gerudo) (arbiter's grounds) (there was a war in ocarina and we don't talk about it)#(and there is an implied war potentially one of attempted extinction hidden between the pages of TP's history)#(hyrule's very good at not talking about its wars) (zelda says 'this is the least i can do' and tries to kill herself to save midna)#(your shade from the past teaches you how to kill and tells you to seek power and teaches you to kill again)#(putting an enemy on the ground isn't enough unless you finish them quick)#(your shade from the past wears armor. the spirits slipped chainmail under your kokiri clothes.)#(the monsters that claw blindly at you are the warped souls of the captured. the benevolent spirits of light insist they're beyond saving.)#(the arbiter's grounds is so so full of the furious dead. in the desert. the gerudo desert)#(the princess sees you not knowing who you are but only seeing that you are a monster and are chained and she apologizes)#(zelda gives her life to save midna and when ganondorf dies she prays in silence)#no esteemed deed is commemorated here etc etc#anyway. ignore all that. i'm obsessively thinking about the idea/theory of link fighting on the side of the gerudo in the past of TP#(hence his appearance on Ganondorf's armor) bc it makes everything Even More Fucked Up#thinking abt this game depresses me so much. i love it