[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post
she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let
and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment
and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.
and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment
and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?
to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.
and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.
you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.
the funniest part about the boys prequel has already happened and it’s that show turning into the exact kind of mcuified franchise it started out mocking
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable."
"It can't be helped that some people's lives are like that"
"The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that"
"The fact that some people are destined to live that kind of life is what's vile."
"Why? Do you think you'd write it differently?"
"Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny."
"Why?"
"Because it means everything is predestined."
"Then do you not believe in fate?"
"Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying."
"Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
If you'd still like Dreamling kiss prompts, how about 7 or 17?
@martybaker asked : Hello, your fics are so lovely! May I humbly request ‘A kiss to shut them up’ if you’re still taking prompts? 👉👈
@anonymous asked : Thoughts on dreamling 7 or 17 (to shut them up or to distract - maybe even both at once?) for the kiss prompts?
We're shutting him up, yall!
This is a Retired!Dream one, in which Dream struggles with the human body and human condition, and can't see how he can measure up to his old self in Hob's eyes.
Angsty you say? Deceivingly horny I raise you! I kept this sorta M rated but... hey if there's more to come *winkwink* who knows?
The human body was a curious thing. It required constant attention, fluids, fuel, maintenance, care. And yet it was so... limiting. Morpheus could still remember how it felt, to think of a place and feel the ground shift under his feet without ever having to move. There had been no hunger then. No thirst. No itching, for his skin had never had the notion that it could be too dry.
If he had ever felt those things, it had been because he had chosen to.
Now the world imposed itself to him, there wasn't much of a choice.
Urges baffled him the most. The dryness coating his mouth on a particularly hot day, his mind conjuring up images of cold, condensation-weeping bottles. The drowsiness taking hold of him after dinner, weighing on his eyelids. The burning, devouring heat flaring in his abdomen as Hob would step out of the shower, a towel lazily tied around his hips, the line of hair trailing down his navel guiding Morpheus' gaze downwards.
It was a strange thing, to be overcome by such sensations. An infuriating thing, really. He ought to be able to resist them. He had been able to resist them, once, to ignore them, dismiss them into nothing if he so chose. How vexing it was, to be a creature of wants and needs, when your existence had been nothing but careful control.
He would not tell Hob, but he could not help but feel... lesser. How clever could his mind be, now that he only had access to his own? How good could his hands be, he who had been able to breathe life into dream clay, fashion lands and castles with a single thought? How pleasing could his touch be, now that he was barred from his lover's unconscious? How could he compare to who and what he had been, once?
They had not made love ever since his encounter with the Kindly Ones. Hob had never pushed, reading Morpheus far better than Morpheus ever could, now. There had been times, here and there, when Morpheus had thought they would, with lingering kisses growing deeper, embraces in bed tighter, but something had held him back. Some bitter gnawing feeling at the pit of his stomach. Yet another thing he could not seem to control.
Yet he wanted. Desperately, frustratingly so. The most mundane things would strike him as the most erotic sights he could fathom. Hob drinking his coffee in the morning, his Adam's apple bobbing as he'd swallow. Hob reading the day's papers, his gaze intent, focused. Hob reaching up to grab this or that from a cupboard, his shirt riding up and showing his navel, while his tired pajama bottoms hung from his hips, revealing the slight dips there, a hint of hair...
Morpheus' body would betray him often, subjecting him to fantasies and erections that, much like the rest, he held little control over. Unlike food, lust was a hunger he never seemed to satisfy. It only grew.
If Hob had ever caught him staring, he never said anything. Instead, he was highly skilled at noticing when Morpheus' mind would start spinning on itself, feeding the loop of existential dread looming over him. He had taken to giving Morpheus tasks, then, something to focus on. Although it would not quite clear the storm, it muffled it somewhat.
Perhaps he'd sensed another one of Morpheus' spirals that night, when his voice rose from the bedroom.
"Oh, bollocks! Love? Might need a hand here."
As he stepped inside the bedroom, Morpheus found Hob standing by the mirror, struggling with his button-up. He flashed a quick contrite smile at him, emphatically tugging at the fabric.
"Can't manage to button those buggers off," he explained.
"Allow me."
The human condition was one thing, but buttons he could handle. Morpheus' touch was methodical, surgical almost, as he focused on the task at hand, yet three buttons later, he could not help but feel his focus slip. He could feel Hob's warmth under his fingertips. His heartbeat. As he breathed in, Hob's scent filled his lungs, distracting him further. By the time he was done with the shirt, his mind had gone elsewhere.
Hob wore an undershirt, a thin, almost see-through thing. It required barely any effort to see his chest in spite of the fabric. Morpheus' eyes trailed down, heat flushing his cheeks. Mindlessly, his thumb traced the line of hair down Hob's abdomen, his mouth filled with want. He could feel hot breath against his lips. Humans were not meant to withstand such hunger.
They were kissing before Morpheus could articulate another thought, Hob's mouth warm and soft against his, the coarse brush of his stubble adding fuel to the fire overtaking him. No doubt Hob had meant for this to be tender, but Morpheus was famished, taking, and taking, and taking all that was offered until his lungs might explode. He found himself gasping against Hob, nose to nose, forehead to forehead.
"Hey," Hob whispered, gentle to a fault. "It's okay. There's no rush."
Morpheus swallowed hard, feverishly catching his breath. Hob's palm was invitingly cool against his cheek.
"I will keep," he continued. "We don't have to―"
"I want to," Morpheus rasped, weeks of frustration pushing the words out of him. "I want you. I just―"
"Just what?"
The patience in his voice was the lifeline Morpheus held onto as he sighed, embarrassment flooding through him.
"This form, it feels... finite. Flawed. Lacking."
Fallible, he did not say. He watched as Hob's eyes grew round, ridicule joining embarrassment.
"Duck―"
"I am not as I once was," he continued, overcome with the need to justify himself. "I am no longer suited to anticipate your every want. I can not satisfy you to the degree I once could. Everything I have to offer is bound to disappoint in comparison."
Hob's stare felt heavy, too heavy for Morpheus to hold, but as he looked away, Hob took his chin between his fingers, directing his gaze back to him.
"Love, I―. Sex is not about making some kind of... of ranking."
"Your unconscious would rank it, regardless."
"Fuck my unconscious. It's my conscious self who wants you, magic dick or not."
The corners of Hob's mouth twitched at his own joke, but seriousness soon took over.
"I love you," he said, prompting Morpheus to look away again. "I love you. I would love you Endless, I would love you human, I would love you if you were a tentacled monster and hell, you've been that before if you'd recall!"
Morpheus fought back the smile creeping up on his lips.
"I never cared how we'd fuck. Well, I did, but― I did because it was you. I wanted to be with you. I still do."
Hob sighed, and they stood in silence for a moment, looking at each other.
"At least now we know that mind of yours is well and truly yours and not a Dream of the Endless exclusive."
"An unfortunate discovery."
Hob's hand settled on Morpheus' waist, his thumb brushing the fabric of his shirt.
"I do want you," he said. "Whenever you're ready. If ever. But I don't want you holding back because you've convinced yourself I may not enjoy it well enough, according to some cosmic standard you've set for yourself."
Morpheus nodded slowly, his own thumb back to tracing the happy trail on Hob's stomach.
"I have always found you pleasing enough, after all," he dared, shooting a tentative look at Hob. "As human as you are."
Hob made a face, pulling him closer by the waist.
"Your compliments need work, duck. But I do think there's a silver lining to this whole human condition you are overlooking."
"Is that so?"
Hob smirked at him, fully conscious of how devilishly handsome that made him. He had had, after all, centuries to hone those skills. How long would it take him?
"You no longer have access to my unconscious, right?"
"I do not."
"Which means you can no longer anticipate my every want, as you said."
Now that was rubbing salt into the wound.
"Yes," he conceded with a frown.
"Well imagine how arousing it is, my love," Hob said, his eyes darker by the second, "to be able to surprise you."
A warm shiver went down Morpheus' spine, sending his pulse into a frantic race. He swallowed thickly, holding Hob's gaze.
"How arousing?"
"Very. Cock-achingly, one might say."
Morpheus glanced down, finding Hob's trousers tight, his hard cock pressing against the fabric, making his knees weak. The human body truly was weak in the most delicious way.
"I could dare you to surprise me," he teased back, his breathing loud in his ears.
"You could."
Gods, that mouth of his, Morpheus was quite certain he could be undone from that tone alone. But still.
"But should you find me displeasing, you ought to―"
The rest of his words were swallowed into a kiss, unheard and discarded, replaced by tender sighs and wanting hands, and after a while, Morpheus found he'd forgotten what they even were, his mind blissfully blank save for pleasure.
The human body was a curious thing. A highly pleasing thing, at times.
Yeah and aroace people can also bash your skull in and thats what this aroace person is gonna do if you keep using this as an argument to ignore a characters identity
Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet
Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)
Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
Even though he's expecting company, Eddie still jumps and yelps when his front door flies open without so much as a knock, revealing Dustin and Will.
"I know I said to let yourselves in, but a warning knock would have been nice," Eddie shoots them a glare, not bothering to stand from the couch where he'd been pretending to watch whatever terrible daytime movie was playing.
"Sorry," Will apologizes sheepishly while Dustin just laughs.
"Which of your moms dropped you off? If it's Claudia, I'm filing a complaint about how you were raised."
"Har har," Dustin says, swinging his backpack off and knelling down to unzip and dig into it. "We biked here."
"Lucky you, then. The complaint will wait."
Dustin wrestles a blanket from his backpack. Unwrapping it reveals Steve, hair rumpled but otherwise unharmed. "Alright. Delivered safely. We gotta go meet El and Mike now but we'll see you on Saturday, right?"
Eddie sets Steve on the couch, angled towards the TV. "Yeah. I get the feeling if I don't show for the barbeque that Joyce will show up here and drag me there by my ear."
"She would," Will confirms with an easy shrug. The boys turn to leave before Will exclaims, "Oh! Almost forgot!" before digging into his pocket for something, turning around to give it to Eddie.
"What?"
"El and Steve spoke again. He had a lot of things to say. I spent a good portion of the last three days writing down everything as El repeated it to me. This is your letter," he says, having successfully pulled out what looked to be a folded piece of paper out of his pocket.
"Oh," Eddie takes it, and realizes it's not just one folded piece of paper, but three. "Wow."
"Seems you are Steve's second favorite," Dustin grins at him from the doorway.
"You are first, I assume?"
"No. Robin is. She got five pages."
That tracks, actually. Eddie's not surprised Robin got the most pages.
Soon enough, the boys are off and Eddie returns to the couch, pulling his legs up to sit crisscross. "Alright, Stevie, let's see what you have to say."
He unfolds the pages completely and is met with Will's now familiar penmanship scrawled across the sheets of wide rule paper that has clearly been ripped from a composition notebook. He's seen Will's handwriting plenty over this last year, quickly scribbling notes during DnD sessions and on the little item cards Will makes himself to hand out when he DMs.
Will's handwriting isn't always the neatest, but this looks like Will took time, wanted his writing to be legible. Flipping through the papers he sees it is two pages, front and back, of a letter, and the third page is a list of questions in a different, neater handwriting. He gets the feeling that Will probably didn't paraphrase anything. How many people got letters? How much of Will and El's time was devoted to doing just this?
Eddie feels emotional over this, misty-eyed and a lump in his throat, and he hasn't even read the damn letter yet.
"Shit, Stevie, do you even realize how loved you are?" Eddie asks out loud, turning to look at Porcelain Steve like he might answer him this time. Blank hazel eyes stare forward. Eddie shakes his head, to clear away his thoughts, and gets to reading. Not out loud, because he doesn't want Steve to hear how wet his voice will sound.
Eddie,
I guess the first thing I want to say is thank you. I was kind of freaking out when I first woke up like this. It was calming, that day on the lawn, after Robin and Nancy found me. You were so chill and just chatted my ear off like you would have if I were, like, there. I mean, there there and not like, doll-there, if you get what I mean.
Shit, man, being stuck like this would have been a hell of a lot worse without you, I'm certain. Everyone's been great, of course, and, like, no offense meant, Will and El, but you act most normal. Helps me feel, well, I don't know how, exactly. Describing emotions is not something I'm like, good at. Robin's great, too, but she catastrophizes, you know? And since I can't speak back, she can get herself pretty worked up about this and I hate that. Hate that I can't do anything to help her.
Shit. This isn't your issue. Don't include that. No, wait, do. Sorry, El. (It is here, off in the margin, that Will has added 'I wrote everything word for word. Enjoy the asides to El and me.) Hanging out with you helps her, I think. She seems less anxious on days we spend with you. So, I guess, I also want to thank you for that. For being there for Robin when I can't.
Eddie has to pause there because he had no idea. Robin has been a grounding force for him this whole time. He had no idea he was doing the same for her. She never said, or let on... well, that was probably her goal and now Steve's spilled the beans.
This is getting easier to say, even if I still don't know how to feel about the other two people who are going to be privy to everything said, or I guess from your end, written here. (Here, Will has transcribed a conversation they seemed to have had in the middle of writing this up.)
Oh. He means us. - El
Yes. Don't worry Steve, we'll do our best to forget everything you've said once it's written down. - Will
Steve laughed and says thanks. - El
I appreciate that but- well, being honest there's some things I want to say but I don't want anyone else to hear. Those conversations are better left face to face, anyway. So, uhh, what else did I want to say?
Oh! Yeah, I told Robin she could drive around the Bimmer, so she can have a car while I'm- so she doesn't have to bike everywhere but knowing her she probably won't take me up on that offer. Maybe you can talk her into it? Or, maybe she'll be willing to drive your van around and you can take the bimmer.
"Jesus, Stevie, can't you just be okay with existing?" Eddie says it under his breath and tenses instantly. For a moment, he forgot that Steve was right there on the couch with him, could hear him. Now he has to explain himself because Steve's already heard, and without the context of how Eddie really means those words, they can sound judgmental. "Shit. Sorry. I just read the part about your car and, dude, you just don't know how to not try and be helpful, huh? I bet it's destroying you on the inside that you can't do anything. But Steve, you gotta know, we don't care about you because you're useful."
Steve, of course, can't reply, so Eddie goes back to the letter.
Uh, what else was there? Oh! Yeah! I don't get migraines here. Or, in this body? Or, whatever it is. I haven't had one since this happened. Also, no hearing issues. Though I find myself wishing to be completely deaf sometimes. I get that Max can listen to Kate Bush for a week straight, but I'd like a little variety. God, what I wouldn't give to listen to the Top 40 again. Don't say anything, Munson. I can already see your judgmental face at my music taste. Unlike you, I have the ability to like multiple types of music. The Top 40 AND that one song from, uhh, shit. Might not have migraines or hearing issues at the moment, but the memory is still as it was. Which means it is shit. That one song by that metal band where their name sounds like it's metal? You know who I mean. (In the margin, Will has just written five little question marks in a row ?????)
"The band you were thinking of, it's Metallica," Eddie says.
Not important. But, uh, the reason for telling you this. I was hoping you might smuggle me to a show the next time your band plays at the Hideout? Last time I tried to go it was too loud and gave me a migraine, you remember, but I think that I could listen to your whole show like this. We might as well take advantage of the perks of this shit situation, right? So, uh, I wouldn't mind if you did that. Or, like, had Robin or someone else bring me. Whichever.
Actually, wait, I lied, I do care which way. I've already had them pen down Robin's letter, so you'll have to pass this on, but I want Robin to take me. So, I can also watch the show, not just listen. That was the part I liked most, when I went last time, before I had to leave. Wait. Scratch that. Ask Argyle. Other than you, he seems like the only person willing to be caught holding me in public, mostly because I don't think he even knows how to be embarrassed. Jesus that was such a weird sentence to say. Holding me in public. Such a weird thing to experience, too.
Uh, anyway, I think that's it for now. Thanks for everything, Eddie.
"I think you're handling this loss of bodily autonomy rather well, Steve. This letter is a lot more positive than the one I would have written if our roles were reversed," Eddie says with a sigh. He can't help but wonder what Steve would have said in this letter if it hadn't had to be filtered through two teenagers first.
He looks to the last page, the list of questions, and is surprised to see that, mixed in with questions about which sports team is winning (he is not going to watch Sportsball for Steve. There has to be a line drawn somewhere and this is it. He will ask Wayne about it later and hate the glee he sees in his uncle's eyes because now he's going to have to pretend to like sports for the unforeseeable future) and for honest updates about their friends are questions about Eddie's campaign that he's rambled on about since Steve can't escape. Steve wants spoilers, wants to know what Eddie has planned.
Steve has actually been listening. He'd been operating on the assumption Steve just tunes him out when he gets going, unable to stop his brain to mouth filter when it comes to talking about Dungeons and Dragons and his current campaign.
"I'm at your list of questions now. I can't answer anything about sports, and don't think I'm unaware of how you asked me and not Lucas. I see what you are doing and I'm not going to fall for it. So, your first non-sportsball question here; How is Dustin doing, really? Well, that's a whole thing but overall, okay."
so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.
if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.
THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.
one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.
also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.
the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.
yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)
(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)
AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.
that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)