#you have to get to know people and their unique stories

[thegirlwhorideslikeasamurai]

Hi, I'm your friendly fanfiction writer from the neighbourhood

Since I'm mostly known on this site for reblogging fanart and figure skating things, let it be known that I also write Yuri!!! On Ice fanfiction.

You might probably wonder what you need yet another fanfiction writer for when the YOI fandom has already all the fanfictions a reader's heart might desire.

In this case, let me tell you this:

Every fanfiction writer has their own reasons to write, their goals what they want to achieve with their writing, and their own vision of the story they want to tell. It makes their stories unique.

I write pre-, during and post-canon fanfiction. My goal is to expand the story of Yuri!!! On Ice and to preserve its spirit in my works and to continue the characters' stories—and that's especially true for Yuuri and Viktor because they're everything to me.

As a canon writer my writing is defined by my Prime Directive (yes, like in Star Trek):

I do not distort canon. I do not make up stuff that does not match the characters' personalities in any way. I do not project myself into the characters beyond the traits that I share with them. Because if I did that, I would betray what YOI is to me and the stories I want to tell in that universe. Of course, developing a character beyond their canon self is inevitable in the long run because people change and whenever I do that I'm careful to make that addition plausible.

If that sounds like your cup of tea, I invite you to check out my ongoing works:

Can You Hear My Heartbeat is my 350k YOI novelisation and the first part of my A Dream Too Large To Bear Alone series. I often call it my love letter to YOI for quite a number of good reasons: It's a character and relationship study of Yuuri and Viktor that takes a deep dive into Japanese culture and the summer of mutual pining. If you love figure skating, kinky!Eros Yuuri and sweet, steamy, and smutty viktuuri moments and if you want to explore what the boys are up to between the episodes that we all love so dearly, this story is for you. There are only a couple of chapters left to post. If you start reading now, you can read the whole story in one go and then move on to the sequel, which I'm going to post right afterwards. And to give you an idea what the continuation will be about: Yuuri and Viktor will finally move in together and get ready for going from husbands to rivals on the ice.

Beneath the Shine of a Thousand Spotlights is a pre-canon story that explores Viktor's life before he became Yuuri's coach. It's a prequel to my series for all lovers of Vitya that want to get to know him and his struggles as an athlete nearing the end of his career on a more intimate level.

Thanks for reading! If you want to get a more detailed impression of how deeply I dive into canon, please also have a look at my meta analyses!

Reblogs are deeply appreciated 💙💜

[gemini-care-barr]

What do you think makes Tim drake special? Aside from a death in the family moment… 🤦

“death in the family moment”? Do you mean Jason? Or are you saying that Tim was introduced because of what happened during Death in the Family? I’ll defend both Tim and Jason just in case haha

Tim Drake is special because he chose this life. Much like Barry prior to The Flash: Rebirth (2009), Tim didn’t need a tragic backstory to inspire him to go out and be a hero. He also didn’t need superpowers to become a superhero (unlike Barry). No, Tim is Robin (Red Robin/Drake) because he saw the need and didn’t wait for the vacuum to be filled, he went out and filled it. Tim believes in Batman in a way that almost no one else does. He believes in Batman’s ability to save Gotham and he understands completely how and why Batman can be that hero. He’s also unique in his equal belief in Robin. That’s why he’s so okay with not “graduating” from being Robin, because unlike so many others, he recognizes that Robin is just as important for Gotham as Batman is and it’s this intense understanding that makes him such a cool and important character.

Now for Jason, I think he’s unique because he’s the redemption story. I’m sure some people would call him a failure, but I wholeheartedly disagree. Anyone who knows anything knows that you only fail something when you stop trying and Jason has never stopped trying. No matter how horribly life and the people in it have treated him, Jason never gives up on helping others. You know all that stuff I said about Bruce caring even when he has no reason to? Yeah, Jason is every bit Bruce’s son in that. But Jason is a redeemed character through and through, he was the Robin that died, the one that was made to believe that no one wanted him, was convinced that he was a failure and yet he came back, had a bit of an evil era, and then he was redeemed. He accepted his faults and the faults of those around him and he became determined to do better or die trying.

There’s some other points I’ve made before, but I don’t want to rehash so this is all I’ll say for now haha 🫡

[artemx746]

Honestly hate how Annabeth doesn't get to keep majority of her items (ie. Daedalus' laptop)

[w1tchybusiness]

i could write a 100 page essay about what a fucking masterpiece warframe is. i will write many words in the tags. please readem if you want my 'tism.

[ratcandy]

also whats weird is like, that mushroom gotta be like ATTACHED to his brain?? no way he doesnt have brain damage from that. also its not hard to imagine that with all his intense mushroom use, that he'd have some sort of substance use disorder. and he is, suddenly, in a DEATH CULT. actually. i dont feel like anyone talks about the last part. ?? doesnt anyone wonder how hard it would be to adjust just suddenly. being in a cult? we dont really know how his life was before but if he wasnt in a cult beforehand then id imagine all the Cult Stuff would be at least a little uncomfortable.

I guess it would depend to what extent we're leaning into the parasite actually being a cordycep. Because if we're going full throttle on that, teeechnically cordyceps don't attach to the brain at all and only control the musculature; hence why I always hc'd that there's two different mushrooms involved, with the menticide doing the brain fuckery and the cordycep doing. The everything else

But at the same time it could very well just be advanced cordycep and we can make up whatever rules we want ! But YES, regardless, there is some brain nonsense happening that would ABSOLUTELY have everlasting effects on this ant. Not to mention if the cordyceps DID have control of his muscular system, then his entire body has got to be feeling the effects of it as well.

So he's here, in a death cult, probably having to re-learn how to walk and suffering extreme withdrawal symptoms as well as memory loss.

ANd no nobody ever considers the full ramifications of the death cult because everybody is a coward and won't consider how horrifying cults actually are!!!!!! And to be a disabled old man suddenly thrust into a scary ass scenario where people are being sacrificed and brought back to life around you while you can't even remember how old you are or where you've been the past few years because time was fucked while you were Shroomed, it HAS to be HORRIFYING!!!!!!!!!!!!!!!!!!!!!!!!!!!

But at the same time it really just works out from a cultist perspective. He's already isolated, vulnerable, and probably only halfway lucid at any given point. He'd be extremely easy to manipulate and keep dependent on the cult. After all, they're keeping him safe there, it's dangerous out there. (Not to mention him just feeling some inherent loyalty to the Lamb upon becoming sober, which certainly wouldn't do him any favors)

Like what's he going to do? Leave? Stumble out, suffering withdrawl, into the Lands of the Old Faith?? As an old man??????????

He has no CHOICE but to make peace with where he is. Despite all the questions about if his FAMILY is even STILL ALIVE. Despite having no idea what he DID while under the influence. Despite the HORRORS around every CORNER

It's FUCKED!!!!! It's AWFUL!!!!!!!!!!!!!!!!!!

[microwaving-tesilid-argente]

reading the comments of OI stories is so unpleasant sometimes like 😭 i hate seeing people rage and curse at characters who aren't the protags. bro it's not their fault that they're antagonists and they're not even THAT annoying lmao

[basilsaur]

Regular reminder that you are not unique in the slightest. Every experience you’ve had, every thought you’ve thunk has been had and thunk by someone else, by a lot of someone elses. May this thought be as comforting to you as it is to me

[igneouswyvern]

being the only fan of something is so great because i am the sole ruler of this kingdom. no one is around to tell me my headcanons suck or that all the characters are ooc

however it also sucks because i am the only fan. no one is around to support my headcanons or tell me they love my portrayal of the characters

[listen-to-the-inner-walrus]

being on this website right now is just like im being so brave by blacklisting the tags for a new movie thats very popular right now and not responding to any of the gifsets i still see of it with what is rightful criticism of it for being tone-deaf

[bombusbombus]

Mom can you come pick me up. I just went in the tags and people are fetishising redheads again

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[beauzos]

consider

to be clear, i'm not saying it's impossible for someone to make a full recovery from an injury like that but i'm like. well if you're gonna do that. make it count dude

[tossawary]

One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.

Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)

Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!

SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.

Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.

Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!

I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"

[drchucktingle]

my masks

hey there buckaroos. due to all of the attention the TEXAS LIBRARY ASSOCIATION situation has gotten i am going to take a minute to talk about my personal way as an autistic buckaroo. im going to tell you about my masks.

im doing this for a few reasons, some are good FUN reasons full of love and some are not so great. 

lets start with the GOOD STUFF. first of all, i am talking about this because speaking on my way can help other buckaroo feel more comfortable speaking on there own way, ESPECIALLY if they are good at ‘passing’ for neurotypical like chuck is. 

unfortunately the NOT SO GREAT reasons im talking about all this dang stuff are two fold. reason one: i have been put into a position of having to explain and justify my needs and boundaries by the TXLA. this is not something that i WANT to be taking up all of my time, but when large organizations do not make space for those who they have pledged to support, it puts us smaller buckaroos into position where were have to defend our existence. it is not plesent but it is necessary.

the second NOT SO GREAT reason is that ‘passing’ bisexual and autistic people like myself are ALWAYS just seconds from being gatekept from folks both outside and inside these communities. there will probably be a day on chucks deathbed where i take off my mask and say hello to this timeline (mostly so you can all see how handsome i am under here but I DIGRESS). i KNOW with absolute certainty (the same way other bi and autistic buckaroos are probably nodding along right now) that when that day comes i will STILL be accused of ‘not being real’ and ‘faking’ because i ‘dont look autistic’ and i have a beautiful ladybuck partner in sweet barbara.

ALL THAT IS TO SAY, i am taking a moment today to talk FOR THE RECORD about my neurodigence and my particular needs. hopefully i will not have to keep diving this deep every time an organization takes a discrimantory action against me, but i will also say this: at least it is a good fight on an important battlefield

anyway buds, here is the story of my way on the spectrum

when i was a young buckaroo i knew that my thought process was different. i could socialize easily, which is unique in contrast to many autistic buds (it is a spectrum after all), but my social ease was for an interesting reason. I ALWAYS KNEW WHAT OTHERS WERE ABOUT TO SAY. it was like a strange ‘human game’ where someone would say one thing and i would think ‘well you actually mean something else’ in a sort of logical way (this is why i later related to DATA from star trek so dang much). at first i remember thinking ‘well i am just NOT going to play along with this human game’. i quickly learned neurotypical buckaroos do not like this, that there is a BOB AND WEAVE to social interactions that must be learned. 

later i realized ‘actually if i WANT to make friends and prove love is real then i can do this like an expert because i can SEE the game where most cant’. this got chuck many buds and took me on many adventures. please understand, i am not saying these connections are not important to me, they are just different. they are full of love, but i express this in my own unique way.

HOWEVER, while growing up i felt disconnected from this timeline in other ways, like an alien or a reverse twin trotting along in a world that is not quite my own. i did not feel emotions the same way my buds did. they would get upset over the ‘human game’ interactions and i would not be moved at all, HOWEVER i could see the way sunlight hit a window and start crying my dang eyes out over the beauty. so my emotion was still there and VERY STRONG, i just felt it in more existential ways (like hearing the call of the lonesome train). these days that feeling has progressed to where i am pretty much in a constant blissed out state of cosmic emotional connection (make of that last sentence what you will, but it is the truth). when i make existential posts online i am not just FIRING OFF SOME CONTENT, i really mean every word. this is really my trot.

anyway as a young buckaroo these feelings made me worry sometimes. i thought about various mental health dianosises and marked the parts and pieces that matched with myself. am i this? am i that? sometimes, instead of just being’ different’ i worried i might actually be ‘wrong’. 

when i saw david byrne on letterman in my younger days i immediately recognized something connected to myself. i thought ‘wow this is the mystery being solved before my very eyes.’ i could hear it in the music of talking heads too. i started doing research and realized that i might be on autism spectrum, something that was later confirmed by a therapist (back then the diagnosis was called asperger's). it was a glorious and fulfilling moment. i was SO EXCITED TO BE AUTISTIC LIKE MY HERO. i felt very cool because of it, and i still feel very cool because of it.

one of the big reasons i talk so much about being autistic these days is because i want to make sure OTHER buckaroos can have that same moment that i did. they can see chuck and think ‘wow i really like this autistic artist, maybe being autistic is cool’

so what does an average day WITHOUT wearing the pink bag look like for me?

my thought process is exactly like ROSE from CAMP DAMASCUS, which is part of why i wrote the book. we have the same stim (complex order of finger taps), we prepare for social interactions the same way, we analyze things in the same logical trot that neurotypical people might think feels ‘detached’ but for me feels natural (certain reviews of camp damascus are very funny to me in this way. you can tell when a reader is just very confused by existing in an autistic brain for 250 pages.)

from the outside you would not be able to tell that i am on the spectrum. in fact you would probably find me very socially adept. 

the problem is, all of that masking can take its toll. i spent years trotting in and out the emergency room, talking to confused doctors who could not figure out the chronic phantom tension and pain that radiated through my body. i eventually accepted the fact that i would either live a life constantly on heavy painkillers or just stop living altogether.

eventually, however, i started noticing a correlation between the way that i felt, and the space that i allowed for chuck and the pink mask. i was exercising that tension, allowing my mental mask of neurotypical existence to take a rest. i started practicing physical therapy and this time THE RESULTS STUCK because i was approaching from two sides, MIND AND BODY. after a while, i got my pain down to about 5 percent of what it once was. i still have flare ups in times of stress, but the healing has been very real and life changing.

lets get VERY specific now. if i attended the TXLA confrence without a mask and gave my talk i can tell you this: i would do a dang good job. i can work the heck out of a crowd and (not to reveal too much about my secret way) I HAVE BEEN KNOWN TO DO THIS ON OCCASION VERY WELL. however, going home from this event i would very likely be in pain. i would likely need to do physical therapy. i would likely need to stim for a while. i would NOT be emotionally fullfilled in the same way. in other words, without my pink mask i can charm the heck out of buckaroos, but THE SPACE OF CHUCK TINGLE IS NOT THE SPACE FOR THAT. the pink bag is a place for me to not have to put up with that tension. it is a place for me to unmask mentally by masking physically.

this pink bag space SAVED MY LIFE and i am not going to risk blurring these lines. if and when that ever happens it will be MY decision, not someone elses. that is my boundary. the part of me that neurotypically masks could handle a library conference in a purely technical sense, but the part of me that chuck represents absolutely cannot and should not be asked to do that without the pink bag. unfortunately, the complexity of this point makes it even MORE difficult for me to think about and takes up even more of my time, because it forces me to START QUESTIONING MYSELF and my own needs. to be honest, that is the most insidious part of other people questioning your identify and refusing to accept your accommodation needs without ‘proof’.

the thing is, while all of this discussion of disability and accessibility is important, i have a much larger point to make by writing these words.

a conference should not uninvite someone with an unusual physical presentation or a strange way of speaking REGARDLESS of it being classified as a disability. it does not matter WHY i look the way that i look and wear what i wear. i should not have to spend all day writing this post instead of writing my next book, just because my sensibilities are unique and my presentation is unusual. 

fortunately the solution is very simple: let other people be themselves. its not hurting you to simply accept and nod at the buckaroos you think look strange. let us exist

[paintingpuff]

So with the terrible Minecraft movie trailer dropping,

I've seen a lot of people bringing up better stories in the world of Minecraft, like Story Mode or the books or the SMPs, but may I add another option that would be a way better use of your time and money than the Minecraft movie (esp cuz its free)?

Animation Vs. Minecraft

(Note: contains out of context spoilers for this series to give you a sneak peek of what's waiting for you)

There's a good chance you've seen the first video, since it's one of the most watched minecraft videos on youtube, made by the same guy who did Animation vs Animator.

But did you know that the stick figures pick the game back up and continue the series?

There are now three completed seasons packed with fun episodic content that naturally blossoms into a larger, engrossing story that amounts to /several hours of animated content/. It's got fun characters, gorgeous fight scenes, and even musical numbers, all told with next to no dialogue!

The whole thing is a love letter to Minecraft, with way more passion and knowledge of the game than WBS.

New episodes would show off the latest updates, like when the main characters explored the ancient cities and lush caves before they were officially released.

There are even homages to the Minecraft animation community, such as the episode featuring Monster School (my favorite part of this is the way they purposefully imitate the old janky animation in Herobrine's movements)

Not a fan of piglins always being villains? While there's certainly some bad piglins in this series (though I'd argue they're under duress), the main cast also befriends some, include this adorable piglin child.

Still not over Reuben's death from MSM? Well they've also got a pig (named Reuben by the community), and it both doesn't die, and occasionally does some badassery himself!

Speaking of the action, this series doesn't just reference minecraft's world and creatures: it expands on the mechanics and worldbuilding, creating avenues for some truly incredible action that can only be achieved within minecraft. It takes full advantage of the medium and world.

My personal favorite example of this is the team's expansion on the Lucky Blocks mod, exploring the idea of a "randomizer" power to its fullest extent.

The action scenes are the kind where you have to watch them five times over because each character is doing something completely unique and fun.

Here is all the episodes of season 1 compiled in one video to get you started, though there are also playlists out there:

All in all, this series is funny, gripping, and adorable, and is worth your attention far better than some corporate schlock.

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?