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capslocked · 7 months

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PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. ��I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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caffeinewitchcraft · 5 months

Text

The Hero and Hope

Based off a world where everyone gets a Destiny they must fulfill. Bakers and Demon Kings (x) and Villagers (X). You? You are a Hero.

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You are a Hero.

Nobody at the orphanage knows. The mark sets during the worst winter in three decades, when the windows have to be barred to prevent snow spirits from ripping them to shreds and the Director takes half the reserves and runs in the middle of the night.

Sarah, the only caregiver left in the rickety building, holds as many of the kids as she can while the snow spirits scream outside. You’d love to be in the circle of her arms, but you’re holding the door shut with as much strength as your eight-year-old arms allow.

She doesn’t tell you to get away from the door.

“It’s alright,” she says, voice trembling. Her brown hair, matted from the months indoors, hides her eyes. She croons to the younger kids like a bird, so softly and gently that you have to strain to hear it over the howling demons and roaring winds. “We’ll be okay. Our land’s Lord will send a Hero, you’ll see. We’ll be okay then.”

Your arms burn as intensely as your eyes. A Hero. Your stomach aches from hunger and your fingers sting from the cold. You aren’t sure how much good you’re doing keeping the door closed, but there’s something deep inside of you that tells you you must do something. The blows from the snow spirits outside vibrate up your arms, nearly throwing you back.

Heroes, you think, only matter if they show up.

Hope is traumatic. Eight-years-old and you’ve been returned from potential families twice. Three days ago, you found the beginnings of greenery in the woods behind the orphanage. When you excitedly raced back to tell the others that winter was ending, it was only to find the Director and most of the caregivers gone with a significant portion of the rations.

Then the storm clouds rolled in.

So that long, dangerous night, you don’t hope. You shut your ears to Sarah’s gentle comforts and the snow spirits’ shrieks. You focus on the burning in your arms, the blisters forming on your heels, the cold nipping at your fingers.

Hope is traumatic but trying is something you can do. You put your small body between all of the horrors outside the door and the other kids. You try to stand firm.

You don’t notice when the burning in your arms hides the arrival of a telling mark on your left bicep.

---------------------.

You are fourteen years old, one year shy of coming into your power, when a couple visits the orphanage intending to adopt.

Sarah is now the Director of the orphanage, awarded the position by the land’s Lord after that terrible winter six years ago. She’s different than she was then. You lost three kids to hunger before spring finally came and she held each one in their last moments.

You and Sarah never develop the close relationship she has with the other kids. But she always makes sure you have more meat in your meals than most and, when you hunt in the woods, you always let her decide how the food will be divided between dinner and winter stores.

“We’re Knights,” the potential adopters tell the Director. They’re a couple, a man and a woman with dark hair and muscular bodies. “Retired. We’re settling just north of here for good and are looking for a suitable child who can follow in our footsteps.”

Director Sarah looks at them coldly, leaning back in her chair and folding her hands over her stomach. If she notices you and two of the younger kids peeking through the crack in the door, she doesn’t say anything. “I apologize, Mr. and Mrs. Bahr, but it seems there’s a misunderstanding. We do not pair children with families based on their Destiny.”

“We’re not saying you do,” Mrs. Bahr says. Her gaze is cutting though her shoulders are relaxed. “Our Lord explained before we came. However, there is no rule against asking the children their Destiny, is there?”

Loophole. You pull away from the crack in the door, letting Hera and Josiah take your spot. You lean against the wall with your eyes closed. Orphanages aren’t allowed to disclose Destinies, but that’s where the protection ends. If someone sees a child’s Destiny or learns of it through some other means, that’s alright.

These people aren’t here to adopt because they want a child. They’re here to adopt for a guarantee. A guarantee of what remains to be seen. An heir like they claim? A prodigy for status? Or a weapon for them to control?

You listen for any other clues behind their motives, but the Bahrs don’t push the issue of Destiny again. They accept Director Sarah’s schedule for meeting the kids, even offering to host a picnic day at their estate as a treat. The couple wants to gain trust, you can tell, and by the end of the meeting it’s working.

Director Sarah sees them off to the door herself.

“We’ll wait for the invitation,” she says. She’s older now, her thin brown hair showing the beginning signs of going grey. But her handshake looks strong when she shakes Mrs. Bahr’s in farewell. “I’m sure the children will be thrilled.”

“I hope so,” Mrs. Bahr says. Her husband nods to the Director gravely, but Mrs. Bahr lingers. “I’m sorry if we came off a little…forward when we mentioned Destinies. Please believe me when I say that my husband and I aren’t so shallow. We are looking for a child – one we can call our own.”

“I see,” Director Sarah says. There’s a hint of warmth in her voice. “As I said, we look forward to your invitation.”

Mrs. Bahr nods and joins her husband in their carriage. They set off down the road without once having asked to meet one of the children on the first day of their introduction.

You can tell Sarah likes them.

“What do you think?” Sarah asks. She doesn’t turn from the road, even though the Bahr’s carriage is out of sight. “Isla?”

You don’t ask how she knows it’s you lurking in the shadows of the orphanage. Director Sarah is a Guardian. Her senses are elevated when it comes to those under her charge.

“I don’t think anything,” you say. You step out from around the corner with a sigh. No use hiding now. “They’re influential people if they were recommended here by the Lord himself. We’re fortunate.”

“You’re the right age for a Knight’s apprenticeship,” Sarah says.

“Hera hasn’t shown me her Destiny, but it’s probably something suitable,” you say. Hera is ten, one of the older kids at the orphanage. Last summer she lifted Josiah, only a year younger than her and already a head taller, out of the well before he could drown. “You should talk to her about what being part of a Knight family could mean.”

Sarah looks at you over her shoulder. The setting sun catches in her eyes, turning the warm brown into an unearthly amber. “I hope you can accept the possibility they might choose you.”

They won’t. “Aren’t I needed here?” you ask.

Sarah’s expression softens. “You are, Isla,” she says. She weighs her next words carefully. “But I am the one who’s responsible for all of you. I can take care of everyone. If the Bahr family is a good fit…”

“Sure,” you say flippantly. You shove your hands in your pockets and slink back into the orphanage. You don’t dare hope. “I’m going to help Josiah.” He’s on dinner duty tonight. He always cuts the onions too roughly. “See you later.”

You feel Sarah’s eyes on your back like a physical warmth.

-----------.

Being a Hero doesn’t change anything about you. You expected it to when you first noticed the mark but, even six years later, nothing’s different.

You aren’t kinder. When Josiah asks for your dessert, you steal a bit of his as punishment for even asking. When Hera asks for a bedtime story, you tell her one so scary that she has to sleep with one of the other girls. When Sarah asks you to fix the fence around the chickens, you whine and complain that you’re the only one who does anything around the orphanage.

“The curse of being the oldest,” Sarah says dryly. She hands you a hammer and a bucketful of nails. “Some posts were dropped off at the end of the lane. Make sure you’re back by sunset.”

Maybe you’re a little stronger than others. You can drag three posts at once and could probably drag more if you wanted. But another curse of being a Hero is that you’re very aware.

It’s not until you’re nailing a third rail to the fence that Mr. Bahr makes his presence known. You don’t turn even when he makes his steps purposefully heavy to avoid scaring you.

“You’re very strong,” Mr. Bahr says.

His shadow is long and thin, just like him. You observe it from your peripherals, unable to speak with the two nails you’re holding between your lips. You take your time pounding them into the wood. He’s arms, a sword at his hip, but his hands are loose at his sides.

“Good thing I am,” you say at last. You stand and turn in the same motion. He waited for you to finish without chastising you for not speaking right away. You perch the hammer on your shoulder. “Otherwise, the chickens would take over.”

Mr. Bahr laughs. Unlike when he was meeting Director Sarah, his face is relaxed and open. His blue eyes sparkle. “We couldn’t have that now, could we? I suppose we all owe you our thanks for preventing the coop’s coup.”

You want to laugh. You don’t. “Director Sarah won’t like you being here uninvited.”

“I just came to drop off an invitation,” Mr. Bahr says. He studies you for a moment and then smiles. “I hope you’ll accept, Isla.”

A chill races down your spine. How does he know your name? You wipe the sweat from your brow with a scowl. “Maybe I don’t want to be adopted.”

To your surprise, Mr. Bahr nods. “I can understand that,” he says. He looks up at the sky. The light is sliding from the sky, catching on the clouds and turning them a brilliant orange. When he looks back at you, he almost looks…sad. “Think of our invitation as a party, hm? No strings attached.”

For some reason your tongue feels heavy. It takes two tries before you can say, “I need to fix this part of the fence before dark.”

“Want some help?” Mr. Bahr asks.

“I couldn’t ask—”

“You didn’t ask, I offered,” Mr. Bahr says. He rolls up his sleeves and nimbly plucks the hammer from your grip. “I may be a Knight, but I’ve done my fair share of carpentry. Let me show you a few tricks.”

You listen quietly as Mr. Bahr shows you how to twist the nails to avoid splitting the wood. What would have taken you an hour to finish, he accomplishes in a quarter of one, talking to you the entire time.

It’s…odd to have an adult’s attention on you for such a long time. He’s careful not to get too close, always offering you the hammer to practice by setting it on the grass between you rather than handing it to you directly. When you manage to replicate his technique on your second try, Mr. Bahr is more excited than you are.

“Wonderful,” he compliments. He glances up at the sky. The first stars are twinkling. “I’ll be going now and you should too. Have a good night, Isla.”

Unlike the first time he said your name, it feels pleasant now. You mutter a goodbye and leave before he does, scurrying towards the orphanage with your bucket of nails clutched to your chest.

He’s gone when you think to check the road for his carriage. Did he walk here? Ride a horse?

You close and lock the orphanage’s doors behind you.

----------------.

The picnic isn’t scheduled until the middle of summer and it’s spring now. Still, it’s all anyone can talk about.

“We have plenty of time to get ready,” Director Sarah tells them. “The Bahrs will be dropping in from time to time until then. I expect everyone to be on their best behavior when they’re here.”

Josiah raises his hand. “I hear they live in a castle!”

“A manor,” Sarah corrects. “Given to them by our Lord for their years of service.”

“The Guard in town says they worked for the King once!” Hera says, wiggling in her seat. “Is that true?”

“You can ask them yourself,” Sarah says. She claps her hands together and starts urging the kids up. “It’s time for chores. Your assignment is posted by the kitchen…”

You stay seated at the breakfast table. You haven’t eaten your third egg or your last slice of toast. Your stomach feels queasy. You keep thinking about Mr. Bahr saying wonderful when you worked on the fence together.

You aren’t supposed to want to be adopted. You’ve had your chance and you ruined it both times. It’s not fair of you to imagine what it would be like learning swordsmanship from Mr. Bahr and what it’d be like to hear him praise you when you got the next move right. One of the other kids deserve that chance.

You can only do what you can do.

---------------.

Mrs. Bahr is alone the next visit.

No one recognizes her at first. She’s wearing a gown like a noble and her hair is gently flowing down her back rather than tightly pinned behind her head.

“I’ve received the Director’s permission to hold a lesson on writing,” she tells the children. She gestures to the bag she’s set on the table. “Come get a slate and a piece of chalk. We will work all together.”

The kids have never had slate and chalk before, not the real ones anyway. Sometimes you find a nice, flat rock they can draw on with charcoal, but it’s not as entertaining as what Mrs. Bahr brings. She watches everyone in amusement as they immediately start drawing instead of starting the lesson, flower and trees and swords.

“Look, Isla,” Hera says, tugging at your sleeve. You’re seated on the spare chair by the wall, away from the table. She twists from her spot to show you she’s drawn a shaky stick figure. “It’s you!”

Your eyes flick up to Mrs. Bahr. She’s not irritated by the distractions yet. You point with your bit of chalk at the drawing. “Which part of it is me?”

Hera points at a blob in the stick figure’s hand. “That’s the horned rabbit you brought home yesterday!”

You snort. The horned rabbit you’d killed yesterday wasn’t half the size of your body. “Are you sure that’s a horned rabbit? Looks like a turtle to me.”

Hera points to the stick figure’s face. “You can also tell it’s you ‘cause you’re frowning.”

“Hey!”

Mrs. Bahr claps her hands together. Instantly, she has the room’s attention. “I’m glad you all like my present. However, it’s time to get started.”

“Present?” Josiah asks.

“If you work hard today, you will be allowed to keep the slate and chalk as a present,” Mrs. Bahr says. She takes care to make eye contact with every kid. “Only those who work hard.”

It’s generous. You watch Mrs. Bahr from under your lashes as she talks everyone through writing the alphabet. It’s too generous not to be genuine. Try as you might, you can’t figure out any ulterior motive to spending so much on the kids. To look good? For who? For Director Sarah?

Director Sarah won’t be swayed by gifts like this even if the kids could be.

Mrs. Bahr stops well away from you, observing your slate from afar. “Very good, Isla. Do you know how to write?”

“No, ma’am.”

“Read?”

“Only a little.”

Mrs. Bahr hums. She doesn’t look disgusted by your stupidity or put off by your clipped tone. Your first family returned you when you told them. Mrs. Bahr’s lips curve. “Your letters are wonderfully steady. I can tell you will be a very good student.”

She turns before she can see you flush.

---------.

Over the next few months, there isn’t a week that goes by without at least one of the Bahrs visiting. They become a regularity around the orphanage to the point that even Director Sarah stops worrying about the state of their rooms with every visit.

“Kids will be kids,” Mrs. Bahr says when you ask her to wait while you tidy the toys in the parlor. “It’s alright, Isla.”

Your head spins. Sometimes, when one of them says something particularly bizarre, you feel like you’re outside your body. There was a time when they didn’t have toys to leave out in the visiting area. Thanks to the Bahrs, every child has a doll, a slate, a new set of shoes, and an abacus. You are still waiting for the strings that come with these presents.

There haven’t been any yet.

The kids love the Bahrs. Hera insists on baking fresh strawberry tarts for them after a day of gathering. Josiah carefully sounds out passages from their new books to show them that he’s still practicing his letters. Annie and a group of the younger kids spend all day weaving a flower crown for Mrs. Bahr that you have to confiscate before they can put it on her head.

“Go wash your hands,” you scold. Despite your tone, your hands are gentle as you push Annie to the schoolhouse. “Don’t touch your eyes.”

Annie blinks rapidly, trying to hold back tears. “I didn’t know it was poison, lady, I swear.”

“Oh,” Mrs. Bahr says, hand fluttering over her heart. She steps towards Annie. “Dear one—”

You give full body flinch when Mrs. Bahr stoops to hug Annie, but you don’t get between them. The Bahrs have won your trust in this. They won’t hurt the kids.

You sigh to hide your flinch when Mrs. Bahr stands. “Now Mrs. Bahr needs to wash. Poison ivy is no joke.”

“It is not,” Mrs. Bahr agrees. She ruffles Annie’s hair. “Go on, do as Isla says. Wash up.”

“We can go together,” Annie says with her big, blue eyes. She reaches for Mrs. Bahr’s hand and then thinks better of it. She tucks her hands behind her back and kicks at the ground. “If you want.”

“I’ll be right behind you,” Mrs. Bahr says, smiling.

Annie nods and races to follow her friends.

“I’m sorry,” you say as soon as Annie is out of ear shot. You busy yourself picking up the fallen flower crown and the various trimmings of poison ivy they’d used for foliage throughout it. You feel flustered. “They really didn’t know any better—”

“I know,” Mrs. Bahr says so gently that you have to look up at her. She’s frowning at your hands. “I’m more concerned about you. Should you be holding onto it like that?’

“I’m immune,” you say. You’re not worried that she’ll guess your Destiny from that. Lots of Villagers are immune to poison ivy, particularly the ones in this region who rely on gathering and hunting. “Since I’m in the woods so much.”

“Knights are immune too,” Mrs. Bahr says. She follows you away from the orphanage and to the tree line. “You’re quite the hunter, aren’t you? I remember Hera saying you slayed a horned rabbit.”

Heat comes to your face. You stomp ahead of her to deposit the flower crown in some denser foliage where the kids won’t be able to get it. “I get lucky.”

“I’d consider it unlucky to run across a horned rabbit,” Mrs. Bahr says. She examines the forest with interest. “A demon is a demon. Even adults have difficulty with horned rabbits.”

It hadn’t been difficult. You’d been armed with a sharpened branch and, when the rabbit leapt for you, you knew right when to stab. You clear your throat. “It was difficult.” Then when Mrs. Bahr doesn’t say anything, you add, “It was frightening.”

She believes you. She lays a gentle hand on your shoulder to get you to look her in the face. “The orphanage budget is enough that you don’t need to hunt, Isla,” Mrs. Bahr says. “I know I don’t like the idea of a fourteen-year-old out here alone and unarmed.”

“Almost fifteen,” you say, “and I had a sharp stick.”

“A sharp sti—” Mrs. Bahr cuts herself off with a deep breath. “Regardless of your…aptitude, Isla, it’s dangerous. I’ve spoken to the Director and she agrees with me. You aren’t to go hunting anymore.”

The forest suddenly feels too hot. The leaves overhead rustle, but you can barely hear it over the roaring of your blood. “Excuse me?”

Mrs. Bahr steps closer. “You’re a very strong girl, Isla, but it’s dangerous. If you want to go out with me or Mr. Bahr—”

You shake off her hand. “The Director agreed with you? She said I’m not allowed to go hunting anymore?”

“Out of concern for your safety.” Mrs. Bahr looks like she regrets saying anything. “Once Mr. Bahr and I explained to her what a risk a horned rabbit poses—”

You run away. Mrs. Bahr calls out after you, but you don’t stop. Beyond the sting of Mr. and Mrs. Bahr not thinking you strong enough to hunt, there’s a deeper hurt. The Director agrees. Really? Really?

“Isla? What’s wrong? I thought you were with Mrs. Bahr,” Director Sarah says when you burst into her office. She sets the papers she’d been reading down and frowns. “You look—”

“I’m not supposed to go hunting anymore?” you ask.

Sarah’s face blooms in understanding. “After what Mr. and Mrs. Bahr said about the increase in demons in the area, I agreed—”

“It’s summer,” you interrupt. You stalk up to her desk, your fists balled at your side. “It’s time to hunt.”

“The Bahrs have agreed to accompany you—”

“They only come once a week,” you say. You’re being so incredibly rude to the Director, but you don’t care. “I need to hunt three times that at least. The game has been moving deeper into the forest—”

“Where you are not allowed to go,” Director Sarah says, this time interrupting you. She steeples her hands in front of her. “I should have curtailed this activity long before this point, but I thought you needed it.”

“We need it,” you say. You can’t believe what you are hearing. “We need to store up rations, you know that.”

“Our budget allows us to purchase rations in town.”

“But what if that’s not enough? It’s better to have our own supply—”

“It will be enough.”

“It still doesn’t hurt to have some extra jerky—”

“The store we have will be enough.”

“But what if it’s not?!” You’ve raised your voice without realizing it, fists shaking at your sides. “The other kids are too young to remember o-or too new, but you and I do. That winter, we didn’t have enough. Why are you trying to stop me?” To your horror, your voice cracks. “I thought you understood.”

There’s silence in the room except for your panting breath.

“I’m sorry,” Sarah finally says. The sudden apology is enough to close your mouth against what you might have said. She meets your eyes. “You’ve always been so strong that I…Isla, you were a child. I will always be grateful for what you did that winter and for every winter since. I relied on you, a child, because I didn’t have any other option. We didn’t have another option. But now we do. We’re okay now, Isla. You don’t have to work so hard to protect us.”

“Yes, I do, I’m—” the Hero “—I can do it.” There is something inside of you telling you that that is what you must do. You think that it’s part of being a Hero.

((You’re worried that it’s because you’re scared.))

“My decision is final,” Sarah says. She picks up her documents and straightens them. “You are only to go hunting with an adult from now on. If I find out you went to the woods without one, there will be consequences.”

She’s using the same tone she uses on the other kids when they’re misbehaving. I mean business. You stare at her for a long, breathless moment. You jerkily turn to go.

Mrs. Bahr is hovering in the doorway. She looks guiltily between you and Director Sarah. “I’m sorry, I didn’t mean to eavesdrop…”

You shove past her and run to your room.

-------------.

Somewhat counterintuitively, as an orphan you’re never alone. You throw yourself face down on your bed.

A shocked silence swallows the occupants on the other bed.

“Is she okay?” Josiah asks Hera.

“It’s Isla,” Hera answers. There’s the rustling of bedsheets as Hera climbs out of bed and then the soft sound of socks on hardwood as she comes over. “You okay?”

You are not okay. There’s an intense war of emotions in your chest. Anger that none of the adults seem to think you’re capable. Betrayal that Sarah isn’t on your side. A sick fear at the thought of being unprepared for winter. And, now that you’ve run away so spectacularly, shame. They probably think you’re overreacting, but they’re wrong. They’re the ones who are being naïve. They’re the ones who—

A gentle hand on the back of your head freezes the thought. Hera pets your short, black hairs in an attempt at comfort. “It’s okay, Isla. You can just sleep. Sleep makes everything better.”

That’s what you tell the younger kids. The difference between you and Hera saying it? When Hera falls asleep, you work to fix the problem. If you fall asleep, no one is going to fix the problem for you.

You flip over, dislodging Hera’s hand. You look up at her as if seeing her for the first time. She’s ten, two years older than you were when the winter happened. She was four then. You want to ask her if she remembers, but instead you ask, “Do you think Sarah hates me?”

“What?” Hera’s eyes are wide. “No! What makes you think that?”

“Nothing,” you say. “It’s stupid. Forget I asked.” You turn on your side, your back to them.

“I know she’s worried about you,” Josiah says. He offers the information tentatively. “I overheard her and the Bahrs talking. Did they ban you from the woods?”

You don’t move. “What else did they say?” You’re afraid that he’s going to say they called you weak. Or, worse, a nuisance. “Did they say anything else about me?”

“Not really.”

Nobody hears anything useful around here. You close your eyes. “I just want to be alone for a little while. I—”

There’s a knock on the door. “Isla? It’s me, Marie. Can I come in?”

Marie? Too late you remember that that’s Mrs. Bahr’s name. She’s been trying to get the kids to call her be her first name. So far no one’s taken her up on it and she hasn’t pushed.

Hera opens the door. “Hi, Mrs. Bahr. Isla is being moody.”

You sit up with a squawk. “I am not!”

“If it’s alright, I’d like to talk to Isla for a moment,” Mrs. Bahr says to Josiah and Hera. “Alone.”

“Don’t let her yell at you,” Hera says as she passes Mrs. Bahr. “She never means it.”

You are going to strangle her. “I don’t yell!”

“That’s not an inside voice,” Josiah says. He dodges the pillow you throw at him, pulling the door closed behind him and Hera.

You are suddenly alone in the room with Mrs. Bahr.

You sit up further, pressing your back against the headboard. Mrs. Bahr doesn’t look mad. Her hands are clasped in front of her and she’s looking down at the floor. It almost looks like she’s the nervous one. You hug your pillow to your chest. “You can sit down if you’d like.”

Mrs. Bahr looks up at you. Her lips twitch. “Thank you, Isla.” She sits down on Hera’s bed gingerly as if afraid it wouldn’t be able to take her wait. When she’s settled, she says, “I wanted to apologize to you.”

Your arms tighten around your pillow. “Why?”

“Not for saying you shouldn’t hunt alone,” Mrs. Bahr says. She’s not a mind reader but sometimes it seems like she is. “For not understanding what hunting means to you. I would have approached things differently if I’d known.”

“Known what?”

“About what you’ve been through.”

The winter. That’s the only thing Mrs. Bahr could be talking about. She must have heard more of your conversation (argument) with the Director than you thought. “It was a long time ago,” you say. You really don’t want to talk about this with Mrs. Bahr. Not when you can still feel that winter’s desperation in your molars like a memory. “I’m fine.”

Mrs. Bahr is quiet for a moment. She studies you much like Mr. Bahr did all those weeks ago mending the fence. “I was a knight for 30 years, you know. I supposed it’s not weird that a Knight worked as a knight for so long. As soon as I came into my power at 15, I was compelled to hold a sword. To seek out evils and defeat them. To follow my Lord into battle no matter the cause.” She looks up at the ceiling. “I’ve had a lot of adventures and helped many, many people. But there was a time when I wanted to quit.”

You start. “You did?”

“I wanted to work in a flower shop,” Mrs. Bahr says. She leans back on her hands. “What a life it could have been! Waking up before the sun and hiking to the flower fields…I had my new house all picked out. It’d have a koi pond and a row of red rocks from the Harrow River. That’s where I met Ivan.”

Mr. Bahr. He’s been trying to get you to call him by his first name too. Unlike Mrs. Bahr, he’s much pushier about it. “What made you want to quit?”

“Exhaustion,” Mrs. Bahr says. She closes her eyes. “It seemed that there was a new threat to my Lord every day. An assassination attempt from a branch family. A territorial dispute. A new influx of demon beasts. It got to the point that I hardly left my Lord’s side for fear of returning to find him dead. He was the first Lord I swore my loyalty to. I always felt like I was failing those days. So I wanted to quit.”

You’ve felt like that before. Sometimes it seems like you never catch enough while hunting, that you’re never kind enough, that you’re never strong enough. You’ve never thought about working in a flower shop though. “Why didn’t you?”

“I did.” Mrs. Bahr laughs at your shocked expression. “I was in my twenties. They tell you things calm down after your teen years, but that’s not true. I handed in my resignation and fled for the nearest town.” Her smile softens. “Ivan followed me.”

“He was there?”

Mrs. Bahr nods. “We were sworn to the same Lord. He came galloping up with my resignation clutched in his hand. His face was so red!” She laughs. “’What does this mean, Marie? He was crying! You can’t quit! I haven’t beaten you yet!’”

“And that’s what convinced you to stay a knight?” you ask. That doesn’t help you. You don’t have a significant other to come racing after you.

“No,” Mrs. Bahr said. “Ivan didn’t know why I wanted to quit. I can’t do it, I said. I can’t keep the Lord safe. I’m not enough. You know what he said?”

You shake your head.

“He said, Of course, you’re not enough,” Mrs. Bahr says. She’s lowering her voice in imitation of Ivan’s. “You were never going to be enough.” You’re gaping at his harsh words, but Mrs. Bahr looks amused. “That’s why we have a squadron. The job is too big for one person. All you need to do is your part.”

You stare at her, not understanding.

“The world isn’t carried by one person,” Mrs. Bahr says. “I was so convinced that everything was up to me – the Lord’s safety, the next campaign’s success, or defense from monsters – that I buckled under the pressure. What I didn’t see that it wasn’t all my responsibility. I was part of a team. All I had to do was one part.”

You think of the winter night and holding the door shut. There hadn’t been anyone to help you then. Someone needed to comfort the younger kids. Someone needed to try and protect them. “What if there isn’t anyone else?”

“Then we do our best,” Mrs. Bahr says immediately. She meets your eyes. “But are you by yourself now, Isla?”

Yes. You open your mouth to tell her that, but the word won’t come out. Are you? Director Sarah looked so defeated when you accused her of not understanding. But didn’t she understand better than anyone else. You swallow. “No. There’s Director Sarah.”

“What does she do?”

“She takes care of us,” you say. “She makes sure the money we get goes to the right things.”

Mrs. Bahr smiles warmly. “That’s right. Who else?”

“…Hera,” you say. You remember she pulled Josiah from the well before Annie even had the chance to tell you what had happened. “She watches the younger kids.”

“She’s very good with them,” Mrs. Bahr says. “Who else?”

Your mind blanks. Who else? “Josiah. He helps us study.”

“And?”

And? “T-the Lord. He makes sure we have the funds for what we need.”

“Including winter provisions,” Mrs. Bahr agrees.

You frown. You suddenly see where this is going. “The amount of winter provisions he thinks we need.”

Mrs. Bahr hums. “What happens if he’s wrong?”

“That’s why I hunt,” you say. Maybe now she’ll understand. “So that we’ll be okay if he’s wrong.”

“What if you don’t hunt enough?” Mrs. Bahr asks.

Your chest is tight. You rub at your sternum and try to breathe deeply. “We starve,” you say. You wheeze and then clear your throat. “We’d starve, but that’s not going to happen. Because I always hunt enough.” I have to.

“This year,” Mrs. Bahr says, voice gentle and soothing, “say you don’t hunt anymore. The winter is harsher than expected and the orphanage’s stores are depleted. What do you think will happen?”

You laugh and gasp at the same time. “They’d all starve,” you say again. What doesn’t she get about that? “First the little ones then—”

Mrs. Bahr is shaking her head. “No, Isla, that’s not what would happen.”

Your temper flares. “That’s what always—”

“What would happen,” Mrs. Bahr says in her even tone, “is that Mr. Bahr and I would come deliver extra provisions to you.”

All the air is chased from your lungs. You feel eight again, small and vulnerable and cold. You’re shivering as you stare at her. “You would?”

“We would.” Gently, as if afraid she might scare you, Mrs. Bahr moves from Hera’s bed to yours. She puts a warm hand on your knee. “We’re a fortress. The Lord gives us part of the emergency fund in order to keep our stores and grounds ready for refugees. Mr. Bahr keeps fifteen percent more than the most generous estimate out of an abundance of caution. We would come and make sure nobody starved.”

For some reason, that makes you want to cry. You blink against the sudden heat behind your eyes. “Oh.”

“That’s why we don’t want you to go hunting,” Mrs. Bahr says. Her thumb rubs over your knee. “It was worth the risk before. You worked hard to keep everyone here alive. You are incredible, for that, Isla. I can’t tell you how much I admire your strength and your bravery. But things are different now. You don’t need to do as much as you did before. There are other people on your squad.”

But I’m the Hero, you want to say. Heroes are supposed to save the day, aren’t they?

Knights help save the day too.

You let Mrs. Bahr pat your knee for a long time. She seems content to let you think, her energy a pleasant hum next to you. A knot is untying in your chest. If you don’t hunt, it’s not the end of everyone. There will still be the funds from the Lord. Sarah’s always been excellent at stretching those as far as they need to go. And, if they aren’t enough, there’s something different this year. The Bahrs are here.

“You’d help us even if you’re only going to adopt one of us?” you ask.

Mrs. Bahr’s lips thin. She looks sad, but hides it quickly. “We’re Knights,” she says. “Even if we are retired. We’ll be here the moment you need us.”

You don’t hope. Hope is traumatic. But…

You believe her.

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(Part 2) (part 3)

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Thanks for reading! There will be a new part of Hope and the Hero every Friday!

If you'd like to read the whole story now, please consider supporting me on Patreon (X)!

There's also a new story up there, a sequel to my Dandelion villain story (X)

Summary: You are free of mind control for the first time in a year. The only things standing between you and your revenge are the heroes.

#my writing #second person #the hero and hope #long post #this part is 6k words and the entire story is almost 19k

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ridingthatd · 9 months

Text

◕◔ RYOMEN TWINS II

◔◕ itadorixfem!reader, sukunaxfem!reader, nsfw, heavy smut, twins breeding you, possessive, kinky asf part 2

sukuna ryomen. sukuna was never interested in anything other then aiming to evolve himself, becoming even stronger and ruling with immense power.

after all sukuna is the strongest sorcerer of a thousand years, and is known as "the King of Curses".

sukuna is selfish, cold-hearted, immoral, and exceptionally sadistic. while his brother itadori found humans amusing , sukuna thought the slaughter of women and children are just like maggots crawling around.

he never understood why his brother was so obsessed with humans souls- their emotions, emotions both him and his brother never felt.

fear. sadness. anger. jealousy. love- they were think they never got the taste of. sukuna never understood why would a man beg on his knees- broken knees to spare his so called wifes life, why would a man care about another humans life- as less as a pathetic woman's life more than his own.

he never understood that, until he met his little human- right you were his- theirs, he would end a whole nation if even one of their people dare to touch a single stand of your long delicate hair. and he knows his brother felt the same.

sukuna wanted to take you- have you, knot you with his seeds the moment he laid his dark eyes on you, his cock was hard-ragging demanding to fill your little pussy with his warm seeds, demanding to break your little pussy- tear it open with his two cocks.

his whole body filled with heat, as he stare at you bowing infornt of him- him and his brother, he was aware that his body was larger then any average human. but you- you were even smaller then an average human, he could take you right here, claim you right here and you wouldn't be able to do anything about it, just cry out as his fat cock stretch both of your holes out.

at first it would be painful for your pretty little pussy to take his fat cock- you would beg him to stop, choking on your sobs but as soon as he hits the sweet spot in your womb you would start drolling, brain high, as you beg him for more- beg him to tear your little ass with his other cock.

sukuna smirks at his thoughts, he couldn't help the dark deep laugh he let's out as he glance at his brother- his brother that was clearly thinking the same thing as him, as he stare at their little loyal maid.

sukuna knew you were someone who will serve him and worship him, live under his shadow. someone who would be playful with him and be bratty on purpose, seducing him so innocently. he wasn't ever interested in sexual intercourse, more like no one caught his attention enough to have him as much as glance at them.

he lost count on how many woman's head he had beheaded off because of their pathetic in tempt to seduce him- but here you are innocently sitting on his lap, dress drenched with his cursed bath water, revealing your hard nipples as you gently scrub on his skin not aware of his hard cocks that were ready to devour you.

he chuckled to himself, you were so naive that you thought his filthy brother was a gentleman- an Innocent man, but in reality itaodori was a filthy as much as he was , a man who would steal your cute little panties while he claimed that he wanted to "help" you with the laundries, a man who would beat his cock raw as he sniff on your panties, he would go as far as taking your used ones just to stroke his cock with it.

sukuna wasn't any better, he sighs to himself as he lean in to sniff your scent, he was obsessed with how soft your body was in his big arms, his body always relaxed like he's in cloud nine as soon as your rosy scent hit his nose, he growls pushing his face harder into your plumpy breast, brushing his nose softly on your exposed cleavage.

as the loyal submissive human you are, you don't deny him your body, you simply continue your work on him- your hands massaging his hard sculp, running your delicate fingers through his pink locks, making him groan into you- you can feel the vibration through your body.

oh how much he loved this.

you wake up heat- heat running through your whole body, through your veins, it was like you were on fire- fire of pleasure, it stings so bad yet so good, it's like your body was boiling under hot water, the heat source comes directly from your cunt.

you felt something huge, something wet, something warm, something rough- stroking your pussy. once. twice. third-

you lost count, to focused on the sensation of your pussy burning, it was so so warm, so so wet you couldn't help but arch your hips into it, wanting more, whining as you feel it leave burning trail from your pussy to your ass, stroking- no licking at your hole.

you finally snap your eyes open pulling yourself up, realization hit you, you weren't laying on the bed sheets you were laying on something hard, you look down just to make contact with dark eyes, pupils thin, filled with lust- eyes who belong to non other then your master sukuna.

your body slumps back into sukunas chest again, whimpering as you feel two long-thick fingers shoved up your tight ass hole, tearing through you, you felt a warm chest being pressed behind your back- you're being sandwiched between two hard, muscles ripped chests.

a warm tongue peak out, licking the shell of your ear, making you squirm on the wet thing under you- the wet thing was non other then sukunas mouth stomach.

"our baby woke up" your master itadori mutter out, his hot breath behind your ear, his nose softly brushing your neck, as he leaves wet-sloppy kisses inside your ear, this way the only thing you can hear was the wet noises his mouth made.

you feel sukunas stomach-tongue circling your ass before going back to your pussy shoving it completely inside your sore hole making you arch your back against itadori chest, screaming as the long wet tongue entered your walls.

"no- ngh no- no to much" you choke out a sob as you feel sukunas tongue hit your womb circling around your sensitive spot that drives you crazy, it was to slippery, to wet, you felt to stuffed with his huge stomach-tongue, thrusting so fast inside your pussy.

itadori was still licking on your ear- it was soaking wet-sloppy soaking with his spit, everything was to much, you couldn't hear anything other then the wet sounds of itadoris tongue, and the sloppy sounds of sukunas tongue entering you again and again and again.

sukunas two lower hands trail to your hips, kneading them in his large hands before he hashly lift you up and slam you down his tongue making you cry out, "ah- ah- master- please no more" you beg for mercy.

"shh i know, i know let master take care of the sweet pussy of yours" he purrs out, as he watches the way your juice coat his tongue dripping down his stomach- you tasted like honey and he couldn't get enough, his tongue selfishly lapping on every single corner inside your pussy.

"fuck she's gushing her juice all over you" itadori hot breath hits your wet ear as he darkly speaks out, causing you to finally lose it at the sensation as he plugs your ass with his finger shoving them deep inside.

you shake, body giving up as you land on sukuna your face hovering over his, pushing your pussy- your ass more into them, as soon as you see the way sukuna was staring at you so hungrily as he slams your pussy into his tongue and his brothers finger.

you squirt- gushing out clear liquid, crying out as you feel your whole body shake, fingers holding into your master sukuna for dear life. itadoris finger still inside of you, shoved deep but making no movement while sukuna crazily continue rocking your pussy into him.

"yes! yes! fucking give it to me! all of it" he growls out, two of his upper hands grab your hair and lean it to his face just to suck on your lips, while he continue his brutal movement on your sensitive pussy.

another orgasm rips out of you, you feel like you could pass out, your screams were muffled out by sukunas mouth as he sucks, leaving them red.

"god fucking girl" itadori stoke your back leaving kisses on your spine while sukuna finally slow his movement, ripping his mouth away from yours, just to lick the tears that left your eyes.

sukuna flip you over- so he was on top of you, slowly pulling his tongue out of your soaked pussy, eyes darken as he looks at the way it was so swollen, it was barely recognizable, it was wide open leaking your clear cum and his spit out, he purrs satisfied at the sight.

itadori doesn't know why did he agree on letting his brother have you, but looking at you right now he doesn't regret his decision one bit. shoving his finger inside your beat up cunt, making you whine before he shove it inside his mouth groaning at the filthy taste.

sukuna leans over to you pressing his forehead into yours, you stif as you feel a rock hard warm thing brush against your ass, you open your eyes glancing at sukuna- your eyes widen as you see- not one but two of his fat cocks lining against your hole.

"you're going to take it like a good girl for master" he growls out before he completely tear through your tight ass, ripping you apart. two of his hand-mouth that was holding your hips down, lick up your waist leaving a wet trail before landing on your nipples, trapping them in his mouth, suckling on the hard bud.

you were sure the bed was going to break, from how hard sukuna was thrusting into your ass, your voice was caught in your throat, eyes crossed, mouth hanging open causing spit to leave it.

"we can't leave your sweet mouth hanging empty like that" itadori coo at you as he swipe your drool with his finger before sucking it into his mouth, you glace at his hard cock that he was stroking precum leaking out of his reddish head, you moan out as you feel sukuna rock into you faster, causing your body to crash into itadoris from the force.

you feel his cock at your lips, and you immediately open your mouth wider welcoming him, lazily licking the head before slurping it into your mouth, focusing on it, coating it with your spit.

itadoris thighs shake, the way your tongue licked up his sensitive clit had him close to cumming undone, just as close as sukuna was.

"fill down her throat, I'm going to fucking fill this ass of hers" sukuna groan out as he slaps your ass with his other two hands, gripping your cheeks and spreading them wide to take a good look at how your tight ass was hungrily taking his fat cock.

your moan vibrate into itadoris huge cock and that has him spilling his hot cum down your throat with a loud moan, his brother soon follow him, filling your ass with every single last drop.

"fucking." thrust.

"take." thrust.

"it." thrust.

"all." thrust.

your mind was blank, every single hole of yours was filled with their cum- leaking with their cum, your body was twitching.

sukuna lean in to kiss your clit, while itadori kiss your nose. maybe after all they did have something in common.

₊˚ʚ ᗢ₊˚✧ end ₊˚ʚ ᗢ₊˚✧ ﾟ

: ̗̀➛ part 1 is 𝐡𝐞𝐫𝐞

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eightmakesonebraincell · 11 months

Text

ateez as royals who fall for you (hyung line)

read maknae line here

genre: royalty!ateez x fem!reader, fluff, angst, smut, crack, a brainrot and smutfest of royal tropes

length: 12.8k

c/w: very nsfw scenes - mdni, explicit language (dirty talk, swearing, insults), death, violence, blood & injuries, weapons, heavy & mature themes (sex work, murder, assassination, execution, mentions of misogyny)

a/n: this has simultaneously been the pride and joy of my life and the bane of my entire existence for the last 2.5 months 🥴 and tumblr is an inept incapable CLOWN who cannot handle the full 24k worth of bullet points so here is the hyung line first - maknae line coming soon (yumi @sorryimananti-romantic can vouch for my unsuccessful 3-hour attempt at formatting them into a single post)

hongjoong

pov: you're the king's royal courtesan

“fuck,” hongjoong lets out a deep growl from within his chest as his head dips down to rest against the crook of your neck. “you’re just as tight as last time”

when your hips involuntarily buck from the pleasure, he nudges your thighs further apart and keeps your wrists pinned above your head

he can’t help but let out another groan when he feels your walls clench around his cock as you adjust to his thickness

“i thought- god,” a moan escapes you after he thrusts his hips against you, “thought you never fucked the same woman twice”

“i don’t,” he simply says

and it’s true

hongjoong is one of the youngest princes to have ruled during the kim dynasty, having risen to power after the previous king succumbed early to an unknown illness

he has the choice and selection of all the courtesans available within the palace and outside its walls

hongjoong also has a reputation of being highly sought after by everybody, not just amongst courtesans

it’s not only because he is devilishly handsome, knows how to properly fuck somebody dumb, and is the literal king

the main thing that makes him so desirable and unreachable?

he never sees the same courtesan more than once

“yet here you are,” you hook your legs around hongjoong’s waist to gain leverage and meet his thrusts with your own hips, “between my legs for the second time”

you smirk when he curses and throws his head back

his grip on your wrists tightens and his voice drops dangerously low

“the first time doesn’t count because i was meant to see lady chae. so really, this is the first time i’m requesting for your services”

he silences you from retorting by pressing a bruising kiss against you, lips messily attaching to yours before trailing down the sharp angle of your jaw to bite your neck

you are a courtesan for people of nobility and royal status

part of the ‘house of flowers’ and commonly referred to as ‘flower courtesans’, you and the other women are highly-sought after for the companionship you offer

you are well protected by the house of flowers though - the services of companionship that you provide is requested by your client, but is ultimately accepted or rejected by you

lady chae, another of the flower courtesans and one of your closest friends, is requested by the king for her services

it is quite clear what it is going to entail and you both spend several of the following nights giggling and whispering scandalously to one another

whether the rumours about his stamina will be true

whether lady chae will be the first to break his one-fuck rule

except when the day of the meeting comes around, she spikes a sudden fever

lady shin, the head of the house of flowers, takes all but one look at her before ordering her to bed rest despite both of your attempts to, albeit unconvincingly, persuade lady shin that chae’s fever would only serve to help make the king’s dick warmer

lady shin is not amused to say the least

with the last minute hitch, the king agrees for you to be sent out to him as a replacement instead

and you end up being the flower courtesan who he breaks his reputed rule for

(lady chae is initially jealous, understandably)

(but very quickly, she appears to be even more excited than you are as she combs through your undergarments for the “sluttiest set” that she can find)

your attention is brought back as hongjoong flicks his tongue over your hardened nipples, continuing to drag his length in and out of you while your back arches off the bed

you tease in between short breaths, “are you really bringing up another woman’s name while you have your cock inside me?”

“you brought it up first,” he reminds you, accentuating his answer with timed thrusts

you grind your hips against his, chasing more friction against your clit as you feel your high approaching

“why?” he snakes one of his hands down between your connected torsos to rub messy circles against your clit, smirking as he asks, “are you getting jealous already?”

for that, you clench down hard on his cock, immediately feeling the way it throbs inside of you as you bring him closer to his orgasm too

“as if. fuck off”

your words are hardly audible from the whines that are leaving your mouth due to the added pressure of another finger against your clit from your retaliation

“i’m close,” hongjoong releases his grip on your wrists so that he can straighten his body, anchoring his hand on your hip instead so that he can fuck you and rub your clit with his other hand with renewed vigour

when you hear him groan, “cum for me,” the string snaps and your whole body quivers in his hold as your orgasm washes over you

hongjoong’s hips gradually stutter to a pause, an occasional thrust inside your clenching pussy as he milks out the rest of his cum inside of you

he finally eases himself out of you and hums in satisfaction as he watches his cum slowly leak out of you

hongjoong drops down beside you, toned chest covered in a sheen layer of sweat as it rises up and down with his pants

when your fuzzy mind has cleared a little from the blissful haze of your orgasm, he strokes his fingertips along the side of your thigh, along the curve of your ass, and over the dip of your waist just under your breasts as he says, “you better not be jealous. first one to get jealous loses”

“if anyone’s going to get jealous first, it’s you,” you scoff back

he raises an eyebrow

oh yeah?

he shoves his leaking cum back inside of you and fingers you to another orgasm

now that shuts you up

for a man who barks, he sure has no bite, because you find yourself being notified by lady shin several days later of yet another request for your services under the king’s name

and another request turns into another

and every single time, hongjoong makes sure that the only word leaving your lips for those many hours is his moaned name

but at the same time, the more you and hongjoong meet, the more he just savours in your simple companionship

he asks you to teach him how to embroider because you’ve mentioned before it’s how you like to spend your free evenings

he rifles through your bag of materials that you bring

you smack his hand away at the carelessness with which he’s upturning everything

“what’s this?” he holds up a large, wooden hoop before trying to fit it through his head, “a necklace?”

“i wonder if people know they appointed an idiot to be king,” you say as you gently unscrew the hoops and demonstrate how to align a piece of fabric between the rings

he watches with interest as you screw the outer hoop tighter until the fabric is nice and taut and then repeat the process so you both have one to work with

you have to help hongjoong thread his needle too, because apparently the king’s fingers are only good for scissoring you open

you weave your own needle through the fabric at a slow pace whilst telling him the different names and uses of the stitches you’re showing him

except, when you look up to see if he’s following?

his own hoop has been abandoned to one side and he’s leaning against his hand as he gazes cheekily at you

“were you even paying attention?”

he sounds a little too confident when he answers not at all

in return, hongjoong shows you how to write hanja the next time you meet

he positions himself behind you with his hand over yours as he guides you through different characters stroke by stroke

he claims that there are specific ways of applying pressure to the brush so he has to be holding your hand at all times

you most definitely roll your eyes several times but you indulge him anyway

there are a lot of giggles and teasing pushes when you accidentally dip the end of your sleeve into the ink and you try to spread it onto his robes too

(the calligraphy may or may not become forgotten when hongjoong pins you down to stop your cheeky behaviour, because things naturally escalate whenever he has you under him)

you two do eventually manage to finish one decent-looking scroll of characters which he ends up gifting you so that you ‘don’t forget’ about him when you’re not with him

when you walk back into the house of flowers, the hanging scroll perks lady shin’s interest as you walk past

“hongjoong taught me how to write my name today”

lady shin waggles her eyebrows at you suggestively because of how casually you refer to the king, for which you nudge her with a shoulder

she laughs then asks to have a look

you unravel the paper to show her but then she makes a funny noise

“that’s not your name? these are the characters for- oh,” she cackles scandalously to herself, as if she has made a secret discovery

“what does it mean?” you hurry to clarify

you wouldn’t put it past him to have taught you a crude phrase instead, like ‘best tits’ or ‘biggest ass’

lady shin lets out an amused exhale, handing the scroll back to you

“it says, my flower”

you’re looking at those exact characters from where you lay on your bed when a knock sounds on your door several days later

lady shin steps into your room with a warm smile as you greet her

“you have an appointment with lord min tomorrow, but the king has just inquired about your service availability for tomorrow,” she informs you. “would you like me to give him the usual answer?”

this isn’t the first time a clash has occurred, particularly with the increasing frequency with which hongjoong requests to see you

you have always told lady shin to ask for hongjoong’s pardon and to offer him an alternative time or day, because in the end, you still need to maintain a professional and admirable reputation as a flower courtesan

and as you open your mouth to tell her ‘yes’, your eye catches the scroll hanging on your wall

my flower

you hesitate

“actually,” you look away from the hanja, “i’ll see hongjoong.”

lady shin gives you a motherly smile as she nods in understanding and closes the door behind her

the next day you see him, he excitedly points out the large tambour frame in his room that he bought just a few days prior, claiming you two can work on a big embroidery patch together now

you give him one look then demote him back to the small embroidery hoop because he still hasn’t learnt his basic stitches yet

(that’ll teach him to not pay attention when you’re demonstrating, ha)

you relent and end up going through the different stitches with him again anyway

and you find that he’s actually not that bad with embroidery once he’s actually focused on the task at hand

it’s nice, basking in each other's presence while he threads his little square of fabric and you work with the large frame you have now essentially claimed as yours

not that hongjoong minds; he did buy it solely to make you happy

and then you offhandedly mention that someone had gifted you a handkerchief with your initials embroidered on one of the corners the other day

“i actually have it on me, in fact,” and you take it out from where it’s tucked into your waist so that you can show him

he juts out his chin as he peers down at the delicate letters, huffing, “it’s pretty, i guess”

then as an afterthought he tacks on, “bet i could do a better job”

“are you jealous right now, kim hongjoong?”

said man is hellbent on avoiding your eyes as he picks up his needle and thread again

“no i’m not!”

“whatever you say,” you smirk

after that day though, you don’t receive another request from hongjoong to meet until two weeks later

which, in the grand scheme of things, really isn’t much

but in comparison to the frequency at which you are used to seeing him, the frequency at which your body is used to having him, it is much too long

you are almost beginning to wonder whether you shouldn’t have brought up the handkerchief gift

yet, he greets you with his usual teasing squeeze of your waist, dangerously close to your ass

you make a move to follow him through the doors to his chambers but he turns around to produce a silk cloth

he starts to blindfold you, whispering sultrily, “i have a surprise for you”

you feel the hairs on the back of your neck raise at his tone

guiding you inside, hongjoong gently pushes you down so that you sink into the plush duvet of his bed

“do you trust me?” he whispers

trying not to dwell on the urge to lick your dry lips, you answer, “of course”

you feel him tugging slowly on the string that holds the front of your corset together, loosening your dress with tenderness like you are a fragile gift

you shiver when your shoulders are suddenly exposed to the cold air

and then the sensation is followed by the warmth of hongjoong’s soft exhales along the expanse of your collarbones as he leans closer to fully disrobe your shoulders

you have to remind yourself to keep breathing

“you can look now,” he tells you

you remove the silk cloth from around your eyes, unsure of what to expect

it takes a few blinks to readjust your vision to the room around you but then your eyes finally focus

and you gasp

there, hung on the wall with its striking viridian green, shimmering threads and intricate swirls on glorious display, is quite possibly the most stunning dress you have ever laid eyes upon

“try it on,” he encourages

but as you step closer, you realise the lacing across the front of the corset and running down the sleeves of the top dress is in fact, not lacing

it’s patchy

it’s uneven

it has empty areas

but it is no doubt embroidery

“did you…did you make this?” you reach out a hand to lightly caress one of the embroidered flowers, not quite daring to believe that hongjoong would go to these lengths for you

“of course,” he wraps his arms around you from behind and presses a light kiss against your temple, “i’m not losing to a lousy handkerchief”

“is that why you disappeared for two weeks?”

you let out a laugh, sinking into his embrace, because the image of the great king holed up in his chambers for days on end, hunched over your dress with a needle, thread and frown on his face is just too endearing

he lets out a warning huff as he turns you around in his embrace to face him

upturning his hands, he shows you the tips of his fingers and grumbles, “i poked myself so many times for you and you laugh at me?”

you bring his hands closer to your face, pressing light kisses to his fingertips as you smile, “thank you, joong. i love it so much, i really do”

he looks at you impossibly soft

under his tender gaze, something suddenly rushes to your very core

you hold one his hands steady in front of your lips then swirl your tongue out in an experimental lick over his fingers

it’s almost captivating how quickly his pupils dilate and zero in on your tongue

so you dare to bring his fingers into your mouth

you suck on them a little harder

a little deeper

and then you moan around his fingers, “i want you”

he lets out a groan himself, feeling the front of his breeches tighten as his cock twitches

“i- fuck, i didn’t give the dress to you in hopes that it would lead to this,” yet despite his words he is stepping you backwards so that he can pin you against the wall

“i know, but i want you,” you palm his growing bulge, your knees going weak at how hard he already is. “and i need you. now.”

he doesn’t need further encouragement

he shoves the remainder of your clothes aside before inserting his fingers roughly between your folds

it doesn’t take long for him to bring you to your first orgasm, curling his fingers relentlessly as you ride them

he spreads your cum over your pussy and you buck your hips with a whine when he circles over your clit briefly

then he’s turning you around and bending you over, one of your hands bracing against the wall, your other arm held behind your back by hongjoong’s firm grasp

“fuck, you’re so wet,” his whole body shivers with pleasure as his cock slips right into you

the obscene sounds of his hips slapping against your ass and your slick being pushed back into your hole over and over again fill the room

and to the clenching of your pussy from another orgasm, hongjoong also cums into you with a guttural groan of your name

he gently carries you to his bed and lays you on top of the covers

he leaves your side for a moment and you listen to him rummage through something while you try to regain control of your quaking legs

when he comes back, you feel him gently spreading your legs and then the ticklish sensation of a soft cloth along your inner thighs

a whine escapes your lips when he rubs over your sensitive clit and hongjoong grips your thigh a little tighter

“be careful what pretty sounds you’re making if you can’t handle another round”

it isn’t until he finishes cleaning you up and lies down next to you to start wiping himself down that you look over and realise what it is that he’s been using this whole time

your mouth drops in disbelief

when hongjoong notices your expression, he smirks, “the man who gave you this has no idea his handkerchief is being used to clean my cum off your thighs”

“hongjoong!” you flush with a laugh. “you are definitely jealous, aren’t you?”

“yes, i’m fucking jealous,” he growls, “you’re the only one i want. you’re the only woman i’ve been requesting for since i’ve seen you. and i want to be the only one who gets to have you, too”

you confess, “well, you can have all of me. because i’ve started refusing other people just for you”

he looks at you for another moment before he’s suddenly straddling your hips

“change of plans,” he says breathily, “i need you again”

“very good plan,” you grind up against him

and then you pause, mirth starting to bubble in your throat, “one last thing though”

hongjoong looks down with amusement in his own eyes, wondering what could possibly be so funny

“that handkerchief?” you start, struggling not to laugh when his eyes immediately narrow, “i never said it was from a man. it was a gift from lady chae”

seonghwa

pov: you're his royal guard

as soon as you notice the movement out of the corner of your eye, your body reacts straight away

you murmur seonghwa’s name with a tight voice and move to position yourself in front of him, unwilling to risk the prince’s safety

one of your hands grasps the hilt of your sword, ready to unsheathe it at the first sign of danger, as your calculative gaze darts between the two young men stumbling closer on the dirt path and the line of forest trees from which they appear

they are wearing simple tunics and breeches with their colour faded and seams loosening from wear

from what you can discern, they are simply commoners, but that does not rule out the possibility that they are bandits

seonghwa seems to think otherwise, though

unsurprising but still grating

the prince places his hand on your shoulder gently in a silent reassurance and request for you to step aside

albeit reluctantly, you force yourself to move to his left

it becomes clear to you as the two figures stop just shy of a few feet away that the term ‘men’ was pushing it - their faces are young and they appear to be no older than seventeen or eighteen

the young strangers dip their head in greeting, one of them apologising as well as he pulls out a tattered map that he extends out for you two to see

“my companion and i are traveling to the village norshaw but seem to have lost our way. would you be able to point us in the right direction?” the one with the map asks

“of course,” seonghwa offers with a kind smile

you watch as the three of them step closer together to look more closely at the map

on high alert, and just as you are predicting, you see the companion shuffle closer to seonghwa, hand inching towards the leather pouch that hangs from the prince’s belt

you catch the subtle motion of seonghwa’s eyes flickering down just an inch

because of how well you understand his body language, you know that it means he has already noticed the thieving intention

but because of how well you understand seonghwa, you know that he isn’t going to do anything about it either

so you strike in his stead

your hand darts out to snatch the thieve’s wrist, twisting his forearm upwards so that he is forced to lean awkwardly towards one side to prevent his elbow from snapping

his partner drops the map, letting out a string of curses and hesitating for all but three seconds before he turns around to flee

scoffing, you threaten the one who is still in your hold, who then bolts with his tail between his legs after you release him

"did you really need to scare them off like that? it's not like i had any money in the pouch anyway," seonghwa chastises with a chuckle

"yes," you deadpan. "i did not spend the last two hours of our trip pausing every fifty meters to wait for you to pick up a rock because you thought it looked pretty, only for them to be stolen by a pair of petty thieves"

"it would have been funny to imagine their faces after realising what they stole," seonghwa grins

“mhm,” you hum, “and the next thing you know, you’ll wake up to your palace ransacked, because word in town is that you can steal from the prince and get away with it”

he levels you with a boyish scowl, “you’re so dramatic. what are you, my mother?”

“no, but i am your royal bodyguard”

“exactly. you are my bodyguard, not my brainguard. if i am to be swindled of my pretty rocks, then so be it”

you roll your eyes out of exasperation, but everything is swiftly forgotten minutes later when you point out a heart-shaped rock and seonghwa rushes over to pick it up

it has been like this ever since the incident occurred - him, the sunshine; you, the sunshine protector

it has been almost four years since it happened

somebody had attempted arsenic poisoning of not only seonghwa, but also those working under him

you had noticed strange discolouring of the silverware in the kitchen and on the table serving his dinner, which prompted an investigation and subsequent discovery of the perpetrator

an act of betrayal and treachery by one of his closest relatives - his very own uncle

seonghwa was - still is - too merciful and tender-hearted to punish his uncle, even if the severity of his uncle’s crimes warranted execution

to have his trust broken so shatteringly hurt seonghwa more than if he were to actually have been poisoned

you still remember like it was yesterday; the sight of the prince slumped against the wall, weighed down by chains of turmoil and despair as whispers fly through the palace of the weak-hearted prince who is unable to deliver fair judgement

it is the sight of the prince looking so small and lost that drives your feet forward to stand before him

as the soft draught coming through the windows tugs gently on your tresses and the flickers of candlelight illuminate the glint of steel in your hand, you make a decision

“i’ll be your sword,” you pledge

not just as his royal guard, but as his haven when he is forced to face corruption and wickedness

and when you see the way his shoulders immediately sag with relief at your declaration, the way he nods like a child who has been reassured that everything will be okay, you tell yourself that seonghwa will never have to dirty his hands as long as you are with him

you will be the dark to his light; the yin to his yang

quietly, you see to it that his uncle is executed for his crimes - your statement to the rest of the palace that prince seonghwa is not to be mocked

neither of you bring it up again, but seonghwa knows

he pulls you into a wholehearted hug, arms enveloping you securely as his chest shakes with shuddering breaths of thank you over and over again

you rub your hand up and down his sturdy back soothingly

it is an action that simultaneously reciprocates his embrace and his crossed line of professionalism

one that starts the shift in dynamic between you both, boundaries of sought comfort blurring with friendship and then something more

where seonghwa is too trusting and too soft-spoken, you become his skepticism and his voice

“you should be more wary of others,” you always remind him

“and you should be more trusty of others,” he’ll retort

yet, he will never make a decision that does not receive your input nor one that you do not agree with

where seonghwa is too gentle and too humble, you become his sword and his shield

you do not waver when you strike down foe, and friends turned foe alike

you speak up and establish firm boundaries when others take advantage of the respect he shows everybody regardless of their class or status

and yet, if you find yourself on the receiving end of someone’s condescension or discriminatory treatment, be it due to your rank as a guard or identity as a woman, seonghwa will be advancing forward to defend you before you can do so yourself

where seonghwa is too innocent and too bushy-tailed, you become his eyes and his caution

your morning walks together always last for longer than they are scheduled for

he stops to watch every butterfly and bumblebee that flutters along the flowery path, and he waits for caterpillars to crawl onto a leaf that he holds by the stem so that he can move the critters off the pathway

you love to watch him and his glittering eyes, his cheeks rosy from happiness and from the air still crisp with morning dew

but you also make sure to watch his surroundings with greater vigilance because the quiet peace that the freshly awoken sun brings simultaneously increases the likelihood of a targeted attack against him

as much as you rib him for being a marshmallow personified, however, and as much as he banters back that you are more than welcome to resign at any time, neither of you want it any other way

seonghwa carries out a lot of gestures that he justifies to himself as being eternally grateful for you and the things you do for him

he likes to gift you flowers he has plucked from his garden or the bushes he walks past that remind him of you

(“that’s actually just a very pretty-looking weed, but thank you, seonghwa,” you tell him on more than one occasion)

(it’s adorable, because the next time he finds a flower, he goes to the length of certifying that it is indeed a flower with the merchant who sells bouquets in the nearby town before presenting it to you, eyes gleaming with pride)

you stand still and let him tuck a flower behind your ear, sometimes braiding your hair gently so that he can weave and secure the stem into your hair, holding your breath as his features fill with the same enrapturement that he would admire a beautiful artwork with

after you voice this out one day, seonghwa supposes to himself that there is not much difference between an artwork and you

not that he’s attracted to you or anything - you just…have an objectively attractive face

yes.

especially when your usually-piercing expression is softened by fatigue, guard no longer up as you sleep slumped over a desk while accompanying him during his late night of studies

he does not realise his feet have moved until he is right beside your resting form, as if the soft exhales escaping from your slightly parted lips are a siren’s song

seonghwa tenderly brushes your stray locks away from your face and behind your neck

except he forgets to account for the fact that you are trained to sleep on the brink of consciousness

the squeal that leaves his mouth when your reflexes kick in and you almost slit his throat resounds at a frequency so high you almost believe it comes from your own mouth

you have a grand time watching his beet red face stutter out an excuse as to what exactly he was doing so close to you

needless to say, that is the last time seonghwa ever tries to do anything while you are sleeping

but as much as he bumbles around, he also reveals his perceptiveness when you least expect it

like now, as you accompany the prince to one of his meetings with numerous advisors and ministers

it is relatively dull and uneventful, mostly a cordial appearance to maintain amicable and loyal relationships with his subjects

conversation is limited to pleasantries and at one point, seonghwa even points out the calligraphy paintings hung at the back of the room

everyone nods with throaty laughs as if the paintings are indeed the most exquisite and tasteful artworks they have ever laid their eyes upon

when you and seonghwa arrive back at his chambers following the conclusion of the meeting, he walks over to his bed and shakes the sleeves of his robe over the expanse of his duvet

and out drops a neatly-wrapped sweet, followed by another, then another, until there are enough to amount to two handfuls

baffled, you look at seonghwa, because these are the very same treats that had been plated on the tables during the meeting

“you smuggled candy out of the room?” you try to keep the amusement out of your voice

he peers into his sleeves to ensure there are no more stragglers, before turning to face you as he waves his hands over the small collection of goods on his bed

as if they are-

“for you!” he exclaims almost proudly. “i saw you eyeing them during the meeting so i took some for you”

okay

most definitely proudly

you feel something tickling you from within, as if he has reached through your chest to directly caress your heart with a delicate finger

“when did you even…” your voice trails off when it comes out a little fonder than you are expecting it to

“remember the paintings i pointed out?” seonghwa giggles, and you think that the hand in your chest is now cradling your heart completely. “i swiped the sweets when everyone was looking back at them”

“thank you, hwa,” you settle on saying, because you do not trust yourself to say anything else

that is more than enough for him, though

which, of course it is - this is seonghwa, with his huge heart that fills easily with the smallest of things

he eagerly hands you one of the treats and you unwrap it to place into your mouth

you’ve had these before, but this one that he has specially grabbed for you tastes remarkably sweeter

you wonder if his lips will taste the same…

but then you accidentally bite your tongue, hard enough to draw blood, and you realise just how wrong you are for letting those fleeting thoughts into your mind

because while you navigate the world in thick droplets of red and sharp glints of silver, seonghwa sees the world in soft hues of pastel and gleaming rays of yellow

how could the two palettes ever blend together harmoniously?

so instead, you grant yourself one last moment of selfishness and pull him into a hug, a gesture that toes the already shaky borders of professionalism yet can still be excused under the guise of friendship

you realise that he has always meant much more to you, but that is what this will stay as - a mere realisation

seonghwa wraps his arms around your form as he relaxes into the way your bodies naturally meld together

it’s strange how easily you slot into his life, his thoughts, his heart

he wonders whether it’s possible for feelings of appreciation to run so deeply and potently within somebody, like a drug that he cannot get enough of

and when you take a step away from him, leaving his chest feeling physically and emotionally empty, he wonders if he is perhaps…

in love with you

following that incident, it is almost as if a switch flips - both of you take several steps away from the line that has been danced around

but neither of you notice the distance because you are both consumed by your own thoughts

until one of your usual morning walks around the castle walls of his palace

seonghwa is wondering whether the bushes you walk past remind you of the flowers he used to gift you and you are debating whether to reach out to brush a petal out of his half ponytail

then, like deja vu, your eyes flicker towards the burst of movement as a figure covered in black comes darting forwards with their blade raised intended for murder

you immediately start to unsheathe your sword, feet poised and prepared to defend-

until you are harshly tugged back and the prince steps in front of you to parry the strike that the assassin tries to land

it takes your lifetime of training and experience to snap back into focus and thrust your sword into the enemy’s exposed side

when you are sure he is dead, you whirl around to descend upon seonghwa with a voice trembling from both anger and relief

“what in the world were you thinking?” you yell

“i-”

taking a step forward, you toss your sword to one side, “no, actually. you weren’t thinking at all”

“i was afraid that you would get hurt!” he takes his own step closer

“that is my duty!” the volume of your voice raises even more. “i am willing to lay down my life to ensure your safety! i have been guarding you for years now and you have never acted this way. what has changed?”

for a moment, the only sound that punctuates the silence is your harsh breathing

seonghwa swallows

“my feelings…” he whispers, a stark contrast to the peak of emotions you have been riding. “my feelings for you have changed”

your throat tightens at his words

it is your turn to whisper, a noise of confusion leaving your lips

he takes another step closer, bringing himself to stand right in front of you as he looks down earnestly into your eyes

“i’d rather be the protector, and you be the protected”

“but…why?” your heart races with anticipation

“because i’m in love with you”

right at the invisible border that has been separating you two for as long as you have been his guard, seonghwa now stands, hands wringing together as he awaits a response

“then that makes the two of us,” you confess

you step forward to take your familiar spot on the other side of the line, except this time you do not stop

you stride over the boundary completely to stand by his side

raising yourself onto your tiptoes, you pull him down slightly by the front of his doublet so that you can press a chaste kiss to the corner of his lips

it stretches wider and curves upwards under the nurturing of your own smile

you can’t help but give him another kiss on the other side of his mouth to match the one you just gave him

“from now on,” seonghwa starts, “i’ll be your sword”

you wouldn’t really, and you will fight him to let you continue being his guard, but that doesn’t stop one last teasing question from escaping you

“does this mean i get to retire?”

yunho

pov: you're part of a rebel group

the crown prince is not in his fucking library

for the past three weeks, the crown prince has always been in the royal library at night

until today

under normal circumstances, his royal guards and staff would be alerted to ensure that the deviance in routine is a conscious decision and not an issue of the crown prince missing

except doing that would make your job significantly harder…

considering you have been ordered to assassinate him.

you’re part of the ‘red sun’, a revolutionary movement aiming to overthrow the current monarch

following the debilitating state of the king after falling ill and the subsequent coronation of queen jeong into power, she has since then established numerous royal decrees to keep everyone under her reign on a tight leash

a leash made of barbed wire

people are quick to become resentful and thirsty for an end to the dictatorship and bloodline

although he has made limited public appearances, the crown prince has also developed a reputation rivaling the queen’s

within the second year of the jeong dynasty, red sun has already amassed a multitude of supporters

the focus is currently on growing in numbers, preparing for an imminent revolution and picking off corrupt royals and noblists, be it through incrimination or assassination

dealing with those in positions of higher power is a task only completed by an elite selection of red sun rebels who have distinguished skills and traits that set them apart from peasants and commoners

and you are amongst the elite team

which is why you find yourself staking out on the tiled roof of the imperial palace, clothed in black with a mask and hooded cowl covering your face that blends you in with the darkness of night, on the orders of a higher-up to assassinate the crown prince

except the target is missing; the information you were given is wrong

which never happens

you can’t risk staying around for much longer, especially now that the crown prince has broken his routine

he could be anywhere and so could his royal guards

you shift your body to a crouch and place your hands on the cool tiles beneath you, ready to leave

only to spot a figure, crouched just like you are, on the opposite side of the roof

their face is a black hole of nothing within the shrouded confines of their hood, but you can feel their gaze piercing into you all the same

you run

you scramble to the edge of the roof and nimbly leap off the curved eaves to the neighbouring structure of the study room

when you glance backwards, you see the man - physique now obvious - is keeping up easily along the stepping stones of roofs

this game of cat and mouse isn’t going to work for long

if you don’t get caught by him first, you’re both going to get caught by the palace guards

so you make a split decision and alter your next trajectory lower

keeping your arms outstretched for the eaves, you grab on tightly when your fingers touch the edge of the roof and use your core to kick your legs up to stop your body from slamming into the wall from the momentum of your jump

you let go and drop to the ground like a feline, noiseless, and slink towards a line of trees

then you wait

he’s good, you note to yourself, when the only sound that alerts you to his presence is the quick scuffle of his feet as he softens his impact against the wall and the muted thud of his body landing on the ground

“state your purpose,” he demands, voice low yet firm

you ignore him to ask, “who are you?”

now up close, you can see that the man is wearing attire almost the same as you are, identity also hidden by the his bandana and hood-

wait

even the dark red stitching that subtly replaces the original seam on the right shoulder of his outer clothing is the same

the same as those on the elite team

“one of you,” he confirms your suspicions

except you don’t recognise his voice nor his build

being one of the earliest members of the rebel organisation, you are familiar with all the members who carry out missions like yours

he is not one of them; not one you can trust yet

when you don’t speak, he adds on, “we need to go. the safehouse might be in danger”

he refers to the two of you so easily, as if you and him are an unspoken team

you cannot trust this man until you know for sure he is part of red sun, so you ask him

“when is red most beautiful?”

it is a vague question with a fixed answer

one that reflects the heart of the revolutionary itself

during the sunrise of a new beginning

“during the sunrise of a new beginning,” the man says resolutely

the tension releases from your shoulders

“okay,” you opt to abandon your original mission. “let’s check on the safehouse”

the man offers you a hand to hike yourself up onto one of the outer walls of the palace before he jumps up himself with ease

you both flip over the top and land in unison

the moon illuminates the ground beneath your feet as you both sprint into the surrounding forest

the safehouse is really just a small hut situated far enough from the palace to stay inconspicuous, yet not close enough to the outer borders of the kingdom to risk discovery by the frequent border patrols

you both slow down as you approach the clearing, steadying your breaths and treading with cautious steps

and then you hear it

the shattering clang of a desperate parry

all it takes is a quick glance at the man by your side before your eyes harden with purpose and your steps are dashing in unison towards the hut

you’re both hit with the smell of a metallic tang in the air, and it’s not from your drawn swords

bursting through the door, you quickly take in the scene before you

several red sun members are scattered around the hut and slumped in varying degrees of injury

it’s easy to spot the intruder; they’re yanking their sword out of a body’s torso as they simultaneously turn to look at you

and it’s hard to miss the royal insignia of the jeong monarch on their chest plate

you have the element of surprise

but only for the next few seconds

you leap forward with the thud of footsteps of your partner following almost immediately, side-stepping once you close the distance to dodge a haphazard swing

there’s a brief break in defense when the enemy tries to aim for another strike that leaves the gap in the side of their armour exposed

you feel the slight resistance of your sword entering flesh as you thrust it forward into them

except when you try to tug it back out, a hand grasps your own and the hilt of your sword, stopping you from stepping away

the enemy has realised they are not going to make it out of this alive

but if they are to die, then they are going to take one last person with them

you.

you see glint of metal as they use their other hand to swing their sword down onto you, only for it to be deflected at the last second by another sword

the man you have met for barely an hour is now at your side with his towering protectiveness

in one smooth kick, his long leg sends the other careening into the wall of the hut with a mighty slam

you feel yourself jerking forward from the enemy’s grasp still on your hand

but the man next to you quickly tucks you into his side before you are also sent sprawling

“check on the others,” he briefly says, and then he is striding towards the fallen intruder

you only spare him another quick glance and then you rush to the nearest figure on the ground

you go around checking for pulses, and for those who are still breathing, the extent of their injuries

there are several casualties but nowhere near as many if you and the man had not come to check on the safehouse

which suddenly makes you pause in your tracks

how did he know about the attack in the first place?

you stretch your legs from their squatted position next to one of the red sun members and turn around to confront him

except…the man has disappeared

and so has the intruder’s body

days later, the question of whether you will chance upon the man again tonight flits through your mind when you find yourself perched in the very same spot on the tiled roof of the palace that gives you a clear view of the royal library

you have received another order to assassinate the crown prince as soon as you see the opportunity arise

this time, the note is accompanied by a cyanide capsule, a non-verbal message that this mission is to occur with your life on the line

you spot him

he’s preoccupied by the scroll in his hand as he makes his way through the shelves of parchments

you wait until he’s walked far enough into the library before you drop down from the roof, keeping your stance low to ensure you stay hidden as you silently move closer

you take out the jagged dagger from its sheath by your waist as you anticipate it will be too difficult to wield your long sword in the narrow aisles

and there the crown prince stands

he has his back to you, exposing him to your mercy

mercy that you have no intention of showing him

the cruel heir to the throne of an even crueler dictatorship deserves none

“it’s you again, isn’t it?”

you freeze

the crown prince still has not turned around to address you, but you can feel the dark gaze of his eyes on you as if he were looking at you

“you were here a few days ago”

fuck

how he knows you have no idea

what you do know though is that you have about two seconds to make a move before you lose this chance to assassinate him completely, and quite possibly, lose your life as well

the pill you have hidden in the breast of your tunic feels heavy

“you are part of red sun, are you not?”

this time the crown prince does turn around to face you, but it isn’t the nonchalance with which he reveals your identity that makes your head reel

it is the warmth and softness in his gaze and the hint of a smile on his face that does

what the actual fuck

you’re convinced that the crown prince is not only heinous, but also batshit crazy

“i am,” you spit out at him, “with orders to assassinate you, in fact”

his mouth thins into a tight line, “the orders you have received are false”

“sounds exactly like something a crown prince would say to avoid being assassinated,” you scoff

but then his next words change everything

“red is most beautiful during the sunrise of a new beginning”

before you have time to fathom the bomb that has just been dropped, your heads swivel simultaneously towards the entrance of the royal library when a voice calls out for the crown prince

“hide,” he hisses urgently

and then he’s stepping further away to conceal your presence as best as possible

you hear the shuffle of footsteps approaching before they stop, dangerously close to where you’re crouched behind a bookshelf

“apologies for interrupting your time, crown prince,” they say

from where you are you can see the crown prince’s expression clear as he lets out a small huff, “i have told you many times to just call me yunho”

“of course, crown prince yunho”

even though you can’t see the other person’s expression, you can hear the amusement in their voice

they continue, “i have the information you have requested for”

“thank you,” you see him - yunho - receive a small scroll. “the queen does not know?”

“no, i made sure to be as discreet as possible”

yunho thanks the other once again and your eyes nearly fall out of their sockets when he bows his head in appreciation as he dismisses them

is this the same crown prince as the rumours?

and what is he doing behind his mother’s back?

you don’t realise you’ve been staring dumbly at him until he’s back in front of you with amusement on his face

he stands tall and proud, robes accentuating his stature and nobility

“who exactly are you,” you dare to ask

your voice is small - you feel small, crouched at his feet like a stark physical representation of the power he holds over you

but then he takes yet another step closer and kneels down so that your eyes meet at the same level

“i am the leader of red sun. the creator of the whole revolution”

your ankles actually do give out at that and you have to seat yourself on the floor

because how is any of this possible?

you must have voiced your thoughts out loud, because before you know it, yunho is crossing his legs and making himself comfortable on the floor right in front of you

it makes you feel so strange

the crown prince’s willingness to make himself an equal before you - and even to his staff from earlier

yunho starts to explain

a change in monarch, particularly one of such dictatorship, requires massive momentum and synergy; something he cannot produce alone nor without the support of the people

thus, red sun came into existence for the exact same reason you and all the other supporters have joined

in hopes of a sunrise one day that marks a new beginning

a new leadership

except recently he has had growing suspicious of the presence of a traitor within the organisation, which were confirmed the night the safehouse was attacked

“that night…that man was you,” you realise, “and that’s how you know who i am”

he nods, “and that’s also how i know your orders are false.” yunho nudges you playfully with his knee, “pretty sure i never ordered for my own assassination”

yunho continues to explain that he had taken the intruder back for interrogation, but then you frown when he reveals the enemy had swallowed a suicide pill before any information could be gained

he has an inkling that someone in a high position of power is involved, since the pills are almost impossible to gain access to, but it cannot be ruled out as a coincidence

“hang on,” you pull down the top of your tunic in a hurry

yunho scrambles to cover his eyes and turns his head as he jokingly sputters out, “woah okay, this is moving a little fast don’t you think?”

you tug impatiently on the sleeve of his robe, telling him to look

yunho hesitates for another second before lowering his hands and realising you have-

“a suicide pill?”

you look at each other, because this can only mean one thing

the pills are not a coincidence; the enemy is much closer than yunho would like

you’re both unsure how much time there is until the traitor decides to order someone else to assassinate yunho, or worse, decides to finish the job off themselves

but from that very night of discovery, you and yunho work together incessantly against a ticking time bomb

it’s a delicate balance between finding as many leads as you can and spreading out your investigations to stay under the radar

yunho tries to look further into the cyanide pills while you try to uncover any information regarding the order you had been given

whoever is behind it all has kept their tracks hidden well

there isn’t much to report from either of your ends whenever you sneak into the palace to meet up with yunho

but he makes it very hard for you to feel discouraged when he makes your meetings seem like casual catch ups between - you dare say - friends

you have yet to catch him by surprise whenever you drop down from the roof in front of him in an attempt to scare him; he has an uncanny ability to sense your presence

except, you think you prefer being unsuccessful, because your indignant grumbles never fail to bring out his toothy grin and an excited body jiggle

other times he is the one trying to fluster you

“remember that time you literally tried undressing yourself in front of me-”

“i was taking the pill out to show you!”

you bring your thumb and index finger closer together in front of your face and squint at the gap

“i am this close to changing my mind and assassinating you after all”

he gets a kick out of it, pretending to beg for your mercy, “oh please spare me, your majesty”

other times, yunho teases you for always keeping your cowl and mask on

“bet it’s because you’re ugly or something,” he jokes

and you bite back that he had his face covered too when you both met, so you’re one to talk, ugly

“but since then i’ve always shown you my face as the crown prince. you can see me nice and clear,” he suddenly leans forward, so close you can see the dip of his cupid’s brow. “what do you think about me now?”

you swallow hard

you’re glad you have your mask on because you can feel your face rapidly heating up

“i think…” you gently cup his jaw, “you look better with your mask on,” as you nudge his face to the side

you cannot help but join in with your own chuckles at his laughter and boyish glee

and eventually, you two have a breakthrough

yunho manages to trace the cyanide back to a traveling merchant operating under the guise of selling rare herbs and medicine

in the transaction ledger, there is an unusually large purchase under the name of ‘lee minjun’

“i’m sure i’ve seen the name before somewhere, but i can’t remember where,” yunho huffs

you let out your own huff at his elbow that has very naturally taken a rest on your shoulder

pulling out a stack of paper, you spread it out onto the table before you two

they are past records of certain red sun missions that, upon looking back, seem suspicious

“i noticed a mark on a couple of them, a drawing or character perhaps? except none of them are fully intact. it’s almost like the paper was accidentally marked”

you point them out to yunho in hopes that he will have a better idea

he doesn’t - not at first

not until he chances upon two that vaguely align with each other to form a clearer image

“this-” yunho runs his hand through his hair, “this is butler lee’s stamp. my father’s butler.”

the king’s butler?

lee?

your eyes snap to yunho’s, just as his meet yours

“lee minjun”

you sink back in your seat

there’s now definite proof that the king’s butler is at the very least involved

the question of why and what for remains

in fact, you and yunho would not put it past the queen either to be involved too

there is a long moment of shared silence as you both mull over what this means for the future

yunho breaks the silence first

“after this all ends…do you want to work for me, officially?” he clears his throat, “will you stay by my side?”

after this all ends

you two must still uncover butler lee’s motives; likely part of a much grander scheme involving queen jeong too

you two must still bring down the whole monarch; with the support of red sun, yunho needs to sit on his rightful throne

the sun has yet to rise but you can see the faint hues of orange and twilight blue in the horizon

the new beginning is close

and at that, something in you relaxes

crumbles and disintegrates with utter relief

“it would be my honour to stay by your side forever, yunho”

and then you are removing your hood and mask, daring to breathe and feel alive and hopeful for once

ironically, yunho chokes on air

you glance at him to find that he is unable to meet your eyes

you think your eyes are deceiving you because-

the tips of his ears are a glowing red

you could definitely get used to seeing the usually calm and collected crown prince become a shy, blushing mess

the corner of your mouth rises with smugness, “like what you see?”

“you should really keep your hood and mask on,” he mumbles

“and why is that?” you humour him

he finally looks at you

and when he sees the shit-eating grin plastered across your face, his shoulders suddenly fill out again with confidence and cockiness to match yours

“because,” his voice deep and flirtatious, “with a pretty face like that, you’re going to distract me from my duties”

yeosang

pov: you're in an arranged marriage with him

ever since you could understand the words coming out of your parents’ mouths, you have known that you will be married to yeosang

it just made sense

for the respective princess and prince of two powerful kingdoms to join together, leading to increased power and stronger allies

it is tradition for the pair to meet their chosen spouse for the first time only when both parties have turned sixteen, and even then, subsequent meetings are rare until the time of the actual wedding

so you spend the first sixteen years of your life infatuated with the idea of your prince charming - of prince yeosang - wondering what he looks like, what his personality is like, and how you two will fall in love

and when you finally reach that long-awaited first meeting, prince charming is everything and more than what you have envisioned

if angels with broken wings were exiled to earth, they would look like yeosang

he is soft-spoken and slightly reserved, as any awkward teenager meeting their future spouse would be, but you don’t miss the way that his eyes overflow with adoration and his shoulders shake with exuberant giggles whenever his little sister, yeoreum, comes tottering into the room

he always bends down onto one knee to match her eye level, uncaring of the stains that mark his pants even as his mother narrows her eyes in disdain, and he listens with utmost sincerity when yeoreum tells him about the secret pink and glittery fairy she spotted in the courtyard

they remind you of the relationship you share with your own little brother, juwon, who is barely half your age and height, yet has you wrapped around his little finger

you lean down closer with a hum at the soft tug on your dress to hear your little brother whisper conspiratorially into your ear, “he looks stupid”

if looks could kill, yeosang would be dead right now

you stifle a laugh as you flick juwon’s chin affectionately at his sudden display of childish jealousy

if anything, you’re pretty sure you are the one who looks stupid

stupidly in love

because walking away from that first meeting with yeosang and his family, you know that you are absolutely smitten for the prince

unable to quell the restlessness of having to wait until the next unforeseeable meeting, you pick up a quill that very same day you return to your palace and start writing

it takes you all night, the gentle gleams and winks of the stars keeping you company until they rotate shifts with the songs of the waking world

but by the time you have crossed out and scrunched your way through rolls and rolls of parchment paper, you are satisfied with the letter you have written

the letter addressed to prince yeosang, which you task eunju, one of your maids, with passing it to the royal couriers for delivery to the kang palace

it is a simple letter, thanking him for the enjoyable day, yet it holds the deeper message that you are interested in him and would like to become better acquainted before your marriage

you wonder whether his cheeks will flush a pretty red as his butler hands him your letter

whether he will trace his fingers delicately over the curve of your words

whether he will bite back a smile as he pictures you saying the words to him

two weeks pass, and you approximate the letter to have just been delivered to his kingdom

and although you desperately wish for him to immediately sit down with a quill in hand to pen out his reply, you wait and give him a week before you eagerly start counting down the days until the arrival of his letter

your whole life you have been able to wait patiently

you wonder what has changed now that mere weeks feel like an eternity

the day yeosang’s letter is due to arrive, you are sporadic bursts of giggles, twirls and skips throughout the palace

even juwon is starting to become sick of getting swept up into a crushing hug to the cheery tune of i loveee youuuu every single time you pass him

nothing can bring you down from cloud nine

only…the letter never comes

not the day after, not the week after, not the month after

you’re disappointed, of course, but you busy yourself with reasons why yeosang has not replied, and you don’t give up

you send him another letter, and then another, and another

sometimes you just tell him about your day - what made you smile, what made you sad, something interesting you saw, something your little brother said

other times you tell him about yourself - your hobbies, likes and dislikes, aspirations, fears

and you also wonder about him

you ask what he likes, what he smiles at, what makes him sad, what his dreams are

with each letter that you hand over to eunju to be delivered, it becomes harder and harder to stay optimistic - not even the words of encouragement from your favourite maid lifts your spirits

you continue like this for over a year, still yet to receive a reply

until-

you do.

it feels like you are brought back to that very night of your first meeting, feeling so very alive as hope and excitement cascade into your body the moment eunju hands you a letter with a smile

with shaking hands, you fumble to unpeel the wax seal and free the envelope’s contents - a single piece of paper, neatly folded

your mind races with anticipated words and explanations

perhaps he had been too shy to reciprocate your letters earlier

or perhaps your letters had been lost in transit

you unfold the parchment as the hairs on your skin raise in anticipation, only to find it blank save for one scrawled sentence in the middle of the paper-

stop sending me letters.

and just like that, the clock strikes twelve

your carriage reverts into a pumpkin

and your carefully curated story of prince charming disintegrates into ashes

you don’t write to him again.

years later, the stacks of parchment scrolls on the wooden desk of the guest room you are currently residing in feel like a fresh slap in the face each time your eyes land on them

they are a stark reminder of your very own letters, the cold rejection you received, and the irony of the only letter you ever received again following his being one from the kang monarchs, announcing the proceeding of the royal wedding between you and their son

now, only a few days newly-wed to yeosang, the king and queen are gracious enough to let you sleep in one of the guest rooms temporarily, under your claims of adjusting to a life in a new kingdom and as a wife

really, you are trying to avoid yeosang for as long as you can

you spend your time instead getting to know his little sister better, which is why you find yourself sitting side by side with yeoreum, legs dangling off the edge of your bed

she eyes the vase of flowers on your bedside table curiously, “did you buy that?”

“no,” you reach out to touch the baby’s breath, “someone delivered it to my room”

you had offhandedly mentioned to some of your staff the other day that flowers would make your room look more homey, and you had woken up the morning after to find the beautiful vase teeming with flowers next to you

“why?” you ask yeoreum when she hums thoughtfully

“it looks just like the vase in my brother’s room, but he’s weird about it. yeo never lets anyone touch it, much less have it”

you blanch a little, “in that case i’ll give it back to him later then”

“you don’t like it? or…you don’t like my brother? my brother talks about you a lot, you know,” she reveals

caught off-guard by her perceptiveness, you reveal that you have been hurt before

you don’t specify by what exactly or who it is that you’re talking about, but she seems to understand regardless

later that night, sweet yeoreum barges into yeosang’s room and with as much feistiness as she can muster, she glares at her brother and interrogates, “what did you do to make her upset?”

before he can so much as blink, yeoreum concludes, “you boys are dumb. go talk to her and fix it or something,” and then walks out with a huff

there’s no one there to witness it, but yeosang nods anyway

heart feeling a little heavy after your conversation with yeoreum, you head towards the kitchen to seek solace in the sweet pastry you are usually served each morning

the first time you tasted the danish pastry, decorated with strawberries and cream cheese, was when you had traveled to yeosang’s palace at the age of sixteen for your first meeting

you remember the blissful expression that had bloomed across your face with your initial bite, and no dessert ever captivated your tastebuds quite the same way ever again

if there is one good thing out of this arranged marriage with yeosang, then it would be the reunion between yourself and the strawberry danish

“your highness,” the head chef bows, followed by the rest of the staff in the kitchen, “how may we help you?”

when you ask for one of the pastries, the head chef apologises that there are none

“but we can make you one now, if you do not mind waiting”

you tell him not to go to the trouble and ease his worries, “i just thought there may have been leftover pastries”

“we make only one fresh every morning, specifically for you,” the chef explains, and confusion must settle across your features because he adds on, “his highness has expressed that you may like them”

oh?

flustered, you can only muster a short response of, “i do, thank you,” before you smile once more and excuse yourself

because of all people to notice and remember such a small detail, and then to go out of their way to put in the request with the kitchen on the off chance that it was still true, it was yeosang?

first the vase, and now this

you feel something deeply buried inside of you start to stir but you rush to nip it in the bud

your head and your heart are beginning to wage war against each other and suddenly everything feels like it’s too much

when you reach your bedroom, you throw open the double doors to step out onto the balcony, welcoming the chilling breeze of the darkening sky

you’re tired of fearing rejection if you open up

you’re tired of questioning yeosang’s intentions

and on top of it all, you suddenly miss home and you miss your parents and you miss juwon and-

“are you okay?”

yeosang’s soft question startles you, having missed his knocking at your door

he walks closer to join you out on the balcony when he sees that the answer is obviously a no, and he prompts you again, “what’s wrong?”

thoughts of vases and strawberry pastries flit across your mind

you start with half truths

“just missing my little brother”

“you love him a lot, don’t you,” yeosang smiles sweetly, “i can see it in the way you take care of yeoreum”

you can’t help the heat that slowly creeps up the back of your neck and to your ears, because it implies that he’s noticed all the times you’ve showered his little sister with the same love you give to juwon

it implies he’s noticed you

“what’s your fondest memory of juwon?” he asks when you nod

something within you thaws slightly at the fact that yeosang remembers your little brother’s name

you step closer to the edge of the balcony so that you can overlook the garden outside your room a little clearer, resting your hand on the railing as yeosang waits patiently

“we used to have this game we played. we had a lot of gardenia flowers growing around our courtyard and juwon loved cutting some to make me a mini bouquet,” you pause to shake your head with a chuckle, “it drove our mother nuts”

“doesn’t sound like it stopped him from continuing though, did it?” yeosang questions with mirth

“no, it didn’t,” your heart aches with fondness. “he would use a certain number of gardenias and make me guess what phrase containing the same number of letters he had in mind”

it never failed to tug your mouth into a smile whenever juwon giggled at your attempts to guess the flower phrase, even when most times he would bound away whilst singing answers like y-o-u s-t-i-n-k or d-u-m-b d-u-m-b

yeosang supports himself on the railing with one hand as he nearly folds in on himself in laughter, and before you know it, you too are gasping for air and wiping away tears from your eyes

when you both calm down relatively enough, only intermittent chuckles leaving your lips, yeosang clears his throat and scratches his neck awkwardly

“i know it might not be much, but maybe we can go out into town tomorrow and it might take your mind off things? and we can bring yeoreum along if that makes you feel more comfortable, because you’ve probably spent more time alone with her than you have with me?”

you don’t admit it, but you’re already feeling a little better, so you decide to tease, “are you asking me out on a date right now, kang yeosang?”

“oh, well, we’d be doing things a little backwards since we’re already like, married…but, yes? maybe? is that okay?”

it’s yeosang’s turn to flush a deep red as his usually composed demeanor is reduced to stutters, but you don’t notice under the faint glow cast by the moon now reigning the sky

“yeah, that’s okay”

you and yeosang smile fondly as your little trio stroll through a nearby town the following morning, his younger sister skipping ahead to peer at the colourful trinkets being sold at the market stalls, and your own small squad of royal soldiers following behind at a respectful distance

it’s kind of endearing how yeosang points out item after item, asking whether you like it or whether you find it pretty, in a not-so-subtle attempt to learn about your preferences

you have to stop him from buying you something from every second stall you both pass, but you’re unable to convince him from purchasing a small wooden toy as a gift for juwon, insisting that you give it to your little brother the next time you see him

the more you actually interact and talk with yeosang, the harder you find it to associate him with the memory of the yeosang in your rejected letters

because the equation of the letters, the vase and the pastries just does not add up

as you two sit under the awning of a small shop, watching yeoreum play with the shopkeeper’s dog, you find yourself unable to hold back anymore

“why didn’t you reply to my letters?” you break the silence, trying to hide the hurt laced in your voice

yeosang looks at you with wide eyes as his mouth stutters open

and in the smallest voice you have ever heard him speak with, he says

“you wrote me letters?”

your eyebrows knit together as your eyes dart back and forth between his, searching for any hint of deception

“too many to count,” you confess, “until you sent a letter telling me to stop…”

“impossible. i never got your letters”

your head recoils back as you try to make sense of his words, “but-”

“wait,” he interrupts

yeosang reaches into his robes, pulling out a small, wooden block, extending it out closer to you as he asks, “do you recognise this?”

upon closer inspection, you realise it’s a square seal stamp

it has the character ‘姜’ carved into it and you’ve seen it enough times to know it represents the kang family name - but the inscription that stylises the border is unfamiliar

“not the seal, no”

he swallows apprehensively, “i stamp all my letters with this to certify authenticity”

you let his words sink in as they throw you into a sandstorm of bewilderment

“but then-”

but then who wrote the letter?

and where did all your letters go?

the only people who would have known about them would be the royal couriers and…eunju

a memory flashes through your mind - the moment she handed you a letter with a smile

no, not a smile, you realise

a smirk

you are simultaneously overwhelmed with betrayal, guilt and apologeticness

yeosang doesn’t push you for a response, and you come to recognise that you are also grateful

“i’m sorry for doubting you,” you tell him

it’s nowhere close to the amount of things you want to confess, but it is a start, one that yeosang picks up on and understands immediately

“no, i’m sorry you felt the need to doubt me,” he offers. “that i didn’t make you feel loved enough”

“but i did, actually. the vase and the pastries, then our conversation last night…and even today”

he blushes a deep red as you list the things off with your fingers

“you weren’t meant to find out about the first two,” yeosang admits as he ducks his head shyly

then he suddenly perks up with a sudden thought

he ruffles inside his satchel that had been abandoned to one side, mumbling, “my sister said i did something to upset you…so i um, got you these”

he turns around to reveal a bouquet of flowers, looking a little rough for wear after being hidden in his bag all morning, but his clumsy consideration only serves to makes your heart skip dangerously

“forgive me?” he asks cheekily, and you both giggle at the absurdity of his question because it should very well be the other way around

“if you insist,” you take the bouquet into your hands

and finally, you allow the chains around your heart to fall away, “i can’t say no to my husband, can i?”

yeosang lets out a little squeak as you look at the bouquet more clearly, counting the number of flowers

you turn to ask if he remembers the game you told him about, but the way yeosang suddenly finds the patch of dirt near his foot absolutely fascinating tells you everything that you need to know

eight flowers

eight letters

i l-o-v-e y-o-u

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