#you're not worthy .
I know we like writing fics where Jason is all "I'm not the kid you lost" and "he died and I'm all the worst parts of him that came back" and whatever. but lately I've been thinking about a Jason that's angry bc everyone thinks he came back wrong, because to him, he's the same as he's always been. sure, he's more upset and angry and traumatized, but he's still Jason.
I've been thinking about a Jason that spent most of the time since his death underground and then catatonic. to him, hardly any time has passed at all. to his family, three years have gone by. and Jason knows he looks different than he did, and he knows he's sharper around the edges, now, but he's still Jason. he's the same kid that died and now he's back and why doesn't anyone see that?
they're the ones that changed, not him
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honestly i wish the only way for magical girls to get respect wasn't for them to be as close to shonen as possible.
"unlike other magical girls, precure has hand to hand combat! its dbz for girls!"
"i know princess tutu's name is stupid but its actually not girly at all!"
"sailor moon isn't ACTUALLY for little girls because [insert scene of characters suffering or creepy stuff from the manga here]"
"madoka is better than other magical girls because its DARK"
like do magical girls really needs to be dbz but girly to be worthy of respect? can't they just be... magical girl shows? a show can be unapologetically girly and aimed at girls and still be worth checking out. yes, princess tutu is girly. yes, sailor moon is girly. yes, precure is girly. yes, madoka, despite being a seinen and darker, ultimately upholds the messages of the genre. and they're all awesome and deserve respect on their own merits, not as a comparison to popular shonen shows.
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acrylic in sketchbook
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Good news! You aren't required to make your hobbies and passions "marketable." In fact, your crafts, hobbies, and passions don't even need to be public if you so choose. You don't have to spend all of your energy becoming perfect if you aren't enjoying the process. You are not a product, you are a person, a creative, and your work also does not need to be a product.
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i'm aware that due to luffy's more cheerful personality and looks, a lot of people might find it weird to picture him in sexual situations. especially since most of us see him as aroace (as if aroace people couldn't have sex or be in love but, y'know, that's for another time) and it's completely understandable to not feel comfortable around sexual stuff if you don't like it with this specific character. however, being uncomfortable around that type of content and infantilizing luffy's character to the point that you consider it problematic or wrong to put him in romantic/sexual situations is too much and you should let people enjoy characters however the fuck they want. if you don't like something just scroll and ignore it, but don't try to make everyone follow your own moral compass and likes because we're all different and luffy is just a fictional character.
people often forget he's the captain of a pirate crew. he's mature and has critical thinking and if seeing a cheerful/cute character instantly makes you assume he deserves to be "protected" from sex/romance, you are: infantilizing his personality (that may or may not be neurodivergent coded, but that's another story), villainizing sex and romance instead of just seeing those as something you don't personally enjoy but should let other people consume, and using being aroace as a shield from the real world and a stereotype instead of actually being inclusive and truly seeing him as aroaspec. friendly reminder that aroaspec people can have sex and be in romantic relationships because it's a spectrum. that's the whole thing about it. it's understandable to not be comfortable around sexual situations with a character you don't perceive as sexually active, but that doesn't mean it's wrong to write him that way. let people do whatever they want with their idea of luffy and have fun!
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do you guys think anyone on ruidus was getting cognouza dreams for a minute there? like imagine being the yak farmer assigned to yussa errenis. for a while there you go to sleep and it's
A̶̶̛̟̝͍̖̟̻͖̘͔̺̳͌͌͊̋̂͑ͬ̓̄͌̋ͣ͑͛̿͊̈͋ͯ̅̾̚͢͟͢͢͜͟͝͞͡A̞͎̤̟͐̇̇ͦͩ̈́ͤ̏A̜̙̣͓̪̽̀ͩͨ̈́͂̉͟A̸̤̩̘̬ͨ̔̇̀̋̍͗̀ͩ̔̐ͅḀ̵̛̹̼̥̞̞̦̰̘͚͓̦͕̬̐̉͆͐ͣͯͪ̓̓͗͆͘͠Ã̛͖͎͌̀A̵̴̛͇̹̼̯̥͉̬̥̹ͮͬͩ̊́̀ͭ̀̎͆́ͤ͐̇͛̌̍͠A̵̵̗̦͙̖͚̰͚̩̻̥̟̼̘͈̩̻̳̬͉̮͔̰͊̿̑̓̄̑̊͘͝Ả̷̷̧̡̤̹̞͎͇̲̠̼͕̠̊̍ͧͫ̈́ͩͬ͆͛ͤ̄͒ͧ̑͛̒͘̕͝ͅA͔̮͗̌ͬ͢A̧̛̯̣͔͎̪̭̠̲̪̼̟͎̙͕͉̖̓ͨ̀͗͑ͣ̏̎̎ͪͣ͑̽ͬ͛̿̈́̽̚͜͡͝͝͡ͅ F̸̨̛͎̝̳̺̖͎͉͔͕͔̝̻̙͎̈́͂͛̎͋͂͛ͪ͊̀ͧ̒̒̈ͬ̅́ͫ̀ͦ͘̚͠͡Ļ̵̷̵̩̰̭̥̟͇͚̬ͪ̾ͭ̀͋͋́̃̈́̚͞Ę̶̵̵̶̶̤͈̖͓̟̭͓͆̓ͯ͛͂̒͌ͫ͊̃͐ͦ̍̆̏̅͐̏̑̚͢͠ͅS̛̲̥̬ͭ̉̀ͧ̍H̸̶̛͓͖̗̬̰͖̩̥͔͕͕̅ͪ̈́͆̊̃͊̋ͧ̕͜ͅ Hͬ͆ͣ̂ͤ̉͑Ọ̷̤̮̙̫̯͍̊̆̽͛ͧ̓̎̊̈́ͫ́ͭ̑̔́̂͢͜͟͠R̶̴̦͙̮̥̫̠͊̐̅ͫͦ̍͒͛͐͒ͩ̄̉͐͊R̨̦̪͖͔͍͔̠͖̍̿̐ͥ́̊ͨ̎ͮ̾́ͦ́̀ͬ̓͂ͫ̌̚͟͞Ŏ̡͎̝͍̹ͬ̅̚͘Ṟ̡̢̢̦͇̫̣̩͉̬̝͔̩͌ͯͤ̽̓͂́̄̈́͛́ͮ͂̀͆̇̕͜͜͢͠ F̠̄̇ͪL̸͔̲̞̟͙͍̻ͥ̅̇̐͞͝_̵̢͍͙̼̠̰̘ͫͩ̆͒̈ͨ̈́̈́̉͟ͅͅĘ̡̨̫̻͚̤͖͓͉̆ͫͭ̈Ș̸̟̤̦̥̩́̾ͣ̉͜͠͝H̛̛͙͕͈̱͉̦͔͍̄̂̈̾ͭͯ̂̿̔͘
but then you wake up and go to work. on the moon
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talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi
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this is so rushed ghuygb but it's here!
day 3 of terukaneaoi week: distance/longing
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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🍄
'keep going'...
...does not mean that you cannot rest.
it means that even in the face of difficulties, giving up is not the answer. rest if you must, and then pick yourself up and keep going.
you have the strength in you. keep going ✨
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~ and if I can dissolve I do ~
(hanahaki au below the cut)
AU where Peeta develops the hanahaki disease during Catching Fire and the only people that understand the significance of it are Mrs Everdeen and Haymitch, both of which he swears to secrecy since he's going to die in the arena anyway.
Snow also recognises the symptoms (rumour has it he underwent surgery shortly after his time in D12) when Peeta is unable to hide it from the cameras during the Quell. The flowers are removed as part of the hijacking process, but whether it was successful or not is uncertain - dandelions are a stubborn weed after all, and their roots grow deep.
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The adventure is over. Gem has followed the map her missing parents left behind, found her long-lost sister, and returned home to the lighthouse, a little traumatized but having gotten everything that she and Pearl had set out to retrieve in the first place. The journey was hard, but it was worth it, and now Gem knows for certain what's become of her family and gets to bring what remains home. By all accounts, this should be the happy ending.
The thing is this: just because she and Cleo have found each other doesn't mean they know what to do next.
The thing is this: what happens after the adventure, when everyone has a moment to think, is a type of journey too. It's just one Gem cares far less to confront.
howdy, everyone! this is my work for @mcytrecursive! it’s based on “out to the galaxy steady as she goes” by @mcyt-hc-writing, as well as a gift for them!
it’s a story about the trope of finding your long-lost sister, and the messy realization that having been lost means you don’t know each other. it’s also about the end of the adventure when you have to either process or fail to process the trauma that adventure dragged up. it's about realizing that there's someone you feel like you should know, but you don't. it's about the scars your parents leave on you years later and the way you are or aren't them. and it's also in space! it is that also.
i hope everyone enjoys it! (and i think it stands alone, for those worried about trying to read it without the context of another longer fic... although you should go read out to the galaxy also!)
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there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these
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