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cheswirls · 2 months

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short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no. You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience.

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

#writing #op #whery if i realized anything while doing this its that we need 2 get you a custom theme....#1) anyone whos not logged in will be able to see all your posts w/ no limits #2) (and the more important COUGHCOUGH) it'll be so much easier to find shit on your blog #if you want a cool blog layout lmk and i'll hook you up but for now #there are many benefits to a custom tumblr url........ being able to search /tagged for better blog organization is one of them #if there's a switch to writing style i wrote the first half of this in april 2023 so thats why!!#also lmao i jus spent the weekend w/ my brother so if its too mean-spirited thats unintentional n i'm prolly channeling is all #sighhhhhhh i love when they look after each other its so very very good #wittb has been great but i do wanna see them get up to other shenanigans later #after the comic (plot) at large i mean #little one-off side things still in the modern au #enjoy the rest of artfight month for now tho!!!#(< says someone who has been putting off af attacks to write things again)

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pepperf · 22 days

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I'm a little puzzled by a few takes I've seen along the lines of, Lila was such a great wife and mother and Diego took her for granted! Because I don't think the show gave us that at all, and I think it relied heavily and lazily on societal norms to get the audience to make that leap. It also ignored previous characterisation, which is why I plan to disregard the season as a whole - because if the characters had been like this from the start, I wouldn't have fallen in love with them.

So, what I mean is: the whole time we see her as a parent, Lila is basically phoning it in. She seems to view her kids as one monolithic, sticky entity sent purely to ruin her day (distinct shades of the Handler there). They're just a list of chores - diapers, dentist, ballet, cake, piñata... And I'm not underestimating how much parenting really is a list of chores to be done - but that's all we see, no love, no fun. She's eager to get away from them, and she's only - finally - desperate to be with them when it's convenient for the plot, at which point we're supposed to buy the idea that her kids are her sole focus (not the relationship that they spent the past two seasons building up). And even then, the focus is not on the reunion with the kids, it's on all the awkwardness of the surprise love triangle. Hell, one of the kids doesn't even get a name.

Their intent might have been to have Lila be the better parent, but like much of this season, it's all tell and no show. We're working off a couple of brief conversations from the points of view of two frustrated, tired, biased individuals who are already at odds with one another, plus the evidence of what they actually do. They show that they’re not communicating well, but they don’t show how that happened, how long this has been growing, if one of them really is more at fault. All we know is that he complains a lot, and she’s sneaking out at night to play secret agent. They tell us that she loves her children (eventually, after seven years apart), but they show her being annoyed and/or bored in every normal, non-apocalyptic interaction. They have her (and Five) tell us that Diego is a bad husband, but they show Lila sniping at his weight, his way of running a birthday party, rolling her eyes at his efforts to impress her and regain her attention - and they show him dadding at everyone (he will turn this van around, so help him), the comfortable love and affection between him and his kids, the Punjabi he learned to speak fluently to his in-laws, him looking for ways to fix his marriage...

Take the bracelet thing, for example. "You hate bracelets," says Diego. "I gave you one for Valentines and you traded it for a Dyson vacuum." I think what we're supposed to take from that is a) Lila stopped wearing the wooden bracelet (uh oh, signs the honeymoon period has worn off!), b) Diego gives thoughtless, stereotypical gifts, and c) he doesn't understand what she really wants.

But an alternative reading is this: a) Lila stopped wearing the wooden bracelet (could not be a clearer or more loaded 'fuck you' to Diego), b) Diego tried to find another way to win her affection (on his pay as a delivery driver, with a wife and three kids to support, he managed to buy a bracelet that was expensive enough to trade for a Dyson?), and c) she rejected that gift as well, without any deeper explanation than 'I hate bracelets'. She's shut down all communication between them and is not telling him what's wrong. She has shut him out so comprehensively that she's got a whole undercover life - for which she apparently has the time and energy! - and yet we're supposed to think that oh it's all on Diego. Why? Lila is not a shy and retiring flower, and she and Diego have been shown before to have some very sincere heart-to-hearts about their relationship. Something changed, okay, fine - but why would we assume it was Diego that caused that?

I think our expectations about What Women Are Like are doing a LOT of the heavy lifting in how the show wants Lila to be perceived. She's a woman, and therefore she's automatically a good wife and mother - that she's emotionally intelligent, the organiser, she'll love her children and would do anything for them, she'll tried the hardest to make her marriage work, just...because boobies, I guess. This is not how you write good parents, or good female characters, TUA! A truly astonishing amount of people actually ARE women, and they know that it doesn't automatically confer any kind of maternal or wifely abilities! These things have to be worked on!

(In real life, women are often socialised to be better at these things, this is sadly true. But an awful lot of us do not have an innate talent for it, and there's no shame in that. And, more relevantly to this post, this is not real life, and Lila is not your average person. She's not normal, and I love that about her. She was raised to be a weapon. Do we really think the Handler installed the 'homemaker' module? Lila herself said that she was scared that she wouldn't know how to be a mother, because she had no good example to base it on.)

I also think the show assumes that, when you get married and have kids, you're automatically granted a house in the suburbs, a bunch of in-laws, and enough money from just the husband's job to get by. And I think that is an incredibly privileged and blinkered assumption. Frankly, unless her parents are financing them, they should be struggling a lot more. None of that is explained, and for me it was a real gap, because these are the arguments that Lila and Diego should be having. Lila caring for the kids versus getting a job. Living with family versus striking out on their own. Diego sticking at a job that makes him miserable and difficult to live with, or taking the huge financial risk of trying to find something better. These are the real life issues they should be facing.

Listen, I think the characterisation of Lila as a parent and spouse in this season is horseshit. I think she would be so much better than they showed - of course she's going to have some low times, she's going to struggle with her own upbringing, but I think she would try her damndest to get it right, and I don't think she'd be defeated so easily. But if we're dealing with what canon actually shows us, she's, uh, kind of mediocre as a mother, and really not that great as a partner.

And yes, I'm sure Diego is no angel, either, he's obviously wrapped up in his problems, and he's probably not much fun to be around when he's fixating on, uh, *checks notes* wanting a more fulfilling job (the fiend). But honestly, he's not that far removed from the Diego we've seen all along, the one she fell in love with. It takes one conversation for him to realise how incredibly fortunate he is, and to convince him to try to work harder on his relationship and stop focusing on the unobtainable. The idea that he's the only one who is failing at this whole gig - the chief culprit in the failure of their marriage, the only one who needs to make an effort to fix things - is bizarre. And it's pretty obvious why they've done it: to justify her thing with Five later and make it all seem more palatable. But there's no real substance behind it.

tl;dr: this season was badly-written, takes some incredibly antiquated attitudes towards the role of women that are inconsistent with the characters they themselves established, and some incredibly classist attitudes towards manual labour, and just hopes that you'll either take it at face value or read the fuck into it, to better sell you a shitty romance that added nothing to the plot.

#I love lila but they DONE HER WRONG this season #anyhow I blocked a bunch of fivela blogs bc I was fed up of seeing that in the tags #no offense to those blogs it's just your ship brings me out in hives #so this is basically me talking to an echo chamber lol #lila pitts #diego hargreeves #tua #the umbrella academy #tua s4 #tua s4 spoilers #long post #pepper gets salty

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