#((I need to figure out a worldbuilding tag))

[blujayonthewing]

if a human asks a gnome when gnomes reach adulthood, they'll probably pin it somewhere between 20 and 40, depending on how they're interpreting the question; if an elf asks, they'll say "oh, we don't"

[gay-jesus-probably]

Ngl my best friend and I are doing a kind of rewrite of totk for fun and like. We had a more nuanced story in around thirty minutes, and I kind of want to work on it more. Here's the thing though, it's so easy to write this as a good story because it has so much potential, and it's like you said!! Taken at face value it's so boring!! I'm genuinely so frustrated with this!!

I know, right? Something I've noticed is that like literally anytime I mention the story being kinda shit, it takes like maybe a minute for people to look at the existing setup and think of something more interesting. Like, I briefly complained about the boring writing in a youtube comment, and I've seen three different people reply to that with more compelling takes on the story using very minor fixes. There's just so many bad decisions in the writing, I have no idea how the fuck Nintendo thought this was acceptable.

I mean goddamn, even putting aside all of the Everything with the imperialism in the memories, the memories existing at all is a horrible decision! They seriously made a role playing game where 95% of the story occurs in the past, where the only involvement the player has is our character being namedropped a few times. It worked in BOTW, because Link was there the whole fucking time, and also the memories WEREN'T the story - that was everything leading up to the actual plot kicking off! If a player just totally ignored the memories, the only real consequence was that you didn't really get to know Zelda! If you ignore the memories in TOTK, you are missing the entire fucking plot.

It's such an easy fix too, I mean ffs if the ancient past is where everything interesting is going to happen, just send Link and Zelda back in time together. Link can actually interact with the story and characters, he can develop his own beef with Ganondorf instead of them literally having nothing to do with each other beyond other people saying they should fight, and it'd fix the gaping plot hole of literally all the Sheikah tech being gone - none of it's been built yet. The story could take Link through working with the Sages, finding a way to heal the decayed Master Sword - fuck, he could even wield the ancient Master Sword in its place while he's in the past! They fight Ganon, seal him away, then for the grand finale Link and Zelda return to the modern day Hyrule shortly after they left, and discover it's basically an apocalypse kicking off, because why would Ganon bother to just wait for his enemies to get ready to stop him, he can just go apeshit the second he's free of the seal. This works in story, but also excuses the finale having some railroading - the chaos of the apocalypse stops Link from going off track, ensuring the devs don't need to put in the entire BOTW map just for that one finale sequence. Link retrieves the formerly decayed Master Sword from wherever he left it to heal for the last ten thousand years, and then him and Zelda go fuck up Ganon together, for real this time. Bam, problem solved. Link's in the actual plot, Zelda gets to actually exist for more of the story than just the ending cutscene, there's a reason for the map being completely different, and the Sheikah tech isn't just retconned into non-existence. Fuck, they could explain the runes being gone as just Zelda dropping the Sheikah Slate in the chaos before being yeeted into the past, or the slate being hit by Gloom and destroyed as well. Also, the expanded list of monsters and old monsters having different designs to include the new horns makes sense; they're ten thousand years in the past, of course things are different. Yeah it'd suck that we wouldn't really get to see the characters from BOTW, but... come on. They barely did anything with them anyways.

Alternatively, they could just do the story in the past with Zelda as the player character, if they're that hellbent on ensuring Link isn't allowed to do anything. It'd be a really cool twist! They wouldn't even need to change the gameplay that much, it's been years since the Calamity and Zelda's been travelling around with Link the whole time, it makes perfect sense that she would have learned how to fight over the years, and Link teaching her would give her a very similar fighting style.

It would have been so easy to give the game a more interesting story, it's just embarrassing that they fucked it up so badly.

[mossflower]

i need to write so bad

[radicalgator]

The apex of the swamps, the largest boy with the meanest jaws

[irldragonart]

researching Religions for some help in making religions for my dragon world project and i think i might have just made Christianity again but for dragons this time and there's two guys who are Jesus

[pleckthaniel]

one of my favorite insane little worldbuilding details in star wars that eventually got kinda fucked up by the prequels is the very strong implication that humans on tatooine specifically have ‘normal’ names, to the point that obi-wan kenobi has to change his name to ‘ben’ to get around without invoking suspicion. this is even funnier/more interesting with the context that tatooine is a thinly veiled arrakis expy, and the situation was very purposefully and pointedly the opposite in dune, where the native arrakeens all had ‘weird’ sounding names based on bastardized arabic words and names while the colonizing offworlders were the ones named things like paul and jessica

[torchiiko]

hey guyss guess whos back in their spamton phase and has new ideas for a multichapter x reader fic :))))

i wanna pick up where i left off with the idea that a reader from our world gets yeeted into deltarune and tries to give spamton a better ending bc isnt that what we all want? Plus i got a kinda cool kinda angsty idea for the neo fight

i need to do tons of outlining and connect sscenes .. and figure out if reader ever crosses paths with the fun gang or only sees them in passing and lets them do their own thing while trying to earn spamtons trust much to do many things to consider

[springvaletales]

Cult-related worldbuilding thoughts in no particular arrangement (if you're one of my players don't look - Lydia this means you! ATLAS YOU TOO-) under the cut:

Chaydziel, leader of the Sunfell Cult and Michael's worst nightmare, made pacts with the Gardeners (a cult led by Archfey Lady Lilium) to obtain wood from the roots of the Void Tree, which they tend to wherever it breaks into the Material plane.

He then uses his own blood and sap from crafted into more Amulets of Dry Bones, which he fills with pieces he cut off of Michael (hair, nails, teeth, ribs, small bones, etc.), and THEN he trades those amulets to members of the hierarchy of the Shades of Naarasil cult, who believe they are getting a kind of artificial immortality.

Naarasil, the black dragon who leads this cult, is biding his time before he betrays Chaydziel, as the Sunfell cult's whole deal is resurrecting his arch nemesis, while Chaydziel is biding his time before he betrays Naarasil, because he wants a black dragon in his army.

Meanwhile, the Gardeners are just in the background tending to their world-ending deity plant and making money selling the cuttings that are too weak to be kept - their only goal is to nurture the roots of the Void Tree until they become established enough on the Material plane that they can be left to their own devices.

[mortallycoiled]

Who's sanctuary?? 👀👀👀

ok sanctuary is a character that i made back when i was working out how both the cycle works and how sundogs/mooncats work, but since ive changed a LOT of stuff since then i need to change their character a lot too.

back when i had way less developed, i had the main difference between sundogs and mooncats (other than their alignment) be that sundogs just kind of started out like that, while mooncats acted more like saithood, where someone who died doing or being involved in something significant would be resurrected as a Mooncat with a relevant aspect.

So then Sanctuary was going to start out as a mortal (with a different, less obvious name). Sanctuary and Brutus would both be raised in the same temple/orphanage/refuge and be pretty close friends. There would be some natural disaster where the building ultimately collapses, Sanctuary and Brutus both being mortally wounded (Sanctuary having been attempting to clear as many people out of the building as possible, and being in the building at the moment it completely collapsed specifically because Brutus was still stuck inside.)

As Brutus begins to die, that's when Novice shows up, and is like. Hey i can't make you alive again but i can make you Not Dead so you can try to keep your friend from dying. And Brutus agrees and becomes a demon. Brutus tries to go over to rescue Sanctuary, but is IMMEDIATELY stopped by Judge who is like. yo wtf why are you not dead. because apparently sanctuary dying while unsuccessfully trying to save Brutus qualified them as a Mooncat. And because of Judge's interference Brutus doesnt manage to stop this from happening and now Sanctuary is a mooncat and Brutus is a demon and everything is fucked up forever

but now that ive changed up how spirits and souls and the cycle work I need to fiddle with that for a while. I still like the idea of Sanctuary being an old friend of Brutus who has her own responsibilities and power now, so i thiiiiink i might make it less cut and dry "mooncats are resurrected people" and more like. in order for mooncats OR suncats are created, it takes some of the soulstuff out of the cycle to make a New Guy, which tends to happen more easily around destruction (hence why sundogs popped up in masse after the whole Noxa Krav thing). in this particular case the universe just kind of grabbed whatever spirit junk was the closest and cobbled together someone new, and TECHNICALLY brutus was also supposed to be lumped into post-Mooncat Sanctuary.

instead of being like "oh shit i gotta save my friend" brutus is just like. EXTREMELY desperately trying to just Not Be Dead, which anchors his soul for long enough that Novice notices and is like. ok i can make you not dead.

so now its more like... brutus escaping the cycle in a way they werent supposed to. like their spirit was going to break out of the recycling loop but the way brutus did it is Breaking The Rules, hence drawing the ire of Judge, instead of it being accidentally interfering with Sanctuary becoming a saint. In this case, there's no risk to the actual formation of sanctuary; if brutus's friend had survived, the universe wouldve just. grabbed a different soul to lump in there. its an act of defiance that means nothing to the universe but EVERYTHING to brutus and judge is still fucking pissed about it just because it's technically not supposed to happen

[highhhfiveee]

mint (mike schmidt x reader)

*minor movie spoiler that isn’t a spoiler fr but kind of is*

tags: suggestiveness, swearing, fluff

oi. this is my first official piece of fanfic on tumblr and i'm excited but also super nervous. i never knew what characters i wanted to write for as most of my fandoms are obsolete tbh (teen wolf and maze runner, i'm looking at you 💔) but after watching the fnaf movie and falling in love with j hutch like i'm 14 again, i wanted to try to write for mike!

i'm sorry if this story sucks tbh. i wrote it pretty quickly, did not edit it in any way (watch for grammar and spelling errors!) and i'm still trying to establish characters and plot and do all this silly billy worldbuilding, but i'll get better! i'm also taking requests for both fluff and smut, so if y'all would like to send anything for me to write, i'll def accept! like i said in my last post, i think i'm gonna redo my tumblr layout so i can feel like a true fanfic/misc blog lmao so ignore its under construction phase ((: i hope y'all enjoy this though bc i've been thinking ab mike schmidt all night

i have sooo many ideas, but between last night and this morning, i’ve been thinking of abby’s babysitter!reader (bc fuck max).

you’ve been channel surfing in the living room since you put abby down, working with her to lock down a nightly routine. ideally, she’d bathe, eat dinner (god willingly), brush her teeth, and then you’d be able to get her to lay in bed and doze off. some nights, this required dessert.

“you just brushed your teeth though. it’s gonna taste gross.”

“not if it’s one of those mint chocolate things you always have.” you straighten up, eyes squinted at the child before you; she meant the small, sometimes melted, squares of Andes mint chocolate you always kept. they’d always been your favorite, a guilty pleasure in this fucked up world.

you hadn’t been babysitting abby for long, and you didn’t realize that she'd been watching you crush the chocolates like it was light work. they were easy to eat, and once you had one, you found out how easy it was to eat another one, and then another one, and then another one until there was a mountain of crinkled foil next to your phone and chocolate smeared on your face.

"please, y/n. just one," you didn't exactly know if it was a lie. abby was convincing, able to break you down with her eyes, pleading and puppy-dog like. "please."

you cave, leaning down to brush her hair back from her forehead and place a gentle kiss on the skin. with pursed lips, you whisper, "fine, but tomorrow night. i have to get some more."

abby does nothing but smile, eyes fluttering closed. you stay with her for a bit like you always do--watching the way her chest rises and falls, and how her features twitched with slumber. features scarily similar to mike's.

of course she'd look like mike. they were siblings, no shit, but the resemblance occupied your brain. there was sweet abby, with her colorful clothes and scribbled drawings and persuasive aura, and then there was mike.

you shake your head, giving abby another kiss before exiting her room. you didn't need to think about mike. he wasn't what you were here for. you'd come to abby's school as an aide and after she'd privately confided in you about her home life, you knew you had to help her. you would do anything for her, even if that meant taking care of her while suppressing the overwhelming school girl crush you had on her older brother.

mike was a bit older than you, which didn't scare you at all. guys in their early 20s were rarely mature, doing anything they could just to fuck; but guys in their late 20s, mike specifically, had only ever shown you couth, surprisingly.

for nearly two months, five mornings a week, the sound of the door being unlocked would ring out. you'd turn to see sunshine pouring into the living room, enveloping mike's brooding figure in a radiant golden glow.

he'd hang his coat on the wall hooks, drop his bag down to his feet, and give you a small but warm smile. you'd try to not to embarrass yourself as you two made small talk, packing up your things.

you always left unscathed, but recently it'd been hard. you were always thinking about him, dreaming about him even; how his hair would feel between your fingers, how his hands would feel on your face, how his face would feel between your thighs.

the thought is washed away, drowned out by the sound effects of a loud infomercial when the door opens, and you're turning and squinting against the wash of pale yellow on your face. mike steps forward with a, "hey, y/n" and you meekly raise your hand to wave.

he hangs his hoodie up to reveal his shoulder blades flexing under an uncharacteristically tight navy blue sweater. you can't help but stare.

"just wake up?" his voice is raspy, but he's still facing the wall, rummaging in his bag for something.

"um...yeah. brain's still turning on," you lie, tossing the thick blue blanket off your body. you didn't sleep at all, kept up with your thoughts and the last of your Andes mints (though you loved her, you couldn't give abby your last ones).

"hm," he mutters, finally turning to you but keeping his hands behind his back. something crinkles in them and you raise your eyebrow at the tired yet amused expression he takes with you. it's enough to make your body hot and you awkwardly pull at the collar of your shirt, fanning yourself off.

"hot?" the gravelly tone sends you into a giggling fit, shaking your head as you shoot to your feet. you have to leave before you do or say something you regret.

"uh, yeah, it was s-super hot under that...um...blanket. i shouldn't have worn sweatpants to s-sleep," you stutter, nodding your head along with mike as he steps closer to you. this couldn't be the moment something happens, right? it'd been so casual between you too, very friendly, and he'd never shown any signs of trying to do anything with you before. why would he choose right now, so spontaneously?

he stands before you, the slightest bit taller than you. you're able to see every pore, every freckle, every microscopic detail in his eyes and lips.

you open your mouth, hoping your heart doesn't fall out, to ask what's happening, when he reveals a bag of Andes mints, one bigger than you've ever seen.

your mouth stays open in surprise. "wh-"

"abby's been talking about them. i wondered where she found out about them but--" he nudges his head towards the coffee table, where a small mound of green wrappers lay. you swear under your breath, cursing yourself for not throwing them away like you usually do.

"i'm sorry," you whisper, blushing beyond measure as you begin to frantically pack your things. "i should be more careful with that stuff."

"god, y/n, you're saying it like it's coke," mike chuckles. he sets the bag down on the couch and reaches out to you, placing his hand on yours as you shove things into your tote. "hey."

his voice forces you to stop and look up. you melt under his stare just like you do with abby. the puppy-dog thing must run in the family.

"i feel bad about not being able to pay you yet, and i really appreciate all you're doing. abby told me that you loved those mints, so..."

"thank you, mike," you say over the sound of your pounding heart. you didn't care about the money, you didn't need it. being appreciated by someone who made your heartbeat resonate throughout your body was payment enough. "this is really sweet."

"thank you, y/n. you don't know how much this means to me." You scoff, throwing your tote over your shoulder and looking down at your feet.

"i'm always happy to help." you and mike stand facing each other for what feels like hours, the air as thick as molasses between you. his eyes were squinted, low and dark and intriguing.

you wished you could read his mind. what was he thinking? did his heart do the same thing as yours, wacking against his ribcage with no end in sight? did he stay up thinking about you when he was supposed to be sleeping, imagining how you felt, what you sounded like, how you tasted---

"see you later tonight?" his voice rocks you out of your trance. he's not thinking about you. he's tired, wondering when you'll leave so he can fall into his bed and doze off.

"yeah. tell abby i said i'll see her tonight." your smile is tight as you exit the house, cursing at yourself as you get into your car.

you didn't know how long you could go on like this.

ya, i know this sucks and it isn't really anything but we're gonna work our way through these fics and blurbs to really develop a cute relationship (,: i will still be writing other fics for mike, and possibly using another babysitter!reader in a different universe, but as for now, we're gonna be rocking with these two (: (thinking that we’ll label her as 🌱🍫!reader)

all notes are appreciated (: thanks for reading!

[ettawritesnstudies]

Etta's Guide to Writeblr (March 2023)

So you fled here from Twitter/TikTok... Where to start?

Welcome to Writeblr! Pull up a chair, open those documents, and pour yourself a cup of your favorite tea, coffee, or cocoa. The first thing you'll want to do is start following other writers. Check out this post for recommendations! Search through the notes to find hundreds more. Since I made that post, a bunch of people mentioned they're lurking and still trying to figure out tumblr, so I thought I'd make this post to help people get settled.

How to set up your blog

Make your blog name something not resembling a pornbot - it can be whatever you want, anything fun goes, just not [name###]. If you include "writer" or "author" somewhere in the url it makes it easier to spot writeblrs at a glance but it's not a requirement

Change your profile to something that's not the default, Make sure you have a blog title, and add a little description in your blog header if you feel like it!

Make a pinned post introducing yourself (pls don't use your real name or any IDing information for privacy's sake, this isn't facebook), a short summary of your WIPs, and links if you have an author's website/newsletter/ao3/etc. You can check my pinned post for an example

Make intro posts for each WIP! You can spruce these up with graphics (canva and unsplash are both great free resources to make edits/moodboards), excerpts, lists of tropes, character intros, etc. Link to the WIP intro in your pinned post so it's easy to find! You can update these as often as needed

If you want to make character intros, go wild. If you can't draw, piccrew is a great option. Just start talking about your WIP!

Come up with a tagging system to keep your blog organized. I recommend individual wip tags or at least one for your original writing in general so it's easy to search for your work on your blog

Keep track of Taglists for your WIPs. Whenever you post a new thing about your story, tag the people who asked to be notified to make sure they see it! Only tag people who ask to join the taglist, but it's a good way to keep track of interest. It's normal to have multiple taglists for each story+ one general writing taglist.

How to make writer friends

Reblog their work and add nice comments, either in the tags, comments, or the reblog itself People notice regulars in their notes and appreciate the attention. I promise it's not weird to compliment a total stranger

If that's too intimidating, community events are your friend!

Weekly Ask Games: These are weekly events that are loosely themed where writers send each other asks about their WIPs! The most common are Storyteller Saturday (about the writing process), Blorbsday (aka Blorbo Thursday about characters), and Worldbuilding Wednesday (about the setting of your story). If you answer these late, nobody really cares, but it's a fun way to receive prompts and learn more about other people's stories.

Ask Games/Memes: These are posts with lists of questions you can reblog from other people, sometimes themed or listed with emojis. It's common courtesy to send an ask from the list to the person you reblog it from, then people can send you questions as well, so you can talk about your stories! You can search for dozens of them

Tag games: There's a ton of different types of tag games, but basically someone @s you with a challenge/question, you reblog with your answer, and then @ a bunch of other people to continue the chain. Some common ones are Heads Up 7s Up (share the last 7 lines of your WIP), Last Line Tag (share the last line you wrote), and Find the Words (ctrl+f the given words in your doc and share the results, then give new words).

Formal events: These are community wide participation challenges organized by certain blogs! @writeblrsummerfest is every July?? August? I think? It's run by @abalonetea a few years strong, and there are daily prompts and ask games! @inklings-challenge is a month-long short story entry for Christian writeblrs. I think there was a valentines event in February. @moon-and-seraph is hosting a pitch week soon! Since these are more organized, it's very easy to find similar blogs and support!

Misc. Notes on using Tumblr

Follow the tags #writeblr and #writeblr community to find other writers, as well as other tags that interest you like #fantasy for example

If you want to bookmark a post to read later, you can like it and/or save it to your drafts

The queue/schedule function is very useful if you want to space out posts or have a backlog to keep your blog running when you get busy. This is good for the community because it gives older posts a chance to be rediscovered! You can change the posting frequency in the settings.

REBLOG YOUR OWN STUFF. People aren't always on at the same times and so it's the best way to account for people with different schedules and timezones. If you're worried about being annoying, you can tag those #self reblog or something similar and other people can filter the tag, but otherwise it's a welcomed and accepted practice.

If your excerpt is pretty long, put it under a cut. On desktop you can do this by selecting the squiggly button on the far right when you make a new paragraph, on mobile type :readmore: then hit enter.

It's polite to add descriptions to images and videos for visually or auditory impaired people. If you don't know how to write descriptions, here's a good resource

In your dashboard settings, it's best to shut off the options "Best Stuff First" and "Based on your Likes". These function as the website algorithm and suppresses the blogs you actually follow, which defeats the purpose of the site, letting the dash be in reverse chronological order. Also turn off Tumblr Live because it's malware as far as anyone's concerned.

Curate your experience, block the trolls, and be nice

Update for March 2024

How to shut off AI Scraping on your blog

Go to settings and find the Visibility tab

Scroll down to the tag that says "Prevent Third-Party Sharing"

Turn that knob over so that Automattic can't steal your work for their language training model databases >_<

The other settings will just hide your blog from search engines so they're useful for hiding from nosy parents or other Tumblr users but if you're trying to build an author platform you can leave them off.

Again, welcome to the community! I hope you have a ton of fun!

[djarins-cyare]

✭ Series Masterlist ✭

Languishing in a dull and lonely existence on the forest moon of Endor after travelling there to help salvage Death Star wreckage, a nearly fatal encounter with a mysterious bounty hunter out in the forest heralds an opportunity to utilise long-forgotten skills and develop something more profound than you ever thought possible.

Second person POV, present tense. Set post-season 2, diverges from Canon events before TBoBF and season 3. This is a novel-length, exceptionally slow burn with an original plot, worldbuilding, and fully-developed characterisation. SWU concepts and lore are accurately researched.

WORDS: 405,180

PAIRING: Din Djarin x Female Reader/You

RATING: Explicit (18+)

CHARACTERS: Din Djarin, Reader/You/Female OC, Original Non-Human Character(s), Original Human Characters, Greef Karga, Cara Dune, Leia Organa, Luke Skywalker, Grogu, Peli Motto

TAGS: Slow Burn, Slow Build, Romance, Love, Sexual Tension, Eventual Smut, Smut, Sex, Sexual Content, Explicit Sexual Content, Fluff, Fluff and Smut, Fluff and Angst, Light Angst, Hurt/Comfort, Emotional Hurt/Comfort, Relationships, Healthy Relationships, Canon-Typical Violence, Blood and Injury, Dark Past, Additional Warnings In Author's Notes, Bounty Hunter Din Djarin, Soft Din Djarin, Touch-Starved Din Djarin, Din Djarin Needs a Hug, Smart Din Djarin, Soft Dominant Din Djarin, Ewok Species, Mandalorian Culture, Mando'a Language, New Razor Crest, Thoroughly Researched, Worldbuilding, No use of y/n.

AUTHOR'S NOTE: This took me almost a year to write and four months to edit/proof. Each chapter is prefaced with specific tags and (where necessary) warnings, plus word counts. End notes contain translations and comments… this baby is thoroughly researched, so I’m sharing context where appropriate. I’ve also added definitions of in-universe terms so people less familiar with the franchise won’t be left wondering what the hell certain words or references mean. This is a slow burn (adult themes), and although the explicit content only occurs in the latter half, when it does, it warrants the ‘E’ rating. Basically, the first half is a love story, and the second half gets spicy. I hope you enjoy it!

READ THE COMPLETE STORY ON AO3:

(Chapters containing explicit content marked †)

Chapter 1: The Obstacle

Chapter 2: The Interrogation

Chapter 3: The Covenant

Chapter 4: The Snare

Chapter 5: The Strike

Chapter 6: The Groundwork

Chapter 7: The Genesis

Chapter 8: The Progression

Chapter 9: The Hide

Chapter 10: The Beast

Chapter 11: The Adjustment

Chapter 12: The Storm

Chapter 13: The Broadside

Chapter 14: The Intercourse

Chapter 15: The Village

Chapter 16: The Confession

Chapter 17: The Reprieve

Chapter 18: The Fortification

Chapter 19: The Ambush

Chapter 20: The Meridian

Chapter 21: The Homestretch

Chapter 22: The Union †

Chapter 23: The Overture

Chapter 24: The Crescendo

Chapter 25: The Harmony †

Chapter 26: The Cadence †

Chapter 27: The Ride †

Chapter 28: The Veneration †

Chapter 29: The Spree †

Chapter 30: The Tribute †

Chapter 31: The Courage

Chapter 32: The Feast

Chapter 33: The Exhibition †

Chapter 34: The Reward

Chapter 35: The Binding †

Chapter 36: The Synergy †

Chapter 37: The Match †

Chapter 38: The Flag †

Chapter 39: The Foundling †

Chapter 40: The Future †

✨Additional Media✨

@burntheedges has written a spectacular little drabble detailing what Din was up to during the paragraph break near the end of chapter 1 (*SPOILERS* you don’t find this out until chapter 27).

@djarin-desires has created some awesome AI images of a few scenes using Midjourney.

I spent a stupid amount of money on the Hot Toys official Din Djarin action figure, simply so I could photograph him in poses from my fic 🤷🏼‍♀️ This is just a taster of what’s to come, but here he is offering to help Reader climb onto the speeder in chapter 8.

🧡💚 Thank you for reading! 💚🧡

Dividers by @samspenandsword

[scorpiothesaint]

WRITEBLR INTRO xx

hey, all! i’m n.k. :-)

i'm not new to tumblr (have had a few diff accounts since 2011/2012), but i'm new to interacting with writeblr proper. 

ABOUT ME

late 20s

black & queer & disabled 

lifelong writer/musician/creative (in both professional and hobbyist capacities)

finally finishing my degree in creative writing & english! 

ARTISTIC/THEMATIC INTERESTS 

literary fiction, horror, camp, kitsch, diversity, introspection, family/friend bonds (especially nontraditional ones), romance, art rock, nostalgia, technology, diy ethos 

GOALS

connect with the tumblr writing community at large! for a while i was unable to get excited about my non-work, non-fanfic related writing projects. over the past year or so, my passion’s been renewed, and i just wanna chatter with like-minded folks about my longform WIPs, my short stories, etc – and geek over other people’s work here too <3

WIPS 

Dagmar

there’s always something going down in dagmar, an insular coastal community straddling the delaware bay. pragmatic tech geek zeke omezie-fumudoh, 18, prefers to keep her head in her books and projects – deaths and disappearances were common in her parents’ home country, too, after all. when her best friend dodie dies, however, zeke has no choice but to start trying to connect the dots & face the potential supernatural forces at play. 

[this is finna be dark fantasy/horror, romance, mystery, and queer as hell! i got a lot of worldbuilding to do, but a few months ago the twist popped into my head 1st and i’ve been working backwards. i'm sooo excited abt figuring out the narrative path(s) i gotta take]

Dave & The Family Davenport

20-year-old twin musicians dorian & daria davenport are a little s club 7, a little sly stone, & a whole lotta spitfire. as the very first act signed to holliday records, 30-something producer & label founder dave levine considers it his duty to take the family davenport under his wing. they become his pet project – and eventually something more to him. 

[i’m taking this one in a literary/drama direction! thinking found family and music industry commentary vibes. idea came from revisiting big time rush and thinking ‘what would happen if you mix btr + the carpenters + prince + mtv’s making the band??’ (for the record, dave is 100% NOT meant to be a p. d*ddy analogue re: making the band, i'm mainly thinking of the aesthetics of the young artists of color featured on the show)]

Several fun essays about my personal fandom/shipping history (one is about all the diff sites i've used over 17+ years of reading/writing fanfic, another is an old-school livejournal-style ship manifesto that i plan to make into a video! etc etc)

SHORT FICTION 

blank [literary/drama, 300 wds]

fortune teller [literary/drama, 300 wds]

hothouse [horror, 500 wds]

a certain standard of care [horror-comedy/surreal/gross-out, 1k wds]

good bones (or, an exercise in letting go) [literary/dramedy, 1.3k wds]

[writing tag: scorpio the scribe]

hmu if you think we'd get along <3 i need more ppl to follow!

[ETA: i prefer to follow/be mutuals w/ ppl 18+ only, ty!]

[wuffgang-ameowdeus-moozart]

Aren't you tired of forced romances with no chemistry that only take away from the actually interesting plot? Don't you just want media where romance isn't portrayed as being superior and more important than (queer)platonic relationships?

Well, my exhausted aro ass is too, so here are a few tricks and wisdoms I've gathered over my years of being a-spec (which is all of them) on how to avoid romance (in media) in a very allonormative society 💚🤍🩶🖤

(this is a rec list btw. no I am not shitting on the shows that I tagged, quite the opposite)

1. Middle Grade

I get if you aren't really into that, because it is kind of annoying to be pointed to literal children's literature when all you want is a story that isn't constantly being interrupted by describing the main guy's heated eyes for the twentieth time.

However.

It is true that in middle grade, friendship is always more important than romance. Because, let's face it. Making two eleven year old characters kiss is kinda weird. So even if there is a romance, it isn't very prominent and treated more like friendship and/or a puppy crush. Plus some stories get surprisingly dark?!?!

Examples

- Howl's Moving Castle (Diana Wynne Jones), technically a romance in the end, but mostly focused on found family, shenanigans, and finding your own value

- House of Many Ways (DWJ). Yes, again. I really like her books okay? They always have something so fantastical and whimsical about them. This is my other favorite book by her and it has literally no romance at all. Plus a hmc cameo that is so fun !!

- Coraline (Neil Gaiman). Maybe this is cheating because I never actually read it. However. a) the movie traumatized me. b) Wybie was added to the movie, he doesn't exist in the book, so if "power of friendship" isn't your thing this will be great. Probably vibes over plot.

Flyte (Angie Sage). Technically this is the second book, but I never read the first one and still understood everything. Once again, no romance at all. A fun read, which can get surprisingly dark at times.

2. Short Story Collections

Once again, I get it if it isn't your thing. Short stories are - as the name reveals - short. Which means: no worldbuilding, very limited narrator, open ending, no time to really get attached to characters, etc.

But.

The cool thing about collections, is that they always have a certain theme. And as long as the theme is not romance, romance will not be the focus. Even if there is a romantic relationship, it will be used to explore this theme since there simply isn't time for anything else.

Examples:

Life Ceremony (Sayaka Murata) This is the book that actually made me figure out: hey! I do actually like short stories !! The main theme is basically about being different and it plays a lot with body horror and the perception of your own body in contrast with how society sees it. There is even a story about two women who platonically live together and raised multiple children!

Canterbury Classics: Classic Tales of Horror (introduction by Ernest Hilbert). As the name suggests, this is a collection of horror short stories, featuring well-known authors such as Bram Stoker, Edgar Allan Poe or Charlotte Perkins Gilman. As these are classic old tales, the language is a bit complicated at times and you can read them for free on Gutenberg. However, the book is very very pretty and the introduction is very interesting (Origins of the genre, specific tropes and monsters, etc.)

3. Podcasts

PODCASTS!!! If you follow me, you are probably already aware of those. However, in case you don't, let me introduce you to the wonderful world of Audiodramas.

The cool thing about Podcasts is that pretty much anyone can do it. All you need is an idea, a mic, a lot of motivation, and you're pretty much set to go. No producers or publishers you need to get approval from. So it is only natural that this medium is filled to the brim with queer creators. Basically every character is somewhat queer. It's awesome.

Examples:

- The Silt Verses. I adore TSV. I listened to the first season like, four times. (the second one is good too but OH MY GOD THE FIRST ONE). And one of the main characters is canonically and explicitly aro!! Sister Carpenter, I love you with my whole being. And the great thing is, it is very clear that the writers love her, too!! There is a lot (like a LOT) of body horror so it isn't for everybody. But if you think you can handle it I really recommend it. (Plus, not any romance plotlines at all !!)

- Wolf 359. This is one of the older ones and it is really good. It's a bunch of restless and very unwell people stuck in a spaceship under the unforgiving rule of capitalism. However bad you imagine it, I can assure you it is worse. But the really cool thing is that there literally isn't any romance at all. Like, there are great m/f friendships but they never even hint towards a romance. Some people are so unused to that that they literally ship the main dude with the fucking robot AI. (don't worry, not an actual romance plot).

- Girl in space. I am sure you will be absolutely shook to know that this one also takes place in space. It is about a girl. In space. Shocking, I know. Except that she has been on her own for well over a year when suddenly a fleet of strange ships arrive and kidnap her. There is also a very asshole-y robot. And questions about what makes us human. And found family!! And a goat. And cheese. Just go listen to it okay. This is also one of the shortest ones of the list, so maybe a good start.

- Malevolent. I have to confess that I personally am not a huge fan of this one? Like the premise is really cool - a detective who wakes up blind and with a demon in his head who can see through the detectives eyes. What the fuck?, you may ask yourself. So does Arthur Lester. Mysteries and other dimensions and a whole lot of pain ensues. Harlan is undeniably an awesome VA and a great writer, but his stories just seem a bit too repetitive to me? Nonetheless I know of lots of people who enjoy it a lot. Trying to define the relationship between Arthur and John (his demon) is perhaps the biggest mystery of them all. (Jk. there are multiple murders and stuff. they've really got other priorities)

- Middle:Below. This is another short one and probably the least famous of this list? It's about this funky lil dude with a ghost roommate and a cat who can talk (.....or can it?). There is a m/f friendship but it never turns into a romance (wow it is possible!!). They all go on adventures on the dimension between life and death. Despite the description, this is literally just a comedy. A bit spooky at best. Reminds me a bit of scarier kids cartoons like gravity falls.

4. "Gay" movies/series in countries with homophobic censorship

Now you may think, "hey that seems like a bit of an asshole move!". And you would be 100% correct in thinking that.

However.

It does also mean that the main relationship of the story can never be explicitly romantic. They can allude to it, they can try to show it. But they can never confirm. So it is very easy to interpret them as having a QPR. (because tbh I don't think I've ever seen one on television.)

Examples:

The Untamed. Look. I am aware that the first episode is so fucking atrocious, all right? And no, the CGI does in fact never get better. And sometimes the translated subtitles are a bit awkward. But I swear that it is so good. Trust me on this one, okay? Just make it through the first ep. It's a wild ride. Lan Zhan I love you. (However the book it is based on (written by a woman) depicts them being in an explicitly romantic relationship, with lots of very inaccurate and badly researched smut, so the fandom pretty much sees them as exclusively romantic.)

- Word of Honor. Very much in the same vein as The Untamed. Except that the first episode is less horrible. And the one dude has a very fruity fan. And they also raise a kid together. And the costumes of the villains are really fun!! I actually never finished this one tbh. I know that the book it is based on has one very extremely terrible ableist plot point, but I don't know if that made it into the show since I never got that far

The Devil Judge. The last two were fantasy, this one is a dystopia. Very tense and interesting. There is a romantic subplot (typical childhood friend vs bad boy love triangle), but he rejects the childhood friend and they can't exactly show him and the "bad boy" (who is actually a judge. and also kinda his sugar daddy) as explicitly romantic for the reason above. They also live in the same house and cook together and take care of a child together. Can totally recommend.

Assassination Classroom. A bunch of students have to kill their teacher who is an alien. that's literally the plot. I cried so hard at the finale. Nagisa and Karma have MASSIVE vibes and you can't convince me otherwise. (There is a romantic subplot that does end in a kiss, but they agree to continue as friends since those were..... extenuating circumstances. The dude very clearly is not into her). Nagisa also very aro-spec coded imo.

5. "Straightbaiting" Anime

Sometimes Anime does this thing (which I personally find very hilarious) where a boy and a girl will have no other romantic involvements or love interests while growing closer and closer, but never get together. A bit like reverse queerbaiting.

Examples:

- Fairy Tail. The ultimate power is friendship anime. That is all you need to know. (I should also perhaps warn you that the end of the last arc (and the sequel series, but we don't talk about that) are huge letdowns. Like the buildup? So good. But....welp. If that doesn't bother you too much and the idea to have a group of people be the main character instead of one person only, this may be the series for you. Just do yourself a favor and skip all the filler arcs

Soul Eater. I really love the vibes of this one. Once again, most of the fandom likes depicting them as explicitly romantic, but they never canonically are. It also reminds me a bit of creepy children cartoons. It is also where the superior fictional school exists, Devon. Frankenstein teaches there (the dude, not the monster). People transform into badass weapons. Nobody can convince me that Make Albarn is not a trans woman. However the ending deviates a bit from the manga, and I personally think the anime one is a bit worse

Noragami. This one will always hold a special place in my heart because it was the first anime I really watched. This one also has people who transform into weapons, but the vibes are very different. It goes a bit more into Japanese folklore in case that interests you.

Bonus: Canonically Aro/Heavily Aro-Coded Characters

They were not anywhere above because the stories they are in didn't really fit any of the categories. But they exist!

Wolf (Kipo and the Age of Wonderbeasts). I adore Wolf. There is also barely any romance. Like, it will seem like it at first, but don't worry, it's only straightbaiting. There is a romance subplot but it's very brief and very much in the background. Overall very good aro show 👍

Isaac (Heartstopper) Very queer show, very high likelihood that you already know of it. The series per se is very romance focused, but as far as I've heard the a-spec rep in S2 is really good

Georgia (Loveless). Actually never read it. But, well. Title pretty self-explanatory dare I say. By the same author as Heartstopper (Alice Oseman)

Chance/Chris and Shadow/Ryan (woe.begone) Are explicitly in a QPR together !! they are also probably the healthiest couple in the podcast lol

Henry Clerval (Frankenstein). Henry is the "a couple of besties!!" to Victor's "we look like a couple <3"

Barbie (Barbie 2023) If you've seen it you know what I mean.

Jo Marsh (Little Women). I never read the book, but Jo in the 2019 movie??? very sus.

I would also recommend checking out Japanese books! I personally think they are much better at writing romance than the western people lol. It's more about knowing each other and sharing your views of the world, thus changing each other and leaving a mark forever, even if the relationship ends. (studio ghibli romance vibes). My favorite Japanese book doesn't have an English translation :(

aber an alle Deutsch-Sprecher*innen: Die Katzen von Shinjuku (Durian Sukegawa) -> og title: Shinjuku no Neko

Can't think of anything else right now, but please leave some of your own recommendations! Hope this helps ^^

[solisaureus]

how do you write a fic and make it like

long?

ok actually i did give a brief workshop in a fandom server on this once. Here’s the sparknotes:

Stage 1: brainstorming

- decide the topic of your story. write down the idea that sparked your inspiration and start there. this is your core concept from which everything else arises. write down everything that you come up with when thinking about your story, even if you don’t end up incorporating it.

- if you don’t have ideas, most of my fic ideas arise when talking about my fav characters with friends who also love them.

- pin down a few essential aspects of your core concept. is it an AU or canon compliant? ship vs gen? is it going to focus on an overarching plot or a particular character’s personal journey? what ao3 rating do you expect it to be? what trope tags do you think you’ll add?

- make a pinterest board and a playlist for your fic concept. i’m serious this helps you solidify the tone, setting, and mood of your story and can provide more inspiration

Stage 2: outlining

- now that you know what your fic is gonna be about, it’s time to break down the story and make it a complete narrative. Your outline can be as detailed or as bare bones as you want. some writers don’t make an outline at all, but i cannot even begin to comprehend their power, and if you’ve never written a long work before i highly recommend starting with an outline.

- the two most important things to keep in mind during this stage are PACING and STRUCTURE. Characterization is secondary in this stage but still important. Now is the time to establish the setting and the major plot beats.

- decide the narrator, point of view, and tense during this stage

- if you’re stuck for ideas, here’s a cheat for pacing — come up with just 3 things: a goal, a time limit, and stakes. What does your protagonist want to accomplish, how long do they have to do it, and what are the consequences if they don’t achieve it in the time limit? Character A is in love with Character B and wants to be with them (goal), but Character B is moving away at the end of the summer (time limit). Character B risks rejection, and losing their friendship with Character A (stakes). Boom, you already have the skeleton of a story. Try to identify these elements in your favorite stories, it helps you practice this and can give you ideas for your own story. Frodo has to deliver the Ring to Mt. Doom (goal) before Sauron’s armies overwhelm Gondor (time limit) or else the world will fall into shadow (stakes). Obviously, this is just one plot formula among a wide variety and there’s no one right way to write a story, but it can get you started.

- Another way you can start is by detailing some exposition events, some rising actions, a climax, and resolution. If you already have a climactic scene in mind, you just need to figure out how your characters get there and what they do afterwards.

- once your outline is done, you should have a general feel for how long the project will be

Stage 3: drafting

- now it’s time to write the damn thing. sounds simple but it’s not

- practice getting into Da Writing Zone. when it’s time for me to get serious, I have a few video game soundtracks i’ll put on through my noise cancelling headphones, i’ll make myself some tea, and i’ll light a candle. i have basically conditioned myself to write when i hear the journey soundtrack or when i smell my pomegranate candle.

- Each scene that you write should serve a purpose in the overall narrative. I personally determine whether each scene contributes to at least one of the following: worldbuilding, progressing the plot, or characterization. a good scene will accomplish two or even all three.

- consider the voice, whether you’re writing from first or third person. are you telling the story with stern reverence, poetic wonder, snarky indifference? consistency in voice strengthens the story.

- keep suspense in mind, too. you dont want the protagonist to know everything right away — be intentional about what information they learn and when. what the protagonist knows and what the reader knows can differ, too — this is the source of dramatic irony. or you can keep the reader ignorant and have them discover plot elements at the same time as your protag. the intrigue!

- take your time. pace yourself. writing is hard and you don’t have a deadline when it comes to fanfiction. if you’re in a rut, something that i do is that i force myself to write 200 words — if i do that and i’m still not feeling it, i stop there and try again in a few days, but a lot of the time i just keep writing once i get past that hurdle of just starting.

- beginnings are always hard. keep in mind that this is just your draft — whatever you write doesn’t have to be the final version. just start at a point that seems interesting to you.

- as a general rule of thumb, if you’re bored writing something, it’ll be boring to read, too. you may tell yourself that you HAVE to write this dry section about worldbuilding or write how the characters get from one place to another, but do you really? how much would it affect the story if you skipped that? can you approach it another way, or work it in in another scene?

stage 4: editing

- kill your darlings. if something you wrote is out of place or unnecessary for the story, but you like it anyway, get rid of it. save it in another document for outtakes, but don’t give into the idea that a section is valuable just because you spent time on it.

- having a second set of eyes on your draft is a game changer. if you can get a friend (ideally another writer) to beta read your draft and make comments, it can make a huge difference. i always like to thank my beta readers when i post a fic because i appreciate their input so much!

- now is a good time to decide whether you want to post chapters as you write them or write everything first and post it all at once (or on a posting schedule). there are benefits and drawbacks to both but you know yourself best!

- once you are happy with your draft, post it! :)

stage 5: stamina

- writing is hard, and writing a long fic is really hard. even if you’re super passionate about a project when you start it, you will probably lose steam at some point depending on how long it is. at times you will be discouraged and unmotivated. it helps to have a friend who has volunteered to be your designated hype man for this fic. i like to have at least one person who i KNOW is awaiting my next chapter.

- the fact that you don’t get paid for writing fic means you have to balance your writing time with your life and responsibilities. you might have to take a hiatus. coming back to the project after a while can be hard — this is where those pinterest boards and playlists you made back in stage 1 come in. they help get you back into the groove of the story when you’ve lost inspiration!

- when all else fails, try reading books or fanfiction. it counts as writing. words in > words out. bonus points if you journal/leave ao3 comments about things you noticed and enjoyed about it (or, if you didn’t like something, what about it left you dissatisfied. don’t write this in an ao3 comment though keep it to yourself), it genuinely helps you get better at writing. like it makes writing easier

- believe in yourself!!! believe in me who believes in you!!!!

[not-poignant]

Worldbuilding and Writing Fiction are two separate skills.

Someone reblogged one of my shitposts yesterday (the one about intimidating myself out of worldbuilding) expressing confusion in the tags about how anyone could be intimidated out of writing through worldbuilding too much.

This was kind of baffling to me, because I think I've seen it 50-60 times now, especially with new, ambitious writers who are starting off with deep fantasy or science fiction projects. When you talk to them, they've often sunk months or even years of worldbuilding into the project, but when you ask how far they've come on the fiction side of things, they usually have writer's block, haven't started writing the story, or say they're not ready yet. 'I'm starting soon' is a common refrain. 'I just have a little bit more left to do.'

The main reason for this - I feel - is that worldbuilding and writing are two different skills. Someone who spends 5 years worldbuilding has learned how to get really good at worldbuilding, but that doesn't mean anything about how good their writing will be. Many folks think worldbuilding will automatically make a story better, but sometimes worldbuilding can become unwieldy and stressful, especially in the case of a) entirely new worlds / secondary world fantasy, or b) complex worldbuilding. Definitely not talking about contemporary romance here, lol. (Though no shade to that, I've had a lot of fun worldbuilding for those stories too).

Going from worldbuilding to writing is launching into an entirely new space. If you find writing new stories easy, that won't be a problem for you, in fact you may not even have realised they're too different skills before now.

If you find writing new stories intimidating, sometimes having hundreds or thousands of things about your world to try and constantly remember can feel overwhelming and mess with the executive function needed to start a chapter.

In some cases, worldbuilding can make it much easier to start a story. But it really depends on what you're needing to do. If you're just writing a contemporary story where you need to research two characters and two jobs, you're generally going to be just fine.

If on the other hand, you have the equivalent of a 500 page Wiki behind-the-scenes, it can feel overwhelming very quickly.

New writers fall into this trap the most, I feel. They become accustomed to what worldbuilding feels like, and they hedge on writing the actual fiction, because they just have more experience worldbuilding and keep waiting for their confidence in worldbuilding to become 'confidence in starting the story.' It doesn't work that way. They're different skills.

They might even be better at worldbuilding than writing! But that just means - if they really want to be a writer - that writing is the skill they really need to work on the most. That can be a comfort zone issue too. It can also be a 'only about 5-10% of all this work will ever appear in the story' issue, where folks want to share the worldbuilding more than the characters or plot, and therefore are just not inspired to work on their story. It can be a 'I want this story to be as good as my worldbuilding' issue. It can be a 'I find the worldbuilding part easy' issue. There are lots of reasons people stall out in worldbuilding and then feel intimidated to write the actual story.

This can also happen with established writers who become aware that the more they know about their world, the more they don't know about their world. It can start to feel like - if you write 10 articles for yourself, you end up with 100 more to write. If you write those 100 articles, you have another 300 to write. Worldbuilding never ends. Worldbuilding can be endless, and if you're an immersive writer, you can get lost very easily in the details, or in not knowing what details are critical and what details aren't. (A hint here is that you'll figure that out really fast when you start writing).

Stalling in worldbuilding can be a lot of things, it can tell you that there's something broken in the world, something broken in the story, it can tell you more about your insecurities, it can tell you how good you are at one skill and where you might need practice in another. It's super informative!

But, generally speaking, the advice I tend to give to many new writers is to try not to let your worldbuilding period last too long. Ideally, put a timer on it and see how it feels to start writing your story once the timer has gone off (3 months, 6 months, 3 weeks, put it in your phone or in your calendar, and start the first chapter, or some random scene, once that time is up).

If, after that period of time lapses, you still aren't ready to start your story, something bigger might be going on. It's an opportunity to dig deeper into the situation. And sometimes just ask yourself if you're using the idea of a novel as an excuse to do what you love most: Worldbuilding. If that's the case, there are other jobs you can parlay a solid worldbuilding ability into. It doesn't have to lead to novels. :)

But yeah it's super super common for many writers to stall out between worldbuilding and writing, and to feel overwhelmed by their own worldbuilding.

New writers get affected by it the most based on observation and hanging around writing forums, and the advice that gets asked quite often specifically on 'when do I go from worldbuilding to writing the story,' but established writers experience it too, because as Gene Wolfe once said to Neil Gaiman: "You never learn how to write a novel, Neil. You just learn how to write the novel you are on."