#(he makes a little appearance)

[on-the-clear-blue]

Dead Man's Diner pt 4

"THOSE FUCKING BITCHES SAM!" Danny shouted as he stormed into his apartment, slinging his backpack off by the door as he toes his shoes off.

Rounding the corner of the hallway, Danny was met with Tucker, shirtless with only a pair of plaid boxers on, staring at him with sleep glazed eyes, he had a box of cereal in one hand, and a bottle of oat milk in the other, raising the bottle in a salute, Tucker stuffed a handful of cereal into his mouth before taking a swig of the milk, holding up a hand to stop Danny from speaking as he chewed, only letting his hand fall before he spoke.

"What?"

"The Bats are fucking assholes!"

Tucker looked back at the bottle of oat milk, sighed and placed it back in the refrigerator, chucking the box of cereal on the counter, Tucker grabbed Danny by the shoulders.

"Of course they are Jerks Danny..." his grip tightened as he started to shake the Halfa, "I have ten deadlines and 5 missed calls, I really want to geek out right now about you meeting the local heroes but I really don't have the time, so yes, jerks, tell me about it later okay?"

Danny phased through the tough grip on his shoulders, letting out a giggle as he watched Tucker fumble as he no longer had someone to help steady himself, "I did yell specifically for Sam, Tuck so you can't get mad at me! Go huant the Wanyetech building, I know for sure those dudes are way more dead inside than I am!"

Getting a groan from his friend at his dead pun, Danny continued into the apartment, snatching Tuckers cereal box off the counter as he went to sit in the living room.

Spotting Sam typing something on a lap top, her big over the ear headphones blaring as he flops down next to her, which thankfully was enough for her to notice him.

Offering g the box of cereal to her, she sent him a tired smile as she slipped the head phones off and took some of the fruit flavored rings, "Hey there Deadstuff...how was work?"

Danny sent her a grin, "Well, Clocky decided to throw me a bone and I think I got this? He is a little bitch boy that sends me all over the place but this time it was a dined, Lunch Lady taught me how to cook." Pasuing to stuff a new handful of tasty fruity goodness, Danny spoke around the cereal in his mouth "Cookin' ish so much more cool when da food isn't trying to kill you"

Slapping Danny's arm as she rolled her "Don't eat with your mind full and tell me what got you so riled up" Sliding her laptop of her self she tucked her knees up before stretching them out over Danny, who was already going off on his story.

"Wait wait! You had Nightwing in you're restaurant and you didn't get me an autograph?" Same shot Danny a scowl, who at least had the decency to look sorry

"I was going to but they fucking dined and dashed Sam! Even when I was actively Phantom, I never, ever just left a bill!"

---

Dick knew that perhaps eating the food was a slightly bad idea, given the look B gave them when him and Tim pulled into the Cave.

He was standing there, arms crossed, thankfully cowl down, what made the sight infinitely less intimidating was Damian doing the same next to him, his head tilted to look down at them and perhaps standing on his tittpy toes a little bit.

Dick wanted to coo at the father son bonding, but remembered he had to act at least a little chastised at the moment "Yes I am sorry B, It was my decision to head in, there was no outward danger so we just took a chance."

Wincing at the gruff grunt he got from that Dick powered on, "I will write a more detailed report, but personally if anything wrong it's likely that the kid working there is Meta? I dont-"

"He can't be meta! He is very clearly a ghost Dick!" Tim interrupted already flipping through some notes he had made on the way back home, "its the only explanation...or he is a 5th dimensional Imp with a passion for cooking but I really hope not those guys suck to deal with..."

Dick nodded at that, but had to say some thing foe his own superfan imp "Nightmite is a chill dude helps sometimes with cases back in Bludhaven!"

Giving a sigh, Bruce rubbed the bridge of his nose, "No mites, no metas, no ghost, go to Medbay I am running blood tests on what sweet hell you have ingested."

---

Bruce ran the test again, sure that it was wrong, praying that it was wrong.

TEST COMPLETE

TRACE LAZARUS WATERS DETECTED

Underneath was lists of chemical make ups of the samples Tim took and his sons blood, there were varying levels through out the food samples, some lighter but others were heavy on it.

What was stumping him was...it was nearly perfectly pure, the pits naturally over time get polluted, with the dirt and sediment that falls in, and with the various amounts of bodily parts and fluids that are dipped in it.

But the trace amounts Bruce was finding were a better quality than Ra's own personal pool, not the one he dips in to regain his youth that the LOA make a ritual out of, no the privet one in the Alps that was clear as glacial water.

It didn't make any sense to Bruce, who would be spreading Lazarus water around? Ra's would not simply share his secret pure stash...

Lost in thought, Bruce sat back glaring at the test results.

---

"And after I thought I was giving great service, they fucking left, no bill, no tip! I didn't even get to see Nightwings ass as he left! People say it's a godly experience! I was robbed!" Letting out a huff Danny shot Sam an incredulous look at her sudden burst of laughter. "Sa~am, this isn't funny! Never meet your heroes! I am taking this to Twitter! They shall know my fury!" His words only served to make Sam laugh even harder.

Stifling a grin Danny took out hos phone, a old busted thing that was more ducktape and prayers than actual technology, but dear go's did it still work.

<@i-haunt-spirit-holloween

[@.realwing @not-that-red-robin.real yall are toxic twinks came in to my workplace and fucking dined and dashed 0/10 Nightwing has a flat ass.]

Hitting send, Danny put his phone down, choosing to let the nights happenings go past his mind and just hang out with Sam before showering and finally going to bed.

---

Tim was hunched over his lap top, going frame by frame of his body cam footage, he *needed* to figure this out, it was like an itch in his brain that he would go through bone to get through.

His work payed off as he clicked forward another time, his feed went static before it showed a blurry blue blob in place of the diner! Proof! It was there!

Jumping at the sudden bang of his bedroom door being thrown open, Tim whirled to around to see Dicks distressed face, standing up, Tim prepared for the worst, something happened. Bruce was dead agian it had to be-

"TIMMY I AM A TWINK AM I??" Was Dicks wail as he flopped down on Tim's bed.

Letting out a shuddering sigh, Tim looked longingly at his laptop before closing it, "Dick, what the fuck."

Rolling around on the bed, Dick finally looked up at Tim "Littlewing sent me a tweet and...ugh just look!" Thrusting out his phone as he spoke

Pasuing at the mention of Jason, Tim  looked down at the screen and froze

"Holy shit...we forgot to pay didn't we...fuck Jason is never going to let us live that down."

Tim still remembered the first time he witnessed one of Jason's famous "make Bruce spend more money" rants about tipping.

It was glorious.

Tim now realized he would be one of two that was likely going to have to face it next.

"UGH?? You focus on the money and not the other parts? Tim I was called a toxic twink with no ass! This is a declaration of war! I have never been so offended!" Dick sat up, eyes narrowd while Tim opened up the tweet on his own phone.

"The comments agree Dick, I am sorry, you now have a flat ass congrats and welcome to the club" Tim said dryly, trying to go to the posters page, since it was clearly Danny who posted it.

Only the app crashed when he tried to. And again when he tried to a second time, and his web browser crashed when he tried opening it there

Tim was baffled on what was happening while Dick lemented on his bed before deciding to hack it later.

<@not-that-red-robin.real

[@i-haunt-spirit-holloween super sorry about that send me venmo and I'll pay with tip]

<@i-haunt-spirit-holloween

[@not-that-red-robin.real Fuck that face me like a coward bitch bet you wont]

<@not-that-red-robin.real

[@i-haunt-spirit-holloween...bet]

---

Somewhere in a safe house in Crime Ally, Jason let out a little giggled as he scrolled through the comments on the funniest post he had found in a while, Jason was surely going to have to speak to Timberly and Dickiebird about paying their bills but right now?

He was kicking his feet watching Dick have a public meltdown as Nightwing.

Finally, he wouldn't be the only one who had to retake the Bat Media course.

How was he supposed to know doing peace signs next to a person he just shot wasn't allowed?

[puppyeared]

wanna see a magic trick? 🪄🎩

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[fear-no-mort]

favourite thing: his new habit of saying uhuh/mhm and also this

[cowardlykrow]

"Ooooo, you wanna get in my toy box SOOO badd"

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[chiropteracupola]

Patience and curiosity, as you learn about each other.

[stephen maturin, requested by @dxppercxdxver]

[houseswife]

kinda has me creasing how wilson is just casually on the world’s slowest treadmill for the entirety of this scene. he’s like a hamster

[minionsuncle]

I just know brennan felt so badass during that reveal

god rewatching the show is brinignme so much joy ❤️

[oceanwithouthermoon]

yk when i think about it, especially when im watching the anime with people who havent read the manga, the reason a lot of people who only watch the anime and didnt read the manga misinterpreted saikis character so badly is definitely in part because of how damn fast paced the anime is 😭

like that little smile and eye shine frame is there for not even half a second in the anime, so its easier to miss it and assume that he really did only finish those workbooks to get coffee jelly ☠️ its much more clear if you get a good look at how he reacts here that hes just a silly little tsundere and a fucking liar

[hesgomorrah]

trapper john + his ukulele (3x01, 3x09, 3x14)

+ bonus

[hiphopcherrrypop]

save me bottle blond bass player

[arachnits]

hc i came up with a bit ago, i thought itd be cool if once someones in your heart, you take on a physical trait from them!! sora truly is a mosaic of all the people hes ever known

[lord-squiggletits]

Could he really?

Are you really, really sure Pharma could have just run away or asked to be transferred?

Is it really that easy to stand up to the DJD?

It's almost as if Delphi being on the same planet as the DJD's base (something that was common knowledge and that Prowl didn't care about when stationing Pharma and an ex-Decepticon ward manager right next to them) means that there was no escape from the DJD.

It's almost as if isolating victims and keeping them from calling them for help is explicitly part of the DJD's modus operandi.

It's almost as if psychological warfare is just as much of a weapon in Tarn's hands as physical torture/killing is.

It's almost as if being a victim of the DJD is considered a fate worse than death.

Kind of weird how it is that in the same issue that the DJD are established as a terrifying threat, the same issue where Drift is compassionately asked if he's scared of being so close to the DJD, is the same issue where Pharma gets framed as a selfish madman for doing what he thought he had to to survive.

Dying of the Light came about 30 issues too late to vindicate Pharma and make it understandable why he did what he did. But even so, it's still really annoying how Pharma is the one and only victim of the DJD who gets called selfish and cowardly for doing what he thought was his only option to escape blackmail or death.

No one on the Lost Light, much less Ratchet himself, had any problem with considering Drift to be "on their side" even after millions of years as a member of the mass murdering Decepticons. And Ratchet had plenty of compassion to spare for Drift to ask him if he was scared of the DJD. Absolutely no sympathy to be had for Pharma, though; he's just a terrible doctor and Autobot who deserved everything that came to him. Murdering patients was just because he was an organ harvester working for the DJD, not because everyone at Delphi (including an ex-Decepticon who would be on the DJD's list) and himself was under threat of death by horrific torture.

Honestly I don't even think the unfortunate implications/unfairness were intended, at this point I just think that Pharma was simply intended to be a "mad doctor" character trope + token evil villain Autobot to add variety to the rogues gallery so like. The fact that the characters treat him like shit was just meant to be a narrative signal "look how much this guy sucks and is just so evil not even the good guy Autobots like him."

[crimescrimson]

Albert Wesker in Resident Evil Remastered (2002)

[fizzytoo]

fun in the snow!

wesley by @birdietrait! <3 (wesley uses they/them)