#Animation Tasks

[lemonmoonmochi]

Me and who?!

[sigh-tofm]

if you still sleep with a stuffed animal…

- price makes sure you don’t feel childish for it. you’re a little reluctant about admitting it first, but there’s no hiding it once you move in. you grip the edge of your shirt and stare down into the floor when he asks you about the well-loved teddy in one of your moving boxes. he embraces you and reminds you of your age and your big girl job, your degree, your car. none of that changes because you sleep with a stuffie, he mutters as his hands find your wide ass. goes on to tell you all the grown up things he wants to do you.

- kyle finds it endearing, even when you’re a little embarrassed to tell him about it. you’re already the most important person in the world to him. a stuffie only makes you more adorable in his eyes. and frankly, he gets it. it’s nice having something soft and warm to hold when you go sleep, he says and winks at you. still, teddy gets turned the other way when you two start undressing each other.

- johnny finds it a little odd, but only because he can fall asleep standing up in a chopper mid-flight, and therefore doesn’t quite understand that you have specific requirements in order to sleep well. but doesn’t tease you for it, instead always making sure teddy’s around for you. brings him out to the living room when you two (now three) are watching a movie and even borrows him for himself when you’re away. claims it’s because he smells like you, denies it’s because he’s growing fond of him too.

- simon treats teddy with the utmost respect. he probably had one too, long ago, until his father destroyed it. he understands your feelings about your stuffie and places him carefully on the floor next to the bed if you two get busy. stitches up his torn seams with his balaclava-thread. slides him gently back under your arm if you’re already asleep when he comes to bed. puts his own arms around you in turn, protecting your back while teddy has your front. still, slips a hand under your shirt to feel the soft skin of your tits to fall asleep to.

[darks-arts]

Task Complete

[eleu22]

i made gaz not having an existential crisis for once r u proud

[loz-tearsofahomo]

I was telling my dad about ao3 and he asked "But why would anyone do it if they're not being paid?" And that genuinely makes me so sad. The fact that the majority of people are told things are only worth doing if there is financial gain in it. Oh you're an artist? Artists don't make any money.

Sometimes the point isn't money. Sometimes it's just to create.

[ayayapap]

Big Matsu + Aizawa fan over here 👍🏻

[windienine]

hitting my faves with the Fursona Beam

[insomniac-arrest]

It pays not to be a gamer because any time someone complains about Arcane being attached to a video game and it means nothing to me. This is a show about cycles of violence and contains quantities of cool ladies and narrative symmetry that I could only dream. Look at it.

No one can make me learn anything. I could not be made to care about League of Legends before and I am thriving knowing even less about it now. I am eating story with both hands while ignorance cradles me in a gentle embrace.

[awkwardbirdsdreaming]

Everyone be nice to Foozily

[hammerclamour]

Akage animation with SCP buddies bleh

[barksbog]

something i hate about a lot of aquarium games is how they don't consider that people playing them will like and care about fish????

it's so normal to have missions that involve horribly dead fish floating in aquariums and their care parameters are disregarded for aesthetics

[secretmellowart]

"Is not one pardonable, if one at last refuses! Can the inexhaustible have any right? Are not chains which are endless above human strength?" -Victor Hugo, Les Miserables

I learned how to make shadow puppets and animated one of my favorite lines from Les Miserables, for @valvertweek.

[jvgsjeff]

[briskchips]

HELLO!! big fan of your animatics!! How do you make them and do you have any tips for inspiration, planning, and what software do you use?

Thank you! I'm glad you like them!

I think the realization that revolutionized the way I think about storyboarding the most is that you HAVE to let your imagination drive. I start off every animatic with super loose, super messy, barely legible sketches, with wrong anatomy, janky movement, etc. Instead of focusing on making it look good, I can just focus on setting it up for its potential, and starting my motivation at the highest point it can be. I never let my first draft take more than a few hours over the course of like 2 days max, or else the drive dissipates.

If I start a board right away with the cleanest, most beautiful art I can muster, I'll kill my own motivation, like "Oh god, in my head, I imagined a huge spinning 3D camera shot here, with a bunch of dancing characters. That last panel alone took me like 30 minutes to draw, I don't wanna do this! I'll draw a simpler, flatter scene instead." and then it ends up looking nothing like how I imagined, and I get demotivated before abandoning the project. But if I start with super messy lines, just barely enough to get the idea out onto a screen where I can watch it, the excitement and imagination will drive, like "Wow, this shot with a huge spinning 3D camera and all these complicated characters looks SO COOL! It's gonna take a lot of work, but look how interesting it looks already! I can't give up on this!"

For reference, this was puppet boy's first draft!

Storyboarding is a bit different from a lot of other visual art mediums because it takes a LOOOOT more work before it starts feeling rewarding. Learning to manage your own motivation is a huge part of building the skill that I feel a lot of people don't mention.

But when it comes to learning how to finalize it, study up on your storyboarding rules! Learn about perspective, anatomy, screen direction, and learn to draw FAST (that's a big one). Draw out shots from your favourite movies, study their composition and take note of their camera/character movement, and how it aligns with the shots sandwiching them. Learn from other artists (I recommend Toniko Pantoja, he's a very experienced board artist who makes a lot of videos abt improving your boards and what it's like to work in the industry), and PRACTISE! Your first piece of art, whenever you try anything new, is going to SUCK. You're gonna think its bad. That's just how art goes. But the next time you do it, you'll always, always, improve, even if just a little, even if you can't see it for yourself.

The biggest thing to keep telling yourself when making storyboards is DON'T GIVE UP YET. YOU'RE SO CLOSE TO MAKING SOMETHING COOL. And then you have to keep telling yourself that over, and over, and over, and over, through all the sighs, and the frustrated rage-quitting, and the exhausted temporary give-ups, and then eventually, those animatics you keep building in your head get to be real! And it feels incredible.

[ayayapap]

I see them in everything

[left-handed-spaghetti]

I was really missing Neil so I made something silly :P

https://pin.it/3Yc0O3L29 inspired by this video!!! :D ^^^

Audio by Johnwowcool on Tik Tok