#Explained by Example

[lycandrophile]

i clicked on the original tweet just to see if anyone else felt as weird about it as i did because at this point i’m just tired of seeing people going on and on about trans men dating cishet men who try to convince them not to transition as if it’s a funny joke about a trans man doing something silly and not a manipulative and generally very unhealthy relationship dynamic that can hurt the trans man involved really deeply (as forcing someone back into the closet tends to do.)

did i find anyone else feeling that way? no. there were a few people pointing out that it was weird in general, and plenty saying it’s a weird thing to say about a cis woman, but nothing expressing any sort of concern about the tired stereotype it’s perpetuating.

but you know what i did find? replies like the one in the second screenshot, using the tweet as their chance to tell the world how much they hate trans men and how repulsive they find the idea of ever being compared to us. and replies like the third one, shaming trans men in relationships like that as if the fact that they’ve found themselves in an unhealthy relationship makes them deserving of public shaming, as if their relationship is hurting anyone other than them.

stereotypes like this just feel like yet another way of indirectly calling us stupid little girls who don’t know what’s good for us, and the fact that a picture of a woman is being used (even jokingly!) as an example of what trans men “like that” look like should make the implications of rhetoric like this all the more obvious.

it’s relationships like these that keep us miserable in the closet for so long and drive up our sexual assault rates even more. they’re not funny and if anyone is going to be making jokes about them, it certainly shouldn’t be people who have never been in that situation. if you actually cared about us you’d be looking for ways to support the trans men you know who are in relationships like that instead of hopping on twitter to joke about how stupid they must be.

i don’t care if it’s a joke. if it victim blames trans men for the transphobia we face in our personal relationships, adds to the common idea that we can’t be trusted to make decisions about our own lives, and invites even more blatant transphobia against us by people who unabashedly admit they see all trans men as “disgusting and phony”, it’s not fucking funny.

(i also want to note that the people making these jokes never like to mention that this also happens to trans men in relationships with queer women. they also hate those trans men, of course, and are happy to express that when they get into fights about trans men who date lesbians, but they’ll never talk about it in the context of this particular stereotype. it’s always a man being manipulative in a relationship and pressuring trans men to not transition, as if a woman would never be capable of such a thing.

they also like to conveniently ignore the existence of older trans men who transitioned after already being in a committed relationship with a cishet man and were able to make that relationship work despite their transition, because acknowledging that would require recognizing that trans men can be in seemingly contradictory relationships and genuinely be happy with their partner. who needs nuance when you can simply choose to judge all trans men for our relationships regardless of what they’re actually like?)

do you think they also would call me “a trans man being purposefully misgendered” with this kind of vitriol because i’m still living with parents who don’t recognize my gender instead of moving out before i’m ready to be financially independent? at this point, i’m starting to feel like they might, with the way every decision a trans man ever makes is the subject of a public debate and people have decided that trans men are secretly using being misgendered as a weapon to somehow hurt other trans people.

as a general rule, i’d say the only people who should be making “X looks like a trans man” jokes about literally anyone/anything are trans men, and posts like this show exactly why those jokes being made by anyone else (even by other trans people) just isn’t a good idea.

[pinetreevillain]

Stray Part 1

I’ve been calling this one “the big one” because THIS BAD BOY 👉👉 is a five parter. It’s also the one that I got into unarmed combat with the most in terms of the color palette, and after a long and bloody battle, it’s made itself out to be my favorite colors so far since the Friends Like These palette. Now i’ve rambled enough about the colors already! Please enjoy :)

<- Confrontation, next

Masterpost

[glitter-stained]

The thing you need to remember about comics ages and timelines is that yeah it's messy there are retcons at stuff and it will never be clear and perfect. But also, DC has an interest portraying age the way they do. They have an interest in aging Barbara down so she can be Dick's pretty girlfriend with whom he raises a cute dog (and maybe a cute little family next perhaps?). They have an interest in trying to keep Tim young and draw him younger than he looks so they can milk his Robin's popularity for as long as possible. They have an interest in drawing Jason to make him look 40 when Bruce slits his throat, to make him look like a grown man fighting a teenager when fighting Mia even though they're the same age (though i mantain that mia is a little bit older), in having him call Tim kid even though they're the same age, in having him offer Tim a drink and Tim pointing out he's not legal when Jason isn't either. They have an interest in Jason looking older in Jim Aparo's art style in ADITF than he looked in precrisis or in 308. They have an interest in Steph magically looking older in War Games, where she gets tortured and brutally murdered, than the fun colourful round and much more youthful art from her Robin run. There are probably many more examples but bottom line it's not fucking innocent. DC knows how to hire artists that know how to draw children it's really not that hard. Characters who look young, characters who remind you that they are young, create more empathy; which is good when you want the public to continue to root for them, and bad when those characters challenge the status quo or that excess of empathy might create pushback after you decide to have them brutally murdered. DC can't have Batman grievously wounding and causing the death of his underage son, but if he looks as old as Batman? DC can't have Jason making a valid point about vigilantism being unsafe for Mia and relating with her with childhood sexual abuse subtext because it makes the heroes (and especially Batman) look bad, but if it looks like this is a grown ass man harassing a teenage girl, then it's clear who is the villain, it's okay, no problem. DC needs Barbara to be younger so the power dynamic between her and Dick fits their idea of a perfect little nuclear family much better and they can shove Barbara back into the role of Batgirl even though she is very much a girl rather than a woman. DC needs Steph to look older when she's tortured so they can be edgy without people being too horrified at them doing something horrifying, DC needs Jason and Steph to look older on the day they die because young looking= innocent which makes it so much harder to victim-blame. DC needs Mia to look younger than Jason so they can make it look like the good old "good victim/bad victim" dichotomy and even though that's not what the story is actually about, regardless of how much it disrespects Mia's character to do so. DC needs Jason to look ugly because it's harder to empathize with ugly people and it makes it so much clearer who is the bad guy and who is the good one, and it's a much easier dichotomy, so much more comfortable than challenging the whole mythos around which Batman is built. DC needs Barbara to be sexy in their traditional male-gaze way, because this is the audience they're trying to appeal to.

So like, I know that I'm nit-picking when I say "actually according to any and all logic Jason is younger than Tim by a couple of months and than Mia by around three years". Or when I say "they should bring back Dickbabs' old age difference" or even interact with Dickbabs as if they still have that difference and refuse to interact with Tom Taylor's version of the ship. I know comics are incoherent and the timeline is messy; but just because it's messy, just because it's always been, doesn't mean it's innocent. So I'm gonna keep nitpicking, and I'm gonna stay an annoying bitch, because I refuse to allow comics to manipulate me out of my empathy. And because I don't see everything and am very aware of how easy it is to be manipulated even when you're careful, I encourage you to add to this with things you've noticed whether it's in portrayal or in art about character age, appearance, or any other device they might use to manipulate our perception of the characters -and what narrative these resorts serve.

[quirkle2]

scenes that make me wanna eat drywall dust

[boombox-fuckboy]

As we've got a month left of the year (as we measure it where I am, anyway), I want to recommend that instead of making that grand New Year's Resolution, you make a list of Year Goals. There are five rules to year goals:

Put as many on your list as you want. (If you achieve something cool or think of something else, you're allowed to add it retroactively, too)

They should be dead easy to achieve. For example, instead of "get into cheesemaking", you'd put "try making cheese (any kind!)". Instead of "get fit at the gym" it would be "visit the gym at least once".

They should be things you actually want to do or achieve. Year goals should be nice things.

Try to do them when you get the chance, or the urge. This can be at any time during the year. That "visit the gym at least once" you want to do for some reason? You only have to do that once and it could be in March or August or December. And if you like it, you can go back on your own accord any time.

You don't have to do them all.

So, for example, some year goals I crossed off this year included:

Draw more landscapes

Try making cheese

Try embroidery

Try whittling

Learn what the different sorts of clouds are called

Start recording all the different species of organisms in the garden (started and made it past 100 animals, (plants and fungi tbd))

Make a zine (one!)

Try new kinds of fruit (an ongoing year goal. I've tried feijoa, papaya, kiwi berries and custard apple)

GM a tabletop game for the first time

Engage with a greater variety of media formats

Publish a paper (I already knew this was upcoming, so it counts easy, but I still did it so I get to feel success)

Can recommend.

[my-autism-adhd-blog]

ADHD Body Doubling

AJ’s Brain

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[rainy-matcha]

Something I love about Mob Psycho is that Reigen is a fraud, but not in the way you'd originally think. He still helps people, just not in the way they think he's helping them. Any non spiritual problems he can solve for his clients, he will, and he even makes a point not to take money he feels like he didn't earn.

This applies to his mentorship with Mob; although, yes, he's using Mob's powers to his own personal gain, his original promise to help Mob learn to control his powers is still fulfilled. Mob's powers are directly tied to his emotions; and we can see that clearly throughout the series. Regulation of Mob's emotions in turn regulates his powers. Reigen's guidance is a large part of that regulation. The lessons he instills in Mob (don't use your powers on other people, your powers are just a trait and they don't make you inherently worth more or entitled to more than anyone else, and several others he learns from Reigen over the course of the series) are a huge part in putting Mob on the right path in regards to the use of his powers. It shapes his mindset and strong morals surrounding them, and this mindset shapes his emotions and power regulation. He would likely not be the same controlled and morally sound person he is by the end of the series without Reigen.

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[wandixx]

GIW made a lot of mistakes and the biggest one was going against Young Justice part 2

part one is here

@whimsicalchaosgarden you asked to be tagged, sorry it took so long

Trigger warnings: mentions of experimentation and dehumanization (tell me if there is more appropriate way of phrasing it)

“So,” Robin started, taking the voice recorder out of his utility belt. “It'll probably be best if we get an explanation while making an accident report. This way we get it all over sooner”

Everyone agreed with this idea, standing in the loose circle in the debriefing area to make it all feel more serious. They had limited time before the next batch of cookies needed to be taken out of the oven and there was no way they all wouldn't devolve into chaos when it happened. M’gann knew from experience. 

To make sure they wouldn't take too long and cookies wouldn't turn on the fire alarm (again) both she and Danny set a timer.

In the meantime they had to learn who actually attacked them earlier.

“Phantom do the honors”

Danny froze for a moment, looking like deer caught in the headlight before he asked in a bit squeaky voice:

“How do I make an accident report?”

“Just say what happened but make it sound fancy,” Artemis explained. 

“Make a mission report and we'll fix it along the way,” Kaldur proposed.

“Answer ‘When? Where? Who was involved? What happened? What have you done about it?’ without excessive use of puns to avoid Bat-lecture” Robin helped, already in handstand.

“Bat-lecture? Really Rob?”

“So it's like lab report lite” Danny said before Robin did anything more than squawk indignantly “Alright, I can do it. Do you have any set phrase to start? And which accident report is it, in the database?"

“44th… How about ‘[Hero name], report’? Sounds serious enough.”

Everyone agreed, so after a moment of silence Kaldur did the honors.

“Phantom, report”

Danny straightened, rolling his shoulders back and locked his eyes in the middle distance. It was a bit eerie how fast he went from relaxed and goofy to almost emotionless statue. M’gann wished to never encounter it again, thank you very much.

“Incident report no. 45 made by Young Justice member Phantom, regarding an attack from earlier today, 26th April 20XX. The Young Justice Team, later referred to as the Team, went on a trip to an amusement park staying currently in the city of Happy Harbour. It was an activity meant to strengthen interpersonal relationships within the Team, previously green-lit by Red Tornado. Every member was in civilian attire as per protocol. Around 3:15 PM, after two and a half hours, the Team were disturbed by a group of ten armed people, recognized by member Phantom as belonging to Ghost Investigation Ward, colloquially known as GIW or Guys In White because of their uniforms. Later in the report the organization will be referred to as the GIW. Two shots were fired by the assailants, targeting but not reaching member Phantom. Members of the GIW were hostile but with use of humor and threat of legal actions, the Team managed to diffuse the situation before it endangered passerbys. Despite direct attack, none of the Team members’ identities were compromised. Assailants left the confrontation with belief that Phantom left his ectoplasmic signature on an unrelated civilian. Agents refused to admit they were working for the GIW since its operations break a couple of laws of the state Rhode Island. Because of that, their appearance was reported to local law enforcement and taken care of. No injuries or damage to the city infrastructure were sustained other than two burns in the asphalt in the place of confrontation. Required follow-up with local law enforcement in civilian attire as victims of assault. End of report” Danny sighed, easing back into a more natural position. “This good?” he asked, with a sheepish smile.

“Perfect”

“How are you so good at reporting? You didn’t even know what to do a second ago? That’s just unfair”

“I used to write my parent’s lab reports. It’s pretty similar in form”

“Lab-”

“Follow-up to the report only, Kid-Flash,” Robin interrupted “Phantom. elaborate on who were the assailants”

Danny stepped back from himself again.

“GIW is a ghost hunting organization supported and accredited by the state government in Illinois, legally operating also in states Wisconsin and Ohio. Their goal is to catch and examine ecto-entities to learn more about their biology and ways to obliterate them. Obviously their plans for experimentation don’t include consideration of ghosts’ well-being”

“Damn, that’s messed up”

“They wouldn't catch a blob ghost if they tried,” Danny shrugged, though something was wrong with the gesture. She wasn't sure though, so she moved on.

“Then why were you scared?” M’gann pressed on instead.

“My parents… are, you know, prominent ghost hunters so when GIW opened we all got a tour around the whole building. The lab was… it made me imagine things I wished I had never thought about”

“They have labs? Like evil labs?” Robin perked up like a kid who just heard that Christmas came early. “How could you hide it from us?!” he added, falling to hang on Danny's shoulder. He twirled a bit to catch the left one even though before he stood on halfa’s right side. Dramatic as always “Conner, we have a birthday gift for you!”

“What does GIW’s lab have to do with my birthday?”

“The potential!” Robin yelled, straightening for a better effect.

Everyone started laughing. Well, everyone other than Conner who just looked at them confused.

“He probably wants to storm another lab, bring up nostalgia of our first meeting,” Kaldur calmed down just enough to explain.

“Tell me you wouldn't like to punch an evil scientist,” Wally added, almost dropping to the floor. 

“This does sound nice”

“And THIS is exactly the reason why I haven't told you all. Thanks for spoiling my surprise Rob,” Danny lied, though he did his best to sound truthful. He even projected some false mirth.

It would take much more to trick M’gann though. She abruptly stopped laughing.

“You're lying. Why actually haven't you told us?” she demanded maybe a little too harshly, but she was worried. Everyone froze for a moment, before turning to look at Danny.

“They're all bark no bite, and aim worse than Stormtroopers’, so I haven't considered them important enough to report”

Other's didn’t know, of course, but M’gann knew just how terrified Danny was during the confrontation and how echoes of that fear soured air around him even hours later.

Everyone did realize this explanation was a tone of bullshit though. 

Apparently incredulous stares were enough of the response.

“You and the Justice League have more important things to deal with than some shitty local laws”

“Bullshit again,” Artemis burst her lips “This is exactly what Justice League is for”

“I already found people to help me lobby against them”

“And why aren't we on the list?” 

Danny fell silent, not looking anyone in the eyes, which was quite a feat considering they had him in a half circle. M’gann considered moving to his side to show her support. Stare down like that had to be quite stressful.

Why not actually. She stepped closer, and drew him in the loose side hug. Danny tensed, which wasn't abnormal for him. He usually relaxed in about thirty seconds, if he didn't, she'd let go.

“I didn't expect them to breach the containment…”

“Each of these lies is worse, you know? Like, insulting our intelligence level of worse,” Artemis interrupted once more, pinning him with her eyes alone “Give us truth or stop talking”

Danny raised his head to look back at Artemis and mimed zipping his mouth shut and throwing the key away. 

“Really?”

Boy just shrugged, not breaking eye contact.

“Alright, let's move on to the next question, how did it get approved in the first place?” Wally interrupted, waving his hand between them. They both shook off like dogs fresh out of water.

“Couldn't you wait five more seconds until I won?” 

“Ha! You wish Artemis. Though you could give us a moment”

“I gave you literal ages”

Danny snorted “Sorry, I keep forgetting how impatient you are”

“Oh shut up, my brain is just faster than yours, you slowpokes”

“Sure, sure”

“He made a good point,” Kaldur said “This shouldn’t even pass. And even if, you’re legally a Meta”

“Normal ghosts aren’t and halfas being a thing is not exactly common knowledge among the living”

“I’ll never get used to this distinction”

“I believe in you, Rob”

“What about ‘Extraterrestrial, extradimensional and otherwise previously unincluded’ Optional Protocol to the ‘International Covenant on Civil and Political Rights’?”

“Oh my god Conner, you’re the only person to say the whole name ever”

“Hey!”

“It all comes down to the definition of the ghost and the fact that Alien addition uses sentience and sapience as a ground to give anyone said rights. And also, US signed it but didn’t ratify it so…”

“Isn’t it same thing?”

“Nope. I thought so too, but apparently signing anything means nothing unless it’s also ratified, so I’m kinda fucked. Can’t even get the UN to frown at them disapprovingly, because officially, nothing was agreed to. And you know, even if they ratified it, ecto-scientists conducted enough research to prove we aren’t sapient enough to have these rights anyway. Just most of the states didn’t need to make a law out of it”

“That’s rough buddy”

“Are you really quoting Avatar at me right now? Really Artemis?”

“Yes”

“Wasn’t Avatar this movie with blue people? I don’t think they said that there”

M’gann wasn’t quite sure why human members seemed to be appalled by the question.

“We’re going to fix that later-”

“What exactly is there to be fixed, because I feel like we’re talking about to different things”

“- but for now can we go back to the whole ‘ghosts have no rights in Illinois’ thing” Robin continued, completely ignoring Conner’s questions.

“Illinois, Wisconsin and Ohio. There are portals to the Zone in two of these states. GIW already tried to send nuke through one of them”

“How Americana of them,” Kaldur muttered.

“If you have another insane tidbit about them, please share it all now. My mind can’t utilize any more revelations like that”

“I handled it, don’t worry”

“Someone tried to nuke literal Afterlife…”

“Yup, get on the schedule Kid Flash. You’re supposed to be fast”

M’gann knocked her arm into his, kinda as a ‘don’t be mean’ message. Danny kinda tensed, but soon relaxed back and moved his head as if he wanted to lay it on her shoulder. Excitement of the day was clearly catching up to him.

M’gann wouldn’t be mad if he did laid his head there.

“Why do we learn about it just now?”

“I wrote the report, not my fault you haven’t read it”

“Can’t fault us for assuming we’d know every important thing from your endless bitching!”

Danny straightened and laughed, in this horrible humorless way that made M’gann want to claw at her brain until she couldn’t hear or sense any of it.

Instead, she brought her other hand up and just held him tighter.

Thankfully the whole spectacle didn’t last long.

“It’s cute that you think I bitch about anything important”

“Phantom…”

“Don’t Phantom me right now. Even if by some miracle they managed to send the missile to the Zone, it most likely wouldn’t have worked. They’re mostly just a joke.”

“They managed to shot you. Right upper arm or shoulder”

“Don’t deny it, we’ve seen you wince when I leaned on you and when M’gann hugged you”

Martian tried to let go hearing that, but Danny held her in place. She stayed where she was but carefully moved her hand away from the slightly damp area on his shirt. She suddenly caught on everything that was wrong with him, now that she knew to look for it.

“I got worse from the hand of my house’s security system”

“You… understand that it’s… like… way worse, right?”

“You don’t know life until you hear threats of dissection against your alter ego after stopping death ray with bowl of cereal,” he said, relaxing more into her side again. He sounded absolutely exhausted.

“Do you want to move in here? Until we deal with this whole GIW and assorted mess?” she said instead. Conner nodded, surprisingly eager to share the space that he considered somewhat sacred.

“Nope, I’m good, I’m needed there”

“You could Zeta- yeah, no, nevermind, it wasn’t good idea. But we could make it work”

“You still should-”

“It’s fine. I mean, I have it handled and it doesn’t affect that many people. And we’re working on it. It’s fine”

“It really is not,” Conner growled.

“You need your arm patched up” M’gann demanded, ignoring previous conversation, with eyes still fixed on the blood that stained her forearm. She should’ve destroyed at least Operative K.

“I bandaged it up”

“It soaked through then. Let’s go to med–”

Loud shrill interrupted her, because of course it did.

“Oh, look, convenient distraction! Let’s take the cookies out before they get burned!”

“We’ll talk about it tomorrow,” M’gann stated in a way that allowed no argument “You’re getting away for now only because I’m holding most of your weight right now”

“Sure we will. And I can stand on my own, thank you very much”

“I’ve heard many lies today and this might be the worst of them. We’re going to Medbay as soon as the cookies are out”

“You’ve got it boss”

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[lokilysolbitch]

y'all know when someone keeps talking about their "quirky" childhood and adult habits but it's just like. textbook examples of a complex dissociative disorder. but you can't just be like "maybe you're a system" bc that could freak them out way too much all at once.

or you'll offhandedly mention a Uniquely System Specific Experience and they go "wait i relate to that lol. it must be from my depression/anxiety/etc" like. uhmmmm. not quite, not quite. time loss and seeing people in your head that grow and change independently of you is not uh,,,,,,,,,i don't think that's anxiety uh,,,,,,,,

[jerreeeeeee]

you really have to appreciate the utility of angus mcdonald when it comes to fanfiction shenanigans. this is a character who is 1. a child beloved by pretty much every major character 2. insatiably curious & nosy and 3. good at sniffing out information others are hiding. if you ever want an insightful yet outsider pov or a way to air out secrets to get conflicts started/resolved or an easy way to explain something via monologue, here he is. and he’s adorable.

[tinseltownie]

i have a vision.... I don't actually think Lando likes to be casually touched.... someone come discuss with me.....

[my-autism-adhd-blog]

Stimming…

The Autistic Teacher