#I don't know what it is about that panel but it just delights me

[kbspangler]

This is the public statement from @alepresser and myself which went up at Webtoons tonight.

Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.

This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)

And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?

Well, these days, A Girl and Her Fed has pages like this:

I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.

The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.

So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.

This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.

For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!

But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.

Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.

Do the thing yourself.

If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.

Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.

...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.

[bokettochild]

Linked Universe Enterence p.3

Okay! So I have thoughts!!!!

First off, does anyone remember when JoJo shared those first snippets? How there was a fun little detail that suddenly disappeared when the comic actually became more than doodles?

Yeah, I'm talking about this guy

(Not the grouchy old man being offended, the owl LOL)

I know there's a chance I'm wrong, a big one at that, but I think it would be really cool if, if only for a short while, JoJo brought him back, even if it's just for this era of Hyrule. Let Time have his owl buddy!

Anyways, to the actual comic!

I noticed that the boys are all still together, so I'm guessing they're waiting until they come to a cross-roads to actually split up like Four advised last time. So we have that to look forwards to in the coming updates!

I love that she's really highlighting the similarities and differences in this arc, showing us who knows what and what they've done, but also the little things; both with owls and the antifairy!

I adore the Owlan reference/appearance!

And Time immediately agreeing about the "long, drawn out lectures part" made me laugh. (His expression, my Hylia!!!)

That is the face of a man who kept accidentally asking to "hear it again" and regrets it with every bone of his being LOL

It's good to see more call backs to the last comics too! Having Hyrule be wary of the statue because he remembers seeing it before, and Warriors agreeing, but also reminding that it didn't cause harm. The fact that Hyrule keeps his sword pointed at it though, wary, does say a lot about how cautious he's being all the same (Wild ought to take notes)

And of course this whole panel

Twilight's awkwardly trying to assure the rest without spilling the secret, Sky laughing and turning to look at Legend, and the fact that the vet is just so entirely done with even just the thought of being a rabbit. (I love his face, omgosh).

Te way I screamed "anti-fairy!" when I saw this, and then was so, so delighted that Legend and I had the same thought (I am unwell about this man).

I'm equally unwell about the fact that Legend just has to say "ouch" (which you only say at inconveniences and not real, actual hurts) and immediately everyone's turning, weapons out and ready to help him face...whatever. Like, he's fine, guys, but it's sweet you care (now Legend, please take note and realize you belong, you idiot)

Love that Time hears "fairy" and immediately is all ears. All the more so at the "anti" part. Man was raised by fairies and he absolutely doesn't like the idea of something that would hurt them.

Meanwhile Legend is just being freaking Haku (Spirited Away) over here!

Tell me you don't see it!!!!!!

Also, his casual use of magic to purify something, to just make it no longer a threat, rather than hurting it. That need to save EVERYONE is really showing through here, huh?

And immediately, everyone is shocked that he did that, but also what it means about fairies. About dark magic. But Time and Wars especially!

Gosh, just Legend's little worried face and Time's offense at the idea of fairies being corrupted and harmed. Shows a bit about them here too I think. Time is maybe slightly obsessed with fairies (reasonably so) and hates them being harmed, but he shows his worry on the matter in anger. legend, meanwhile, becomes more sombre, quieter: it bothers him too (maybe reminds him of a certain predecessor?)

Get this man a tiara, he's a freaking Disney Princess over here, good grief!!!! He's carrying fairy food on what? The slim chance he has time to stop and feed them? Honestly, i know he's probably as attached to fairies as Time (although with a healthier relationship with them), but this is just too cute. this man is going to be the death of me!!!

Anyways, here's the bonuses!!!!

SUN APPEARANCE!!!!!!!! We have a canon Sun appearance!!!!! Like, sure, sleepy student Sky, but it's SUN!!!!

This smile. Oh my gosh I adore him. He's just so glad he got to help the corrupted little one become normal again.

JoJo was having fun with Four I see LOL

Man really said "hang on, let me check my purse, I think I have snacks in here"

Freaking Mom Coded

[papafuckingemeritus]

NOT MINE, but and absolute incredible theory on Ghost in the Trees found on Ghostbc subreddit that is too good not to share. Credit to VisAeternitatus on Reddit.

“Buckle up. You'll either find this interesting, or tell me I'm insane.

“The "Ghost in the Trees" VHS tape sitting atop the stack of other videos in the movie caught my attention because it simply doesn't fit and doesn't have anything to do with anything that we know of. Kinda like the cardinal sitting on top of the gravestone in the Square Hammer video. At the time, so random- yet it was a hint. We see this VHS tape twice during the movie, and it's sitting on top of an Infestissumam era tour video ‘Haze over North America Tour 2013’

“I googled "Ghost in the Trees" and came across this psychedelic garage art-rock album by a band called Thee Oh Sees. There's a song of the same name on their album, "The Masters Bedroom is Worth Spending a Night In". Other than carnal delights, why might one spend a night in the Master's bedroom? Usually something to do with conceiving the antichrist, right?

“The album cover and subject matter seemed Ghost-related enough for me to continue going down the rabbit hole, so I listened to the entire album. I have no doubt in my mind that TF is familiar with and has listened to this, I get a lot of raw vibes from it that one might perceive in all three Nihil-era songs.

“So why is this here, and what does it have to do with anything? Good question, and I honestly don't know but I just thought I'd throw out some possible breadcrumb trails. This is all some pretty loosely related stuff, but when considered all together who knows?

“1. I immediately noticed a similarity that the devil on Thee Oh Sees album has to the devil in the center panel of the red tour backdrop that started going up during Square Hammer (third photo).

“2. Proximity to the Infest era tour video along with some Papa II-related stuff in the movie also had me thinking "antichrist stuff". No, not that Copia is the antichrist. Rather, that his twin might be.

“Why? Well, during sister's life flashback scene, right before the twin birth is shown, there are a series of hidden images. We see an eclipse, a still shot from the Year Zero video of a hand reaching up towards a church window, a b&w still from the Dance Macabre video where the devil arrives, and two separate shots of Infest era ghouls. (These images go by so fast that they are practically subliminal!)

“So why are we seeing clips from a Papa II era song, and shots of his ghouls? Why do we see a cut to his face on the stained glass stage backdrop during the movie when Imperator is talking about how everything is "cyclical"? We even see Infestissumam in the background of the VEEPS bonus video.

“So I've seen different theories. Papa II is returning! Copia is the antichrist! Etc, etc.

“I think showing all the Papa II stuff could have something to do with the antichrist, not that Papa II is coming back. Infestissumam was about the antichrist's time on earth. Not to mention that some religious people believe that an eclipse supposedly occurs at the birth of the antichrist (and we are shown an eclipse right at the birth scene!)

“Also, we've seen a lot of antichrist type of imagery related to Copia, he's got the 666 tattoo, etc. If he's a copy (Copia), then his twin could be the antichrist.

“3. Back to the red devil background that appears during Square Hammer. There's a winged pope figure shown above the devil. I thought it was Copia, to be honest. But he's wearing a beehive shaped mitre, and the same shaped mitre appears above him, larger and wrapped in flames. This is actually a Papal Tiara, not a regular mitre. It used to be worn when a new Pope was "crowned". Why would a demon winged Copia be wearing this on a backdrop at the end of the tour? He was already "crowned" in Mexico City. And who appears at the Ministry doors at the very end?! Someone who is about to become the next Papa?

“4. I also wonder, who raised Copia's twin? And how could Copia's twin be the antichrist? Do they have two different Fathers, or was it during some ritual?! Does it have something to do with Papa II? Maybe the twin grew up influenced by him in some way?

“5. I also wonder if "Ghost in the Trees" is a musical stylistic hint of sorts, in relation to the Papa II era. This album is psychedelic post punk garage rock. It's an interesting listen and is all over the place stylistically. "Psychedelic" is frequently used to describe aspects of Infestissumam, too, as is garage rock and surf rock, even.

“I recall an interview where TF said that Phantomime was where he was leaning to take the sound for the future album. Well, there's two specific covers on Phantomime that have similar flavor to Thee Oh Sees- "See No Evil" by Television (often described as post punk/art rock/garage rock) and "Hanging Around" by the Stranglers- which has VERY psychedelic/garage rock vibes.

“So do what you will with that, but I'm wondering if the next album is going to have that element (not in the way the Nihil-era songs do, though!).

“Thank you for reading this mess and if you have any better ideas, please do share. I just wanted to get this off my chest.”

Tobias never ceases to amaze me, and I have no doubt there is something to “Ghost In The Trees.”

[dandylovesturtles]

listen ok I know shit is dire in CAS land (by @somerandomdudelmao) but I had this stupid idea and it's a slow day at work and I type fast so here you go I didn't proofread this at all

I'm sorry I made it silly

Massive spoilers if you haven't read the new CAS update

...

"I can fix it," is a much easier thing to say than to do. Casey's thinking that as he takes long, quick strides through the lair, turning the problem over in his head as fast as he can. He hopes Uncle Tello can't hear the parts of his thoughts that are in a panic, but based on their conversation before he probably can.

Uncle Tello doesn't say anything about it, and Casey kind of wishes he would, just for the reassurance that he's still there.

He's so absorbed in his thoughts he doesn't notice Donnie (the younger Donnie, the physical Donnie) standing in front of him until it's too late and he's already collided with his back. Coffee spills everywhere, though thankfully it only splashes his plastron where he can't get burned.

Younger Donnie whirls, something distinctly murderous in his eye that feels so weird and wrong directed at Casey. It cools only slightly when Donnie processes it wasn't one of his brothers bumping into him, and somehow that feels just as weird, that Donnie has to readjust his feelings to accommodate the unfamiliarity. (He's not family, not to this Donnie.)

"Is something chasing you?" Donnie snaps.

"Uh... no-"

"Is there a fire?"

"No, but-"

"Do you need glasses?"

"I don't... think so?"

"Then watch where you're going!"

He spins on his heel and marches off, toward the kitchen to get more coffee, Casey assumes. For a moment he's left too off kilter and dumbfounded to remember what he was doing.

Then Uncle Tello's voice in his head startles him out of it. What just happened?

Oh, uh... I ran into the other version of you.

Ran into?

Literally. I spilled his coffee.

Ah, and he didn't take it well.

And Casey knows he shouldn't stop for this. Casey knows they may be on limited time and he has to fix this and Uncle Tello shouldn't have to listen to his whining about things that don't matter.

But he's been holding in so many feelings for so long and even if it's just in his head, hearing his uncle's (dad's) voice makes it rush out of him before he can stop it.

I don't think he likes me very much. I touched his shell the other day and he snapped at me. I got mad at him when he touched your tech and that made him mad, too. I don't know how to talk to him.

He doesn't really know how to talk to any of them, is the thing. It used to be the easiest thing in the world, and now it's a wall he hasn't yet learned how to scale.

He can feel his thoughts spiraling against his will. He doesn't have time for this, but the grief and the lack of sleep and the lack of easy affection are all mixing together with the weirdness of it all into a dangerous Molotov cocktail of emotions and he's not sure what will light the fuse.

Casey Jr, says Uncle Tello's voice.

Uncle Tello?

Do you want to see something really funny?

Casey can't help but make a strangled noise at the back of his throat, one that isn't a laugh but isn't a cry either. Something funny?

Yeah. Trust me, it'll be hilarious. Go to my lab.

Casey hesitates. He doesn't let me in there without him...

I feel confident I outrank him. Wait, how old is he?

Sixteen.

Ahhh, that explains it. I know I'm an absolute delight now, but at that age I could be a real pill.

It startles an actual laugh out of Casey. Without arguing further, he rushes to Donnie's lab, quick before he can finish brewing his coffee.

How do I get in?

Is this the subway?

Yeah.

Okay, there's a manual override for the voice lock hidden in one of the wall panels, should be... three to the left, middle of the door. Give that a good knock. Shave and a haircut~

Casey does as directed, and the panel slides back, revealing a flat, glossy keypad.

What's the access code? he asks, feeling like they're on some secret mission now. Maybe it doesn't fall into what people in this time consider normal, but to Casey this is standard stuff. He falls into the rhythm of it like a well loved song.

Oh one one four twenty one twenty seven, says Uncle Tello.

Casey punches it in and the door slides open. He slips inside and hits the button to close and lock the door behind him. Donnie still hasn't returned; the mission is proceeding as planned.

Wasn't that the code for one of the weapons lockers in the old- at base?

Yes, it was. Poor security protocol to reuse codes, I know, but I'm partial to that one.

What is it?

Atomic Lass's birth date. Uncle Tello pauses, then adds, Has he shown you any of the old Atomic Lass episodes of Jupiter Jim?

Uh, no...

Ah, continuing to fail my already low expectations, Teen Tello. Never mind, we'll worry about that later on.

Later on. Right, they shouldn't be doing this, they should be trying to fix Uncle Tello, they should be-

To my computer, Casey Jr! I can't type so you'll have to do it for me.

Uncle Tello's voice pulls him out of his reverie, and he hurries to do as he's told.

Uncle Tello walks him through passwords and then through navigating the OS. It's old and out of date compared to what they had in the future (Donatello's custom OS, better than the hacks at Apple and Microsoft, or so he said), but when Casey had called it old and out of date Donnie had gotten mad about that, too.

Ada Lovelace, this is old, says Uncle Tello's voice now, and incredibly Casey laughs again.

But they find what he's looking for and then input a series of commands into the command line. Casey isn't familiar with all of them, but if he had to guess, they just sent a video from late 2019 to every device in the lair.

Alright, mission accomplished, time to retreat, says Uncle Tello's voice, and he hurries out of the lab, just in time to hear a ping from the phone in his pocket.

He pulls it out and watches the video. It's Donnie, only slightly younger than the teen Casey now lives with, adjusting the camera before grinning and posing in front of it. He's in his lab, though a different one than the one here in the subway. He looks cocky.

He moves further back from the camera so his entire body is framed in its lens, then steps onto a skateboard. He glides in a circle for a moment, then jumps to try and do some kind of trick. Casey doesn't know the name of it, but what he does know is that Donnie's feet get caught in his board, and he ends up tumbling to the floor, crashing in an undignified heap, arms splayed out and face smooshed against the concrete.

It shouldn't be funny.

(It's pretty funny.)

It seems the others echo this sentiment, because suddenly Casey can hear laughter erupting from elsewhere in the lair.

"OMIGOSH! Barry, you gotta watch this!"

"HAHAHAHA BRO ATE SHIT!"

"Hah... Don't worry Donnie, I'm sure you'll get it next ti-hahahahaha!"

There's the sound of scurrying feet, and then Donnie slides into the hall, glaring at Casey who forgot he should be moving away from the crime scene.

"YOU!" he screeches.

Casey freezes. What is he supposed to say? What excuse does he have? The you in my head told me to do it? Yeah right.

Casey does the only sensible thing and turns to run.

Casey Jr?

Uncle Tello!?

What's happening now?

The other you is after me!

Oh. Well. Better run fast.

Casey turns on the speed, sprinting down the corridor and toward the only exit he knows, Donnie hot on his trail.

Why is every younger version of you so scary!?

Oh please, there's no way that scrawny, barely pubescent mess is scary. Have you ever heard his voice crack?

...Well, yeah...

See? Hilarious. And we didn't even have to pull up my browser history.

Okay, but none of this helped us fix anything.

Ah well. One problem at a time.

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

[tanoraqui]

Dungeon Meshi Liveblog: In Which Izutsumi is Ace and also possibly a Time Lord

I heard that troll!Marcille is shredded. I heard she has an eight-pack.

(I can't believe that wasn't just the end of the chapter. I can't believe this wasn't the end of this book. What the fuck is going to happen in the NEXT chapter?!)

.

omg, baby!Chilchuck! He once had hope in his eyes and joy in his heart!

.

I just think he and Kabru should compare notes, by which I mean gossip.

.

Laios: [explaining a new monster]

Marcille:

.

Wait that's actually dodgy as fuck. Did they say something to her while Chlchuck was briefly in the bathroom or something? Threaten her?

.

Marcille's imagine spot as Chilchuck's wife reminds me of that episode of Scrubs where each person imagines themselves married to Elliot. Amazing, no notes.

.

Marcille's so valid tbh. He clearly lied before when he said he had only 1 daughter - he could easily be lying now, for all they know.

.

....huh. Book 9 is the first book to have 6 chapters instead of 7. Story drama, or publication drama?

.

this is sitcom-tier stuff. fantastic.

.

Marcille: [dies and gets resurrected]

Marcille: :D :D :D I am going to study this! :D :D :D

(Marcille: So that nobody I love needs to ever die again. :) :) :) )

.

She is, however, distinctly avoiding this question about her age.

.

Izutsumi, confirmed for ace icon?!

.

Izutsumi confirmed for ace icon!!

.

Nooo babygirl! You have so much heart, it's just not exercised enough!

,

<3 :3 <3

Also, Izutsumi also confirmed for Time Lord, I guess! (And her human half may be ace but her cat half is thinkin' about a big, good-looking panther ;3

.

The very first image we see of Chilchuck's daughters is of a nightmare of them axe-murdered?! Geez louise.

.

I don't even care if it's a demon or a god, I just laughed aloud so hard. Impeccable transition. I think the comedic timing in this comic might be getting better as it goes on.

Shoutout to Laios for being so weird that the succubus just had to kinda guess, "uhh only properly humanoid girl in the party?" for his greatest desire, until presumably it got close enough to pick up a more detailed impression.

.

Hm. So, it's not lying...

.

...nvm, now it probably is (lying).

.

Oh yes this is a trap. A seduction.

.

/giggling with delight - Oh my god, at the previous panel I was going to make a joke about Samwise the Great, Gardener of the World, ie the temptation vision the Ring gives Sam. But I guess I don't have to, we're just going there directly. What does pure power do to you, Laios?

.

Wsdknsdvl even the Winged Lion is like, "but what about your judicial policy?" I love this comic sooo much.

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That's 'cuz you're a man.

[celaenaeiln]

Please talk more about B & D’s “unable to be defined/labeled dynamic/relationship as it encompasses many labels yet at the same time cannot be fitted to just one label” dynamic 🙏

I'd be delighted to!!

Link to original post

In the previous post I had included a panel where Bruce is referred to Dick as his "surrogate father, mentor, friend, and partner." These words could not be more different from each other and while they should not be used in conjunction with each other, they have never suited these two people more. In fact I don't there is any character pairing in any fandom that has the same dynamic that these two have. Dick and Bruce's relationship has a complicated depth to it that Bruce and the rest of his children don't have.

I think the most confusing thing is when Bruce constantly confuses Dick being a son and a partner.

First thing I want to start off with is that Dick and Bruce used to sleep in beds so close together it looks like one bed. In the 1950's this arrangement was known as the "twin beds" which were typically used for married couples. Children slept in a separate bedroom which begs the question why Dick and Bruce had a sleeping arrangement similar to that of marriage partners. This is the first weird thing about their relationship.

Not to mention, the romantic boat rides they used to take together. But was this normal then between father and son or is it just a romantic thing now, I don't know. As well as when they decided bronzing themselves naked next to each other. Not really sure what was going on there, if it was acceptable during that time or what but I do know that the reason that creators decided to send Dick to college in 1970 was because they wanted to beat the gay batman and robin allegations. It's weird as hell that they even came up with these ideas. Also the robin crossdressing. For justice, am I right?!

I feel these instances are important because it breaks any barriers they have between them. They're so (platonically for me) intimate that there's nothing but each other in their souls. One of the key reasons that their relationship is vague and intense and encompassing.

Dick is also considered Bruce's partner intellectually.

Instead of Dick listening to Bruce and following behind, as it's often shown in robin comics, they talk on equal terms. There's other moments of this shown too:

I think this is the reason why Bruce considers Dick a partner. He's not only exceedingly intelligent, but he even at a young age he's able to keep up with Bruce's thought process as an equal when even the justice league and other major adult heroes fail to do. Bruce's inventions are Dick's inventions because they played an equal role in creating them. This is why he's called the Prodigal Son.

Now onto him being a best friend and a son mix.

We know the classic example of Dick expecting to be Bruce's best man and Bruce thinking the same. But there are other moments that indicate that too.

But it isn't one sided because Dick also sees Bruce as his best friend:

Dick punching Bruce in the throat and single handedly carrying him like a sack of potatoes is just funny as hell.

Also including the fact that Dick and Bruce embody sleepover, besties behavior:

BUT HERE'S WHERE IT GETS JUICY.

Having your child act as your bestfriend is terrible for your child's mental health.

I'm speaking from personal experience but when your parent trauma dumps their life onto you at a young age, you mature emotionally much faster than you're supposed. You start becoming aware of people's thoughts and emotions at a deeper level and you start attuning yourself to others. In layman's terms: you change yourself to be able to meet your parent's high expectations and act as an emotional sponge for their anger, sorrow, disappointment, and frustration about their own life.

I'm not hesitant to admit that Dick's manipulation tactics most likely stem from this behavior. He knows what he wants and he will do anything to get it. This doesn't mean he's a bad person though. In fact I give him the highest level of respect of any character because all his intentions are good. He doesn't cheat, lie, or trick people into killing themself or harming others or bringing them down. He does it to make their lives better which is-I'm sorry, I don't have the proper words to express the multitudes of emotion I'm feeling for that.

(I nearly went into a massive monologue about how other people view his manipulation but that's for another post. )

This is also where things get complicated, and why we know Bruce and Dick as the way they are.

Dick has become so emotionally and mentally adept that he's able to pick up on others' thoughts and attitudes (Bruce specifically) before they even realize them. This is why Bruce is so dependent on Dick for everything. In one comic Garth says "Dick's a good listener."

I'm going to deviate for a minute here and include a panel that shows how this personality trait affects Dick's other roles:

Speaking more about Bruce's impact on Dick, there's this:

Aside from the huge ass painting on the wall of just the two of them-the panel is another perfect example of the complicated depth to them. They see each other as equals and when something interferes with that perception, then they start having problems. It haunts Bruce that the 8yr old he took in is equally matched to him in skill and ability but he also recognizes that Dick is too young to be able to do so. He should not have to experience the pain and responsibility of an adult but Bruce can't just get rid of him because Dick is the only one capable of keeping up with him. His heart also breaks when Dick is away (he starts crying in a panel multiple panels as Dick is leaving). For Dick he's already far used to the roles and responsibilities that he doesn't consider his age a factor as to why Bruce refuses to let him do the same things. This is a source of miscommunication between them. Bruce knows Dick can succeed at anything given to him but feels he shouldn't have to deal with those things. And Dick doesn't understand the hesitance when he's proven to have accomplished those tasks and greater before.

To expand, Dick's relationship with Bruce reminds me of Slade's relationship with Billy Wintergreen when Deathstroke tells him "You've been with me through everything...but now I have to say goodbye when you're unconscious or else I can't do it." Or something along those lines, the vibes are the same.

Oh yes, and this scene too:

Which mimics a lot of the confusion other characters have over Dick and Bruce's relationship.

But the difference between Slade and Billy vs Dick and Bruce is that Dick and Bruce's relationship is blurred on ALL fronts. There's not a single moment where Bruce has viewed Dick strictly as a son.

This leads me into the mentor aspect.

Note: while Dick knows Bruce the best, Bruce also knows Dick the best of all his children. There's a certainty to the way he speaks about Dick's abilities that he lacks when discussing his other sons'. That doesn't mean he doesn't know what they can do-he well aware and knowledgeable-it just means that his relationship with and understanding of Dick far exceeds what he has with the others.

Holy crap there's so much I'm bouncing all over the place-let me go back for second to partners.

Everyone knows this iconic scene whether you're in the fandom or not:

But few people know what comes next-

From the dawn of Batman and Robin comics, Batman has been obsessed with controlling Dick. I don't understand why he doesn't use his manipulative tactics on anyone else. There's a comic panel where Dick tells Barbara, "...you and Bruce don't need to manipulate me into doing what you guys want." It was always his way or the highway with him and Bruce reflects on this again in Batman and Robin Eternal. Dick also tells Bruce he's being pig-headed during the 1966 comic version of the Warner Brother's film and when Bruce asks him "Am I really pig-headed?" Alfred goes "hell yeah." Essentially.

(Also going to sneak this in as another example of why Dick wasn't an angry robin to a previous post

)

Ofcourse Bruce seems him as a son too:

THE FULL ON SMILE HE HAS ON HIS FACE JUST LISTENING TO DICK TALK!!!

Also in the linked previous post there's the panel of Bruce begging the judge not to take away his son from him. "Dick is like my own son!I've even changed my will so that incase of my death, Dick will get my entire fortune! You honor, I...I love that boy! Please don't take him from me!"

We already know many references about Dick being labelled Dick's son so I'll leave this aside for now.

Now here's the main point- the way Bruce and Dick interact with each other has so much history they're unable to explain themselves to others or each other. There's so many complex emotions between the two of them that sometimes even they're confused.

But seriously. What is your obsession with Dick, Bruce?

Lemme explain.

As everyone knows Dick and Clark are best friends. They are so close to the point where Bruce actually sweeps the stuff off his desk in the batcave and says "LET ME JUST GET RID OF ALL OUR TROPHIES. I'LL JUST MAKE ROOM FOR THE ADVENTURES OF SUPERMAN AND ROBIN INSTEAD!"

WTFFFFF BRUCE. WHY ARE YOU GETTING JEALOUS OF YOUR 15YR OLD'S FRIENDSHIP?

Oh, yes, what trophies am I talking about? Trophies of their battles together of course!

Which means the batcave is memorabilia of their time together. You know what that also means? It means that Bruce sulks in the Batcave because in the cave, he can literally surround himself with the time he spent with Dick.

Bruce is so abnormal about Dick. He sees Dick as an all in one. Every single relationship category you can think of, Bruce has bundled it up and put it into Dick. If all their various relationships became a physical string, Bruce would have a leash on Dick that resembles a thick, corded rope. So if you cut one thread of, say, friendship, the rope won't tear become the other threads of partnership, family, and other ambiguous threads would still hold them together.

Bruce has a leash on Dick but something Dick doesn't know and Bruce won't admit is that Dick has a leash on him too.

HERE'S THE INSECURITY WITH DICK AGAIN. THE MAN THINKS THE WORLD OF DICK BUT HE'S HORRIFIED AT THE THOUGHT, AT THE POSSIBILITY, THAT DICK DOESN'T FEEL THE SAME OF HIM.

He's constantly seeking reassurance of his place with Dick through the only way he knows how-manipulation. While Bruce consistently distances himself from his son, he's doing it on purpose so Dick will come running back to him. I mean-isn't that what he did with Jason? Expelling Dick in fury and fear and not telling Dick about taking in a new robin?

In the comic Dick drops by and tells him "I found out through a newspaper and since I haven't been robin..." to which Bruce responds horrified and guilty. He knows what he's doing. He just doesn't want to get caught as to why.

Others have picked on this obsession he has with Dick too:

Someone clearly knew the importance of Nightwing to Batman. They knew what his death would do to him. And in response Bruce went out of his way-to a foreign land-just to take revenge on the man who almost took “his boy” away from him. Leaving with a parting promise, an oath, to hunt down the other one and leave him crippled for life too. Did Batman know KG Beast would survive or did he just leave it up to fate?

In the previous panel, apart from KG Beast calling Dick "your boy" to Batman, it's only implied though. So how do we know if Dick really does have that much weight to Bruce? Well not only is it confirmed, it is engraved in stone:

And when the blast nearly kills Dick, Bruce nearly kills the man who did it. WITH A GUN.

Also him trying to strangle Lex Luthor to death before Lex chokes out in between stolen gasps that Dick's not actually dead but he will be if Bruce continues.

Did you know that the dead Robin in the Superman vs Batman movie was confirmed to be Dick? Yeah. That says a lot right there.

Brothers

I'm not going to get into their brother relationship because that involves how Alfred treats Dick as a son rather than a grandson and is opening a whole new mansion of stuff so I'm going to wrap this up here and say the two of them are a LOT.

Bruce and Dick's relationship is impossible to define and that's why they keep ending up fighting. Their relationship doesn't have clear boundaries and since each type of relationship (brotherhood, father/son, partnership, friendship, colleagues, idols&pedestals) has it's own unique problems, and because the two of them alone are all those things, they have all the problems of each of these categories combined. But they also have all the benefits. Inseparably entwined these two.

[u3pxx]

WHAT DO YOU MEAN IT'S 2024?!?!

next, you're gonna tell me it's gonna be some made-up year like "2025" next. tch, imagine that.

anyways, whoo! 2023! compared to both 2022 and 2021, i gotta say, my art style took a hard swerve in some direction this year. i mean, look at that klavier from january and that butch kim from just this december! (granted, i heavily referenced the portrait of butch kim but still, i didn't use to paint! mama mia!)

---

the way i drew faces has definitely changed, that's what i get for getting into something that's live-action and into smth that has realistically proportioned art lol

OH! OH! HOW COULD I FORGET!!! IT WAS (and still will be) THE YEAR OF THE OLD MAN!! i really learned how to draw aged faces this year! ach fraulein, i have not stopped drawing people in their 40's-50's! i would say "send help" but i'm actually having a lot of fun ASKSKS

---

i think a funny thing about these art summaries i've done is that they're mostly ace attorney but then there's just a month where i become a different type of ill LMAO this year it was four months for the price of two new interests!

cheers! here's to 2024!!! hope y'all have a fun art year!!!!

---

i'm gonna ramble more below about like, other art things i did this year but i'm gonna put it under 'keep reading' bc this baby is getting way too wordy now WHEEZES

1. FAVORITE THINGS I'VE DRAWN THIS YEAR (IN NO PARTICULAR ORDER)

⚖️ mea culpa comic [x]

drawing this one was so time-consuming and ambitious but boy, do i love the end result! i had fun doing the inks for this one but was it a lot! i usually color in lineart and render everything but i had to stop myself from doing it for this one bc man, i'll die asksks

this also has some of my favorite apollos i've drawn, definitely

also! the part about the lineart not being colored and no rendering ended up being a deliberate stylistic choice for this one bc i had like more freedom to do just shadows with inks without it looking too out of place.

💐 my lawfully wedded zine spread [x]

now this one isn't out yet but take my word for when i say that this is one of the most craxy things i've ever drawn for this year, on account of drawing a comic AND group shot all in one!

also literally one of the prettiest things i've rendered this year, lookit that klav...

🎉 aa4 redraw - 2022 anniversary [x]

kind of like my wedding zine piece, group photos are insane, and rendering like uhhh [looks at drawing] 11 CHARACTERS IS ALSO INSANE if i try and draw a group photo again you have to stop me DFGHDJ

🎨 my art fight stuff [x] [x]

was possessed in the month of july or smth bc i pumped out like how many drawings so quickly (before i got burnt out that is pftt)

pace yourselves and don't be like me pls ajshgdghhjk

💥 people park day [x]

my friend told me that it was very obvious i watched across the spiderverse when they saw this FDFGHJD

but yea! this is when i started getting really into like, thought bubbles or just like, panels or drawings within a drawing when coming up with layouts

i still love the colors on this one...

🪩 fem disco portraits

ok so i haven't uploaded these yet but you have to trust me when i say that something was in the water DFGHDJ

who knew that all it took for me to learn how to paint was butches

2. ALSO DID YOU KNOW THAT I SOLD STICKERS THIS YEAR IN OUR UNI'S ART MART?

THE ONLY GOOD THING ABOUT THAT SCHOOL I SWEAR PFTTT this experience has also awaken the merch beast in me and i need to make more physical things for my brain to be happy, that's just how it be pfttt

hopefully next year i can actually start like a shopee shop or whatever lmao

3. ART FIGHT

i'm actually quite happy i got to participate in art fight this year! very delighted for all the art i've gotten and very fun to have drawn for others too!!

4. ZINES

i got invited and joined so many zines from 2022 continuing to 2023 that i kind of got burnt out from participating for now ngl ASKSKSKS not gonna be joining much this year oopsiessss! (unless i lose self-control [very likely])

5. SCHOOL

i don't actually like a lot of the stuff i draw for art school bc i tend to cram and not have fun pftt <- adhd moment, tragic! but here are some that i actually kind of like lol

6. THAT'S IT!

i think that's it! thanks for reading all the way down here!! o(*￣▽￣*)ブ

[tobiasdrake]

Hi! Absolutely adore your DBZ analyses, thank you so much - just spent a delightful time reading them all. I was wondering, since you've commented on Chi-Chi and Goku's marriage, what do you have to say about Vegeta and Bulma's relationship? (I've always been entranced by it - mostly because as with all his romances, Toriyama had the wisdom not to show any of it onscreen. But I'd love to know your thoughts about it.)

Bulma and Vegeta are a match made in Hell, and they deserve each other. (Which is to say yes, I love this ship.)

Hooking Bulma up with Vegeta was a hell of a narrative swerve. Generally speaking, stories rarely do this; They rarely let characters break up once they're already invested in a romance, unless it's supposed to be like a love triangle thing.

And Bulma? Bulma was invested. At least, to a degree.

This was the birth of the original Bulma romance that ran through about half of the manga. Two teens interesting in the opposite sex suddenly realize the availability of the other and a relationship is born.

Toriyama says he's bad at writing romance but to be honest, this has always hit me as more believable than your typical drawn-out five-seasons-of-pining Will They/Won't They affair. I'm a girl. You're a boy. Wanna go out and see what clicks?

And these two... these two do not click. We only really see their relationship from Bulma's perspective but it's clear that these two are miserable together.

The manga sorta takes Bulma's side, in that we never really get to hear Yamcha's opinion about their relationship one way or another. When he's around, all he wants to do is talk shop about martial arts. Since Toriyama doesn't like to write romance, we simply don't see much of it from them. What little we do hear about it comes from Bulma complaining about how miserable she is.

Bulma is pretty much always pissed off whenever the relationship is in focus at all.

Anime filler tends to take Yamcha's side instead, portraying him as a put-upon victim of Bulma's jealousy and abuse. A nice guy who doesn't deserve the way she treats him.

It's not hard to buy into this interpretation of their relationship since, as noted, we rarely get anything from Yamcha with regard to his relationship to women or Bulma specifically but we know Bulma's a lot. It's easy to accept Bulma as the "bad guy" of this relationship because. Like. Remember that time she enslaved a sentient being? Good times.

Though one particular moment from Yamcha later on kinda stands out as a bit of a retroactive Yikes.

Yeah. Uh. Threatening violence against a woman for rejecting his bro is a bit of a Yikes. Is this who we were supposed to see Yamcha as all this time? Because, if so, it might have helped to let him opine about the relationship more. Just saiyan.

According to Toriyama in interview, Yamcha and Bulma ultimately broke up because she caught Yamcha cheating on her. I guess that's what him being "popular with girls" was supposed to mean: Once he got over his gynophobia and found confidence with the opposite sex, Yamcha became a player.

But that doesn't necessarily come across from the statement, "Bulma can't stand that Yamcha's popular with girls." A lot of fans took that to mean girls just like him for no reason, and Bulma's unreasonably jealous about it. The anime took that position too.

Note that the "Yamcha is popular with girls" thing isn't helped by the fact that we never see it on-panel because he's only ever talking shop when he's around. But we do see a wandering eye from Bulma often enough.

There's nothing wrong with enjoying the aesthetic appeal of another party even when you're in a monogamous relationship, but it doesn't really present the "Other party is a womanizer and cheater" case when you're the only one ever seen doing this.

So it feels like there's a lot about Yamcha and Bulma's relationship that never made it to print yet influenced later decisions. Those decisions ended up being controversial because the foundation for those decisions was never laid. Here, Toriyama's disdain for writing romance worked against him.

But ultimately, regardless of whose side you take, it doesn't really matter. It doesn't matter who the "bad guy" is. A healthy relationship does not have a "bad guy" in it.

Whether or not Yamcha cheated, whether or not Bulma's just an unreasonably jealous hell-beast, it doesn't actually matter. What matters is that once you reach the point where you're taking sides over which party is the most obnoxious asshole and I hate you and I wish we never met... this relationship is not working for anybody.

It doesn't matter who the bad guy is. It doesn't matter who deserves the blame for this relationship being a toxic shithole. That there is blame to throw around in the first place is the problem. Every relationship has its ups and downs but if one party is constantly miserable for years and has possibly been looking for an escape hatch since year 1, that's not a little tiff.

What matters is that these two are not working out. Any time we see their relationship in focus, they are miserable together. The anime tried to do some patchwork on that with audience reception by giving them some cute moments as well, but because those moments aren't canon the pair remained miserable.

And then this happened.

Despite everything, I think we all assumed that Bulma and Yamcha were going to work it out. Fictional relationships are often portrayed as tumultuous. To a writer, nothing says true love like being constantly miserable and despising every waking moment you spend with your awful, nagging ball-and-chain of a spouse. That's just. Like. What the straights think romance is. It's weird.

I think we all thought that was going to be the deal here too. And then Trunks came along and said, "Nope, actually, they finally severed the cord."

Again, Toriyama says he's bad at writing romance but holy shit, the toxic and miserable relationship actually ended. The two characters involved who only got together out of loneliness and desperation later found they were incompatible with each other. That's so real. Much moreso than a lot of fictional romances.

Instead, we got the absolute crack ship that is Vegeta and Bulma. What a wild-ass revelation for Trunks to drop.

Like. Until the end of the Namek arc, this was the only time these two characters even met.

She also saw Vegeta for like two seconds here.

That was it. That was their entire history together until Goku defeated Frieza while Kaio sent everyone to Earth. But that's when everything changed for Vegeta.

Stranded on Earth with no ship, no affiliations, no ability to leave the planet and nowhere to go or be and no obligations to anyone but himself, Vegeta's circumstances were wildly different than they'd ever been before. He had become one of the Namekian refugees.

And Bulma was offering refuge.

Hard to resist, indeed. That moment is absolutely hilarious in retrospect. Bulma rolled a Nat 20 on that charisma check. It's pretty clear who the instigator of this relationship was.

Like. It needs to be stated that at this point, the only thing Bulma knew about Vegeta was that he tried to kill them all multiple times, and also he's kinda hot. But. Like.

It's Bulma. Anyone who doesn't expect this from her by now either hasn't been paying attention or started watching the English dub of the anime when they did Z first.

So, naturally, Vegeta is a kind and loving man and became a phenomenal husband and fa--

Wait. No. I got my notes mixed up. It says here Vegeta's a rotten dirty bastard. Like. Chronically. He has Supreme Dickshit Syndrome. It's genetic.

Most of Bulma and Vegeta's developing relationship happens offscreen. From what snippets we get, Vegeta has a tendency to vanish during the day, but he still lives at Capsule Corp so Bulma sees him around.

By the end of the three-year timeskip, it's official. Or semi-official. Yamcha and Bulma broke up at some point during that timeskip and Bulma's given birth to Trunks.

As for Vegeta, he's evidently moved out of Capsule Corp and into his own place.

I guess he's still keeping contact with Bulma since she knows what his intentions are. Not to mention he found his tranquility during these three years, though it's somewhat ambiguous as to what exactly brought that peace to his heart.

But the relationship is off to a rocky start nonetheless. Clearly something went down between Vegeta and Bulma that drove Vegeta out of Capsule Corp. To. Uh. Somewhere.

I like to imagine Vegeta living in some shitty West City apartment he rents off a stipend Bulma's sending him that he refuses to openly acknowledge. Like, room 101 is a down-on-his-luck tax accountant, room 102 is a couple with a kid trying to make ends meet off two retail workers' salaries, and then room 103 is Vegeta, Prince of All Saiyans. Sometimes he goes to community events and pretends he isn't having fun.

No lie, I would absolutely watch that as a sitcom.

As for Vegeta himself, he's still a rotten dirty bastard.

Worth noting that Vegeta's saying this as a Super Saiyan which means he's drunk on the form's enhanced aggression. But. Still. Vegeta is an absolute monster being dragged kicking and screaming into a pleasant life that he'll one day resent himself for enjoying. This is his arc moving forward.

It's not so much a redemption arc as it is a domestication arc. The uniquely evil even by Saiyan standards Vegeta is gradually being changed by his new terrestrial life. He doesn't want to own up to how much he enjoys it here. Seven years later, he's still desperate to avoid owning up to it.

He doesn't want to be happy here. He doesn't want a loving wife and a son who looks up to him and the most lavish home wealth can afford him and easy, comfortable days spent with friends and loved ones by his side. He doesn't want a happy ending.

But it's like Bulma warned him: Dragon Ball's queen bee is hard to resist.

Welcome back to Capsule Corp, Vegeta. We hardly even noticed you were gone. Honestly, Future Trunks deserves a lot of the credit for this; Watching him die at the Cell Games was what flipped the switch in Vegeta's head that he wants the family he and Bulma have spawned together.

Sure is a good thing we have Dragon Balls because this is a hell of a time to suddenly decide you love your son. But we see the consequences of that seven years later, since Vegeta moved back into Capsule Corp from... I don't know, wherever he went. They're gonna miss him at the next community poolside summer BBQ event for all tenants.

Part of what makes Vegeta and Bulma work, I think, is that they're on the same page about one crucial point. For Bulma, there is one person who will always take precedent in her life above all others. Romance comes and romance goes, but this is the relationship that matters most to her.

Especially when it comes to martial arts and fighting. Bulma doesn't know a lot about the subject, but she knows that Son Goku is her #1. She has no reservations about saying that to her lover's face either.

When fists start flying, Bulma knows who she's rooting for. If Goku's involved, then it's not her guy. That's. Just. Something that anyone who wants to be with her has to be willing to understand. The single most important relationship in Bulma's life will always be her friendship with Goku.

And the thing about Vegeta is... He kind of agrees? Like. See above, re: I wanted Babidi to destroy my feelings for Bulma so that I could become the warrior that can fight with you, Kakarot.

As much as Goku will always be Bulma's #1, he'll also always be Vegeta's #1. He even gets included into Vegeta's fond farewell to the family he loves.

Goku is basically the platonic third in a two-person polycule. This is the second marriage that this poor ace plays a vital role in despite having no real interest in romance whatsoever.

Bulma is selfish, spiteful, petty, and vain. At one point, DBS: Broly directly compares her to Frieza; A comparison that manages to be unbelievably unflattering to both participants.

They're the same picture. A revelation that would probably be horrifying to both.

And Vegeta. Especially Vegeta. But. Like. She warned you she was irresistible. You didn't take her seriously and now look where you are. Married to the She-Frieza. Maybe you should think about your life choices.

This is just. So much fun. As I said at the outset, Bulma and Vegeta are a match made in Hell who make it work because they're both similar brands of awful.

As for Yamcha, it's a little known fact but Yamcha rebounded and moved on with his life. He stops having much story relevancy after he leaves Capsule Corporation so we see very little of his private life from there. After retiring from martial arts and splitting up with Bulma, Yamcha's left without any story hooks to keep him involved.

But there was this interesting moment, when he realized they had a Shenron wish to spare.

After Krillin comes up with something better to use the wish on, he takes it back and claims it was a joke.

This is, surprisingly, a point of contention in the fandom as some of Yamcha's fans prefer the idea that he died miserable and alone after Bulma ruined his life by leaving him. This takeback gets pointed to as proof that he made up his girlfriend entirely. However, in context, it's clear that a) he's trying to brush off his earlier attempt at making a petty wish and b) the thing he's transparently pretending was a joke is the necklace wish, not the existence of his new girlfriend.

Like Bulma, Yamcha moved on with his life after the break up of their miserable relationship. And that was the final word that was ever uttered on Yamcha's romantic prospects, because this was the last time he was ever meaningfully involved with anything at all.

[yesihaveaobsession]

Let Me Help You

SPOILER FOR LAST EPISODE OF 'HAZBIN HOTEL'

Alastor x female!huntress reader

Summary: The reader (you) are one of those who defeated the apocalypse back on Earth, Charlie asks you to go down to help with the Extermination, but in the end, you end up helping Alastor patch up after he's weak.

A/N- this was a small request of the huntress! reader being a part of Extermination Day, but I thought y'all would want wounded Al and one on one with him (I would), ALSO sorry this took like a million year to put out I was moving :).

Requested by @redamancyardor (hope you like!)

SPOILER FOR LAST EPISODE OF 'HAZBIN HOTEL'

You were a huntress who had stopped the Apocalypse back on Earth. Your well-known presence led to Princess Charlie asking you to come down to the Pride Ring to help with Extermination Day. Knowing she was stressed about it, you decided to help, and that's where you are now.

Before you knew it, it was over. Although Adam was gone, the hotel was in shambles, and the structure was crushed. Charlie's precious hotel was demolished. You were covered in dirt and blood, wiping the sweat off your forehead, and looking around to see Charlie's heart was crushed. That's when you realized that Alastor was missing.

The huntress skills you possessed helped you maneuver through the rubble of the once-standing hotel. Taking a second to catch your breath, you weren't in the best of shape at that very moment. You caught sight of the familiar silhouette of Alastor's radio tower, with splotches of a blood trail leading to the trapdoor of the only thing still standing. Pushing it open, you saw Alastor alive.

His usually immaculate suit was torn, blood trickled from a wound, and he looked disheveled. Despite all of that, a smile haunted his face, even if it wanted to leave. He was leaning on the control panel, and you saw his shoulders rise and fall, his claws gripping and clawing through the panel. The ends of his hair were as sharp as knives. His usual manic glee was gone. The Alastor you knew was gone.

"Alastor?" you whispered, mainly to yourself but loud enough for him to hear. He turned around to face you. You were already in the tower completely, and the trap door was closed beneath you, but you dared to take a step back as the Radio Demon took a step towards you. His red eyes glowed in the dim red lighting of Pride Ring's sky.

"What a delightful surprise," he mused with his radio filter off. He tried taking another step, but he clutched his chest where a big gash was and bent over, closing his eyes and furrowing his eyebrows. You wasted no time to drop your angel blade that you had possessed; the huntress instincts kicked in. He was really weak.

"You're hurt," you said, stepping closer to examine his injuries, mainly the large gash that was hard to miss, even from a mile away.

"Nonsense," he replied, waving a hand dismissively. "It's just a scratch."

You furrowed your eyebrows and gave him a once-over, concerned for his well-being. You then gave him a stern look. "Let me patch you up."

"I assure you I am able to—" You cut him off.

"Let me help you," you spoke.

Before he could argue more, you draped his long arm over your shoulder and gently had Alastor lean against the wall of his tower. He was breathing heavily. His grin remained, but you could see the pain in his eyes. "Easy now, don't rush it," you said calmly. Kneeling to his level and pulling out a mini first aid kit you had in your pocket, you knew it wasn't going to be much help, but it might do until Alastor was less weak.

He tried to insist he was fine once again, but you silenced him with a glare. You got up and looked around his radio tower, obviously searching for something specific. "What is it, my dear?" he asked breathlessly as the cold air hit his wound.

"You got any hard liquor?" you asked, out of the ordinary. It surprised him, but he loosely pointed to a mini cabinet on one end of the room. You nodded and retrieved a rich whiskey, feeling a bit bad about how you were going to use it, but you had no other choice. You made your way back over to him, knelt down again, and uncapped the whiskey. Slowly pushing his torn suit jacket off as gently as possible to avoid hurting him, he still winced, and you whispered an apology.

Looking him straight in the eyes, you said, "This is going to sting for a few seconds, brace yourself." He let out a small nod and shifted. You gently poured some of the hard liquor onto the gash to clean out the bacteria in the open wound. You had learned this the hard way after a rough werewolf hunt, but it worked. Alastor hissed through his teeth, and his breathing grew heavier as the whiskey did its thing.

You decided to stitch him up because he wasn't healed yet. He watched with a mixture of amusement and admiration. "You know, you're quite the enigma," he remarked as you worked. "A fierce huntress with a healer's touch."

You looked up at him, his eyes meeting yours directly. His eyes were hooded, and he still had a strained smile. You smiled at him, "Yeah, well, I learned this the hard way," you said, then with a small smile, you shrugged teasingly. "Someone has to keep you in one piece." You looked back down at your task, preparing to bandage him, but he pushed your hand away. His hand glowed with his green voodoo color, and he was able to heal himself. You watched in amazement. You noticed that you were healed too. Lifting up your shirt to see you had not a scratch or bruise on you, you then lowered it back down and looked into his eyes again.

"And for that, I am eternally grateful," he smiled. As you stepped back, you felt a sense of satisfaction. Despite the chaos of Extermination Day, you had managed to protect your friends and keep Alastor safe. The fight was far from over, but you knew that with allies like him, you could face whatever Hell threw your way.

[beautyconsumer]

For the prompt thing, what do you think Jason’s favourite food would be. Obviously he’s used to and will eat anything he’s given but what particularly do you think he’d like? Also, what do you think he’d like to cook?

For the song thing, I think the chain by fleetwood Mac is a very Jason Todd song.

I don’t have anything else, sorry. 👍

Jason is mostly shown to be eating fast food in what I've seen from canon. And the fandom, much to my delight, has decided that his obsessive and meticulous tendencies would be focused into his cooking as well.

And it makes so much sense to me because from going to cheap fast food one is used to from a busy poor family to be able to go all the way to prepare long process food... I love that for him.

For a specific meal I'm not sure but I think he'd be a total snob. If we're going with Latino!Jason and in this case I'm going with mexican cuisine because that's what I know— he'd be the type to buy expensive ass thick stakes, carne asada with salsa de molcajete, potatoes, guacamole, he's a all or nothing kind of guy.

On that note; I personally see Jason using food as a form of love, if preparing a meal that would take more than a few minutes is a from of self care for himself, I also see him doing it for the people he cares about. Romantic or otherwise.

Cooking for his family, his friends, the outlaws, people he has a crush on.

That's how he shows he cares, alright?

If even not going all the way to bake/cook them something I see him stopping at a convenience store or a fast food chain to get them something so their stomach isn't empty.

With a specific dynamic...

Jaygrant: I see Grant absolutely blown away by the care and love Jason pours into cooking. Grant's heart swelling and not knowing what to do with these emotions because wow he cares so much, he doesn't deserve this. But Grant is nothing but an opportunist he's not taking the horse in the mouth.

And also perceives the love when someone else feeds him. Hehe Hence why I think Bruce getting him food and taking care of him without showing much emotions or actual words meant so much back then. Which is also another way Jason perceives affection; actions speak louder than words. Bruce (or anyone) protecting him means a lot.

I was reminded of that one panel in Knight Terrors where he goes, "I just wanted someone—"

Someone having his back means a lot, especially because of his long story of being betrayed and/alone.

And THAT SONG! That song is in my Jason Todd playlist, you're so right!!!!

"If you don't love me now, you will never love me again, I can still hear you saying you will never break the chain."

I see Under the Red Hood playing with that song. And it pours Jason's feelings so well. It just fits too well.

[sciderman]

sci i had no idea about your donald duck hyperfixation and now i am SO curious how did it come to be, what do you like about him, etc etc please rant to us

oh man! it was pretty simple - i, as you may have noticed, really like comics. buuut i was sick of marvel during my notorious hiatus of 2017 - i was hating pretty much everything they were putting out, and was in a sour mood over sm:h, just - i was sick to death of marvel.

but. buuut... i really like comics. and actually, i kind of already just had a bit of a baseline interest in ducks. i travel around europe a lot, and i always see duck comics stocking the shelves - one time i went to a second hand book market in berlin and found loads of worn-out issues of the ducks, and they cost like, pennies, so i picked them up because i just - i adore the art. it's so appealing and just - it makes me happy.

i just think they're neat!!!

so i started this habit of buying duck books in different languages from all the european countries i travel to. i have books in french, in german, in danish – i just really like ducks. i always looked for them in english but - really, they're kind of difficult to find in london. they're not popular in the uk. i remember a frustrating few years of my life, any time i'd enter a comic book shop in london i'd ask "you have any duck?" and no. they never had any duck. i wasn't ever committed enough to look online or anything, but for years and years and years i'd always wanted to read the duck comics. and i was determined that ONCE i found a book in english, in an english book shop, i finally would start.

eventually - finally! i happened upon a copy of don rosa's the life and times of scrooge mcduck - in english!! at a comic store in soho and i snapped it up immediately. i ate through the whole thing in one sitting and just - fell in love. i adore scrooge - his defining trait is that he's stingy but - otherwise he's fearless and adventurous and - well, tougher than the toughies, smarter than the smarties. donald too, his defining trait is his anger but - he's so good-hearted and family-centric and - ruagh. i love both of them - both of them having defining traits that are typically negative but - redeemed by all of their other wonderful traits that make them endearing and loveable. it's surprisingly complex, i think - and it makes for a really entertaining read in that - they're imperfect little guys. and you adore them anyway.

it filled the void in my heart and - i found that i just enjoyed the duck comics much more than i ever did the marvel comics - just - i don't know, they're whimsical and cheerful and - so easy to read, from the way they're panelled. they're designed to be accessible for everyone. marvel comics can be a nightmare, but the duck comics are just a delight. the ducks were my detox from the hell that was marvel, and they kept my love for comics alive!

i've gotten lucky in being able to find a lot more comics printed in english but - never in london, no sir. i get lucky and sometimes find english prints in other european countries so - a lot of my european friends know, when i come to visit them, there will have to be a Duck Detour at some point. i don't come home without duck.

[hobivore]

Mission 111: The Timebreaker | JYH

— Jeong Yunho x reader (f)

Prompt: "Hey, did you fall from heaven when you hurt—fuck." & "If you're trying to manipulate me us, it's not working." from this prompt list. AU/Trope: science fiction-y angel!au, coworkers to lovers (or partners to partners or whatever the angel equivalent would be) Warnings: Django!Yunho but give him wings, apocalyptic levels of violence and a little bit of blood (nothing too explicit) WC: 2.2k A/N: Surpriiiiiise, your local writer cryptid has risen from the 10th circle of hell called Adult Responsibilities! This short story draws inspiration from Ateez’ delightful space-cowboy concept, biblically accurate angels and a spoonful of Welcome to Night Vale (which I used to obsessively listen to back in 2012). Shout-out to my lovely friend @augustbutwinter for kicking my ass into gear and beta-reading this piece. I love your galaxy brain! © hobivore Do not repost, translate, edit or otherwise use my stories without my permission. ateez masterlist | ask box

“Are you trying to get us all killed?” 

The timebreaker sneezes into his elbow. He’s covered in a fine layer of dust. The chains strapping him to the seat didn’t survive the crash, but he won’t get far either way: his timepiece remains safely hidden in your pocket. 

You ignore him and survey the wreckage in front of you. There’s very little left of your spacecraft. Dawdling will only cost you precious time, and you’re not sure how much longer you can keep the flames at bay. 

A few crumpled feathers stick out from under the rubble. You pull with two hands, using your weight to unearth your equally crumpled associate. 

“It’s not like I can actually die, of course. I think. Not really. I’m not afraid of death anyway,” the timebreaker continues. “He looks pretty damn done for, though.”

You turn around and fiddle with what’s left of the control panel. Your partner coughs up thick globs of blood. He wipes his mouth with the back of one wing and straightens his glasses. "Hey, did you fall from heaven when you hurt—fuck." 

“Welcome back,” you mutter. The control panel lights up once and fizzles out again. 

“Have you seen my hat?”

“This, here?” The timebreaker lifts one foot and your partner snatches the weathered cowboy hat from under his boot. “Sorry, I thought it was just a piece of debris. I didn’t mean to step on it.”

You snort. “Yunho’s awfully attached to that ugly old thing.” After a repeated bang on the control panel yields no results, you give up and grab your pocket pulsar. “Didn’t they go out of style over 600 billion years ago?”

“Real fashion is timeless,” Yunho says. “Besides, it's a keepsake from Earth.” 

You roll your eyes. “Ugh. You’re such a romantic.”

He winks at you. Behind you, the timebreaker coughs. “I’m still here.”

A glare shuts him up. Your many eyes tend to have that effect on people.

“Which way do we go?” Yunho asks. 

You check your pulsar. “We should head southwest for about 11 kilometres. We’re not that far off. You did a decent job crashing the ship.”

“Thank you.”

“You think you can walk with that leg?” 

“I’m fine, but it might take us a bit longer. Do you still have time?”

You nod. “I do. But the big boss won’t like it. You know his patience runs thin.”

“We’re bringing him a timebreaker! He ought to be happy with that.” 

Your eyes drift towards the man who’s still staring at the wreckage, appearing to be lost in thought—no doubt mourning what might’ve been his only chance at escaping.

“You’re right. Let’s go before the weather gets any worse.”

Above you the glittery storm clouds gather. With just your pocket pulsar left, navigating will be a lot more difficult if you don't cross the Great Plateau before the first rain falls. 

“So… you two are angels, then?” The timebreaker asks when the silence drags on for a bit too long. 

“Damn right,” Yunho says. “Ever met an angel before?”

The timebreaker shakes his head. “Can't say I've had the pleasure, no. They—I mean you, sorry—don’t exist in my universe.”

You grumble. He's awfully polite for a man who killed half a planet of innocents. “Just because you've never seen one doesn't mean we aren't there.” 

The timebreaker’s face turns sour. You don’t care if he doesn’t like you. There's more pressing matters to worry about: right now it's the unshakeable sizzling in your ears, the sound growing stronger with every step.

You rub your temples but the gesture brings no relief. Yunho watches you closely, rummaging through his coat pockets. After some fiddling he extracts a small bottle and hands it to you. He always seems to know exactly what you need. You down the liquid and make a mental note to thank him for that after you’ve finished this job. 

“Why does he have wings and you don’t? And what’s up with all the eyes?”

Your nostrils flare in annoyance and you’re thankful for the sudden crack of thunder that makes your captive jump. “No more time for existential chit-chat,” you say. The taste of ash lingers in your mouth. 

“If you give me my timepiece back I can get us off this planet,” the timebreaker offers. He almost trips over his feet in an attempt to keep up with you and Yunho. “Another universe maybe, just for the two of you? Something beachy? Sun, Martinis, a nice big bed, a few slaves to preen those pretty wings?”

You laugh and look at Yunho’s tattered feathers, still covered in dried blood. "If you're trying to manipulate us, it's not working." 

“Are we still heading in the right direction?” Yunho asks. He looks mildly flattered but not at all phased by the timebreaker’s implications, so you narrow your eyes at him. All he does in return is smile. If you weren't in the middle of a job you'd use his own wings to wipe that smug grin off his face.

“We’re slowly getting there," you sigh, handing him the pulsar.

“We’re heading away from the capital. The only civilised place on this planet.” The timebreaker glances past Yunho’s shoulder and points his cuffed hands at the device. His voice raises an octave when you start walking even faster. “Hey! What did I do wrong anyway? Since when is breaking time a crime? And who are you, the space police?” 

“You didn’t tell him?” Yunho asks. 

You shrug. “The less he knows, the better.” It’s a lie. It doesn’t matter: you just didn’t feel like talking to the man.  

“I’m sorry for my partner’s lack of proper protocol,” Yunho starts, and you close your many eyes for a moment to collect yourself and tune out the other angel’s lecture. The situation is starting to get on your nerves and you wonder if the flames have ignited by now. They probably haven’t—neither of your companions seem to perceive a sudden increase in heat. 

When you open your eyes again, the timebreaker’s face has gone blank.

“And that’s how we ended up here!” Yunho smiles and claps his hands together, as if he didn’t just give a detailed account of why the man will spend the remainder of his life in chains. “Any questions?”

“I—what the fuck,” the timebreaker says, “have more questions now than before.”

Yunho opens his mouth but you cut him off. Unlike the other angel, God didn’t bless you with the patience of a saint when They created you. “No one cares about obnoxious fools who run around universes breaking time. Killing innocents however? The boss doesn’t like that.”

The timebreaker tilts his head towards you. “Who’s this boss you keep talking about? God?”

You laugh. “So you’re a fool and uncultured.”

He looks ready to murder you. You’d like to see him try; it would spice things up a bit. 

Your partner shakes his head, a small smile tugging at his lips. “God died a long time ago. No, we call him the Captain.”

At the mention of his name the storm clouds rupture and shimmering glitter falls from the sky. You blink up at the sudden burst of colour. 

Suspicious.

“Dammit,” you curse, “we’re not even close.” You shake the pulsar, which buzzes sadly in the steady stream of luminescent sparkles. You huff and a small puff of smoke escapes your nose.

Yunho squeezes your shoulder. “Do you think you can do it here, if needed?” 

“It’s not ideal, but I can manage. The harvesting will be a pain, though. The soil is too muddy.”

“We can work something out. I trust you.” Yunho’s hand drops to his side and you miss its warmth already. Then he jumps in front of you, causing you to nearly barrel head-first into his chest. He spreads his wings and grins, “This is the skin of a killer, Bella.”

“Shut up.” You push him out of your way, suppressing a smile and trying not to look at the pretty glitter covering him from head to toe. Some of your eyes steal a glance anyway. “Vampires aren’t real.”

He’s still laughing. “For someone who pretends to hate Earth you sure know a lot about it. Who’s the romantic now?”

You don’t respond and push past him, aiming the pulsar at the glittery sky. Yunho doesn’t seem to mind your feigned disapproval and falls back at your side, his comforting presence grounding you like always. As annoying as he can be, you need him there. You’d trust him with your life. 

“I miss humans sometimes. It’s a shame they went extinct.” Yunho turns towards the timebreaker. “She was there, you know. During Armageddon. It was angels versus demons… pretty cool. I wasn’t old enough to join the fight yet. I’ve only heard the stories.” He elbows you in the side. “Tell him about it.” 

You groan. “There was a lot of fire. The end.”

The timebreaker raises an eyebrow. “What happened to the demons?”

“They were wiped out.” 

“That seems to be a recurring theme.” 

You turn your head and grin at him. “You could call it our… speciality.”

For the first time since you’ve dragged him from his universe, the timebreaker looks afraid. A shiver runs through him and his sharp teeth clatter. “I thought angels were supposed to be harbingers of peace. Chubby babies chanting glorias to God and all that stuff.”

“We were tasked to maintain the cosmic harmony of all universal laws,” you shrug, “but no one ever told us how to mete out divine justice.”

“You could say we’re just winging it.” Yunho grins. “Get it?”

The timebreaker doesn’t laugh. The crease between his brows deepens. “So let me get this straight: when you wipe out an entire planet it’s fine, but when I do it—” he huffs, an indignant sound, “—I get thrown in jail?”

You shrug again. “Collateral damage. It happens.”

“Fuck this,” the timebreaker says. Then he starts running. It only takes a few metres for his form to completely disappear in the downpour of glitter.

“Took him long enough.” Yunho takes the pulsar from your hands to save if from melting and sticks it in his pocket. “Are you ready?”

His glasses reflect an orange glow and you laugh. You know he loves this part of the job as much as you do. He can have this. “Go get him, partner.”

The angel spreads his wings and points at you. “I’m taking you out for dinner after,” he says. Then he disappears into the void. 

You draw patterns in the fallen glitter with one smoky foot and start counting. People tend to underestimate your partner by virtue of his angelic aura. They’re always wrong. 

It doesn’t take him long to return. The timebreaker shrieks when he sees you. “What the fuck happened to her?” He trashes in your partner’s arms. “I’ve got a family! Friends! They’ll come looking for me!”

“26 seconds. Not bad,” you comment dryly. 

“They will come!”

“Over there would be perfect.” You point at a spot a few metres away. “Thank you, Yunho.”

Your partner puts the captive down and pats him on the shoulder. He doesn’t run this time. Where would he go, hands bound, without a timepiece and with two angels on his heels? Maybe he wasn’t as foolish as you thought. Some of them keep running. 

“It’s going to be okay,” your partner says. It won’t be. “I’m sure you’ll be dearly missed. I can already picture the memorial service. Lots of flowers, sad piano music... it's going to be beautiful.”

The timebreaker pales. It appears he’s finally caught up on the plan. “What happened to jail? A proper trial?” He blinks twice, then recovers some of his rage and spits at Yunho, “You’ll regret this. My family will hunt you down and kill you both. They'll rip out your feathers one by one until there's none left.”

Yunho pushes his glasses higher up his nose. “‘I’m not afraid of death anyway’, you said.”

“I wasn’t—”

“Don’t worry, death doesn’t have to be temporary. Some of us believe in reincarnation.” Yunho lowers his voice, knowing you can’t hear him over the roaring fire around you. “Not her, of course. She believes in total annihilation.” He gives the man one last gentle pat on the back before stepping away. 

“No one but you has mentioned jail.” You have to raise your voice because of the ringing in your ears. “And your family will find a shipwreck, remember? Such an unfortunate accident.”

“Extremely unfortunate,” Yunho agrees. 

The timebreaker doesn’t answer. His skin has turned the colour of grey mud. You feel the flames rise even higher, inching closer to him.

Finally. 

The last thing the timebreaker sees before the flames engulf him is the sky breaking open. You wrap around him and burn until there’s nothing left but a heap of sand and glitter.

Yunho retrieves an empty hourglass from his pocket and crouches down to fill it with sand. “The Captain’s gonna be happy,” he says while he pours more grains in the glass. "Look at the size of that pile!"

You suppress a yawn and shiver. You always get a little cold after the fire has gone down to a simmer.

“Chinese sound good to you? For old time’s sake?” Yunho hands you the hourglass and wraps a wing around your shoulder. “I know a place.” 

You elbow him in the side and smile. “Romantic.”

Thank you for reading! If you liked this story please reblog, leave a comment, tell a friend, send me a pigeon, launch a mars rover. Your encouragement fuels my inner writer cryptid 👾

[aihoshiino]

chapter 140 thoughts!

Reminder: because of the content of this arc in genera and this chapter in particular I will unavoidably have to discuss CSA and topics related to it, including grooming, emotional abuse and sexual assault. I do not discuss them in great detail, but if you very understandably just aren't in the headspace for that, no hard feelings - look after yourself and I'll see you next time.

So a lot of stuff goes on in this chapter but weirdly, I feel like I don't have a lot of stuff to say about it compared to the last few. Partially because it speaks so strongly for itself but mostly because, sort of similarly to 137, this is just clarification and reiteration of some themes and information that's been floating around loosely for however many chapters and we are just now actually pinning it all down into something more coherent.

Or at least, 15 Year Lie is pinning this all down into something more coherent. We're definitely playing a bit more with like, presentation and diegesis in these sections of the movie than we were with previous scenes. With the B-Komachi scenes, we very rarely fully entered the in-universe diegesis of the movie and the scenes being filmed quite firmly remain scenes being filmed by actors who are having their own thoughts, feelings and character arcs both about and separate from the material.

By contrast, both this and last chapter lean more into presenting these scenes as full flashbacks, fully immersing us in the material that the movie's diegesis essentially overtakes and becomes the manga's diegesis. It not only creates a sense of immediacy but also one of authenticity - by removing all the reminders that this is something being manufactured, a piece of in-universe dramatized fiction, the reader is invited to accept it uncritically as fact.

And honestly? I think this is a very clever trick. While I do think the broad emotional arc and relationship beats we're being presented with here are probably more or less true, there's a big question still hanging over the movie's presentation of things: how much of this is true and why is it being shown to us? This is a movie about Ai's life supposedly, right? So if this is the case, what's with this sudden POV switch to Kamiki… and how exactly did Aqua (and the rest of his 15YL collaborators in general) get this level of insight into 'Boy A'?

But I'm getting ahead of myself a bit…

Like I said up top, I think a lot of this chapter kind of speaks for itself, so all I'm gonna say is that this did a huge amount to really endear me to the HKAI dynamic, at least as 15YL is portraying things. It's just such a nice change to see Ai bouncing off someone her own age, squabbling and getting along and butting heads like a regular kid. It does a lot to really get across just what it was about this relationship that drew the two of them to each other. They have a good rapport and some cute chemistry and I'm finding myself rooting for them even in spite of knowing how it all ends.

The scene of them at the restaurant was honestly just a complete and total delight. It's been so fucking long since we got any content of Ai just being her likable goobery self so getting to see that again (and her and Hikaru's shocked and appalled reactions to the bill) was just so good.

The short exchange that follows is also so, so important, I think. Similarly to an early AQKN moment, we are shown Ai from Hikaru's POV - in which she wears a lovely smile and stands framed as the focal point of not one but two panels of brilliant light. This feels like a sort of answer to something I noted last chapter where HKAI's relationship seemed to be in the process of echoing both the AQAK and AQKN relationships - in Hikaru, Ai sees someone who has the potential to understand her. In Ai, Hikaru sees light. I'm interested to see if this will keep getting reiterated on as we get more scenes of them together.

god the more details we get about Airi's abuse of Hikaru, the more vile she becomes. The money she gives him rings eerily true to the way real life abusers of this nature really do use money and material gifts as a method of control over their victims. And it's also not hard for me to see her as using this to frame things as somehow transactional - to pretend Hikaru has any power in this entirely unbalanced dynamic.

I continue to be impressed with how OnK is portraying Kamiki's abuse. As I mentioned last time, I often find that manga is pretty tasteless and sometimes even downright exploitative and offensive in its portrayals of sexual abuse, framing it in a titillating way for the viewer to gawk at. By contrast, not only is OnK's portrayal a layer removed from the actual events, being in-universe fiction, but it gives us no lurid details to gawk it. We are forced to look only at Hikaru's pain and the emotional reality of the horror and exploitation he's experiencing and the story dares us to flinch and look away. Just like plenty of people do.

I also really appreciate that the story leaves absolutely no room for plausible deniability and just outright calls Airi exactly what she is: a pedophile. I was a little worried with last chapter that there was going to be an element of like 'oh Hikaru is just so cute even an adult woman can't help herself' but once again, the story pulls no punches in calling this abuse what it is and the perpetrator what she is. Harrowing as the material is, I'm glad that it's being handled well thus far and I hope Akasaka doesn't flub it.

that said i have to ask. where in god's name is the intimacy coordinator on this set.

The scene that follows is also very interesting for all the reasons I mentioned above. For Oshi no Ko as a manga, it's clear this material is here to challenge the reader and ask us to see Kamiki as human, to try and empathize with him despite his reprehensible actions. What purpose this monologue serves for the in-universe 15 Year Lie movie is less clear. But in both circumstances, I still have to ask: to what end, exactly?

After all, isn't this a movie overflowing with spite and hate? A script written for Aqua's revenge that will allow him to kill his father? If so, why are we being challenged to empathize with Kamiki? Why did Aqua write a script that portrays his father as a victim? And how, exactly, did he come to such a deep and nuanced understanding of this man he hates so much when it took Ruby three and a half mental breakdowns to start understanding her beloved mother?

This all raises a whole lot of questions about exactly what the final movie is going to turn out like and exactly what purposes it really serves and I'm tentatively excited to get some answers. I'm definitely still more than a little fatigued with the movie arc as a whole and a lot of my biggest issues with it have yet to really be resolved but I'm at least more interested than I have been before about where things are going to go.

Holy crap, no break next week… are we beating the biweekly allegations, gang???

[draw-ren-draw]

Avantris Comic Scripts #2

Often when I get ideas for comics, I break my panels into scripts first. These are less prose-y than fics but still contain dialogue and basic interactions. You seem to have enjoyed my first one, so have a few more, this one featuring my initial thoughts on "Gorebek"

Confrontation with 'the Duke' (spoilers up to ep: 56!) [A script I wrote to explore my personal headcanon about Torbek's situation; I think this would be a delightful twist that suits what Nikki and Andy might be plotting for us. Please be sure you are caught up to episode 56 to avoid any spoilers! These ideas are not confirmed just my personal favorite take~] * * * * [After another grueling battle, 'The Duke' has made himself known by taking control of Torbek's body once again. Dripping with the blood of his latest conquest, the party stands at odds with the most sane and yet somehow scariest version of their friend yet. This time, the Witchlighted to hell and back bugbear has no interest in further bloodshed and seems more inclined to take his leave. Weapons drawn, Carnivale Lecroux debate whether to fight or allow this unexpected threat to flee, knowing they could risk losing Torbek too.]

Kremy: "You're outnumbered so KINDLY get the hell out of Torbek already!" Gideon: "Ya can't just show up after somebody's been experimented on and claim that bodies your own!" "Not my own?" The Duke pauses, considering something while facing away. "Let me get this straight. Your friend. Who speaks in grunts and the third person. Can barely write his name. And you think he's the original personality?"

A hush falls over the crowd Gricko: "… In hindsight…" Frost: "…it does make a disturbing amount of sense.."

'The Duke' smirks and misty steps closer to Kremy, taunting the lizardfolk. 'The Duke': "You never could remember me, could you?" Kremy: "Now that's not true, the herri--" 'The Duke': "You just believed whatever it was I told you, it was easy enough to picture." The Alligator squints, fae magic clouding his mind. Something about what this not-Torbek is saying does make an insidious amount of sense. He grits his teeth, unable to find the lie. Kremy: "… Think I'm beginning to remember why I didn't like remembering you."

Gideon is not falling for it and he's even more incensed after seeing someone make Kremy of all people unsure about something.

Gideon: "So what. This is just 'YOU' now? You're just gonna leave and take Torbek along, just like that? He's not coming back this time?" 'The Duke' steps back again, testing how far he can push his retreat without being suspect. He stretches his arms in a gloating manner. 'The Duke': "I assure you, I have lived more in this body than 'HE' has ever forgotten." The Duke smiles cruelly, all teeth, eerily wide and full of malice. 'The Duke': "But that's right. You're the chosen heroes of the faewild, aren't you? Then ask yourselves this: are you really okay with erasing someone from existence just because you like another side of them better?"

Twig: "We are if he's a little BITCH!" Gideon gives the brownie a supportive pat with a laugh Gideon: "Well said Twig."

'The Duke': "But is that JUST?" He continues to raise his arms in a taunting manner, but it is clear he is starting to look and sound a little more harried (as anyone with sense usually is after prolonged exposure to these idiots) 'The Duke': "You think you can get him to override me? ME? The Duke of the Twilight Court??!"

Kremy sidebars with Gideon. Kremy: "We could if we got him to fall off the Herris wheel couple more times." Gideon: "Hehe yeah! Couple a hits and he'd be back to full form no problem!" Kremy: "Can't hit him too hard though, have a repeat of Chuckles." Gideon: "Nah, He ain't a clown, I don't think he'd laugh to death if we punched him in the body like Chuckles did."

'The Duke' interrupts, flustered at being ignored. 'The Duke': "ENOUGH!" 'The Duke:' THIS is the faewild; MAGIC country! Anything is possible. We'll see who the land's deem most worthy of sticking around. A distinguished aristocrat-- or a blubbering waste of flesh." Bonus panel: Internal Torbek dialogue represented in a sad thought bubble 'Gottttta say, the odddds aren't in Torbeksss favorrrrrr'

[Some details have slightly shifted as I developed this idea more, but I thought there was still a lot to like in these character interactions in this original draft.]

[lunareel]

You 100% don't have to answer this on your blog or even privately, this is more of a...fic comment I guess??

But I just adore the slow buildup you have going on with the Chaos Heart and Luigi's relationship to it.

The stained glass in the beginning, Luigi clutching his chest, the way the colors shifted in the flashback as he was trying to figure out the series of events that landed him from a construction zone to a church, the little hearts that show up here and there, Luigi's eyes changing color and getting a bit of a pure heart sparkle (makes me wonder if he'd ever notice they do that since landing in this new world or if he'll be like. Thirty cuz Mario makes a comment about it)

I'm sorry for the rambling but I love love love all the thought and detail you put into every page and taking the time to look and study each panel is one of the highlights for me every time you update.

Thank you so so much for taking the time and effort into sharing this story with us; it's definitely one of my favorite AUs and I'm excited to see where you take us

AAAAAAAAAAAAAAAAAAAAAAHHHH

💖💖💖💖 THANK YOU SO MUCH!!!!!!!! 💖💖💖💖

First off, I have read this comment so many times now. You have no idea how happy this has made me.

I freaking love slow buildup and foreshadowing in stories and I really hope I'm able to keep a nice pace with this comic both with updates and with the story.

And ohhhh!!! I'm so happy to hear (or well read) that those details have been noticed. There have been times where I worry I am being too subtle so its a relief reading this.

You know it's going to be an off hand moment where he gets a paper cut or something and someone remarks on his eyes and its just "I'm sorry they're what now?"

I'm so happy to hear you enjoy the details I put in the pages, and I hope you enjoy all the future ones I sneak in.

And don't apologize for rambling, it's been an absolute delight reading this!