#I find that he has the most depth out of my self-inserts and is definitely something I want to make a post on in the future

[physalian]

Felix Ever After | Classic contemporary romance through a queer lens

Normally, I’m not a huge fan of the ‘insert the gays into a cliché plot from the 2000s and people will laud and enjoy an otherwise predictable story because there’s queers’ type of storytelling because usually their creators are trying to cash in on that sweet sweet gay money just painting rainbows on tired tropes. Yet this won me over, a queer book by a queer author who told a sweet, queer story.

I read this book a while ago when doing research for a trans character of mine and speed-read it again when revisiting that WIP. While I knew the story wouldn’t appeal to me very much, there’s no rules against dropping queer characters into predictable stories previously led by straight characters. I wasn’t here for the plot, I was here for Felix, the protagonist, and how the author, Kacen Callender, wrote a transmasc protagonist.

The summary via GoodReads:

Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after. When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle.... But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.

(Note, while the book is listed as YA, there’s plenty of F-bombs (ebook states 252), references to weed, and a little steamy scene, do with that what you will)

Right off the bat upon reading it as a cisgender author, there’s elements that I would definitely not get away with writing for my trans characters but were fascinating to read from this author’s perspective. The opening scene is performative PDA to piss off a homophobe… of which inspired a scene of my own that every straight beta reader that I had took issue with for being ‘problematic’.

All that to say: This book is by a queer, for queers, addressing queer issues and giving its queer characters believable flaws. This is a plot with a trans protagonist, suffering the consequences of someone outing him on social media—about the most cliché move you could make as a cis author writing this character, but done with perfect nuance and tension in this story (at least I think so). There is no perfection-washing to avoid being problematic and I loved that it didn’t care one bit about attempting it because I think we need to step away from 'absolute golden child representation to avoid the straights running wild' characters that helps no one.

Being predictable can be a good thing, too, for a book that had comparatively low stakes to what I’m used to, it was a great casual read that let me marinate with the characters instead of worrying about the plot itself, and they are all fantastic characters with depth and nuance. Felix is an excellent protagonist with a ton of personality and emotion in his narration, with realistic insecurities and screw-ups.

Trying to avoid spoilers here so I’m being purposefully vague: It was cute, it was sweet, it tugs at your heartstrings. I am barely at the edge of the target audience and the first time I read it, I read it all in one sitting.

[meluiloth]

Interesting Questions for MUNS (and writers):

I was tagged by @saephrond to answer these fun questions about writing - or roleplaying, which I've now learned more about thanks to them - and even though I'm very late, I've finally had time to get around to it!! I'm going to answer these questions from the writing perspective, using Culfin as my muse!

1. Would you say that ever since you started writing for your muse you have become more similar to your muse? In what ways?

Quite the opposite, actually - in many ways, Culfin's personality and experiences are referenced loosely on my own. His story has elements of mine in it, which I think adds a lot of depth; after all, they say to 'write what you know', and I find doing that is very helpful.

2. Do you self-project yourself into your muse? If so, then how?

As mentioned above, I definitely do - not to a degree where Culfin is a self-insert, but there are elements of myself in him: his awkwardness in social situations, his eagerness to find a direction in life, his tendency to form strong opinions on people based on first interactions, his determination to look on the bright side - those are all traits familiar to me.

3. Do you regret writing any of your past muses?

In some cases, yes; there are characters who essentially 'haunt' me just because I know I'll never have the inspiration / motivation to write for them, and characters I have written for that I've since lost interest in. I don't regret the experience developing them gave me, but I do regret the character.

4. Would you like to become more like your muse some day?

In some ways, yes; Culfin is a very active character who knows what he wants (even if it might not be what he needs in the long run) and stubbornly chases after it, so I would love his sense of direction. However, he also completely lacks self-esteem and tends to be on the naive side, which aren't traits I would like to exemplify.

5. Do you agree with your muse's decisions? Why or why not?

As the writer of his story, I know exactly where most of Culfin's decisions will lead him; some of them I strongly disagree with, even though they are integral to his story, but others I fully agree with. The ones I disagree with are the ones he makes out of the desire to please others rather than himself, or that he makes despite some major red flags that he chooses not to see. The best choices, though, are those that he makes with his own heart in mind; choices that are neither selfish or self-sacrificing, but where he truly takes into account his own worth.

6. If your muse came to life, do you think you would get along with them?

That's a good question; in some ways, we would get along well, but there would be a lot of factors that could make being friends with Culfin difficult. We're both very intense people who feel things very deeply, so there could be a lot of butting heads there. That and he doesn't really have a filter, so he says and does a lot of things that come across as rude or embarrassing. (Actually, this question is fun because I did write a self-insert character into Misfit who does interact with Culfin for a bit! You'll probably know her right away if you read it!)

7. Would you say that your attitude changes when you get 'into the zone' of writing your muse? (ex: when you write for your muse do you begin to sort of talk like them? do you find yourself feeling grumpy after? etc)

Culfin's mannerisms are quite different than mine, including his way of speech, so when I write I kind of have to deliberate over what he would say or do in any given situation, and how he would do it. It's not hard to write him, per se, but I do have to think about it a bit: writing Culfin involves a lot of trial and error.

8. Do you like to tell people that you like to RP on tumblr? If not, then do you think you'll tell anybody?

I don't have a lot of experience with roleplaying; there are a very few people I've roleplayed with (on Quotev) which has been awesome, but I tend to be careful with that element of connection in general, since I always prioritize internet safety. It's really fun, though, and I might find a way to get into it in the future!

9. Has your muse taught you anything about yourself and/or the world?

Writing Culfin has taught me that patience is key. This isn't a lesson I've learned through his story, but through the actual writing process - I've been working on Misfit for about three years now, and progress is slow, but I'm very proud of what I've done and where the story is going, and I always need to keep in mind that rushing is not the solution. There is no time limit on creativity.

10. After a writing slump, how do you manage to get your muse back?

I engage with my story in ways that aren't exactly writing - whether that's making art based on it, adding to or looking at the story's moodboard, listening to the playlists (I have two: one for the actual storyline and one for writing ambience), or talking about it with my friends! Sometimes inspiration comes naturally to me, other times I have to hype it up by drawing energy from other sources.

Thanks so much for challenging me with this questionnaire, @saephrond - it was so fun, and I definitely had to stretch my mind to answer these!!

[asimplearchivist]

I just wanna say I utterly adore all of your Optimus/reader fics. They're all so well written and your characterization for all the Optimus primes you've written are absolutely perfect. And the way you write the reader too! Full of personality and different in each fic!!! Just .. fantastic!! I reread them from time to time and they always brighten my day! So thank you! Thank you for gracing all of us with your beautiful writing! ☺️☺️

Aww, this means so much more than you know, lovely!

Optimus is definitely a challenging character to write for, especially in any romantic setting, since we rarely ever see him portrayed in such scenarios in canon and thus can easily be interpreted as out of character in fanon. I worry about giving his true voice justice while also adding nuance and depth to the ‘Bot we all know and love. He’s a fan favorite, so I accidentally place a lot of pressure on myself to get him just right.

And as for the reader inserts, I will admit that they are all cannibalized aspects of myself cobbled together into semi-coherent human beings lol. Every last one has at least one trait of myself, though I hope it gives them more credibility and relatability rather than coming across as obnoxious or too exclusive. (I am notably appreciative of all the posts I’ve been seeing recently about allowing oneself to be self-indulgent with one’s writing, especially in this regard, because the primary reasons I write reader-inserts are because I find second person refreshing and the most tolerable out of the three and because they are primarily for my own enjoyment. I do attempt to make them as accessible as possible so everyone can enjoy them, too, and I’ll definitely be more conscious of certain tropes going forward in order to do so.) All in all, my passion is to bring comfort to other people who rely upon their favorite characters to keep them sane as much as I do.

The fact that you reread my works just…blows me away. Thank you for being such a dedicated reader, for the high praise!

(And just a sneak peak: I have another OP/Reader fic in the process of being posted, and I’m sure all my long-suffering and indelibly patient ‘Your Prime, His Spark’ fans will be pleased.)

[stars-self-ships]

It should come as no surprise to longtime followers of both this blog and my main that I take great joy in designing self-inserts for my favorite franchises, whether it's to see how well I can capture a certain vibe or just so I can have a good visual of what I'd look like in that universe to kiss my beloved F/Os— though, if I'm being honest, most of the time it's the latter!

Doing so has been easy for the most part, as a lot of the franchises some of my most treasured S/Is hail from don't necessarily have a complex visual style. Take for example Psycha, who was easy to design outfit-wise after basing it off of an outfit I would wear, or perhaps my Centaurworld S/I, who was even easier to design as all I had to do was draw a toony version of myself with a deertaur half!

Given my recent adoration toward my latest hyperfixation Winds of Change, it was a given that I would design a self-insert for its universe, and I was already brimming with ideas for what a fantasy version of my fursona would look like in the world of Alestia! However, as a contrast to most of my other favorite medias, Winds of Change boasts a very detailed visual style and outfit design for its cast, which meant my S/I would have to follow suit as to not look too out of place.

And about two weeks of on-and-off work later...

I can finally unveil my Winds of Change self-insert, Micah Winddane!

(Check out underneath the cut for a lengthy deep dive on the creation of the above drawing as well as a full view of this sheep seer's weapon of destiny!)

Gosh, where do I even begin? There is just so much that I want to talk about when it came to designing Micah Winddane that it's tough to find a good place to start!

Because Winds of Change has an all-anthro cast, it ended up being a given that I— yet again— would be choosing to model my S/I after a sheep, much like my fursona, Psycha, etc. However, rather than using Psycha as a base as I had for my fursona, I actually modeled Micah Winddane after an actual breed of sheep... the Leicester Longwool!

True to their name, Leicester Longwool sheep are notable for their overly lengthy fur, and given that my hair is currently at the longest length that it's ever been, it felt only fitting to design my Winds of Change S/I around them! This also meant that I would be using a more golden color for the hair as opposed to the usual 'tan-white' color most of my other sheep S/Is have, and if you look closely, you can even see that there's a distinct fur pattern on his face!

With sheep specifics out of the way, let's focus on Micah Winddane's outfit. If you read the tags of my first Winds of Change related post on this blog, you might have seen that I first wanted him to be an 'anxious but good-hearted visionary with a cool fantasy robe'— which, to be honest with you, was how I had been envisioning him throughout my time playing through the game's prelude!

The only reason the whole 'cool fantasy robe' aspect didn't stick around for long, however, was due to a certain set of characters in Winds of Change possessing such a look... The Triumvirate, antagonists who are shrouded in mystery underneath an iconic white robe with a yellow trim.

Not wanting my S/I to be dressed too similarly to the big bads, I had to opt for something a little more modest, and in line with the outfits the rest of Winds of Change's cast wear. I took to Google to cherry-pick several medieval outfit designs, and took my favorite aspects of each one to combine together into a base outfit.

For a while, the above lineart was just about all I could come up with. Of course, it looked a little bland by this point, but that was merely because I hadn't given him a good coloring, yet... but that was another hurdle of its own. I knew how I would color his fur and hair, but what about his clothes...?

Thankfully, Winds of Change's canon provided a solution. Around the point of the game where you receive the all-powerful Blade of Exodus— which we'll also focus on in due time— you also are given a change of clothes... clothes that are described as a 'combination of Valessa and Fortaime's outfits'.

It's a good thing that the base design I had already drawn didn't stray too far from a hypothetical mix between Valessa and Fortaime's clothes, and it even served as a good basis of how to color Micah Winddane's own. I color picked certain colors from both their designs to use in my S/Is and was soon able to settle on a color palette that I liked!

... but the design still felt particularly lacking. The colors looked great, as did what I had for an outfit, but the more I looked at my current progress, I felt as though something was missing... and then, I had a brilliant idea— if I couldn't give him a robe, what if I gave him a cape?

Fortaime's baggy scarf was my main inspiration in settling on a shoulder cape, and the instant I had the idea of giving my S/I one, I wasted no time in adding it to his design... and I'm so glad that I did, because it made him look SO much better!! I knew that I wanted his cape to be a shade of blue (My trademark favorite color), and settled on a faded shade since a more vibrant blue looked a little too shrill amidst the other colors.

Lastly, since my Winds of Change S/I is the foretold Seer, he would need to be equipped with the aforementioned Blade of Exodus throughout his adventure. However, upon coming up with the idea of giving Micah Winddane a large sword sling to carry the blade on his back, I realized something...

... the blade only has two canonical appearances from what I've seen, and only one of which— being found in the game's logo— shows it in full color. I was thankful to even have a visual of the Blade of Exodus, but only having the linked image to go off of in terms of color made redrawing it a bit tough, as I would have to improvise a bit to make it look less desaturated.

And what started out as improvising turned into a slight stylization of the Blade of Exodus' colors! Throughout the game, there's a large emphasis on how obvious it is that you're the possessor of the blade, and I decided to give the blade colors that stand out from the otherwise dull colors of Micah Winddane's outfit!

... uh, wow. I think that might just be my most in-depth design deep dive I've written yet. But everything that I wanted to touch base on has been accounted for, and with all of it written out at last, it feels so wonderful to finally get around to sharing this design with everyone as it's one of my ultimate favorite self-insert designs I've ever created!

[darkcircles4lyfe]

retrospective & predictions

Since we're on a hiatus week (between 320 and 321) I feel like waxing poetic about the depth and growth of bkdk for a bit. Especially because it seems like we’re right on the edge of their biggest development yet, I’m getting the urge to lay all my perspectives and insights I’ve picked up from others out on the table. This is ultimately only my subjective interpretation of subtextual material in canon, though. If you’ve never quite understood what people see in their dynamic and you’re actually open to hearing me out, maybe from this you can at least see where we’re coming from. And if you don’t like my takes after all, well, we’ll see who’s right in the coming chapters, won’t we? What I have to say can be taken platonically or romantically; I appreciate both. 

putting it under the cut, since it’ll be long:

At the risk of projecting, I want to start by examining a couple things based partly on personal experience.

From many different directions, I often hear people expressing that Deku’s persistent attachment and admiration for Bakugou is baffling at best. Despite the bullying, despite Bakugou’s loud, rude, and uncompromising personality, he still puts effort into their relationship and frequently describes him as amazing. It seems like Deku himself is aware of this as he’s said things along the lines of how he’s difficult, BUT... etc. Although I don’t think it’s exactly that Deku finds Bakugou’s personality hard to be around, but that he’s deliberately expressing patience for Bakugou’s emotional turmoil. 

I have to say I know what this sort of patience is like, as I went through it with someone I love. I only chose to put up with their behavior because I decided the possibility of what our relationship could be was worth it. I wasn’t blind or submissive to how they treated me, and I wasn’t coerced. I simply expressed myself and established my boundaries while still allowing them the opportunity to join me in my world once they got over their own hangups. And guess what? It worked out in the end. That doesn’t mean there aren’t circumstances where it’s better to cut ties, but I want to stress that true reconciliation is possible sometimes. I used to worry that other people around me thought I was delusional for seeking it, but what really helped was my therapist reminding me that I’m smart and strong. So I think Deku deserves to feel the same. In a way this is his whole mission in life, his approach to being a hero as well as his personal relationships.

Let me also be clear though that I don’t mean Deku is only tolerating Bakugou’s personality, his mannerisms, the parts of him that will likely never change. I’m drawing a line between those things and his emotional state (they so rarely align anyway, but I’ll get to that later). In fact, I think Bakugou’s general attitude is part of what Deku admires. This is gonna be hard to explain without inserting personal experience too, sorry. As a writer myself I’ve noticed I’m drawn to writing characters that are brazen and bold and don't mind telling people off. Really it’s because I operate in the world in the polar opposite way. I try not to draw attention to myself, I’m quiet, and I’m a people-pleaser. People who project confidence, especially in an impolite sort of way, fascinate me. It’s good to take cultural context into account, too: I've heard people who’d know better than me that part of the reason Bakugou is the most popular character in the Japanese fandom is likely because he contradicts a lot of their social norms. His disregard is refreshing and cathartic. I can speculate that Deku has a similar point of view based on what he thinks but does not admit about Bakugou being his image of victory and how this sometimes makes him mimic Bakugou’s speech and mannerisms: 

There’s also the bit in this fight where Deku realizes he's the only one able to receive Bakugou’s emotions. This is because he’s the most intimately familiar with him and his situation, but I think there’s another layer. Deku, as we know, has a self-sacrificing tendency, and in the current chapters we’re seeing the worst side of that. But let’s also not forget that to an extent, it can be a positive trait: resilience. When it comes to Bakugou, he has an almost comical ability to dodge the potential fallout of his outbursts. The example we all jump to (and fight about..) is how in ch1, apart from the initial shock of Bakugou suggesting he jump off the roof, the most he reacts is to criticize him for saying such a ridiculous thing. However, I think their interaction post- sludge villain is a lot more interesting:

Note two things: 1, in his head, Deku is practically making fun of how Bakugou’s acting as he stomps away without waiting for a reply. It doesn’t faze him. 2, Deku thinks, optimistically, that he can now focus on a different career choice. This is astonishing really. Up to this point, none of Bakugou’s attempts to put him down have worked; he just kept pursuing his dream. The only reason Deku concedes in this moment it because for the first time, he has been shown that he really couldn't do anything in a fight against a villain. All Might told him he couldn't be a hero (although he’s literally about to take that back in the next few pages lol) and the other heroes at the scene gave him a lecture about it too. It was those experiences, and not Bakugou’s words, that truly affected him. And when All Might tells Deku he can be a hero after all, it’s not thinking of Bakugou’s bullying that makes him sob and fall to his knees, it’s the memory of his own mom never telling him those words he so desperately needed to hear. Having spent most of their lives together, Deku must have been aware all this time that Baukgou was influenced by larger societal forces rather than a core judgement, so he didn’t take it personally. He separated the person from the action, and because he’s resilient and patient, he is thus equipped to handle Bakugou’s emotions. It’s a testament to his maturity and emotional intelligence, really. 

But I can almost hear some of you saying, “that doesn’t mean Deku should have to be the bigger person here!” Correct! Just because Deku is perfectly alright bearing all of that, doesn’t mean atonement-era Bakugou sees it this way. We can track his awareness of Deku’s care and selflessness as follows-

The bridge scene, when they’re little kids: Bakugou conflates Deku’s heroism with pity, and subsequently thinks Deku is looking down on him because Bakugou’s own insecurity makes him defensive.

The Sludge Villain, and also Deku vs. Kacchan Part 1: Bakugou witnesses first-hand how easily Deku jumps to risk his own life, but still thinks he’s being looked down on. 

The Sports Festival: Bakugou fights Uraraka and recognizes her endurance strategy and refusal to give up as very Deku-like. He’s half right. He thinks Deku advised her in the fight, when in reality she just mimicked Deku because she admired him. I want to draw attention to his very sober comment about her not being frail. It’s a great endearment of Uraraka’s character and Bakugou’s respect for her when others didn’t take “fighting a girl” seriously, but it also reflects on his opinion of Deku. Deku isn’t weak either. He never was.

Deku vs. Kacchan Part 2: Deku finally corrects him about the whole looking-down-on-him thing, and Bakugou is informed that Deku’s selflessness is in fact the reason All Might chose him. Since Bakugou had been in search of what he himself was “doing wrong” for All Might to favor Deku over him, he now has to reconcile the fact that selflessness is a heroic trait, and moreover something he lacks. This is also possibly the first time Bakugou is able to see his past actions toward Deku as bullying since he previously thought it was more mutual. Additionally, Bakugou can now link Deku’s selfless behavior to what he perceived as pity/contempt, and realize that Deku has been giving him A LOT of grace. Maybe too much. Maybe more than Bakugou deserves, and definitely more than Deku should have to. Holy heck- now Bakugou has to figure out how to live up to all the faith that’s been placed in him. 

Subtextually, we can see Bakugou’s feelings about atonement reflected in the Todoroki family:

1, Shouto is another example of Deku growing a friendship using his selflessness (since their fight in the sports festival) and their relationship is being acknowledged here where it hasn’t been in Bakugou’s situation. Perhaps Bakugou is wishing it could be so simple for him, to be able to thank him for being his friend like that. Deku saying the pleasure is all his also probably calls to mind how a mere apology from Bakugou would probably be dismissed because that’s just the kind of accommodating person Deku is. Bakugou has to operate more quietly in order to actually make up for their past. I personally don’t interpret this scene as Bakugou being jealous of Deku and Shouto’s friendship, exactly, just the lack of emotional baggage. Side note, Deku and Fuyumi are kinda similar in their desire to repair relationships. I like that she’s the one to give him some credit. 

2, With the common terminology, this can be interpreted as Bakugou receiving a model for atonement, one that is about action, and nothing to do with receiving favor or forgiveness. It’s a sense of duty. 

Many of the above sentiments are repeated in the flashback conversation between All Might and Bakugou right before Bakugou’s sacrifice. 

Bakugou acknowledges his bullying and that it happened because of his own insecurities, but aside from that, it’s interesting he neither confirms nor denies All Might’s suggestion that he’s trying to atone, or that Deku doesn’t see it that way. All Might is a bit of an unreliable mentor sometimes, but I don’t think he’s misreading here. Rather, Bakugou is displaying his tendency to hold back when talking about things that would make him really emotional. Besides, admitting to what he’s doing kind of defeats the purpose. He isn’t seeking acknowledgement. All Might has gotten to the crux of the issue here when pointing out that Deku doesn’t recognize the atonement, likely because Deku doesn't think Bakugou even needs to atone. Am I reading into it too much to say Bakugou looks wistful at this? It’s kinda frustrating sometimes trying to interpret Bakugou’s actions because he’s so paradoxical. Loud and in your face, but also extremely reserved. Sometimes I feel like I’m grasping at thin air, but hey, being hard to figure out is part of his intrigue as a character. The simplest way to look at him is to assume that unless he’s really showing vulnerability, he’s probably deflecting and hiding something.

Speaking of Bakugou’s tendency to to hold back emotional stuff, there’s his apparent lack of issue with Deku calling him Kacchan. Maybe to begin with, in his warped perception of things where he thought they hated each other, Bakugou saw it as Deku’s way of getting back at him for calling him “useless,” and didn't dare give any indication that it actually bothered him. However... consider how betrayed Bakugou has appeared when he was noticeably thinking Deku was looking down on him- the bridge scene, and the beginning of their first year at UA when he thought Deku was hiding a quirk all along. He looks shocked and hurt. That kind of emotion couldn’t be invoked by someone Bakugou didn’t actually care about his relationship with. “Kacchan” comes from a long time ago, before their relationship was strained, so it’s connotations are pure. Maybe somewhere deep down, Bakugou has always been hoping that Deku’s continued use of the nickname was not simply a matter of habit or teasing, but a vestige of friendship they’re both clinging to, and Bakugou himself was too afraid to admit to himself that he felt this way about it, so he mostly ignored it. (These are not original thoughts I am having here lol, this is a common interpretation. I’m just laying everything out like I said.) 

And now we turn to the current situation. Personally, I’ve been looking frantically back and forth between them wondering who’s going to break down first (Deku vs. Kacchan Part 3, this time it’s just a fight to get the other person to cry? ha.) Both have looked like they’re approaching a breaking point for some time. Also, I’ve addressed this before, but I think it’s significant that Bakugou is no longer wearing his mask with his hero costume, in contrast to Deku recently donning his own. It feels symbolic of Bakugou about to be upfront about how he feels.

The question is, what is it going to take to get Deku to accept help? If you ask me, Deku has dug himself so deeply into the I’m-doing-this-for-everyone-else’s-safety-and-smiles hole, no common sense argument can possibly reach him. By the end of 320, Deku’s mask is off, and we can see how desperate he truly is. But he has not cried, yet. I predict we’re going to see a bit more of his defiance, this time on full display on his face as the remaining class members and his other friends take their turns. But then I think Bakugou has to be the one to break down so Deku can witness his actions having the opposite effect he intended. People have been pointing out that Deku is currently ignoring Bakugou, and oof, that’s gotta be intentional. Regardless of what Bakugou says, it’s going to be wrapped up not only in his understanding of Deku’s self-sacrifice, but also the betrayal Bakugou feels at being ignored/left behind that ironically echoes his previous perception of being looked down on, as well as a need to express how much he cares about Deku before it’s too late. He must show that the two of them are inseparable because they both act to save each other without thinking, and both feel like losing the other would be like dying themselves. All Might may have been right when he told them they could learn from each other after Deku vs. Kacchan Part 2, but he didn’t fully realize that idea by making sure they stuck by each other for support and balance. 

I can’t wait to see what it’ll be like when they do finally get to that point, totally in synch and in tune with each other. They’ll be a powerful force no one is quite prepared for. Who knows when that will be, or even which chapter will be their big showdown, but I know the day is coming.

To speculate even further, I think the 2nd user is going to be really important really soon. And no I don’t mean to suggest that the 2nd user is Bakugou. But I do think their resemblance is key. Okay this is gonna be convoluted...

See how 2nd is the only one still standing? I think that’s symbolic of him withholding his quirk. Deku may not even know what it is at this point, let alone have unlocked it. Given that 2nd approves of Deku’s strategy at this point, it seems odd for him to withhold his quirk based on lack of faith. I think if his quirk was something that would help Deku in combat, he would have shown it to him already like the others did. So what if those gauntlets of his are support items that are meant to make up for his lack of a combat-oriented quirk, rather than to augment it? Mind you, I still have no idea what his mysterious power might be, but I’m dead set on it not being explosion-y. Regardless, I think 2nd looking like Bakugou is more about aiding some grand visual parallel, so! You know how 2nd and 3rd were probably intending to do away with Yoichi but 2nd changed his mind as soon as they made eye contact? This is really a long shot, but I wonder if 2nd’s quirk has something to do with that exchange. Maybe it’s something psychological, or some 6th sense about people he meets. So... in that way 2nd’s quirk could play a role in bkdk reaching a deeper understanding? Idk! But it could be significant at least that 2nd left Yoichi’s question about why he reached out to him unanswered. 

One more thing- while I was gathering screenshots I found this. I think “you’re the last one I’m telling” might be foreshadowing for Bakugou revealing his hero name to Deku and it being a Big Deal:

As for other lingering threads in the overall plot right now, such as the UA traitor, Stain, whatever Tsuyu is apparently about to do, All Might’s car maybe in the background of the last page of 320... man I have no idea. All I know is there’s literally 320 chapters’ worth of build-up to this confrontation that can’t be interrupted. 

See you next week <3

[minor-solemnity]

Invention and Intrigue pt.3

Tag List: @jinxqsu @naps-and-lemons​ @riddles-wifey @mainlynonsense @cakesarecute

“You know, my friends call me Tom.” He interrupts you, sounding faintly amused, a small, irritatingly handsome smile curling his lips.

“And that’s what we are? Friends?”

You start meeting him more regularly after that. He finds you after dinner most nights and you spend hours in abandoned classrooms, researching and practising obscure forms of magic. Thankfully, he doesn’t bring any more fluffy animals for practical demonstrations. You swap theories and notes on cursed objects; delve deep into the histories of generational bloodline curses; and break down spells - both light and dark - into their most base forms to learn their mechanisms and constructions.

Honestly, it’s strange how easy it is to sit in companionable silence reading from the ancient tomes that Riddle has somehow managed to source. Riddle is patient and oddly kind when he explains aspects of magical theory that you don’t understand; he’s a good teacher. Given his reputation for being a studious, polite, and unendingly fair young man you don’t think this should shock you, but it does nonetheless. 

More interesting is the gratification that lights his expression when he succeeds in performing a spell for the first time, and the morbid curiosity he has for everything that could be classified as ‘dark’. You think that you should be concerned or nervous or scared but it’s difficult to summon those (very sensible, very reasonable) feelings when you are just as interested in what you’re discovering as he is. 

It’s nearly seven o’clock and you think you should probably be thinking about heading back to your common room in case Melanie starts to wonder where you are. Except… From where you’re sitting on the floor with a large, dark green blanket wrapped around your shoulders that Riddle had conjured for when when you’d complained about being cold, you can watch him without him noticing. You can study the way he curls over the book on legilimency he’s reading, head bowed, dark hair falling into his eyes and casting shadows along the sharp planes of his face. He pauses every so often to scribble down a thought or annotation and you watch the crease that forms on his forehead whenever he reaches a part of his reading that particularly interests him. He looks calm is the thing. Content. Peaceful. 

Unbidden, an image of him stretched out on a sofa, a book in his hands, you curled at his side, springs fully formed to the forefront of your mind. You can picture the way he might absently run a hand through your hair, or maybe it would be you tracing patterns against his chest… It’s a horrendously tempting portrayal of domesticity. You’re so lost in your fantasies that you don’t realise that you’ve been staring until he coughs politely and you’re brought thundering back to reality. He’s watching you with an expression that reads as part amusement and part consideration and you feel your cheeks grow warm under his scrutiny.

You get up and brush yourself off, folding the blanket over your arm and studiously ignore him. “I should… I need to get back. It’s getting late.” You say and are proud that your voice only wavers slightly. 

He hums softly in contemplation and nods. Once you’ve both gathered your things, he offers you his hand and you are reminded of the first time you’d spoken. You slumped against the wall, shivering and scared and him, holding his hand out to you like it was the most normal thing in the world. “Let me walk you back,” He says. Just as before, he doesn’t let go of your hand until you reach the entrance to your common room. When you try to return the blanket, he shakes his head and presses it back into your hands. “I conjured it for you. I’d like for you to keep it.” 

Just as before, he departs and you’re left holding the blanket, soft and warm and deep emerald green. Slytherin colours. His colours.

***

Three days later, you’re ready to take back every nice thought you’ve ever had about Riddle. You are seriously regretting ever having caught his attention. Sure, it’s been fun, you’ve learnt a lot of interesting things, and you’d be lying if you said that you’d not been enjoying getting know Riddle beyond the persona he puts forward to the rest of the school, but none of that can make up for the fact that he is leading you down into the bowels of the castle once more without a care in the world for your comfort or sanity.

“You don’t like the dungeons very much, do you?” He asks, taking in your jumpy demeanour and suspicious gaze with a sardonic smile. “Why is that, I wonder? Too scary for a good little girl like you?” The emphasis on the word ‘good’ serves both to underline the obvious sarcasm in his words and make your stomach clench in a way that is entirely inappropriate for the conversation at hand. You could curse yourself for the incredibly misplaced crush you’ve apparently developed.

You fold your arms over your chest and stare at the floor, unwilling to let him see how much his comment has affected you. You let out a shaky breath and murmur, “Self-preservation is not the same as being scared. Excuse me for not wanting to actively tempt fate and die in some godforsaken dungeon.” You snip, well aware that you’re being a little bit dramatic and not caring in the slightest. 

Riddle purses his lips together in a hard, thin line and it’s not difficult to see that you’re irritating him. “You seemed perfectly capable of defending yourself the last time you ventured down.”

“Just because I can defend myself doesn’t mean I want to have to.” You snap, following him through the door he’s holding open for you and glancing around in case this has all been some elaborate hoax Lestrange is waiting in the shadows to hex you to hell and back.

The door slams shut behind you and you whirl around, your wand outstretched. Riddle leans against the closed door, arms crossed, looking incredibly bored. “I would have hoped you’d have a little more trust in me by this point.” 

And well… He’s right, as much as it pains you to admit it. He’s only ever been kind to you - maybe a little condescending and arrogant at times, but that only serves to add to his charm. With a twinge of embarrassment, you stow your wand away and clench your jaw, unwilling to admit defeat quite so soon. “Yes, well, that was before you decided to lure me into the dungeons, Riddle. Forgive me for being—"

“You know, my friends call me Tom.” He interrupts you, sounding faintly amused, a small, irritatingly handsome smile curling his lips.

“And that’s what we are? Friends?” You stare at him blankly. Because… Well. You’re not. Friends, that is. Up until a few weeks ago, Tom Riddle hasn’t spared you a second glance since first year and why would he? You are… Well, you’re you. Angry at the world, melodramatic, and apparently, a budding dark sorcerer. It’s strangely reassuring to realise that it’s these things that he likes about you.

“Why wouldn’t we be? We’ve been spending plenty of time together, we have similar interests, we know things about each other that no one else does,” He’s circling you now, sweeping closer and closer until he’s right in front of you, perched elegantly against one of the desks. “What else would you call us?” He sounds so… calm. Congenial. Like it’s the most obvious and simple thing in the world. Except that there’s nothing congenial about the heat that flickers in the depths of his eyes. 

He cocks his head to the side, as though considering something very carefully, and then reaches out and catches your hand. With the same surprising strength that he’d displayed the last time you’d been in the dungeons alone with him, he pulls you forwards. Velocity and inertia work in tandem and you stumble towards him, prevented from collapsing against his chest only by his hand that moves to clasp your waist. Unbidden, your hands move to rest on his thighs. You can feel the way his muscles tense under your touch and you wonder if he’s as affected by the sudden proximity as you are. You wonder if his heart is tripping over itself the way yours is. You wonder (and a distant part of your mind laughs at the ridiculousness of the thought even as you think it) if he wants you the way you find yourself wanting him: entirely. You want to wrap yourself around every part of him, insert yourself into every aspect of his being. You’ve never considered yourself to be a possessive person before; you might have to start reconsidering that now.

You feel, more than you hear, his short sharp intake of breath and he spreads his legs just enough to provide a space for you. You press forward, tucking yourself between his legs, hands on his thighs, emotion and heat and, god, want flooding through you with all the unstoppable force of a tsunami crashing over a seawall. His eyes flicker between yours as he brushes a lock of hair away from your eyes, tucking it carefully behind your ear. He tilts your head up and lowers his until his lips are barely grazing yours. There’s something almost tentative about the way he holds himself, as though he’s holding himself back. 

Nervous. You think he might be nervous. And isn’t that just the most delicious thought?

Your heart thrums wildly in your chest and your fingers tighten instinctively against the fabric of his trousers. “Definitely not friends,” You whisper against his lips before you finally give in to the want that’s been building inside of you for weeks. 

(part 1) (part 2) (part 3) (part 4)

[nattikay]

So I saw this post while browsing toa tags the other day. While I don’t think being obsessed with the school mascot automatically makes Toby a furry (though it is funny to joke about lol) since “being a furry” actually just means “being a fan of anthropomorphic animals” and doesn’t necessarily require any form of costuming or interest in such, it did get me thinking, hmmm...if he was a furry, what would his fursona be? 🤔 And from there I started wondering what Jim’s and Claire’s would be as well because y not ¯\_(ツ)_/¯  

BUT WAIT, I hear you say--haven’t you already drawn the trio as werewolves and wolfwalkers etc.? Wouldn’t those be their fursonas??

Well yes....but actually no.

I guess it’s a little hard to explain, but there’s a nuance between “[person] but as an animal” and a proper “fursona”. While a fursona is an animal character used to represent its person, it doesn’t have to physically resemble them at all as you would expect [person]-but-as-[animal] to. For example, if you were to design me but as a cat, you’d probably give it light brown fur and green eyes like I have irl. But my fursona, unlike my human self, actually has blue fur and purple eyes. You can give your fursona matching physical traits to your own if you want to, and some people do, but most use only a pinch of their irl appearance, if any at all.

The choices people make when designing their fursonas vary wildly from “it looks like me irl” to “it looks like who I want to be”  to “I just really like this color scheme” to “this particular color/marking holds deep personal meaning to me” to “this particular pattern represents a particular defining moment in my life” to “idk it looks cool and i vibe with it” etc. etc. etc. Everyone has different reasons of varying depth for the decisions they make in designing their fursona.

Therefore, to design a fursona for Toby etc., it’s less a question of “what would this character look like as [insert species here]?” and more of “how would this character choose to present himself with his own [animal] character?”

And that’s a much trickier game than just transferring a character aesthetic to a new species. ^^; We have to kinda dive into the characters and makes some guesses about how they, if given infinite creative freedom to design an animal avatar with no rules or limits, would choose to present themselves.

So all that said, here’s what I came up with:

Starting with Toby because he’s the one who inspired the post. I think Toby might choose a wolfdog fursona. A lot of people who choose wolves as fursonas consider themselves to be overwhelmingly loyal to their friends, a trait that fits Toby very well. However, while Toby likes to be “cool”, I don’t think he really thinks of himself as much of an “alpha” type--he’s more of a sidekick, and he knows that, and he’s ok with that. He’s the wingman. So what better way to incorporate that than to add dog into the mix? Man’s best friend=Jim’s best friend. Sociable, humorous, and unwaveringly loyal. Wolfdog it is!

With the species decided, we can move on to the design itself.

I can’t imagine any form of Toby in anything other than warm colors. This is extra emphasized by the flamelike patterns on his legs and tail, which both speaks to his desire to be totally awesome-sauce as well as acts as an allusion to his flaming warhammer. It’s fairly common (not universal, but common) for people to give their fursonas a more “ideal” physique than the person actually has as a sort of way to live by proxy physical goals or fantasies they’ve been unable to attain irl for whatever reason. Given that we’ve seen Toby struggle with fitness from time to time, it wouldn’t shock me to see him take this route. His wolfdog self is still relatively short and stocky, but it’s all muscle, babey. 

This fursona is strong, fun, boisterous, and generally just kicks butt. Concentrated awesomesauce flows through his veins. Just don't mess with his friends, or you’ll feel the flames!

.

Moving on to Jim. Jim was the hardest to nail down, and most definitely the hardest to keep my personal biases out of oof. Which I may have failed to do anways because yes, ok, I made my favorite character a blue feline, sue me ¯\_(ツ)_/¯  But hear me out first!

For Jim I ultimately settling on a cheetah/lion hybrid.

Cheetahs, in a way, are sort of the underdogs (er...cats?) of the feline world--at least, in their local ecosystems. They are built wholly for speed, not strength--and as such, just about every other large predator in their environment has them beat when it comes to raw strength. Remind you of a certain Trollhunter? plus the long lanky legs. don’t forget those lol

However, because of this disadvantage, cheetahs...usually surrender. They know it’s not worth it to defend their kill from larger, stronger opponents, so they’ll give it up and just catch something else. This aspect doesn’t quite fit our protective, selfless protagonist all too eager to risk everything to save his loved ones--so a pure cheetah may not be the right choice.

So what animal is brave and protective? That’s where the lion part comes in, of course!

Why not just make him a pure lion? Well, a little similar to making Toby a wolfdog instead of a pure wolf. A straight-up lion feels a little too “chad” for our sweet Jimbo. Too much of a jock. 

Jim has the humble underdog nature of a cheetah as well as the bravery and fierce protective drive of a lion. Cheelion? Leetah? idk, but let’s design it!

Like Toby and warm colors, I don’t think I can possibly associate Jim with any color but blue. While it’s never directly stated, given that we’ve never really seen him wear any other color (with the exception of the Eclipse armor), I think it’s pretty safe to assume that that’s his favorite. Blue sweater, blue jeans, blue shoes, even his backpack and bedsheets are blue. So naturally, his fursona would be predominantly blue as well! Plus some yellowish accents to (somewhat) match the natural colors of his chosen species(s).

I imagine he originally designed the character without horns, but then added them after becoming the Trollhunter, since it became such a major and impactful aspect of his life.

His lion’s mane also continues down his back in imitation of the “mantle” found on baby cheetahs. This youthful feature could subtly represent the fact that he’s been forced to grow up too fast and take on so much responsibility so young--so his fursona can still be young and carefree as long as he likes even while his real self struggles with the weight of the world on his shoulders.

This fursona is relaxed, calm, and confident. He’s not just cool--he’s crispy!

.

Lastly but not leastly, we have Claire. Out of the three, I think Claire was actually the easiest to choose--or at least, I had the clearest idea of what I thought she might go for.

Claire is a bit of an interesting duck, because while she’s shown to be fairly popular at school, she’s definitely far from the stereotype of The Popular Girl™. Yes she’s smart and pretty, but she’s also a little spunky or even a bit quirky--she’s a theatre kid, she’s a huge fan of hard rock band Papa Skull, and while I wouldn’t quite call her “rebellious” per se, she’s certainly willing to bend some rules if she feels the situation calls for it (not telling her parents that she was going to the concert with Steve, literally sneaking into Jim’s basement to try to find out what was up with him, etc).

That said, I think Claire might go for a hyena fursona--something a little out of the box, but not totally out of left field. (she also shows a slight Gurl Power™ streak here and there “the staff was not meant to be wielded by man--” “I am not a man!!!”) and if you know anything about hyenas...well, yeah lol)

I think Claire would lean into her punk-rock “rebellious” side with her fursona design. This character is completely free of the pressure of being the councilwoman’s daughter and having to maintain her mother’s public reputation, and thus allows Claire to express a less restrained side of herself. She has a bold semi-edgy color scheme with bright accents (and some earrings to match her person’s hair clips) while still remaining feminine and (her own brand of) fashionable. 

This fursona is spunky and sassy; she’s spicy and sweet all rolled up into one. She knows what she wants and she’s not afraid to chase it down. She lives her own life and she’s dang proud of it.

.

....sooooo yeah there’s my take on what Toby’s, Jim’s, and Claire’s fursonas could hypothetically be. And I guess since this post was inspired by a joke about Toby’s infatuation with the school mascot, here’s just some quick thoughts on how they might approach fursuiting to end us off:

Jim I don’t see as much of a suiter. He might try it once or twice if given the opportunity, but at the end of the day it’s not really his cup of tea--he’d rather act as the “handler” for his friends, if anything.

Toby and Claire, on the other hand, I could definitely see as suiters. In fact, with her interest in acting, Claire would probably particularly enjoy it--she’d be one of those suiters who really gets into character, absolutely refuses to break the magic publicly (outside of any actual medical emergency), and popular at cons because she just performs so well. 

Toby, meanwhile, would be the more chill type--uses his normal voice in-suit, isn’t really too stressed about “breaking the magic”, just kinda hanging around like he would normally except “look I’m a talking dog, cool right?”. 

also while I was typing this it occurred to be that since Eli is canonically a cosplayer then he could be a fursuiter as well; in his case i imagine he actually made his own suit it’s a protogen and it’s full of little LEDs and other electric gadgets, it’s not the prettiest thing ever as sewing is not his forte but boy did he try!! good for him. good for him

[dreamties]

Slashers W/ a Punk S/O

T/W- q*eer is used a few times- in a positive, self affirming kind of way. But I can add other trigger warnings if needed. :)

A/n- Literally no one asked for this, but I wanted to make more HCs like the soft pastel one...so I just went wild and made them. 

I included a little bit of punk culture into this as well, because it’s not just about the fashion, but since there’s such a vast variety within punk culture I mostly stuck with my experiences in the community, and some bits and pieces from documentaries(mostly live footage from “The Decline of Western Civilization”).

Characters: Billy/Stu, The Lost Boys, Norman Bates, Michael Myers

Will make one(s) for Brahms, Amanda, Helen or Daniel if asked

Billy Loomis + Stu Macher

so early 90s, the Riot Grrrl movement emerges

bands like Bikini Kill, Bratmobile, Heavens to Betsy or Sleater-Kinney

it’s a very female-powered oriented movement, but I notice that a lot of minorities tend to be drawn to this music and community (LGBT folks, people of color, etc).

both boys, and yourself, being outside of the norm and all (polyamorous relationship, gay/bi) are sort of drawn to it!

and sure there’s a lot of really great queercore/homocore bands, and there’s probably a good LGBT+ punk scene out there somewhere, but in a little town like Woodsboro? Hell no. Sticking with this fem punk movement, while again mostly a space for women in music- it’s the most accepted the three of you have felt outside of you’re relationship. 

you’ve always been pretty into the music, stuff like Dead Kennedys, Black Flag, or the short-lived Germs- but it wasn’t until you stumbled upon Riot Grrrl that you really got into it. 

the music, making zines about local-ish political issues(probably not so much Woodsboro stuff, more Cali in general and neighboring towns) and a few ones with queer themes and hand-drawn illustrations of your partners, and DIYing all your clothes

since you’re so experienced with DIYing your clothes and sewing on patches, you’ve helped repair the Ghostface costumes on numerous occasions. they kind of adore this(Stu is the only one that will- and does, frequently- admit that)

Let’s face it, the three of you do everything together- but you especially enjoy when Stu tags along for thrift dates. 

he’s the more fashionable one, and he makes the whole experience more enjoyable- cracking jokes and just being his all-around goofy self.

Woodsboro is a very little town, so they don’t have much...but they do have a few small stores- usually you’ll make a whole day/date out of it though. driving to the next town or so over, since they have more stores and a better selection, and spending hours looking for cheap, old t-shirts, belts, clothes with funky patterns. heading out for pizza after.

Billy’s more likely to get into the music and everything with you(he’s kinda,, angsty, no offense to him)- will definitely go to shows with you.

just- imagine Billy in ripped jeans. and he’d have like one or two patches sewn on to it- one of them is your all time favorite band, and the other is a band that he found on his own time, and actually really enjoyed.

Stu is dragged along with you guys, you can’t just leave him at home- he’s gonna feel left out and sad. :(

He’s mostly there to keep y’all company- he really likes the energy of the shows though!

the two of them are such a chaotic duo though, so much so that you have definitely been kicked out or banned from a few venues. all for varying reasons. good grief these men can not be tamed.

The Lost Boys

as we all know, these vampires are total punks. so they’re gonna appreciate having a s/o who’s also into that whole scene.

How you meet:

you’re a baby punk, and it’s your first show ever, and you look so nervous. you’re dressed up in pretty plain clothes, a single homemade patch for your favorite band barely hanging to your jacket side(you were mid-way sewing it, when you realized you were gonna be late if you didn’t leave asap).

it’s a few local bands, ones you’d never really heard of really. you look anxious. but when they start playing? you look so unapologetically yourself, you’re so in the moment dancing- it’s completely mesmerizing to the boys. the music isn’t even that good, but you seem to be having the time of your life.

they greet you after the show, and you’re a tiny bit flustered- cause gosh, heck, they saw you. dancing. so embarrassing. 

David is the one that introduces himself and the group, and initiates conversation. Dwayne’s a pretty quiet guy, so he just listens to what you have to say. 

Marko’s pretty excited about you, and initiates in some small conversation, he may have complimented your little patch(Marko- patch jacket KING, complimenting your jacket?? more likely than you’d think) 

and oh, oh- Paul is out there being a total chatty-cathy, and is absolutely bombarding you with questions. like, okay, Paul is pretty talkative, but the other vamps are a little worried that he’s scared you off. and you had seemed so cool :(

you end up pretty engaged in your convo with Paul though, even if all the attention is overwhelming. He ends up snagging a date for the five of you the following week.

once you start hanging out/dating:

y’all just hit it off so well those first few days. they all love how sweet & shy you are- but also how much of a badass punk babe you are.

Marko helps make your patch jacket(collecting ones for bands you enjoy, how to make your own, sewing them on, etc). you probably could have done it w/out his help, but my gosh- you weren’t going to pass up this opportunity. Marko gets really soft around you sometimes, since he doesn’t really do this activity with anyone else, it’s saved for you. 🥺🥺

Dwayne likes listening to you talking about the local scene(outside of the shows you go to- mostly about stuff he can’t attend, protests and meetings during the daylight.)

all of them(especially David) are very protective of you. I mean, generally. but also when you go to shows. they let you do whatever the heck you’re gonna do, but the mere second that someone even thinks about starting shit w/ you?? well, y’know. those vampire instincts kick in.

the four of them obviously share a lot of similar tastes in music- but they all have different favorite bands, & fave parts of the community. which, they can’t even fully participate in,, but it’s okay.

they, individually, introduce their favorite bands to you. and they get it in their head that oh, they said they liked it. they must like it as much as I do. and awkwardly coming out to the four of them, as they argue about your favorite band, “Well, actually- this *insert band they’ve never heard of or barely listen to* is my favorite.” and their just kinda like, oh, okay. please tell us more about them. 

so it’s sorta like,, you’ve been learning all this cool knowledge from them, now you get to share cool knowledge with them.

idk. I think it’s cute. 💕

Norman Bates

so first off- let’s just pretend Psycho was in at least the 70s/80s for a moment. because realistically- the punk subculture didn’t really exist back then.

baby boy is absolutely fascinated by the way you dress (mother is less thrilled though)

imagine your jacket is getting a bit weathered, and needs some repairs- so he helps you to sew edges closed, and make sure the patches aren’t on too loose, etc

he enjoys hearing your stories of all the past shows you’ve gone to. you always get so excited about them, and he finds that so endearing. But he pretty much leaves the actual punk scene to you because of these stories.

he was already worried from the stories, and made sure you were well prepared for any trouble every time you left for a show.

but one time, you were able to get him to join you. never again though. he was so nervous!

the music was too loud! and he could hardly understand what they were saying- it was so confusing!

you stayed with him most of the night, standing near the back, holding his hand. he’d gently bob his head to the music occasionally. 

but you accidentally found yourself swept into the crowd, but you looked so blissed-out in the moment, that he figured it would be okay for you to dance* over there for a little bit...right?  

*Norman is still unsure if you’d even call that dancing.

Thankfully, nothing bad happened in the mosh pit.

you gotta give him lots of attention and reassurance afterwards though- you almost scared Norman half to death D:

He’s happy enough helping you out and listening to you though- and that’s okay for you, too. you still love each other lots, even if this particular interest doesn’t overlap.

Michael Myers

he thinks you’re outfits are pretty interesting. 

he’s a little worried at first, when you start experimenting with putting things like safety pins in your ears. cause like- that’s not supposed to be in your ear, Y/n, what the fuck

if you make zines at all, Michael really enjoys watching you make the illustrations for them(not that he’ll admit to it though), and helps to find newspaper and magazine clippings to incorporate into the spreads.

you always show michael the final booklet before distributing it

he doesn’t talk a lot, so he doesn’t ask questions- but he often does the little head tilt once you give it to him. since he’s not very privy to current events, and a lot of your zines are political, you spend a lot of time explaining them in depth.

he has no use for any of this knowledge, but he listens on, intently.

Important note:

dear god do not bring this man to concerts and local shows with you.

it is a nightmare, to say the least

Michael is sort of,, emotionless sometimes, doesn’t really care for people at all, and if he does? definitely not in the same way most people do. 

so imagine combining that part of michael, the fact that he’s also a giant stabby man, with super loud, energetic- almost aggressive- sounding music and a bunch of strangers that aren’t respecting any personal boundaries. 

you need to keep him at the back of the venue- lest your local scene may go missing.

[dandylion240]

All of the story asks please :) (Character specific ones I'd say up to you, but would love to have them be Jonah/Cecil or my usual favorites ;) )

what’s the last screenshot you’ve taken for your story?

2. describe your story in three words or less

Family, Angst, Drama

3. describe (insert character here) in three words or less

Jonah - unassuming, brave sensitive

Cecil - insightful, supportive, caring

Evan - self-sacrificing, helpful, innocent

Jayden - protective, stubborn, active

4. how did you choose the name of your story?

I try to use titles that is kind of thematic of the story I'm writing. It takes me forever to come up with a name and sometimes the name changes multiple times before it gets posted.

5. how do you choose your characters’ names?

It depends upon the story. For my Reagan family stories (TS4) I use the parents names. It's kind of a family tradition. For instance Jonah/Ethan. All boys will start with E and the girls will start with J. In my TS3 stories I sometimes choose a theme for names and use that. Like next gen of NSQL the theme is nature.

6. how long have you been working on your story for?

Well it depends on the story. With my Reagans I started writing for them in the summer of 2019. For my TS3 legacies I started in 2014 I think.

7. whats the biggest risk you’ve taken with your story? did it pay off?

I think my biggest risk is my current story Into the Depths of Darkness. I wasn't sure I could pull it off and the story has changed from what I thought it would be and the hero of the story has changed from first conception. I'm happy that Jonah is the hero of his own story and it's given him so much character growth and he's becoming more of what I always invisioned him being. I owe a lot to @mahvaladara to how the story has progressed and the ideas she has contributed. It wouldn't be what it is without her.

8. what about your story are you proud of?

There are many things I'm proud. Mostly that I continue writing even though sometimes it feels like I'm ripping my heart out to write some of things I write about and also that I don't quit even when it's hard.

9. what about your story are you looking to improve on?

There's always things that can be improved. Writing is a process that the more you do it the more you learn and get better. I could say pictures but I'll admit the storytelling will always come first over pretty pics and sometimes I just can't find the right pose to fit. Maybe one day I'll be able to make my own poses but I'm not there yet.

10. is your story fully planned or are you still working things out? is there a definitive end?

It's a work in progress. I start writing from an outline of how I think the story should go but it's loose enough for me to rearrange things or remove/add things to it as the story evolves.

11. why have you decided to tell this story? are there any messages or meanings within it?

I just like to write. If there's any message in my stories it's that family is important and no matter awful things you might face in life if you have people who love and care for you that you can endure it. But mostly that you can rise above your circumstances and still be a healthy, functioning person despite everything even if you have a mental or health problems, you can still be happy, loved.

12. do you actually play the game or do you just use it as a storytelling medium?

It's mostly a storytelling medium for me. I do play it sometimes but tbh though TS4 lacks so much depth and gameplay I find it boring after a while. I've gotten into playing TS3 again now that I have a better computer that it doesn't lag as much.

13. from basic planning to a finished post, how long does that take you?

I don't honestly know. I've never stopped to consider how long it takes.

14. do you have any regrets about your story so far? if you could go back in time, how would you fix these?

No I don't think I have any real regrets. Sure I go back and think I could have written that better or edited that picture more but for the most part I'm happy with my stories.

15. what have been the highlights of creating your story?

The highlights have always been the people who become involved in my characters lives.

16. what about the process do you enjoy?

Seeing my stories come to life. How my characters change as the story progresses.

17. what about the process do you hate?

When I struggle to write a scene and it doesn't flow the way it should. It's generally because I'm coming at it wrong. Once I figure that out than it flows. Sometimes the seeming lack of interest in what I write from the readers is hard to overcome and I feel like quitting. But the few who comment I thank because that always revs up my motivation to continue.

18. choose a song that reminds you of your story

Just one song....that's really difficult say. There are so many songs out that fit my current story. This song fits Into the Depths of Darkness because where there's a lot of darkness there's still hope to be found.

19. choose a song that reminds you of (insert character here)

Ok I'll do this for Jonah - Fight Song

20. choose your favourite shot from your story so far

21. choose your least favourite shot so far

22. choose a favourite character from your story so far

Jonah is my baby. It may not show it by I love him.

23. choose your least favourite character so far

Hmm this is difficult because there were characters I created purely to be hated. Currently my least favorite is Ethan but it's not because I don't love him but it's because of his roll in the story.

24. are there any characters who remind you of yourself?

Not really. There are certain aspects of me in all my characters or people I know in them but none are an incert of myself.

25. what inspirations have you drawn on for your story?

There are so many. I draw inspiration from people around me. From movies and TV shows I watch. The books I read. Sometimes from the people I interact with on here mainly @izayoichan @mahvaladara @jenpants and @legendofsim They've let me bounce ideas off of them and their input helps me in my stories.

26. have other sim stories inspired you?

Yes they have. See above. All their stories have inspired me.

27. what genres would you describe your story as?

Modern fantasy drama??? I have no idea if that's a thing but it best describes what I write.

28. if you could reproduce your story in another medium (movie, novel, comic, etc.) what would you choose and why?

Hmm I'd say novel or maybe series. A movie would be cool too.

29. what would your story’s rating be? (G, PG, M etc.)

Hmm interesting I'd like to say its somewhere between PG-13 and mature just because of some of the topics.

30. if you were leaving simblr and had to choose another creator to continue the story for you, who would you ask?

I think either @izayoichan or @mahvaladara for my TS4 stories since they've helped me write some of them and they would keep true to the characters as they love them as much as I do.

For my TS3 stories I would say @legendofsim since for a long time our stories had been intertwined.

31. drop some random trivia about your story

Ethan was supposed to die trying to save Jonah

Caiden was supposed to have played the part of the hero instead of Jonah

Cory was going to heal Jonah's broken heart over the of Ethan.

But as they say the story changed...

32. give a light spoiler

Someone will be heartbroken at the end of the story.

33. recommend another creator’s story!

There are so many: @izayoichan @mahvaladara @nikatyler @justkeeponsimming @amuhav @legendofsim @simlit @lilyshadowwriter @wannabecatwriter

Please don't be upset if you weren't listed on here. I love everyone I follow but these are my favorites. I have others but some aren't active anymore and stuck with the ones I'm always waiting for the next installment, even if I'm behind on a few of them.

Thank you for asking!

[jellyluchi]

It's the one year anniversary of jellyluchi!!! 🥳💜🥰

I'm so happy I made this blog... I didn't think it would function the way it does now, at all! The way I was used to participating in fandom was very different back then. I would make graphics and maybe write canon ship fics. I made this account just to read Prosciutto x reader works, that's it 💀 and maybe find old content of him. I wasn't used to reading x reader works and I thought it was extremely embarrassing because self-shipping is frowned upon and people looked down on others who enjoy x reader fanfics. No one understood my self-ship with him and how I love him.

I was afraid of exposing myself on main for some reason and was EXTREMELY shy about my love for Pros. I couldn't even talk about him without going on anon (shoutout to [insert some blogs I'm too shy to mention] who I sent anons to thirsting after Prosciutto back then and feeling sad about shipping with him, some of whom are my MUTUALS now?!??! which is crazy) and was sad all the time thinking I was no good for him. But he made me so incredibly happy I just had to have a sanctuary where I could archive all my absolute favorite content for him. And thus, this blog was born.

I used to frequent other people '#prosciutto' tag very obsessively and read and re read so many of my fav works that I was frustrated having to bookmark the links instead of just going to a tag I made myself. I did want to start writing for him because I knew in the coming months that content for La Squadra would dwindle (especially for Pros) so I thought I could make content for myself to make me happy. (Shoutout to creators who write and draw for La Squadra!!! YOU are the backbone!!!). I was too scared to share my writing at first thinking it'd be no good either but I'm so glad it is received well, at this point I'm just happy to have fun with everyone instead of worrying if my content is good / bad etc 🥺

The idea of making an OC was completely out of the question! I'd never done anything in-depth like that before despite trying to make OCs in the past which ended up in me not being passionate enough to develop them. But because of the help and inspiration I've encountered here I was able to pull through and create a character that I love very very dearly.

Then came the wonderful people I met because of this blog in the past year. I couldn't thank each person enough for what they've done for me 🥺 every single person who's interacted with me has encouraged me to show my love for Pros more and not be ashamed and it lead me to be so much more of a happier person. This blog most definitely changed my life! In so many ways !! I made wonderful friends and memories thanks to this blog, found a community of people that help me feel accepted and who have fostered a better friendship with me than I could do for many years!!! In previous fandoms I tried to connect with large groups but inevitably there would be a fallout and I wouldn't be interested anymore (or worse, getting involved in drama). In the end I would lose passion for the source material and move on. But I feel like the connections are very personal this time around 🥰.

I just hope to continue making happy memories with this blog, it's such a big part of me now, I don't even check my main blog anymore. This is one of the only places I can be honest about my feelings and have fun which is so important to me! Thank you for everyone who has stuck around so far idk how to thank you enough 🥺💜💜💜 Thank you for your love and support, for encouraging me, for liking my thoughts and feeling for Pros and my ramblings about Focaccia, and everything else in between!!!! There were many times I thought perhaps I should abandon this place but... I'm so happy I stuck around. Here's to many more years!!!

[giantladywithtitsicles]

Introducing my Lavellan brothers;

Fenrir Maliel - Assassin Blades Rogue (the oldest & a shameless self insert) - 27-31

Lin Maliel - Two Handed Reaver Warrior (the middle child, and the Official Inquisitor) - 25-29

Sandu Thevael - Necromancer Mage (the youngest, the “black sheep” that isn’t actually the black sheep: the red herring if you will) - 18-24

Fenrir and Lin were originally of Clan Maliel, which was massacred in an event the elder brothers refer to exclusively as “The Trample”. Clan Maliel was caught in the crossfire between two human settlements, both of which decided to take a shortcut through Clan Maliel’s campsite. The brothers, as young as 4-7 years of age, hid during the duration of the battle. They emerged after the ground was razed, and the fires were long cold.

They were fortunate to have survived the month long journey they took to find safety, picking up scraps as they went. After that period of time, they encountered a trail Clan Lavellan left: freshly put out bonfires, Halla tracks, indents from footsteps and wagon wheels. Tired and hungry, they stumbled into the open, and were caught by one of the healers.

Fenrir is blind in his right eye, Lin has an unnamed heart condition and the tip of one ear is cut off, they both manage. They gain inspiration from the other elves in Clan Lavellan, who have lost much more than an eye or an ear.

They were adopted into the clan as full blooded members, and nobody questioned why neither of them looked or acted quite like the other elves. They trained with the masters, and became an integral part of their community.

Five years later, they go out as a junior party to scout the Emerald Graves, where they encounter another site of a wrecked elven clan. They determine a demon outbreak to be the cause. Sifting through the rubble they find records of this clan: formerly known as Clan Thevael, sister clan of Clan Maliel. They pack as many intact journals and scrolls as possible, and as they were about to leave, encountered a young Sandu. It was clear to them they were taking this child in. The Clan Lavellan healers determined that Sandu was left alone for some time, and that there was no easy way to tell his age due to malnourishment.

Sandu turned out to be a proficient mage, but he was one too many in the clan. Fenrir and Lin begged Keeper Istimaethoriel to keep Sandu around, and somehow convinced her. Sandu is timid, and does not take up more space than he feels he absolutely needs. Keeper Istimaethoriel, though careful around him, tries to make him feel welcome. It’s a work in progress.

Around the time Lin was pulled into the Inquisition, Fenrir investigated the files they found in Clan Thevael’s ruins. He read letters exchanged between his mother and a friend of hers, talking about their origins, how their clan was shunned by others. A few years after Lin’s emergence as Inquisitor, Fenrir arranged a meeting between his two brothers to discuss exactly who they were.

This meeting between the brothers enlightens Lin on many things, and when the time comes to confront Fen’Harel, he is able to put the pieces together as to his original clan’s history. Fenrir discovers why his peers hesitate when saying his name. Sandu has the closest relation to Fen’Harel, but his clan buried these records deep within their stories to protect themselves from scorn, and his exact ancestry is unrecoverable.

They do know that Sandu is more precisely Fenrir and Lin’s nephew, but they treat him as a brother anyway. Fenrir is three years older than Lin. They don’t know exactly how much younger Sandu is, but they estimate the difference to be as little as two years to as much as eleven years to Lin. Sandu’s stunted growth made it a difficult task.

If Fenrir were the Inquisitor, he would have married Cassandra (Vivienne as Divine), and travelled between his estate in Kirkwall and where the new generation of Seekers train. He abandoned the elven gods and adopted Andrastian faith, and became somewhat of a religious zealot. While running errands in Kirkwall, a masked assassin targeted him, and Fenrir was afflicted with a deadly poison. He died within days, and though Varric sent for Cassandra as soon as he could, she was barely too late to make it before Fenrir passed. They had a single child, who Cassandra named “Maliel”, after his lost clan, even though their child was not elven.

Otherwise, Fenrir remained within Clan Lavellan. He became an elder, who was tasked with training their non-mages. He was well-loved and respected, but clan members were always wary of him, as he had an edge to him that unnerved them at times. He recognized that his past experiences would always have made him cynical. Fenrir connected with one of the mages, a woman named Ghili, and they had twin daughters: Juna and Fenwe.

Lin became partners with Iron Bull, and vied to rebuild everything he could. He did not want for anyone to be unreasonably vulnerable, and so he remained meticulous in how he influenced Thedas. He gained favor from Fen’Harel because of the care he put into his actions, though he was always spiteful of the betrayal. After the conclusion of the events in Trespasser, Lin joined the Chargers, and became quite a hit. His arm, amputated from the elbow down, was a roadblock for him. He switched from two handed weapons to a sword and a shield. The shield, specifically tailored to him, acted as a prosthetic arm. Iron Bull jokes that it’s more of a boon than anything else, as its massive size is akin to an impenetrable wall. Lin encounters a small child during a job, and nearly dies protecting it. They are a human toddler, simply nicknamed “Finn”.

As the years go by, Lin’s health declines, and eventually he retires from fighting for good. Iron Bull and Lin retreat to the Storm Coast, bringing Finn along with them. The mantle of leader of the Chargers passes to Krem. Finn learns to fight the Reaver style, and alters Lin’s shield to be useful to them. Finn joins the Chargers, and makes a name for themself as the Lightning Bolt of the Chargers, “Finn the Bolt”, for short. They all find it to be a funny title.

If Lin is not the Inquisitor, he joins Fenrir in the search for their heritage, and becomes an elder as well. Lin teaches healing and non-violence, diplomacy, and culture. He becomes a father through surrogacy, and has a child who they call “Denmirr”.

Or he stays with Clan Lavellan and searches for elven orphans, adopting a bit of a clan of his own. Because of how many children he adopts, Clan Lavellan sends him away with extra members to revive Clan Maliel. Most of the children are not related by blood, but it becomes somewhat of a family of its own.

He himself develops a flirtatious relationship with one of the male warriors, Naris. Fenrir teases him often, but means well.

Sandu, as the Inquisitor, had to learn how to insert himself as the dominant party. He observed Vivienne and found her to be his greatest confidant. Not only did she teach him much about magic, she taught him confidence and that his image didn’t need to reflect who he is completely. She didn’t approve of his choice to establish Leliana as the Divine, but she respected his decision and his reasoning. Sandu felt foolish when he faced Solas for the last time: wondered how he could have missed the signs. After he disbanded the Inquisition, he returned to Clan Lavellan. He remained accessible for Cassandra to summon him when needed, but became Keeper after some time passed, and his connection to the clan became strong again. He never assumed the name Lavellan, but was referred to as that, similarly to a title.

He otherwise would become a tradesman for the clan. He sent to towns and cities to be a spokesman, and learned to deal with ruffians after being abused into a bad situation on a few occasions. In one far trip to the Anderfels, he met a surface Dwarf named Jekard (ym/yr [yim•yer]), and formed a brother-like bond with ym. They exchanged insight and advantages with each other, and both Clan Lavellan and Jekard’s guild benefitted. He met Krem once, and looks up to him like an idol. Sandu never fell in love, and really had no interest to, but took a group of apprentices who aspired to learn from their Keeper. Imposter’s Syndrome hit him hard for a very long time, before he realized he was right where he belonged.

If none of the brothers became Inquisitor, all three stayed together, and functioned as a single mind. They dedicated their lives to Clan Lavellan out of gratitude, and the clan evolved into one of the strongest outposts in all of southern Ferelden and Orlais. They all had different roles, but the future generations of the clan benefitted greatly from their presence.

If all three brothers became influential members of the Inquisition, their power would likely have gone uncontested. Their strengths would allow them to spread farther than if only one of them were Inquisitor. The Inquisition would be an empire, and almost definitely considered a threat to even Par Vollen. Fenrir and Lin would take it different directions, and the possibility of a schism turned great. Sandu would side with Lin for the sole reason that he found Fenrir’s ideologies to be extreme. The Inquisition would be built up by the brothers, and torn down by the brothers.

In that scenario, a civil war would erupt between Fenrir’s loyalists (the Fenedhis), and Lin’s loyalists (the Athim). Fenrir would slay Lin, but Sandu would defeat Fenrir. Sandu would dismiss all soldiers and scatter the army, and soon after would disappear without a trace. He wasn’t dead though- his presence was tangible even though he could not be seen.

While this doesn’t encompass all that these characters are, I thought it was a nice overview of these brothers I’ve had in my mind for a while. The inspiration came from my realization that most of my DA:I characters are elves and Qunari. I might do more in-depth timelines for each brother later. This is completely separate from Dragon Age canon, clearly, and is just a fun little thing I put together. I may revise it if there are details I want to alter.

[aros001]

Read through light novel vol. 16. Random thoughts.

"Who is this OC looking f**kboy?"

Those were genuinely my first thoughts upon seeing the art of Takt on the throne. And it would seem my immediate dislike was not unfounded.

Seriously though, everything about him is like someone's self-insert original character for their shitty power fantasy Shield Hero fanfic.

"He dresses really cool, like all modern with jeans and pockets, and he can use all the holy weapons and vassal weapons, and his level is above 300, and he has a harem of totally hot powerful women, and he's the king of his own country, and he can counter everything that people use against him, and he can steal powers he doesn't have, and he can beat Naofumi and all the other heroes with, like, no sweat at all!"

I want All For One to come in and kick this little twerp's ass. Show him what a real OP villain who can steal powers is like.

This isn't a critique of the writing by the way. It feels like Takt is supposed to feel like that kind of character who plays to those tropes and is REALLY easy to hate.

I both do and don't like how Naofumi is acting in the prologue. Obviously I don't like specifically what he's doing because it's creepy and uncomfortable, but I really like the reasons for why. The dude is fried from everything that's happened and unlike Itsuki it's not because of a curse. He's grieving from a heavy loss, easily the biggest he's had since coming to this world, and unlike with Ost's death he has no one he can yet focus his anger on, so he's feeling completely lost and mixed up. Another great moment from Sadeena in helping him regain at least some of his sanity. Sex is a common way people try to find comfort after a terrible loss and if that had been the case I think she would have slept with him or even encouraged Raphtalia to be the one for that. But she could see pretty clearly that wasn't the case. Naofumi wasn't looking for comfort. He was practically a zombie, just going through the motions.

“It seems that from among the four holy heroes, the Shield and Bow have been most active over there. Based on their level of activity, there’s also a bias in the legends about the seven star heroes. They mainly talk about the Hammer, Claws, and Whip.” A bias. The Shield and Bow did complement each other well, that was true.

F**k that! Sword and Shield, BroTP!

“Putting that together with what we learned in Kizuna’s world, it sounds like the effects of the fusing of worlds,” I pondered. There was a wave that had combined the Shield world with the Bow world, and then the Shield and Bow world had been fused with the Sword and Spear world to create the current one. It was only natural that a bias in the legends would arise.

"Worlds lived, worlds died. And nothing will ever be the same."

I've talked before that I'm a big fan of the concept of a Multiverse in fiction, especially in superhero comics. Right away I liked that the four Holy Heroes came from different parallel universes and then getting Glass and L'Arc showed that there were also parallel fantasy universes also fighting the waves. And now we get this theory from the characters that Raphtalia's universe is an amalgam, made up of other previous universes that fused through the waves. It's very Crisis on Infinite Earths and JLA/Avengers.

Reading Queen Melromarc describe the king of Faubrey and I'm just remember a scene that I and many Overlord fans love to the depths of our hearts, of Sebas the butler encountering a naked little fat man who got his sexual thrills off beating the women the brothel provided him. Sebas, like any true gentleman, kicked him in the dick so hard he exploded. Is there some to hope that a similar fate befell the king whom apparently married and killed (and probably even worse than that) 9,999 women? Not even Witch deserves that. Nobody deserves that.

Even though it'd probably take him to a dark place he shouldn't go, part of me was hoping for some karma to occur when Witch revealed herself as Takt's ally to Naofumi. He no longer had the shield, meaning he could attack her like he never could before, meaning he could kill her with his bare hands. I'm glad he used the defense rating attack on Takt, because there's been great long-time set-up for that, but yeah, I wanted Naofumi to at least get to break Witch's nose after everything he's been through. And if Witch wasn't irredemable before, she most certainly is now, proving she has no loyalty to anyone other than herself. She used Naofumi and the other heroes from the beginning for her own goals. Her mother had enough control that she couldn't just do whatever she wanted. And Melty was standing in the way of her getting the throne. She's still a terrible person but there were at least reasons for her to be against these people. But Trash? Her father, who has been loyal and on her side since the beginning, who doted and spoiled her from a young age because of how much he loved her? She had no hesitation in ordering him killed along with everyone else. There was no reason behind it. It was just pure cruelly, greed, and self-satisfaction.

And then...there's the Queen. ...F**k. Y'all bastards were really good at keeping that spoiler hidden. I was accidentally spoiled that Alta was going to die but not through this site. I had no idea the Queen was going to die. Of course Naofumi couldn't have the Shield during that part. If he made Mirellia into a shield like he did Ost and Alta he probably would be unstoppable, because she was just that f**king awesome.

We're pouring one out for you, your majesty. May your youngest daughter inherit your great wisdom and unbelievably hilarious slapping ability.

I'm really glad with Trash's development in this book. Like I've said in past posts, I can feel basic empathy for him given his backstory, but feeling sorry for him was not enough to actually put me on his side, because he was not putting in any work to actually be better or redeem himself. He was just acting angry and crazy and then just sad and withered. Here? While he had to be shaken and roused into it (can't blame him for that as he just lost the love of his life), he puts in the effort to make use of himself and holds himself accountable for his past actions. I really like that he wants to continue being called Trash. That is his penance. Not more feeling sorry for himself or blaming the rest of the world. It's time for him to be the man he knows he's supposed to be.

With all that though, Melty was definitely the person I felt the worst for after the death. Of all the younger characters, despite being royalty and mature for her age, she is the person who feels the most like a real kid, and her crying her eyes out while clinging to Naofumi hurt just like it should, because this little girl just lost her mom. No idea what the expectation is in Melromarc for when Melty should take the throne but for her it's always going to feel too soon, because how could it not?

“Daddy . . . thank you for approving my marriage. You’ve finally agreed to let me marry Ollie,” she said dreamily.

“I’ll make you forget this ‘Ollie’ soon enough, although his keeping you a virgin for so long is something to be thankful for!” Takt cackled. It was clear that he was using some kind of illusion to make her think he was her beloved. “Those who don’t give proper thought to their daughters’ happiness have no right to live!”

Oh good! He's a rapist too!

So Naofumi was the Shield's first choice and the other three were the Bow, Sword, and Spear's third choices. I like the credit that's given that the first choice is not guaranteed to be the best, as they can become just as corrupt or egotistical, or the third choices are not guaranteed to be the worst, as they can grow into real heroes. I'm just wondering how the selection process worked and why they all couldn't get their first choices. The Holy Weapons apparently have some sway over the universes they pulled them from, given the promise of granting wishes if they want to return to them. My immediate theory is that the weapons all set up paths that'd lead their choices to being summoned but just through sheer coincidence and randomness all the first choices, save for Naofumi, kept missing the path. Going down the list, the weapons become more desperate and thus are more willing to use more extremes to get their choices, thus why Ren, Motoyasu, and Itsuki had to be killed in order to be summoned. They missed their window with their first and second choices so now they absolutely have to guarantee they get their third, even if the methods are less than ethical.

With the big final boss, the World Eater as Naofumi called it, I'm theorizing that he/she/it is using the waves to fuse multiple universes into one so that he/she/it can eat it all in one go.

I only have two issues with this volume and they're both kind of nitpicks. The first is with Trash's plan, specifically with the Glawick ore. I don't remember it ever being established before in the series. I really liked the Rucolu fruit being used in the Cal Mira wave battle because it was set up way beforehand, so it feels like a lot less of a Deus ex Machina. Same with Naofumi using defense rating attacks after his battle with Glass. That's good set-up. The ore doesn't break the story, it just feels very convenient that such a thing happened to exist. If I'm mistaken and it was set-up before and I just forgot, please let me know.

The second is Naofumi and Raphtalia being separated again after a trip into another universe. The story next volume seems like it'll be very different from last time but that part does feel like a repeat of what we've already seen. Plus, with the new status quo of Naofumi knowing how she feels about him, I want to see their interactions now that he's recovered a bit from the loss of Alta. Again, it's a nitpick, since I'm certain they'll find each other again, but I don't like feeling like I'm being deliberately kept away from what I want to see.

“The source of your power, the one true hero, now orders you. Reconsider the state of all things once more and bring down a storm of flame upon my target! Drifa Firestorm!” Takt completed the spell.

...

“The source of your power, just a hero, now orders you. Reconsider the state of all things once more and scatter the storm that would burn its target! Anti Drifa Firestorm!” I read the magic Takt had incanted and activated magic to nullify it. With that, the fire tornado scattered into nothing, as though it had never existed.

Biiiiiiiiiiiiiiiiiiiiiiiiiiitch!

“I’m here to destroy everything you possess,” I menaced quietly. “Your pride, your dignity, everything you treasure. I’ve already half-destroyed your composure and your arrogance. Now it’s time for the other half. False hero, possessing six of the seven star weapons and the shield from the four holy weapons! Now face the reality of being defeated by a regular guy who holds none of the legendary weapons!”

No wonder Raphtalia couldn't be in this part. After hearing that line I don't think she'd be able to hold herself back and would have tackled him like a wild Albedo in heat right then and there.

I am so looking forward to when this volume's final battle is animated, especially the part where Naofumi gets his shield back. That is going to feel like such an epic, heroic moment.

So Rishia unlocked Pay-to-Win. ...I don't really know what to say to that. What do ancient magical relics care about money? ("What does God need with a starship?")

So the person Malty had Ren give a sword lesson to back in vol. 11, was that Takt, King Faubrey, or someone we don't know yet, like the mastermind behind everything?

Is Kizuna marked for death now? From how Fitora made it sound to Naofumi, when a Holy Hero dies a new one can't be summoned if the others are still around. If Kizuna's world works similarly, she might have to die or there'll be no Holy Heroes other than her.

Naofumi really likes his Dragon Ball Z, doesn't he? Which is appropriate given I just realized that the Energy Blast from the Spirit Tortoise Shield is almost literally the Kamehameha. Seriously, Kamehameha translates to "Turtle Destruction Wave".

So...what the heck do I do now? I've spent about a month reading through 16 volumes of Naofumi's rise and I know there are at least 6 other volumes that haven't been translated to english yet. I'll probably go find another LN series to read until vol. 17 comes out in July. Though I am curious if RoTSH has a fan translation site like Overlord and Konosuba do.

Original Reddit post: https://www.reddit.com/r/shieldbro/comments/fot3tj/read_through_light_novel_vol_16_random_thoughts/

[horrorhot-line]

Do you have any writing tips Coz i rlly like your writing ❤😭

This one took a while to answer because of how much I had to say. (Please keep in mind that I am in no way telling you to follow these tips, take whatever you think will work for you and discard what doesn't, okay?)

Alright, first things first, I've been writing on and off for the past seven years, and I can say for a fact that I've definitely improved since my first fic (which was on paper, we don't talk about it). The following tips are what works for me, and what I believe has helped me become better at writing. 

Remember, fanfiction is supposed to be self-indulgent, and therefore you are entitled to write whatever you like because it's your work, so you don’t have to follow any of these tips if you don’t feel like it.

Proofreading, making sense & grammar

Grammar and punctuation make a huge difference. You could have an amazing story, but bad grammar can make that piece of work flop. Stories are supposed to be immersive, but if there are too many mistakes or the words don't make sense, it can ruin it for a reader. (I don't mean your garden variety missing letters, I mean something like 'an he and her goes and u were like oh no'.) I can't name the amount of time I've started to read something online and ditched it because the grammar irks me (your instead of you're, their instead of they're and so on). I've seen a lot of fanfiction writers also switch between past tense, present tense and future tense in the same paragraph, which makes it hard to understand what's happening. 

If you're trying to post and have it get attention, please do check your work to make sure it makes sense. Write down everything first, don't correct anything, and once you're done writing the scene, go back to proofread the whole thing. Get someone to read it for you and point out mistakes or things that don't make sense, if you can. 

If you can't, then there are alternatives. There's 'text to speech', where you can copy and paste what you've written down onto a website, and it will read the text out loud to you. It works the best (for me anyway). There's also grammarly, which is kind of similar to google docs except it points out all the mistakes you may have in your work. (Bear in mind a few mistakes don't matter, but if there's too many then it's likely that your post or blog won't get much attention.) This tip helps you to get a lot of likes on your writing.

Research

If you're writing fanfiction, please study the character(s). My biggest pet peeve when I read fanfiction, is that the love interest is out of character. Whether it be the way they talk or the way they act, if it isn't close to canon, I cannot read it.

So, if you're trying to gain traction and have your work get a lot of positive feedback or likes, then it's best to do research. Most fictional characters have wiki pages where their personalities, relationships and life stories are listed, so why not make the most of it? It's all there for the taking. When writing for a character, rewatch the show/movie to get a good grasp of their personality and then begin to write. The more canon your writing is, the more people will enjoy it.

Reader Inserts

Ever come across an x reader where there's way too much description about their appearance? (Specified hair colour, hair length, named family members etc.) I once read a reader insert where the author described the reader as someone who had pale skin, blue eyes and blonde hair... I was like, huh? That's not what I look like :') 

When you specify or go into details about 'reader's' appearance, it will most likely ruin the mental image your readers have in their heads already. I feel like when one tries to write a story or oneshot with a reader, they should be as vague as possible. There's no need to specify the height, or the reader's dream job or names of family members, or outfit choice- that's up to the people that are reading your stuff to work out. Leave it to their imagination. (This doesn't apply to requests made by others for specific character traits or appearances.)

Write believable characters

If your work has a reader insert or original characters, please make them believable. You don't want to write characters that are 2D and have little to no depth. Please don't make them perfect, that takes the fun out of things and makes your character somewhat boring. You don’t want to write a character that your readers find it hard to care about, so even if you were to kill them, the readers wouldn’t care. 

Make them real, with real problems and a factor of relatability. Heck, give them toxic/bad personality traits while you're at it. Easily irritable, overly sensitive, cynical, selfish, manipulative, people pleaser- the list is endless (we all have our flaws, no?). Contrary to what others may believe, this will make your character easy to relate to or understand, and more people will like your work that way. (this links to my next tip btw)

Mary Sues

I've seen this a lot in the fanfiction community, and oh god, does it make me cringe (this is because of personal preference, though). Mary sues, if you aren't aware, are perfect characters that have no faults. They don't make mistakes, and everyone loves them even if they do nothing. They are basically the perfect hero/heroine, and that makes them boring. My biggest pet peeves are mary sues in fanfiction author's works, (but, this is because I can't stand perfect and over-powered characters that everyone seems to fall for at first sight). 

Fair enough if the entire story is self-indulgent, I'm not here to bash others over personal preferences (this is just how I feel on the matter), but that also means that you take the risk of your work flopping for that sole reason. Your work might not get any traction or positive feedback because it is overly indulgent. 

Don't make your original character or reader insert a mary sue. Throw hurdles and hardships at them, let them make huge mistakes and learn from them, let them mature. Let them have flaws, let them win over the love interest slowly, instead of having the two fall in love instantly. 

Use the right inspiration for romantic relationships

Please for the love of god do not use toxic relationships as your inspiration for the romance you write into your story. 'After' by Anna Todd comes to mind first, as it is a good example of a romance written horribly. If you don't know already, then it's a Harry Styles wattpad fanfiction that got popular and was published, with two movie adaptations out already, (with more on the way)- the classic good girl falls for bad boy cliche. 

So, what's so wrong with 'After'? For one, the male interest is toxic as hell. Anger management issues, substance abuse, trash personality, the list goes on. What does the female interest to about it? Absolutely nothing. She lets him walk all over her and forgives him for it every time. 

Please don't use stories like this as a basis for what the romance in your work is like. Relationships where one abuses the other, whether it be mentally, physically or verbally are wrong and shouldn't be glorified nor romanticised. Relationships are supposed to be healthy, and shouldn't tear the people in it, apart. Use the right inspiration, there's plenty out there.

Writing chemistry between characters

For me, I use inspiration where ever I can find it. Movies, animes, books, real life, you name it. Observe the different types of media around you. How do friends interact with each other? How is it different from childhood friends and family friends? How is it different to lovers? I watch Netflix shows/movies in my free time, mostly romance- and yes, it is for research purposes. From there, I take a particular interaction or scene and get to thinking. If the characters from my works were in that situation, how would they react? 

Ever watched a movie or a show and thought to yourself, 'Wow, the interactions are so awkward'? That's mostly because the script is forced, and that's the last thing you want to write like. Chemistry, whether it be platonic or romantic, should be natural. The best way for you to do this is by thinking about how characters would interact and letting it come naturally to you.

Don't rush it

You have all the time in the world to write chemistry between characters. Why rush it? Slow burns hit the hardest and a lot of people like them. What I mean to say is, please for the love of god, don't let the characters in your work meet and then immediately fall in love. 

The countless amount of times I've sighed in frustration because I've decided to read a story and the first chapter they meet, the second they're already a thing and the third they get married? (This is an exaggeration, but you know what I mean.) What? Why? The time between realising feelings and officially dating should at least take a month, so write with that in mind. (This tip doesn't apply to one-shots.)

Narration

I’ve seen authors skip out on explaining where the story takes place and give the bare minimum when it comes to details, and have realised that it makes it very hard for the reader to understand what’s happening. When there’s barely any context, the story is no longer immersive and is less enjoyable.

Focus on describing the settings. There should be more description than dialogue. The weather, the surrounding, if there are people near or not, smells, sounds, etc. This will help the reader visualise what's happening, and will make it more enjoyable all around. The surroundings should be included in your story to make it more interesting and to keep the reader hooked. I've seen authors do this in their fanfiction and my god, when it's done right, it is so beautiful.

The first paragraph

This is a tip I've only recently started to use. You should always start the first paragraph off with something interesting. It's gotta be eye-catching. This makes sure that the reader doesn't click off of your work before you get to the good bits. There are a lot of writers who start their stories off with the classic 'I woke up in the morning to the alarm clock sounding,' and it is the absolute worst because it's the most overused cliche I've ever seen. 

Reading about someone waking up isn't interesting unless it's important to the story. For example, you can start off with a character waking up, if they're sick, 'I jolted awake only to immediately groan at the headache I was hit with. I moved to massage the bridge of my nose, to ease my pain, somewhat. It was then that I realised I was covered in a thin layer of sweat. Breathing in through my nose, I kicked the covers off of myself in an attempt to try and cool down. Turning my head and coughing into my pillow, I wondered if it was even worth it to get up.'

Internal monologues

Internal monologues give character to the person you're writing about and also gives the reader a good idea of what they're like. They also make your story better as a whole and can prove to lengthen it a bit more. Sprinkle them in where you see fit.

For example, 'The school day dragged on. You gazed at the clock yet again- why did it feel as if the hand on it hadn't moved? You should have stayed home. What was the point of this again? You could be spending your time doing something better. You suppressed the urge to yawn as the teacher droned on about how to calculate frequencies and wavelengths.'

Read

I mean this. When you're not writing, read, and do it like it's a job. Find a good book or a fanfiction that's well written, and take note of things the author has done that you think, 'Oh! That's worded beautifully.' This will help you expand your vocabulary, provide you with inspiration and overall will improve your writing.

hope this helps 💞💞💞💞

[recurring-polynya]

Loved reading your comments on that Izuru post, especially about how people write teasing. You gave some great examples of things to definitely avoid; do you have any tips or general thoughts on writing good teasing?

I have never wanted to talk about anything more in my life.

Teasing is a form of dysfunctional communication that reveals a lot about all the parties involved. It can be layered and complicated, and it can both establish a lot about the relationships of your characters, and provide jumping off points for both bonding and miscommunication.

The most important things to think about when writing teasing are:

What is the teasing character trying to evoke? (this may be conscious or subconscious)

What are the sore points/not sore points of the character being teased?

What am I, the writer, trying to accomplish here?

Let’s start with a very easy example:

Draco Malfoy wants to make Harry Potter mad, so he teases him about his dead mom. J. K. Rowling’s goal as a writer is to convince you that Draco is a dick. It’s super-effective.

It’s a low-blow. It’s deeply mean. There’s no subtlety. This is just bullying. We have all experienced this, we know it when we see it. I don’t think this is the kind of teasing you were asking about, but it’s important to establish this as a baseline, because this is what teasing can turn into, if done wrong.

We can tweak this a little to a very different effect:

Draco wants to make Hermione upset, so he calls her a mudblood. 

Harry doesn’t know what this word means, is confused.

Herminione knows this is an insult, but most plays it off. It’s not culturally significant to her and also, she DNGAF about Draco.

Ron goes spare. This is a huge insult to him, he loves his friends, and he has no chill.

Draco is still a dick, but he’s also kind dumb and focuses on insults that would be insulting to him because he doesn’t know his enemy very well and also is not good at thinking outside of his own head.

Now we have fit in exposition and a ton of character-building. Neat!

Let’s move on to friendly teasing. Here are some positive roles teasing can play:

Replacing uncomfortable tension in a group. Often you may have one character in the group who is an outsider for some reason. Perhaps they were a former antagonist, or someone who has some fundamental difference between the characters. Teasing, particularly over something incredibly low stakes and stupid, gives a reason for the outside character to be mildly irritated with the others, which makes it easier for them to relax the actual tension they feel by being in a group where they don’t belong. Think Aang shouting “Flameo, Hotman!” at Zuko or everyone making fun of Uryuu’s cape.

Finding comfort in being marginalized. This is closely related to self-deprecating humor, and a character shouldn’t say something about someone else if they wouldn’t say about themself. Also, characters are going to have different comfort levels with this. I will make jokes about how bisexually I dress and the way that I sit, but I don’t go around shouting “Oh my God, that’s super gay!” although I certainly have gay friends that do. This is a way you can establish how comfortable a character is in that identity, but it can be fraught, and if you don’t have some personal experience with the identity you’re writing about, I would avoid going too hard. In Bleach, I will often have characters from Rukongai bond a little more easily, and make fun of some of the more formal aspects of life in the Seireitei when there are no nobles around. Further, Rukia and Renji super low-class, even among the Rukongai crowd (only Zaraki and Yachiru are lower, and I have never once read a fanfic of Kenpachi and Renji bonding over this, and I’m mad about it), and so when I have them calling each other trashbags and lowlifes, it’s a case of “I can make fun of you because we come from the same mudpit, but I will cut anyone else who says this about you.”

Allowing characters to present in a way that they choose.  We sometimes invent roles for ourselves that we want others to see. I do this a lot with Renji-- when he comes to the big city, he’s a big, rough, scary dude. I am 100% sure he broke peoples’ limbs in Inuzuri. But he wants to be liked and he wants to be approachable, especially now that he’s a vice-captain, so he puts on kind of a big dumb oaf routine, and all his friends support him in this by making jokes about skipping leg day and calling him a dope and a goob. These are not hurtful insults, because this is how he chooses to present himself.

Leveling group dynamics.  Related to the previous item, a lot of times, friend groups require people to fulfill different roles in order to keep everything running smoothly. Take for example, the Renji - Momo - Izuru - Shuuhei friendship. They come from a lot of different backgrounds, they’ve each had a lot of different personal challenges, and the friendship has lasted a loooooong time. Izuru has a lot more money and class than the rest of them. Shuuhei is the oldest. I bet Momo got extremely full of herself when she became Aizen’s vice-captain. Renji lagged the rest of them in becoming vice-captain, but then, he came out of the Aizen debacle in better shape than everyone else. We can’t all confront all these complex interpersonal dynamics all the time, sometimes you just wanna hang out at the bar and drag each other a little, and it’s comfortable and relaxing to just fall back on personas. Everyone teases Renji for being dumb and strong, Shuuhei for being hot and dramatic, Izuru for being pasty and poetic, Momo for being organized and congenitally unable to break a rule. A great place to insert drama is when you have a character who has outgrown these dynamics, who is sick of playing a role within a friend group-- old jokes that used to gloss over uncomfortable matters are suddenly causing the discomfort.

Play. A lot of teasing is honestly just for fun. Scoring points on your friends. In this case, the teasing can be as harsh or soft as you like, although the harsher you go, the more you risk actually hurting someone’s feelings (again, story hook!) I love this as an example:

Ichigo tries to tease Orihime over old bread of all things. Orihime is fireproof, she knows Ichigo loves her old bread and also is incapable of delivering a sick burn, but then Ishida and Chad just pile on, suck it, Ichigo, we all know who runs this group of nakama.

As a writer, this is your chance to show off your humor chops! The purposes of these scenes is not just to show your friendships, but to have fun and be funny! Having characters just call each other names is not really funny. In this example, Ichigo is trying to be cool, and his crew, none of whom are remotely cool, all hit the OBJECTION button hard at the same time and it’s hilarious.

Giving friendships age.  People you have been friends with for ages know things about you. Have characters bring up embarrassing stories. Tease each other about the way they used to be, but no longer are. This is also a powerful way to distinguish between an old friendship that is still going strong, and one that has gone stale, but persists, perhaps for nostalgia reasons, where the teasing rankles. Maybe your story wants to resurrect this friendship, or maybe you want to show a character moving on. This is also a way to add exposition: Say Character A, who is usually very casual, dresses up for a fancy event. You can have Character B rib them about how they have never seen them looking so good. Then you can have Character A react in a number of ways: self-conscious or defensive, perhaps, or they could be flirty and brag about how nice they clean up, it’s up to you!

Giving friendships depth.  Best friends can say things that other friends and casual acquaintances can’t, in part because they have a keen understanding of how to hurt each other (and how not to). A key in portraying different levels of friendships is boundaries, and a great dramatic tool is bumping up against those boundaries. In general, I have Renji let Rukia tease him about nearly everything, but occasionally, she’ll bring up what a glory-hound he was in their school days, and he freezes up every time. She can’t really figure this out, because he’s usually game for letting her pick on his dumbass teen boy behavior and she can’t figure out how this is any different. The thing is, he’s never told her that the reason he was busting his ass was to impress her and to be able to get a good job and provide for her, and it blew up in his face, and he can’t very well admit that now, without having to admit a lot of other stuff, too. ::holds fist in the air:: This is the good stuff.

A corollary, tired jokes.  Rukia is 4’9” tall and she must be sick to death of hearing about it. It’s so obvious and so lame. It sucks being short, it’s a huge inconvenience on a daily basis, especially when your job involves trying to be tough and intimidating. It’s not like she chose this for herself. This is the lowest possible hanging fruit of teasing. But that doesn’t mean we need to ignore it completely. I have characters like Ikkaku, who doesn’t know her all that well, and is also an ass, throw it at her a lot, and mostly she either sighs and rolls her eyes, or she insults him back. Now, if Renji never mentioned it, it would feel like he was tiptoeing around it, which Rukia would be offended by. She’s not humorless, just tired. So, instead, I will only have him make short jokes if a) they are actually funny, or b) it’s a situation where the joke is really obvious and they’ll usually follow up with something like “I had to.” The idea is that, as best friend and chief trash talker, he’s contractually obligated to make the joke, but he finds it almost as tired as she does. Also, I turn it around a lot by having her make fun of him for being tall, as though being 6’2” is some sort of embarrassment and that he did it on purpose, and he just takes it.

This is real. My husband and I were in a very similar professional field, and he makes more than me, even though I have more education and work harder, and he lets me make fun of what a useless white dude he is, but if he sees it coming, he will definitely make a “you can’t do math because you’re a woman” joke, which he obviously doesn’t think is true. Only he is allowed to do this. It is very cathartic. We also make jokes about how he will never truly be successful because he is short.

I don’t write Ichigo as much, but I approach this a little differently with him, a) because he hasn’t been friends with Rukia for as long, or on such a day-to-day basis that he knows how much this irritates her, and b) he’s a teen. Instead, I try to have him actually put some effort into his jokes, like calling her Shorty McCaptainface. “Shortstack” and fun-sized/travel-sized/adventure-sized (for your convenience) are much more gentler and playful. 

Please, please, I beg you, do not use “midget.” It’s not a nice word and it’s so, so tired.

All of this goes generally for other types of characters with the kind of physical characteristics that tactless people feel free to comment (being fat, wearing glasses, having prominent teeth, etc), or experience structural discrimination. Just think about how you would like your best friend to handle it.

Arright, it’s time to hit the elephant in the room: Teasing that leads into romance.  This was such a huge trope when I was a kid, I grew up steeped in this idea of “a boy teases you because he likes you,” and I’m honestly glad we’re starting to move past this as a culture. You can still have a fun and teasing relationship without being mean, which I will get to, but let’s start with the OG couple of teasing because they like each other: Ranma and Akane. Now, as it happens, I have been re-watching Ranma ½ with my husband, who had never seen it, and on one hand, this show is a pioneer, it is amazing in terms of comedic beats, but on the other hand, it’s aged quite a bit and smacks of “I hate my wife” Boomer humor with a heavy helping of “no homo!” slathered on top. So, here’s how it works:

Ranma and Akane have been forced into an engagement by their fathers. Despite the fact that they have pretty similar and compatible personalities, they get off on the wrong foot, compounded by the fact that they are each deeply insecure about their gender presentations. They are each also profoundly stubborn. So, what happens, every single episode, is that one or the other will do something kind or heroic for the other, and the other’s heart will go “oh SHIT I like them but to reveal so would be to present vulnerability” so they insult each other instead. The insults that Ranma and Akane fling at each other are deeply hurtful and they are super-effective. Now, the one who has taken the risk of going out on a limb for the other has now been lambasted for their efforts, and responds with more insults. This is the fundamental tension of the show: they like each other and are terrified to admit it, so they force the other apart.

Now, as the show progresses, my memory is (and forgive me if I get this wrong, we’re still pretty close to the beginning, and as far as the long game goes, I am sure my memory is contaminated by too much fanfic), far, far down the road, when they eventually come to understand each other better, when Ranma tells Akane she’s an uncute, tomboy, she’s able to parse that as “I like you so much and I want to say so, but seriously, you know how ridiculous my upbringing was,” and when she responds with “You pervert!”, Ranma knows she is really saying “I know that, and also, you do not need to feel self-conscious about your girl form, I’m kinda into that.”

This is essentially a slow burn tactic. You need a tremendous amount of time to build out this kind of relationship. A lot of people try to skip straight from “characters insult each other!” to “characters are in love, they just couldn’t admit it!” and it does not work, especially if you reader is a person who has ever been in a shitty relationship. I would not want to be with someone who called me hurtful names. The fact that they were trying to cover up the fact that they did it because they liked me is not romantic. It says to me, “this person does not treat the people they love well.” Writers, we can do better.

Teasing creates tension, as I said, and it is often that case that we use it to trade a feeling we can’t handle for one that we can. For Ranma and Akane, they are trading attraction for combativeness. They can’t admit they like each other because they are deeply stubborn and also because they are very, very immature.

Conversely, characters may tease to deflect their feelings because of outside forces that they have no control of. 

Rukia is fundamentally uncomfortable expressing her feelings. She had no parents. She has no experience with unconditional love, which is pretty essential for healthy childhood development. I’ve talked before about my Rukongai headcanon that it was taboo to openly express affection, because it is a brutal and dangerous town and to love is to show weakness. In this case, teasing can play a fundamental role. As children, if she started to express something that strays too close to an earnest emotion or attachment, Renji might respond with “Aaah, shut up, you sap.”

This is not mean-spirited. Renji is acknowledging that he hears her, he recognizes her feeling and prevents her from breaking the taboo. The teasing helps Rukia to save face. This creates a blind spot in their friendship, however. They know each other extremely well, they have a thorough read on each other’s moods and motivations and body language, but because they’ve never, ever been able to talk frankly about their emotions, they are both stuck in this place where they can’t tell if they like each other romantically and they don’t know how to bridge that gap. They don’t need to be mean to each other, but they are unable to progress because they keep blowing off the difficult conversations they ought to be having.

Keep in mind, I am keeping the teasing at low to medium stakes. It’s also difficult, because they’ve been apart for so long, that there are some topics that aren’t safe anymore, and sometimes they don’t realize that until after they’ve accidentally hurt each other’s feelings, again, an opportunity for some mild plot drama that’s based on misunderstanding, rather than these people are assholes.

Rukia’s relationship with Ichigo is very similar. Ichigo is also terrible at expressing feelings, partly because of his mom’s death, his dad is his dad, and he is a teen. I have read a lot of arguments that he’s neurodiverse, and frankly, I’m for that, too. I tend to characterize their friendship as very intense. They haven’t known each other very long, but they just have a lot of feelings, OKAY?! They have saved each other’s lives in very dramatic ways, they feel that they owe the other in ways they can never repay, and they just friggin’ like the heck out of each other, but their lives are also fundamentally incompatible, starting with the fact that Rukia is dead and Ichigo is alive. 

So, when I am writing them bantering, one of my go-tos is to have them make fun of each other’s chosen planes of existence. “Why do you keep juice in boxes?” Rukia demands, as if it’s somehow Ichigo’s fault. “You can’t even ride a bike, you idiot,” Ichigo might rib her, as if she even knows what a bike is. What they are really doing here, is pushing against the fact that they have chosen to live separate existences and they’re honestly a little upset about that. “It’s dumb that we can’t hang out all the time,” is what they are saying. “I understand your decision, but I’m still gonna make fun of you.” This is incredibly low-stakes dragging, and also it’s a good place to be funny. I’m sure you have had someone make fun of your school or your job or your town in a way that you feel the need to defend it, and then you’re like “why am I defending this, it really is dumb, actually?” 

One last thing, which is to think a lot about the word choices you use in your teasing, and try to organize them by intensity. My go-tos are “dummy” and “dumbass” because they get the point across, but they aren’t particularly mean and they are very generic. I also like slightly silly ones like “dunderhead” or “lunk” or “goob” or “doofus.” Paired insults are fun-- have one character greet another as “What’s up, nerd?” and have the first respond with “How’s it hanging, jock?”  “Stupid” is slightly meaner, but I will often use it if one character is being self-deprecating, I will have the other respond “don’t be stupid,” or something like that, where it’s reassurance disguised as trash-talk. You can temper harder insults with tone: e.g., “You moron,” Rukia said affectionately. 

Some people call their friends “bitch” humorously, and that’s a kind of friendship you can certainly choose to portray, but think hard about if that fits your characters and your writing style first. I try to avoid gendered insults; sometimes I’ll have villians use them, but even so, do we need to? Maybe not. Don’t use hurtful words unless your teaser actually intends to hurt (whether or not it’s effective).

And remember, you don’t even need to use insults to tease (or to hurt, for that matter)! Think about how your character would react to be called “fancy.” Or “cute.” Or “rustic.” Tease them about the apron they wear for cooking, or the fact that they don’t know how to use a cell phone, or their terribly out-of-style footwear. Also, it can be just as fun to have your character respond to teasing by leaning into it, or laughing back, or riffing, they don’t have to just get pissed off. 

This post is so long. I am so sorry. Go write some teasing. Have fun. I can’t wait to read it.

[itsbenedict]

Two-Faced Jewel: Session 2

Zero and @eternalfarnham are Looseleaf and Saelhen du Fishercrown, a mothfolk animist and a half-elf conwoman. A botched heist forces Saelhen to keep up her fake identity and embark on a quest to places unknown, with Looseleaf to keep a watchful compound eye on her. This time, they prepare to set out for the jungle city of Thunderbrush.

[Campaign log]

It's less than a week after the incident with the pit under Yoshimimoto Plaza. Looseleaf returns to school with Saelhen in tow, and Looseleaf's roommate Oyobi spends some time training them up in basic monster self-defense- the two of them are now level 2! Saelhen gains a Cunning Action, and Looseleaf embarks on the Path of the Mutable Spirit. (There's no combat this session, so more on that later.)

In spending some time with Looseleaf's roommate, Saelhen picks up on... certain nuances.

looseleaf: what you know about your roommate is that she is very friendly and outgoing. the reason she's barely home most of the time is that she's always out partying or fighting or otherwise living it up on campus, and she's pretty well-known and popular amongst the student body. she's technically Martial Arts but takes a few Natural Arts classes, including your archaeology class. she wants to be an adventurer and join the Deathseekers' Guild, and she's taking multiple periods of Severe Zoology to learn to fight monsters. she thinks you in particular are adorable and has probably invited you to various social gatherings. she seems kind of spacey and unreliable, though, and doesn't seem to take you seriously.

saelhen, what you know about looseleaf's roommate is that she a freak nobody else seems to pick up on this, since there's not a lot of other elves at Blacksky, but you can tell from the way she wears her clothes and how she interacts with strangers to the uninformed observer, her fashion sense is sort of rugged and sporty and normal to an elf, her usual outfits are the equivalent of going around dressed in torn booty shorts, a spiked choker, and an ahegao t-shirt she is very obviously making a statement, and that statement is "i can do whatever i want, and if you have a problem with that you can [insert grossly offensive euphemism here]" her super-smiley friendly attitude is clearly part of this- she is breaking every single rule in the elf book, going right for the friendship throat in every social interaction and ignoring every single nicety that's supposed to precede friendly contact she acts a little different around you- like, she expects you to be in on the joke she's playing on everyone around her. she'll say something seemingly innocuous that's a actually a horrendous boundary violation in Kanzentokai, and then look at you with an expectant smile, to see if you appreciated the hilarious prank she just pulled. being around her is like being in the studio audience for a cringe comedy sitcom

Why are we learning so much about Oyobi? Well, partially because I can't help but overthink every single bit character, but also for reasons that'll become clear shortly.

After a few days, Saelhen and Looseleaf are invited to the Provost's office, up at the top of Blacksky Tower. (Ominous sort of place, for a faculty building- hewn out of a single chunk of sparkling black stone, oldest building on campus.) They are not invited to sit- the office contains no chairs.

Provost Hamori Los has good news for them! The people she's had secretly monitoring Saelhen for the past few days- did she forget to mention that?- have determined, by triangulation, that the arrow on Saelhen's bracer is currently pointing in the direction of Thunderbrush, deep in the giant-spider-infested jungle. So that where they'll be going, on a fun field trip!

Looseleaf could not be happier about this. Or less happy. She's really got precisely the amount of unhappiness that she's obligated to feel about giant spiders, being a giant moth.

Luckily, they won't have to trek through the jungle- Hamori has arranged for transportation via the ferry at the town of Cauterdale, which should allow them to bypass a treacherous trek into the depths of the Remoline Rainforest. They'll each be provided 100gp as funding for this academic enterprise- and Headmaster Goodcrest of Thunderbrush Metropolitan University has agreed to provide lodging for them on arrival. Everything is handled for them- so there shouldn't be any problems!

There is one more thing, though- all the different schools want in on this trip, so one school doesn't get all the credit. They're required to bring along a representative from the School of Arcane Arts and the School of Martial Arts, on top of Looseleaf from Natural Arts. And on top of... the representative from the School of Restricted Arts.

This dude is named Vayen, and he's not much for conversation. Or explaining what he's even doing here. Or doing anything besides skulking a careful distance away from the party, staring and listening. What does the School of Restricted Arts even study, again?

Anyway, Looseleaf has someone in mind from Martial Arts, so she leads the party to the School of Arcane Arts to do some recruiting! After being chewed out by Two-Brains for trying to post notices outside the official student notice board, she puts up her ad:

It's not long before she gets a bite!

Orluthe Chokorov is a cleric-in-training, under Diamode, the Goddess of Family. He's been enrolled in Arcane Arts at the insistence of his family... but he seems to think he's a "fake", and is desperate to go somewhere, anywhere, as long as it means he passes his classes without having to actually... be able to do whatever it is he's taking classes in. He says he can fight, though- in fact, he's eager to fight! He once beat Bud Chestplate, did you know?

There are perhaps less delinquent candidates they could go with, but there's something nice about a party member with secrets Saelhen could use as blackmail.

Saelhen du Fishercrown: "...rest assured that I shall be the soul of discretion. As will Looseleaf." "Though I fear that deception of this sort does not come easily to me..." Looseleaf: "Noeru, if he doesn't want to get into it, he doesn't have to- oh my god."

Having recruited Orluthe, the party heads back to Looseleaf's dorm to ask Oyobi about the Martial Arts students- maybe she has some idea as to who would make a good candidate for the trip!

(This isn't me foisting her on the players, though I did suggest it- after the party of two squishies got wiped in the first encounter, I offered them the chance to put together two NPCs who they'd get to control in combat. Their character sheets were more or less created by the players, and I matched their mechanical requirements to NPCs. We may end up having multiple characters per PC, later- this is sort of a trial run.)

With a cleric(?) and a ranger on the team, plus whatever Vayen is that he won't tell them, they're feeling ready to hit the road- right after a shopping trip.

Saelhen buys...

1x bag of 1000 ball bearings

1x traveler's clothes

1x hooded lantern

15x doses of insect repellent salve (much to Looseleaf's great offense)

2x uses of sealing wax

1x tinderbox

fuck it, 4x more bags of 1000 ball bearings

Zero: 'what are you going to do with five thousand ball bearings' 'when the time comes, i'll know'

Looseleaf buys...

1x pint of oil

1x bag of 1000 ball bearings also

5x healer's kits, to distribute to the party

1x pouch of various plant seeds

1x map

Notably absent is any food, since they have Oyobi in their party- she's a ranger with the Goodberry spell. (I've reflavored it to just mean she's good at foraging and always has rations on hand, because holy crap, Goodberry rules-as-written is totally worldbreaking- why would farms exist?)

During their shopping trip, Saelhen manages to get Oyobi alone, without the rest of the party. Oyobi's shtick has been fun, for her, as someone with very little regard for elven rules of politeness, but... it's still a little much. She asks Oyobi to tone it down.

Oyobi Yamatake: "I mean, I thought you had to no-sell it to keep up the fake noble act- I didn't think it was actually getting you!" "That's priceless, oh my god." "What's there to take a 'break' from, anyway? What's wrong with just living?" Saelhen du Fishercrown: "Primarily, the fact that I really need not to twitch in front of the Provost's silent murder goon." Saelhen jerks a thumb over her shoulder, then belatedly checks to make sure that Vayen is not in fact literally right behind her. Benedict I. (GM): Make a Perception roll? Saelhen du Fishercrown: aw, hell, he definitely is, isn't he

She rolls a 13, and no one in particular rolls a 17. So, everything is fine. They keep their voices down, anyway.

Oyobi Yamatake: "I mean, is it really a problem? Can you really not keep a straight face?" Saelhen du Fishercrown: "I mean, I can." Saelhen sweeps a hand over her face and is the picture of serenity. "Why should the lady Noeru de la Surplus concern herself with small lapses such as these?" "Surely someone shall find it in their hearts to forgive all trespasses." Oyobi Yamatake: She snorts. "Okay, I get your point." "But really, don't you think it's weirder for an elven noblewoman not to react?" "You don't think he thinks it's suspicious that you take it all in stride?" Saelhen du Fishercrown: "The character is admittedly kind of a freak. I'm making allowances. I mean, this is fun and all, but if no one sees through the bit at all and I'm stuck in it long-term, which it seems like I am, it's like..." "Just being back in Kanzentokai, except worse, because no one is making me." "And drow catch a lot of crap anyway. They don't need me to teach them that elves can be assholes." Oyobi Yamatake: She frowns. "You can't make me try to keep up with the rules, y'know. I'm not going to put up with that garbage ever again." "But I can tone it down with the..." "Y'know, the stuff I'm going out of my way to do, if that helps." Saelhen du Fishercrown: "The wink-and-nudge, yeah. That would help." Oyobi Yamatake: She sighs. She seems a little put out by all this, but pretty quickly puts her happy face back on.

Meanwhile, Looseleaf and Orluthe seem to have lost track of Vayen. It doesn't take them long to find out where he went (well, after Looseleaf rolls a nat 1 on investigation and accidentally pisses off an old lady she mistook for Vayen). Turns out... he's hiding behind a statue of Ccorde, spying on Saelhen and Oyobi.

Looseleaf doesn't buy his crappy excuses, but also... she isn't altogether opposed to the concept of spying on "Lady Noeru de la Surplus", who really ought to have someone keeping an eye on her. So, she just hands him a medical kit- a kit she happens to have used her animist class feature Soul Link on, so she knows where it is at all times. (She's done the same to the bracer.)

Now, with the shopping done, it's time to hit the road! They have a couple options: go on foot, or requisition some giraffes.

(In this world, they domesticated giraffes instead of horses. Why? Because it's a fantasy world and why not?)

The city's main giraffe rental is run by the Ecumene of Understanding, based out of the Temple of Andra. You can rent giraffes for free, as long as you're willing to serve as a courier for the Ecumene- their convoluted legal system requires them to send mail between cities frequently, and they've only got so many clerics on hand. So, anyone wanting to travel the roads can receive a delivery quest from the Ecumene, and rent mounts for free in exchange!

They meet with the Bishop of Understanding of Oyashio, Sarat Aerens.

Aerens has a simple request for them: in addition to visiting Thunderbrush's Temple of Andra with a mail delivery, they're to bring back a report from said temple on the whereabouts of the Siren's Arraignment, a ship that departed from Oyashio and never arrived at its next destination, Snowhold. There's suspicion that the Siren's Arraignment never departed from its supposed origin of Thunderbrush to begin with, either- so the Ecumene put some clerics on the job to investigate, and the party's job is just to relay their message.

With that, they're given giraffe passes, and directed down to the stables, where they find the stablehand, Updraft, having some difficulties.

Benedict I. (GM):There's no one at the pickup window, but there's a sparrow aarakocra just behind, trying to get a giraffe several times her height to get up and out of the damn water trough. Updraft: "...not a bath, ye stubborn git!" "Ye drink from that, lackbrains!" "Y'really want t'be tastin' yer arse?" Looseleaf: OH I CAN HELP WITH THIS FINALLY, A PLACE WHERE I CAN APPLY MY ADVANTAGE ON ANIMAL HANDLING

Looseleaf uses her Soul Read ability to tune in to the giraffe's feelings and recent history, and discovers that someone fed it a hot pepper and it's in, um, anal distress.

Orluthe volunteers to do some healing to the giraffe, with his Lay On Hands ability. Is... that a cleric thing? Do clerics do that? Probably. In this world, clerics perform magic by inviting their god directly into their mind to borrow their brainpower and work miracles directly, and it sure looks like he does that when he does his healing. He channels a god, for sure!

Benedict I. (GM): As he touches the giraffe, you see his body begin to glow, and his facial features are overlaid with another face. "...A giraffe?" "A waste, I suppose, but... perhaps it'll win us some favor." The voice he speaks in sounds more feminine, somehow.

Some religion checks reveal that this doesn't seem quite right for a cleric of Diamode, the goddess of Family. But hey, healing's healing, right?

With that, they're able to get their giraffes no problem- and next time, they'll be on the road to Thunderbrush!

[smartguyreviewed]

2x4 - Dateline

Original air date: Oct 1, 1997

Anyone who was holding their breath for me to get back to this, thank you. Been going through a lot like most people right now but I had to remember this blog is a good distraction because I get to write about one of my favorite shows growing up. Anyways, enjoy. :) 

Let’s talk about cock-blocking or to be more gender inclusive...actually, I can’t think of a term similar that utilizes both a male and female part. Anyhoo, let’s talk about it.

I’ve done it (unintentionally). You’ve done it. We’ve all had it done to us as well. Like the night you finally got a chance to be alone with your dipshit crush and your annoying friend tried to insert herself until she finally realized what was going on and left you two alone so you could have your first kiss ever at age 19.

TJ is an extreme cock blocker. He will break your shit up and then pout because he’s still just a kid. Normally, TJ only wants to punish Marcus by enacting this cruel tactic but in this episode, he shifts gears to the person who is both a mother and father to him: Daddy Flody.

We begin this episode at a supermarket. Tj is checking out cereals and Floyd is checking out dat ass.

TJ catches Floyd staring and in his precocious little way, starts asking him questions about women. It kind of reminds me of Frank from Milk Money. which is a horrible movie that I adore and you should watch it because despite a little kid befriending a prostitute, it’s still a decent 90s coming-of-age tale. And Alex DeLarge is in it.

After TJ makes his dad sweat further by asking what body type gets his penis erect, TJ comes to the conclusion that Floyd is lonely and could probably benefit from some female companionship.

Cut to TJ on an unrealistically chatty PC barking at TJ to fill in the boxes for Floyd. I don’t know about you, but if my computer kept talking to me, I’d throw it out of the fucking window. I am so glad websites that talk at you are obsolete. Apparently, this computer is also sentient because TJ pauses for just a moment too long when Marcus comes in and this impatient computer bitch asks for the rest of the info in a more demanding tone.

But because TJ was distracted, he inputs his own height instead of his dad’s and the computer announces that she’s transferring him to their little people’s section. Hey, they gotta find love too!

Marcus is skeptical of why TJ is trying to set Floyd up. Just then, Yvette walks in and asks who is using her eyeliner to write down phone messages, which I totally expect a straight man to do. After fessing up, Marcus asks Yvette to dissuade TJ from setting up his dad. Yvette then uses her soon-to-be psychology degree on Marcus and reasons that he might be a little salty because he doesn’t want another woman to replace his mom. But no, Marcus is a teenage boy and completely lacking depth until certain episodes call for it. Instead, he says he just wants the car on weekend evenings so he can try to bang his latest girl of the week. Of course, he could just be deflecting to avoid a heavy conversation but I’m gonna go with the former because Marcus is the horniest boy on the show.

Yvette decides to help TJ since Floyd has few dating options. Her plan is to beef up his personal ad by making him younger and a fan of soul food and Maya Angelou. Marcus is still not with the shits and says that nobody wants to date an “old guy with three kids.” Completely forgetting about the fact that his dad is an attractive man, this happens instead:

TJ and the gang are now making final cuts on the 130 prospects Floyd had. I mean, that’s great and all but I’m sure at least half of those women were catfishes. Then again, in the 90s, maybe there was more legitimacy since there wasn’t enough technology to hide behind? I dunno. But Floyd definitely has some options.

While deliberating who will receive the clock from Floyd, Marcus makes what would be considered a transphobic comment questing if some of them really are women and how he doesn’t want Floyd to end up like Eddie Murphy. Mo, on the other hand is questing if this is even legal. Mo is a teenage boy and is probably likening it to what Tinder now is: a place to meet horny individuals.

Yvette thinks the ladies are good picks but then begins nitpicking their flaws, among one of them being that one of the ladies has breast implants. Because women who get surgeries to help boost their self esteem apparently don’t deserve love? Yvette is such a hypocrite as we’ll see in the future. Mo then begins taking the rejected pics because he loves older women, especially ones with perceived low self esteem. Just then, Floyd comes in the room and the gang has to cover up their dirty work. Floyd makes a bad joke and then dips out.

They eventually settle on a light-skinned natural woman named Jamie. They agree to meet at the grocery store, sot hat’s where we end up. Marcus is acting like he’s never seen pretty girls outside of school and leaves to spit game at women who just wanna be left alone so they can buy their frozen pizza and wine in peace.

Jamie sees who she thinks is her suitor and immediately is pissed because she, you know, thought she’d be meeting Floyd and not a little boy. Yvette comes over to smooth things over and convinces Jamie to meet Floyd. Well, TJ’s cute face convinced her after she was understandably freaked out. They go to meet Floyd. 

Jamie shows up and explains what happened and that she was pre-screened to make sure she wasn’t a guy. Floyd actually even gives her an up and down look before she says she passed! Pretty sure this also wouldn’t go over well today. Jamie and Floyd, however, hit it off and leave to go on a date. When they get back, Yvette and TJ are spying on the new couple to see how it went. Floyd was actually bigging up TJ and talking about how smart he is to Jamie when they got in. Aww. Floyd is proud of his son for hooking him up. Yvette is noticeably annoyed at how he gets all of the credit, but I mean, it was his idea. Yvette just helped him out. 

Upon completion of this totally selfless act to get his father some love, TJ is happy at first. Yay TJ! You’re on the right track to becoming a thoughtful human be--

Sike! TJ immediately regrets this decision once he realizes that his father having a personal life means that he won’t see him as much. TJ has a basketball game coming up that Floyd won’t be able to attend now. Yvette offers to take him but it’s not the same because Yvette is a girl and girls aren’t fun. And just like that, TJ the petty, cock-blocking asshole comes back.

The next day, TJ and Floyd are playing basketball when Jamie comes home. Floyd invites her to play but TJ is all like “bitch, wait your turn” and then Floyd puts her on TJ’s team. She then bribes TJ with the food she’s about to cook for them. He agrees but then Jamie and Floyd start flirting because duh. TJ leaves in a jealous fit, upset that this woman he hooked his father up with has the gall to want to spend time with him. He simulates what he wants to do to her body on a bag of Funions.

I have to say though, how long was the frame of this episode? Days? Weeks? Jamie has essentially become their stepmom. She’s even giving Marcus advice on how to treat a girl like a human being instead of a meat popsicle with titties. Yvette and Marcus then leave, allowing Jamie and Floyd their Blockbuster and Chill time with The Preacher’s Wife.

But TJ is a boner detector because as soon as Jamie and Floyd are about to mash faces, TJ whimpers for his pa because he doesn’t feel good. We think Floyd banished him to his room but then TJ comes over and pushes the two would-be lovers apart so he can ruin their night. Jamie eventually decides to leave, even though it’s clear she was holding out in case she could get a piece of Floyd but TJ completely squashed that possibility. Floyd actually whines when Jamie says she’s leaving. Aww. Floyd is lonely. Does TJ care? Of course not. 

TJ sounds perfectly fine when he says he’s sorry he ruined the night. Father and son decide to just watch the movie together instead.

The next day at school, Marcus is spitting his game at the girl he went on a date with. Turns out, treating women like actual people has been working well for him! He’s even going on a second date. Yvette comes by to let TJ know that she’s picking him up again. TJ is, of course, pissed because Jamie had come over to the house the night before, albeit dick-less. Yvette has to explain to TJ that when you date someone, the goal is to see them frequently and that he’s the reason their last date sucked. She then shatters Marcus’s dreams by letting him know that Floyd is taking his car on his date. Guess Marcus is gonna have to make out on the bus.

TJ’s lips are all puckered because he’s losing his father to another woman. He’s so distressed that he actually picks a fight with a senior. Mo steps in and literally drags TJ home. No, seriously. He carried TJ like a bag of groceries all the way to the Henderson house during school. Then he transformed into a therapist to get to the root of TJ’s outburst. This is during school hours. Mo skipped school to bring TJ home and give Floyd advice. Mo is amazing.

TJ is playing basketball with himself when Floyd comes in and then he spills that he’s sick of Jamie. Floyd reminds TJ that he’s the one who set them up and I guess TJ didn’t know things would actually change. Now would have been a good time to mention if he feels some way about another woman besides Yvette playing a maternal figure in the wake of his mother’s never explained death. But Floyd does a good job as usual and says this is temporary because when TJ is a teenager, he won’t want anything to do with Floyd. TJ finally stops being a prick and Floyd offers to be careful about how he schedules his time and then continues the basketball game he let Jamie interrupt previously. Aww Floyd. Too bad TJ is probably going to hold onto this for a while because he was giving his dad a lot of shit in the end credits. This isn’t even the last time he does this to Floyd and we never see Jamie again, so I guess it’s safe to assume that TJ killed Jamie. 

Things I noticed:

- Can we just take a moment to appreciate how hot Floyd is? How could Marcus ever think his dad wouldn’t be able to attract women?

- This brilliant cover for the gang if Floyd came in during the date deliberation:

- Marcus doesn’t want Floyd to go out on dates because he wants the car to himself on the weekends. He says if Floyd starts going out, he’s making out in the back of the bus. Yvette then says, “No, thanks to Rosa Parks, you can make out anywhere on the bus.” Brilliant retort. I really hand it to the writers of this show.