#I guess I could have given more character history...

[kakusu-shipping]

(Same anon)

hfgjshskfhdjakafk oh my god yes!!! :O please talk about your s/I and Nightmare Fredbear!!!!!! 👀👀

THANKYOU SO MUCH FOR THE AAAAASK!!! Nothing brings me more joy than being asked about my Self Inserts <3

This S/I I've had for a while now sense I finally toughened up and watched Markiplier's playthroughs of FNaF despite my fear of them, I just never talked about it because I don't know how to talk about it, sense it's the very first Kin self insert I've ever had.

Usually when I ~Vibe~ with a character I'll call it Kin, but this was a very different feeling and it took a while to figure it out. Once I did I kinda fell into imposter syndrome about the whole Kin thing sense I'd seen a lot of people take it a lot more seriously than I ever did, so I just.. quietly added the Nightmares to my F/O list and left it at that.

But now I'm finally here to say!!! I am the Crying Child!!

This Self Ship's funny to me because even in the FNaF Universe the Nightmare animatronics aren't Real so Nightmare Fredbear is still a Fictional Other fkgjfdkg

The entirety of the self ship happens while in a coma after the bite of '83, which you all know as FNaF 4. It's wasn't actually as scary as the game made it out to be... Well I guess at first is was.

The whole thing takes place in my house, but wrong. Like, my room has two doors and they won't latch, and all my toys look weird, and it's always night, and my head hurts all the time, and of course, there's animatronics in the hallways.

For a really long time I was super scared, I thought they were gonna eat me! But I spent a long long time with them and eventually became less scared. And then not scared at all eventually!

Sometimes I'd hear my dad or brother talking, but it'd be echoey and distant. Fredbear told me not worry about it too much. He's my best friend, so I trust him of course.

And, I mean.. That's it. It's not a very interesting self ship, just a child slowing succumbing to his wounds, comforted by the nightmares he had for years and years before.

The Ghost version is the thing that that Haunts the Narrative. It's as real as the Nightmares, and only Micheal and my Dad ever see it. I don't know what it is either, I just know it looks like me to them.

[lesbiansanemi]

So hard being a sukuna enjoyer and trying to find fics about him because you get one of two options

1. God awful out of character reader insert porn where you’re his uwu submissive (normally terrified of him) concubine or some shit but GASSSSPPPP he ACTUALLY cares about you and is soft for YOU ONLY and he wants you to GET PREGNANT with HIS HEIR oh my GOD

Or

2. God awful out of character suku.fushi or suku.ita where the plot is like what if sukuna was a MAFIA BOSS and he got OBSESSED WITH THEM and KIDNAPPED them and also it was INCEST and OMEGAVERSE and they call him DADDY while he FUCKS THEM INTO THE MATTRESS and talks about their PUSSY the WHOLE time

And both make me want to throw up in my mouth and momentarily wish I had the power to arbitrarily ban ppl from posting on the internet

[cy-cyborg]

I'm begging dragonage fans to do a tiny bit of research about arm amputees before loudly shouting their opinions on the inquisitor returning in the next game Please lol.

Apparently, it was confirmed that the inquisitor, your chatacter from the last game (who looses their arm in the final cutscene of the DLC), will return in Veilguard as a customisable character, similar to Hawke, and they will play an active roll in the story. This has caused a lot of people to start speculating on how they'll handle the inquisitor's missing hand, with most people agreeing they'll have to have a prosthetic to be an active part of the story. Which, while I do think this is the rought bioware will take, isn't true, and a part of me really hopes they leave the inquisitor without a prosthetic arm like in the end of Tresspasser

Partially because we already have a companion with a prosthetic (neve) and it would be nice to see some diversity in how amputation is depicted in such a mainstream game, but also because you dont need a prosthetic to fight as any of the main 3 classes from inquisition.

Mage:

mages just need a staff, the game shows them as 2 handed weapons but it's totally beleiveable that it would be usable 1-handed (Neve also uses a dagger-like weapon in the trailer, you can make a "staff" in inquisition that functions more like an energy sword, and the Mage in the chargers uses a staff resembling a bow, so I think it's more that they just need a focus, the shape doesn't matter as much). A knight enchanter may struggle more 1 handed, but I wouldn't write it off as an option with some modifications made to their main staff.

Warrior:

the easiest to justify, because there are several cases of arm amputees fighting with a sword and sheild in history, and while many did have prosthetics, most weren't functional (meaning they were mainly for aesthetic purposes and didn't actually aid the fighter in any way. There were exceptions, like Götz of the iron hand, who's prosthetic was functional, but most were not). The inquisitor looses their arm just above the wrist*, so they still have most of their forearm. Most sheilds strap to the forearm, so it wouldn't take much adjustment to make that work, and you can use the other hand for the weapon. Obviously, two-handed weapons will probably be off the table, though, lol.

*edit to say, as several people pointed out, i got that wrong, my bad 😅. The inquisitors arm is actually amputated through the elbow, the screenshots i was looking at just weren't very clear and it has been a while since i got to trespasser lol. It would still entirely possible to strap a shield to the upper arm though, with some pretty minor adjustments to the existing straps on standard (as in, those used by non-disabled warriors) tall shields, so the point still stands.

Rogue

this is the one people tend to be the loudest about and the one I understand the most. Obviously duel-weilding daggers won't work (unless you give them something like the hidden blades in assassin's creed on their stump side, I guess) but using a single dagger still would, and is a perfectly reasonable approach, given that's how most irl people used daggers. Archery, though, absolutely can work without a prosthetic, despite what people think. Dragonage has crossbows, not something like Bianca (rip) but a small, single-handed crossbow is an option. Even ignoring that though, amputee archery is a thing irl, and not every arm amputee uses prosthetics for it. The bows are modified to be held in one hand and drawn with the mouth using a kind of pully-system built into the bow that I could very easily see being modified into some dwarven-style contraption in game (some double arm amputees use their feet to draw regular bows, but I don't think that would be pheasable in combat).

Like I said, I think bioware will probably go with a prosthetic, but i hope that they don't. Or at the very least, show them with it sometimes and without it other times (the same goes for Neve, no one wears their prosthetic 24/7, I'd love to see them both take them off around the home base, even just occasionally). A lot of arm amputees in particular prefer to go without one, and arm prosthetics in media are some of the worst offenders of the "perfect prosthetic"/"miracle cure prosthetic" tropes. It doesn't count as "diversity" or disability representation if it doesn't actually change anything other than the look of the chatacter, and im really, really desperate for some actually decent amputee representation in games.

[miraculouslbcnreactions]

This is probably small in the grand scheme of things, but how did Emilie being noble play any impact in the story at all?

I mean, I'd get it if it was just a small detail to help deepen Emilie's character, but why nobility of all things? I don't know, from what I'm seeing so far, the whole "Emilie renounced her noble title" shtick just feels worthless if it's not going to impact the story or add depth to Emilie's character (like maybe upbringing or personal values?).

I don't know. Like everything else, the noble part just feels shallow and means nothing to the story, especially for a character like Emilie, who is the plot device for the whole show. Any detail about her, like her personality and life story, is supposed to influence the story and characters one way or another, namely Hawkmoth since she's his driving force.

So what was the point?

For context, this ask is about Félix's play which says that Emilie gave up her title to be with Gabriel. I'm gonna give a slightly larger section of the transcript of the play for full context, but the relevant but is at the end of the last paragraph:

Félix: The king and queen's twins grew up, each day as different in heart as they were similar in body. The firstborn, curious and brazen, despised life at court and escaped at every opportunity. The younger daughter, well-behaved and respectful, did everything she could to please her parents, and stayed quietly in the castle. Félix: (as Mr. Graham de Vanily) Oh, my queen. Did we entrust our legacy to the right princess? Kagami: (as Mrs. Graham de Vanily) She will fall in line, eventually. Félix: Confident that she would settle down as she matured, the king and queen allowed the curious princess to leave to study beyond the sea in another kingdom. There, she immediately found true love in a humble tailor. Félix: The tailor was making clothes so magnificent that they revealed the beauty of the soul of anyone who wore them. Although it made her parents furious, the curious princess gave up her rank, her wealth and her kingdom to live a bohemian life with the tailor.

Story wise, I have no idea why any of this was added since it adds nothing to canon. It's not like this finally explains why Gabriel and Emilie are poor while Amelie is wealthy. Along similar lines, it's not like Amelie's title has ever mattered. Prior to this play, I don't think that we even knew that she had a title or that she was the younger sister. The play is all about explaining things that we never had reasons to question in the first place.

My best guess as to why the writers wrote this pointless backstory is that they wanted to make Emilie seem even more pure and perfect so they went with the tired old trope of a rich girl giving up material things for the sake of love and art because good pure women don't care about material things! Only nasty, shallow women care about money. (Way to play into sexist tropes, guys.)

There may also be cultural elements at play here given that France doesn't have the greatest history with nobility, so giving up a noble title may be seen as good and pure to a French writer, but I don't know enough about French culture to say that with any certainty. If anyone who reads this blog is French and would like to chime in, then feel free!

While we're on the topic of the play, I wanted to point out that the above quoted passage is why I say that the Graham de Vanily parents can be as kind or as abusive as you'd like to make them. It's incredibly vague and you can read into it whatever you want to read into it. Were they good loving parents who were just upset about their daughter living in poverty or were they miserable controlling classist who Emilie fled England to get away from? It's up to you because you can get both reads from this. The play commits to almost nothing of value. Politicians could take lessons from this impressive level of noncommittal writing.

A better version of the play would have focused on things that actually matter to canon like the details of finding the miraculous and/or Emilie learning she's sick, but you could only have those details if they were coming from Nathalie or Gabriel. Félix is a terrible choice for a character to tell us the show's backstory because he knows so little of it, thus the play focusing on his largely pointless backstory.

[terastalungrad]

Sometimes, you’re a comedian with a touring show to promote, so you do an interview with a regional newspaper.

I think that’d be the funniest possible time to reveal a big scoop, wouldn’t it?

Stewart Lee is currently touring, and to promote his Yeovil performance, gave an interview to Blackmore Vale Magazine.  According to Wikipedia, the Blackmore Vale is an area of north Dorset, south Somerset and southwest Wiltshire.  According to the comedian Jake Baker, the magazine would cover his school sports day as he grew up in Dorset.  That’s the level of news you’d expect.

The questions are friendly and easy, from a journalist clearly familiar with Lee’s work and history.

The first question is about the show’s angle.  Lee describes the nature of the show, and here’s an excerpt:

So it looks like stand-up, and sounds like stand-up, but it’s actually a kind of character piece about a desperate person who’s frightened and trying to organise the world in a way that puts them in control. And I guess you could argue that’s what a lot of stand-ups are doing anyway. Ricky Gervais to me looks like a very frightened man. He’s frightened of transgender people coming after him, the act is a defensive wall.

Fun!  This is a Ricky Gervais hate blog, so it’s nice to see a sudden, unexpected attack in an unrelated promotional interview.

Lee mentions Gervais again in response to question four.

Sometimes I become bitter and think ‘I get all this good press, why can’t I get 10 million quid for a TV special like Ricky Gervais?’ But on the other hand, I wouldn’t want that audience, it wouldn’t allow me to be better.

And then again to question eight, where Lee explains why he spends six months running new shows in the relatively small Leicester Square Theatre (as opposed to arena comics who might do 10 warmup shows followed by 60 tour dates).

You can still run it like a club gig, you can interact with people in real time. Also, you wouldn’t get better at the show because you wouldn’t have done it as many times. You can see this with an act like Gervais. Those shows have not been run in, they’re not fluid, they’re a succession of inflexible statements that would snap like twigs if the pressure of an unforeseen event was applied to them.

The journalist finally addresses this head on.  It really is worth reading the entire article - there’s a lot more than I’m quoting, including an interesting story about Sean Lock:

But here are my favourite bits:

[Gervais] still kind of copies me though, which is the weird thing. There’s still a lot of cadences of what I do but they’re used in the service of evil. In Star Wars, he’s Darth Vader and he’s taken the force, which is me, and used it for evil purposes. He was a fanboy, he was actually the booker at University of London and used to book me and Sean Lock all the time. And when he became famous for the Office, he wrote an hour-long act that was so indebted to us it was awkward. [...] If he’d come up through the circuit that would have been rubbed off him because you find your own voice doing club gigs. It took me two years of gigging five nights a week to come through the mesh of things I liked. But he didn’t have that experience in the same way. [...] Funnily enough, in his first show there were bits I’d never recorded that he’d do almost verbatim. He’d clearly remembered them. I went to see him at the Bloomsbury – on his invitation actually – with my then girlfriend and she was very concerned for me. I’d given up at that point due to lack of interest, and she was concerned for what it felt like to see my act being done to hundreds of people, it was quite weird. On the other hand, that sort of did make me think I don’t want it to be consumed into someone else’s vocabulary. And also, I think because he had a residual sense of guilt, he would always credit me in interviews as being an influence – that helped me in 2004 to get the audience back.

This is, to my knowledge, the first time Lee’s ever claimed that Gervais stole his material.  He’s certainly talked about Gervais clearly taking influence from him (though in the past, he downplayed this compared to the account given in this interview).

It’s a pretty big thing to accuse a comic of stealing material.  That’s a big taboo.  I reckon this is partly because Lee wants to discourage fans of Gervais from coming to the show.

Anyway, let’s finish by quoting the end of the interview:

It must be strange to have that level of financial remuneration and those audience figures but not really a single good review. And I expect what that does for you is create a cognitive dissonance where you have to manufacture a worldview by which the whole world is wrong and you’re right. Which can’t necessarily be very good for your mental health, although I expect the money’s nice.

[desmondkane-of-ao3-fame]

Inside Job didn’t just get canceled.

It had its first season split in two, a tactic animators said was used for Cuphead to let them pay staff less. Then, the show was renewed for a real second season.

And then the show was canceled before that second season anyway.

Final Space didn’t just get canceled on the most depressing cliffhanger ever. It was removed from all platforms before becoming a tax write-off, essentially meaning the only ways of really watching the show is through DVD or pirating.

The Owl House wasn’t just given a shortened third season. Disney, a company already known for a, let’s say, complicated relationship with its LGBT+ history, took a show created by a bisexual woman, filled with beloved LGBT+ characters, some of which were teenagers just like the audience, and told said creator to destroy her shows pacing so she could finish her story in just 3 45 minute specials.

I can go on about how Hollywood and television don’t respect animation and the like but this is endemic of a larger problem:

Capitalism destroys art.

The constant need for shows to be either the biggest thing in history or a complete failure, the constant need for a cash cow, leads to any show that doesn’t immediately become Squid Game or Stranger Things levels of popular, especially animated shows, getting scrapped for no reason other then it doesn’t make them enough money.

In our hyper capitalist hellscape, I worry we’re going to see more Inside Jobs, Final Spaces, and Owl Houses: shows made with love, that showcase potential, and dedicated fanbases, having a renewal reversed, or becoming a tax write off, or having its story rushed, so that the executives can save a few cents, while also fucking over employees.

I think that’s the part that always needs to be remembered too; the people behind these shows. Not just the creators or voice actors or well known animators, but everybody. As NewDeal4Animation illustrated, staffs on these shows are often underpaid and overworked. And to then, to not just lose a show you spent months, years of your life on out of nowhere, but to essentially lose a job… it’s terrifying. And every staff member, from the creators to the unpaid interns, deserves better.

So yea. That’s just my thoughts on the matter I guess.

[pomefioredove]

heyyy! i really love your writing🥹🥹 btw can i request a hc with riddle and jamil (separated) with gn!reader who’s very lazy and they have a test and only study the morning before the test? but somehow pass?? i wanna see their reaction

anyway sorry if i made any mistakes, this is my very first request and english is not my first language😔 it’s fine if you can’t do it!!

-🎲

no worries! this is a great request, their reactions would be very funny

summary: reader miraculously passes a test they last-minute studied for type of post: headcanons characters: riddle, jamil additional info: platonic or romantic, reader is not specified to be yuu, reader is gender neutral, not proofread

Jamil knew that it wasn't his place to judge

after all, being raised with the al-Asims, he'd been taught to keep his bitter thoughts to himself

but something about your carelessness reminded him all too much of Kalim

...okay... maybe you weren't exactly partying, or spacing out, but your complete lack of conviction is almost identical

and, so, Jamil decides to give you a word of advice the day before the big exam

"Worried about tomorrow's History of Magic test?"

he even gives you a big smile, trying to play it off as a casual question

you shrug. "Eh, not really,"

"If I were you, I'd be a little more concerned. The grading system is very strict at NRC,"

and with that, he's gone

his sly remark, spoken as if in friendly conversation, leaves him feeling a little more satisfied with himself

he doesn't even feel irked when Kalim nearly sleeps through the test, or when he forgets his notes, or when he absent-mindedly reads the questions aloud during...

in fact, Jamil is quite confident that in any case, you'll do much worse than Kalim, which saves the both of them

after the exam scores are posted in the hall, you find him

"What did you get?"

Jamil hates answering these kinds of questions, especially knowing that he could be in the top of the class if he was allowed to try. "Passing. And you?"

"Well..." you smile. "I really thought about what you said, so I studied this morning."

Jamil's sour mood at his own score seems to lighten

you studied the morning of the exam? oh, this was going to be rich

"...And I got full marks!"

...what.

you show him the paper and it takes all his strength to keep his usual poker face

otherwise, his jaw would drop

"How did... how?"

you shrug. "Good study plan, I guess,"

"Hmph," he crosses his arms. "Well, then... you'll have to come tutor Kalim sometime. What works for you must work for him,"

Riddle spends the entire week pestering you about studying

"I just don't feel like it," you groan

goodness. you sound just like that terrible Floyd...

"It's not a matter of want, it's a matter of need. This exam counts for a significant amount of your grade!"

"Eh... I'll just wing it,"

wing it?! oh, now you've really done it

"Consider yourself lucky for not being a part of Heartslabyul. I would have your head for that!"

and then he storms out. how graceful!

when he sees you the following afternoon, that calm, unbothered look of yours is still on your face. it drives him mad

"If I were you, I'd be praying," he says. he's almost smug about it

Riddle earns full points on every exam- it's just a given. he's sure that the two of you will be on polar opposites of the grade spectrum once the results are posted

you shrug. "Yeah, about that... I thought about what you said, and decided that I don't want to have to retake this class. So I studied this morning,"

he almost smirks. "One last-minute cram won't be enough to raise your grade above failing, I'm afraid. But perhaps this will serve as a lesson, next time you-"

Riddle stops dead in his tracks as Trein posts the exam results on the wall behind you

his eyes widen

"Full... full marks?! We're in the same percent!? How is that possible?!"

You chuckle as his face goes all red, both frustrated and flustered

"Hey, you should count this as a victory for yourself. You give great advice,"

[littleeyesofpallas]

So, with the new legends there's a neat way we can take a guess at some of the time frame. Although it's largely aesthetic and hard to gauge the intended historical parallels of, the not-Eiffel Tower at the center of the city could presumably have been completed in the late 1880s like the real thing. Interestingly that places it pretty concurrent to the construction of the Hokkaido Government building in the 1870s that served as the basis of the Galaxy Team HQ in the first Legends game.

But with the keywords being "urban redevelopment" the setting could only possibly be Haussman's renovation of Paris that took place from the 1850s-1920s. So given that the tower is already standing, that places Legends Z-A between 1889 and 1927.

And I doubt it would play into the setting of a Pokemon game but I think it's neat that it would mean taking place firmly in the 3rd French Republic, as that's not typically the most romanticized period of French history. (Kind of shocking given just how much Japanese pop culture loves to fixate on the Ancien Regime and Rococco architecture.) It's right at the height of the French Colonial empire and their rivalry with the British... Even if they don't address the history directly, certainly not the darker bits, I wonder if we'll see an ancestor of Rose* and some mention of Kalos and Galar's relation as a hint at the Pokemon world's equivalent of India. (Elephant, what elephant...)

*put a pin in that... Well come back to Rose later...

Also I know a lot of the stupid "leaks" that were just running with any/every rumor they could find had been talking about Celebi, despite there being no signs of it in the direct, but it's possible that the Z-A title and the fadethru of the sort of sci-fi looking city diagram into a pencil and parchment one is indicating going back in time --backwards, from Z to A, end to start.

and just so long as I'm just picking at edges of things...

The unknown are an anagram of, "POKEMON PRESENTS"(oh and the SOEYUE one at the end is just "SEE YOU") and the ""confidential"" stamp on the documents likely reads "Gokuhi" as in gokuhi[極秘]: "Top Secret," but the rest of the text doesn't seem to match either Japanese, French, or English,

Hito to POKEMON no kyouzon o yumemite[人と ポケモンの共存を夢見て]: "Dreaming of people and Pokemon's coexistence" Toshisaikaibatsu hassou MIARE CITY[都市再開発発想ミアレシティ]: "Urban Redevelopment Concept Miare City"

The obvious exception being that redacted text is clearly the romanized MIARE from the Japanese MIARE[ミアレ] and the English CITY, which is the Japanese name for what was localized as "Lumiose."

Curiously the word "Pokemon" is very clearly missing from the passage, and also in both cases there are too few "Galarian" characters for how long the phrases are in any actual language.

and finally, given some of the existing examples of handwritten Galarian in SwSh, I'm guessing the text on the big logo is as i've transcribed into the more standard Galar font, although I'm really uncertain about that second one, and a bit iffy about the big "X"s, but the little cyclone O, the V with the underbar, and the E seem certain enough.

Also there's a logo I know I remember seeing that looks like this one but I can't remember where it is or what it's associated with.... It's the logo on the Macro Cosmos power plant. Not Rose's personal logo with the stylized rose, and not the Cosmos business logo with the big star system orbital ring Cs, but the power plant in Hammerlock where you go to fight Eternatus specifically.

It would be really neat if whatever this organization is was tied back to an ancestor of Rose and Peony and the origins of Macro Cosmos somehow.

[starlight-bread-blog]

How The Bond of Zuko and Katara Enhances the Themes of A:TLA

When a subplot is intertwined with a story’s core themes, it creates a more cohesive experience, resonating more profoundly with viewers. For this reason, a good writer must always aspire for a coherent narrative in all of its aspects. So, what are the themes of A:TLA, and how do Zuko and Katara fit into them? To answer that, I’m going to break down each theme and discuss how it relates to the pair.

On Destiny

Your destiny might be unexpected, controversial, but it’s yours. No one can take it away from you. In Lake Laogai, Zuko and Iroh shared the following exchange:

Even if people try, even if it isn’t acceptable to other people. Your identity will always be there, and you must make the choices that reflect your identity will always be there, because it’s your destiny. Near the series finale, in Sozin’s Comet Part 2, Iroh said:

“Sozin's Comet is arriving, and our destinies are upon us. Aang will face the Fire Lord.When I was a boy, I had a vision that I would one day take Ba Sing Se. Only now do I see that my destiny is to take it back from the Fire Nation,so the Earth Kingdom can be free again”.

In the end, everyone goes to their destinies. The destinies that they’re forging. Aang will spare the fire lord, Toph will use her metalbending to take down the airship, and Zuko and Katara will stand side by side against Azula. Who would have thought? Your destiny might be really surprising. No one could have guessed that Toph would invent metalbending, or that Aang would meet a lion turtle, or that Katara would stand by her former enemy’s side - by Zuko’s side.

Katara and Zuko’s closeness fulfill the show’s themes of destiny by being subversive and unexpected. They are fire and water, the daughter of the chief and the fire lord. Their friendship is rather odd, but it’s their destiny - not what was forced upon them. Moreover, their bond is subversive because it didn’t start as lovingly as it ended. Zuko and Katara were enemies, no one could have anticipated that they’ll grow close, but as I said, and the show said, destiny can come from an unexpected place.

On Diversity

Separation is an illusion as well as the four nations.

Zuko and Katara were not only enemies, from opposite sides of the war, but they were polar opposites – the Prince of the Fire Nation and the last waterbender of the small Southern Water Tribe, fire and water. However, all of these differences didn't matter for them to form a beautiful friendship. Because they're not actually separate, they're both kind empathetic people. They have much in common. The superficial predetermined differences aren't separation. They're one in the same.

Additionally, one will gain from learning about the other nations, or as Iroh put it:

Zuko and Katara leaning into their opposites ties into the theme. In fact, Zuko himself learned to redirect lightning from a waterbending technique.

On Redemption

Many characters in A:TLA were given a chance to redeem themselves. From Mai and Ty Lee redeeming themselves by betraying Azula near the end of the show to Iroh whose redemption has long ended before the story starts. A:tla firmly tells us that while the path to redemption can be long and hard, it’s a path worth paving and it’s yours to carve. Zuko’s redemption arc specifically is praised as one of the best redemption arcs in tv history.

A part of Zuko’s journey towards redemption is his interactions with Katara. Earning her forgiveness is his final step into integrating into the Gaang, and his final act of redemption is to jump in front of a lightning bolt for her. It’s significant that it’s Katara who represents these milestones in his arc. He redeems himself to everyone, but not in the same way as Katara. The path to redemption through Katara’s eyes is longer and ends with a bang.

On Morality

Black and white notions of the world are incomplete. The Fire Nation isn’t all evil, as seen in The Headband, their citizens are simply indoctrinated. And there can be band people on the other side of the war, such as Jet. Fire isn’t just destruction, it’s also healing and life. And the opposite of fire can be just as destructive, as seen in The Puppetmaster when Hama showcases her bloodbending. In 06×03 A\ang concludes the following:

“Anyone’s capable of great good and great evil.Everyone, even the Fire Lord and the Fire Nation have to be treated like they're worth giving a chance.”

When Zuko and Katara first met each other, they thought of each other as enemies and nothing more. Katara saw Zuko as his worst self and the manifestation of her hatred of the Fire Nation. In the Crystal Catacombs Katara described him as "the face of the enemy". She saw him as all black and no white, but then he opened up. They discover they actually have shared experiences despite being on opposing sides. When he betrayed her, it seemed to confirm that they're not similar, that everything Katara thought of Zuko was correct. Of course, he came back, but Katara can only forgive him once she lets go of some of her hatred of the Fire Nation. His connection to Katara proves that they’re both seeing the world as shades of gray.

—————————

In conclusion, the profound connection between Zuko and Katara enhances the themes of the show and their connection is a perfect example of the messages it’s trying to put out. Rather it’s about destiny, morality, diversity or redemption, Zuko and Katara’s relationship is remains one of the most relevant examples of these themes in the show.

[mothellie]

I think the Duffer Brothers' history with racism in their show goes a lot deeper than a lot of people realize.

Lucas as a character has three distinct B plot stories that get assigned to him: being a minor antagonist to Eleven in season one, being a good friend to the rest of the Party, and being in love with his girlfriend. While Mike's plot is directly centered around two of the most pivotal characters of the show, Dustin is given two different role model characters that shape his arc and is overall the genius that helps the rest of the cast get out of several difficult situations, Will still being connected to the Upside Down after his disappearance in 1983 and that playing into several major plots, Max having a multitude of centric storylines especially in season four and Eleven literally being THE main character- Lucas is only ever given plots that help serve and uplift the other (white) characters. Unless you count him... playing basketball and being friends with Jason. I guess?

Erica is similar to Lucas, but to a much larger degree. I'd like you reading this to think of any single Erica standalone plot in the show that has nothing to do with/does not predominantly or solely benefit the white characters around her. I'll wait.

The Sinclair parents are only touched on in brief sections for the sake of filling the episodes, only ever playing a more major role in Season Four. If you could call it that. I'm sure most of you couldn't even tell me their names off of the top of your heads. (It's Charles and Sue, by the way.)

Argyle was the first somewhat major character of color to be introduced to the show after Erica played her part in season three. I could say similar things about his role in the season overall that I can about Lucas and Erica. Except they set him up to play a bigger role in the next season at the end of season four, going as far as to show him in Hawkins and have Jancy verbally allude to him sticking around, only for the show heads to ghost Eduardo Franco and let him find out he wasn't being brought back through an official social media cast photo.

Kali was a former subject from the same lab El came from, having escaped and subsequently began to lead a vigilante life of enacting revenge on those who played a hand in her suffering. She was the first subject El ever met after leaving the lab, shown to be incredibly powerful and strong-willed. Her and El had an immediate connection, calling themselves sisters right after meeting. But after El was finished with her self-discovery period on the S.S. Kali Gang for one (1) often-forgotten and poorly-written episode, Kali was quite literally abandoned both in spirit and on screen, never to be seen or even mentioned again.

All other characters of color are either killed violently (Patrick), have like ten minutes of screentime total (Jeff and Calvin Powell), or are just straight up background only and may not even have names.

They can dedicate an entire section of season four's plot to Suzie's family, but not to genuine character development for Erica or for Kali to return. They can make room for a whole pointless predatory plot between Billy and Karen, but not to give a more important role to the Sinclair parents. They have room to include a whole plot about El getting bullied in school, but not for Lucas to have a more meaningful story outside of his white friends and girlfriend. They can platform three known white zionists while Palestine currently undergoes a gruesome genocide even as I type this, but they don't have room for Argyle in season five (or even the decency to give Eduardo a fucking phone call).

Not only do the Duffers constantly write themselves into holes because they keep adding unnecessary fodder to the plot, and refuse to kill ANY of their main characters in favor of just creating new characters for the sake of killing them off in mediocre ways despite the fact that they're trying to fit 20+ B plots into 8-9 40-50 minute episodes per season and wondering why half their show doesn't make sense- The time they DO dedicate to character-specific B plots and character arc progression visibly favor the white characters.

If I watch S5, and that's a huge if, I will be sailing the high seas. Between all of this, the fact that they filmed part of season four in an old Nazi prison and tried to turn it into a fucking AirBNB, and the fact that at least four people who play major roles in the show actively support the current genocide of Palestine- I won't be giving them (or Netflix for that matter) another cent of my money.

While you're here, please do your completely free daily click to send aid to Palestine, and here's a list of other resources for how to help more directly.

[directdogman]

A large Milt post.

The funny thing about writing characters is that you often forget how little of them you've shown off. Milt's pretty detached from the plot (not even being explicitly mentioned in-game) so I guess it's fair to say that the audience doesn't really 'know' him well.

Given how much detail the audience knows about Crown's life during the war and immediately after it, it'd be interesting to mention a little bit about Milt's war history, especially since Crown's time during the war is pretty important to understanding a part of his character - why he was so dead-set on changing the world. Ironically, Milt's experiences were very different in a lot of ways, but wound up bringing him to the same place. This information would be obscure, but likely known to anyone who'd want to study him in DT's universe, so I guess there's no harm in mentioning some of it:

Milt was born into a more affluent family than Crown's and didn't face the same kind of nail-biting poverty that Crown did as a child. He was a Corporal (Acting Sgt) by the end of the war and had a distinguished record as a war hero. He was very well respected by those in his platoon, having a reputation for honesty, kindness and always following through on his word, no matter the circumstances. However, was also known to be someone you didn't wanna push around or back into a corner, as he was fiercely intelligent and very determined - not the sort of person you'd want to wrong.

He was a part of the DDay landings during the European campaign, an event he remembers as a terrifying and chaotic loss of life. Milt later rejected claims of his valor during the landing in the years following the war. After the fall of Berlin in mid 1945, Milt rejected the opportunity to remain in Europe as an occupying force (which was available to him because of his reputation/rank) in order to join the Pacific Theater. This was partially out of a sense of survivor's guilt (personally knowing many soldiers from his town who'd died in the campaign) and partly because he feared returning to relative peace and being alone with his thoughts again.

Milt's time in the Pacific Theater isn't nearly as well known due to how unwilling he was to talk about it to anyone, though he once opened up to Marla about it. Milt witnessed the destruction of Hiroshima from a distance, an event that's forever etched into his mind.

When Milt returned to the States, with a military scholarship, he decided to focus his efforts into trying to make the world a better place and began studying science. His dream was to develop a new form of irrigation that could terraform large swathes of land into farmland so the whole world could be fed. Due to his intelligence and determination in seeking his goal, he wound up taking to his work well. He took a keen interest in the new concept of the structure of DNA in particular, which was discovered in the early 1950's, believing that genetic modification could be used to create new forms of plant life that could feed vast amounts of people. Milt never ceased contact with his contacts from University, nor lost his love for science and the pursuit of a better world through the advancement of technology/science. But, most of all, he never abandoned his dream of making the world a better place, one where the horrors he'd witnessed as a younger man (such as mass human death, starvation and mass-chaos) could never happen again.

Shortly after graduating, he attended a political rally in Madison, Wisconsin and met a passionate public speaker/local business owner who'd change the course of his life forever. The rest is history.

[writingwithcolor]

Depicting Real World Religions Alongside Constructed Religions

Maya asked:

Hi WWC! Thank you so much for this blog, it's an infinitely wonderful resource! Do you have any suggestions for how I can balance representation of real religions with fantasy religions, or should I avoid including these together? Does the fact that certain things bleed over from our world into the fantasy world help legitimize the appearance of real world religions? I feel like I can come up with respectful ways to integrate representation in ways that make sense for the worldbuilding. For instance, no Muslim characters would practice magic, and both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding). I also have some ideas for how these religions came about that fit between handwave and analogous history (though I realize the Qur'an is unchangeable, so I'm guessing Islam would have come about in the same way as IRL). BTW—I'm referring to humans, not other species coded as Muslim or Jewish. I may explore the concept of jinns more (particularly as how Muslims perceive fantastical beings), but I definitely need to do a lot more research before I go down that road! Finally, I saw a post somewhere (*but* it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily  veer into appropriation-territory.  *One of the posts that I'm referring to in case you need a better reference of *my* reference: defining coding and islam-coded-fantasy

[This long ask was redacted to pull out the core questions asked]

"Both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding)."

Just a note that while having religion be part of magic is a legitimate way to write fantasy, I want to remind people that religious characters can also perform secular magic. Sometimes I feel like people forget about that particular worldbuilding option. (I feel this one personally because in my own books I chose to make magic secular so that my nonmagical heroine wouldn’t seem less close to God somehow than her wizard adoptive dad, who is an objectively shadier person.) I’m not saying either way is more or less correct or appropriate, just that they’re both options and I think sometimes people forget about the one I chose. But anyway moving on—

Your decision to make the water spirits not actual deities is a respectful decision given the various IRL monotheistic religions in your story, so, thank you for that choice. I can see why it gets messy though, since some people in-universe treat those powers as divine. I guess as long as your fantasy Jews aren’t being depicted as backwards and wrong and ignoring in-universe reality in favor of in-universe incorrect beliefs, then you’re fine…

"I saw a post somewhere (but it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily veer into appropriation-territory."

That was probably us, as Meir and I both feel that way. What would make it appropriative is if these very Jewish IRL markers were used to represent something other than Judaism. It's not appropriative to show Jewish or Jewish-coded characters wearing yarmulkes or marking one day a week for a special evening with two candles or anything else we do if it's connected to Jewishness! To disconnect the markers of us from us is where appropriation starts to seep in.

–Shira

To bounce off what Shira said above, the source of the magic can be religious or secular--or put another way, it can be explicitly granted be a deity or through engagement with a specific religious practice, or it can be something that can be accessed with or without engaging with a certain set of beliefs or practices. It sounds like you’re proposing the second one: the magic is there for anyone to use, but the people in this specific religion engage with it through a framework of specific ideas and practices.

If you can transform into a “spirit” by engaging with this religion, and I can transform into a “spirit” through an analogous practice through the framework of Kabbalah, for example, and an atheist can transform through a course of secular technical study, then what makes yours a religion is the belief on your part that engaging in the process in your specific way, or choosing to engage in that process over other lifestyle choices, is in some way a spiritual good, not the mechanics of the transformation. If, on the other hand, humans can only access this transformative magic through the grace of the deities that religion worships, while practitioners of other religions lack the relationship with the only gods empowered to make that magic, that’s when I’d say you had crossed into doing more harm than good by seeking to include real-world religions.

Including a link below to a post you might have already seen that included the “religion in fantasy worldbuilding alignment chart.” It sounds like you’re in the center square, which is a fine place to be. The center top and bottom squares are where I typically have warned to leave real-world religions out of it.

More reading:

Jewish characters in a universe with author-created fictional pantheons

–Meir

[luna-rainbow]

Hey, I don't know if you've already answered this (and this may be a weird question lol) but why did Hydra just let Bucky's hair grow long? Why didn't they just cut it? I've seen you do other metas and stuff like that (which I love, you're a great writer!) So do you have any ideas?

Aww thanks for enjoying the other metas 💕

That is a very interesting question that I’ve never thought much of 😅

From a Doylist perspective, the Winter Soldier arc was published in 2005-6. Ed Brubaker was born 1966. Men having long hair became more acceptable and even fashionable from about the 1970s (ie Brubaker’s formative years), and that style carried over to the late 1990s (or, if you’re like me who was in the JPop fandom, it was still popular for most of the 2000s). Longer hair in men was generally seen as subversive and cool, or untamed and unkempt, which were descriptors that would have fit Bucky’s reappearance in his new persona. It was also a good way of indicating that time has passed and his character has changed significantly. One other thing is, when it comes to 2D art, long hair flows, ie it’s easier to express dynamism, which is why so many superheroes wear capes. I believe (not having read the actual comics) Bucky’s role changed in The Winter Soldier run from a pure sidekick to something closer to an antagonist and partner, so the more distinctive character design reflects that too.

From a Watsonian perspective…I guess men’s short hair can be somewhat high maintenance in that you kind of have to trim it once a month at least. Who knows if the serum affects the speed of hair growth as well, because if it does then maybe he needs more frequent trims and it just gets long if they miss any. Presumably, given his history, he’s also not an easy customer to approach with a sharp implement, especially not that close to his face. And they’re always in such a hurry to pack him back in the cryo tube or to get him prepped for his mission that it just gets missed until it really gets in the way.

The other possibility is that the longer hair also changes his face shape substantially speaking as someone who didn’t recognise Bucky when the mask came off. It makes his face more angular and the shadows deeper. It probably stops his memories triggering as easily when he sees his own reflection. It serves to erase his original identity, along with his new “name” (although we have no evidence that he knew he was called the Winter Soldier while he was still brainwashed), new uniform and the bionic arm.

The third reason is that the long unkempt hair could be used as a psychological tactic. It’s emasculating and demeaning, especially for someone born in the 1910s and normally known to be well-groomed and tidy. It’s an element of control over his bodily autonomy that he cannot change without them allowing it or at least giving him access to implements to cut it. It contrasts him with the other soldiers, including the other “Winter Soldiers” we see in CACW, who are allowed to sport typical masculine haircuts, and serves as a continual reminder that he is “other”, if not considered somewhat subhuman.

So that’s my two boring cents. I wonder if anyone else has other ideas.

[weirdmarioenemies]

Name: Gamyga Debut: Super Smash Bros. Brawl

Hey! I want a turn on the "talking about Subspace Freaks"! Gimme! Gimme! Subspace was like, one of my formative Weird Enemy Experiences! How have I NOT talked about any of these guys yet?!

Gamyga has always been one of my favorite Subspace Emissary enemies, and you wanna know why? It's because I have good taste, that's why! I mean, this is a really visually striking design, if you ask me. The trophy description it has in Brawl describes it as looking "like an avant-garde work of art from some young art-school grad." That's awesome. You KNOW I love things that are weird and abstract and artsy and pretentious! Gamyga is right up my alley!

I'd say this enemy was made for me, but it was more-so made for the purpose of having a really tall enemy that can serve as a road block that can shoot lasers at you from above while you take it apart piece by piece... That is, unless you are brave enough to take out the mask first and watch the whole thing fall apart all at once!

Of course Mod Hooligon likes the abstract, multi-segmented enemy that you can slowly dismantle or alternatively attack the head of to deal with it instantly. So what? I have a type! Don't judge me! I see no difference, love is love!

As I said, this thing is tall, which probably adds to the visual-strikingness, especially when combined with the fact it pops out of the ground without warning when you get near it! No wonder this thing left such an impression on me. I mean, imagine if you were just taking a stroll in the park when this thing appeared in front of you without warning! How would you feel? Gamyga Jumpscared? Or perhaps Gamyga Pleasantly Surprised...?

Well, no, you would feel "in pain" on account of the Gamyga Laser Blasts.

Sometimes, springs or platforms will be placed nearby that let you jump over Gamyga, or alternatively you'll be playing as a character like Kirby or Pit who can just fly over it. Otherwise though, this thing is going to block your path and soak up a ton of damage. But hey, if it's gonna do that, it may as well look good while doing so!

Man, I spent so long talking about the Whole Enchilada that I haven't even gotten around to talking about the Gamyga Bases on their own! That's right! With every Gamyga, you get Five Guys for the price of one, with One (1) mask and four of These Things! Could a Gamyga be considered a form of colonial organism like a siphonophore...? You don't need to sell me on this thing any more than you already have!

Though maybe it'd be better to analyze these as being something mechanical, given their stiff movements, and how every time they wiggle their arms, it sounds like someone moving a pinball flipper. I almost feel this design would be more interesting if it was biological, but there's something enticing about describing these things as being like "a robotic siphonophore". I honestly don't know which interpretation appeals to me more.

The posing of the arms and the hollow facial features almost remind me of the haniwa statues Gyroids are modeled after, but the presence of pupils and Teeth here makes them look considerably freakier, which as far as I'm concerned is only a good thing. Watch out! Gamyga Base can BITE YOU! Not in the game, mind you. I'm talking about real life.

Gamyga was one of the Subspace enemies they decided to give a trophy in Super Smash Bros. for Nintendo 3DS, for some reason. It's not in Smash Run at all, so I guess whoever was deciding on what things to include as trophies in this game just believed Gamyga was an absolutely vital part of Nintendo history that people needed to be aware of.

They were right, for the record.

[raven-at-the-writing-desk]

Hii, I hope your day/night is going well! I don’t think you’ve ever been asked this from what I’ve seen; but do you have any idea how the NRC school system works? my pea brain I cannot figure it out for the life of me 😭 I know that they have magical subjects ofc (magical history, alchemy, etc.), and they also have the more practical ones like math (unfortunately), but they also mention having electives. I know Azul and Ace have mentioned sharing elective(s) with others, which just leaves me to wonder how many periods they have or if they rotate classes around each day if that makes sense? And on top of that, the lesson chat things of the characters (including upperclassman/people not in 1A with ADeuce?) saying they’ll go along with the schedule we [Yuu] have in mind for the day.

Sorry this got to be so long and you don’t even have to answer at all, just a question that’s been in my mind! :)

As far as I'm aware, we are not told much about how class schedules work at Night Raven College. We don't know how many classes there are in a day, or if the students take the same classes every day or have them on rotation (for example, Magic History on Tuesdays and Thursdays only). We can, however, do our best to extrapolate from what we have!

We have a partial schedule shown in the Episode of Heartslabyul manga (volume 2, chapter 8). In it, we follow Adeuce, Yuuken, and Grim through the school day and right up until lunchtime. They seem to have 3 classes (Alchemy/Potionology, Magic History/History of Magic, and P.E.) and then a lunch break. In book 7 of the game, Ace is having lunch and mentions his "next class" being in the lab, though it's not said what course that is. That line (assuming the "lab class" is Alchemy/Potionology) could imply the schedule is shuffled around depending on the day, but it's at best an assumption.

We also have an idea about a decent chunk of Azul's class schedule, if you can believe that. In 3-7, we get to see his first three periods (Music, Animal Linguistics, and Potionology/Alchemy, in that order). He then goes to lunch. This would seem to imply that all students have three periods and then a lunch break. We don't know how many periods follow after lunch, but I think a safe guess would at least another 3.

In Jamil's Lab Wear vignettes, we learn that class 2-C (Azul and Jamil) take Alchemy/Potionology after Riddle's class, 2-E, does. This means Riddle and Jade take Alchemy/Potionology or some other labwork for second period. We additionally learn in Jade's P.E. vignette that he and Riddle have P.E. for fourth period, which must be after lunch. This implies that required courses are likely taken with students in one's grade level and maybe homeroom, as this is true of Jamil/Azul and Riddle/Jade combos. This doesn't appear to hold true for electives like Master Chef/Culinary Crucibles and Poison Making/Poison Refining, which receives a mix of students.

Classes at NRC appear to be back-to-back, with everyone sharing the same lunch period. This is because we often see many of the main cast in the lunchroom at the same time (book 1 when Yuu sees students from every dorm, book 7 when the first years chat about Mickey, etc.). There aren’t big breaks in the middle of the school day aside from lunch, as far as I’m aware.

I would be hesitant about treating Lessons as 100% canonical, as the gameplay elements of TWST sometimes contradicts the lore we are given in the story and voice lines. For example, you as the player are able to put first years, second years, and third years in the same Lessons when, in reality, this would not be feasible, especially not ALL the time or whenever you want them to be merge. Some courses would have prerequisites that the first years have yet to complete, and not everyone would realistically be choosing to take the exact same electives. Additionally, second years and third years would have to be taking different sections for some subjects which cover entirely different content than what is given to first years. (For example, students don't learn about the Righteous Judge until Magic History II, which you take in your second year. This is why the first years don't know who the figure is when asked about him in Glorious Masquerade.) It’s true that sometimes there are joint classes for PE and even lab classes, but you as the player would not reasonably be able to dictate when those joint classes happened or who else is in attendance.

I'm sure that some of the information dropped in Lessons are true (ie lines from the characters' Chats and the lines they drop during the actual Lessons/when they're gaining stars). However, the things directed at Yuu are dubiously true in my eyes since the pre-Lesson lines are directed as much at the player as they are to Yuu. They're lines meant to make the player themselves feel like they're forming friendships with the boys and participating in learning with them even though this (again) wouldn't make complete sense in-universe. Yuu can't use magic, so they wouldn't be able to participate in upper-level classes which require the use of magic. They wouldn't be following second and third years to those classes. It's also nonsensical to think that the school would allow for any student to just make up whatever schedule they feel like doing on the spot for the entire year. I believe the wording is like this ("Oh, I'll do whatever you want to do, Yuu!") for Lessons to, again, give the player a sense of freedom, and feel like they're taking initiative to bond with their favorite characters.

That being said, here's what else I could find regarding NRC's curriculum:

Crewel heads the Science department, Trein the Humanities, and Vargas Physical Education.

Students are not allowed to use UMs/signature spells during class. They are, however, allowed to use general magic if directed to by the instructors.

First year students focus more on concepts and theories. The older students have classes which involve more use of magic than theory.

There are sometimes joint lessons, or classes running concurrently with one another with students of different year levels involved.

History of Magic/Magic History seems to be a required course; its materials are divided up into different sections and taught based on your year in schooling. The Righteous Judge, for example, is covered in year 2.

Flight/Flying is described as an elective class; not many Pomefiore students take it.

Alchemy is another required course; it seems to provide the base knowledge for potion making before students qualify for other more complex science electives. For example, Crewel berates the first years for touching equipment in the manga and instead has them identify plants.

Potionology (or Magic Pharmaceuticals) seems to be a potions making class.

All students must take Physical Education.

Some students remark on sharing electives with others. For example, Ace and Sebek are in Enigmics/Magic Analysis together, Deuce and Epel are in the same Flight class, Vil and Cater and Lilia take Poison Making/Poison Refining, Silver and Kalim share Astrology and Practical Magic, Jamil and Azul have Potionology, etc.)

Though all 22 NRC students have/will have an Apprentice Chef card, we don't have confirmation that they all took the elective in the main story canon. The exception is Sebek, who has a line in book 7 stating that he's glad he took the Master Chef course.

NRC offers electives like (Visual) Art and Music/Musicology, which encourages and expands one's imagination. This is important because spellcasting is enhanced by having a strong imagination.

The TWST 4koma shows us that third years are able to infuse their artworks with magic, thus bringing them to life. It seems that first and second years do not attempt this magic yet.

There is an elective called Animal Languages/Animal Linguistics, but the name is broad and doesn't specify which animals you're learning to communicate with. This appears to be similar to a real-life foreign language course.

Practical Magic involves using spell formulas in order to achieve a practical goal, such as autocleaning. This is a required subject; failure to pass means you are held back one year.

Enchanting objects is described to be a "basic, rudimentary magic" that even first years are capable of performing.

Physical Training and Swimming seem to be P.E. electives.

Electives we don't have much information about: Protection/Defense Magic, Summoning/Conjuration, Biology.

Master Chef/Culinary Crucibles is an elective designed to give the students the practical skills to provide nutritious meals for themselves. This and P.E. are meant to help keep the mages healthy and in good shape to perform their magic.

Enigmics/Magic Analysis is a mathematics-based course. Ace describes it as solving logic questions using formulas.

Ancient Magic involves reading old texts and deciphering their meaning.

Astrology involves reading the stars and using them to make predictions.

Third years must choose between Poison Making/Refining and Changes & Comparisons of Abbreviated Spells in Ancient and Modern Magic History as an elective. The latter is a lot of writing and making chronological tables.

To graduate NRC, students must complete mandatory off-campus internships in their fourth and final year; this is a structure common among magic schools. Third years attend an orientation meeting in the springtime to prepare them for the application process.

Internships begin in September, around the same time classes start. There are three periods for the internship; students can choose to remain at the same site or take up to three different internships, each lasting 3 months.

A student's internship site options will vary depending on the individual's electives, class credits, and grades.

Some internships require special technical exams and/or interviews. It is also possible that some internship sites will scout desired students in advance. This was the case for Idia, who was given several internship offers after his presentation at a cultural fair.

Each quarter, fourth years must receive an evaluation of B or higher, as well as submit a written report about their experience. A student must receive credit in at least 2 out of 3 internships in order to qualify for graduation.

There is a final exam you need to pass for graduation.

[mavrintarou]

[8:53 AM] Hatake Kakashi

Happy (belated) birthday to my first love in all of anime history

Warning: medium spice/smut

.

Kakashi was too told to be out after 10 PM.  He took one last shot with his friends and family and excused himself, leaving the bar.

He checked his phone, no new messages were waiting for him.

The message he sent twenty minutes ago was left unread and he knew without a doubt why.

There was only one place he wanted to be tonight and he headed straight there.

.

He found her exactly where he had expected. She was stretched out on the couch, lying on her stomach, nose deep in a book, with headphones over her ears, likely playing the music she’d chosen as the soundtrack to her novel.

Her phone was nowhere in sight, so it was no surprise to him she hadn’t responded to him.

As if sensing someone was staring at her, she slowly shifted her intense gaze off her book and turned her head, her eyes widened and she squealed. “Kakashi!” she shouted, a hand over her heart. “You scared me!” She chuckled and suddenly frowned, “what are you doing here?”

Kakashi’s eyes narrowed onto her chest, seeing she was wearing an oversized shirt, her perky nipples erect against the materials. He could only guess why she was turned on from her book because it was hardly chilly. “I texted you.” He let himself in with the spare key she had given him. He approached her like a predator with their eyes locked on their prey. “Why didn’t you respond to me?”

Y/n quickly sat up on her knees, not before putting her bookmark in place before closing her book. She pulled off her headphones and set them aside before blinking and probably wondering where her phone was. “It’s charging in my room, I didn’t hear any notification through my headphones.”

Kakashi stood in front of her and cupped her jaw, tilting until their eyes connected. He loves her hazel eyes. With his height, she was at eye level with his hips. Her eyes dropped to his crotch and he growled, instantly hardening.

Her eyes shifted up towards his, “why are you here?”

“It’s my birthday,” he tells her, his thumb rubbing her jaw. “I wanted to see you…” he said what his heart longed to tell her.

“It’s your birthday?” Y/n’s tone is accusing as if she doesn’t believe him.

He reaches inside his back pocket and whips his wallet out at her.

With her jaw still in his grip, she snatches his wallet and opens it, seeing a wad of cash and cards and then his ID. “Well,” she looks up at him, “happy birthday Hatake Kakashi.” She hands his wallet back to him. “Should I feel special that you’re here with me on your birthday night?”

Kakashi’s eyes land on her lips and he hums. “You feel special even though I’m the birthday boy?”

He doesn’t take the wallet so she stuffs it inside his pocket. Her fingers hook around the loops of his belt and she tugs him closer. “Then, why have you disturbed me and my reading then? You shouldn’t have come if I didn’t respond to you. What if…” she looks up at him, “I was with someone else?”

His eyes narrowed, “are you with someone else?”

“Always with my book characters,” she answered teasingly. She jerks her jaw away, leans forward, and rests her forehead against his lower abdomen. Y/n let out a breath before turning her head to look up at him, “I thought we agreed we should stop seeing each other?”

Kakashi’s heart dropped and he sighed, he knew she would bring it up. He couldn’t help but hope she wouldn’t. That he could fuck her good and he could leave, like all the other times.

But the last time, three weeks ago, she dropped the bomb on him, wanting to end things between them.

“I don’t want to do this anymore.” She said after he pulled up his pants. She tossed him his shirt. “Let this be the last time, okay?”

He’s done it more than once, ending things with other women, and never had a problem walking away. But he couldn’t help but feel like he was just punched in the guts by her words. “Okay,” he answered coldly, pulling his shirt on. He muttered before taking off, “take care, Y/n.”

And that was the last time they have spoken.

Kakashi’s hand slipped underneath her jaw and gently forced her to look up at him again. “I know, but I can’t stay away and I realize,” he swallowed, “I don’t want to be away from you anymore.”

 “What are you trying to say?” she asked after a few seconds of silence.

“That I’m in love with you, damn it.” He growled before dropping down and crouching in front of her. “I’m in love with you and I want to be with you, just you.” He declared softly, staring straight into her hazel eyes. “Tell me you want that too?”

Their relationship started as a one-night stand that eventually became multi-night stands. They both understood their needs for each other and sought out one another when their needs needed to be met.

Kakashi saw another woman aside from Y/n and over time, he realized he was beginning to see Y/n in her. He could no longer deny that his heart was making a spot for Y/n. Eventually, he cut all ties with this other woman and only focused on Y/n.

His career had him traveling far and constantly that he did not want to settle. He doesn’t know when things started changing, but he found himself wanting to be home more, wanting to just see her, wanting more relationship-related things. He stayed the night once and woke up with her in his arms and he couldn’t remember the last time he felt something so right.

Everything felt right with Y/n.

“Kakashi,” Y/n whispered, her eyes softened. “Are you sure? Are you sure… you I’m enough?”

He lets out a chuckle, “I should be asking you that, am I enough and worthy for you? Compared to your book boyfriends?”

She scrunches her nose and looks away thinking. “Some of them are debatable but want to know a secret?” She beckons her hand for him to come closer and leans to whisper in his ear, “you’re who I imagine in my books… with brown hair… black hair… it’s always you.”

Kakashi groans, his grip on her tightened. “You always know how to rile me up.”

“Stand up,” she murmurs with authority.

He raised a brow and stood up and his eyes bulged when she reached for his belt buckle. “What – what are you doing?”

She freed him, freed his cock out from his boxer briefs. “I want you – in my mouth.” She peered up at him beneath her lashes. Her hand fist around his cock, barely going wrapping around his cock as she brings the tip to her lips, rubbing his pre-cum along her lips. “These lips…” she kissed the tip, “or the other lips?” She reached to touch between her legs, no doubt rubbing herself.

“Both?” he asked, hopeful in his tone.

“Since it’s your birthday… I guess I’ll let you be greedy.” Her mouth wrapped around the tip of his cock, her tongue swirling and lapping along the ridge of his cock. She could feel the veins against her tongue and took him further into her throat until she gagged.

Kakashi gaze down at her watching her choke on his cock as he combed his fingers through her air. Grabbing her face firmly, he began thrusting into her mouth, rocking his hips and groaning in pleasure.

“I’m gonna cum…” he announced and spills down her throat. He praised her, “good girl… my good girl…” he pulled out and watched some of it drip down the corner of her lips. “Always so good for me… no wonder… you stole my heart.” His thumb wipes away the residue and he licks it.

He hauls her over his shoulder and marches to her bedroom in one swift movement. His palm slaps across her ass, “now onto the other lips.”

Y/n giggles as she pushes her hands against his ass to hold herself upright. She gives his tocks a good squeeze, earning another slap to her ass from Kakashi. “I’ve always wanted to do that.”

With a hand pressed behind her upper back and one wrapped around her knees, he gently lowered her down onto her bed. He crawled and straddled her, towering over her.

“I need the truth,” he rasped, “do you – do you want me for me… for 44-year-old me?” He pauses, to see her attention is all on him.

It made him uncomfortable when he discovered how she would give him all of her, sincerely and genuinely. He never had a woman want him for himself before until he met Y/n. She’d gazed at him and listened to him, wanting to know things that no one else bothered to ask. At first, Kakashi had no intention of keeping her around when she began wanting to know how his day went, and how work was going… he didn’t want to give her hopes of being a boyfriend. But she genuinely wanted to know his day, know who he was and he couldn’t deny her that. He longed to feel needed and not just be a distraction. He wanted permanent, not temporary.

“I have a demanding career there might be times I won’t see you for weeks on end,” he swallows the lump in his throat. “All my life, being in the military was all I needed and known… until you.” He pressed a kiss to her forehead. “Since meeting you, you rewired my entire existence and it scared me, scared me shitless.”

“Kakashi…”

“You’ve made me want to finish up my mission faster and safer… so that I can come back to you,” he admitted softly. “When you told me you wanted to end things with me, it destroyed me and I did what I did best… run. It wasn’t until the days got closer to my birthday that I had a reality slap, making me realize that I was going into another year of life, and for once, I wanted something different. I wanted to make a difference.”

He inhales softly, “I don’t know what I can give you, for sure my heart… and mind-blowing sex… but anything you want from me, I’ll give it to you. Just give me you too.” He rests his forehead against hers. “So, will you take me?”

Y/n’s fingers thread through his silver hair from the back of his neck. “I have fallen in love with you the moment you began reading my books with me…”

Kakashi let out a laugh, “they are good…” he paused and his eyes widened, “you love me?”

She nods, “yep, for a while.”

A soft breath exhales from his chest, “I don’t deserve you, but I want you still… tell me, do you want me? You still haven’t answered.”

“Always.”

“Okay, Professor Snape,” he teased, pressing his lips to hers. “Can I… take your offer on the other lips?” He slipped his hand inside her panties, feeling her wet sex. He slipped a finger inside, groaning. “Can I?” he eagerly asked.

“Yes, always…”

Looking into her eyes, he smiles, “no more fucking… just love-making…” he frowned at her pout, “what?”

“But I like your fucking though…”

He groaned, he loved her innocent dirty mouth. “You can have both – fucking-love-making…”

. . .

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