““I cannot differentiate between tears and music” (Nietzsche). Whoever is not immediately struck by the profundity of this statement has not lived for a minute in the intimacy of music. I know no other music than that of tears. Born out of the loss of paradise, music gives birth to the symbols of this loss: tears.” - Emil Cioran, ‘Tears and Saints’ (1937) [p. 11]
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i hit 1k followers recently!!!! yipee!!!!!!! thank you all!!! so in celebration here’s all of my completed isat doodle pages, from oldest to newest. go nuts with them!! and maybe don’t look at the first doodle page too closely. it’s Old.
(no greyscale version below for once! just some mushy ramblings. you don’t have to read them don’t worry)
hhhhhha?? so many people. where did you come from. how did you all find me.
ok but seriously, thank you all so much for all the support. i never really. expected to make it this far? like, ever?? i’ve mentioned it a few times on here, but i’ve been a lurker for the past… 2 years, i think? and even before that, i never gained much traction outside of a couple posts. so this has been. very new to me!! in a nice way!! it’s weird to feel like an actual member of a community!! that people know about!
the idea of finally coming back to social media was Daunting (i literally got stress hives writing my first post lol) and the warm reception really. meant a lot?? i don’t think i would’ve ever gotten the courage to come back if i hadn’t been encouraged to by the people over at the isat discord!!
the fact that people actually care about my art still doesn’t feel real?? seeing people take inspiration from my art is just. surreal. just. auagssh. thank you all so so much for everything, i really do appreciate it!!! i’m really glad to be in this community. sorry if this all sounds sappy and long winded i’ve just got a lot of emotions about this whole thing!!
(also as a bonus for reading all this or whatever. here’s a concept page for isatscryption! it felt a little out of place next to my normal canvases so i’m putting it down here! yipee! sorry my notes here are so disjointed auauau…)
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Mentioned this before but as much as I adore the medic Leo headcanon, my favorite type of it is when it’s basically just Leo knowing the most surface level of stuff and carrying around a super basic first-aid kit in his pack. So he knows how to use gauze, and he’s got a ton of Jupiter Jim branded bandaids, and if you really needed it then he can hit you up with some ibuprofen but other than that? Nothing.
But. I love the idea that that changes post-invasion.
They’re pretty sturdy, all of them, so they can take more than one beating and really only need a bandaid for the fun of it. But the invasion hit harder than ice packs and “lots of rest” would help with, and I can bet that a post being beaten to a pulp Leo would have a lot of time on his hands to reflect and, maybe, learn a thing or two as he waits to get better.
It’s nothing excessive, not at first, but he watches veterinary videos, and live surgeries, and other videos in that same realm (because the books are, uh, a bit too jargon-y for him) multiple times over. Just so he knows. Just in case he needs to know.
In his pack, there’s a first-aid kit. With the use of a mini portal for extra space, the kit has grown to include everything from scalpels to butterfly stitches to sutures to even fiberglass patches.
And obviously the Jupiter Jim brand bandaids stay too.
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spoilers for chapter 429
idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.
This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.
He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost?
He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.
but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.
the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship.
In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.
That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.
Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.
Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…
Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?
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“Sophie became exactly like Keefe in Stellarlune”
Loud incorrect buzzer
Sophie, beginning in Neverseen and slowly in increasing amounts begins to pick up Keefe’s way of speaking/his form of snarkiness/his style of humor because she spends a TON of time around him and our speech patterns are influenced by those around us. Also, she got older and more confident, so a lot of her shyness melted away. But she is the girl she’s always been—just a lot more confident and making a lot more of the same style of jokes as one of her closest relationships. That is way more realistic than y’all give it credit for
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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