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neil-gaiman · 8 days

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Hi Neil.

I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.

First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.

So, therapy. What is therapy really? Well…

Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)

Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.

Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.

(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)

I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.

But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.

I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.

But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.

I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.

It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.

I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? 🙃) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.

My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”

But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.

In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.

Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”

As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.

I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…

The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.

So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.

People always say “it’s never too late.”

One of the people I lost said “it’s later than you think.”

I jokingly would respond “it’s already too late.”

It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.

Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”

But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.

Whew.

So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.

And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.

Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.

Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)

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celaenaeiln · 9 months

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Something fanon gets wrong

Dick Grayson is genuinely one of the greatest fighters in all of DC.

I know people have trouble believing this for some reason but a man who has defeated every single one of his enemies, other people’s enemies, and has consistently come out on top should have his abilities talked about a bit more because they’re amazing.

Let's start small to big. Firstly Donna talks about Nightwing's abilities.

When I read this I was confused by what she meant. Prowess means skill or expertise and that makes sense but Dick has a lot of power behind him though...

And then I realized she meant metaphysical power.

Dick isn't a magician. He can't run at supersonic speeds, throw buildings, speak to animals, communicate with the dark, fly above the clouds, bounce bullets off his chest (Oh, wait. He can do it off his ass instead never mind), turn into animals, or other amazing abilities. But his skill is so high that he is easily able to keep up with people who can.

M'gann, the white martian with extraordinary capabilities, tells Dick, "You are just a human, with no superpowers, yet you have consistently excelled throughout your career, despite being surrounded by godlike beings."

This is incredible.

We see Dick leading teams of superheroes and metas all the time and we take it for granted but we never acknowledge the immense power and skill he must have for him to be able to do this.

Repeatedly. Time after time. He outsmarts both his human allies and outfights his meta ones.

One of Dick’s greatest OP moments is when he takes down the entire Titans team -Gar, Raven, Donna, and Jason too when he hung around with them- single handedly. And when Jason put a gun to the back of his head in supposed victory, Dick opened his hand to let the golden bullets fall, gleaming in the light with the coldest line, “with these bullets?”

We all know how amazing Bruce is, but Dick is on Bruce's level.

No?

Okay, here's the evidence.

Dick has fought Azael in a sword fight to a standstill when Azael has beaten Bruce separately and Tim and Jason combined.

He has defeated Ra's in a sword fight and Ra's is one of the greatest swordsmen.

Sometimes he doesn't even need a sword to defeat a skilled swordsman.

He's a League of Assassins member and we all know that anyone from the League of Assassins is never just good. They're excellent. The entire fight Dick is looking for Blockbuster and he's so capable and good at fighting the entire scene was like watching Thanos flick Captain America away vibes. He's not even looking at him when he smashes his foot into Shrike's face!

Most importantly, he has defeated Deathstroke

The greatest thing about Dick is he is able to defeat Slade at the peak of Slade's abilities. Slade doesn't need to be weakened for Dick to win.

Here's where people has some hesitance accepting Dick's abilities.

"Bruce has defeated Slade but Dick has never been able to!"

He literally has in Dark Crisis but I'll give you the lead up.

Dick can easily disarm Slade.

He can predict Slade's moves ahead of time and properly counteract them.

He can go toe to toe with him and in one comic, they dance down a hallway, fighting, neither able to get the upper hand. The mercenary meta, considered by the US Government to be 1 of 2 greatest assassins (the other being Katana) isn't able to pin down and defeat a 20 year old despite his enhancements.

I left out the scene where Dick twisting Deathstroke's arm and smashing his face into a bedroom mirror despite being complete weaponless and in his civilian identity. No protection and no support. But it's another example of how Dick's poweress is much greater than people expect of him.

Of course there are panels where Dick has been defeated by Slade but Dick isn't 17/18 anymore. He isn't learning to fight without Batman hovering over his side.

Also there is a panel everyone references to when talking about Nigthwing losing to Deathstroke. This one.

sure. okay. whatever. BUT WHY WON'T YOU SHOW WHAT HAPPENS NEXT COWARDS?!?

THEY DANCE-FIGHT LIKE THEY'RE ENEMIES IN A BALLROOM ON OPPOSING SIDES BUT CAN'T AFFORD TO LET ANYONE FIND OUT.

THIS IS SOME HIGH LEVEL JAMES BOND-RED NOTICE-MISSION IMPOSSIBLE- TYPE SHIT.

"Close the hold, you morons! Close the--Guuk!"

That's Slade talking by the way. To his allies. Who do you think made him "GUUK!"?

And here they were evenly matched.

But Slade had to pull out bombs he had been saving for when other people came in order to defeat dICK AND HE STILL LOST BECAUSE DICK BESTED HIM.

Yup. Dick is just that good.

Nightwing defeated Bane

Before you go into saying something like "it was a holographic construction." What the fuck difference does that make? Does a holographic construction alter the strength used by the enemy, change their fighting style, phase through when fighting, act dumber than the real deal? No, right? The fact is Dick broke Bane's back the exact same manner that Bane broke Batman's. All those scenes of Bane punching Nightwing around? Let me remind you that the guy snuck up on Dick. The second time Dick underestimated Bane's powers before getting ready to put in real effort before Batman interfered to take Bane for himself.

All those amazing scenes of him defeating enemies that we've scoffed at recently? They're just a continuation of what already is written. It's not new or unbelievable, it's expected.

Here's my final point. Dick has defeated all of the Justice League's enemies in one go.

This is Batman/Superman comic where Kara gets infected so Dick as Batman sends her to the medbay while he tears down the Watchtower to save her. As in every single defense mechanism the Watchtower has, he demolishes it with his pure skill and abilities. Furthermore, the Watchtower defenses were enhanced by cyborg Superman to be lethal. To kill on sight.

Just. Phenomenal.

He did it! He defeated all of them and made it to the electronic controls he was aiming for.

Another thing I want to point is Dick's strength is greater than what people assume it to be.

He's the world's greatest acrobrat and has a build fitting of that but the strength he packs in his body is equal to that of a meta. Maybe it's because of how he only fights with metas and has teammates that are all metas but he has raised his striking power to equal that.

He shatters cyborg superman in one blow.

He can handle blows from meta humans in a way most others can't which suggests to me that he must've done some kind of training or have maybe increased pain tolerance or have the ability to backseat the pain so it won't affect his fighting. How many can take a hit and rise up the next second?

He's not metahuman. Batman must've done several tests because he also was amazed by robin Dick's poweress lol but really Dick is just extraordinary. Give him any enemy and he will garaunteed defeat them without using cheap tricks or surprise moves which is why he is one of the greatest. The only time people have gotten an upperhand on him is when he has been emotionally weakened. Emotionally. Imagine the absolute monster he would be if he controlled his emotions like Batman.

But I would never want him to though because his emotions are the reason why he's the light of DC.

#dick grayson #nightwing #donna troy #m'gann m'orzz #shrike #dc bane #slade wilson #deathstroke #batman #kara danvers

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stagefoureddiediaz · 20 days

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7x05 promo meta

Thank you 911 for dropping those stills - its save you all from my terrible quality screen shots!

This was supposed to be a costume meta, and it is, but things rather got away from me so its got a bit of a mishmash of spec and the like in it! its probably incoherent but my brain is whirring!

Ok first things first - Firehouse!

Soooo whenever we've had firehouse scenes before between Buck and Eddie, the one not in uniform is the one receiving advice - Buck after he found out about Daniel, Eddie during the Black out etc. So I expect this scene to play to a similar theme.

The green jacket for Buck is an interesting one for me, green is all about growth - especially this shade of green. I think this scene will be the first time Buck and Eddie see one another in person - Buck perhaps re-apologising to Eddie, clearing the air, Eddie offering buck some advice (i don't know exactly what advice, but perhaps along the lines of not bottling things up and talking to him etc!).

The fact its a broadcloth jacket harks back to his shirt jacket from Eddies breakdown - that one was very red, so there's no direct connection to the meaning of that jacket from a colour theory perspective, but there is a wider theme connecting to the broadcloth - broadcloth is a fabric that was historically used for military uniforms (it still is) so the use of broadcloth has this element of going to war - unlike the red jacket that signalled danger and Buck going to 'war' to both get to Eddie and to then help him in the aftermath, this one is more likely to be a war related to Bucks 'bad behaviour' from the basketball game and I think and with the green of the jacket meaning growth, I expect this scene to show them on a more even footing - one where the one doesn't need to go to war for the other, because the 'war' is over, this is the aftermath now and Buck has grown (in the same way that Eddie was in green during and after his breakdown - he grew from that moment)

Date night - for Buck and Tommy

Firstly I want to mention the fact that Check theory is in overdrive for this scene - the check is literally everywhere - floor, tablecloths, walls, windows, the guy sat to the side of Tommy. Something is clearly going to happen that is going to lead to some sort of chaos. My money is on Check shirt guy suddenly becoming ill and interupting both dates (call back to Buck choking on bread would be chefs kiss imo as that was Bucks first proper date!!).

I originally thought his was the same shirt Buck wore when he was trying to donate sperm - however, turns out it isn't it isn't, this is a knit bowling shirt while the one from the sperm donation storyline was a knit polo (no buttons all the way down the front). I do think the remarkable similarity between the two shirts is relevant though. because Buck trying to donate sperm, was Buck trying to start a new life, but it was a false start when he was wearing the similar shirt (because the power was out at the clinic) and he is essentially doing the same thing here - he's on his first 'date with a dude' and is starting a new life as a bisexual man - only it seems he's probably going to try and hide it from Eddie - thus a false start in the same way his first attempt to donate sperm was. thing is, Buck was successful in making his donation in the end, so even if he has a couple of false start in this episode, he'll be successful in the end (see the end of this meta for the reason why!!)

Tommy is in brown (possibly a dark olive green, but it looks more brown to me at this moment in time!). Brown is of course one of Eddies staple colours, so we are continuing with the Tommy Being costumes as a version of Eddie!

But Brown is a colour of stability and strength - its solid ground. It's showing us that Tommy is completely comfortable in his sexuality (whatever denomination of queer he is as we don't know at this point!). Its also a colour of safety support and protection (its why many police and military uniforms around the world are brown - meant to invest a sense of protection - a reflection of what that job is supposed to be!). for me thats playing on the idea that Tommy is going to protect and support Buck on this date - Buck not wanting to come out to Eddie in that moment and Tommy supporting that and protecting Bucks right to chose when and how he gets to come out to the people in his life (and I adore him for that!) is my guess on why he's wearing brown here.

Eddie and Marisol's date night

(as an aside - Bucks face in the still below is hilarious!!)

I already mentioned the pink handbag in my 7x04 meta, but now we also have a pink skirt to add into the mix and its a ditsy print of two shades of pink, which not only further supports my pink and innocence theory about this season, but it also plays into how both Shannon and Ana were costumes as well - in lots of pink and in ditzy prints!!! Marisol (who doesn't even have a last name) is not long for the world of 911 - if it doesn't end in this episode, its gonna be over very very soon! She is going to essentially be an innocent bystander in whatever the hell is going to go down at this date night fun house we're about to see, whether her seemingly naive personality (well what little personality she seems to have!) plays into things as well, we'll have to wait and see!

The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and its suggesting to me that we're going to see some pretty childish behaviour from her at some point in this episode (we'll have to wait and see if I'm right!). The other aspect oof this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. Its for me one of the reasons why i think we have s2 Eddies hair back, especially this greased back version in this scene - its a nod to his s2 arc when he tried to recreate the magic with Shannon. Eddies journey is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present. for me, him figuring this out is an important part of his wider un-repression arc and will allow him to move forward and learn that he needs to build a relationship on a stronger foundation that magic and innocence. That (ghost of a) second chance with Shannon ended up as a literal car crash (sorry to be blunt but it was a metaphor back then too!) so my feeling is that this is going to go the same way - and end in a figurative (at least) car crash.

As for the chain necklace! you can read my 6x15 metas for a fuller run down this one is the most comprehensive one (and theres some stuff lurking on other meta posts as well) but essentially every single one of Buck or Eddies girlfriends have worn a chain necklace (there is also a bracelet too, which I think Marisol wore in 7x01 but her scene was so blink and you'll miss it that I can't get a good still to be sure!) of this style - I never did get to writing the full meta on the chain necklaces I intended - the season 6 finale rather deflated my enthusiasm to do so, but I can talk about it here so, things worked out I guess!

Chains are a representation of incarceration, or of holding something back. they are a huge symbol of slavery and are used in derogatory terms when used to talk about relationships (the old ball and chain etc). This is why we see them on all the women connected to either Buck or Eddie, and never on any of the other female characters in the show - these women are essentially holding Buck and Eddie back, they are chains to be broken free of.

Then we have Eddie in his white shirt! There are a couple of reasons I am completely in love with this choice! firstly is the most obvious, it paints things very black and white for Eddie and Marisol - they are opposites! In this context, the wardrobe department are deliberately creating that opposition between them - and in combo with that pink bag and skirt - things aren't going to end well for them.

Black is a colour that sucks light and colour from things (yes there is the concept of the little black dress etc for dating but thats more about timeless elegance and Marisol is not wearing a black dress!) that absorbs everything around it - you can see in the picture below how the black of her top is absorbing the colour while Eddies white shirt is bouncing it around and glowing with the red - its especially obvious on her sleeve which is partially sheer and partially matt - the sheer parts are picking up the light, making the black non sheer parts still look black.

The other reasons I am living for the Eddie in a white shirt of it all is the fact that it really highlights that red lighting - this use of red - in this setting at that moment - when it doesn't appear to be anywhere else in the scene and certainly not around Buck and Tommy - can only mean danger and anger. Its telling us that Eddie is not happy - jealous definitely (that look is one of jealousy!) its also hinting at underlying anger though. My thoughts on this is that its playing into Eddie having to face up to his feelings for Buck - that he understands them, and perhaps feels like he missed his shot

The other reason I'm obsessed with the choice to put Eddie in a white shirt is this ⬇️⬇️⬇️⬇️⬇️

Because yes that is Eddie in white and Buck in dark blue, and yes that is the only other time we've seen Eddie in white in the entire show (excepting white shorts in fight club and even they fit the theme we're seeing here). Seeing them in the same colour ways here is very much giving Buck and Eddie divorce era 3.0 (fight club/lawsuit was 1.0 and the one above was 2.0) vibes.

Having dinner with Buck (or in the same space as Buck) and his current partner and the blue and white (and green that Tommy is wearing which matches the green that Taylor was wearing) is definitely a choice. This scene in season 5 was essentially a Buck and Eddie break up - 'move on Buck, I have' - we all know how that spiral ended - with Eddie digging in with his leaving the 118 and excluding himself from the firefam and Buck cheating on Taylor and asking her to move in with him.

thing is Eddie has form for doing dumb things when he feels under stress or pressure (asking Shannon to marry him again, fight club after her death and Buck suing the firehouse, leaving the 118 and not getting the help he needed until he had a major breakdown to name 3!)- so if we saw some kind of parallel to this scene - (this is especially in light of Eddie talking to Bobby about the job in this episode) where Eddie doubles down on a poor decision (don't know what but I'm currently speculating that its maybe asking Marisol to move in with him way way too soon - when he doesn't know her - hello episode title) in the same way Buck did with Taylor (because he is faced with the fact he could've had a chance with Buck after-all and is emotionally cheating on Marisol) and it plays into

I'm not saying we're going to be getting rid of Marisol in 7x05 (unfortunately) but I am saying the writing is on the wall for that relationship - there are too many costuming signs on both Eddie and Marisol for it not to be headed in the direction of ending. My guess from what I'm seeing with these costumes and that lighting, is that 'Ghost of a second chance' is when it will come to a head - it plays into the theming of Shannon redux and car crashes, learning from past mistakes before you repeat them.

And finally we're at Bucks loft!

Not saying this is at the end of the episode - I have zero idea where its going to land - every time I see a new still from it I'm more confused and decide its going to be at a different point of the episode!

Anyway, thats not important! Eddie is in his Buck 'date night' shirt - the one he wears when he has serious talks with Buck in the loft. thing that is different this time, is the fact he's in jeans rather than the green trousers he's worn on every other occasion. Something about that is making me feel like, while this scene is likely to be similar in that its going to be a serious talk, and I'm sure from the way it looks in the stills we're going to see Eddie reassuring Buck as we have in previous scenes, I think we might find this one is going to give us Buck and Eddie on a more even footing that we've seen before.

I'm fascinated that the Christopher watch is not visible in the above still, but it's very visible in the below one, and in the other stills we've got. We don't often see it hidden under eddies sleeves - we usually see it more like we can see it in the date night stills - visible with the shirt slightly tucked underneath. haven't figured out if its going to be significant or not yet - I need to see the scene!

We do have to talk about the looks they are giving each other here though - especially Buck!!! because I mean!!!! its kind of giving me don't keep things from me again vibes!!

I am very much loving that they put Buck in this jumper though! it is the one from the sperm donor storyline - when Buck tells Eddie, Hen and Chim he is 'responsible for creating new life.' I love this specific parallel because there is the play on the fact that Buck is now living a new life - that he's figured something out about himself - that he's creatinga new life forhimself - one where he is bisexual, and openly so (as we know he's going to tell people in this episode and hell he might be telling Eddie in this scene!). the other thing is that this light blue colour, throughout season 6 became a real representation of Buck journey of self discovery - all the way back to Lev at the happiness convention and his year of yes, right through to post Lightning strike Buck who was trying to wrestle with his death and his rebirth - the light blue here really ties all of this together beautifully

Right thats All at this point - I'm sure my brain will conjure up other things once i've hit post, but for right now - I'm off to bed!!

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual@rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @satashiiwrites @lover-of-mine @yramesoruniverse @extasiswings @favouritealias @pop-kam

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starlight-bread-blog · 20 days

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Why Katara's Lines Come Off As Rejecting In EIP

Like I said in a previous EIP meta, this will be a doylist meta and an isolated look into the scene and the second half of book 3. So first things first, what are Katara's lines and body language?

As soon as A\ang brings up the kiss, she turns away, and just says she doesn't know.

When he asks her why doesn't she know, she seems slightly irritutated for a second, gives him a perfectly reasonable explanation, but doesn't hold eye contect for too long before drifting off.

A\ang keeps pushing, so she puts an end to this. This time she stays faced to him to say she is confused, signifying she's more comftable now that his questioning has ended.

Now it is clear as day that A\ang violated her boundries and she is pissed off.

Her lines and body language tell us two things I wish to break down:

Katara is very uncomftable talking about the possibility of a future romance and can't commit to an answer.

The reason she gives is that she is because she's confused.

2. Katara States That She is Confused

Let's try to take her at face value here. She's genuinely confused about her relationship with A\ang. Do you know what is the first role of storytelling? Show don't tell. If the writers wanted to show us that Katara trurly is confused, we should be seeing Katara grapple with that.

It wouldn't break the "Will They Won't They" tension, if anything, it'd amplify it. We can see this in action all the way back in season one, where Katara also is confused and considers if A\ang is a possible partner.

So, is that what we see? Small moment/moments of Katara looking at A\ang, being confused and considering him as an option? No, we do not. Instead, what we get from Katara, is...

We are told that Katara is confused, but what we're shown is Katara completely ignoring the source of her supposed confusion. What we're shown is not confusion, it's denial.

This is a sharp contrast to how well the writers made sure to remind us that Katara is still angry at Zuko over the course of these very episodes. From her threatening him when he first joins, to a mean spirited comment (at 0:21), there was a clear effort to keep up the tension, to make sure you know that Katara hasn't forgiven Zuko yet, until said tension is resolved. Meanwhile with Katara and A\ang what we see is the show, and by extension Katara, in denial to the whole event.

1. Katara is Uncomftable and Unable to Commit

If she is in denial and A\ang is making her face reality, would her behavior in the scene be compatible with that? Would she keep on avoiding the topic? Could her words register that way based on who she is? To know that, we could ask: does she have a history of shielding A\ang from reality?

(If the scene was revealed to be her shielding him), this isn't to say that Katara would consciously shield him the way she does here, she could've genuinely thought she was confused. There would be many ways to interpret the scene. However, it is in character for her to want to keep the peace to protect him from being hurt. Therefore, her lines in EIP could easily register to be of a similar fashion.

The show continuously refused to show Katara being confused, showing us nothing but denial. When she is faced with the reality, she refuses to commit when having a history of trying to shield A\ang for as long as she can. And this is why Katara's lines in EIP come off as rejecting.

#anti kataang #anti kat@ang #anti k@taang #TAGGING FOR VISIBILITY->#zutara #zuko x katara #katara x zuko #zutara meta #pro zutara #anti anti zutara #zutara analysis #zutara evidence #zutara forever #zutara nation #zutara should have been canon #zutara supremacy #zutara was robbed #zutarian

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indigovigilance · 7 months

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Maggie is Possessed

This is my second meta! My first one is here.

I’m not the first fan to be suspicious of Maggie but I’m going to argue why she might be possessed (and I hypothesize that specifically she is possessed by an angel), rather than being eldritch herself, and will propose some reasons why the hitchhiker might be doing this.

First, a quick list of her early observable behaviors:

She cannot spell urgency

She signs “very faithfully yours”

She refuses to drink alcohol

Golden angel-wing earrings, anyone?

Have you seen those clothes?

All of those things are angelic, but why possession, specifically? Evidence is presented in order of chronology and not necessarily how strong it is, below the cut:

First: The timeline is weird. She’s eight months behind on rent, and suddenly decides she needs to speak to Mr. Fell “on a matter of some ugrency” and insists she can be out by next week. It’s inconsistent behavior that could indicate that a new decision-maker has taken over. First-point-five, she calls Aziraphale an angel: does she know?

Second: re-watch the first coffee shop scene, S2E1 at 13:20. Yes yes, it reads like a cute lesbian flirtation scene. That’s the cowrie shell. Pick it up. There’s a caraway seed underneath. When she arrives at the coffee shop for the first time, Maggie’s confused “ah, yes, coffee” might not be the flustered redirect you thought it was, but rather indicating that whoever is riding around in that body doesn’t actually know how a coffee shop works. But Nina (to Hitchhiker!Maggie’s relief) remembers her order. So Human!Maggie has been here before, in fact, Nina calls her a regular, to which Hitchhiker!Maggie says “oh right, yes, I’m that.” Not sus at all, sister.

Third: During the “herbal tea” exchange, Maggie says to Nina that “I didn’t go to parties” and she was “not that sort of teenager.” On it’s face it reads like she was a goody-two-shoes human teenager, but consider for a moment that whoever is speaking right now was never human; the statement isn’t a lie, but its very misleading. Who else do we know that does that?

Fourth: During the lock-in, Maggie tells the story of how her great grandmother’s store was in a corner of Mr. Fell’s bookshop, so he lets them stay on for old time’s sake. One possible interpretation of this phrasing is that Hitchhiker!Maggie knows that Aziraphale has owned that shop continuously for at least 100 years. Nina is the one that suggests that it was actually Aziraphale’s grandfather, and Maggie nods along.

Fifth: Maggie says it’s a “coincidence” that the power goes in and out when Crowley passes by; could read as a deliberate redirect from someone who actually knows that Crowley is a demon? But more on that later.

Sixth: I’m skipping a lot of intervening content BUT at the ball, during the dance, she says “this is just what we do, isn’t it?” to which Nina emphatically replies that no, it isn’t. So even though Nina has been effected by an emotion-suppressing aura, she hasn’t lost her memory of how society generally works in 2023, but somehow Maggie isn’t up to date. This is parallel to Point #2, not knowing how to order coffee.

Seventh: Aziraphale’s attempted miracle memory wipe doesn’t work on her. I’ve seen others suggest that it’s due to a miracle blocker but all of his other miracles work, so…

Eighth: Nina calls her “angel.” You thought it was cute. It’s not. It’s a double-bluff. She’s actually an angel.

Ninth: She tells Crowley that “we’re real people.” Okay, human police officer Inspector Constable, whatever you say.

The rest of this is wild speculation. Abandon hope all ye who read below the fold.

So of course this raises the question: why are is the hitchhiker here, and what was Human!Maggie’s motivation to give them permission to hitchhike?

I’ll start with Human!Maggie’s motivation. I believe that she is not just pretendy-good but a properly good person who feels a lot of anguish about her failing business, one that’s been in the family for 100 years, and guilt for not paying her rent. I think she prayed for help, and a “guardian angel” answered her prayers, and she gave that angel permission to possess her and fix the problem.

As for why the angel answered her prayers, I propose that the Metatron sent them to fuck around with Aziraphale. My evidence is that Maggie frequently meddles to Aziraphale’s detriment. In chronological order:

She puts him in a moral choice position: if he evicts her, he’s the bad guy. If he forgives her rent, he’s done something good. Both of these can be leveraged by the Metatron. Notably, after he forgives the rent, Maggie calls him an angel, perhaps to remind him whose side he’s really on *wink wink nudge nudge.*

She confides in her landlord about her crush on the business owner across the street, who’s already in a relationship?! How ridiculously inappropriate?? Maggie??!! But she does, and plants the idea in his head about love, which ultimately becomes the runaway train that makes him extremely vulnerable later.

She refuses to leave the shop during the attack (S2E5), I propose is for purposes of fucking over Aziraphale, as evidenced by…

For this part, I need you to go back and watch it. S2E6 at 3:28. During the pissing contest at the threshold, Maggie turns her head away, there is a sound effect, and that’s when she turns back to Shax and invites the demons in. Hitchhiker!Maggie has taken over and rolled out the carpet for the enemy invasion.

Maggie is the instigator of the “you have to talk about your feelings” conversation, dragging Nina from behind the counter across the street while she has a shop full of customers. Considering that the Metatron is at that very moment at the French restaurant next door, making a job offer to Aziraphale, the timing choice seems very suspect. Almost as if they coordinated to talk to each husband while they were separated.

So, it is possible that Hitchhiker!Maggie was sent by the Metatron as a spy and a saboteur to meddle with Aziraphale. To what end, specifically? Probably to get him to break up with Crowley and/or get him to return to Heaven, but ultimately, I just don’t know. I will admit that I don’t have a very strong conviction that this will become canon, but it was fun to write and I hope that it was fun to read! Leave a note if you enjoyed it!

edit: a link to another meta about why this was such an effective strategy against the husbands

#good omens #good omens 2 #good omens meta #maggie #ivoc

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qierxing · 7 months

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A/N: An interpreted continuation of @shiny-jr wonderful fic. (checks calendar) Uhm, happy three month update to this series AND 1k notes on the first part! I would say sorry for the wait, but I really did need it LOL. Anyway, it's not super obvious, but the timeline is a bit all over the place in this part, because I'm jumping back and forth between past and present.

TW/CW: Immolation, violence, implied stalking+actual stalking, obsessive behavior, mild psychological and body horror, toxic relationships, Yuu uses it/its pronouns, we get a little meta in here, the boys are FIGHTINGGG I. II. | Isekai AU | Yan! Heartslabyul x Reader

“Who are you?” said the Caterpillar.

This was not an encouraging opening for a conversation. Alice replied, rather shyly, “I—I hardly know, Sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.”

“What do you mean by that?” said the Caterpillar, sternly. “Explain yourself!”

“I ca’n’t explain myself, I’m afraid, Sir,” said Alice, “because I am not myself, you see.”

— Alice's Adventures in Wonderland, by Lewis Caroll

vi. Mourning

It is incredibly hard to get Yuu alone.

Whether it be by the forces of fate or just because so many vie for their attention, there is rarely, if ever, any time when someone is able to spend time personally alongside them. The only exception to this rule is Grim, who was practically the player's companion from the beginning.

So when Ace Trappola manages a rare chance to snag some one on one time with Yuu, he guns for it. Course, he had to time it perfectly.

It was just another night like any other. Ace and Deuce decided to come over to hang out for a casual sleepover as usual. The four of them did initially start out studying, before the textbooks and worksheets were being abandoned in favor of more exciting things, such as the deck of cards that Ace brought with him.

Sending Deuce and Grim off to get snacks through a won bet over a card game was easy as pie.

"Hey Ace?"

He hums in response, letting Yuu know he's listening. His nimble fingers shuffle the worn cards, flipping through them with practiced ease. Stacking them up quickly, he wonders if he should try to impress Yuu with another card trick to gain their enthralled praise.

"Do you…like…being my friend?"

The question makes him blink and look up in surprise at Yuu. It feels blasphemous to hear such doubt lingering in their words.

"Why? Scared I'm gonna ditch ya?" He teases.

Yuu doesn't respond, only giving a sheepish smile back.

"I-It's not like I don't like being friends with you." He tries to keep his cool. "I just-"

Yuu's smile doesn't falter. "It's okay, Ace."

He's reminded of his previous girlfriend in middle school. It was more of a fling than a serious thing, but it's something he remembers vividly. Their breakup, after all, was rather dramatic.

"You're too much, Ace. Sometimes you just take it too far."

What was even her name? Elizabeth? He could barely even remember, but for some reason, he still recalls the intense way her face was twisted in burning resentment. He tried to bury it in the past. He swore he would never fall in love or get into another relationship, preferring friendships over any kind of romantic trysts.

Now that he looks at Yuu, he already knows he's screwed up big time.

Yuu's gaze is no longer meeting his, instead staring into the fireplace that Grim had so generously set up earlier. The crackling blue flames reflect in their irises and in that moment, dread curls inside Ace's stomach. Yuu doesn't seem right.

"Hey…you okay?" He asks hesitantly, placing a hand on their shoulder.

Yuu doesn't move, still staring at the fire intently. He opens his mouth to ask again, but then they speak.

"If I wasn't acting like myself, would you still like me?"

Another question out of left field.

"Even if you somehow grow anemones on your head, Yuu's still Yuu, right?" His heart swells in pride at the way their lips quirk at his inside joke.

"Yeah…" they murmur back.

"Wanna see somethin' cool?" he says, holding out a card. Yuu tilts their head questioningly.

"It's the ace of hearts. What about it?"

"It's not just the ace of hearts!" Ace puffs out his cheeks. "Don't you know the meaning of this card?"

Yuu shakes their head.

"It means good news for yourself or someone close. Practically a lucky charm!" Ace waggles his eyebrows suggestively. "So how can things go wrong now that you have me?"

Yuu snorts and shoves him playfully. "Yeah, yeah, okay, Mr. Lucky Charm."

But it works. The foggy clouds clear from Yuu's eyes, finally returning them to the familiar luster he's used to. For the rest of the night, there is no hint of hollowness within them. And Ace hopes he will never see that sight again.

He should've known something was up since that night.

When Headmaster Crowley personally makes an appearance at their dorm, he should've realized it then. If there was anything that the old raven hated more, it was having to do more work than usual.

"That person wasn't an imposter." Crowley says, coughing awkwardly into his fist.

The solemn words echo in his head on end. The rest of the Headmaster's words start to tune out for Ace. Automatically, his legs begin to move on their own. The calls of the others chase after him, but he ignores them, racing out of the lounge and towards the mirror portal.

Because if you didn't hurt Yuu-

-then what had he done?

When he first arrived in NRC, he didn't even know that Ramshackle dorm existed. Not until Yuu came to reside there; until he had to beg for shelter from them when he was chained with that damn collar. He knew that they didn't have to take him in. But they did, and maybe that's why Ace couldn't turn his back after that.

The building before him is no longer the broken down hovel that he remembers back then. He remembers how the roof was almost caving in and wooden beams were always in danger of collapsing. Each knock on the entrance doors would send cascades of dust upon his head. Now, the walls are painted with a fresh coat of paint, the roof has new shingles, and the place actually looks like a house you could safely live in.

Bang! Bang! Bang!

"Prefect! Are you there?!" He yells, desperation leaking into his voice. "Please!"

Bang! Bang!

He's gotta be out of his damn mind, acting like some crazy person. But he can't help but be blinded by his fear. So he keeps hitting the door with his fists, praying, hoping, for…well that someone would open the door.

Bang! Bang! Bang!

"Yuu!!" He screams, and his voice echoes around him, mocking his helplessness. His fists are becoming numb from slamming the wood so hard, but he can't stop himself.

"Yuu–!"

"Oi! Ace!!!" A rough hand on his shoulder shoves him back and before he could knock the souvnabit-

"Ace, look at me!"

He's stopped by Deuce's fists meeting his in an even match of strength. Like an illusion broken, Ace stills and yanks his hands back.

There's only heavy breathing in between them for a long while.

"...they're not here." Ace snaps to look at Deuce, who only closes his eyes in a painful grimace.

"What do you mean, 'not here'?" Ace asks.

Deuce doesn't say anything for a beat.

"What do you mean they're–"

"They're in the infirmary." Deuce's words flow out in a breathless rush. "The Headmaster said that after you ran."

Fuck, he just acted like an idiot then. No wonder no one was responding to his absolute earth shattering door banging and yelling. Then the meaning of Deuce's words begin to sink in. Oh Seven, no–

He turns and before he could even step in the direction of the main building, his arm is yanked back.

He snarls at Deuce. "Let me go! I have to see the prefect!"

"Housewarden is calling you back." Deuce forces out through gritted teeth and closed eyes. "The Headmaster said that…they don't want to see anyone."

And like a fire put out, Ace's anger chokes to flickering embers.

He lets Deuce guide him back, all the way from the Ramshackle dorm, to the mirror portal, and then back to Heartslabyul's lounge where the other three are grimly awaiting them.

Ace half expects to be yelled at once he passes the threshold. Or get some kind of lecture on how he should have better manners than to just run off like that. It would've been just like his housewarden to only care about weird, arbitrary rules when there were other arguably more important matters.

But his housewarden sits silently on his gilded velvet throne with glassy eyes. There's no anger burning behind them, and the freshmen are terrified to see their once proud and fearsome queen reduced to this husk. He almost would rather him back to the state where he was barking out orders for them. The silence in the lounge is deafening.

Ace swears they must be all thinking the same thing.

Please let this be a bad dream.

He tried calling you. Texting you. Hell, he even tried messaging you on Magicam! Magicam, of all things!

Anxiety claws at his heart with each unread message and dial voice tone greeting. He has so much to say, to ask for-

Deuce wasn't faring well on his side either. He had also tried calling and texting you, to no avail. Grim, that traitor, hadn't come back to visit Heartslabyul at all since the incident. Never mind the fact he had only himself to blame for that—he thought at the very least the cat direbeast would have some sense of pity for their friendship and throw them a bone.

Ace tried two more times to meet you.

First, during your infirmary stay, when you were still unconscious.

The second time was when you returned to Ramshackle dorm with Grim.

Maybe the Seven were punishing him for his hubris. Or he supposes this is just karma. Because both times, he fails spectacularly at the front door of Heartslabyul. Because of this, he's the reason why Riddle had put them all on house arrest (with the exception of academic reasons, of course).

It's a declaration that would've been met with mutiny from all of them, if it weren't for the fact that even Headmaster Crowley had explicitly forbade anyone from showing up on Ramshackle's doorstep or trying to meet you. So he understands. Really! He does. He's seen how Riddle holes up in his room, muttering to himself while carrying out boxes upon boxes of crumpled paper. When he manages to snag a stray paper that flutters out on garbage day, Ace realizes that Riddle is also just as frenzied trying to reach out to you. Even if he is going about it in an old fashioned way.

He'll chip in to help. If his housewarden is left to his own devices, they’ll all be fossils by the time he sends what he deems a satisfactory letter.

And the faster they do this, the faster they have a chance of reaching you.

vii. Embalming

The most horrifying thing is that it doesn't seem to care about dying.

That cursed pile of ceramic shards had disappeared—no, pieced itself back together—and once again, it became the smiling face of Yuu, the being they all knew and used to adore.

Riddle Rosehearts immediately smashed it to pieces again under the weight of his magic.

No one had tried to stop their housewarden. Not even the faceless mobs. Even if they were all alarmed at the erratic behavior of their housewarden, they could not deny the fear of seeing something dead come back alive. With not so much as a dent or wound in them, for that matter.

The third time it happened, Riddle ordered for the remains to be dumped into the school’s incinerator at the highest heat level. Surely, that would be enough.

He watched as the incinerator roared and shuddered, shaking as if the pits of hell had opened. After a few agonizing minutes, the rumbling stops, and before he can even breathe a sigh of relief, the iron hatches creak open, and out strolls Yuu, perfectly fine and pieced together again.

It's magic. Or some kind of century old curse. Of course it is. After all, it was at a higher power than even Draconia's comprehension. Why he didn't consider the possibility beforehand is something he berates himself now.

What might be the most damning thing is that it has no fear or suspicion in its face; even after the multiple times it’s been maimed and torn apart. Not like you, who immediately closed themselves off at being hurt so thoroughly.

The irony isn't lost on him. The temptation of letting the puppet take its place back in favor of just bringing everything back to how it was is something Riddle could not deny. But now that he's actually met you, Yuu just seems more of a shadow of what he remembers during your interactions together.

It has your face. It acts like you.

But it's not you.

When Ace asks after the commotion at the Unbirthday party on how he was able to figure out that it wasn’t [First], he had to take a moment to gather his thoughts. Ace’s face changes into something of disbelief when Riddle merely replies with: “[First] takes their tea with two sugars and a dash of milk.”

“You were so sure only because of that?”

He doesn’t want to think what Ace’s face would look like if he had explained his whole list of reasons how he realized that the puppet wasn’t you. How he soaked up as much as he could when you came over for the tea party. Your expressions, your little habits, the way you fidget…it was all filed away in Riddle's head and later, his private notebook.

But that doesn’t matter now. Now, there’s an even bigger problem than the puppet resurrecting itself.

Grim is missing again.

This alone should've been more worrying than anything for Yuu, but it merely shrugs and says it’s not sure where he scampered off to. He's more than suspicious, of course, but there is no proof, which is infuriating already.

But without Grim, they are missing the key to finding [First].

The others raise hell once they hear the news Riddle reports at the weekly housewarden meeting. A new wave of tension washes over NRC and with it, an unprecedented deep disdain for the puppet. It returns back to classes unannounced, making Ace and Deuce rant to him about how weird it is that it’s trying so hard to act like nothing had happened. It attends school events with their camera, drumming up conversations like normal between all of them; despite the fact it gets ignorance or violence in response (depending on the person it greets).

But none of them are really sure on how to interact with Yuu.

The nicer ones, like Trey or Deuce, entertain Yuu with frigidly civil responses, in hopes of boring the puppet and making it flit away to another victim. Meanwhile, he and Ace have finally come together on an agreed opinion: that they would rather die before letting the puppet even think it could take [First]’s place.

“Go away.”

Yuu merely smiles in response to Riddle’s annoyed voice. The puppet leisurely lounges in the chair across the table from him. The school library is vast but empty, his authoritative voice echoing down the long halls. Several floating books flit past above their heads and the chandeliers above flicker with bright candlelight.

“I just wanted to keep you company.” Riddle purses his mouth in disgust. It’s invasive, it’s gross, and most of all it feels wrong to hear those words coming from Yuu.

“I didn’t ask for your company,” he replies coldly. “Shouldn’t you know that it’s bad manners to bother someone who wants to be left alone?”

“I don’t think you like being left alone, Riddle.” He flinches at the way Yuu’s eyes bore into him. “Well, then again, you sure like to pretend you’re fine, don’t you?”

His hand tightens around the textbook he’s reading about cursed dolls. There would be no point if he brought out his magical pen and reduced it to rubble. But he is tempted, if only to get some peace and quiet for just a few minutes.

“I have no idea what you’re talking about.” Riddle says.

“Hmm…” Yuu hums into its hand, “...then I suppose I will just let you be. What a shame, I had something entertaining to tell.”

“What? What do you mean?”

Yuu giggles and waves him off. “No, no! You said you didn’t want my company now. Why should I tell you anything?”

He resists the urge to incinerate the book in his hands. “Fine! I would like your company. What is this ‘entertaining’ thing you want to tell me so badly?”

“Hmm…how insincere,” Yuu tilts its head coyly with a smile more akin to a smirk. “But I guess that’s the most I can get.”

“Since you’ve all been driving yourselves crazy, [First] is safe.” The floor feels like it’s been yanked underneath him. The puppet is smiling still, as if it’s all some big joke rather than the revelation it delivered. He can hear his blood roaring through his ears.

“You…” Riddle snarls, face heating into a bright red rage. “What did you do to them?”

It bursts into laughter at his face.

“Why, I only granted their wish!”

Its laughter is cut short by the sound of ceramic being crushed, and Riddle is left shakily breathing at the pile of shards that used to be Yuu. The puppet’s words churn over and over in his head.

What did you wish for?

It is currently 3:20 on a Wednesday afternoon.

In his planner, the bullet point neatly penned on the schedule shows ‘Studying for History Test’ in bold blue ink for the time slot. ‘History of the Queendom of Roses’ is laid open on his desk, to the chapter about the local mythos of the area, just as he intended. His notes from lecture are next to it, with several of his stationary needed to jot down annotations.

And yet, Riddle has yet to touch any of these items or actually adhere to his daily schedule—he’s too distracted by what he should do in order to reach the player.

Riddle's already embarrassed enough, resorting to handwritten letters with the best calligraphy he can muster. He's sent only a couple that passed his satisfaction, and they have all been met with judgemental silence. He’s hunched over another crumpled letter near ripping his hair out when someone knocks on his bedroom door. He quickly shoves the envelope under some textbooks out of frantic instinct.

“Come in.”

A familiar bob of red orange hair pops out behind his door, and Riddle raises an eyebrow at the underclassman who enters.

“Ace? What is it?” Normally, Ace would never be in his room if he could help it. If he was in Riddle’s room, it most likely meant he was either being scolded or punished. And Ace’s eyes are shifting side to side, as if he was trying to sneak his way in.

“Out with it, Ace.” He’s not in the mood for the underclassman’s shenanigans.

“Housewarden, you’re writing letters to the prefect, aren’t ya?” The question completely takes him off-guard sputtering.

“W-What does t-that have to do with you?” He tries to maintain his composure, but Ace is already giving him a smug smirk for the one up on him. Of all people, it had to be him finding out.

"I had an idea, Housewarden. Why don't we send them something with the letter?" Riddle blinks in surprise.

“...How smart of you for once, Ace.” It was so simple, yet he marvels at the idea's brilliance. Perhaps there was merit in trying this proposal.

“Hey! What the hell does that mean?!” His underclassman snaps back in a huff. “Whatever, point being, maybe we should switch it up instead of letters all the time.”

He crosses his arms, “And what do you suggest? There’s not much we can really send that hasn't been sent already by other dorms.”

Ace winces. Clearly he didn’t think about the other dorms with more affluent people; people who had more than enough thaumarks and prestige to spend it to appeal to you. Riddle can't blame him either: although he is at the top of the school and his parents are well known mages, it's not like any of that could help him here. All of them, in a sense, were stuck in that situation.

For once, he starts to resent not having more.

"Ugh, well…maybe it doesn't need to be so fancy, you know?" Ace rubs his neck, face scrunched in frustration. "Like…uh…you know-flowers! People send flowers all the time, yeah?"

This is true. And for Queendom of Roses’ residents, it has become custom to send bouquets with subtle messages left in petals and stems. Although he is a bit loath to admit that he isn’t as well versed in the language of flowers compared to hedgehogs.

"And what do you recommend, Ace?" He asks. "What would be the best flower to send to the prefect in our circumstance?"

"We got all these roses, why not send them that?" Ace responds, as if it's the most obvious thing in the world. Riddle coughs in annoyance.

"Why not just procure some from Sam's shop? Today is Wednesday. Do you not remember rule 228?" He chides. Ace groans, rolling his eyes.

"Not the weird rules again…"

"Ace."

"Yeeesss Housewarden…" The card soldier mock salutes with a deadpan expression. "I'll see if we can get some flowers at Sam's."

"You better, or else it's–"

"-off with my head, I got it, I got it." Riddle seethes as Ace cuts him off and dashes out of his room before he could get another word in. So troublesome…

Still, there's nothing to do except wait for his card soldier to report back. He turns back to his desk, bringing out the crumpled letter from its hiding place. Running a hand over the crumpled pages, he attempts to pick up his pen again, but fails as his thoughts begin to wander.

Riddle only manages to pen a couple legible sentences when his door slams open, banging against the wall. He almost falls out of his chair in shock from the loud noise. How was Ace back so quickly?

"Have you not heard of knocking?!" He scowls, turning around to see Ace panting and sweating as if he had run a marathon.

"Never mind that, Housewarden, I saw them!" Ace shouts.

“What are you jabbering…” Riddle trails off in realization. “You better not be horsing around, Ace.”

“Do you think I would lie to you about this?” Ace retorts frantically. “I saw them at Sam’s shop working the cashier!”

For a moment, his mind races with this information. If you were working at Sam’s shop, it would explain why you weren’t showing up to classes, let alone in the hallways or rooms of NRC. It’s a clever ruse—classes may be over during this time of day, but nearly all of them were participating in mandatory club activities or study labs. No wonder no one else has caught on to this. Riddle rubs his chin in thought, settling back in his chair.

“What are you going to do now, Housewarden Riddle?” Ace asks hesitantly. His eyes are filled with some kind of anticipation and hope, no doubt wondering if he could get some leeway in his own agenda. Normally, he would go right away as there was no need to hesitate about these kinds of things.

But. Crowley’s stern announcement comes back to his mind and guilt starts to creep in.

“First, we’ll go with your idea, Ace.” He responds. “The ban hasn’t been lifted, after all.” Ace opens his mouth to protest, but he holds a hand up to interrupt him.

“But if that doesn’t work, then I’m sure even Crowley can’t say anything about coincidences.”

viii. Calling Hours

“I’m not joking around, you two.”

There’s very few times that the vice housewarden of Heartslabyul gets truly mad. His patience seems boundless, honed by years of taking care of younger siblings at home and then dealing with rowdy underclassmen in NRC. But even his saint-like patience could only stretch so far.

“I told you, we didn’t do it!” Ace scowls with furrowed eyebrows and crossed arms. Meanwhile, Deuce is silent by his side, face twisted with conflicting emotions. “You don’t even have proof! You just singled us out just because!”

“Who else was around the kitchen when I left it?” Trey asks, voice starting to rise in anger. “Did you think I wouldn’t notice you two lurking around before?”

The two freshmen began to speak out, voices rambling over each other and cascading into a loud shouting match that was barely intelligible.

“We just wanted to see if we could get something from the fridge, how were we supposed to know someone would-”

“Me and Ace just wanted to bring something along when we deliver the Housewarden’s invitation to-”

"You dumbass, don't just say that out loud-!"

It’s at this moment that Cater Diamond strolls in, takes one look at the mess of the situation and does a 180 back round to the door. But it’s too late, because the interruption is just enough for Ace to sink his hooks into him.

“Cater-senpai, you believe us, right?” Ace shouts after the orange head, making him flinch in place. “You saw us get the order from Housewarden Riddle!”

Cater turns around slowly like a door on rusty hinges, with an expression that screams of not wanting to be involved. "Oh Acey! Uhm, you mean the letter Riddle gave you two-"

"Yes!" Deuce interrupts in earnest, already trying to barrel his way to proving his innocence. "Housewarden Riddle entrusted us to deliver the tea party invitation ourselves personally."

Cater turns to Trey, who is rubbing the bridge of his nose, eyes closed with a tiredness that seems comically reminiscent of an old man. "Well, I'm not sure what this is all about, Trey, but maybe you should cut 'em some slack and let it go."

The other senior nods in reluctant agreement and the two freshmen all but nearly trample over each other trying to run from the tension filled room. But they're stopped in their tracks when Trey calls out again.

"Wait, you two." The duo slowly looks back with cautious eyes.

"You wanted to bring something to the prefect, didn't you?" Trey tilts his head to one of the many strange topsy turvey cabinets in the kitchen. "I have some leftover cookies that I made yesterday. Take them. I'm sorry for accusing you guys like that."

Ace and Deuce exchange confused glances, and although Ace looks away in denial, Deuce nods in gratitude. They leave the kitchen just as chaotically, this time with the aroma of lavender following them.

A brief silence follows their absence, while Cater raises an eyebrow at Trey.

"Sooo…care to spill the tea?"

"Don't even start." Trey groans.

Cater seats himself on one of the stools near the counter, waiting. Trey busies himself with cleaning the stoves and counter, trying not to meet Cater's eyes. Silence falls, but it's with none of the comfort that Cater is familiar with. Giving up, he turns to his phone, refreshing his Magicam dash mindlessly. This continues for a good while until finally—

A low sigh, then– "Somebody took my candied violets."

Cater looks up from his phone. Another beat passes, and he realizes it's not a passing statement.

"It's not like you to get this bent out of shape over your ingredients going MIA." Cater shifts his face onto the elbow meeting pristine marble while shoving his phone away. "You sure that one of the froshes didn't just end up taking them thinking they were for everyone?"

Trey lets out a rough guffaw. "You know better than I do that the others don't touch our stuff."

Cater taps his fingers on the polished white granite, hands already itching to grab his phone and check for updates, but he restrains himself. "That's…mostly true."

"That can only mean one of you guys has taken it." The hairs on Cater's neck raise at Trey's tone.

"Hey now," Cater grins, raising his hands in mock surrender, "you heard it from those two. I was with Riddle when he gave them that invitation."

"I know." Cater's fingers twitch as Trey carelessly tossed aside the rag used to clean the counter into a bucket. The soggy fabric makes a hollow sound against the wood, echoing rather loudly in contrast. "But Riddle would never do such a thing either."

Cater resists the urge to roll his eyes. It's true that their cute housewarden would hardly dare to stoop to thievery, but Trey's blind faith in him can be annoying at times. After all, didn't their little teapot tyrant threaten to kill the prefect at one point?

He supposes that was his fault, though.

"Then it's back to square one." Cater shrugs. "Besides, what were you even planning to do with them if you weren't gonna eat it?"

The baker runs a hand through his mussed forest green hair and frowns. "I was going to bake a cake with them as a peace offering to the prefect."

Cater's mouth forms an 'o' shape in realization. "That's pretty big brain."

"Yeah, but look how that turned out."

"It's fine~you were able to at least send cookies this time round." Cater finally cracks, digging into his pocket for the familiar grooves of his phone case. "All's well that ends well, right?"

Trey doesn't respond and Cater is too engrossed in his phone to look up to see his expression. He slides off the stool naturally, tapping through recent posts and comments, eyes laser focused on recent posts on his dash.

"Cater."

There it is. It's the most recent story reel by Ace(according to the time stamp, about two minutes ago). It's an inconspicuous black out picture with several cute teapot and teacup stickers decorating the screen. The banner message is short and sweet: 'Dorm tea party bout to get real this month 🤔😶'

"Cater." Cater's attention snaps back and towards his friend, who gazes at him with dark eyes.

"Please don't lie to me next time."

With that, Cater watches as his long time friend finally leaves the kitchen.

Thank the Seven he did. He might have been a decent actor, but Trey has been with him through thick and thin, and it's given him the annoying ability to see through his tells.

Really now. Trey knows that he hates sweets. Shouldn't that be enough of an alibi?

It's not fair that Trey already has everything to set him up for a good relationship with you. Even if they're all set back by their violent reaction to you arriving in this world, he's sure it would only take a couple tries with Trey offering genuine heartfelt food to get to you.

It's just not fair.

Isn't he fun to hang out with? He consistently gets compliments online for his suave looks and easy personality. So why couldn't he compare to-

He shakes his head. There's no point in overthinking it now. Cay Cay #3 had easily taken the cutely decorated jar of violets and discarded it in the dorm dumpster. Like candy from a baby.

He knows it's petty. But for once, he feels much better, knowing that he upset Trey's original plans to ensnare you.

Now, he once again checks Ace's story reel and screenshots it, while quickly pulling up the search bar. He just needs to level the playing field.

There can only be one fake bitch in this house and Cater has had enough of the competition.

“I wasn’t aware that you were going to visit me, Cater.”

The puppet tilts its head with a warm smile, but there’s a frosty undercurrent to the greeting. It’s clear that he’s not welcome, if the way it’s blocking the doorway of Ramshackle has anything to say.

“Yeah, I ended up losing something here. You mind if I look for it, Yuu-chan?” Cater asks innocently. “Promise it won’t take too long.”

“Hm, sure. But I don’t think you’ll find what you’re looking for.” Yuu's grin is sharp as a razor blade. It knows what he’s here for and it’s definitely taunting him. That little–

“Well, it doesn’t hurt to look~” He responds back airily. His fist curls around his phone in his pocket tightly. The puppet shrugs and walks off, leaving him standing in the doorway.

It’s been a while since he’s personally been at Ramshackle dorm. Cater remembers how Ace complained about the house being a real fixer upper, but then again, he doesn’t remember much of that, since Yuu always spent most of the time at Heartslabyul dorm. The renovations certainly made it much more pleasing to the eye and more importantly, livable by HOA standards.

There’s nothing to write home about the living room. The coffee table is bare and there’s no wrinkles in the sofa cushions at all. It’s a little eerie—as if no one even lived in the house in the first place. The only sign of living was perhaps the fact it is clean of dust or dirt.

Nothing in the kitchen either. He gives a wayward glance to the second floor, searching for any signs of movement. Couldn’t hurt to be thorough.

Rows of tall doors pass by as Cater opens each one of them. A storage closet, a spare room, an electric cabinet, another storage area–it all blurs by after the fourth door. There really is nothing, as if the whole house has been wiped of any trace of you. He's about to toss in the towel when an old, dusty memory crops up. His little freshman, Ace. Cater swears he had been making fun of Yuu for seeing strange things at night. Something about a mouse?

Right, their room! Why didn't he think of looking there?

His feet take him rapidly from memory to the door that was the third from last in the hallway in the east wing. He manages to wrench the door open to see a regular bedroom, bed sheets barely stirred. Before he can even put one foot in, a throat clears behind him.

"It's rather rude to go into other people's bedrooms, don't you think?"

You got to be kidding me. Cater turns around with the fakest smile plastered across his face. Yuu looks unamused, tapping its foot impatiently against the wooden floorboards.

"Just wanted to make sure, y'know?" Cater replies. Yuu gives a tight smile back. It goes around him and shuts the door with a hard thunk.

"Ever heard about how curiosity killed the cat?"

Cater shakes his head in surrender, "I guess I need to look elsewhere for my lost item."

The entrance doors slam shut behind him hard enough to startle several birds out the dead trees in the yard. Cater doesn't bother giving a look back as he strides out of the yard and past the gated fence surrounding the property. That glimpse was enough and much more. Cater smirks to himself, taking his phone out and sending a quick text message to the group chat. Yes, curiosity may have killed the poor kitty cat…

But satisfaction brought it back.

viiii. Eulogy

It might surprise people to know that Trey Clover's first real friend is Che'nya Pinker.

That's not to say that Trey had trouble getting along with others as a kid, oh no. Everyone in his neighborhood agreed that he was a very sweet boy, who looked out for others around him. When he wasn’t taking care of his baby sister, he would be asked by other parents around the block to look after their own children, whether that be playing soccer games with the more energetic kids or patty cakes with the quiet ones. So it isn’t a stretch to say that he’s friends with nearly everyone. But Che’nya was a special case.

Their first meeting is still burned into Trey’s memory.

“You see it too, don’cha?” The boy had greeted him while swinging upside down on a low hanging tree branch. Trey had half a mind to scold him for the dangerous action before he actually looked at him.

The first thing that takes Trey off guard is that he has eyes. They’re a shiny yellow, just a shade lighter than his. His pupils are long and thin, not round like his at all. He supposes it must be like a cat’s pupils—for he’s never seen anything like it. Then it’s his unique colorful hair, streaks of light pink intermingling with dark purple, making a strange striped pattern across the chopped uneven hair. Trey faintly recalls a certain cat from their local legends, whose fur boasted those very same colors.

“...What are you talking about?” Trey eyes him warily. The cat boy gives a cheeky grin. He vanishes and then reappears in front of him, albeit with missing arms.

“The people around us who wear the faces of strangers.” Trey’s skin gets goosebumps at the way the boy observes him. He is not looking through Trey, but at him. Their eyes are directly making contact. “But you’re different. You have the face of a friend.”

“And what do you mean by that?” Trey furrows his eyebrows. The boy's grin stretches wider in response. (His teeth were rather blunter than expected, but his canines were pointed.)

“You’re strange. I’m stranger. Together, we can both be strange,” the cat boy chirps back lightheartedly. “The name’s Artemiy Artemiyevich Pinker. But you can just call me Che’nya.”

Something in his mind had clicked then. It’s hard to explain the feeling–just that it felt like a puzzle piece put into place. He hadn’t known it then, but at that point, the hands of fate had moved.

Whatever the case may be, Trey was grateful to have Che’nya. Because now he knows that he isn’t crazy; not when he couldn’t see his parent’s faces nor his baby sister’s or even his other friends'. Che’nya too, only shrugs his shoulders when Trey asks him about his grandfather.

“The old man? Yeah, they say I have his eyes, but I wouldn’t know.” The statement is so casually delivered that Trey can hardly believe he’s talking about his only living relative and guardian. “His face does not mirror mine in my mind.”

Staring down at you, shivering with cold and hunger, he feels something churn in him again, just like that fateful day.

He has his orders from Riddle: bring in the imposter alive. Trey isn’t a violent sort and nor does he enjoy boasting his strength over others like a sadist. And he cannot deny the feeling of cold rage that day when Yuu shuts down, fear inundating him that he may never, ever, get an explanation for the world he was born in. Why he and Che’nya were special, why he had to witness Riddle suffer under his mother–what was it all for?

Your face. There is no blank stretched skin—he can see your wide open eyes, bloodshot and fixated on him. Your mouth too, shaped in a pained grimace, lips bruised and bloodied from previous skirmishes. Surely, surely, there must be a reason why you were here. Why you bear the same face as Yuu. You hold all the answers, if you would just cooperate.

“Hey, I’m not gonna hurt you,” Trey tries reaching out, but you scurry back into the hedges, squinted eyes wary and untrusting. You remind him of a frightened hedgehog, prickly spines bristled and body curled in to protect yourself. “I just wanna talk.”

“Go away, please,” the imposter quietly pleads. “Just pretend you never saw me! I swear I didn’t even know how I got here…”

Trey swallows hard.

“Just come quietly. Please.” He is the one begging now. “It’ll be easier for all of us.”

“For who?” The imposter barks a sharp laugh. Trey doesn't miss the way they wince in pain from their wounds. “For me? Or for you?”

He doesn’t have an answer. The sound of running footsteps has him turning, and when he looks back, you’re already gone. The only traces that you were there at all were faint splotches of red blood and crushed grass.

Trey wonders if this, too, was meant to be fate.

—

Trey’s been lovingly dubbed as someone reliable. Some consider him to be an older brother figure due to his nagging and supportive care. It's ingrained in him at this point from the years he’s spent playing babysitter. Trey knows the students around him are not his younger siblings who need constant watching (although their actions say otherwise).

But he worries.

Just a bit. Trey knows better than anyone that you can take care of yourself just fine. He's seen how you carry yourself within those hedges.

It's just that, he doesn't know if you're okay right now. How could he know? You've been silent even in the face of Riddle's unceasing letters. So of course he's just a bit unsure if you're actually okay, or if you don't trust them enough to say so.

Trey finds himself more frustrated with the ban they're under. Not because of the inability to see you, although that is part of it. No, it's because Riddle has managed to skirt around that rule to desperately grab onto you, and that was just enough to wear you down.

He thinks if he was bold enough, he could've tried.

As if it wasn't enough, even Ace and Deuce find their own way to get to you, snatching up the chance to deliver the monthly tea party invitation. It takes everything in Trey to clench his teeth and let go—even when Cater ruins his plans. He can't get mad here because it won't get him any closer to you. He has to be the bigger person.

If there is one thing Trey knows about Cater, it's that he absolutely hates getting sweaty or dirty. If Cater wasn’t trying to get out of running those P.E laps, he would absolutely be shirking any extra work assigned. So he's more than suspicious when Cater bounces up to him with a grin saying he could help cover Trey's science club duty of watering plants.

Trey likes to think he can tell when Cater’s lying. His close friend's happy go lucky demeanor often throws off others, but he’s been with him long enough to pick out his subtle tells. His eyebrow twitches when he’s particularly anxious and the corner of his mouth tends to perk up if he’s feeling particularly daring or desperate. Trey figures this must be something that even he can’t trust Trey with, if he’s going out of his way to take on extra work.

So Trey considers this repayment for letting him take his violets. He watches as Cater dashes off in labwear, waiting for a minute, before following after him. His duty was in the tropical zone of the botanical garden, so he has no worries even if he does lose him.

He nearly does a double take when he sees you walking in the courtyard hallways by yourself. And before Trey could rethink his actions, he follows behind you, eyes not leaving your form for a minute.

You look like you haven't slept well. There's dark circles under your eyes. He hopes you're brushing your teeth. There’s no signs of bandages or wounds that he remembers you in, which he supposes is one relief. Even if he so desperately wishes to cook you a proper meal—you look like you could fall over at any minute.

The realization your path is leading to the botanical garden comes just as Trey catches sight of the glass dome. He wants to rush in after you, but he stops himself just as the door swings close behind your form.

Cater is in there. It all makes sense now. Trey has to give it to him—Cater really does know every little happening in the school. But Trey knows him well too—and if he had to guess, even if Cater manages to talk to you, it won’t end pretty. His inability to be genuine will definitely only set you on edge and less likely to reciprocate.

The waiting game he plays is nothing compared to the silence he had to endure before. Trey doesn’t have to look to know that you’re the one slamming open the doors to the botanical gardens, labwear dirtied and face twisted in a frustrated anger. He watches as you enter Professor Crewel’s office again and after some time, pop back out in completely different clothes.

His chest tightens in longing as he continues to follow after (more from an instinctual drive now, rather than deliberate), trying to keep you in sight within the stone pillars. He wants to call out after you so badly and ask you what’s the matter, if you need help with anything. If there was anything he could do to make you forgive him for watching you bleed out on dewy grass. The sun is about to set, warm golden rays flickering between pillars and casting long shadows. Trey’s so enamored with following after you that he flinches back when the sun directly shines into his eyes, blinding him momentarily.

He barely manages to get a hold of himself. By the time his eyes blink away the blurry blots, he realizes you’re looking back at him. His breath stops. Your eyes are wide and frightened as they are that day, and his heart drops to his stomach. Both of you don’t move, merely staring at each other.

You finally break the connection, turning around and quickly walking away. Trey gasps, remembering to breathe, lungs screaming for air.

What was that?

x. Entombment

It's a nice sunny afternoon in the Heartslabyul domain. There weren't any track club activities nor dreaded remedial lessons. If anything, this free time would have been perfect for a nap. He hadn’t been up to any large shenanigans like this since the whole fiasco of [First] and Yuu.

“I don’t think this is a good idea.”

Ace scoffs, rolling his eyes. “You got a better one, loosey Deucy? If we don’t do this now, then all of us are stuck until Housewarden grows a pair of balls.”

Deuce Spade bites his lips. “I just think there might be a better way around this.”

“Yeah? And the sky is blue. Keep going, we don't have much time." Ace cranes his neck to the side of the bush, eyes warily looking out to make sure the coast is clear.

Deuce grumbles but continues plucking, some roses already tucked within his arms. They chose a bush the furthest away from the dorm, in a hidden corner where no arched windows could overlook them. It was necessary, because today was Wednesday, and the Housewarden would have their heads for plucking his beloved roses out of all the flora.

His fingers are bleeding already, finger pads torn from repetitive tugging on the thorns and stems. They couldn’t afford taking any of the gardening tools, lest they be questioned for what they were doing with them. Still, even he had his limits.

“Why is it that you aren’t helping at all?” Deuce snipes at Ace, who scowls back.

“You want to be caught by someone, genius?” Ace replies snarkily. “Someone has to keep look out.”

“Doesn’t explain why I have to do all the work.”

Ace rolls his eyes, deigning not to bother engaging in another futile argument that would lead to nowhere. Deuce is about to cut off a particularly stubborn rose when Ace pipes up again.

“...Did they ever respond to your texts?” Deuce only deflates in response. Ace’s mouth slants crookedly in an annoyed grimace. The two of them know full well what the answer to that was.

“Damn that cat…” Ace mutters bitterly under his breath. Deuce doesn’t say anything. He too, is finding it hard to not feel petty towards Grim right now. Weren’t they friends? He could’ve afforded to help them out somehow. But it’s no use. Their texts went unanswered. Headmaster had banned them from stepping foot onto Ramshackle grounds. It’s like you had closed everything off from them.

It’s why he doesn’t protest this plan, as reckless as it is. He’s not any better than Ace—he needs to see you. He and Ace were your closest friends, your first friends! He loved you. That had to mean something. If it didn’t, then…

“I think this is enough.” Deuce adjusts the messy bouquet in his hands, attempting to hold them without crushing the delicate petals. Ace looks over and nods in approval. He takes out crimson ribbons and a silk handkerchief and begins tying it around the stems in a very artful way that has Deuce’s eyebrows raising.

“Where did you get that?” Ace smirks in response at the interrogative question.

“Don’t worry about it.” Ace snatches the bouquet from his hands and slips in an envelope with the housewarden’s seal. Deuce silences the questions on the tip of his tongue. For whatever Ace has planned, he’s rather not know anything more troublesome than necesscary.

What he failed to account for was getting caught. Housewarden Riddle was beyond furious for what they did. It was only by Trey and Cater's gentle reminders that what they did was for all of them, that he only calmed down.

Deuce supposes three days with the collar is better than a week. Even if it is a heavy thing that weighs on his very soul.

He only hopes that you don't notice the thorns they forgot to trim.

—

It’s a given that although Trey is the right hand of Heartslabyul, Cater is considered the left hand of Housewarden Riddle. It’s been that way since Deuce himself enrolled in NRC, and possibly even further back. He hadn’t understood it quite then, but after some time, he realized something that he should’ve realized a long time ago.

To never get on Cater’s bad side.

There are events where the five of them gather outside of Yuu’s influence. Administrative meetings, monthly tea parties, and the occasional casual hang out. When you’re aware of how much of your life is affected from being not like the others, it’s common to side with those who are like you.

Cater had called the meeting this time. It was a bit out of the blue, at least for him and Ace. It’s only when they’re all gathered around the playing table in the lounge, not another soul in sight, when Deuce realizes Cater has that gleam in his eye. One that screams that he got a viral lead on a hot topic. His upperclassman must have been investigating.

"Remember how mirrors are considered to be portals?"

Deuce's neck prickles.

"Your point, Cater?" Their housewarden is impatient, not aware of what the question poses. His arms are crossed with his eyebrows furrowed in a frustrated glare. Deuce realizes that he must have been the one to send out Cater.

"There's a mirror in the prefect's bedroom." Deuce blurts out, and Riddle’s steely eyes snap over in surprise. Cater nods in affirmation.

"Yeah. I only managed a glimpse, but Yuu covered their mirror." Cater says.

“Hold on, you went into the prefect’s bedroom? Scratch that, to Ramshackle?” Ace asks. “Why are we just getting this now?”

“Because I just came back Acey,” Cater flicks his forehead, causing Ace to exclaim in pain. Trey smiles faintly at the action. “Also Riddle told me to keep it confidential—you two would have ran straight out if we had told you.”

Deuce sheepishly rubs his neck at Cater’s pointed sentence. Riddle rubs his chin in thoughtfulness, eyebrows still furrowed.

“But there isn’t anything magical about that mirror, is there?” Riddle asks, skepticism coating his tone. “The puppet could have simply covered that mirror out of an odd preference.”

“Acey, didn’t you mention that Yuu always mentioned seeing things in that mirror?” Cater responds, deflecting the question upon his underclassmen. Ace straightens as he and Deuce both exchange a glance.

“Yeah…something about a mouse in their mirror,” Ace answers slowly, face scrunched in an effort to recall memories. “I always thought it was just crazy dreams but…”

“Yuu was always insisting about it,” Deuce chimes in. “Said the mouse speaks to them and everything—that there was another world it was in.”

Trey and Cater share a furtive glance together before looking at Riddle. Their housewarden seems to be taking in the new information, closing his eyes in thought. For a while, no one dares to speak.

“What do you think, Riddle?” Trey finally breaks the heavy silence, and Deuce breathlessly releases a sigh. Leave it to Trey to speak for all of them.

“If the mirror in the bedroom is magical, then that changes things.” Riddle pronounces with conviction. “If that mirror potentially holds a dimension, then that would be the perfect place to trap someone.”

“Cater.” The orange head straightens to attention at the stern command. “Find a way to get the puppet out of the dorm for a while. We’ll need to look into this ourselves.”

Cater smirks and a chill runs down Deuce’s spine. While Cater still has an easy going look, his jade green eyes have darkened with a sadistic gleam.

“Roger that, housewarden!” His upperclassman chirps, already taking out his phone.

Riddle is already barking orders that each of them are to take up within this mission of theirs. But Deuce nearly misses his task, eyes stuck on Cater’s face as he scrolls his phone.

He catches a glimpse of a photo before it’s quickly clicked away. Deuce snaps back to Riddle just in time for Cater to shoot him a wary glare, checking to make sure no one else was looking.

Deuce is very glad he is working together with Cater.

#yandere twisted wonderland #yandere twst #yandere twisted wonderland x reader #my works #damn this is the most ive ever written.....insane

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sayuri-of-the-valley · 8 months

Text

On how Crowley and Aziraphale's dynamic shifted in s2:

Okay so I was inspired by this lovely post by @rebeccasteventaylor which I couldn't find the link to in order to reblog directly, but if anyone has a link to it pls I'd love to put it here:

Anyway, while I absolutely 100% agree with @rebeccasteventaylor 's meta, I have to point out that s2 shifted it a little. Especially for Aziraphale.

We don't see him looking away trying to hide his heart eyes anymore as he used to do in s1 (we all remember the "smitten" scene, only to cite ONE). Compare the little breath of lust from the Bastille (when he looks away twice) to the "don't hesitate to ask me if you have any questions about love" one.

In s2, he touches Crowley like crazy. He touches his chest, his hand, his back, asks him to dance, gives him a whole ass cotillion ball.

He was deliberately and explicitly pursuing Crowley this season. If s1 was all Crowley pursuing Aziraphale, s2 was all Aziraphale pursuing Crowley.

And Crowley seemed to either not notice or not acknowledge that Aziraphale was doing that (the way he said Aziraphale only has 3 reasons to call him still drives me crazy. Crowley ffs those were ALL the reasons there is to call someone. He's ALWAYS thinking of calling YOU).

I think Crowley was afraid. Probably for the same reason he never told Aziraphale he was homeless. Which is sad and kinda doesn't make sense at first bc this is all Crowley has ever wanted, right?

Until we remember the last time Crowley let himself love and be loved freely, he was cast away (yes, the Fall). He lost everything bc he wasn't worthy according to some crazy criteria. Apparently he doesn't even know what he DID exactly.

I wonder if Crowley thinks he's not worthy of Aziraphale. I wonder if that's why he refused to see their love for centuries until Nina threw it at his face (Nina LITERALLY doing the Lord's work). I wonder if he's afraid of loving and letting himself be loved and then losing it again. Afraid of daring to ASK and losing everything. Again.

And Crowley wasn't *happy* this season, even with their freedom. I wonder if Aziraphale was mistakenly arriving at the conclusion that he was not enough to make Crowley happy. That him alone would never make Crowley smile the way he did when creating nebulae.

These 4 years were breathing space between the two "wars", according to Crowley himself in s1. And I think Crowley doesn't deal well with their relationship in a calm environment. He only knows how to make grand gestures, and heroic rescues, and go fast and act on impulse because then he doesn't have to THINK. Once he needs to sit down and make a commitment (telling Aziraphale he's homeless for ex), he just STOPS, he can't.

Aziraphale was the opposite. The calmness without any danger was giving him all the space he needed to act on his feelings, while the sense of danger always made him enter denial mode (which ironically seemed to be Crowley's mode in s2).

Of course they still need to put a name on what they are and stop pretending, Nina was absolutely right (and Crowley did catch up on that faster in those last 15min), maybe Aziraphale was still lacking this bit even if he was pursuing Crowley, but we can't deny that until those last 15min the "us" was coming from Aziraphale.

It's sad to realise that unconsciously, without even noticing, Crowley was rejecting Aziraphale almost the whole season.

UNTIL suddenly there's a huge problem, a desperate situation and he wants to abandon everything, take Aziraphale and run away again! (his original plan wasn't even to run away, it was to go to the Ritz). And who can blame him after what happened when he Fell? The Fall was totally unexpected, nobody even knew that could HAPPEN.

Crowley doesn't think himself worthy of Aziraphale (he's UNFORGIVABLE!), and Aziraphale doesn't think he's enough to make Crowley TRULY unashamedly happy and carefree.

And they're BOTH immensely WRONG ofc, we can all see it. They're each other's WORLD.

But they just assume stuff and never ASK, never TALK (bc well, it was literally dangerous before, I get it, their communication issues don't come from nowhere). That's why they have different perspectives on how to fix their situation in the end.

And btw I have to add we can't ignore Crowley was opening himself more too, always taking off his glasses when he was at the Bookshop for example. Ironically he was just a bit slower than Aziraphale for once. All that ofc until those last 15min, when they both change back to their old behaviours (makes me want to bang my forehead onto a wall).

I do believe they'd get there if the Metatron hadn't intervened (interesting that he chose this *exact* moment), especially after that little push from Maggie and Nina (for Crowley) and ofc brielzebub (for Aziraphale) that was gonna make them BOTH confess their feelings.

Anyway, bottom line, fuck the Metatron.

This is also a thread on Twitter :D

#good omens #good omens 2 #ineffable husbands #good omens meta #my meta #renew good omens #shift in dynamics #aziraphale pursuing crowley #crowley's denial

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gffa · 11 months

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You would think, after a month of voracious reading of BATFAMILY fic, that I would at least begin to slow down, because I still primarily read I’m Having Dick Grayson Feelings And I’m Making That Everyone Else’s Problem, but I have also discovered that I have Jason feelings, I have Tim feelings, and I have Damian feelings. Which of course I knew before, but what I really learned is that other people have made this my problem now, too. And by that I mean that there’s amazing fic on all of the Bat babies and I am not immune. So, you may still have to scroll a bit, but if there’s an idiot badass with black hair and blue eyes, you’ll hopefully find something here to cry about with me, because what are any of us even in this fandom for, if not for the Feelings Hell About Vigilantes With Emotional Problems? BATFAM FIC RECS - BABY DICK IS THE CUTEST FERAL ROBIN I’M NOT HEARING ANY ARGUMENTS: ✦ it is with my whole life by dustorange, dick & bruce, 2.2k Nine-year-old Dick’s been kidnapped. Bruce tries not to fall apart. ✦ World’s Finest: Lake Weekend by WingFeathers, dick & bruce & clark (& clark/bruce), 10.3k Bruce and Dick invite Clark to the lakehouse for a long weekend around Rosh Hashanah, but Dick has trouble sleeping outside the Manor, and Bruce isn’t as available as he should be. And all of this brings up a question: what exactly are the three of them, a bat-vigilante and his ward and his superhero boyfriend? Could they be something like a family? (And how will they eat with Alfred not taking care of them?) ✦ Revision by takadainmate, dick & bruce, 3.8k New to Bruce Wayne, new to being Robin, new to being alone, Dick didn’t believe there would ever be anyone there for him again. ✦ count the stars by emavee, dick & bruce, 3.7k He doesn’t know what to do. It’s not like he can stop the storm. If he could wave a magic wand and make the sky clear—or even if he could call up someone from his large contact list full of metas who could control the weather—he would. He would honestly disrupt Gotham’s weather patterns if it meant Dick would stop crying. Or: Dick doesn’t like thunderstorms, so Bruce takes him somewhere where they can’t touch him. ✦ cautionary tale by drakefeathers, dick & bruce & young justice, 11.4k Q: “Why did Queen Bee want Robin taken in alive in Bereft?” A: “Think of Speedy as a cautionary tale.” ✦ batman & robin by chickenmuffinsoup55555, dick & bruce, 4.8k The Batman has a shadow. A shadow clad in reds and greens with a smile like sunshine. Bruce is adjusting. ✦ five times someone told Bruce he was a good dad… by emavee, dick & bruce & clark & selina & cast, 10.3k …and one time it mattered ✦ Phobias by RascalJoy (DarkQuill), dick & bruce & alfred, 18.4k wip It was stupid. It was irrational. Dick knew that. There was no good reason for him to be afraid; he had been doing this for most of his young life. And yet… Five times Dick fell, and the one time Robin didn’t. ✦ I Hate Dick by JeanjacketCarf, dick & bruce & talia, 3.7k “Robin wrapped his legs around the Bats’ neck and rested his head on top of the cowl. Then he stuck his tongue out at Talia. Talia felt her face growing hot with anger. She tried to restrain it. The Bat loved this child for some unholy reason.” ✦ shades of blue by thatsveryambitiousofyou, dick & bruce, 2.4k Dick Grayson has blue eyes. Or the one where Bruce tries harder BATFAM FIC RECS - ADULT BATSON AND BATDAD ARE MY KRYPTONITE, I FOLD LIKE WET CARDBOARD FOR THEM: ✦ Withdrawal by Sohotthateveryonedied, dick & bruce & cast, 1.8k It’s been six hours since he got dosed. The green ring around his eyes has been faded since dawn. It won’t be long before the withdrawal hits him in full force. ✦ The Post-Mission Ponderings of Brucerman and NightBunny by Ptelea, dick & bruce, 4.8k This is just sheer (metaphorical) fluff to follow up on the (somewhat more literal) fluff of Wayne Family Adventures, season 2, episode 54, S'tel ees a cigam wohs! Heavy on the puns, even heavier on Bruce being struck by amazement at how much he loves his oldest son. ✦ gotta make a stand (but I am just a man) by CaptainOzone, dick & bruce & alfred, 2.3k Bruce makes it back to the Cave, injured and exhausted, but remarkably alive. He expects Alfred to meet him. He meets someone else. Or: a third credit scene in which Nightwing makes an appearance. ✦ The Hand in My Hand by audreycritter, dick & bruce, 4.4k Dick offers himself in exchange for some hostages and it does not go as planned. ✦ Yesterday by I_Have_To_Get_Off_This_Planet, dick & bruce, 1.5k Dick was pretty sure this was what dying felt like. He was curled up, almost in fetal position, on his bed in the Manor. He was there for the holidays, and he had been looking forward to their entire family being together for once. Even Jason had agreed to come. And now he was gonna die before Christmas even arrived. ✦ I Bet On Losing Dogs by Anonymous, dick & bruce, 2.5k (Or; Bruce’s relationship with his oldest and how it slowly starts to mend, with only a little push from his friends.) ✦ You can pick your battles but you can’t pick your poison by woodenwashbucket, dick & bruce, 1.8k “Hey, am I bleeding a lot somewhere?” Nightwing asked. Batman gave him an unimpressed look, but Nightwing shook his head. “Seriously. I feel off.” Nightwing wobbled. Batman grabbed him by the shoulders before they could find out if he would have fallen, and Nightwing met his eyes with undisguised alarm. “Ok, maybe worse than off,” he said. BATFAM FIC RECS - EVERYBODY LOVES DICK: ✦ what’s past is prologue by Icestorm238, dick & bruce & jason & damian, time travel, 18.1k Dick Grayson, bestowed with the memories of an alternate life, decides that things are going to go better this time. Priority number one: preventing Jason’s death. ✦ exactly how this grace thing works by irnan, dick & bruce & barbara & jason & cast, de-aged!dick, 22.7k Dick gets de-aged. You’d think this would be a routine thing. ✦ sick day by daringyounggrayson, dick & roy & titans, 1.2k Dick tries to power through a cold and lead a training session with the Teen Titans. It doesn’t exactly work out. ✦ The Gravity of Tempered Grace by CamsthiSky, dick & bruce & jason & tim & damian & selina, 10k He’s sick, he finally catches on, and at that moment, a cough builds up in his chest, and he barely has enough energy to sit up enough to let his lungs work properly. A coughing fit later, and Dick’s breaths are making a horrible wheezing sound that makes him sound like one of Titus’ chew toys. That’s bad. He’s pretty sure that’s bad. ✦ you swallowing matches by torielle, roy/dick & bruce, NSFW, 8.2k A month after being fired as Robin, Dick is forced to attend a Wayne gala, and is grateful for a particular friendly face. ✦ The Shape Of You (Was Jagged And Weak) by WinterSky101, dick & bruce & slade & jason & tim & damian & batfam, 40.6k Six months ago, Nightwing died. They never found the body. Last week, Deathstroke arrived in Gotham. He brought a partner with him. ✦ You say you wanna stay by my side (Darling, your head’s not right) by wlwintersoldier, roy/dick & lian & donna, 2.5k Dick is stupid and reckless on a mission, whats new, and Roy deals with the fallout ✦ Laundry Mishaps by JeanjacketCarf, dick/babs & jason & tim & damian & cass & steph & duke, 3.5k Dick’s siblings often show up unannounced and take his stuff without asking. It’s how they show their love. Or Dick’s washing machine is commandeered for Steph’s laundry, his clothes disappear, he goes to girl’s night, has brunch, gets a little shot, and picks his baby brother up from school in about a week and a half while the secret group chat has a grand old time. BATFAM FIC RECS - JASON TODD IS AN ASSHOLE CAT, I’M GONNA THROW HIM AT DICK BECAUSE IT’S FUNNY (AND MAYBE SOME OF HIS OTHER SIBLINGS TOO): ✦ Two Dead Birds by InsaneTrollLogic, jason & dick & tim, time travel, 29k There’s some lunatic in a red helmet running through Jason’s territory. He wants to think it’s a copycat. He’s wrong. BATFAM FIC RECS - DICK AND DAMIAN WERE THE BEST BATMAN & ROBIN, I’M NOT HEARING ARGUMENTS ABOUT THAT EITHER: ✦ Won’t You Stay A While? by fishfingersandjellybabies, dick & damian & cast, 2.8k Ric did not expect to find a child sitting on the hood of his cab. Damian did expect to get his brother back. ✦ birdgrief by windupclock, dick & bruce & damian, 1.5k How could you? Dick doesn’t say. Get out of my sight, Dick doesn’t say. What the hell is wrong with you? Dick doesn’t say. Tim storms out. Dick is left to deal with Damian. ✦ we’re like long lost brothers who found each other (and love each other like family) by drakefeathers, dick & damian, 9.3k ongoing collection of scenes set when Dick is Batman and Damian is his Robin, ranging from cute to sad (hopefully not too sad). not chronological. ✦ I’ll Carry You by BrickSheep, dick & damian & bruce & tim, 2.1k Dick Grayson will take every opportunity he can just to carry Damian in his arms. ✦ in my own imperfect way by notquiteaghost, dick & damian & bruce, 1.8k Dick jokes, a lot, about being the only reason Bruce still remembers how to talk to people. About breaking him in for everyone else. He was Robin first, and he was Robin longest, and he’s why Bruce took in the others, he’s why Bruce isn’t dead in a ditch somewhere. And the jokes are funny! He’s never trying to be passive aggressive, or guilt trip, or whatever else. He and Bruce have spent enough time, now, pointedly not actually looking at each other, pulling words out in painful fits and starts. Dick knows where they stand. They’re good. But. ✦ (Un)Fortunate Son by Syl, dick & damian & bruce & cast, 26.1k wip Bruce reaches a decision about Damian. Dick disagrees and decides to do something about it. BATFAM FIC RECS - BATKIDS ALL HAVE MANY SIBLINGS AND THEY’RE ALL PETTY ASSHOLES AND/OR WONDERFUL BABIES AND I LOVE THEM WITH MY WHOLE BEING: ✦ Overcoming Our Antecedents by Batbirdies, jason & bruce & dick, 31.4k Bruce swallows, closing his eyes for a brief moment before he takes another, steadying breath and presses both hands to his face. He just needs a moment. Needs to remember where he is, what year it is, that Jason is not actually fifteen, he only looks like he is. This is temporary. This is just a temporary problem that needs to be contained until they can change Jason back. This is not a repeat of events already passed. This is not a second chance. ✦ what’s past is prologue by Icestorm238, dick & bruce & jason & tim & damian & barbara & steph & cast, time travel, 84.9k Dick Grayson, bestowed with the memories of an alternate life, decides that things are going to go better this time. Things take a few unintended turns, and the consequences of his actions ripple through his family. ✦ And the Scene Slips Away (To the Evenness I Fake) by Kirazalea, bruce & dick & jason & tim & damian & cass & duke & alfred & cast, rape aftermath/read the tags, 37k One mistake is all it took to force Jason back into the wonderful world of the Wayne family. Now publicly and legally alive once more, he’s forced to spend the next two weeks of his life stuck in the Manor with the whole family. This leads to several strengthened relationships and the realization that maybe he’s missed a few things over the years. Things that he’s now determined to get to the bottom of. ✦ now the clock is melting (so’s my mouth and so’s my mind) by SilverSkiesAtMidnight, tim & bruce & dick & cast, 4.1k The League’s base is not built to welcome strangers. Bruce is not a stranger. ✦ what catches and who holds by victoria_p (musesfool), dick & cass, 3k Dick never wanted to be Batman. Cass always did. ✦ Bet on it by Lysical, jason & damian & jon, 2.4k Even Damian could admit that his older siblings occasionally had their uses. “I need your assistance,” Damian said, voice low and tense. “No,” Jason replied, and hung up. ✦ a soft place to land by unchosenone, dick & tim, 3k Tim rubs the back of his head, trying to affect a joking tone. “I knew I should’ve just gone for the new escrima sticks.” Dick is ready to be a good big brother to his grieving little bro. Tim flips the script. ✦ Consanguineous Ministrations by Briarwitched, bruce & kon-el & clark & dick, 23.9k “Who gave you a baby?” Dick demanded, the instant Bruce opened the front door, eyes drawn immediately to the sobbing infant on Bruce’s hip that he gently bounced to no avail. At the same time, Bruce muttered, “I told you, it’s fine, you didn’t have to come.” Alternatively titled, “Let’s give Batfleck alien baby problems”. ✦ The League of Extraordinary Bowling Bats by chibi_nightowl, dick & jason & tim & damian & bruce & alfred & cassandra & stephanie, 5k “What did Dickiebird do? Steal all your other shirts?” The shirt is bright green with wide yellow stripes pretending to be a pin stripe running vertically across it. On the back, in bright red letters, “Timmy” is spelled out. “You’re next,” he spits out, shooting Jason the worst glare he could muster. “He’s got one for you too.” ✦ a cheese raspberry flavored void (except not really) by dottie_dc (dottie_wan_kenobi), Marzue, SilverSkiesAtMidnight, Squintyfist (ErzasCake), dick & jason & tim & damian & bruce & alfred & cast, 3k “Jason.” Dick walks up to the desk, suspiciously peering around. Jason jerks and attempts to get in his way, but Dick is quick and fully willing to vault over his brother. Only, Jason immediately latches onto him, and the momentum sends them stumbling back, knocking into the desk. It’s a good thing Jason stopped him, for right behind the desk, where Dick would’ve landed, is a swirling void. ✦ The Talk by InsaneTrollLogic, dick & bruce & jason & tim & damian, 2k Bruce never gave Dick the Talk. Dick was grateful for that right up until the time Damian sat through his first health class and started asking questions. ✦ Brothers in War by IaMcHrIsSi, jason & dick & cast, 3.2k Jason, Cass and Damian ran from the League. In Bludhaven, they run into Dick. Literally. Dick just wanted to get breakfast. ✦ Baby I’m Bi Bi Bi by Sohotthateveryonedied, dick & steph, 1.5k Dick catches her staring. “Oh, yeah. Forgot I had that. I bought it for when Wally, Donna and I were planning to go to Gotham Pride last year but a Joker thing came up and I didn’t get to go. You can just toss it. I have a ton of other bi merch and I only bought that one because Donna pressured me into it, anyway.” Steph looks down at the t-shirt and bites her lip. “Actually…I think I’ll keep it, if you don’t mind.” ✦ two attempted robberies too many by tsuchann, dick & bruce & jason, 2.2k Dick could have knocked out the man before he had the chance to blink let alone pull the trigger, but he wasn’t dumb, and he worried his reaction would have caused the other robbers to shoot, because in the bank, at the middle of it all, with a gun pressed to his head, was Dick’s little brother. ✦ That the Ripest Might Fall by Ellegrine, TheFightingBull, dick & jason & tim & damian & bruce, reverse robins, 2.4k Jason stared at the fallen chandelier. The priceless, fallen chandelier. They were dead. They were so, so dead! ✦ the butler’s neighbor by deargalileo, tim & alfred & bruce, 16.6k it starts with a baseball, thrown onto the wayne’s property. it’s alfred’s job to deal with such happenings, of course. but over tea and galas, it turns into so much more. after all, why should bruce be the only one allowed to adopt any child that he finds? ✦ the straw drawer by deargalileo, dick & bruce & jason & tim & alfred, 7.4k sometimes, love is stored in the straws. a story about family, traditions, and gifts, through the medium of crazy straws. (a companion piece to the butler’s neighbor, so i would suggest reading that first) ✦ you gotta push all the doubt to the side of your mouth by danishsweethearts, dick & stephanie & cast, 1.7k Steph practices mindfulness. BATFAM FIC RECS - DICK/BABS FOREVER AND YOU CAN SHUT IT IF YOU DISAGREE, THEY’RE ADORABLE TOGETHER: ✦ Crime and… by Ladymercury_10, dick/babs, 1.7k “Are you punishing me with glitter? That’s not a very good punishment, Babs.” ✦ the dickbabs baby au. by thychesters, dick/babs & batfam, 49.1k wip Telling Dick she’s pregnant is much more stressful than she was hoping it would be. Them telling the rest of their families and friends? Yeah, easier said than done. BATFAM FIC RECS - I WILL DIE ON THE HILL THAT TIM DRAKE’S TRUE LOVE INTEREST IS CONNER KENT AND NOBODY CAN STOP ME, NOT EVEN GOD: ✦ buy back the secrets by sundiscus, tim/kon & bruce & clark & jason & cast, 48.1k wip He takes a long, slow breath. Ignores the glares from the other students. “Superboy,” he murmurs. “It’s me. If you’re listening, I could use some help.” Or: 5 times Superboy saves Tim Drake, and one time Tim Drake saves Superboy. ✦ Grevious Misuse of TTK (or, Alternate Uses for TTK) by Cfae8, tim/kon, NSFW, 1.4k Tim wakes up to someone touching him. But Kon’s hands haven’t moved. ✦ The Lost Art of Minding Your Goddamn Business by JpegDotJpeg, tim/kon & jason, 2k Tim just sputtered, looking thoroughly scandalized for someone standing in the middle of the irrefutable evidence of his own fornication. If the furniture looked this bad, Jason couldn’t imagine that little Timmy had escaped Superboy’s super cock completely unscathed. “It’s not that bad,” Tim said, gesturing to the carnage, but he didn’t even sound convinced of his own words. “It looks like the fucking honeymoon scene from Twilight in here.” ✦ Practice Makes Perfect by rotasha, tim/kon & jason, NSFW, 18.3k Kon is trying to seduce someone – he won’t tell Tim who – and he enlists Tim’s help to try to hone his flirtation skills. This surely won’t end in disaster for Tim, who’s had a thing for Kon practically since they met. BATFAM FIC RECS - TAKE THE ANGST DIAL, TURN IT UP TO ELEVEN, AND BREAK THE KNOB OFF, THAT’S WHAT I’M HERE FOR: ✦ Wait, What? by PandasandDucks13, dick & bruce & titans, 2.4k Dick Grayson finds something interesting while applying for college. On a side note: He should really evaluate how many felonies he commits on a regular basis ✦ Dawn Breaks Through the Window by sElkieNight60, dick & bruce & jason & tim & damian, depression/read the tags, 14.7k Without realizing it, Dick has fallen into a listless apathy, but when an incident cuts a little too close, Bruce and his brothers are there to remind him just how loved he is. ✦ Wisdom Always Chooses These Black Eyes and These Bruises by audreycritter, dick & bruce, 3.2k After a severe, life-changing injury, Dick and Bruce have an epic fight and then fall back together. Sometimes, family hurts you the most, but that doesn’t stop how much you need them. ✦ your continental divides by isawet, reisling, dick & bruce & damian & barbara & cassandra & stephanie & donna & roy & wally & artemis & cast, rape aftermath/read the tags, 26.7k When running doesn’t work and working doesn’t work, home is the place you go where they have to take you in. Dick’s home has never been Gotham; it’s always been the people.

#lumi.txt #dc #batfam #bruce wayne #dick grayson #jason todd #tim drake #damian wayne #timkon #fic recs #batman fic recs #long post #really long post

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actual-changeling · 3 months

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Muriel isn't a child, they're not stupid or immature, and they CAN take care of themselves—with that, welcome to Alex's unhinged meta corner, hinged edition.

We need to talk about Muriel, so let's dive right in.

Despite the way many people depict them, they are the exact same age as every other angel, fallen or otherwise, and treating them as lesser because their mannerisms and expressions don't match up with what you think an 'adult' should look like doesn't mean they aren't one.

Not to speak of the ableism that's inherent to that kind of thinking, and actually, you know what? Before I keep talking, I want to ask you a question.

It is very common to talk about Muriel as a 'child of divorce', being 'adopted' by Crowley, someone 'precious' that needs protecting, and a lot of titles and concepts along those lines.

The question is: If, say, Uriel were in their place—sent down to earth after not being there for more than five minutes ever—would you still call him everything you call Muriel now? Would you treat him the same way you're treating them?

Would you see him the same way, and if not, why?

The question is, if any other angel were in Muriel's position, would you also infantilize them the way you currently do with Muriel?

Feel free to actually answer that question on my post or in your own, because I am genuinely curious about the reasoning, especially behind 'no' as an answer.

Heaven completely neglected them just like they did with everyone else, they were completely alone in a big, empty white room with nothing but a glass desk and presumably a chair for six thousand years—and probably even longer than that. Having someone ask them a job-related question every couple centuries doesn't even BEGIN to scratch the surface of their social needs.

When they came down to earth, it was the equivalent of one's first day at a new job, at university, at school, anywhere you had not been before but now plan on being for a while.

You come across others that have been there for twenty years and look like omniscient gods from your point of view; they run the game while you don't even know which game you're supposed to be playing. This is one of the reasons why they read as autistic to many, including myself, because that's exactly what every social situation feels like to me. That's for another post, though.

Of course they're socially awkward and easily overwhelmed! They were dropped off in a capital city after—and let me emphasise this once more—being completely alone for millennia.

The highest of the angels ordered them to do a specific job, like, fuck, I'd be having a nervous breakdown in the lift and curl up in a corner for a few hours because that thought is terrifying. Especially because failure is not something heaven accepts. Especially because they know what happens to those who disobey or disappoint in whatever shape or form.

When we see them, it is in that exact situation—talking to their bosses that they've likely never talked to before, arriving in a new world, being around new people, in a new environment, new everything. It always reminds me of this quote from Modern Family.

Muriel was assigned a rank and job just like everyone else, and they deserve the same respect and acknowledgement for it as the Guardian of the Eastern Gate or the Archangels themselves. Muriel is probably really fucking good at what they do, they've had millennia of practice, but we simply never see them in their everyday situations. Give them some time and support, and they'll be up to speed in no time.

They are not a child—don't treat them like one.

#alex talks good omens #muriel good omens #autistic muriel #good omens fandom #good omens #good omens season 2 #go2 #ineffable husbands #ineffable wives #ineffable spouses #ineffable divorce #alex's unhinged meta corner #muriel meta #alex's meta minisodes

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linkspooky · 2 months

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The Death of Kenjaku

So I was planning to write this meta the week that Kenjaku died, but decided to delay until we got full confirmation of his death. Something I didn't believe in even after Kenjaku passed the merger onto Sukuna. However, watching this video about death in Jujutsu Kaisen inspired me to finish this post. Not because I disagree with anything the YouTuber is saying, but because they can speculate on the meaning of so many deaths in Jujutsu Kaisen but can't find the meaning in Kenjaku's sudden death. This has led me to speculate why Gege made the choice to kill Kenjaku in the way that he did. What meaning is there in Kenjaku's abrupt and unsatisfying death?

Who is Kenjaku?

The first step in understanding Kenjaku's death is of course understanding how he lived. We actually know incredibly little about Kenjaku's character by design. Despite the fact he's literally in Geto's body, he's not meant to have sympathetic or human motivations to his actions (though hold onto that "human motivation" in your head for a moment). No flashback sequence shows the audience why this guy is the way he is, no single event seems to have driven him to do what he did.

This is what we know about Kenjaku in brief. He is a sorcerer who is over a thousand years old who was around in Sukuna's day. He once had a friendship with Tengen, but found her original self boring and unambitious. He also contrasts heavily with Tengen, who lives outside of humanity, because he has lived among humanity for 1,000 years. One of those lifetimes was Noritoshi Kamo who violated a woman and conducted heinous experiments. He produced ten children in his one thousand years, the nine death painting siblings and Yuji Itadori. He considers the first children boring, because human and curse hybrids turned out too normal.

He also partially blames himself for how boring they are, because he can't create anything that will exceed his expectations, the only thing that can exceed his expectations is born in chaos. He spent a thousand years organizing the culling games, and wants to use the games to create a merger, because he thinks creating a merger between Tengen and Humanity will create something entirely new and interesting. He also believes the way towards the future lies in further optimizing cursed energy, not in breaking away from it the way Yuki Tsukumo tried to do and Maki has.

The only people whose word we have on Kenjaku's motivations are Kenjaku himself, and Tengen's word and Tengen themselves who claims to not know what goes on in the human heart.

From all of the above Kenjaku seems to be a shallow character who's motivations can be summed up as "because I can" and "I want to see what happens." This shallowness is intentional however, as Gege who once praised the minimalist storytelling of Nasu and Evangelion likes to pick and choose what crumbs of backstory he gives out for his characters. We've never gotten any exposition on the Gojo clan, but we have an entire chapter about Takaba's failed career as a stand-up comic. This isn't a judgement of good or bad writing, this is just how Gege writes as minimalist as possible. This is in line with how Gege writes the ancient sorcerers as well, they are all much more shallow driven by instinct or Freudian Id (I desire) rather than the higher reasoning of modern-day sorcerers. Takaba uses comedy as a means of communication and bridging the gaps between people, Higuruma's backstory is the critique of the modern day justice system. Ishigori apparently lived a satisfying life where he was succesful and had good women, but that wasn't enough so he wants to get into a fight with Yuta to satisfy his hunger and feel like he's eaten desert.

It sounds shallow when I summarize it in text, but in the context of the fight with Yuta, it's a challenge for Yuta who for the most part only cares about his loved ones and sees the world through his love goggles to be more selfish and fight for his own desires. It's also reflective of a more basic and instinctual kind of thinking, as opposed to the higher reasoning and logic that modern-day sorcerers apply.

I'm keeping most of this first part to text for this reason, like go back and read the fight with Ishigori and Yuta. If I summarize Ishigori's character reasoning out of context it sounds stupid, but read the fight and it works because it's ID (I Desire) vs. Yuta's superego in not only having to collect points to help rescue Tsumiki, find a way to protect all the innocent people in the Culling Games, and also collect enough points to take on Kenjaku himself so Gojo won't have to. Meanwhile Ishigori's just fighting to get some of that sweet desert, the shallow works in contrast to the more layered motivations of our heroes.

Kenjaku is a shallow archetype fighting to satisfy his baser impulses (in his case curiosity) in comparison to the main characters who are fighting for more complicated reasons and often people besides themselves.

The question then becomes what archetype is Kenjaku. In that case answering who Kenjaku is is quite simple.

Kenjaku is a clown.

It might be more accurate to say that Kenjaku embodies what's commonly known as the "trickster archetype" but I'mma go with clown.

The most obvious example of a clown villain is what most consider the joker to be, that is a silly little clown man who challenges the straight faced and grim batman and sews chaos where Batman attempts to establish law and order in Gotham and make the city into a better place.

From the book Batman and Psychology:

More than any other villains, the Joker and Two-face reflect Batman himself as funhouse distortions, converses of who and what he is. The laughing, jesting, brightly colored Joker contrasts with grim, dark Batman. The Joker is the Joker. No alter ego. The film's opening bank robbery shows him wearing a clown mask over clown makeup, Under the surface there's only more Joker. He gives no history except inconsistent lies. When he finally considers the impact of his demand Batman unmask, he retracts the threat and demands that Batman's identity remain undisclosed. He wants a batman who has no other self, a Dark Knight whose only deeper layer is further darkness.

Is there a better descriptor for Kenjaku then these words?

Kenjaku is Kenjaku. No alter ego. A clown mask over clown makeup., Under the surface there's only more Kenjaku.

In other words, what you see is what you get.

Kenjaku even mirrors Joker's opinion of Batman, he thinks people should be more like him, not the other way around. He's not the outlier, he's being true to humanity's basic impulses of curiousity and discovery.

A more apt comparison as a clown though would probably be Loki, one of the most classic examples of clowning in the shared mythology of humanity. The character who challenges the common wisdom of gods like Odin who suspended themselves from the world tree for eleven days in order to gain wisdom. Loki, who through his trickery manages to bring about the events of Ragnarok for no deeper reason than because he can. Everyone swore not to harm Balder and Loki goes to find something that can harm him because BET.

Mythological Loki doesn't need a deeper motivation because what he represents in the mythology is someone who challenges authority and brings about a change, because in Norse Mythology nothing lasts forever and no era is permanent. Jujutsu Kaisen is also a story about how things should not in fact stay the same and tradition is bad sometimes.

When Kenjaku finds Tengen's true body he's curled up in a tree root in the fetal position, and he killed what is basically the all-knowing, all-seeing supposedly immortal sorcerer that maintains the status quo of japan, it's not exactly subtle.

Kenjaku is a clown, and clown's gotta clown. We don't need any more explanation that, it's more about what he does for the story. However, what he represents, the deep intellectual curiosity, and also a drive to disrupt the status quo in an attempt to see something more interesting can also be analyzed more deeply because they are human emotions that motivate us as well. The same way that Mahito is an inhuman monster, but he's created and motivated by the fear of other humans, something all of us have. '

Before moving onto his death though, I wanna hammer in how Kenjaku really is just motivated by these two things, a desire to see something interesting, and intellectual curiosity by comparing him to other characters.

The Clown in Fiction

I've already compared Kenjaku to Loki and the Joker, but when it comes to someone who wants to disrupt the entire order of the world simply because they're bored we've got to go to the original girlboss.

So there are plenty of villains who go "I'm evil because I'm bored" but they usually tend to be pretty shallow, either shallowly written for the lulz evil characters who just exist for shock value or just kinda dull. No one has ever done it as good as Junko Enoshima and no one ever will again.

For those who need context DanganRonpa is a death game series where the main villain basically has caused the apocalypse, wiped out most of humanity, and then induces survivors in a bunker to kill each other in a death game, where if someone commits a succesful murder they can escape the bunker, but if they're caught in a trial they're executed. Also, if they're not convicted in the trial everyone else is killed, motivating the jury to find and execute the guilty murderer.

Junko Enoshima the main villain and orchestrator of this death game ended the world because despair. She wants to inflict despair on everyone because despair. Because hope sucks and despair is where it's at.

It sounds shallow and it is and Kodaka has said in interview he wrote Junko to be a villain character with zero redeeming character traits, and no sympathetic backstory to describe why she is the way she is, but there is still something motivating her.

If you go a bit deeper into the lore and read Dangan Ronpa Zero, there is an entire book which explains the lengths which Junko goes to feel normal human emotions. The thing is much like Kenjaku Junko is too smart for her own good, everything is predictable and therefore everything bores her. Once in an attempt to live normally, she literally lobotomizes herself, makes it so that she can't remember anything and has continual amnesia constantly forgetting what just happened to her, because that's the only way she can live without knowing everything that's going to happen and constantly predicting everyone's actions.

Junko has whatever her universe's version of the six-eyes is, but instead of lording it over other people like Gojo and basking in her superiority she wants to feel normal, and connected to the world. If she can't have that she tries to make the world as unpredictable place as possible so she can experience it the same way that everyone else does.

Hope is harmony. A just heart, moving toward the light. That is all. Despair is hope's polar opposite. It is messy and confusing. It swallows up love, hatred, and everything else. Because not knowing where you will end up is despair. Despair is even what you cannot predict. Only despair's unpredictability can save you from a boring future.

I'm still not describing it properly because I don't want to go into a Danganronpa essay in this post about Jujutsu Kaisen, but one example I always use is two characters from American Dragon Jake Long. They're a pair of twins who see the future, one always sees happy things, and one always sees sad things. The one who has happy visions is a goth who's very depressed and the one who sees disaster is an incredibly peppy girl.

Jake is so confused as to why the twin who always sees good visions is so depressed, and she basically tells him to imagine having every good thing, every small little surprise, every pleasure taken out of life.

Kara: When you only see good things, nothing's special anymore. All the pleasant surprises are taken out of life. Sara: But, when you only see bad stuff, even the smallest bit of good news makes you happy!

All of this to say what Junko feels isn't just boredom, or a desire to commit evil for evil's sake, but also a full on existential crisis where she's simply too smart so she doesn't feel any connection to other people or the world around her. In order to feel that connection, that connection that everyone else has, to feel like she is actually a participant in her life not an observer she's willing to go to extremes to make the world a more interesting place, to therefore make her own life feel satisfying.

Kenjaku vs. The World (Kenjaku Pilgrim's sad little life)

To connect all this back to Kenjaku imagine the profound existential despair of a person who's lived for a thousand years, and felt bored all that time. Sukuna is at least a hedonist, he gets his fun by getting into fights, humans might be bugs to him but they're tasty bugs.

Kenjaku goes to similiar motivations and has similiar extremes, he's uninvested in the world around him, he's lived a thousand years but has no attachment to the world, to life, to the people around him. I said that Junko wants to be a participant in life not an all seeing observer and that was purposeful language because to bring back an old post. I rambled on this post about Gojo that part of Gojo's problem is that he only experiences observer-to-object relationships or I to it.

Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:

The attitude of the “I” towards “it” towards an object that is separate in itself, which we either use or experience.

The attitude of “I” towards “Thou” in a relationship in which the other is not separated by discrete bounds.

In Buber's terms, those who only experience the first type of relationships are only observing the world around them not relating to them. Kenjaku doesn't relate to other human beings because they are objects, he only experiences subject -> object relationships and never subject -> subject.

Buber also goes on to theorize that meaning in our lives comes from subject -> subject relationships we form with other people.

Kenjaku jokingly says that to be his friend you have to never bore him and be his equal, but there's no one considers his equal because he's the subject and everyone else are just objects.

He regrets he can't sit down and talk theories with Tsukumo Yuki because she's one of the few people who think like him.

Kenjaku is a paradox of an incredibly brilliant man who is also shallow as a puddle that you can stand in and not get your socks wet. However, he tragically can't really form a more complex identity because our identities are formed by our relationships to other people and Kenjaku doesn't relate to anybody.

That's basically the theme of the whole Choso and Kenjaku fight, Choso is a weird aborted fetus of a curse who still has a strong identity and is able to feel unconditional love for Yuji because of the connection of family and the ideas of brotherhood that binds the two. Kenjaku is a bad father who abandoned Choso because they were "boring" but also never really gave them a chance to grow up or be interesting, he just dismissed them offhand and moved on to the next weird science project.

However, his reason for dismissing Choso isn't Choso's fault but rather a case of Psychological projection. It's not Choso who is boring, but rather Kenjaku himself, he said so earlier.

"What I can create, does not exceed the bounds of my own potential. The answer is always flickering darkly in chaos."

Kenjaku cannot look within to find anything satisfying abput his life because there's nothing inside of him. He doesn't have a fully formed identiy he's just ID, and because he tramples all over other people to form his desires he also cannot ever form a full ego. Just like Sukuna and most of the ancient sorcerers he's a paradox of being all ego, and yet having an underdeveloped ego with shallow motivators.

Kenjaku cannot look within because he's a boring person, and he cannot look for other people to find worth in his life because they're just objects, so instead he looks into the void, he tries to change the world around him by spreading more chaos hoping that it will make something unpredictable happen in front of his eyes - and that will give him the meaning and investment in his life he's deprived himself of because he refuses to form relationships with other people.

It's the Gojo problem. It's the Kashimo problem. It's not the Sukuna problem, because Sukuna admits he doesn't care about and rejects things like love and meaning.

If Kenjaku makes the world around him a more interesting place, he will be able to live in it. It's the same as Gojo trying to raise people up to his level by creating stronger students.

So after going to great length to demonstrate how powerful and all-consuming Kenjaku's boredom is, and how cut off he is from his own humanity, here's the part where I sort of defend his death.

Wouldn't it be funny if the joke character killed the main villain?

Let's be honest it was Takaba's kill here, Yuta just camped and killstole. I think part of the problem with people not understanding the meaning behind Kenjaku's sudden and unexpected death is attributing the death to Yuta cutting his head off out of nowhere, and not Takaba's thematic victory over Kenjaku.

Takaba represents a blindspot for Kenjaku which is why the main characters use him as a weapon against him, and he also calls out in a fashion Kenjaku's hypocrisy. First and foremost, Kenjaku presents himself as an agent of change, but he actually has no interest in many of the modern sorcerers and holds a bias towards the heian era as the peak of sorcery. He even says that he's going to bring back the Heian Golden Age to Sukuna at the end of Shibuya arc.

Because that's what Chaos is Kenjaku, things being the same as they were 1,000 years ago. Kenjaku is an agent of change and chaos and somehow his definition of change is... resetting things back to the past because the sorcerers of the past were so much better than today.

Kenjaku goes out of his way to awaken hundreds of modern day sorcerers, and then dismisses literally off of them except for Hiromi because they don't have enough potential for him compared to ancient sorcerers. He essentially did the same with the Death Painting Bros, he went through all of the trouble to create them, then dismissed them as not having enough potential BEFORE THEY EVEN GOT THE CHANCE TO GROW UP.

Kenjaku has a habit of just going BORED NOW and leaving before he even gives things the time to impress him. He does the same with the Culling Game, he set up the death game to push sorcerers to fight each other and bring out their powers, but he never actually intended to watch the sorcerers evolve. He just wanted to slaughter everyone inside to start the merger.

He goes through a lot of potential to set up these situations and then abandons them before they have the chance to even evolve, because they do not have enough "potential" in his opinion, but like his opinion is often shown to be wrong. Takaba represents that blindspot because he was one of the modern sorcerers that Kenjaku underestimated and dismissed offhand as boring without giving him a chance to shine.

That is the joke that Takaba introduces himself with "Wouldn't it be funny if a random comic relief side character suddenly defeated the big bad?"

He's immediately pointing out a blindspot, because Kenjaku automatically believes himself to be an important character, he underestimates Takaba because he's a side character, one of the people Kenjaku has dismissed as boring and uninteresting (before they even had a chance to evolve into something else). Like that's the other thing Kenjaku wants things to evolve but he doesn't... let them. He abandoned Choso and the rest before they even grew up, they were literally fetuses and he threw them away. Kenjaku is the protagonist of reality, and Takaba is a side character, and therefore Takaba couldn't possibly harm him because Kenjaku and his boundless curiosity are the center of the world.

It's not just about subverting the audience's expectations to have the main villain die in such an anti-climactic way before the final act even starts, but it's pointing out how narrow Kenjaku's viewpoints really were all along. He wants everything to be surprised but he never lets anything surprise him, because either he gets bored right away, or he looks down on others before giving them the chance to evolve, or the third thing he just straight up has to control everything. He can't let the culling game evolve naturally he's going to slaughter all the players by hand so he can move onto the next part.

It's the contradiction between a schemer who needs to control everything and everyone to bring about his intended result and everything needs to be a part of his big plans, to someone who wants to be surprised by others and have things go off the rails. You can't have both of these things at once, Kenjaku cannot have things surprise him if he rigs everything to go his way with his overly elaborate schemes and his tight-fisted control of everyone in the story.

Like, in comparison to Kenjaku the joker just blows things up and sprays people with laughing gas. They're both playing the same game but the joker is having fun and Kenjaku isn't.

Kenjaku wants an unexpected future, but he doesn't care about any of the modern sorcerers and has a bias towards the heiean era that he considers the height and wants to reset things to bring back the heian era. He wants to be surprised but won't give up control.

Kenjaku's boast is that unlike Tengen he's spent a thousand years living on the ground instead of lording up on them from above like some deity, but is that true? Has Kenjaku lived? Has he engaged with the world? Formed relationships with people? Or does he just sit in the corner rubbing his hands together menacingly and scheming his schemes.

Takaba unironically gives Kenjaku what he wants, something he's never seen before in a thousand years, and it's from a place Kenjaku never expected. Some random guy, who he dismissed as one of the boring modern sorcerers with no potential like Higuruma.

Takaba not only exists in Kenjaku's blindspot, he almost immediately points out Kenjaku's second hypocrisy. If he's willing to resort to mass murder just to feel entertained, then if he found something else to entertain him there'd be no reason to get violent and scheme his schemes.

In other words Kenjaku hasn't really gone looking for other places to try to find what makes life worth living, or at least enertaining, he hasn't really tried any alternatives to finding joy in life because Jujutsu is all he cares about. Takaba says that if he found something else even more entertaining than the merger there'd be no need to go through with the merger, and he turns out to be right. Kenjaku could have found meaning and entertainment with the world someplace else, he was just too narrow minded and never looked anywhere else.

As I said from the beginning Kenjaku's existential crisis comes from his inability to relate to other people and viewing them all as objects, but in Kenjaku's mind of course he can't relate to others they're too boring, so therefore it's the world's fault, and the fault of others and not himself.

However, right away one of those boring people starts relating to Kenjaku.

I joked about how we know nothing about the Gojo clan but Takaba gets an entire backstory chapter about his failed comedy career, but this chapter is plot important because jokes are the way that Takaba relates to and forms relationships with other people. Takaba makes jokes to relate to others but has a fallout with a comedy partner and has never been able to form a lasting relationship with a comedic partner because comedy doesn't mean the same to them as it does to him - because to Takaba comedy is about forming relationships with people. Which is why he thinks he's failed if he's failed to make everyone in the audience laugh because he wants to make comedy that will make other people relate to him and understand him.

However, he almost gives up on comedy because he's afraid that he might fail on that endeavor. He gives up on striving to make everybody in the audience laugh, because of self-affirmation and a desire to protect himself. He didn't want to fail so he started distancing himself from the audience under the excuse "Well, I can't make everyone laugh so it's okay if not everyone understands me."

Takaba at some point gave up on trying to use comedy as a means of understanding and relating to others, because of his fear of failure and at that point he nearly lost - but he rallies himself by saying that he won't give up on making someone like Kenjaku laugh. If his comedy is about connecting to others, about understanding others and having others understand him then he can't just give up on Kenjaku and say it's Kenjaku's fault that Kenjaku can't relate to his sense of humor. He's got to try even harder to make Kenjaku laugh.

This is also pretty much the opposite of Kenjaku's point of view. For Kenjaku it's everyone else's fault for being so boring that's why he can't relate to them. Wheras, Takaba takes personal responsibility, he wasn't funny enough, he has to try harder, he's the one who's going to make Kenjaku laugh by improving himself. Takaba looks inward, and Kenjaku looks outwards because there's nothing inside Kenjaku.

This is a parallel to this.

The difference however, is that Sukuna did not betray his ideology. Sukuna lives for the kicks that battle provides him and wants to face strong opponents so he can eventually devoured them and be momentarily entertained.

Like Sukuna is not bored the way Kenjaku is. The world is his playground. He may refer to living as just killing time until you die, but he also says that there's an infinite variety of humans to entertain yourself with. The world is Sukuna's toybox and he's satisfied with just that. In fact he doesn't even care about the merger, until his frustration with Yuji makes him think a little deeper about himself.

Kenjaku is not the Sukuna in this scene, he's the Gojo. He believed he was above others, only to be reminded suddenly that he was just the same as everyone else and brought back down to humanity. I mean, they even die off panel the same anticlimactic way. Gojo's infinity meant nothing in the face of one surprise attack a world-cleaving slash Gojo didn't see coming. All of Kenjaku's backup plans meant nothing in the face of Yuta camping and kill-stealing.

Kenjaku didn't lose because Yuta's plan of camping and killstealing was simply too brilliant for him to prepare for however, we're given the exact reason kenjaku lost - because he was having too much fun with Takaba.

Which meant what Takaba said earlier was true, if Kenjaku found something funnier, something other than the merger that could make him laugh there'd be no need to go through with the merger to begin with.

Kenjaku loses because all along he could have related to people, formed meaningful relationships with others, looked for meaning in life outside of Jujutsu but just chose not to. Which is also a parallel to this.

Sukuna says that Kashimo and Gojo both lost because they were greedy. They already received love in a way, they had the love of everyone who regarded them as the strongest, they had people who earnestly wanted to challenge them and respected them - which Sukuna sees as a form of love, and yet they still wanted more.

They were the ones who put themselves up on that pedestal and decided to stand above all of humanity, they don't get to whine about being lonely on top of that.

To add my interpretation to Sukuna's speech, what he's outlining is a general conflict in Jujutsu Kaisen, you can choose to be all ego to put personal development above everything else but it comes at the cost of not being able to form relationships. Maki's as powerful as Toji now, but the sister she always wanted to protect is dead and basically committed suicide. Meanwhile Noritoshi Kamo didn't participate in the final battle, but he reconnected with his mother and half-brother.

There are plenty of characters who die and suffer in jujutsu kaisen because they chose to value other people above themselves, because Jujutsu Kaisen rewards selfishness and punishes selflessness / having an underdeveloped sense of self.

I'll pick Mechamaru as my biggest example, he lived to protect Miwa, and not only does he die an unsatisfying death, he also breaks her heart.

However, at least Mechamaru experienced love. His desire to protect Miwa is granted, because Miwa is also out of the final conflict. Mechamaru is one of the most miserable characters in the manga, and yet he experienced love in his life for someone else that made his brief life meaningful. The characters who choose love, and other people over strength tend to get stepped on, but they at least had that love in their life to begin with.

It's a having your cake and eating it too situation. Kashimo chose strength over love, and he got to be so strong he was unbeatable and lived to old age, but not only is he unfulfilled but he whines about being unable to relate to the people around him - you're the one who chose to step on everyone like bugs.

Characters in Jujutsu Kaisen don't just experience death when they try to be selfless however, like yeah there's a disproportionate amont of selfless minor characters who die, but like Yuji is the most selfless character in the manga and he's continually punished for it and yet he's the one referred to as a person with an unbreakable will.

Rather instead of Jujutsu Kiasen preferring the selfish side on the scale of selfishness / selflessness, the kind of messy, deaths that get handed out to people like Mechamaru happen when you betray the ideals you were living for. Whether they were selfish or selfless.

It goes back to Toji's internal monologue. You lose when you lose sight of yourself - like there's some deaths that don't fit the mould but for the most part, Gojo, Kashimo, Toji's and then Kenjaku's deaths all follow this pattern. By coincidence they also all take place offscreen for the most part (I suppose we see Yuta cut off Kenjaku's head but it's quick and unsatisfying compared to all the rest).

Kenjaku died because he betrayed what he was living for and he temporarily lost sight of himself. As I said Kenjaku's airtight principles were that everyone was boring and people weren't worth relating too so the only way to find enertainment in life is to cause chaos - but he found himself relating to some nobody he wrote off as a minor character Takaba and having fun with him. Which meant the belief he was false, he could have tried relating to other people all along he just didn't.

He warped his sense of self to reaffirm his identity. Takaba almost did that too, he tried to blame other people for not finding him funny to protect himself, but he moved past that and redoubled his efforts to make Kenjaku laugh.

There's also the added layer of irony that Kenjaku's sudden death brings about, the person who spent a thousand years trying to make the merger happen doesn't get to see it.

However, here's my assertion on why Kenjaku's death before the merger always had to happen.

Because, even if Kenjaku had seen the merger he still would have been bored.

Literally everything about Kenjaku's character and previous actions shows that even if he made his big scheme come true, he would have gone "meh" and moved onto the next scheme because that's how he always reacts.

He got bored of the death painting siblings, he presumably got bored of Yuji, he got bored of all the ancient sorcerers and new sorcerers he made for the culling game, he worked with the disaster curses and got bored of them and dismissed them as inferior primitive curses, he goes out of the way to engineer these chaotic situations and then never feels any satisfaction from them so why would the Merger be any different?

Not only did Kenjaku die before he saw the merger, he was basically doomed to never see the merger, because it would not have fixed whatever is wrong inside of him.

Because it's not the world that's boring, it's Kenjaku himself.

He gets a brief glimpse of what he could have done in life, that he could have tried to forge connections with the people around him and related to them on a personal level - and then he dies the way he lived, in a kind of boring and unsatisfying way.

It's the narrative punishing him in a way, the same way it punished Gojo, and Kashimo, by not letting him see the big explosion after he went to all the trouble rigging the bombs. It's punishing him for the same reason too - by deviating from his true self and showing what he thought were his reasons were shallow all along. Gojo could have always related to people he just chose to stand on his pedestal alone, and Kenjaku could have always found the world to be more enertaining he was the one dismissing other people as boring without giving them a chance to grow.

Takaba confronted his beliefs and then stayed true to his ideology of making everyone, 100% of the people in the crowd laugh. Kenjaku didn't confront his beliefs, he strayed from them because he didn't have the strength of character to evaluate himself the way Takaba did.

Hence, he's finished off by one of those boring people who used their power in a way he never expected. The main villain is defeated by the comic relief character and it's hilarious.

#jjk meta #kenjaku #fumihiko takaba #ryomen sukuna #jujutsu kaisen #jujutsu kaisen theory #jujutsu kaisen analysis #jjk spoiler #jujutsu kaisne spoiler #big spoiler actually

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luxaofhesperides · 1 year

Text

those who serve.

Running away from Amity Park—from his entire dimension—Danny takes refuge in the streets of Gotham. It's hard, suddenly being a homeless teenager in such a crime-ridden city, but it's better than dying a second time.

Enter Alfred Pennyworth, a kind old man who works as a butler who, for some reason, has decided to befriend Danny.

His future is still up in the air, but he's hopeful that things will work out. After all, Alfred isn't getting any younger and someone needs to help him with his butler duties. Danny's just the right person for the job.

Or: Alfred Pennyworth sees a homeless teen who looks like he'd fit right into the Wayne family and decides to take matters into his own hands. It's not like he's just going to leave this very sad, possibly meta teenager alone when there's more than enough space in the Manor to house one more child in need.

read chapter one on ao3 or below the cut.

Technically, Danny doesn’t exist.

He has no papers, no records, no family in this dimension. It’s a blank slate, a fresh start where he can be anything he wants. That doesn’t change what he is, however, and Danny is just another lonely child living on the streets.

In Gotham, he’s not a hero or a threat; he’s just another nameless face passing by, another teenager with no support system and no future. Just a figure clinging to the alley walls, head bowed and hands tucked into the pocket of his hoodie. It’s not great, far from it, but it’s better than the alternative where he—

—parading around in the corpse of our son! How dare you! Wearing his face won’t save you from what we’ll do to you! Leave Danny’s body so we can bury him, leave him! I’ll tear you ap—

This is better, is the point. Out of the frying pan and into the crime ridden streets of Gotham. Not quite a fire but close enough.

No one is hunting him down in this dimension, at least. He’s ignored and left to his own devices, wandering the streets only when the sun’s gone down and slipping into grocery stores after hours, invisible, to get a few things to eat. It sucks that he’s resorted to stealing to survive, but at least he’s surviving.

Survival is the entire reason he ran from his own dimension, after all.

He’s been here for two and a half weeks now, getting acquainted with the streets. Every day is spent hiding and trying to endure the crushing loneliness and grief of losing his entire life. He’s still half alive, yes, but the life he lived has gone up in flames, torn to pieces under his parents’ attacks. He can’t even blame them for it; under the circumstances, with the limited understanding they had, it’s only natural that they would try to kill him after discovering that Danny Fenton, their son, died two years ago.

Understanding doesn’t stop the sting of betrayal, doesn’t soothe the ache of being chased away from his family, but it’s something.

It’s all he has, these days.

There’s no one to hide from, no one who knows him at all, so Danny wanders, more ghost-like than he’s ever been before. People give him a wide berth at night, never making eye contact and walking by faster.

Save for one, of course. One person, at dawn, who always seems to find him no matter where Danny’s wandered that night.

He introduced himself as Alfred Pennyworth. The British accent caught Danny off guard enough that he stopped and turned to face the man, who stood a few feet away, umbrella held over his head.

“Are you quite all right, my boy?” he had asked. “I have a spare umbrella if you would like to keep from getting any more soaked.”

It took a few tries for Danny to find his voice after a week of not speaking a word. “No,” he rasped, barely audible over the rain, “I’m fine.”

He walked away without another word, thinking that was the end of it.

It wasn’t.

Alfred returned dawn after dawn, never staying longer than ten minutes, trying to make small talk with Danny.

Danny, for his part, had no idea why this random British man had decided to make friends with a homeless teenager, but figured that he was just a lonely old man with no family left. That, Danny could understand. So he’d stay for a bit, listening to him talk and occasionally replying, then say his goodbyes when more people began to emerge onto the street.

Two and a half weeks in, Alfred finally asks Danny for his name.

“Why?” Danny asks, shifting where he stands. He doesn’t exist here, but it doesn’t stop his instinctual need to run from anyone who goes looking into him. The GIW don’t exist here, no one is hunting him down. There’s no information about him in this dimension that can be used against him. It’s hard to remember that, not after he’s spent the last few years trying to keep ghost hunters from finding him.

“I feel it’s rather rude of me to speak to someone I have never properly greeted,” Alfred says. He always speaks so calmly, as if there’s nothing in the world that can shake his composure.

I don’t exist here, Danny reminds himself, I’m safe.

“Danny.”

“Danny,” Alfred repeats. “A fine name.”

“Thanks? It was my first birthday present.”

The stupid comment makes Alfred smile, just a little, so Danny calls it a win instead of beating himself up over having zero control over what his mouth says.

There’s more movement along the streets now, Gotham beginning to wake up with storeowners getting ready for the day and morning shift employees heading out to let the night shift go. It’s just about time for them to part ways until the next morning, and Danny’s resigning himself to another day of loneliness.

His short conversations with Alfred are really all he looks forward to. It’s nice to hear about the man’s time in England, his work as a butler, his opinions on American cuisine and the like. He never presses for a response and he doesn’t try to dig for more information about Danny. Just talks to him, then says his goodbyes.

“I’ll let you go back to your day,” Danny says, pushing off of the wall he’s been leaning against. “See you around.”

Alfred nods once. “Very well. I do hope you get some rest today, Danny. You always look very tired when we talk. I hope I haven’t been keeping you from sleeping.”

“Oh, not at all. I just have insomnia. Better to have some company than just lay around wondering why I can’t sleep, you know?”

“Indeed. I shall be off then.”

“Yeah, alright,” Danny says. “I’ll see you tomorrow once you somehow track me down again. Are you sure you don’t have magic?”

Alfred shakes his head with a small smile. “I am quite positive I do not have magic. Perhaps we simply have similar ideas about where the best places to walk are.”

“Sure,” Danny says, drawing out the word. “Whatever you say.”

Truth be told, the first few days, he was scared that Alfred was somehow tracking him down. For what, Danny didn’t know. Maybe he wanted to harvest Danny’s organs? Sell him to an evil scientist to be experimented on? Induct him into a mob?

Alfred didn’t do any of that. He just showed up, talked for a few minutes, then went on his way. He never followed Danny, never asked strange questions, never did anything besides chat about his life and his work as a butler.

It honestly was fun to listen to. It’s clear how much Alfred cares for his employers. Before meeting him, Danny had never really thought of butlers beyond being an outdated job for people too rich to do their own chores. Now it’s interesting, learning all the things a butler has to do and why Alfred chooses to do them.

He still doesn’t have a favorable opinion on billionaires. Too many bad experiences for him to view them is any unbiased light (thanks for that, Vlad, but eat the rich either way); still, it’s nice to know that this family looks out for Alfred. They give him a place to live, a family to live with, a reason to stay.

It would be nice if Danny could have those too, in any way that he could. He’s at the end of his rope, struggling to stay and not surrender himself into the Zone and be done with the living realm entirely.

Even his Obsession isn’t enough to sustain him. There’s no one to protect here; honest to god vigilantes patrol the streets of Gotham to keep it safe. Danny isn’t needed here.

There’s no place for him at all.

Already, his mood is plummeting and all he’s done is take a few steps away from Alfred. It doesn’t bode well for his future, whether that’s what’s to come in the next few hours or the next year.

Sighing, Danny ducks his head back down and begins his search for someplace to bunker down for the day. There are quite a few empty buildings around, newly constructed but not yet in use. He doubts there’s any security installed yet, so he should be safe to settle in and catch some sleep before the sun goes down.

Just as he turns the corner, he hears someone running. They’re behind him and he tenses, ready to disappear so they can’t get him.

It’s not Danny they go to. It’s Alfred.

“Hand over your wallet if you want to get out of here alive, old man!”

Shit, Danny thinks, spinning on his heel to get back to Alfred. He rounds the corner to see a mugger jabbing a gun at Alfred’s temple. He looks angry, nearly shaking, and there’s a strange shine in his eyes.

Drugs? No, not important. What’s important is that Alfred is standing still, as calm as ever, with his hands lifted in the air.

“Hey!” Danny yells, sprinting towards them, “Back the fuck up before I rip your tongue out!”

Fear and anger push him on, his Obsession whispering protect protect protect in his ear and he closes the distance between them.

The mugger barely has time to move the gun away from Alfred’s head, and no time at all to point it at Danny, before Danny tackles him, slamming him onto the ground. He rips the gun out of the mugger’s hand and tosses it carelessly to the side.

“Don’t touch him,” he hisses. Faintly, he’s aware that his features are shifting, becoming a little less human. The snarl building in his chest has his teeth sharpening, bared in warning.

The mugger trembles beneath him, thrashing weakly. “Alright, alright! Just lemme go! Let go!”

He doesn’t want to. Danny wants to hurt him for daring to go after Alfred, the one good light in the dark, the only person Danny cares about in this dimension. He wants to make this man regret his choices, make him terrified for the rest of his life, break every bone in his hand so he can’t ever pick up a gun again.

A hand drops onto his shoulder.

“That’s enough, Danny,” Alfred says. His voice is stern and Danny can’t help but listen, effortlessly pulled out of his adrenaline fueled rage. His humanity returns to him. “There we are. Come now, my boy, stand up.”

He stands. The mugger scrambles to his feet and runs away.

With the danger gone, Danny can think clearly again. He takes a few deep breaths and locks his ghost-half away as tightly as possible, keeping the cold in his chest buried deep. It was good for scaring away a mugger, but he doesn’t want Alfred to think he’s a monster.

He can handle a lot, but not that.

“Are you okay?” he asks, looking over Alfred for any injuries. There’s no telling that was done to him before Danny got the mugger away from him. It may have only been a moment, but Danny knows very well how quickly a moment can change a life (or take it away).

“Quite. In fact, I am sure you are in worse shape than I am, at the moment.” Alfred gestures downwards and Danny follows his gaze to his knees, where his already worn jeans have new holes in them. His knees are skinned from how hard he slammed into the ground, a dull ache he hadn’t noticed until it was pointed out to him.

“It’s fine,” he says, “I can barely feel it.”

Alfred gives him a hard look, as though he thinks Danny is lying; he’s not, the pain is barely there. He’s had a lot worse in the past. He can handle skinned knees easily.

“Well,” Alfred says, “Thank you for coming back to help me. If there’s anything I can do to pay you back—”

“No. I don’t… I didn’t do it for payment. I don’t need anything.”

“I would like to—”

“No,” Danny interrupts again. “No payment. I just did what was right. Don’t make this a big deal, please.”

Alfred sighs. “Very well,” he concedes, looking more tired and worn than Danny’s ever seen him. “I shall not keep you any longer. Until tomorrow, Danny.”

He looks as though he expects Danny to take the out, to leave immediately. Danny shifts, not meeting his eyes as he doesn’t move.

“I’ll walk with you,” he mumbles. “So no one tries to hurt you again.”

Danny’s worried that Alfred will insist on going alone, that he’ll have to go invisible and follow along when he isn’t wanted, but Alfred is kinder than that. Alfred doesn’t refuse or insist he go on his own. No, he smiles and thanks Danny for his consideration before taking off, making sure that Danny walks besides him rather than behind him.

They don’t talk much. Alfred seems to know that Danny isn’t much for words at the moment, sticking to his side and constantly surveying their surroundings for any danger. He walks confidently through the streets as though he wasn’t just held at gunpoint, carrying on with his morning with the same stubborn spirit that keeps most Gothamites from giving up on their city.

Alfred visits a small bakery first. They’re not yet open, but the owner props open the door when they arrive, waving them in.

“Alfred!” she greets cheerfully, “And I see you have someone new with you.”

She looks expectantly at Danny, who shifts uncomfortably under the attention. He can’t get his voice to work, can’t figure out how to get the right words out.

“Ah, yes,” Alfred says, smoothly drawing her attention off of Danny. “This is Danny. We often talk in the morning and he has decided to accompany me today.”

“I see. Well, it’s nice to meet you! I’m Yurica. Alfred and I enjoy some tea together in the mornings before starting with our days. Why don’t you join us?”

“I don’t… mean to intrude,” Danny manages to say before Yurica waves off his hesitant refusal.

“Nonsense! Any friend of Alfred is a friend of mine. Come, come, let’s get the two of you seated. You’ll get the first picks of the day, once I get the last batches out of the ovens.”

She leads them into the bakery, past the kitchen and upstairs into a small sitting room. Danny follows them, unable to leave without seeming rude. He joins Alfred on the couch, awkwardly perched on the edge as Yurica bustles around, disappearing down the hall.

Distantly, he hears the sound of running water and a stove top being turned on. The clinking of cups follows, along with the opening and closing of cupboards. It almost sounds like home, when Jazz was setting herself up for a long study session to make sure she’s prepared for college.

Without noticing, Danny relaxes back into the couch. He keeps his eyes closed, just listening to the movement around the building; it’s soothing white noise that chases away the constant ache of loneliness he’s been carrying these past few weeks.

“Quite the relaxing home, isn’t it?” Alfred asks.

“You come here every day?”

“Not every day, but a few times a week. We’re old friends and are often up before anyone else. It’s nice to catch up for just a few minutes, especially at our age.”

He wonders if this is what it feels like, spending time with grandparents. He never met his own, could never relate to the kids who were always excited to spend time with their grandparents over the holidays, eager to be part of a bigger family. It was fine, before, when it was just him, Jazz, and their parents.

It was fine.

It didn’t last.

Yurica returns a few minutes later, carrying a tray full of cups and a teapot made to look like a fat cat. The sight of it makes him smile, almost distracting him from noticing the way Yurica and Alfred share a Look.

“Here we are,” she says, setting the tray down on the table. She lays out the cups before Danny can offer to help, pouring out fragrant tea with a steady hand. “Cream? Sugar?”

Alfred adds cream to his own cup while Danny shakes his head, quietly thanking her for the tea.

He cradles his cup in his hands, savoring the gentle warmth while Alfred and Yurica chat. He tunes them out, letting their voices fade into background noise.

This is the most relaxed he’s felt in months. It’s sad to think about, so he tries not to, but it lingers in the back of his mind.

Time passes without him noticing. Danny sips his tea until his cup is empty, then sets it down on the tray. That seems to be a cue that Alfred was waiting for, long done with his own cup, and he stands, thanking Yurica for her hospitality.

She waves it off with a smile before Danny can echo the sentiments, then ushers them downstairs, where trays of freshly baked pastries fill cover the counters of the bakery’s kitchen.

“Here, take your pick!”

Danny’s about to refuse when she shoves a paper bag into his hands. “Go on,” she says, “Take what you like. I always offer to friends and I find refusal to be rude.”

Now that she’s said that, Danny can’t keep refusing or he’ll feel awful. Alfred is already picking out a few pastries himself, so Danny trails after him, taking three pastries that look good. It’ll be enough to tide him over for the next two days, so he won’t have to steal any food.

“Thank you again, Yurica,” Alfred says, “It’s always a pleasure to chat with you.”

“Oh, you’re always such a sweet talker,” Yurica laughs. “I’ll see you again soon, Alfred. And you, Danny, are welcome here whenever. Even without Alfred. My doors are open to you.”

Yurica is kind. She sees him in all his scraggly, worn down glory, clearly homeless and with nothing to offer her, and she doesn’t turn him away. Instead she welcomes him in solely because he’s here with Alfred.

It’s enough to have him blinking back tears, ducking his head so they don’t see how much this affects him.

“Thank you,” he manages, then hurries to follow Alfred out the bakery.

Yurica waves at them from the door as they make their way down the street, then goes back in to continue preparing for the day.

Alfred walks around some more; he informs Danny that he has no errands to run at the moment and no one else to visit. Danny follows, keeping an eye out for anyone who might think Alfred is an easy target. He barely pays attention to where they go until they enter an underground parking garage.

The weak lights and stillness of the garage, along with the fact that it’s almost entirely empty, makes a fissure of unease race down his spine. This would be the perfect place for Danny to be knocked out and taken away; no witnesses, no help.

But Alfred wouldn’t do that. Danny wants to believe that Alfred wouldn’t do that.

He stops when Alfred pulls out a set of keys from his pocket. A black car in the back corner of the parking garage unlocks with a quick flash of the headlights. That is… an expensive looking car. It’s not an obvious luxury brand or anything, but it’s high quality and clearly made for people with money.

Guess being a butler pays well, Danny thinks.

Alfred opens the door, but doesn’t get into the car. Instead, he looks to Danny.

“Will you be alright, Danny? If you’d like, I have a first aid kit in the car that we can use to tend to your knees.”

“No, it’s fine. Thanks, though,” Danny says, trying to keep from tensing up too obviously.

“And you have a place to stay?”

“Sure do,” he lies.

“If you ever need help, you are welcome at Wayne Manor.”

Danny nods, intending to never go to the manor. He’s not going to risk another rich person trying to either 1) kill him or 2) make him their son. No way. Not in this dimension.

Alfred looks him over, then nods. He gets into the car, offering Danny a quick goodbye. Danny lifts a hand in return, then leaves the parking garage, holding his bag of pastries close to his chest. More people are starting to fill the streets, starting the day, and Danny still hasn’t found a place to hide until night.

He’s kept Alfred safe during his dawn walk. He’s safely delivered Alfred to his car so he can drive to wherever he needs to go.

There’s no point in him sticking around any longer.

Hood up, Danny hurries down the streets, ducking into alleys to avoid being seen by people. It takes half an hour to reach the empty buildings he was considering before, and then just a minute to go invisible and fly up to the roof. The door going inside is locked, but a little intangibility goes a long way.

Danny makes himself comfortable in one of the many empty rooms, back to the wall, and pulls out one of the pastries. It’s not as warm as before, but it’s still soft and flakey. The glaze on it sweetens the bread and it’s the best thing Danny’s had since he first arrived in this dimension.

This can’t go on, he realizes.

All this squatting and stealing. It’s just not sustainable. He’s been acting as if he’s died again, left to haunt the streets of a city he doesn’t belong in. He’s spent all his time either sleeping or wandering, wallowing in his own misery.

No more. This is a second chance.

There’s no ghost hunters. No GIW. No need to be a hero when so many already exist, willingly taking on that burden. Here, Danny doesn’t exist, which means he can be anyone he wants to be.

And in order to live this new life, he’ll need a job. He’ll worry about school once he’s able to save up some money and find a place to live.

Step one to getting his shit together: find a job that will take on a homeless teenager who doesn’t legally exist.

He’s already got one in mind; Alfred does keep offering to help in any way he can, and he’s made working as a butler sound fulfilling.

Serving isn’t quite protecting, but it’ll be close enough that he can satisfy his Obsession.

The pieces are falling into place. The more he thinks about it, the more he likes this plan.

He’ll ask Alfred about it when they next meet. Everything else can wait until then.

(“Are you sure you’re okay, Alfred?”

“Quite,” Alfred says, smoothly stepping away from Bruce’s fussing. “Danny scared the mugger away before he could do anything.”

“I’m glad he was there. Are you sure I can’t go meet him? Thank him in person?”

“You’ll only scare him away, I’m afraid.”

Bruce sighs, reaching for his cup of coffee. “What about as Batman?”

“That will only be worse, I’m sure. Not everything can be solved by putting on a mask, Master Bruce.”

Tim enters the kitchen, drops a tablet on the table in front of Bruce, then collapses into his seat with a groan. “I can’t find anything on him. Are we sure he’s real?”

“I assure you he is very real, Master Tim.”

Tim lifts his head to give Alfred a bleary, assessing stare. “I know we always rag on B about his adoption problem, but he got it from you. You’re not going to stop until you get this Danny guy into the Manor, right?”

“It’s either that or setting up a home for him in Gotham.”

“Bring him here,” Tim says with a yawn, putting his head back on the table, “Now I’m curious about him, too.”

“I shall do my best, Master Tim. I shall do my best.”)

#dp x dc #dc x dp #dp x dc fanfic #danny fenton #alfred pennyworth #my writing #fic #chapter one of three!! dont ask abt an update schedule. i dont have one and never will #i just want alfred to adopt danny. he found danny first in this one!!#i mean. bruce had to get it from somewhere #and that somewhere is alfred taking care of a child who suddenly became an orphan and had no one else #its a family trait really #butler danny au #alfred's apprentice au

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