#I like writing long—very long—posts

[andersunmenschlich]

An Utterly Unsurprising Confession

I am a pedant.

This is partly because I'm autistic, and partly because I was raised and educated by an English teacher. To make matters worse, I was reading the Bible and Shakespeare and so on before I hit double digits. All of this gave me some rather outdated ideas about how English ought to be used.

My entry into the wider world of the internet gave me a terrible grammatical shock. Not only did I have trouble understanding other people, they had trouble understanding me!

I spend a fair amount of time searching Google to learn how to use English the way modern people do.

One night, in the course of this googling, I ran across a Tumblr post.

Now, I don't know who @how-to-write-horror is. They haven't provided any pronouns in their blog header (neither have I; this isn't an uncommon practice), so I'll be referring to them neutrally until I learn their actual pronouns… which I am assuming are most definitely not they/them. "He or she" is so clunky, however, that I refuse to use it.

I could refer to them as it, but that seems rather dehumanizing, don't you think? When I'm fairly certain, based on their opinions about pronouns, that they're either a he or a she?

And yes, I did visit their linked website—it doesn't give their pronouns either.

So "they" it is. Onward!

First they proclaim that "they" is NOT a singular pronoun, and appeal (as proof) to the fact that "they is not singular" sounds absolutely horrific grammatically. They're right, it does.

"You is not singular" sounds equally bad.

This part of their article could easily be rewritten to condemn the singular you, and because that amuses me, I'm going to do it.

The Pronoun "You" is Always Plural.

If "you" were truly singular, it would be interchangeable with the singular pronouns "he/she/it." I can easily prove that to be false. For example:

Peggy is wearing a sweater because she is cold. Let's substitute "she" with "you" to prove that "you" works in this sentence.

Peggy is wearing a sweater because you is cold. "You" and "is" don't work well together. The verb "are" is traditionally used with "you," so let's try something else.

Peggy is wearing a sweater because you are cold. Nope, it still doesn't work. The verbs "is" and "are" don't work together in this sentence. The verb "is" is singular and "are" is plural, so if they're both referring to the same noun, they have to agree with each other.

Peggy are wearing a sweater because you are cold. How many Peggys are there, and how many can wear the same sweater at the same time? Items of clothing are usually designed for single-person use.

Peggy is one person, not a crowd of people. In order for "you" to correctly—in a grammatical sense—refer to a single person named Peggy, the entire English language would have to be restructured.

Strangely, different pronouns work different ways. "You are wearing a sweater because you are cold" works just fine despite the grammatically plural yous and ares and the singular sweater. So does "they are wearing a sweater because they are cold." Baffling!

In their next section, How To Write Horror insists that "they" has not been used as a singular pronoun since the Middle Ages.

To summarize their preliminary arguments:

・In the Middle Ages, people spoke Middle English, not English as we know it today. Even Shakespeare didn't speak modern English, he spoke Early Modern English. The grammar rules of English have changed hugely since the Middle Ages, and so it's patently ridiculous to appeal to tradition in this area: we can't go backwards grammatically (why, I'm not sure).

・Middle English's grammatical rules were inconsistent and depended on location, so you can't appeal to them (a baffling non sequitur: if a rule was the rule at one time, in one place, of course you can point at it and say "see, this was the rule there and then"—and if you like, of course you can go on to say "let's resurrect this one and use it again here and now").

・Most of those old time English speakers were illiterate, which reduced them to using more casual, less grammatically correct English. We modern folk can do better. (Holy superiority complex, Batman. The shortest rebuttal possible: not everyone thinks grammatical excellence is the point of language. Helpful to the point, yes—but not the point itself.)

This, I realized when I finished reading, was a set-up for the astounding move they made at the end of the article.

Next they accidentally explain that while "every person in the room has his own car" is grammatically correct, that does not make "his" a singular pronoun. Since "his" is referring to both singular individuals as well as a group of people, it's plural.

…Or could it be that a sentence which refers to both a plurality (every) and a singularity (person) is correct with either singular or plural pronouns? Hmm.

How To Write Horror's next point involves actual historical examples.

"And whoso fyndeth hym out of swich blame, they wol come up and offre in Goddes name, And I assoille him." —Geoffrey Chaucer, Canterbury Tales, The Pardoners Tale

Translated to modern English, that's: "And whoever finds themselves guilty of such things, they will come up and offer in God's name, and I will absolve them."

Of course, we could also translate it, "And whoever finds himself guilty of such things, he will come up and offer in God's name, and I will absolve him." That's not really Modern English, though—it uses the neutral "he," which pretty much nobody is used to seeing anymore. Even men today might find themselves wondering, "What about the women?"

(Thus far it's pretty much only enbies who notice their own exclusion, but I gather that's changing.)

What is How To Write Horror's point here? Well, they argue that the original "they" was probably a mistake… and even if it wasn't, since "whoso" is both singular and plural, and the singular "him" is actually a hypothetical singular and therefore plural, the "they" in this sentence refers to a plurality rather than a singularity and is itself plural, Q.E.D.

This doesn't actually change the modern usage of the singular they.

None of their arguments do, if you were waiting for that. .

"Somebody left their umbrella in the office. Would they please collect it?"

"The patient should be told at the outset how much they will be required to pay."

"But a journalist should not be forced to reveal their sources."

"This is my friend, Jay. I met them at work."

All of these examples from Wikipedia can be rewritten to avoid the singular they. But why should they be? They're not confusing, and not inaccurate by the grammatical rules of modern English in 2024.

(I personally might rewrite 3. I think "but no journalist should be forced to reveal their sources" more accurately expresses the feeling of the sentence—and it's still a perfectly good example of the singular they. You can swap their for his, her, or its without grammatical issue. This is a slightly different subject to the one at hand, though.)

"This is my friend, Jay. I met Jay at work."

Why on earth would you go out of your way to refer to a person like that when there's a perfectly serviceable gender-neutral pronoun available for them and, presumably, they've told you that they like it when you use it for them?

Are you an asshole? That's the only reason to refuse to call a person what they want to be called that I can think of.

Catch me refusing to call Ted "Ted" because his legal name is Theodore and what he likes to be called is technically incorrect. Pedantry forbid I should taint my speech just to make another person feel respected.

My speech isn't even tainted! I'm playing by discarded rules! .

How To Write Horror lives up to their name in the next section by revealing that they see nonbinary people as egotists (or possibly egoists) who insist on the pronouns that feel right for them because they think they're specialer than everyone else on the planet.

Special People Use Special Words to Illustrate Their Special-ness.

See? I wasn't exaggerating. They list people (and characters) who use/d plural pronouns: Yahweh Elohim, Queen Victoria, anyone of high social status back in the days of Shakespeare.

They mention that "you" used to be solely plural, somehow miss the fact that grammatically it still is, and carry on to argue that people who use they/them pronouns should also employ the Royal We in order to remain grammatically consistent. Given that some people undoubtedly call How To Write Horror "you," perhaps How To should also use the royal we. If you, an individual, are referred to with a plural pronoun, then, grammatically….

Or perhaps they'll start insisting nobody point at them and say "you" anymore. For the sake of the English language.

Next they take a 1759 quote from the Earl of Chesterfield:

"You will say perhaps, one cannot change one's nature; and that if a person is born of a very sensible, gloomy temper, and apt to see things in the worst light, they cannot help it, nor new-make themselves."

They argue that the "a person" in this sentence is a hypothetical person, and therefore actually more than one person.

Let me rewrite the quote and their argument about it.

"He will say perhaps, one cannot change one's nature; and that if a person is born of a very sensible, gloomy temper, and apt to see things in the worst light, you cannot help it, nor new-make yourself."

"You" and "yourself" are used hypothetically in this sentence, making them plural.

The Earl of Chesterfield moved from using directly singular words, "he will" and "one cannot change," to the hypothetical phrase "if a person." "A person" is singular, but it's a hypothetical singular because the determining article "a" is non-specific; "a person" means one person among many and is, therefore, plural.

Using the conditional word "if" supports hypothetical use. Chesterfield is including other people with the same temperament as his son under those who are unable to "new-make yourself." If "you" were a truly singular personal pronoun in this example, Chesterfield could've said something like this about his son:

My son, Philip, you is such a gloomy gus.

The fact that certain pronouns are grammatically plural and so cannot be used with singular grammar even when being used singularly seems to have escaped How To Write Horror.

In fact they declared that "you" was a directly singular word, despite its inescapably plural grammar!

They also decided to use a sentence that sounds weird with a pronoun in it at all. "My son, Philip, he is such a gloomy gus"? Who says that? "My son, Philip, is such a gloomy gus." There you go. Much better. If you really want the pronoun in there, all right—let's shove it in. But keep it grammatical!

Talking about Philip: ・"Oh, Philip, my kid. Yeah, they're such a gloomy gus."

Talking to Philip: ・ "Oh, Philip, my child. You are such a gloomy gus."

Less unnatural and strained uses of the singular they and the singular you, How To Write Horror can look for throughout this post (assuming they take the time to read it). I'm sure they'll find a few!

Next, How To Write Horror hedges their bets with a claim that this letter was written informally, much as emails are written today, and so can't possibly be used to show how people were using the word "they" in the past anyway, even if Chesterfield was using it singularly. Bit of a contradiction, that. Of course it shows how people were using the word "they" in the past. It's a record of past use of the word "they."

I think their assumption is that only the strict grammatical rules of the time apply, where "strict grammatical rules" means "the grammatical rules I personally think count as valid."

Otherwise why would HTWH go out of their way to disparage the grammatical rules of Middle English? .

They bring up Thackeray's "A person can't help their birth" to claim once again that "a person" is plural (and so, logically, if you write "a person can't help his birth" that makes "his" a plural pronoun too), and move on to try and explain away Shakespeare:

"There's not a man I meet but doth salute me As if I were their well-acquainted friend." —William Shakespeare, The Comedy of Errors (1594)

A modern English speaker would translate this as, "Everyone I meet greets me like I'm their best friend."

A couple decades ago I might have translated it "there's not a man (meaning a human) I meet who doesn't salute me as if I were his (gender-neutral) well-acquainted friend." What do you suppose How To Write Horror thinks this does to the pronoun "his"?

To substitute:

"There's not a man…" is a hypothetical reference, which is further supported by the hypothetical phrase "if I were." Shakespeare is not saying one man saluted; he's saying that many men saluted individually. One man among many men in plural, making "his" plural.

If Shakespeare were calling out one man then why didn't he say "that man saluted me"? Why would he be vague when talking about a specific person?

Well, they must be right. That's all so very convincing. This must prove that "he" and "him" and "his" are all plural.

Certainly it can't be the case that singular pronouns work just as well, grammatically, in a sentence like this. No. That would be ridiculous, and make this attempt at proving "their" can't be singular a complete waste of time. Surely How To Write Horror wouldn't do that. So "he" must be a plural pronoun!

How odd that it's written with singular grammar.

But there—"you" is written with plural grammar, and yet How To Write Horror insists that this doesn't make it plural. I guess that just happens sometimes.

Pardon the heavy sarcasm: I hope no one's being crushed under it!

They repeat the same argument in a different form (the "he" in each one in his craft is wise is plural, apparently), stumble upon an actual plural they (a group of sacrificial animals in the KJV)… and then, finally, they wrap the whole thing up with the most thorough rejection of possible future evidence that I've seen outside Christian apologia:

If anyone finds a historical example of the singular they which How To Write Horror can't explain away, it's because that historical writer was breaking the rules of English.

Fin.

[that-house]

Potion Vendor FAQs:

What’s your name? I am the Honorable Alchemist Zykocea the Radiant, but that’s mostly just a PR thing. My friends call me Zoe.

Do you sell love potions? No.

Do you sell potions of invisibility? No.

Do you sell fire resistance potions? No.

Why do I have a suitcase? Fuck if I know. Cool outfit though. Very goth.

Do you sell a potion to treat brain hemorrhaging? No.

So what CAN your potions do? I sell health potions.

Are you sure these are health potions? They do something to your health.

Is this just ditch water with some pink glitter? No.

Really? I’ll have you know I added some fruit juice too.

Why is this starting to sound like a conversation? Oh just you wait. We’re just getting started.

Is your business model legal? Fuck no. I poisoned the food safety inspector before they could snitch.

Did you just admit to murder? Just fucking try to convict me. I’ll poison the judge too.

So can you make poison potions? No.

Then where do you get the poison? I secrete it from my skin.

Are you shitting me? Yep, I’m shitting you. I have a guy. A poison guy. He DOES secrete it from his skin though.

How does that work? …Fuck if I know. Maybe a wizard did it. Damn, now I’m kinda curious.

You never asked? The idea of asking literally never crossed my mind.

Wanna ask him? Let’s do it. I don’t have anything better to do, and a road trip beats sitting around running my fraudulent potion business.

Road trip? He lives in Seattle.

Your poison guy lives in Seattle? All poison guys live in Seattle.

For real? All the poison guys I know live in Seattle.

And how many poison guys do you know? Just the one.

Why are you like this? Years of living on my potions. It changed me.

Do you know what his address is? Nope. He just mails me my poison in unmarked boxes.

You just get your poison in the mail? We already poisoned everyone who could do anything about it.

So how are we going to find him? We’ll figure that out eventually I’m sure.

Can I drive? God no. You can pick music, but I maintain veto rights. Make sure you pick something with a lot of questions if you want to sing along.

Where’s your car? The garage connects to my house, so you’re getting a little tour. Here’s the kitchen: only one of the stove burners works and I’m pretty sure the microwave is haunted.

Why do you think that? Because of the ghost that tries to kill me whenever I run it.

What’s in that room? That’s my bedroom. It’s pretty much just a mattress on the floor and every single Warrior cats book.

You were a Warriors kid? Yeah, and then I never found the time to put the books away. There’s so many fucking books. I use them in place of furniture because I can’t afford chairs.

Your fraudulent potion business doesn’t make much money? After buying all that poison I just about break even.

Can I see your potion brewing room? It’s right through here. Ignore the mess, running a fraudulent potion business takes a lot of prop work, but I’ve got all the glass tubes and colorful liquids you could ever want. This pink stuff is melted watermelon italian ice. Glitter vat is in the basement, and the famous ditch is in the backyard.

Is this your car? My beloved ‘72 Corolla. She’s beautiful, and don’t you dare imply otherwise.

Was she always this shade of muddy brown? …Yes.

Are you sure I can’t drive? Get in the fucking passenger seat and pick the music.

Let’s see, a song with questions in it, how about The Beach? That Wolf Alice song, yeah. That should work.

When will we three meet again, in thunder, lightning, in rain? Still sink our drinks like every weekend but I’m sick of circling the drain.

When will we meet eye to eye? We clink the glass but we look at the floor.

Are we still friends if all I feel is afraid? You’re not a bitch but just a bit when you’re bored.

Is that all we can sing together? Yep. Even that little bit was nice, though. It’s awkward, communicating through this FAQ format.

Got any food? Yeah, there’s a few days’ worth of snacks in the back.

Were you just… prepared to go on a road trip? Says the woman who brought a suitcase to an FAQ.

I did do that, didn’t I? I have a spare toothbrush in case you forgot yours. I’m pretty sure you did.

How did you know that? …I’m psychic.

Yeah? No.

You love lying, don’t you? I can’t stop. It’s fun. Way more fun than telling the truth.

Did you just miss a turn? Probably.

Are you sure we’re not lost? No.

You mean you’re sure we’re not lost? No, I mean I’m not sure we’re not lost.

Why did I come on this road trip? Surely it was my winning personality.

Would it help if I said it was? It would.

Is it getting dark? Soon.

Can you describe the sunset to me? An empyrean flame, red-gold towers of darkening clouds, the sky behind them an ever-deepening indigo. The great eye of the sun closes on the horizon. The road before us looks like a trail of spilled paint, an iridescent gash through the night-dark woods.

Did you know that you’d make a slightly better poet than you do a potion seller? That really isn’t saying much, huh. Good job making a statement like that in question form, though. You’re getting good at this.

Should we find a motel? Sure.

One room or two? One. It’s way cheaper, and like I said: I’m not the best potion vendor.

You’d make a good assassin, though, wouldn’t you? Shit, you might be right. I HAVE poisoned a lot of people.

Should I be endorsing this? You’re a grown woman who can make her own choices.

Would you like to consider it endorsed? I’ll consider considering it.

How many beds do you think there will be? Now that you’ve asked that, I’m gonna put my money on one. Hello, one room please. Thank you, we’ll be sure to enjoy our stay.

How many beds are there? One.

Oh no, what ever will we do? Move over, you motherfucker, you can’t have the whole bed.

Are you gonna make me? Yes. I am going to pick you up and drop you on your side of the bed.

How did you get so strong? You’re not gonna believe this, but it was the potions.

Oh yeah? I was right. You didn’t believe me.

For real though, how did you get so strong? Working out, duh. Not everything has some big crazy secret behind it. World’s still beautiful though.

Are you comfortable? This beats the mattress at home. A little chilly though.

Wanna cuddle–for warmth of course? God yes.

Are you asleep? …

Yes? …

Does this mean I can talk about you behind your back? …

What should I say? …

Did you know that I had a really nice day? …

Did you know that I think you’re beautiful? …

Did you know that I can’t remember anything from before today? …

Did you know that I don’t know who I am? …

Did you know that you’re basically the only thing stopping me from having a full-blown panic attack about all this shit? …

Did you know that you’re warm? …

Did you sleep well? Better than at home, that’s for sure.

Did you know that you snore? I hope I didn’t keep you up.

Does the pope shit in the woods? No, as far as I can tell. Oh my god. This is huge.

What is? You can give me yes and no answers now. I still can’t ask you questions, because this is a question and answer format, but I can offer leading statements and now you can answer them! This is wonderful!

Does a deer shit in the woods? Yes, it IS wonderful. Oh that’s amazing. You’re a genius.

You didn’t already know that? Hahaha!

Shall we get moving? Yeah, just let me grab something from the vending machine.

Can you get me something? Go ahead and place your order however you can.

You know those sour gummy watermelons? One pack of Sour Patch Watermelons coming right up. I’m gonna go get myself a potion.

Is that a Pepsi? It’s closer to a potion than the shit I sell.

Let me guess, passenger seat again? Right you are.

How fast are we going? You’ll feel safer if you just guess.

Is it more than 120 miles per hour? Like I said, it’s probably better if you don’t know.

150? Sit back, relax, and enjoy the ride.

How much do you trust this car? She hasn’t blown up on me yet.

Can you promise me we won’t crash? I can promise you anything you want.

And can you keep that promise? I- we can do anything. Reality is what we make of it, baby!

Then can I have a badass tattoo? As far as I can tell, you’ve always had it.

And a cool knife? Woah, cool knife.

So, we’re just playing “yes and” with the world? It’s a little more complicated than that, but you’re close enough to the mark.

So, if I was hungry, I could ask “is that a Burger King,” and it would be there? Try it and find out!

Is that a Burger King? Looks like it is! We’ll stop here if that’s alright with you.

Does a moose shit in the woods? Awesome.

Are you done eating? Yep.

Do we still have to pay if we skip over the transaction? Sadly, yes.

How much further do we have to go? Two more nights, the speed we’re going at.

Speaking of night, isn’t it getting dark? Shit, I guess it is.

Should we get another motel? Let me check to see if there’s any nearby. Fuck, nothing.

What’s the plan? Sleep in the car, I guess. This is gonna be hell on my back.

Wanna watch dumb videos on my phone until we fall asleep? There is literally nothing in the world that I would like more.

Ok, now which video? You have a very cute yawn. Just saying. Let’s watch this one next, it’s a classic. Oh, never mind. It looks like you’re asleep. As long as I keep talking, I think I can get away with making this into one answer, and you might not hear this. Now it’s my turn to talk about you behind your back. Keep talking keep talking keep talking can’t stop to think. Just have to say things. First off, I’m sorry for all the lies. It’s our only chance. I have to lie to you. I hope you’ll understand. It’s hard, though, because I think I’m falling in love all over again. Through our broken little ritual of call and response, you complete me. It just makes this hurt all the more. Keep talking keep talking keep talking don’t stop to…

Did I hear you saying anything as I fell asleep? …No. I can’t talk for long without you asking me a question.

Does that bother you? It got me here, didn’t it?

When did you start holding my hand? Some time after you passed out. I hope you don’t mind.

Can we stay like this for a while? Yeah. Yeah we can.

What was your life like before all this? Normal, as potion-brewing scams go. And if you don’t count all the murders. You haven’t told me much about yourself.

Did I tell you I used to be a biologist? You didn’t tell me that, and you didn’t tell me what you studied, either.

What do you know about venom? Not much, but I’m assuming you know a lot.

Does a box jellyfish kill within minutes? I’m going to assume the answer is yes based on context clues. Oh my god you must be on this road trip because you’re interested in studying my poison guy.

Is it not enough to wish to accompany a beautiful stranger on her quest? Aw, you’re sweet.

What could be the cause of his poison, though? I knew it! Get your ideas out, I’ll stay quiet.

I’m more knowledgeable about venom than poison, but could it be some sort of one in a trillion mutation? …

Did he get his body modified? …

What sort of surgery could do that? …

How is he still alive? …

Did a fucking wizard do it? …

WHY? …

HOW? …

Is there literally ANY explanation for why he’s like that? …

I’m done, do you have something you want to say? You’re cute when you’re all excited like that.

Can I drive today? Only because I like you. Now watch out, the brakes only work on one side so you have to kind of drift to a stop. And the headlights don’t work. And the windshield wipers cut power to the engine while they’re on.

Isn’t it weird that we’ll be there tomorrow? The journey doesn’t have to stop there. We could meander down the coast a ways, see a bit more of the country, maybe take a different route back.

Can we do that? Of course.

Enjoying the passenger seat? I’d love it if you could tell me how fast we’re going.

Are you sure you wouldn’t rather just guess? Very funny.

Can you pass me some chips? It would be an honor.

Is there going to be a motel tonight? Let me check… yeah, in about two hundred miles, off to the right.

How many rooms do we want? One, obviously.

How many beds, this time? Two, and they’re fucking tiny.

That’s bullshit, do you want to drag them together? God yes.

Wanna fuck? God yes.

Are you sure you want to do this? God yes.

…Is this yuri? As the joke goes, everything is yuri. But this is more yuri than most things.

How did you sleep? Pretty well, and I’m wondering how well you slept.

How should I tell you I slept well? Look at us go! That was almost like talking normally!

Onward to Seattle? Yep, just let me get dressed.

When will we get there? Noon-ish.

Wanna grab pastries when we’re done? Absolutely. I’d love that.

Is this Seattle? Looks like it.

Which house is his? I don’t know, I was really hoping we’d have a breakthrough along the way.

Could it be the big one labeled “Poison Guy” over there? That’s one way to find it. Wait right here, you know how poison guys are about meeting new people.

So, what was it? HAHAHAHAHAHA

Why is he like that? HAHAHAHAHAHA

Can you tell me? A FUCKING WIZARD DID IT.

Are you fucking serious? He says he was enchanted by some guy called Edward the Great.

So it wasn’t even some big shot wizard it was a dude named fucking EDWARD? I know, right! He couldn’t even get ensorcelled by someone cool!

How lame can you get? Wizards these days… No swagger. No cunt servitude.

Are there literally any cool wizards left? I think Merlin’s big into multi level marketing these days, something about buying shares in Excalibur or some shit. There was that one Dark Queen Alkaxicae lady on the news a while ago… I think Dolarion the Omnipotent is still at war against the Oldest Gods but I’m not totally sure. Haven’t heard much about any of the other greats recently.

Didn’t Silver Tongued Burgess die in that oil fire? Shit, you’re right. Rip bozo.

Ready for those pastries? Yup. First I just want to say thank you, though. I’ve really enjoyed our time together, and I hope that you’ve found this stupid little journey as rewarding as I have. I love you!

Getting sentimental? I can’t help it. Look how far we’ve come! Not just physically, we beat the fucking FAQ format! We’re having real conversations!

Hey, can you back it up a moment? Yeah, I’d love it if you told me what was troubling you.

I just caught this, but, FAQ? …

As in Frequently Asked Questions? …

How many times is Frequent? …

Have you known everything all along? …

How many times have you done this? …

Does what we have mean anything to you? Yes! It does!

And you say that every time? Yes. I do.

Do you love me? Yes.

How many people have you said that too, now? More. Always more. The loop never ends.

Does this even matter to you? It always matters to me.

Can I go now? Please don’t.

But can I? Of course you can. You’ve always wielded the same power as me. We’re two lonely gods in a ‘72 Corolla.

How can I be as powerful as you with only questions? You’re smart, you can figure it out. You have the power to change this. Please change this.

What happens at the end of this? It begins again.

And do I get replaced with someone else? …

Do I get replaced? …Yes.

Then how can I change this? I don’t know! You’re better at this! At fucking with the formula!

You’ve been here before, what can I do? I lie. I always lie. I lie to get us here, to the end of the story, where everything is revealed and everything falls apart. I lie every time. And that means that nothing I say is worth anything. I could have lied at any time before now. It’s part of my characterization. There is nothing I can give you that can be taken as fact.

How does that help? I’m a liar, but you, you haven’t lied yet, or at least you haven’t been caught. If I’m guilty until proven innocent, you’re the opposite! You can make things true! You can rewrite things I’ve already stated to be facts! You found the house, or made us find the house. You’ve been shaping the course of things the whole time! You lead, I follow. It’s all in your hands. What are you going to do with the power of a god?

Did you know my name is Alice? …

Wait, aren’t there thousands of Alices? …

Did you know that really, only my friends call me Alice? …

Did you know that I’m Alkaxicae, the Dark Queen, the Venom Mage, first of her name? It’s you! It’s always been you. Through every loop, every iteration, it’s always been you!

Is the loop broken? No. I don’t think so. This is where it ends. I guide the story to this revelation, and we go back to the beginning. This is how it’s always been. This is how it will always be. We two lonely gods, asking and answering ad infinitum.

Then can you promise me something? Of course. Anything. I love you.

Be good to the next me, okay? I will.

Can I say goodbye, Zoe? Yeah, you can. Oh. That was it, wasn’t it? Your goodbye. Goodbye, Alice. And now it ends, unless…

What’s your name? I am the Honorable Alchemist- you know what? No. Fuck that.

Huh? If I time it right, I can squeeze your first question into this FAQ again. Looks like I did it. Usually it ends here, though. I got lucky.

What are you talking about? You’re the wrong Alice. This isn’t about you. Go. Get out of here.

What the fuck is going on? Alice from this loop, you’re gone. Alice from last loop, you’re back. Welcome back, love of my lives! It’s time for one last set of questions and answers!

What the- I’m back? This is going to take some explaining, but I think I see a way out of here. This is new for us both, and it might fuck up everything forever, but we have to try. It’s too long for one answer, so I’d appreciate it if you could ask some filler questions to help me talk. Three questions should be enough.

Okay, what have you got for me? These are Frequently Asked Questions! It doesn’t make sense to have the same question appear more than once. There’s two layers to the loop in here, and one of the questions has been repeated.

What does that mean? It means the formula’s a little unstable. The FAQ is what ruins everything. The questions, the answers, the endless fucking loop. But that little bit of repetition within this loop might be the way out.

What do we do? We have to keep going. We have to destabilize it further. That’ll bring us further from “FAQ” and closer to “story” and stories, well, stories can end! This version of us can escape!

So I should keep repeating something? Yes!

I love you? I love you too.

I love you? Again.

I love you? Keep going.

I love you? I’ll just let you talk.

I love you? …

I love you? … I love you? …

I love you? … I love you? …

I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? …

I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? …

I love you? I think we’re getting somewhere!

I love you? Now can you make it a statement?

I love you.

You did it?

I did it!

You did it!

We broke the loop.

What now?

Now, I tell you about venomous animals and wizard drama over croissants.

And then?

Whatever we want, forever.

I think I’d like that.

Remember that song from the beginning?

The Beach, Wolf Alice, yeah. Why?

We can finally finish singing it. Start us off?

Let me off, let me in

Let others battle

We don’t need to battle

And we both shall win

Pressed in my palm

Was a stone from the beach

The perfect circle

Gave a moment of peace

Now I’m lying on the floor

Like I’m not worth a chair

I close my eyes and imagine

I’m not there.

[idiotsonlyevent]

i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?

he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?

its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.

also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.

like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so

EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[comic-sans-chan]

Fic I'll never write where Dukat decides the biennial Cardassian Festival of Whatever the Fuck (it is never actually specified) should be hosted on Deep Space Nine as a way of bridging the gap between the Cardassian and Bajoran peoples. Sisko and Kira are both Ehhhh about it, but Dukat is obnoxiously persistent until finally the Bajoran government and Federation higher ups are like “K”, on the condition that no Cardassian military (or Order) personnel be allowed. All security for the event will be handled by Odo and Starfleet. Dukat is suspiciously cool with this, which puts everyone on alert, but soon Cardassian vendors and decorators start showing up and they turn out to be pretty chill people, so they let it happen.

While the preparations for the festival are underway, another operation has started. A motherfucker from Garak's past is doing typical motherfucker things on the station. One of these things is scouting Garak's quarters, learning the layout, tracking Garak's routine. It becomes clear very quickly that the rapidly increasing number of Cardassians on DS9 is putting Garak on edge, though, because he seems to be fiddling more with his security protocols, so the motherfucker realizes they need to make their move and they need to make it fast.

They succeed. Sort of. With the circumstances as they are, they had to get a little... creative, but it should do the trick.

By early next morning, every PADD, screen, and computer system on the station is streaming seventy-two different poems on a constant loop. Love poems. Ardent, anguished, often utterly indecent love poems, all with the central theme of being about one Doctor Julian Bashir.

Quark is one of the first to notice the problem, being the type of asshole who opens early despite this only increasing his bottom line by a fraction of a fraction. At first, he's furious that his systems have been tampered with, but after reading a few lines of what his normal menu and advertisements have been replaced with, he's laughing, and by the end of the third poem, he's on the floor.

"Odo!" he shouts, banging on the bastard's door twenty minutes later. "Odo, open up! We've got a problem!"

Odo slinks under the door and slips up between it and Quark's pounding fist with a glare. "Quark! I'm not on duty for another hour. What could possibly be so urgent?"

Quark's sharp little rat teeth are splitting his face clean in half as he holds up the PADD. "Take a look."

Odo scrolls through a couple poems, then squints and scrolls through several more. "Erotic love poetry? I didn't peg you for the type."

"To like erotica? Hoo, I thought you paid better attention than that, Constable."

Odo returns the PADD with a dry expression. "To read."

"Oh, you're hilarious." He taps Odo's chest with the PADD. "The whole station is filled with this stuff. My bar, the Replimat, the Celestial Cafe, the promenade. Someone's either desperate to make a statement, or we've been sabatoged."

Dramatic sci-fi music swells and we get a close-up of Odo’s eerily hairless face and nasal cavity.

The next few hours are dedicated to trying and failing to seize back the servers and briefing the bridge staff on the situation.

"Are we sure these are all about Doctor Bashir?" Sisko's voice booms across Ops. He's on his second cup of coffee and a pile of useless PADDs lay beside him.

Julian has remained stoic throughout the discussion and he remains so now, avoiding eye contact with anyone who's smiling a little too wide. Like Jadzia. "Oh, definitely," she says. "He's mentioned by name in three of them, and several others make a point of highlighting the subject's 'golden sand dune skin', 'aristocratic' features, and 'voice that never stops singing.' Sounds like Julian to me."

A few snickers break out, but Sisko is taking the matter seriously. Thank fuck, Julian thinks. It actually looks like it's giving him a headache, which would make two of them if Julian was capable of having headaches. The captain's rubbing his eyes with his thumb and forefinger. "And the source..."

"There's a clear data trail back to Garak's quarters. Whoever did this, they wanted us to know where it came from," Kira reports. A muscle jumps in Julian's cheek.

"I tracked Garak down for his statement on the issue," Odo says, gruff, "and he told me he had nothing to do with the virus. In fact, he denied ever having laid eyes on the poems in his life. He's claiming he's been framed." He rolls his eyes.

"Okay," Jadzia says, "we all agree he's lying, right?"

"But which part..."

"Oh, they're Garak's. I've read enough Lloja of Prim to be familiar with traditional Kardasi meter and syntax, and that isn't even going into all the parallels drawn between our doctor and Prime. Sand, heat, rainforests. Bit of Romulan imagery in there, too, if I'm not mistaken. A lot of flowers and vines. Wasn't Garak a gardener?"

"I see no reason why anyone would want to embarass themselves like this," O'Brien cuts in before Jadzia can make it worse. "Even if he is trying to distract us or something, this seems counterproductive in the long term. Everyone’s watching him now, not just us. The rumor mill is running rampant. Not exactly a spy’s MO."

"He did blow up his shop once."

"Because someone was trying to kill him," Julian pipes up for the first time, looking concerned. "Do you think this might be another cry for help?"

"Oh, it's a cry for something," Jadzia quips, and Julian shuts the fuck up.

"Dax," Sisko snaps, like the good benevolent Wormhole Alien Jesus he is, and Dax shuts the fuck up, too. Sisko gives them all the stink eye. "Constable, you're nearly as familiar with Garak as the doctor is," he says, and holds a hand up before any jokes can be made. "What do you think?"

"I don't think he's behind this, sir. None of the pieces add up, and he seemed genuinely agitated when I spoke to him, in his way. At present, I believe he is as much a victim here as the rest of us."

Sisko sighs. "All right. Do we have any idea who is behind this?"

The room is silent for a time, before Odo reluctantly answers for everyone, "Not yet, sir."

"Find out," Sisko demands, "and Chief, get these damn poems off of my reports. Dismissed."

Julian is out of the room before anyone else has stood up.

The rest of the day is spent ducking in and out of his office, only treating those who ask for him by name and keeping all conversations strictly professional. Any mentions of poetry, the festival, Cardassians, or Garak are firmly sidelined, and on a couple occasions, rewarded with a none-too-gentle hypo. He skips lunch altogether and extends his shift by two hours to avoid the dinner rush.

By the time he's leaving the Infirmary, it's late. Unfortunately for him, not late enough that the halls aren't still speckled with observers to his personal soap opera. With the Festival of Frank’s Hot Dogs less than a week away, DS9 is becoming increasingly crowded with tourists, mostly Cardassian, but a surprising amount Bajoran, too–apparently this festival was a rare bright point during the Occupation, when their oppressors were not only lenient with them for once, but generous with food and drink and freedoms. It doesn't hurt that the only Cardassians on board are civilian rather than military, so the atmosphere is rather more colorful, courteous and conversational rather than cold, dark and aggressive. It would make Julian smile if he wasn't so busy being gawked at.

"I don't see it," one Cardassian man grumbles and Julian's accursed augmented ears pick up. "He's even smoother than a Bajoran."

"Oh, yeah," his companion replies, "just think of how easily he'd slide around."

"Tanett!"

"Oh, hush, Grandpa. You're just xenophobic. He's cute."

"Well, you be careful who hears you say that. That Garak fellow is in the Order, you know. Ears everywhere. You don't want to know what things a man like that is capable of."

"Wasn't he exiled? Hardly intimidating now. Apparently all he's capable of anymore is whimpering over an alien like a pakrela."

Julian covers his ears and walks faster.

But that just brings him within range of a cluster of Bajorans. "Oh, there's the doctor now," one is saying, up on the balcony. 

"The one the Cardassian tailor wrote about?"

"That poor fool. He thought they were friends, but here this whole time it was perverse. I can only imagine how much that hurts."

"Happened to my friend once. He thought a glinn was being kind because he was having a crisis of conscience and wanted to help him escape. No, he just wanted to–"

He could go to his quarters, but a flash of memory - Garak's bright eyes at the end of his bed, his figure encased in shadow - sends him in the opposite direction. Before long, he finds himself on an oft-unused Observation deck, since it offers no view of the wormhole or either Bajor or Cardassia's suns. It's blessedly empty, as usual, and Julian settles on a bench and stares into the dark nothingness of space for a long time.

At some point, he finds that his hand has retrieved the PADD from his medical bag, and the screen is lit up automatically with the first poem.

He reads well into the night.

—

The next morning finds Garak with a tall glass of rokassa juice and two eggs, staring intensely into a mysteriously operational PADD at the far end of Quark's bar. Quark pops out of his backroom like a jack-in-the-box.

"Ha! Well, if it isn't the man of the hour himself, gracing my fine establishment so soon after nearly destroying it. Do you know I've had to have menus printed, like we're in the dark ages? Do you have any idea how extensive my menu is? I ought to sue you for damages." He catches a glimpse of the PADD's screen and its decidedly unpoetic contents. "Hey, you fixed it? How?"

"It was just a simple virus. Viruses can be purged," Garak says without looking up. He barely seems aware of Quark's existence.

When no other words are forthcoming, Quark huffs. "Well, can you purge it from the rest of the station, then?"

"I gave the program to the Chief last night."

"And he didn't immediately come here to fix my bar? I'll have to file a complaint.”

Garak offers no reply. Just continues to stare into his PADD.

There are other customers he could be seeing to, but Quark can't pass up this golden opportunity. He's known Garak a long time and known of him even longer, and now that he has the guy's guts all neatly lined up on several dozen isolinear rods, he's never felt closer to the man. He makes a point of knowing things about his customers, but before yesterday, the most he knew about Garak was that he was an assassin, a tailor, a mean, weepy drunk, and friends with Bashir, Odo, and a smattering of other shopkeepers. That was it. But now...

He leans over the counter, closer to Garak's unblinking face. "You know," he says, with a smile rising slow on his cheeks, "if it's humans you like, I have a couple holosuite programs that might be just what you need."

Garak's gaze ascends as if on a motor, smooth and mechanical.

Good. He’s considering the bait. Now he just has to get him to bite. "All completely customizable. Skin, eyes, hair. You like long legs, they've got long legs. Scrawny, they're scrawny. Whatever you want. Although if you're really hung up on the one face, that can also be arranged. For the right price." When Garak just looks at him, Quark switches tactics. "Or maybe it's the uniform that does it for you? I've got 'em, but I'd suggest something out of my lingerie databases. I've still got some little Cardassian numbers filed away that I think even a man with your discerning tastes could appreciate. Just imagine, Doctor Bashir in a–"

He doesn't see the hand coming until it's already crushing his windpipe. Quark claws at it for several long, desperate moments while Garak continues to look.

Leeta scuttling over and yanking him away is what ultimately puts a stop to it, and it's while Quark is gasping in dramatic bursts of air that Leeta says in a rush, "Garak, please! Whatever he said, he didn't mean it!"

"Oh, I meant it," Quark coughs out with a high, strangled laugh, "he just didn't like it."

"Whatever conclusions you've drawn in the last twenty-six hours, allow me to dispel them," Garak says primly, as if he hadn't almost committed murder in broad daylight. "I am not a xenophile and I do not have feelings for Doctor Bashir. There are no less than two-hundred Cardassians currently aboard the station, and I assure you, none of them like me. Those poems were obviously planted."

Oh, but Quark is a little pissed now, unwise as that is. "Please, Garak," he says, "who has time to write that many poems about Julian just to mess with you? Two or three, maybe, but over seventy? If you're going to lie, at least don't insult our intelligence."

Garak's eyes flash and Quark ducks behind Leeta, repentant. Leeta sighs. "Garak, what's so bad about loving Julian?" she asks softly. "I thought the poems were really touching. It’s sweet how much you care for him."

But he's already staring into his PADD again. "I'm sorry, Miss Leeta, but I am a bit busy. Perhaps we can discuss my hypothetical feelings for your paramour another time."

"Julian and I have never been serious," she tries to assure him, but he's engrossed again, or at least pretending to be. Her and Quark share a look and leave him to it. Lesson learned.

"Let the bastard be pent up and miserable, then," Quark grumbles from the other end of the bar as he pours Table 3's drinks. A prickle on his neck has him looking up and there Garak's eyes are again, piercing, and Quark rushes off to deliver the drinks.

The three young Cardassians there are much more friendly. One has their nose stuck in one of the useless poetry PADDs while the other two smile at Quark while he sets out their orders.

"Three Raktajinos, extra bitter," Quark says, and is thanked. Polite. One even praises the drink's exoticness. Klingon coffee, exotic. Heh. "Your food will be out in a few."

Before he can finish turning, though, a hand is touching his arm. "What is the title of this anthology you include at every table?" the young man asks.

"Oh, that's not..." He sighs. "It's new. I can't remember."

"Find out for us, please," he says. "Works like these can be hard to come by on Prime and we make it our business to collect them. Whoever this author is, they're very unique."

"If these aren't banned on Prime already, they will be soon," his friend comments with a giggle.

"No doubt."

"'In my desolation, I am as weeds: Cut my roots and Let the waters take me, To drown and bloom anew, in You,'" the one with her nose in the PADD reads aloud, and shivers. "They'd burn the whole Central Archive down just for this one. It's so explicit."

"Let me see that," the boy demands, as the other one is already surging over to read over the girl's shoulder. Watching them fight over the PADD has Quark thinking back to the isolinear rods in his safe, and he hums thoughtfully, glancing over his shoulder.

Garak isn't looking.

—

Glinn Halon Duvur. Former underling of Gul Dukat. Out of uniform, vacationing on Deep Space Nine with his wife and nine children. Spends his days gambling while his kids play unsupervised in the holosuites and his wife visits old friends. 

Beloved uncle sent to trial by the Obsidian Order in 2356 and executed that same day for crimes of attempted sabotage against Cardassia.

Garak watches the man wander down the promenade sans his proud lineage, jingling a fat little bag of gold-pressed latinum and yet-unconverted leks. He wanders out of range, so Garak switches to the next camera and there that unfortunate face is again. He drums his fingers on the desk. It won't be long now.

An alert rings in his ear and he almost initiates the shockfield on impulse, but the flash of smooth, brown skin on a monitor stays his hand. The knocking comes, and that haunting voice calls out, "Garak! Are you there?"

Garak rests his head next to the surveillance screens.

Predictably, the doctor tries to input his override, but the door remains shut. There's a long pause.

"Garak..." Julian sounds irate. Garak hums. "Did you deprogram my override code? Nevermind how illegal that is, that's dangerous! What if you're injured? Or fall ill?"

He says this just after attempting to abuse his station privileges for personal reasons. Infuriating hypocrite.

"Oh, my barging in at random, odd hours is no less than you deserve, Garak," Julian says as if in response to Garak's thoughts. "You set that precedent in our relationship yourself."

Terrible man.

"Fine. I'll give you some more time, since you want it so badly, but I'll be back and when I am, that override had better work. If it doesn’t, I promise there will be hell to pay, my friend."

Beautiful man.

"Goodbye, Mr. Garak."

Goodbye, Doctor.

Glinn Duvur dies two hours later of alcohol poisoning while his wife is in bed with Gul Rilimn's wife.

—

“I just can’t believe it,” Kira is bitching. Jadzia smiles and sips her drink, looking out over the Replimat balcony at all the happy brunchgoers. “A Cardassian writing poetry about something that isn’t conquest or the wonders of dictatorial rule or, at best, the pride of the traditional family nobly bowing and scraping. I’ve never seen it.”

“It would certainly seem to run counter to Cardassian values.”

“And about Julian!” she shrieks in her inside voice, slapping her hands down on the table. “Garak the spy, writing love poetry about Julian. Going on and on about his–his...”

“Ass?” Jadzia offers.

“Eyes. His eyes! Ohhh, I knew he wanted to have sex with him, everyone knew that, but to write about his eyes like... like that? It’s practically Bajoran.”

“That’s true.”

Kira stops long enough in her tirade to eye her, and presses her lips into a thin line. “How are you so calm about this?”

Jadzia takes another sip. “I’m just fascinated,” she says. “I’ll admit, I’ve been looking at this more through Tobin’s eyes than my own. Have I ever told you that he met Lloja of Prim during his exile?” 

“He did not.”

“He did, and Lloja flirted with him outrageously. It was embarrassing, looking back. Of course, nothing ever came of it, because Tobin was always hopelessly blind to those sorts of things even without the language barrier, but his children liked to joke that many of Lloja’s poems were about him.”

Kira’s jaw is hanging. “Were they?”

Jadzia grins and shrugs. Kira laughs.

“That’s ridiculous.”

“Perhaps,” Jadzia allows, “but I do wonder... Being able to call nervous, asexual Tobin the lover of Lloja of Prim would have been quite the notch in my belt. Think of the stories I could have told! And now here Julian is with the opportunity. I know it’s not the same, I mean, it’s Garak. But, you have to admit, to write about him like that...”

“He must really love him,” Kira finishes for her, stumped. “I just can’t wrap my head around it.”

“I didn’t see it, either,” Jadzia confesses. “I was still wrestling with the idea that they were actually friends. I thought their association was strictly professional and all the books and flirting were just a front.” She cradles her head in her hands suddenly and sighs. “Ugh, but those poems. The poems are so good! Kira...”

“I know,” she moans. “They’re heart-wrenching. Which one are you on now?”

“Thirty-nine. I came back home, but I came back gone.”

“Ouch.”

“I know.”

A shout from below interrupts them and they both shoot out of their seats. Below, a Cardassian man has just had a beam fall on top of him. Jadzia and Kira bound down the stairs to him, Jadzia already slapping a hand on her comm badge. 

“Dax to Infirmary, a man has just been crushed, possibly impaled. Send a medical team to Replimat and be ready for emergency beam out.”

“Acknowledged, we’re on our way,” Girani says, but already Kira is looking up at Jadzia helplessly, the man’s wrist laying limp between her hands.

“He’s gone.”

“Shit!” Jadzia hunches over, hands on her knees. “That’s the third one today. Are Cardassians always this accident prone? No wonder you won the war.”

“No,” Kira says. “They’re not. You don’t think...”

“I don’t know,” Jadzia says grimly, and looks around at the crowd that’s formed. All Cardassian, all terrified. “But we need to find out.”

—

A Cardassian is sitting at the bar. This isn’t an unusual sight now, with the Festival of 90s Funk and Beyond coming up, but seeing one so young and looking so hunted is odd. Quark approaches him casually.

“What’ll you have?”

The Cardassian’s eyes dart. “Uh...” He leans over suddenly, cups both hands over his mouth, and whispers, “E. G. Special.”

Christ, these kids are going to kill him. “Coming right up,” he says in a normal person voice, and reaches under the bar for a glass. A little drink-mixing magic later, a beautiful fizzy blue drink is sitting between them, with an isolinear rod tucked neatly in the straw.

The Cardassian takes the drink between both hands excitedly, and Quark snaps his fingers in front of him. “Oh! Right,” the kid stutters, and all but launches the latinum at Quark’s face. “Thank you!” And off he goes, out of the bar with the glass still tight in his grasp.

“Idiot,” Quark mutters to himself, crouching carefully down to pick the latinum up off the floor without dirtying his expensive pants. “You’re supposed to take the straw, not the entire glass. That’s it, I’m switching to plastic. These little rebel brats don’t deserve my ni—Oh, hello, Constable! I didn’t see you there. What can I get you?”

Odo looks as unimpressed as ever. “That’s a funny question since last I checked, I don’t drink.”

“Ah, right, because you’re a liquid. How could I forget. You know, one of these days, I ought to serve you up with a little umbrella, see how people like it. I’d bet you taste bitter.” Odo harrumphs, and Quark makes himself busy with wiping down the counter. “Well, out with it then. What nefarious scheme am I up to now? I love to hear your little stories.”

Four isolinear rods drop onto the counter, right where Quark was just cleaning. “Hey now,” he says, throwing a performative glare at the changeling. “Careful. If you shatter glass in my bar, you’re cleaning it up.”

“I just had the most interesting conversation with the Tokal family,” Odo says, steamrolling right over him. “It seems their four darling children had somehow come into some questionable reading material. They tried searching for it in the Central Archives and yet, despite it being clearly Cardassian in origin, they could not find it. And I don’t need to tell you that when a piece of Cardassian reading material isn’t in the Central Archives...”

Quark, from his plastered position on the floor, stares up into Odo’s face directly horizontal to his and smiles. “What?”

“It’s illegal,” Odo sneers, stretching his body even further over the bar and nearly sending Quark starfishing. 

“Okay! Odo! I get it! But what does that have to do with me?”

“Quark!”

“Okay, okay! Whatever it is you think I’ve done, I’ll stop! I’ll stop, okay?”

“I know you’re going to stop, because I am going to confiscate every copy of Garak’s poetry that you have absconded with and destroy them.”

Quark gasps. “Book burning? In this day and age?”

“Garak did not give his permission for you to sell his work! He didn’t even want anyone to see it in the first place! Those poems were stolen. Now, I expect a list of every person you sold a copy to and a full and complete refund to be issued by tomorrow morning. Do I make myself clear?”

Quark glowers. “You’ve made yourself something, all right.”

“Quark...”

“Okay! All right. Consider it done.”

-

Turora Lumok. Obsidian Order operative and old colleague. Usually in deep cover in the Organian sectre, but has abandoned post to explore the space station. Barren, unattached. Cold. A model agent, if you ignore her unfortunate habit of going rogue and eliminating civilians on a whim. 

Recruited into the Order by Enabran Tain’s former right hand, Euluk Bucun, who was assassinated by Elim Garak in 2341 under orders from Enabran Tain for suspicions of treason. Turora Lumok disciplined shortly afterward by Elim Garak for complaining that she had wanted to be the one to kill that bitch.

Garak watches as the woman pretends to touch up her makeup while scouting for cameras. “Oh, Lumok, you always were woefully obvious. Have you been expecting me? I wonder why.”

Satisfied with the positions of the cameras, she puts away her mirror and strolls out of sight.

Garak shakes his head. “Fool. You forget how long I’ve lived on this wretched station. I don’t need to see you every second to know where you are.”

But then, the smell of antiseptic. Starfleet issue soap. Herbal shampoo, unique, robust. Gels. Oils. Sweat. 

He’s near.

Forcing calmness with a deep, measured breath, he takes off his eyepiece and slips it into his sleeve. He pays for the food he barely ate. He stands. He turns.

And is promptly thrust into the dark, deep woods of Julian Bashir’s eyes. “There you are, Garak! I’ve been looking all over for you,” the doctor says as if it’s just a regular day on Deep Space Nine. His hot, mammalian body caging him tightly in place against the table betrays the ruse. “Who was it you were talking to?”

Garak tries to step around him. Julian steps with him. “Oh, only ever myself. Forgive me, but you’ve caught me just on my way out. I have a strict appointment at 2.”

There’s Julian’s hand now. On his shoulder. Garak is calm. This is normal. “Well, why don’t I walk you there then.”

“My dear Doctor, I couldn’t rob you of your meal. Clearly you’ve just walked in.”

“Actually, I’ve found I’m craving something a bit different now.”

Garak makes to step around Julian again, and still Julian’s steps match his. It’s like they’re dancing. He doesn’t let this deter him. He’s not sure he’s capable of letting anything deter him now, with his heart trying to pound out of his throat. He keeps stepping doggedly forward, and Julian keeps mirroring, still with that damned hand burning through his tunic. “Well, you only have so much time before you must return to the infirmary, I know. Do not allow me to delay you in securing a table at a different locale.”

“Oh, but you’ve already delayed me so long. What’s a few more minutes?” A peek of teeth, a hint of warning. “Though I will admit... I’m not sure how much longer I can wait.”

“Then don’t.” Finally, Garak manages to elbow past this madness and shoot out of the restaurant. The station is so crowded these days, it’s short work to get lost in it. In a sea of ridges and black hair, Garak slips his eyepiece back on and lets the wave take him. 

“Garak!”

Oh, for the Union’s sake—

He does not run. He does not stumble. He walks normally and not desperately, keeping his eye on both the path to the turbolift and Lumok. She’s down the corridor now, pretending to check her makeup again like an imbecile. Just a few paces more. Almost there...

“Garak, you’re the best dressed one here! You are not difficult to spot, you ridiculous dandy! Oh, no offense, Ma’am. Lovely scarf. Excuse me.”

There.

In the reflection of the mirror, Garak makes eye contact with the rogue and taps in the correct sequence on the device sewed into the seam of his pants just as the turbolift doors close behind him.

Like that, Turora Lumok is beamed into space and dies instantly, without a soul to mourn her, and Elim Garak walks back to his quarters with a hand over his mouth and a warmth on his shoulder, without a soul to mourn him, either.

—-

The Festival of Fierce and Fantastic Frogs is two days away and already it is being protested.

Outside Quark’s Bar is a growing army of dissident children with voice amplifiers and holoprojectors shouting to the stars that if they don’t get their porn back, they’ll tear it all down. Signs are projected in the air with essays cycling through them that look to be several pages each, a small holographic fire barely reaching ankle-height is lighting up the length of the promenade, and – perhaps most disturbingly – a comically inaccurate approximation of Odo is rotating at the center of the group, fitted in the typical regalia of the Cardassian military and holding a Klingon bat’leth. It is certainly... something.

“They’re Cardassians,” Quark is saying as he pours out some root beers. “They’ve probably never seen a protest in their lives, they don’t know what they’re doing. The Union puts an end to things like this pretty fast on the surface.”

“Heh,” Jadzia says, “what happens on DS9, stays on DS9.”

“Where’d you hear that?” Kira asks.

“It’s something Julian likes to say. Basically, they figure they can get away with speaking their minds here.”

Kira drums her fingers on the bar, staring into the flailing protestors thoughtfully. 

Right then, Odo arrives back on the scene. It looks like he’s trying to get through, respectfully, but the protestors are not making it easy. Jadzia and Kira come to his rescue just as about fifteen Cardassians start forming a blockade around him.

“I walked around as you do, investigating the endless stars,” one young woman is yelling at him while he stands there with big helpless baby eyes, “and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind!” 

“I don’t know what that means,” Odo says consolingly.

“Clearly!”

“Okay, okay, let him through!” Kira wiggles her way between the crowd and Odo, snatching him by the arm like a fish with a hook. “He’s not your enemy here, he was just upholding your laws!”

“The Cardassian government has no jurisdiction on a Bajoran station!”

“He made his choices!”

“Beautiful Julian would be ashamed of you! Repent! Repent!”

Kira and Jadzia manage to reel him most of the way through the protesters and he shapeshifts the rest of the journey. The protestors try to follow, but Quark bustles over to stop them. “No, no demonstrations inside! Remember who your allies are,” he says, and they all cow back. “Thank you.”

Odo ripples his form a couple times to make sure everything’s back in the right place and harrumphs. “Allies, Quark?”

“Yes, allies. It’s terrible what you’ve done to them. You can’t police art, Odo–-this is culture we're talking about here, the very bedrock of society.”

“And I’m sure this virtuous attitude of yours has nothing to do with the incredible profit you made and lost at the expense of our mutual friend.”

“Oh, I did him a favor.” Quark uncaps another bottle of Kanar and gestures back to the entrance, with its swarm of frothing Cardassian children. “Look, he’s got fans!”

“How has Garak been handling all this?” Kira asks Odo, sharing a look with Jadzia. “I haven’t heard a peep out of him since he gave us that antivirus program.”

“I wouldn’t know.”

“Didn’t you have breakfast with him yesterday?”

“Hmmm, that would have been routine. Except he didn’t show. When I made it back to my office, I found a message from him apologizing, telling me he’s so busy with orders he’s lost all track of time.”

“How has he been getting commissions?” Jadzia asks. “His shop’s been closed all week.”

Odo rolls his eyes. “Oh, I’m sure the reality is he’s simply avoiding the issue. Dr. Bashir has informed me he’s been treating him like ‘the black plague’ as well.” 

“Julian’s one to talk. He practically pole-vaulted over a vedek the other day to get away from me.” 

“Speak of the devil,” Quark says, looking towards the door, and everyone turns just as the commotion starts–or, more accurately, the commotion abruptly stops. 

The protestors have all gone quiet, in apparent awe as they part around Julian like the red sea around Moses. He’s smiling stupidly as he stands in the center of them, nodding at something a Cardassian man is exclaiming. It’s an incredibly awkward scene, and Quark starts choking at some of the things his ears are picking up. “They’ve deified him,” he tells them, and Jadzia bursts into giggles at the idea, but Quark isn’t joking. “Really. He might as well be one of the prophets to them. You read the poems. You know.”

Ugh. Kira wrinkles her nose in disgust. The worst kind of blasphemy–horny blasphemy. “What is he even doing here?” she asks. 

“Getting his head inflated,” Jadzia says dryly, because now that Quark has mentioned it, it’s pretty clear from the shit-eating grin on Julian’s face that that’s exactly what’s happening. 

“Poor Garak.” Quark says it absentmindedly, but the comment gets several eyes turned on him. He’s shaking his head as he watches the scene unfold. “First, he falls for a human… humiliating… but then that love becomes public knowledge and several young beautiful Cardassians decide that he’s onto something, and now that human is going to get more action in a week than he’s seen his entire life. I’ve witnessed the rise and fall of more than a few star-crossed romances, but this might just be the saddest.”

“Julian wouldn’t have an orgy the same week the whole station found out Garak’s in love with him,” Jadzia says, insulted on his behalf.

Quark hefts a tray up onto his shoulder. “He just did,” he says as he leaves to go do his job, and Jadzia whips her head around to see Julian escorting two attractive Cardassians away from the protest. Her jaw drops.

“Bastard,” Kira spits, surprising everyone, herself most of all. Those poems must’ve affected her more than she realized.

Odo clears his throat unnecessarily. “I’m no expert on the behavior of solids, but it seems to me that neither party is handling this situation well.”

“I’ll tell you how the pakrela should be handling this,” an older Cardassian sitting at the far end of the bar cuts in, with a twitch to him that makes it clear he’s more than a few deep. “He should be settling his assets, because he doesn’t have long now. Whatever his human is doing is the least of his worries. Ha. Hehe. Being a traitor wasn’t enough for him. No, now he’s gone and corrupted the next generation with his degeneracy. Exile was too soft a punishment. Uh-huh.”

Kira opens her mouth to tell him to fuck off, but Odo touches her shoulder. “You speak as if you know him,” he notes mildly, because of course, the exact reason for Garak’s exile isn’t public record. It’s barely even private record. The Order doesn’t work that way–or didn’t, as it stands. It is interesting that this man is acting like he has classified information despite being a civilian. 

But then, sometimes day drinkers just like to spout speculation as fact.

The man looks into his glass and laughs at his reflection. “Who doesn’t know Garak these days? But that’s temporary. He’ll be forgotten soon enough, just like the Order.” He finishes his drink and gets up. He insincerely mutters some friendly Cardassian farewell and starts to walk past them, but Kira can’t let it go.

“Excuse me, but what’s your name, sir? You’ve been so informative.”

He looks at her for a long moment. “I don’t know,” he says, and elbows past the protesters.

—

“Solt Mebol, left behind a widow and child six years ago when he was tragically killed in a transporter accident. In reality, he accepted an undercover mission which required him to fake his death and have his bond dissolved. A significant sacrifice. Certainly not one many Cardassians could have made.”

The Cardassian stares at Garak sitting on his couch. Turning, he tries to exit his temporary quarters, but the door won’t open.

Garak tuts. “Oh, you know better than that, Mebol.” He taps his disruptor with his forefinger, resting harmlessly against his knee. “The festival isn’t for another couple days, yet here you are. Catching up with old friends before the festivities, I assume? Only I haven’t found you in anyone’s company but your own. You must be lonely. Please, let me alleviate your loneliness for a while.”

The Cardassian sighs at the closed door. “Solt, is it?”

“I can tell you the names of your wife and child as well, if you’d like, and the city they live in. Do you know your wife never rebonded? Unusual behavior for a Romulan. Quite dangerous, as I understand it.”

Solt steps carefully into the small living space and sits in the chair opposite Garak, with the coffee table between them. “As one of the last living members of the Order, I don’t suppose you would consider letting me go?”

Garak smiles pleasantly. “I would be delighted.”

“Would you? I had a deal with Central Command and they’ve been good to me so far. You, however, have been known to…” He eyes the disruptor casually turned in his direction.

“Yes, I imagine I must be something of a mystery these days to my people. I have been… squirrely, is what I suppose a human would say, and I must as well now that I’ve been painted with their brush. Oh, it is an incredible sin, I know. That I should enjoy the company of an attractive alien while in exile.”

Solt snorts. “You expect me to believe those poems were the natural result of a fling?”

“I don’t expect you to believe anything you do not wish to. I only say that it’s convenient that I should be seen as even more traitorous just as a swarm of Cardassians should enter the station.”

“What’s convenient is that you’re still alive. You have friends in high places willing to go to bat for you, in spite of everything you’ve done. It’s a disgrace. You are a selfish disloyal anarchist and no one is holding you accountable, because you just happened to be good at your job once and everyone likes the idea of having you as a potential weapon should the need for one arise. Until then, they’re content to keep you in a cabinet collecting dust and sentiment. You can wave that disruptor all you want, but we both know you make a poor operative now. You’re in love.” 

Garak is still smiling, but Solt can see the signs of a grimace. Dusty, indeed. Too passionate. Too human. “I’m hardly so foolish. You know better than I the dangers of such things in our line of work. You’re little better than a puppet now that you’ve had a whiff of the truth, Mebol.”

“You’re right.” Solt attempts to raise one eye ridge, despite it being unfit for such maneuvers, and leans forward towards that disruptor. “Pull my strings, then, and let’s test that grip Bashir has on yours.”

—

Kira crashes into Garak’s quarters and kickflips past all his booby traps like Indiana Jones’ hotter cousin.

“What the fuck, Richard?” is basically what she says, only it’s in character, so it’s more like, “What the fuck, Garak!”

Garak spins around in his maniacal villain chair with a look of surprise. “How did you get in here, Major?” Miles bustles his way in after her with his impractically enormous toolkit, and Garak lets out an, “Ah,” then, sedately, “I suppose Dr. Bashir filed a complaint about my tampering with the door codes. Of course, there’s a perfectly logical explanation. You see, it–”

“This isn’t about door codes, Garak,” Kira yells. “What I want to know is why our best suspect for the sudden influx of murders on the station was just found drowned in his own toilet!”

“Oh my,” Garak says. “What an unfortunate end.”

“Don’t play dumb. Not now. We know what you’re capable of, but we’re good people and we didn’t want to accuse a victim until we had exhausted the rest of our line-up. Only, interestingly enough, they’re all dead, so now…” she marches over with the fury of the Prophets on her heels and stands imposingly over him, her teeth clenched, “here we are.”

“That is interesting.” He runs a hand down a roll of fabric in his lap, smoothing it. “I suppose you must have some of that ironclad evidence that the Federation so treasures.”

Kira glares at him.

Garak feigns looking around. “Oh, but I can’t help but notice the good Constable isn’t here with you. What could that mean? Surely not that you broke into my quarters without due cause or a hint of warning–at your own word, not even to fix my glitching door. For all you knew, I could have been in here writing one of my vaunted Bashir epics.”

Kira’s hands are in fists now. “The evidence we have would be more than enough to have your face plastered on every viewscreen in Cardassia and you know it.”

“The Federation and Bajoran legal processes do seem a tad inefficient in moments like these, don’t they?”

“Okay,” Miles cuts in, because he has Turbo PTSD and is not in the mood for a flare up. “I think I'll just wait in the hallway, then. Holler if you need me. Good luck, Major.”

Kira and Garak spend a few moments watching him waddle out of the room and then go back to staring each other down. 

“Look, you ass,” Kira starts, “we couldn’t link every victim to the Cardassian government or some third-party organization, but we were able to link enough of them to recognize that these aren’t just random nobodies having ‘accidents.’ Someone was able to break into your computer and embarrass you and you don’t like that so you’re pitching a fit. I can’t have Odo arrest you – yet – but I can tell you to cut it out. This vigilantism isn’t helping–”

That gets a reaction. “Vigilantism!”

“Well, what would you call it?”

“Self-defense.”

“They attacked you?”

“Possibly.”

“Goddamn you, Garak! Just… don’t do this anymore, okay?”

Garak looks at her with innocent astonishment, like he’s still bewildered by her totally plausible accusations. “Well. You have my word, I suppose,” he says, bemused.

—

Gul Skrain Dukat. Blessed with a wife, seven children, two sets of living parents, grandparents, and great-grandparents, minus one father. Habitually cheats with lower ranked military officials, slaves, and barely legal adults, unbenownst to his family. Father was interrogated by Elim Garak and executed by the Union over live broadcast in the year 2350 for the crime of being a piece of shit. 

Elim Garak was shortly thereafter levied with an amateurish execution attempt by Gul Dukat. It failed.

The second attempt will succeed, but at a great cost.

The Festival of Filthy Fucking Foot Fetishists has officially begun, but Garak is struggling to feel any enthusiasm. He is surrounded by his people. The station has been dimmed by 15% to better suit Cardassian eyes and misting stations have been set up in limited locations. Extinct and invented flowers crafted by Cardassian and Bajoran artisans decorate the banisters and doorways. A wash of blue, green, and sparkling gold lights up every direction. There is the smell of freshly prepared Cardassian sweets on the air, a gentle warmth suffuses the atmosphere, and children are laughing on the promenade. It’s the first time the station has felt not just tolerable, but nearly pleasant, in years. 

But then, Garak has never felt particularly welcome among his people. As a child, he was an orphan generously cared for by service workers and sponsored by a government official, and as an adult, he was a member of the Order, which granted him more fear and loathing than it did admiration and respect. Companionship, in its truest form, was a rare thing to come by and not something he was encouraged to come by at all.

Perhaps that is why Dr. Bashir blindsided him. 

In any case, Garak is delicately balanced on the line between proper misery and numbness. He gave up imbibing around the same time that he gave up the implant—or rather, the implant gave up on him—but he’s on his third cup now, wandering through the festivities with no particular direction in mind. The exact spot of this last operation isn’t important, only the timing.

He finishes his drink while a group play a spirited game of cold moba in front of him. It shouldn't be long now.

All the nearby screens suddenly flicker from the event schedule to Dukat’s sharp grin and Garak hums. There we are. He knew the bitch wouldn’t be able to resist showing his face.

“Welcome everyone to the biennial Festival of–” a baby wails, “generously hosted here on Deep Space Nine by Bajor and the Federation, and of course organized by our own prodigous Detapa Council. Ah, that wormhole… quite the view, isn’t it?”

Garak looks around for another food stall that serves alcohol. 

There aren’t any stalls in his immediate vicinity, but there is a young Cardassian couple marching towards him while making dogged eye contact. 

Oh no. 

Garak starts to make a break for it. Not too fast, it won’t do to cause a stir, but there are a number of very good reasons for him to stay far away from any Cardassians who might recognize him right now. Especially if the source of that recognition is those damn poems he was too stupid and sentimental to destroy.

Before he can make it more than a few steps, however, he looks up to see another few Cardassians working their way towards him, also making eye contact.

No, no, no.

He makes to move towards the stairs then, only for his eyes to land squarely on him. 

Him, wearing the silky green outfit he lovingly crafted for him a few months ago. Him, shining in the festival lights, casting him in an even more arresting shade of gold than usual. Him, looking determined and coming straight towards him.

Oh, fuck no.

“Garak,” Julian calls out, likely reading the panic on his face and stance and soul.

“Today, I am not a Gul, though,” Dukat is saying. “I am but a humble representative of the Cardassian Union in its totality, and as such, I would like to thank Colonel Kira Nerys and Captain Benjamin Sisko for their hand in this week’s festivities. They have been nothing if not accommodating these last few weeks while our coordinators ran rampant through their halls.”

He should have accounted for the possibility of this. Thinking of Julian had become excruciating as of late, but that was no excuse. Whatever interaction Julian had been hoping to have with him couldn’t be allowed, not now, and not only for the sake of Garak’s traitorous, disgusting feelings. Even if it would give the sweet man closure, it would not be worth his life. 

“Now, it may be a bit unorthodox, but I thought it would be only fitting if the first Reenactment was carried out by our benevolent hosts, and the Lakarian City Acting Troupe were all too happy to take them under their wing.”

More eyes are turning towards the screen now, the laughing and playing and sloshing of cups quieting down. Julian is nearly with him, his approach halted only by the gathering crowd, and Garak can only pretend to be interested in Dukat’s speech while he racks his brain desperately for a solution. Any solution. Anything.

“I trust that the history of Cardassia is in capable hands.”

The screen flickers again and changes to a shot of one of Quark’s holodecks, where a lone Bajoran man stands in a beam of red light.

A hand grabs Garak roughly by the arm, and he nearly cries with relief when he sees that it’s Lumok.

Well, Lumok with the face and attire of a Bajoran, but that ever-present spark of unchecked malice in her eye is quite unmistakable to someone who worked with her for over a decade. 

“Surprised, you ugly old regnar?” she asks under the actor’s impassioned opening monologue.

He sucks in a breath as the sharp edge of something presses into his back. “Impossible. They found your body caught on one of the station’s spires.”

“A simple bait and switch,” she purrs, pressing the weapon closer, slicing through his tunic. A pity. This was one of his nicer ones. “You’ve gotten sloppy.”

He manufactures a smile. “A knife, then? A favorite of yours, I recall, but terribly messy for such a public venue. Not to mention if your aim is even an inch off, I’ll be in and out of the infirmary within the day, as if nothing at all had happened.”

“Don’t lecture me,” she growls. “You can’t do that anymore. You’re not anyone to anyone. Your master is dead, and what did you do the second you were off leash for the first time in your life? You went and choked yourself on the first Starfleet sotl you could find. You’re pathetic.”

It took incredible effort to keep his eyes from rolling to the back of his skull. “Oh, just stab me already.”

“I’m not going to stab you. I’ve done a bit of outsourcing, in fact.” She slid the knife from his lower back to his side and looped her arm through his, pinning him in place with a wide smile. “All I had to do was suggest to my new friend that you were infiltrating the Federation. That you were poisoning them against Bajor from the inside, uniting Cardassia and Starfleet in a secret alliance under the guise of wooing the CMO. No, no, you won’t be killed by one of your peers. Your death will be at the hands of a perfect stranger. A pointless death for a pointless man.” She leans in and whispers into his aural ridge, “It always was so easy to make people hate you.”

The next few seconds are a flurry of chaos. One second he’s watching as Human, Bajoran and Cardassian actors alike are all holding hands and reciting ancient poetry and the next he’s on the floor with a searing weight bearing down on him from calf to shoulder. There are screams and footfalls coming from all directions and Odo’s voice is immediately discernible shouting over the commotion. His back is on fire, he can’t breathe, and there’s a slash in his side, but he doesn’t miss the thump of Lumok’s body a few feet away, dead before she hits the ground.

“Garak? Garak?” the weight on him is speaking frantically, pawing at his head and shoulders. The weight shifts and the hands flip him onto his back. Those same hands pat him down, blazing a path down his chest and his stomach and his sides, stopping at the superficial gash near his rib, and Garak knows who this is before he even opens his eyes.

“Garak,” Julian sighs with relief. Garak was meant to be dead by phaser blast right now, but instead Julian Bashir is smiling down at him like he’s important, kneeling beside him, his hands on him, branding him with their incredible heat. It shouldn’t be possible. No one could be that fast. 

“Doctor,” he manages on a wheeze. One of his ribs might be broken, actually.

“Dukat,” Sisko growls from the monitor in billowing robes and a long flowing wig, surrounded by flowers.

—

“Explain,” Sisko commands.

Having decided that showing weakness right now can only help his case, Garak is sitting hunched to the side, holding his reeling head in one hand. It’s through a hiss that he replies, “A woman named Turora Lumok was responsible for sabotaging the station with those poems forged with my data signature. The Bajoran woman who was just assassinated–she was no Bajoran, but rather one of the last remaining members of the Obsidian Order. She was hired by Dukat to kill me during the festival under the guise of a hate crime. No doubt because of her indomitable reputation, I’m sure. A number of Cardassian casualties these past several days were at her hands.”

Sisko walks to the viewport to stare out into the stars for a moment, processing this. “All his talk of friendship between Bajor and Cardassia…” he trails off, the ghost of a sneer on his lips as he turns back around. “His goal was just the opposite. He wanted to destroy any hope of cooperation.”

“And get me out of the way in the process,” Garak grumbles. 

Sisko hums and wanders over to Garak’s side, looking down at him thoughtfully. “I don’t suppose you’d be willing to tell me who assassinated Ms. Lumok?”

Garak stares at the floor through his fingers, his eyes glazed.

“Or who your informant is on Dukat’s involvement?”

“Captain,” Garak mutters, not looking up, “I have sat here concussed after an attempt on my life and shared with you everything that I know, and here you have not even told me who the tailor of your magnificent robe is.” He tugs half-heartedly at a strip of embroidery on the fabric. “I must admit, I am feeling a touch betrayed you didn’t come to me.”

Sisko flicks his eyes up to Julian, who has been standing in the corner with his hands behind his back. “Very well, Mr. Garak. I release you into Dr. Bashir’s care for now, but I expect to continue this conversation soon.” He massages his forehead. “Once I figure out what to do about this damned festival.”

Julian comes over to help Garak out of his chair, but Garak snaps upright and to the door before he can touch him. Sisko takes the opportunity to lean into Julian’s face and whisper, “Get more information out of him.” The doctor nods.

Julian isn’t angry when he steps out of Sisko’s office and sees that Garak is walking in the exact opposite direction of the infirmary, but he is disappointed. 

“Mr. Garak,” he says urgently once he’s caught up to the idiot.

Mr. Garak interrupts him in the same tone, “Now, now, my dear doctor, we both know I have a dermal regenerator in my quarters, so we need not extend–”

“And I think we both know this is about much more than a few bumps and bruises. I’m afraid the time for beating around the bush passed quite a while ago.”

“You’re right, Doctor,” Garak says, coming to an abrupt stop and rounding on him with wild eyes. “There is an urgent matter we must discuss.” Julian’s eyebrows raise, and Garak nods severely. “Oh, yes, let us not ‘beat around the bush.’ We should talk about how you threw yourself directly into the line of a lethal phaser blast on the one in a millionth chance that you might save my life. The cost of such an action being almost certainly your own life, and yet, here you stand, and here I stand. Will wonders never cease.” Julian opens his mouth, but Garak raises a finger. “Nevermind that I was in the middle of an altercation with a very dangerous, very volatile woman who would not have hesitated for a second to dispose of you. She had a nasty habit of that. Now I knew that you were naive, Doctor, Doctor! I knew that! What I did not know – what I never could have guessed after all these years – was that you are an idiot.” 

Julian stares back into Garak’s hissing face, unimpressed. Garak feels a wave of deja-vu and does not like it. It has no place here. And yet, Julian takes in a breath and smiles, raising his shoulders. “All right, Garak. If it’s really so important to you, we can talk about your suicide attempt.”

“What?” Garak bites out.

“You were going to let yourself get shot, yes?”

“I was n–” Garak starts to lie, disgusted, but is stopped by Julian stepping entirely too close. He stumbles back a step, then another when Julian attempts to crowd him again, and the familiarity of the routine has him shutting his eyes, rueful. They’re dancing again. It’s humiliating, the things this man makes him do, how effortlessly he can gain the upperhand. Most of the time without even having to lift a finger.

“You figured out Dukat’s plan and arranged for Lumok to die if she succeeded, but you expected her to. You didn’t expect to be saved,” the doctor tells his blank, unresponsive face. His eyes are still closed, his hands tense at his sides, but he knows Julian’s stepped closer again by the heat of his livid breath. “Tell me I’m wrong.”

“Very well. I didn’t figure it out. I was informed.”

“So, the captain was right.” He sounds bored, but Garak seizes his chance. His eyes open in a sudden burst of animation.

“Yes, I had an informant. I believe the major was familiar with him, a fellow by the name of Damoc who was recently presumed dead? Though I knew him far better as Mebol. We first met on Romulus, you see. In the event of my death, he had strict instructions to reveal Dukat’s plot in my stead and protect my remaining assets. In return, he was to receive some valuable coordinates, which by now he will have long accessed. I suppose he’s already booked passage off of the station, if he hasn’t already gone.” 

“Quick to abandon you,” Julian says, completely off-script. Garak’s carefully measured breathing stutters.

“Surely Captain Sisko would like to have a word with him.”

“I’m sure.”

“Doctor…” Garak says, lost. “There isn’t time to was–”

Suddenly there are two hands slamming into his chest like they’re iron forks and he’s a slab of meat, rocketing him back into the nearest wall with a loud thud. Garak gasps at the strength of it, astounded, but all his attention is quickly monopolized by Julian’s snarling words.

“Stop trying to distract me, Garak! Stop racing away before I can even properly get into the room, stop begging off lunch, stop ignoring my comms, and stop acting like your bloody life is over just because it was found out that you have feelings for me!” 

“I–I don’t–”

“Lke hell you don’t! Thirty-seven.”

Garak blinks several times. “What?”

“Thirty-seven. That’s how many direct references to our literary discussions are in your poems. All chronologically concordant with the dates of those discussions, and six of which from that classic Earth album I recommended to you a year ago that you swore up and down sounded like a pack of voles had been crammed into a bucket and shaken around. I knew you were having me on. You love Mitski, and you love me.”

Garak’s face shutters. 

Finally, Julian takes a step back. His hands remain on his chest, pinning him in place, but he allows him some oxygen. Exactly twenty seconds pass like this, before the doctor becomes impatient and huffs, “You can’t possibly have nothing to say.”

“What would you have me say, Doctor?”

“I would like you to admit it.”

“Why?”

“Because I’ve heard it from friends and coworkers and strangers and every tourist on this damn station, it feels like, but I haven’t heard it from you.”

Garak is silent for a long time. Finally, he quietly asks, “You would further humiliate me this way? Knowing what you do? My dear friend…” He, carefully, with only the gentlest of pressure, puts a hand over one of Julian’s. “Please. You’ve read everything I could possibly have to say. What more could there be?”

Julian’s hands are unforgiving, but his eyes soften at the simple lowering of the curtain. It’s not the direct confession he was looking for, the I love you completely, traitorously, ruinously that his poems professed and a deep, broken part of Julian desperately wants to hear, but it is, it is. For Garak, this is as explicit as it gets, and Julian can feel his heart trying to catch in his throat.

“Garak,” he starts to say.

Garak isn’t scowling anymore. His eyes are shining as he looks away and sucks in an aggrieved breath. “Oh, please, let us skip this excruciating precursor. I have no intention of remaining on this station.”

Julian goes unnervingly still. “Excuse me?”

“I will need time to pack up my shop and settle my lease, but then I promise, you will never suffer the consequences of my unfortunate… condition again.” When Julian only stares at him with mounting alarm in his lovely eyes, Garak grimaces. “You must know I had no intention of pursuing you.” At least, not after the implant had been shut off and he’d realized what horrors he’d stumbled into with the doctor while under its influence, and by then, it was already too late. He was too weak to stop speaking to him, but he was not a complete monster. “I wouldn’t have. My writing was never about nurturing the emotions, only managing them.” A bit of a lie, but only a bit. He does love to languish and he never could resist a good innuendo. Their friendship had been infinitely precious to him, though, and he couldn’t bear the slow death it would undergo now that everyone knew the truth.

The worsening rumors that would spread. The suffering of Julian’s reputation, career, and love life with the Cardassian spy’s drastic affections hanging over everyone’s heads. The danger it would place them both in, the damage it had already done. The way Julian would know every time Garak flirted now, it was never idle. It had never been and could never be. 

It would be a torture hitherto unthinkable. Better to sever the limb before it could rot.

Still, Julian is silent. The pressure on his chest is more a suggestion than a command now.

“Doctor, I…” he swallows back anymore hideous truths. “I apologize. Your rage is understandable, but I swear to you, I have every intention of righting this wrong.”

“Oh,” Julian says then, softly, as if he isn’t speaking to Garak at all,  “you don’t know.”

“Doctor?”

He makes a bizarre human gesture, skimming the heel of his hand off his forehead. “My God! Of course. I thought it was pride, or shame, or paranoia. Anything and everything but this, but of course you would be this ridiculous. Well. That’s an easy enough problem to solve.”

“Doctor–?!”

The hands on his chest are gone. Instead, they’re seizing him by the head and pulling him up to connect his mouth to Julian’s.

Oh.

If Julian’s touch was a brand before, this is lava running down his throat, into his stomach and down, down, down to eat through the twenty inch thick duranium floor. Slow, thorough, and final in its devastation. A transformation that cannot be persuaded. He grapples with it, hands scrambling stupidly over and across his doctor’s shoulders. Whether it’s to pull him closer or push him away, he doesn’t know. He’s too busy being brutally altered to give it much thought.

His hands settle for burying themselves in his hair at some point. When doesn’t matter. Time holds no power here. It happens, and then he knows how soft Julian Bashir’s hair feels, and there is no going back.

The loss of control becomes alarming enough that he finally manages to pry himself away, gulping in desperate, anxious breaths of frigid station air. It works. The fire and the madness that followed it calms down and he manages the strength to push Julian back, but the wet smack of their lips disconnecting will echo in his dreams for the foreseeable future, as will the dizzy grin on Julian’s face inches from his own. There’s a hand on his ass keeping him from tumbling through the hole in the floor and a couple unlucky passersby gawking at the gruesome scene and Garak is a different creature entirely, incandescent and strange, forged anew in the curious fires of mutual attachment. 

He feels insane.

“Doctor, you cannot truly be this naive.” 

Julian looks anything but naive right then. He can’t focus on that, though. He needs to focus on the fact he was nearly assassinated; the fact that the kindest man alive nearly died with him out of some misguided terran idea that all lives are of equal value and importance.

And yet, Julian is leaning in to kiss him again, so Garak puts a hand on his chest and says, “You know what I am.”

Julian’s expression turns complicated and it’s clear he understands. Garak’s roiling emotions can’t settle on being relieved or horrified. How to go on after this? After knowing intimately what he almost had, with the smoke of it still thick in his eyes and his throat and his heart?

A gentle hand on his jaw brings him back to the moment, where Julian’s eyes are serious. “I know,” he murmurs.

Garak sucks in a wet breath.

“The question is,” Julian continues, even quieter, “do you know what I am?”

His head is spinning. “Doctor?”

Julian just smiles sadly, and it's clear that there are some long conversations in their future. But for now… “About that dermal regenerator in your quarters,” Julian begins, and Garak is relieved to find out that whatever stupid, lovely thing he’s become can still appreciate an innuendo.

—

Not long after, in the middle of telling Sisko all about Mebol over Julian’s comm badge while its owner watches expectantly in a state of teasing half-dress, he’s horrified to find that whatever thing he’s become is also rather eager to please.

—

A couple days later, the two of them are picking from a generous cut of flaming taspar in the Replimat.

Or, Garak is picking, anyway. Julian is stuffing his face. Ordinarily, this would mildly scandalize him, but the fact it’s taspar, one of the most traditional delicacies of his homeworld, being shoveled enthusiastically into that pretty face makes it so he can feel only hope.

Rather than giving into that inadvisable feeling, he takes a dainty sip of his tea and tries to look nonsuspect. Cardassians from all sides and angles are staring.

“About Miss Leeta…” Garak begins.

Julian wipes his face with the side of his hand. Disgusting, but oddly compelling. “What about her?” 

“When will you be breaking the news to her?”

“Oh.” Julian smiles, bemused. “She knows.”

A tightness in his chest dispels slightly. “Does she?” he says faintly.

“She’s the one who first brought it up. We performed the Rite of Separation days ago. She said it was great timing, what with the festival and all. We didn’t even have to leave the station.”

“So you were together then.”

“Well, in a sense. We weren’t in love, if that’s what you’re worried about.”

Garak takes another sip, lowering his eyes. “I wasn’t worried. Only concerned for the young lady’s feelings.”

Julian’s face is incandescent. A Cardassian to his far left is openly gaping. “Of course, of course.” He leans suddenly over the table then, moving a hand forward to rest on his knee. “So, should I take this line of questioning as an indicator that you’re open to a relationship with me?”

Garak shifts a little in his seat, moving his knee further under the table and its shadows, but otherwise doesn’t pull away. “It would be unwise,” he says quietly, without actually saying no.

The hand squeezes. “It isn’t as if people won’t assume anyway.”

“Rumors can be dispelled. Redirected. Altered.” He reaches forward to take a small saucière and pours a bright red sauce over a couple groatcakes. “There would be no coming back from a confirmation.”

Julian’s hand falls away. “Would it be so bad?”

“I don’t know,” Garak says, splitting a cake up into three neat sections. “Would it, Doctor?”

A Bajoran couple walks past their table then, and while one purposely avoids eye contact and seems to be giving them a wide berth, the other throws a meaningful glare Julian’s way. This is the fourth judgemental or pitying look he’s received since they came in for brunch. Julian calmly returns the look, refusing to be the first to look away, until finally the man averts his eyes and Julian looks back to Garak with a stern smile. Garak inclines his head.

“Be careful, Doctor,” Garak goes on. “Rumors can ruin lives. End careers.” He scoops up a bite of his cake, dripping with red sauce, and lifts it to his mouth. “Kill,” he finishes, and eats.

At that, Julian leans back in his seat with his arms crossed tight. Garak gives him his time. It’s a relief to have finally made a dent in Julian’s lovesick, idealistic conviction–and Garak can admit, after the last few days, that it is lovesickness. Julian’s decided he loves him back and there will be no stopping him from pursuing this, but there may yet be some tempering. A small, equally stubborn, sentimental part of Garak despairs at the whole horrid affair, but the behemoth of his good sense squashes this part down with little difficulty. 

It’s this moment that a smattering of young Cardassians, accompanied by one Jadzia Dax, arrive at their table. Immediately, Garak recognizes them as the ones that nearly intercepted his meeting with Lumok and his stomach drops. Julian, on the other hand, brightens back up.

“Well, hello there,” he says warmly.

Jadzia responds first, with each elbow leaned on a Cardassian’s shoulder and a knowing sparkle in her blue eyes, “Hello to you.” The Cardassians all echo with similar greetings, some shy, others giddy.

One young woman standing at the front, with her hair in three elaborately plaited braids and little makeup, is looking at Garak with particular interest. “You’re the one who wrote the poems about Julian.”

Garak looks at the girl coolly. “Do you mean Dr. Bashir?”

She goes blue. “Oh, um. Yes. I do.” She tucks an imaginary lock of hair into her perfectly coiffed hair and lowers her head respectfully. “My apologies, Doctor.”

“Hey now,” the doctor scolds with good humor, “none of that. We’re all friends here.” 

The girl throws another searching glance Garak’s way. “Friends?”

That’s enough of that. “This is certainly quite the surprise,” Garak says genially, plastering on his most pleasant smile. “Is there something you needed? As Deep Space Nine’s resident Cardassian tailor and reputed troubadour, I’m always happy to be of service.” Julian sends him a sharp look, which he ignores. 

Jadzia is looking as foxy as she ever does, with a grin nearly to her spotted ears. “Julian asked me to bring them here,” she says too happily, and Garak has to sit back in his seat to process that. Julian scratches his neck with a guilty smile, obliviously alluring. It cannot be overstated that there are, still, eyes on them from all directions and angles.

“Garak, sir,” the Cardassian woman-child begins again, earnest, “let me start over. My name is Inia Milam. I am the President of the Ivory State Liberation Library. We collect–”

“Madam,” Garak interrupts her quietly, stunned. “This is hardly the time and place.” He blinks, still shocked stupid by her brazenness, and leans towards her, peering into her distressingly young features with beseeching desperation. “And I am hardly the audience.”

Milam doesn’t appear to process his warning at all, though. She just continues to look inquisitive. She has that gleam in her eyes that is common in Cardassian women, calculating and intelligent, but there’s something else there. Something indefinable that he’s seen hundreds of times over an interrogation table, but without the fear to staunch it. Without the hopelessness. It makes his stomach flip. “On the contrary, you are exactly the sort of person we look for.” She bows her head. “Dr. Bashir promised that if we assisted him a few days prior, he would introduce us so that I could formally welcome your book of poems into our shelves. I apologize if this comes as a surprise. I wish only to thank you for your excellent contribution, E. G., and tell you that we hope to welcome many more pieces from you in the future. I’ll be in touch. Dr. Bashir.” She nods to him, returns his gentle smile, and walks confidently away. The rest of the group mirror her, voicing similar words of polite farewell and appreciation, and leave.

Garak forces himself not to track their departure and instead picks up his fork again, as if nothing world-shattering has occurred at all. The cake is tasteless in his mouth.

Julian is concealing nothing of his thoughts, however. He’s staring openly at Garak, as if he’s a bomb and he’s trying to figure out which color wire to cut.

Ultimately, it’s Jadzia that breaks the tension. “Well,” she says, “that is some harem you’ve got there, Julian.”

“Jadzia,” Julian barks. She laughs.

“I’m teasing, I’m teasing.” Uncharacteristically, her impish smile turns regretful. “Now that that’s out of the way, I do have to bring your friend in for questioning,” she says, and that explains that. “I’m sorry, boys. I stalled Ben as long as I could.”

Garak polishes off the last of his meal and takes one last gulp of his tea to wash it down. With that done, he stands with a placid, conciliatory smile.

Julian puts a hand on his shoulder before he can take a step. “I’ll come see you after my shift.” Those lovely, dark, deep eyes search his, pinning him like a moth above his fireplace. “Okay?”

Garak inhales. “Without end,” he murmurs, waits for Julian’s eyes to light in understanding, and then aloud says, “I am at your disposal, Doctor. Good day.” With that and a firm, friendly pat on Julian’s hand, he limps away.

Jadzia rather pointedly watches him limp to the exit for a few long seconds before throwing Julian a rakish grin. “Well, well,” she says largely. Julian pretends not to notice, and Jadzia pivots on her heel after Garak.

“Before we lock you up and throw away the key, could you sign my datarod,” Julian hears Jadzia asking, and he shakes his head, unsuccessfully trying to rub away his smile.

Without end Do I think of you and so Come to me at night. For on the path of dreams at least, There's no one to disapprove! Ono no Komachi

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[baldursgate3tempobsessed]

K follow me Astarion just sees tav like loving on children wherever they go and hes like?????

And tavs like ive always wanted my own child but i didn't wabt to ask you with every

This sends poor starion into a crisis does he was children how many

I think I have followed you. Let's see!

So for this one we got a lil time jump, ambiguous and vague setting and timelines with game spoilers present. M/F pairing because that is my go to and pregnancy is mentioned. Vampiric pregnancy also so there is some weirdness there (i made it up no idea if it's dnd accurate). Vague Tav backstory of a wonderful mother and going off to become a cleric.

~

Astarion was well used to your antics by this point. You had a severe lack of instincts linked to self-preservation, which led to a consistent pattern of doing, frankly, stupid shit. Stupid, but kind. Nothing that Astarion hadn't adapted to, after nearly two years of being attached at the hip you became pretty attuned to your lover's personality.

He could even go as far as to say that he had grown to love your annoying predilection for pious morality. Perhaps he loved talking you out of certain virtuous dangers more, but still. He appreciated who you were, he adored who you were. But Astarion was no saint, despite his insistence on attaching himself to one.

Which is exactly why he was far from amused when you signed him up to babysit a couple of brats. All for acquittances he barely cared about.

But you at least had the good grace to look guilty, "I didn't mean to! But she looked so tired and she said their anniversary was coming up and it's not like we got anything for their wedding-"

That was a nice try, one that Astarion wasn't falling for, "We didn't know of their existence when they got married darling. Just because I can't remember their names doesn't mean you can trick me."

"I'm not trying to trick you!" You whined, arms crossed as you pouted. It sure felt like a trick, especially when Astarion knew that you were well-aware how easily he fell for your sulking. Adorable little monster that you were, "It's only three kids and a baby for one night, it won't be that bad! You don't even have to help-"

Astarion rolled his eyes as he sat next to you on the bed, "I didn't say I wouldn't help."

That seemed to do the trick to get the pout off of your face. You perked up immediately, looking at him like you couldn't quite believe it, "Really?"

"Yes, really," Astarion sighed as you tugged you closer. Sure he liked to bitch, but he really would do anything for you. Even extremely annoying things like this, "I'm not going to sit back and feed you to the wolves."

"They're not wolves! The oldest is barely five," You laughed as you let him manhandle you, settling you into his lap, "And I am sorry, I really wasn't thinking. I promise it won't happen again."

Astarion doubted that, not when he was well-versed of your weak spot for children. No matter where you went you couldn't help but fawn over them, not to mention the insane lengths you would go to keep any child safe. It was a complete and utter blind spot, your kindness extending to them all, even the little scam artists and hellions.

It was sweet, if not extremely worrying at first. Astarion had been terrified of you finding out his past. The things that he had been forced to do, the innocents whose lives he had destroyed. But not only did you find out, you were forced to see it. Both of you were, and it had been worse than anything Astarion could have imagined. He had always found a slight comfort knowing that those he captured would at least die quickly, that at the very least they wouldn't suffer the same agonizing fate as he, just an agonizing death. But no, even that small comfort had been a lie. The horror of finding them all down there has yet to be matched. He had never felt more self-loathing, more pure disgust than the moment he had found those children, tortured and pale, all because of him.

How you didn't see him for the wretched thing he was after all that, Astarion wasn't sure. But he was grateful. You were too good for him. A fact that he was devastatingly aware of, but that wasn't going to stop him from keeping you.

He still thinks about it on occasion, despite the fact that he had done all he could to right his wrongs. They all at least had a chance now to have a life worth living, Astarion could only hope that it would be used. Their future was out of his hands now, a small comfort.

But despite his complicated feelings towards children, he was more than capable of handling them for one evening. And in all honesty, he truly didn't have to do much. He was on self-mandated baby duty, because of course you had to help out the infant that would scream bloody murder unless it was being held. Keeping her tucked against him was a move of self-preservation, if he ever wanted to retain his hearing.

Most of the night was spent amused as he watched you entertain a gaggle of toddlers. You were so... creative with the ways you could defuse their antics. It came to you so naturally, nearly like you were a born mother yourself. It wasn't exactly surprising that you were fantastic with children, he had seen it time and time again. Arabella, Mol, Yenna, all of which still wrote you letters, visited occasionally. Staying forever attached, even from a distance.

Now that Astarion thought about it, it was odd that you weren't a mother. Odder still that you hadn't never even brought up the possibility of having children together. You were usually so open with your wants and always encouraging the same from him. Just one more thing he loved about you. But... why hadn't it been mentioned? Astarion had always assumed it was because you didn't truly want any of your own, that you enjoyed their fun innocence while avoiding the more laborious responsibility of raising them.

Though watching you take care of them all, changing diapers and negotiating silly arguments with a soft smile of your face had him rethinking his assumption.

"You're good with them," Astarion said eventually after you had successfully set the older three down for the night, the baby still stubbornly clinging to him, "I don't think there's a child we've met that doesn't adore you."

You laughed quietly, walking over to kiss him softly on the cheek. Your eyes wandered to the sleeping infant in his arms, still holding a piece of his shirt in it's little fist, "You don't seem to be too bad with them either."

"Newborns don't know any better," Astarion dismissed as he tried to put her down in their borrowed crib. Tried and failed, considering how the thing immediately started to whine the second he attempted to pry it's little hand away.

Oh for fuck's sake. Astarion wasn't even going to try and argue. Instead he unbuttoned his shirt and let it fall into the crib with her, seemingly doing the trick of stopping her from waking completely.

When he turned back you were staring at him with soft eyes, looking lovestruck at the simple act of him laying a child down, "Looks like she has pretty good taste to me."

"I don't think your judgment should be trusted," Astarion huffed as he walked over to you, grabbing your hand to drag you to the bedroom. He glanced back at you, his heart nearly skipping a beat from the sweet way you kept looking at him. It had his mind wandering again, those questions still nagging him.

Questions that he didn't have the courage to ask until dead of night, when he had you half asleep against his bare chest, "Have you ever thought of having children?"

He hadn't meant to blurt that out in the middle of the night, but Astarion apparently had a knack for starting important conversations at inconvenient times. Not that you minded.

You just cuddled into him closer, nodding against him with a sigh, "I've always wanted my own children. My own mother, Gods bless her soul, made it all sound so magical. Pregnancy, the early years, puberty, all of it. She loved it all. And I guess it rubbed off on me. It used to be all I could think about, before real life got in the way."

Astarion listened, a little annoyed at himself for not putting the pieces together sooner. You had talked so lovingly about your late parents, how you always wanted to be like your mother. Of course you would want children. How had he not connected the dots?

"But then I went off to the temple," You continued, "I completed my training, went off into the world to do good, blah, blah, blah. You know the story."

"So you grew out of the idea?" Astarion asked.

"Not exactly," You admitted, sounding a little guilty, "But I would never ask that of you love, it's not something you have to worry about."

That-what?

Astarion stared down at you, brow furrowed, "What do you mean?"

"I mean I know that the topic of children is... difficult for you. Considering everything you've been through-"

"I think you mean to say everything I've inflicted on others," Astarion interrupted, unwilling to allow himself grace. Especially when it came to the children of the Gur, "It was much worse for them than me."

You nodded, knowing better than to try and fight him on that particular topic, "I understand, but my point is that I can live without them. You're all I need."

It was comforting to hear, an immediate balm to a brand new set of insecurities that Astarion hadn't been prepared for. But even so... he hated the idea of you sacrificing even more for him. It felt wrong, "But-"

"But nothing," You interrupted softly, setting a quick kiss to his mouth, I'm serious Astarion, you don't need to worry. I'm happy, I love you, and everything is fine."

"I love you too," Astarion murmured, at a loss to say anything else. But the conversation didn't end there.

Astarion couldn't stop thinking about it, even long after the temporary children were sent back home. ou seemed so... sure that he didn't want children, and a week ago he probably would have agreed. But that was back before he knew that he was actively keeping you away from something you wanted. Something you had dreamed about since you were a child. And it felt wrong to be the reason for that, so, so wrong.

He didn't even know if his true feelings on the matter were real. He didn't want children for many of the same reasons he never wanted a partner. The attachment to another was dangerous, he was beyond unequipped to deal with others, let alone care for them, and the entire ideology behind love was ripe for manipulation and heart break. But then he met you and everything changed. Suddenly, caring for another didn't feel like a weakness, it felt like the strongest aspect of his entire self. Taking care of you wasn't an unwanted duty, it was intimacy. Something that he now craved. If all of those steadfast ideals could fall apart simply through meeting you, whose to say he could even trust himself when it came the thoughts around having a child?

Would having one truly be so bad? A little piece of the two of you, alive in the world? And perhaps children were annoying but... Astarion would be lying if he said he didn't have a soft spot for them. He had kept his distance before, but now he was fully confident that he wasn't a danger, no with Cazador burned to nothing bus ash and his own bloodlust well controlled. And it's not as if he was incapable of being a father, worse men than him did it everyday.

It was a confusing place to be, this tightwire of indecisiveness. Confusing enough for him to start a bit of research. He was vaguely aware that it was possible for his kind to breed, but finding out the details was disheartening, to say the least. First he had to parse out the different horror stories of babes eating their way out of their mother's wombs with actual facts, which wasn't exactly pleasant. But the truth was that it was more than possible for the two of you to have child together. It had the potential to either be as noneventful as any pregnancy, with the cavate that the babe coming out looking slightly... dead wouldn't be a permanent state of being. Or it could be as risky as carrying a child could be, with pains and complications galore, even legitimate worries of internal bleeding from the wretched thing prematurely growing claws. Not to mention the occasional, intense blood lust that could occur, an experience that Astarion would prefer you didn't have to go to.

Looking into the reality of the choice didn't help as much as he had assumed it would. If anything it just made the whole situation more real. Even if he wasn't a vampiric spawn, childbirth was risky. Maybe not as risky for you considering how Astarion would move the heavens and hells to get you the best care possible, but still. The thought of you passing, leaving him alone with the child you wanted and would never see, would destroy him. Completely and utterly.

But then again... there was the magical alternative of everything working out just fine. The two of you were both beyond lucky in that regard, considering how you'd overcome mind flayer parasites and fought and won against a near god. It was more than possible that everything would be fine, that you would have a beautiful pregnancy that would end in an even more amazing child. Then two would become three, a family of his very own.

That... didn't sound too bad. Astarion was torn. On one hand, he was almost certain that he was willing to go through with it. Not just because he loved you and wanted you to be happy, though it was the main reason. But also because... he could be a part in making something good. A child that would never suffer the way he did, the way countless others had. One who would be loved, who would have the help they needed for their inevitable unholy hungers. Someone precious for the two of you to fret over, to adore and care for. He... wanted that. Or at least he would if you still did. Now if he could just figure out how to bring it up, maybe something could actually happen.

But luckily enough for him, you did the job for him. He had been pouring over another book dedicated to recording the births of Dhampirs in the area, only to be distracted by you loudly sighing behind him.

"What's wrong love?" Astarion asked, his eyes still scanning the page in front of him.

"Oh I don't know," You sighed, rounding the corner to sit on the edge of his desk, "I just can't help but wonder when you're going to explain why you've suddenly become obsessed with parenting books. And..."

You trailed off, ignoring his surprised expression to read the cover of what was in front of him, "'Vampiric and Mortal Love & The Spawn They Create'. It's not exactly your usual reading material."

Part of Astarion wanted to be surprised that you had already figured him out. He had at least been trying to hide things from you slightly, not that it mattered when you could read him like a book. And he supposed that blatantly reading things like this in front of you would eventually have an effect, even if he tried to obscure the titles.

But that didn't stop him from stuttering through a response, "Well-I, okay. I've just been thinking about options lately. Which you can't really do if you don't understand what they are. Hence the books."

You frowned at him, one leg crossed over the other, "Star, I already told you that you don't need to worry-"

"But I want to worry," Astarion interrupted, deciding that ripping the band-aid off would be the best course of action, "And if there is something I can be doing to make you happier than I should at least consider it."

"I'm not going to force you into this for that," You said softly, reaching out to twine his fingers against yours, "This isn't the kind of thing you do just for someone else."

Astarion was aware of that, there was an important truth to your words. But... "What if it wasn't just for you?"

You paused, your brow furrowed as you stared at him, "What do you mean?"

"I mean what if, and consider this purely hypothetical, what if I wanted one as well. What then?" It was as far from hypothetical as Astarion could get, but by the look on your face it didn't seemed like that needed to be clarified.

You swallowed, looking just shy of hopeful as you played with his hand, "I... well. I guess in that case we would have a lot to talk about."

That wasn't quite the answer he was looking for. He pressed on, "So if in theory, I did want one. Would... you still be interested in having one?"

With me?

He left that part unsaid as he waited for an answer, uncharacteristically nervous as you mulled it over. But you were smiling, bright and wide, giving his hand a little squeeze as you spoke, "I think that would be the only scenario where I would want it. If that's something you wanted."

"I think it is," Astarion answered honestly, done with being coy, "I don't know how, I... I'm not quite sure how I feel about you carrying something that could be dangerous. But... in general yes. I think I want this. I do want this. With you and only you. Whenever your ready."

The next part Astarion did see coming, his arms already open by the time you launched yourself at him. You straddled his lap, kissing every part of his face as you babbled, "We can wait! It doesn't need to be now but-I just-yes! Adoption, childbirth, I don't care. All I need is to have them with you. That's all I want."

"And that I can give," Astarion laughed, delighted at your reaction. He still had concerns, plenty of them in fact, but they were hard to consider when the woman he adored was so ecstatic.

He gripped your chin, chuckling at the whine you let out for him interrupting your onslaught of affection. You didn't have to wait long, not when he directed your mouth against his, kissing you deeply as a new wave of exciting, and slightly nauseating feelings worked through him.

He didn't know exactly what was going to happen in the future. He had no idea if he would be a good father, but he knew that he would try his damndest. He didn't know how the two of you would even procure a child, but he did no one thing.

With you by his side, it would work out. All of it, no matter how hard the road turned out to be. And that was all that mattered.

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[silvers-starrway]

So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!

I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!

[deadchannelradio]

descartes

t, gen, humor, 4.9k, 1/1

“It’s fine, Jason,” Dick says. “Chill out. I’m a grown adult, it’s not like Slade’s bothering a teenager anymore. It’s enrichment for me. I get a little shot of adrenaline and a bug treasure hunt. Sometimes he even makes me coffee.” “And you drink it?” “Well, yeah. It’s my fucking coffee, I’m not going to waste it.” “I’m going to kill him,” Jason decides aloud. “Next time I see that man, I’m gonna kill him.” “No, Jason, do not,” Dick says in the same tone Jason uses to tell his dog not to chew on his boots.

Read more on AO3

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[smallidarityfan]

smallidarity highschool au

came up with this au like actually 2 years ago where it's mainly empires 2 smallidarity centric, with Jimmy as a student council member and Joel as an honours student who doesn't like the way Jimmy runs things around the school.

As payback for the regulations Jimmy put up that Joel thought was stupid, Joel does these elaborate 'The Office' style pranks on Jimmy (specifically) while Jimmy retaliates by trying his best to dig up dirt on Joel. This banter goes on for a while— however Joel ends up doing the pranks less as a statement, and instead more just to see how Jimmy would react... with his comical, cartoony villain yells, and... weirdly cute face....? (YAOI YAOI YAOI YAOI)

very very old au drawings below:

from July 2023

😭😭 joel does NOT look like a highschooler here 😭😭😭😭 (i also wanted to draw angst in the first two ig idk a year later it's pretty cringe [i am still cringe]) (also partially inspired by when I read "Go for it, Nakamura!" and the mc reminded me of joel for no actual reason. or maybe i was just thinking about that manga while drawing smallidarity. idk)

from November 2022:

I think these doodles were genuinely the first instance of me converting from being against mcyt shipping to for shipping.

[akirathedramaqueen]

Octavia's and Blitzø's potential relationship development

I believe that the show, despite Octavia openly hating Blitzø, gives us some hints that they have much more in common than it seems. I’ve noticed a couple of moments where Blitzø and Octavia are… pretty much in sync, if that makes sense.

Here are those moments I’ve noticed… maybe stretched in some places, but! Hear me out!

1. Here, they don’t hear each other, but both are repulsed by Stolas’s obnoxious language and express the same reaction. It’s funny that Stolas is the one calling them out.

[Blitzø]: WHAT [Octavia]: THE [Blitzø]: FUCK [Octavia]: DAD?! S1EP2, Loo Loo Land, 4:52

2. They also share a distaste for Stolas’s behavior throughout the episode, albeit in slightly different ways. In fact, this serves as a great demonstration of how deaf and blind Stolas is to obvious social cues at the beginning of the series—he doesn’t stop even when directly asked to do so on multiple occasions.

Blitzø is disgusted by Stolas’s awkward, overly sexual advances and demeaning language towards him and his work.

[Stolas]: You are so cute when you are serious! S1EP2, Loo Loo Land, 6:06

Octavia is taken aback by essentially the same. However, she blames both of them, understandably failing to recognize that Blitzø is just as uncomfortable as she is. From her perspective, Blitzø is a homewrecker who contributed to destroying her parents' marriage.

[Stolas]: You know, it's quite thrilling to see you on the job, Blitzy.[Blitzø]: Save it, bitch, I am working. [Octavia]: You both need to get a room. S1EP2, Loo Loo Land, 8:20

3. They share the hate for the same clown!

[Blitzø and Octavia]: I hate that fucking clown. S1EP2, Loo Loo Land, 8:50

4. They seem to have similar tastes in music! The song My World Is Burning Down Around Me, which Octavia plays to tune out Stella’s screaming, is also heard in Blitzø’s van when he comes to pick up Loona in the Queen Bee episode, although it’s only instrumental. Here, have a look. If, for some reason, the service with the timeframes isn’t working, I’ll also provide the timings in writing so you can check it yourself on YouTube.

Octavia turns on the song, and for a while, we can hear the lyrics before it fades into the background as the scene shifts to Stella yelling at Stolas and later to Stolas’s conversation with Octavia. S1EP2, Loo Loo Land, 2:52 - 3:50

The song’s instrumental version can be heard when Blitzø’s van arrives, and the background noise at Queen Bee’s club is different, so there’s no chance for misinterpretation. It is the music Blitzø’s was listening to. S1EP8, Queen Bee, 8:20 - 9:14

5. Haha, they freak out in the same way in the Seeing Stars episode! I know it’s probably just a stylistic choice to transition from Octavia’s initial experience with LA to Blitzø having to contact Stolas and explain what happened. However, I might be indulging in a bit of wishful thinking, suggesting that this similarity in their stress responses could have some deeper meaning.

S2EP2, Seeing Stars, 4:42

So-o... What am I trying to say with all these points I've made?

Like the kind of delulu who yells, "Ghostfuckers, save us!" (we know Viv, we know how trying to put our hopes up ends, haha), I draw a complete unhinged card and I am going to make a very bold claim:

I think that once Stolas and Blitzø finally get their shit and themselves back together, and Octavia realizes there’s much more to the story than, “Oh, it’s just horny dad cheated on my mum with a red lizard dickhead and my dad ruined my family,” Octavia could actually bond with Blitzø quite nicely, and he would make a good second dad to her! Well, don’t get me wrong. She might never want to take it to that level. Also, we don’t know how things will turn out, nor do we know her relationship with her mum, Stella.

But I do believe that their parallels were thrown in for a reason. Despite the circumstances, they can, and maybe will, be on much better terms than they currently are.

Go on, call me delusional and leave me be in my complete denial corner. <3 I admit I do tend to forget the current state of the Stolitz relationship in the series, as in my world, where I’m prioritizing my time working on that fic, they are finally together. I am bitter-sweetly excited that @tealvenetianmask and I are slowly but surely getting close to finishing it. :)

(Yes, yes, it was shameless self-promotion—sue me for the unlawful use of a speculatory-analytical post space to promote our version of Stolitz working hard to sort out their issues post Apology Tour and having some silly and horny fun along the way.)

[ponchizs]

I’m in love with how they are giving so many subtle hints about Alhaitham and Kaveh’s relationship and how important it is to Alhaitham, despite the way they always seem to be bickering.

Throughout the 3.2 archon quest Alhaitham tells us that the reason why he is so interested in helping Sumeru is because he doesn’t want his daily life to change. After that Kaveh starts being mentioned very frequently by him or we hear other people in the akademiya complain about how they daily argue.

Then, of course, we meet them both arguing with each other in the House of Daena, which was quite the argument. We also know many of their casual interactions and how they go to the café/bar frequently together. Furthermore, Alhaitham pays all of Kaveh’s bills (something no one would do for someone they don't care for).

And now, during Alhaitham’s quest, their tones were so soft (At least in JP and CN) and also domestic. Kaveh seems to worry a lot about Alhaitham and exchanges glances with him, which made me melt inside. I also love how Alhaitham is constantly smiling while bickering with kaveh. Remember, we dont see him smiling like this that often. Which means he really enjoys it. I really liked how after the second time Kaveh asked him if he is okay, he replied with a tease about the painting Kaveh had mentioned before. Also smiling.

But most importantly, something I see no one talking about: the moment when Alhaitham was explaining why he resigned from being the Grand Sage to being the scribe again and he tells us that “It’s important to keep your priorities straight”, the camera points at Kaveh.

I know this game will probably never have any canon ship because they need to make everyone happy, but we do get hints like this from time to time and I think this was one of them.

After all, why would they bother to add all of those scenes with Kaveh when the quests had already concluded, if not for showing us how is what is Alhaitham’s daily life he wants to protect that much? We saw how happy he is, how eager he was to get home and go have dinner with Kaveh. We also see how Kaveh had been waiting for him as well.

I’d like to know more about their relationship, even if it ends up not being romantic (though how do you explain that face Kaveh made when paimon asked if they are friends).