#I mean One of these episodes had a happy ending so that was great but go d. this was so gut wrenching to go through TWICE

[actuallyjustabiscuit]

Ok thoughts 👏thoughts👏Everyone gather around I have thoughts about this!

Episode 2 was clearly the Pomni episode. We got to see her character get a little more fleshed out and we also got a glimpse of what motivates her which is great.

With this tweet we have solid confirmation on who the upcoming episodes will center on (thanks for not making us guess, Goose) and this lineup is really interesting.

First fascinating thing is that Kinger and Zooble share a spotlight in ep 3. Why is that? Everyone else gets their own dedicated episodes so why are they unique in that regard? What connects them?

Well, I have one idea!

So we know since the pilot that Kinger has been the one to have lived in the Circus the longest out of all of them. We’re still not sure if he was in fact the 1st human to be trapped (maybe we’ll find out in the next episode) but he definitely has the most seniority, both in age and in length of entrapment.

We also know that Zooble was the most recent character to get stuck before Pomni (and considering their attitude, it may have even been quite a while beforehand) AND is the youngest character next to Jax (they even share the same age, which could be a coincidence but it feels too deliberate of a choice).

Which means ep 2 will simultaneously focus on the oldest and the youngest of the characters.

I’m actually curious as to what their dynamic will be because they haven’t really interacted much in the pilot (and like not at all in episode 2), if they end up interacting in ep 3 at all. But mostly I’m excited to see them more fleshed out with hopefully Pomni getting the chance to bond with them (either together or separately).

My guess is that the purpose for them to share focus on an episode is to get perspective from someone who’s been there the longest and has seen more people come and go than anyone else vs. someone who was just recently in Pomni’s shoes and had probably a much different first day experience (we know Zooble cared enough about Kaufmo to personally organize his funeral so they may have some…feelings about who’s essentially his replacement).

Ep3 is also supposedly Gooseworx’s most anticipated episode so I’m extra excited.

Next we have Gangle for episode 4. I honestly don’t have a lot to say about her or the significance in her episode placement outside of her being the closest in age to Pomni (being only a year older). The only hint we get about what her episode will possibly consist of will be on how reliant she is on her ComedyMask to feel happy, which will be very interesting and we might even get some confirmation on whether her avatar was programmed with that feature upon entering the Circus or if it was an add on of sorts by Caine to help keep her sane. A pretty shitty feature if it can’t last for very long but it does make for a nice metaphor about how fragile her facade is (girl is literally masking).

Actually I don’t think her and Pomni have actually exchanged words yet in the show. Wouldn’t it be funny if they don’t up until her episode. Like Pomni is so caught up in between whatever mess episode 3 has in store for Kinger and Zooble that the two of them never actually talk and it just keeps getting more awkward. Gangle wants to talk to her but is so self-conscious about her Tragedy self that she’ll only feel safe to have a conversation if she has her mask, but it just keeps breaking before she even gets the chance.

Again this is all just speculation, if they actually end up talking in episode 3 I’ll…make ship art of them.

Yeah

Anyway, episode 5. The one I’m personally waiting for because y’all should know what I’m about by now.

*Warning: Unhinged, borderline psychotic tangent incoming*

I swear to god if Pomni and Ragatha don’t have a fucking conversation before ep 5 I will launch myself into the sun. I’ll take anything, I just need them to get real for a second. I NEED to know the extent of this woman’s damage. It has to be explored, analyzed, and dissected and I will do so with gusto when the day comes. None of these characters will be safe from my scrutiny, but Ragatha oh ho ho, you have been living rent free in my head for too long, madame. You WILL pay your dues and I intend to collect in every episode until there is not corner of your unsound mind that I have not examined in great detail!

Ahem *Straightens tie* Ok back to business

So yeah, Ragatha.

It may be because we’ve only had 2 episodes but I can’t help but feel like we’re supposed to see Ragatha as a sort of deuteragonist since out of all of the supporting characters she’s so far been getting the most focus aside from Jax, and we’ll get to him in a minute (I promise that’s not just me being biased, or maybe it is, I don’t know, you tell me).

In just two episodes we’ve seen more of what makes her tick compared to anyone else. And of the main cast she’s been the ONLY one to make any kind of connection to the main character and have enough of a meaningful interaction with her to leave an impression.

But this is what really clinched her role as a deuteragonist for me, she’s so far been one of the few to have the narrative briefly shift to her perspective to give us significant character moments like these:

The show REALLY wants us to see just how NOT ok she is.

If she’s meant to be the heart of the group, her heart already can’t take much more damage. Her friendship (if you can call it that, it’s so painfully one sided right now) with Pomni clearly means a lot to her, so much so that her entire sense of self worth seems to be tied to it (and if you’ve been paying attention, she doesn’t have a lot of that as it is). It would be nice to see their connection gradually grow before her designated episode, where she might experience actual growth for herself.

And if episode 2 is any indication of how this show preserves friendships well��

Yeah, I don’t think she’s gonna make it.

In fact, I’m willing to bet actual money that she’s either gonna abstract in episode 5 or episode 6.

Which brings us to Jax’s episode! The other deuteragonist…tritagonist? He definitely shares some degree of significant narrative focus along with Pomni and Ragatha. He’s both an active antagonist force and one of the only characters to drive the plot forward every time he’s on screen (then there’s that weird thing where he keeps breaking the fourth wall).

He has so much significance in the story that Gooseworx gave him his own bullet point in her list of content warnings (this could also be a joke, but I mean it would be funny to see just how despicable they can make this character).

Gooseworx also described Jax and Pomni’s relationship in the show as “messy”. After episode 2, I don’t think she considers him as a candidate for any kind friendship like she did for the others, and who could blame her? In just two days the guy abandoned her to deal with an abstraction and chucked her out of a truck. He’s no one’s favorite person, and he relishes that. Bunnyboy definitely has some issues that Pomni would pick up on the more she’s forced to spend time with him. To the point where I can see her trying to eventually form some kind of bridge because, as her previously established character motivation implies, she’s not the kind of person to intentionally leave anyone high and dry. But unlike the rest of the crew, I don’t think Jax would be inclined to change for the better just because someone took pity on him. He seems like the kinda guy to dig his heels in and commit to his bad behavior out of spite.

And for his episode to come after Ragatha’s, why do I get the feeling the reason Gooseworx went so far as to preemptively apologize to bunnydoll shippers specifically is because he’s gonna cause something really really bad to happen to her (could be abstraction, could even be something much worse) that he would come to sorely regret.

And oh boy would that evoke some feelings in everyone!

I feel like if that is indeed the direction this show is going, the rest of the episodes will really be something.

I’m also certain Caine will get his own episode but right now he is very much an antagonist to these characters. I wouldn’t go so far as to call him a villain, but he’s certainly not someone Pomni is keen on sympathizing with, at least not currently.

Thanks again @lilyclawthorne for helpfully providing me with the tweet so I can give some context for my ramblings of the week!

[positivexcellence]

Jared Padalecki Talks Boys Role (‘Just Let Me Know If I Have to Get Naked’) and How It’d Be a Supernatural Reunion

Jared Padalecki is hoping that if he visits The Boys, he’ll get to keep his clothes on.

Supernatural creator and The Boys showrunner Eric Kripke has been vocal about his desire to get his former leading man on the Prime Video drama, calling Padalecki “the Pokémon I haven’t collected yet.” Thus far, Jensen Ackles, Jeffrey Dean Morgan, Jim Beaver, Rob Benedict and Christian Keyes are among the Supernatural vets to pop up on the comic book series, while Alexander Calvert recurred on the spinoff Gen V.

Bringing Padalecki onto the show is a matter of “finding the right role. Look, I want to. I mean, even if it’s just for a guest shot,” Kripke told TVLine.

But with the announcement that there’s only one season left after this current fourth one, have there been any recent conversations between Kripke and Padalecki about how to make that guest spot a reality before time runs out?

“We talked a little bit recently. I mean, we talked today,” Padalecki told TVLine on Friday.

A month ago, Kripke called the actor following the cancellation of his CW series Walker, which will come to an end with this Wednesday’s episode.

“He’s like, ‘Hey, dude, a) so sorry about Walker. I know how much you loved it and great show. Would you be interested in coming to play up in Toronto [where The Boys shoots]?'” Padalecki recalls. “I was like, ‘Absolutely. Just let me know if I have to get naked or not because I gotta start working out now.'”

Despite the potentially urgent need to get into the gym, Padalecki notes that the role is still a ways off from actual production.

“He and I have talked about what it could look like. It’s not written yet. He said it wouldn’t really be until 2025. We wouldn’t shoot until probably January-ish,” Padalecki shares, adding that he’s game to “go play in the playground [of] the guy who created Sam Winchester. I’ve had good times in his playground, so I’m happy to do it again.”

As for what kind of character he’d like to portray, Padalecki has his sights set on a villainous supe, with “the power of wearing clothes,” he says with a laugh. “No, I don’t know. You know what’s funny is that, yeah, I have some ideas, but to Kripke’s credit, all my ideas for his time on Supernatural paled in comparison to what he came up with. So I wouldn’t even want to put anything in his head. I just want him and his f–ked up mind to think of something cool for me to come and do, and it’s going to be better than anything I could have dreamed up. The way his brain works is wildly interesting and outside of the box… So I’ll just go with what he creates.”

Of course, if Padalecki comes on The Boys, there is potential to have him in a scene with his Supernatural co-stars Ackles and Morgan, who play baddie supe Soldier Boy and CIA officer Joe Kessler, respectively.

“Let me just say that’s not the first time I’ve had a conversation where that has been pontificated. But yeah, that would be a lot of fun,” Padalecki says, before jokingly adding that all three characters would be naked for the reunion.

Well, Kripke does have a habit of putting Supernatural alums in nude scenes…

tvline

[smokestarrules]

happy 1st anniversary to one of the most stressful days of my entire life btw. wake up. watch Ruby Rose in RWBY get literally tortured in what has to be one of the most chilling scenes in all animated shows ever and eventually choose to die. attempt to recover for a few hours. 9pm hits. watch Luz Noceda in ToH Also Literally Die via crumbling away into dust. like????

[risestarkiss]

✨The Fashionista✨

Rise Ramblings #234

While watching “The Clothes Don’t Make The Turtle,” I noticed something.

I found it interesting that Raph, Mikey, and Leo were content with Raph’s outfit choice until Donnie stated that he wasn’t “in love with it, ya’ know.”

Suddenly, Raph declares “I’m a disaster!” Albeit ridiculously endearing, it was a little strange to see his sudden shift from moderately content to absolute dissatisfaction. Huh…

Then, the disaster twins decide to help him out.

Take a note of their outfit choices.

Raph tries on all of these fits and more.

Donnie’s first choice is a mild “no.” Leo’s choice is a hard “NO.” (Not surprising, lol.) But then, the overwhelming consensus lands on Raph’s fourth outfit, which ended up being Donatello’s other pick for his brother.

So, in summary, Raph tried on his personal choice for an outfit, of which they rejected. Then, ultimately, Donatello picked out an outfit for his brother, and that pick ended up being perfect. Hmm…

Then I noticed something else. In this episode, we never get a Donnie “curtain reveal” moment, to our disdain. I mean, Raph, Leo, and Mikey got to try on several different outfits in order to get their brothers' opinions before landing on that “perfect outfit, you know the one.” All of his brothers got to shine. Why not DonTron?

Then it hit me.

The try-ons were to get their brothers' opinions and approval. And, for his brothers' choices, he was a major contributor in assisting them in pulling their looks together.

What if, bear with me, Donnie didn’t need the "curtain scene" because he was so confident in his fashion sense that he didn’t need to ask his brothers for help to pick out a great look.

…or they figured out how to break Hypno’s spell before he could get a “curtain reveal.” BUT STILL-

Look at his outfit choices in this episode. Some of his wardrobe changes were off-screen, but all of them were fire.

(I added the baseball cap pic because it makes me happy. I wish we'd seen more of that fit.)

To me, he makes some really smart choices for himself, pushing the envelope of what is expected and taking chances: an open collar with no tie for a “black tie” event, a beanie and spiked wristbands for their “gansta look,” no socks with loafers (a viral fashion trend that actually began in Africa) with old man slacks in his reclined pose. *muah* Chef’s kiss!

But Don’s fashion sense doesn’t just shine in this episode.

In “Reparin’ the Baron” the boys go to Draxum’s apartment. Leo and Donnie show up in some extra nice “Sunday Dinner” twin drip.

The gold is in the details. Everything Leo is wearing, Donnie rocks its compliment: for Leo’s round collar, Donnie’s is angled, for Leo’s blue shirt, Donnie’s is white, For Leo’s light slacks, Donnie’s are dark. Blah blah blah. It’s so good!

Look at the winter fit in Snow Day.

Again, Donnie is Leo’s perfect compliment. As a pair? Fire.

Donnie has “the eye.” I can go on and on with examples, but I’ve said all of that to say this…

In the future, we see that Donatello’s technology had major pull in the resistance. He had drone ships patrolling the skies. He built and designed Leo’s arm, Casey’s chainsaw-hockey stick, and Casey's mask. The list goes on…

But, when Donatello from the past see’s Casey’s clothing from the future, he says this:

We know about the “Genius Built” brand. We’ve seen that logo on all of his tech up to this point. But, here he didn’t just say “Genius Built.” He said, “Genius Built Apparel.”

“Apparel” is not a tech brand. “Apparel” is a fashion brand. Of course, tech is incorporated into the clothing, but still.

This means that past Donatello secured this trademark with plans of creating a fashion brand, comparable to the likes of Gucci, Ralph Lauren, or any other modern clothing brand, as a subsidiary of “Genius Built,” the tech company.

And why not? The evidence has been in front of us this entire time. He has a sharp eye for style, fashion, and trends. It is easily canon that he can sew. Splinter sewed their ninja garbs in “Insane in the Mama Train,” and there is a sewing machine in the house.

They already learned Ninjutsu through basically osmosis, so learning to sew is not too far-fetched.

And here it is, right in front of us, Casey’s entire ensemble, from mask, to weapons, to clothing, was made by Donatello in the middle of the apocalypse under the brand name “Genius Built Apparel.”

And that was just in the bad future. Resources were limited, they didn’t have access to much of anything in that broken world as they were survivors of a devastating Krang invasion. Yet, he created all of this.

However, now that they’ve changed the future, his future as a fashion designer is limitless. Think of what Donatello could produce with unlimited resources, unlimited technology, and unlimited creative freedom.

Tech genius. Clothing designer. Fashionista. Future Genius Built Apparel Owner and CEO. I’m sorry, but I have to call it...

Donatello Hamato of the present, of the bad future, and of the good future is a fashion icon, the likes of which the world has never seen. ○○○○

Update: I've decided to make this concept into a mini-comic series!

[flanaganfilm]

Good day Mr Flanagan. please what does "the rest is confetti" mean to you and in the context it was used in hill house??

Okay, here we go. Buckle up for a long read.

To answer this, I've got to explain a little bit about what was happening and where I was when I sat down to write episode 10 of The Haunting of Hill House.

Hill House was not a fun shoot. The picture above is from very early in production, when I was still chubby and happy.

It was my first foray into television. I was absolutely terrified that I'd mess it up. So I'd opted to direct all of the episodes myself, figuring that - if nothing else - I'd have no one else to blame if it went south.

It was the most grueling professional experience of my career. The shoot was by no means a smooth one, every day was an uphill battle from a budgetary perspective, and between the three giant production entities involved with the production, I spent a lot of time fighting over the creative and logistical elements of the series.

I began losing weight. I was smoking two packs of cigarettes a day.

By the end of the shoot, I had dropped almost 40 lbs.

I was very depressed. Every day was a battle, and for the first time in my career, I wasn't excited to go to work in the morning. We were fighting for basic resources, fighting for the show we wanted, and even fighting amongst ourselves by the end. It was grueling.

We hadn't written all of the scripts when we started production. I believe we had finished through episode 7, but the rest of the scripts had to be finished while we were already shooting.

We'd mapped everything out in the writers room, and I had great support on the other episodes, but I was writing the finale solo. I'd thought I'd be able to juggle it with everything else. I quickly fell behind.

I finally got to the script about halfway through production. I'd work on it between takes at the monitor, and then get home to our tiny rental house in Atlanta, where Kate was waiting with our baby son. (One of the rare bright spots of this shoot came when Kate found out she was pregnant about halfway through production. We even named our daughter Theodora, in honor of her origins.)

I'd typically fall down from exhaustion when I got home, but I had to push through it and work on the script. My weekends were spent shotlisting and prepping for upcoming episodes. We didn't have enough time to stay ahead of prep, so every available day was used for that... I went three months without a single day off at one point.

I'd sit up late staring at the script. I was in a dark, dark place. Overwhelmed, exhausted, and feeling like I lived in an eternal present. Each day bled into the next and it didn't feel like there was an end in sight. That feeling of unreality was heightened because we kept returning to the same sets, same locations, and even the same scenes throughout the 100 shooting-day production. Stepping back into the exact room we had shot in days or weeks or even months ago made the whole thing feel absolutely surreal. Making movies is always an non-linear experience, but this one felt particularly so... it was like the days of our lives were happening to us all out of order.

I remember feeling something like despair creeping into my daily experience on the show. And I remember dwelling on that when I got into the scene work of episode 10.

As I worked through the draft, I recall that despair coloring a lot of what was on the page. My filter was breaking down. There's a monologue at the beginning of the episode where Steven's wife Leigh (played by my dear friend Samantha Sloyan) spews out a torrent of eviscerating insults about Steve's value as a writer. That is just me vomiting onto myself. She was voicing all of my deepest insecurities about myself at the time, and of what I was doing with this series.

She says "Is anything real before you write it, Steve? The things you write about, they're real. Those people are real, their feelings are real, their pain is real - but not to you, is it. Not until you chew it up, digest it, and shit it out onto a piece of paper and even then, it's a pale imitation at best."

This was the mindset I was in for a lot of the shoot. The writing became a reflection of a lot of that turmoil, and I knew who I was referring to in that monologue - I was talking about my family. I was talking about how much of their lives I'd used as building material for this show. I was talking about the fact that I'd lost two loved ones to suicide, and seen what it had done to my mother in particular. And I knew I was using - possibly even exploiting - those people for this series.

There's a lot of despair in this episode. The Red Room, as we conceived it, was a place that would feed upon those emotions. Grief, sadness, loss... those were the real ghosts of our series, and where our characters find themselves at the start of the finale. They're being slowly digested - eaten alive - by those feelings.

So finally, it came time to write Nell's final scene with her siblings. I knew from the outline we'd constructed in the writers room what this was supposed to accomplish - she was supposed to be their salvation. She was supposed to take all of these feelings that we'd been wrestling with and finally provide catharsis... finally say something that would free everyone.

I remember sitting with a blinking cursor for a long time. The Crain siblings had just turned and seen Nellie standing by the door, and suddenly were able to hear her speak. But what should she say? What would I say? What would I want someone to say to me?

What she ultimately says lays bare a lot of what I was thinking about when it comes to grief. It exists outside of linear time, much as I felt I existed at the time. That sense of eternal present, that sense of a nonlinear eternity of moments and memories - it all came out in her speech to her brothers and sisters.

I remember feeling, looking at my insane present and looking back at my past, how strangely overwhelmed I was by memories. That I wasn't experiencing time in a straight line, and hadn't been for a while - for the better part of a year, I'd felt more like I was standing in a whirlwind of moments. "Our moments fall around us like..." Nell said, and I recall sitting back and trying to find the words.

"Rain," for certain, but there was something too uniform about that. The moments of life as I experienced them weren't that orderly, they weren't that small. They didn't fall the same way. Some sailed by, fast and unremarkable, while others lingered in front of me, twisting and stretching. So it was a good word, but not the right word. I left it on the page though.

"Snow" was my next attempt. Better, in that I imagined the snow blowing in the wind, swirling and dancing and feeling more organic. More chaotic. More like life. But for some reason, the word that stuck with me, the word I felt Nell Crain would connect with was...

"Confetti."

And that was because I was thinking not of Victoria Pedretti at this point, but of Violet McGraw.

Violet played Young Nell, and I wondered what she might have said if she experienced time this way. As an adult, Nell was despairing. Nell was overwhelmed. But as a child... there was an innocence to the word. There was a joy to the word.

I imagined moments falling around her, this little girl with the big smile and the wide eyes. Her moments would be colorful. They would be of different shapes and sizes, some falling fast and some falling slow, flipping and turning and dancing in the air, independent of the others. Sparkling, whirling, doing lazy summersaults as they sauntered down to Earth.

I thought of myself, and of the members of my family. I thought of those we'd lost. I realized what I hoped for them, and for us all, in the end... was to look upon that mosaic of experience, that avalanche of days and minutes and moments... and to smile with some of the joy we had as children.

And this, I thought, was something that gave me hope. This gave me a glimpse of some kind of salvation for them. This was also how I hoped my life might seem if I was a ghost - a cascade of color and light and shape and movement, something I could dance in.

So Nell smiled and said... "or confetti."

It stuck with me. The rest of her monologue gets heavy again, and gets to the real point of the show - the point of the whole series, if I'm honest - and that's forgiveness.

I figured the only thing that would let the Crain children out of the Red Room was to be forgiven. I thought of the losses in my own family, and I thought of what I wished for my mother and for my aunts and uncles and cousins and I tried to pour that into her final words.

"I loved you completely, and you loved me the same," she said, "that's all." And this was the point I wanted the most to make. That at the end of our life, if we can say this about each other, the rest doesn't matter. The rest is that rainstorm, or that blizzard, that fell around this one central truth, and maybe built itself in piles around it, to the point we lost sight of it along the way.

And I thought again of that little girl, and almost as an afterthought, wrote "The rest is confetti."

I liked the way it sounded, but I was insecure about the line. I almost took it out, in fact. I remember asking Kate to read the scene and talking about that last line with her. "Is it too cute?" I wondered. She was on the fence. "Depends on how it's acted," she said, and I figured she was right. We could always take it out if it didn't work. The scene could end with "I loved you completely, and you loved me the same. That's all."

Why not shoot it and see what happened.

I turned in the script, we published it quickly so that we could start breaking it down and prepping it. And the next morning I was back on set. I'd deal with episode 10 when it came down the pipe again, sometime in the coming months. We had a lot of shooting to get through before I had to worry about it.

I recall Netflix asking me to cut a lot of that monologue, and I remember them also having questions about the "confetti" line. I pointed out that it didn't cost us any extra to shoot it all, it was only words, and fought to keep the script intact.

Ultimately, they insisted I make a series of cuts on the page. I begrudgingly agreed, but left Nell's speech alone. I made superficial cuts around it, throughout the draft, and even considered changing the font size to fool them into thinking it had gotten shorter (I ultimately was told I wouldn't fool anyone and not to risk starting a war). But Nellie's final goodbye stayed intact.

It must be said - Victoria Pedretti SLAUGHTERED this scene.

By the time we got around to filming it, things had never been worse for the production. There was almost nothing left for a lot of us. Tensions were sky-high, resources had been exhausted completely, and we were all ready to give up.

Filming in the mold-ridden Red Room was depressing, morose, and led to a lot of arguments and unpleasantness. The room itself just felt gross, always, and we were in there for days at a time. The last thing we had to shoot in there was Nellie's goodbye.

Victoria came to set having to push through pages of monologue, and she did so with captivating bravado. I recall being teary-eyed at the monitor watching her work. And when we finally made it to the last line, I watched her deliver it with... a smile. A sincere, innocent, longing, joyful smile. A smile informed by the sadness, grief, and loss of her own situation, of her own life... but a smile that finds forgiveness and grace after all. Pedretti knew how to say the line, and how that word would work.

And as she said it, I knew it would stay in the show.

Over the years, that sentence has become something of a tagline for The Haunting of Hill House. I'm always a bit mystified and touched when I see people approach me with the line on T-shirts, or even tattooed on their bodies.

I started signing it with autographs back in 2020 after enough fans asked me to. Now it's my go-to when I sign anything related to Hill House.

The line, for me, represents a lot of things.

It's about the insane, chaotic, non-linear experience of making that show. It's about trying to find and hold onto joy, even in the grips of despair.

It's about the way the moments of our lives aren't linear, not really, and how we may be unable to understand them as we exist in their flurry. It's about finding hope, innocence and forgiveness in the final reckoning.

And it's about how, outside of our love for each other, the rest is just... well, it's fleeting. It's colorful. It's overwhelming. It's blinding. It's dancing. And, if we look at it right, it's beautiful. But it's also light. It's tinsel. It flits and dances and falls and fades, it's as light as air.

The rest is the stuff that falls around us, and flits away into nothing.

It's the love that stays.

[maxwellatoms]

Hello Mr. Atoms, I'm an animation student in college and fan of your work. I got this assignment in which I need to ask questions to a professional in the area. Could you pretty please answer them? It'd mean a lot to me.

1- Are you happy with your career? How it's going.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

4- If money wasn't a problem, would you still do what you do?

5- Any animators you admire and would like to mention?

Okey dokey.

1- Are you happy with your career? How it's going.

Not really, in that there seems to be no career left.

The animation industry swelled its numbers greatly before 2020. Almost immediately after that, corporate greed synergized with a pandemic to reduce animated programs and the number of people working on them to almost zero. It takes almost a year from beginning to end to make a single episode of an animated show (by the modern standard). There was nothing being made in 2020 and four years later, we''re not in a much better spot. It's going to be a long drought for (especially) Kid's TV Animation.

Recently, many of my former co-workers have hit the financial wall and can't continue, moving away after (sometimes) 20 years in the industry. I begin to wonder if I'm very far behind.

A "bounce back" a year from now would need to start today. There are still some animated shows being made now, but those are almost universally "library" properties. That means it's an existing I.P. (Intellectual Properties like Garfield/Mario/Batman/Star Wars) so as an artist you're immediately in that box. Depending on the property and the studio, it can be an unpleasantly tight box. I grew used to holding and maintaining the vision for a show, but it's less fun when it's not my vision. It's even less fun when you can't inspire someone to follow your vision because they've been so ruthlessly abused.

I'm pretty sick of how big media corporations treat their employees. If I inherit one more burnt out crew due to mismanagement, I'm gonna lose it.

Over a decade ago I fought hard to get board artists story credit for the episodes they were actually writing, and felt like I'd won a big victory for everyone. The second my back was turned, it all reverted.

Mostly... what is the point now? My career is/was developing ideas, crafting those ideas into a workable show, then managing teams of thirty to seventy people to produce a couple of dozen episodes per year. Studios actively do not want new ideas right now, and are actively searching for ways to eliminate what artists from the process. I'm not sure what my job would be under this new system, but it feels like they decided to hang onto the anxiety-inducing deadlines while removing anything remotely pleasurable from the experience.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

It's the only way to get anything done, currently.

The current state of the industry is not sustainable. I (along with a lot of other animators I know) are trying to decide what's next, and pretty much everyone agrees that "you just have to make something".

It is (in that very specific way) a great time to be a young animator. The system was never going to treat you well anyway. If you can get something like a Hazbin Hotel happening without studio help, you can currently write your own ticket. I'm super proud of Vivsie, because that's a LOT of stuff to handle. I never had to handle my own marketing or drum up money to make Billy & Mandy happen.

There are opportunities there, but it's definitely "Hard Mode". The best idea is probably to team up with a few other people you like and like to work with.

Hopes? I hope that the young animators take over and make something new on top of the bones of the old industry, rather than just allowing that industry to patch its rotting hide with their collected works.

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

I suspect true AI might just peace-out like ScarJo in "Her", but we're not there yet. What we have now isn't Artificial Intelligence at all (though I do believe it may be the underpinnings of the Artificial Suconscious of what may one day become an actual Artificial Intelligence.)

The LLMs and "Generative AI" are (so far) a big dumb waste. They consume tons of energy and aren't great for doing anything creative. If you've sat down with Chat GPT for a creative writing session, you've probably run into the "out of the box" limitations which prevent it from talking about sex or violence-- which happen to be a major component of most stories.

Still, the technology has come incredibly far in an incredibly short amount of time. I imagine we're going to hit the point where we're being hazed by artificially generated political ads way before Generative AI can produce a consistent and usable character turnaround, so that'll be the test. Whatever the legal fallout is from this stuff over the next few years will set the tone.

Still, studios have a vested interest in pleasing their shareholders. Generative AI potentially has the capability of not only replacing swaths of money-eating artists, but handing that control directly to the billionaire studio heads. Mark my words: We're headed straight for billionaire-generated content.

I don't think the public at large will want to watch Elon Musk's fever dreams, so there's that. So law and general distaste might stave it off for a while, but I think there's just too much impetus for studios to continue to try to please their investors. "AI Art" is here to stay.

Eventually that will lead to millions and millions of bots generating millions and millions of songs and paintings and movies all day every day. Most of it will be utter trash. Right now (so I'm told) viewers are already burnt out, and will generally only click on what they already know. On Netflix, where there are twenty things you've never heard of and one you have, you're more likely to pick the thing that gives you comfort and gives you a guarantee you're not wasting your time. With exponentially more A.I. trash, how would you even begin to filter it out?

You'd need absolute control of an already existing distribution system. We currently have a few of those, and all of the media companies are desperately trying to merge with them to insure their own survival.

To me, the post-Gen-AI landscape looks a lot like old-school Cable, but with endless I.P. and fewer masters.

4- If money wasn't a problem, would you still do what you do?

The real question is, maybe, "What am I even doing?" These days I try to do a lot of gardening. I'm trying to learn new art skills, because suddenly twenty five years of experience managing, drawing, and writing isn't worth much. I recently worked on Jellystone until Zaslav lost 2.5 billion in the wash and had to find justification for his new yacht. The show before that? Also culled midway through to save money. The days of multi-year gigs seem to be over, and if I'm going to scrape by doing freelance, maybe I can do that somewhere else.

I'll always make art. I can't seem to help it. Ideas aren't my problem-- it's executing those ideas without the help of a structured pre-existing system. I honestly don't know if I'll ever be able to pull that off. My strengths are great, but were always supported by friends I worked with.

Can I start an indie cartoon with all of these cool friends? Sure, maybe. Most of those people have gone on to have other careers of their own and got used to being paid. Now nobody is getting paid and no one can pay anyone else. My immediate circle are all now middle-aged people with families and no jobs. Convincing them to give up a large chunk of their day for an idea that's not guaranteed to pay off is going to take some real effort.

I technically have fifteen years until I can claim my "retirement", assuming that still exists by then. That's a pretty big hole to fill with... I don't know what.

The difficult "What comes next" discussions at home are really just starting.

5- Any animators you admire and would like to mention?

There are a lot of cool animation people out there. I already mentioned I was proud of Vivsie. I was also reminded recently just how great C.H. Greenblatt and Mr. Warburton are. I know they're my friends. They're both just really upstanding, creative people who take good care of their crews.

The treatment of animation industry professionals by the studio system has been one of the most demoralizing and heartbreaking parts of this demoralizing and heartbreaking time.

---

So there ya go. If you want to look for someone whose attitude is a little more upbeat, I won't blame you a bit.

Wherever you are, I wish you the best of luck. For me, just climb up there and crush it. I would very much like to add you to #5 someday.

[reiderwriter]

The Lightbulb Moment

Pairing: Spencer Reid x Female Reader

Genre: Fluff but a little bit suggestive at the end.

Summary: You want Spencer all to yourself for the first few months of your relationship and he's only too happy to comply. Unfortunately, you're two dumbasses who can't keep their hands off one another.

Word Count: 4.8k (I love idiots in love...)

Warnings: secret relationship, mentions of hickeys, kissing and heavy petting but no actual smut (a little suggestive and fade to black). Minor character is a misogynist prick and gets his nose broken, though.

A/N: I need everyone to know that this is absolutely inspired by the very first episode of OHSHC. I don't think I will elaborate further. This is also my first fluff, so if you want to see more like this my requests are open!~

My Masterlist✨

Walking into the BAU’s Quantico offices was a simple part of your daily schedule. You usually drove your car from your house to the parking complex, took the elevator up to your floor, put your bag down on your desk and moved immediately to the office kitchen to make yourself an appropriately large mug of coffee. Today, however, you drove your car from Spencer’s apartment, after quite the pleasant night together. The two of you had agreed weeks before to keep your relationship as private as you could.

Which meant that you were now in the office, trying your best to hide both your hickeys and your micro-expressions in a room that was about to fill up with extremely observant FBI profilers.

The turtle-neck sweater was a classic but effective aid, and when paired with the piping hot mug of coffee you were making yourself, you were hoping to feign an oncoming cold of some kind to escape any scrutiny. Spencer had left an hour earlier than you, knowing that it took him longer to commute alone on the metro than it took you in your car, which was probably the best thing for the two of you right now, as after last night, you wanted the whole undivided attention of his hands and his mouth on you.

Taking one last deep breath you walked into the office, and were greeted by the sight of two more new arrivals, your beautiful boyfriend and SSA Derek Morgan. Thankfully, the marks you’d left on Spencer's back the night before were easy to hide under his usual sweater-vest-shirt combo, as he'd probably have a harder time explaining those away. You wrapped your work blazer a little tighter around you and made your way to your desk.

“That’s a big cup of coffee you got there, angel. You have a long night?” Morgan says as you sit down in your seat, trying your best to look at anything but Spencer.

“A long night with a bottle of nyquil and three layers of blankets, if that’s what you mean, yeah.” You shoot back, praying he takes the bait.

“Aww, that sucks sweet-pea. If you need anything, let our resident Doctor know, I’m sure he’ll do his best to make sure you're in peak physical condition once again.” Morgan mocks the younger male, before walking off to his desk.

You happen a glance over at Spencer, and he’s sporting the cutest little blush you’ve ever seen, not needing to hide his embarrassment at the insinuations of his friend.

The two of you share a quick glance, but don’t have to say much else when Hotch walks out of his office announcing there’s another case.

“Meeting room in ten, wheels up immediately after, we've got a serial in Washington State that requires our attention.”

You sigh in relief knowing that a case will be a great way to distract you from somehow messing this up and you grab your stuff and head to the meeting room. Before you can get there though, Rossi cuts you off at the door.

“A word of advice, if I may,” he says, letting your other team members pass in front of him on their way into the briefing before grabbing your attention.

“Sure, why not?” You reply, curious about what the man has to say.

“I’ve never heard of a cold that causes bruising behind your ear. I’d suggest you take yourself and your make-up bag to the bathroom to cover that up.”

You feel yourself grow hot. You’d thought you’d got them all covered with the turtleneck but you had a limited range of vision. Cursing under your breath, you tried to explain to your senior coworker but again he cut off before you could.

“No, I’m not gonna say anything else. Just tell the kid to keep it classy next time, if your gonna wine and dine a lady, you don’t need to make her neck dessert.” You blanched now, all of your previous redness running out of your body.

“You know?”

“I’m very good at my job. However, whatever this is is none of my business, so please, don’t make it my business again any time soon, okay?”

“Yes, thank you. I’ll just go down now. Could you-” you gestured vaguely to the meeting room where all your close coworkers were taking their seats, and the older man smiled back at you.

“Consider it done.” You thanked your lucky stars that it was Rossi who had spotted it first, and made a mental note to send Spencer a quick message before you got on the jet.

Y/N: Busted by Rossi. Next time, don’t go full vampire on me. Okay Doc? That was like getting the talk from my dad, but somehow worse.

–X–

After a week in Washington, you wrapped up your case fairly quickly. The flight was long, so you were very much looking forward to finishing the documentation for the case and heading back to your apartment for some much needed alone time with Reid.

The entire week you’d been in the field interviewing witnesses and suspects, and he’d been stuck inside making geographical profiles and aiding Garcia with undigitized file information. It hadn’t helped things that you’d ended up stuck sharing rooms, you with Emily and JJ in one room and him sharing with Hotch, of all people, so you couldn't even sneak out at night to meet each other without arousing suspicion.

It had taken all of your strength not to climb onto the long bench next to him on the Jet and just melt into him, letting the long journey ahead lull you into some much needed sleep. You forced yourself to the other end of the jet, picking up a blanket you’d stored there previously and forcing yourself to shut your eyes.

When you landed, you practically launched yourself off the plane, so eager to get back to your car and drive all the way to your house. But fate had other ideas.

“Everyone, take the rest of the day off, but I want to see you bright and early monday morning working on the required paperwork. Reid, Y/L/N, can you stick around for an extra ten minutes? I just have some supplementary questions I need to ask you.” Hotch announced to the team and you felt your freedom escaping from you once again.

You made it calmly to Hotch’s office, following both your boss and your boyfriend, unsure of where this conversation was going to go.

You sat down on the sofa, and watched as Hotch pulled out two sets of documents.

“I’m not asking questions, and frankly I don’t want to know. But this is standard for all workplace relationships, so I need you to fill out these forms and submit them back to me ASAP.” He said the words calmly, but you felt the panic rise in your chest.

“Did Rossi say something to you?” Spencer managed to recover quicker than you could, neither confirming nor denying your entanglement to your boss.

“No, actually…” Hotch seemed to hesitate for a moment, unsure of whether to continue or not. “You talk in your sleep, Reid. You talk quite loudly in your sleep.”

Your head snapped up to your boyfriend and you came face to face with a look of mortification. You heard him mumble a curse under his breath, before he grabbed the papers from Hotch, handing you one quickly.

You filled them out in silence as quickly as possible, trying to not let the blush on your face deepen, and entirely grateful that Hotch was busy ignoring that the conversation had ever happened now, back at his desk filling out his own paperwork.

Spencer grabbed your papers from you when you were finished, put them together with his silently on the older man’s desk, grabbed your hand and swiftly walked you out of the office.

“Fuck, I’m so sorry Y/N, I’m used to sharing the room with Morgan and you know he sleeps like the dead.” He apologised, but the look on his face was so cute, you couldn’t help but tease him.

“I’ll forgive you on one condition,” you smirk up at him. “You have got to tell me exactly what that dream was about. I'm very curious”

–X–

After both Rossi and Hotchner had guessed at the nature of your relationship within the space of a week, you were a bit on edge around the office. But a month of busy cases (and thankfully no more room sharing incidents) had restored your confidence in your lying capabilities. You almost felt guilty now, hiding the best part of your life from some of the most important people in your life. But you chose to keep being selfish, knowing that the side of Spencer that you were witnessing now was yours and yours alone.

Basically, you grew over-confident, and when you grew over-confident, you grew sloppy.

After coming back from a particularly rewarding case, a stalking case that you managed to solve before the unsub could turn from attempted murderer to murderer, you went out to celebrate with the team. Hotch and Rossi had begged off again, and Morgan had excused himself because he was giving a self-defence talk the next day at Quantico and didn’t want to show up still suffering from the night before.

So, at the behest of Emily and Garcia, you found Reid was swiftly uninvited, and the team celebration turned into a Girls’ Night Out. It had been a while since you’d been able to let loose, having spent practically every weekend between yours and Reid’s apartments, so you were determined to make the most of the night.

You blame Garcia really. JJ had survived two rounds, but had retreated back to her husband and child when she saw the drinking getting out of hand. Emily had been on virgin drinks the entire night, because she’d drawn the short straw and ended up the designated driver.

Which left you and the wonderful Penelope Garcia going toe-to-toe, or more realistically, tequila-to-tequila as you not so healthily egged each other on. By 1am, Emily had to make the executive decision to put Garcia in a taxi, knowing she would at least be able to function on her own, whilst you were sat like a little mess in the other woman’s arms.

“Emillleeeee!” You giggled as the brunette helped you into her car. “You’re sooooo strong, Emileeeeeeeeee. I love you, y'know.”

“Yeah, Y/N. I gathered that the last time you told me.” She laughed back at you, knowing that she was going to absolutely let you know everything that was said and done that night in the morning.

“Wanna know whoz also realllllllly strong?” You giggled and slapped your hands over your mouth like a schoolgirl talking about her crush.

“Oh, yeah? Go ahead and tell me.”

“Ssspencer,” you said his name and your entire face flushed, “Spencie is really strong.”

Emily rolled her eyes at you, assuming for the time being that you were too drunk to understand what you were saying.

But her reaction obviously didn’t satisfy your drunk self enough, because you pouted a little and then continued.

“Sss true! He’s so strong when he lifts me up and holds me against the wall, it’s so fuckin gooood, Emilleeeeee.”

“Y/N! You're talking about Reid here, I doubt the boy could even hold a girl's hand without breaking a sweat. Let's go get you to bed." She shot back in disbelief.

“You don’t believe me? He is strong, look I can show you the bruises he left on my hips the last time we-”

“OH MY GOD, please stop talking.” Emily cut you off before she heard something she really didn’t want to hear. Still half in disbelief, thinking you were just so far into your cups you’d reached the horny level of alcoholism, she pulled into your apartment complex and quickly helped you out of the car.

“Emilleeeee, don’t leave me!!” You giggled out as she practically frog-marched you to your front door, having commandeered your keys earlier. Before she had the chance to use them however, the door was swinging open, and there was Spencer, in the door, realising he’d just made a huge mistake.

"Would you believe me if I said I were explicitly for work purposes?" He stuttered hopefully, seeing the shell-shocked look on his coworkers face.

“Oh god, she wasn’t lying, was she?” Emily managed to eke out in horror, the thought of the man who was practically her little brother doing anything sexual with anyone sending shivers down her spine.

He didn’t have to reply, however, because you chose that exact moment to launch yourself at your boyfriend wrapping your legs around his waist as he did his best not to tumble over, as your mouth started working its way down his throat.

“Shit,” he grunted out, still unsure about how to handle the situation. “Emily, let’s just pretend you never saw this, deal?”

“Yeah, okay, I think I can do that.” She turned away swiftly, but turned back to add on one final statement, looking almost impressed.

“You know I really didn’t think you were strong enough to do all of that. Huh, wonders abound.”

–X–

Your devastating hangover the next day saved you from the embarrassment of reliving the more scandalous details of your Girls’ Night adventures, but on the parts that Reid filled you in on, you were mortified to say the least.

“I fucked up so bad,” you groaned in pain the next morning in bed with Spencer.

“It wasn’t that bad,” he did his best to reassure you, but you silenced him with one look. “Okay maybe it was that bad, but Emily isn’t going to say anything. So we just continue as usual, right?”

You groaned again, but said no more and burrowed your face further into your partner's chest, hoping that the painkillers he’d bought you earlier that morning would take you out of your misery soon.

But there is no rest for the wicked and not even an hour later you find yourself in an FBI vehicle heading to a police station.

Your sour mood is noted by every single one of your coworkers, but evidently not some of the locals that you’re working with on the case in question. You notice them gawking at the female members of your team almost immediately as you walk into the precinct, and once again you wish you were back in bed away from these creeps. Can a girl not get some peace and quiet on a Saturday morning?

One of them in particular seems hellbent on making his harassment of the three of you a full time fucking job. He gives up on JJ quickly when she mentions her son (“asshole,” you think to yourself), and when he realises that Emily is a bit too dominant for him, he quickly loses interest in her too (“coward”). Which leaves him with all the time in the world to dedicate his energy to you.

“Hey, sweetcheeks, anything you need a big strong man to help you with?” The officer smiles down at you, practically begging you to punch him in the face.

Luckily, his sleeziness doesn’t go unnoticed by both Reid and Morgan, and they make sure to keep you within earshot the entire day, the three of you reading up on the victims' backgrounds whilst your other coworkers head to the crime scene.

“Sorry, chump, if I needed the help of a strong man, there's about five people I’d call before you - and two of them are women.” You shoot back, unwilling to stomach the bullshit of a uniform when you’re trying to do your job.

“Easy now, pretty lady, very high tension today, aren’t we?” He smirks down at you, hand on your chair, almost the perfect distance away for you to headbutt, but you choose to ignore him looking back down at your work. He backs off slightly before trying again.

“Come on now, I’m sure I could do something about that. Maybe fuck that tension right out of you?" And that’s your last straw.

Morgan almost prides himself on having the foresight to grab you before you can launch yourself at the man, ready to scratch his eyes out if he takes it even one step further. What he didn’t see coming at all was Reid throwing the punch first, connecting directly with the chauvinistic officer's nose and flooring him.

“Son of a bitch, I'm not sure I know any woman who'd want to touch you with a ten-foot pole, much less my fucking girlfriend." He seethes out, and Morgan is almost too stunned to speak. He releases you from his grip, and you run to Reid, making note of the way you instantly slot into Reid’s arms, like you were meant to be there.

“Damn pretty boy, nice hit,” is all he can get out, still a little shocked that the two of you had managed to hide this from him for so long.

“You bwoke my noise…” the officer rolled on the floor in pain.

“You’re lucky it was me and not her. And for the record, she's only 'high-tension' because we got interrupted this morning to come and help your sorry ass with a case,” Spencer seethed at the man, only now noticing that his knuckles weren’t faring too well either.

“As entertaining as this is, that's enough, Reid. You take your man and clean him up, Y/L/N, I got this one here, okay?” Morgan swiftly gave you orders, and you let out a sigh of gratitude, knowing that Morgan was going to make sure you got minimal reprimands for this.

“Oh and by the way you two,” he smirked at you a little as you made your way out. “Congratulations.”

–X–

In the name of keeping your relationship to yourself, the two of you had, so far, nearly gotten suspended, filled Emily in on some of the raunchier parts of your sex life, and accidentally shared some of those same details with your Unit Chief to boot. Your only saving grace was that, because you’d sworn everyone to secrecy, and they all seemed to pride themselves on smuggly keeping the information to themselves, they hadn’t started using you as an office-wide conversation started just yet.

All-in-all though you’d needed some time out of the office to relax for a bit, so when JJ came to you at the last minute with a plea for help asking for you to possibly babysit Henry the next night, you’d gladly accepted. Babysitting may seem like a lot of work, but seeing that little angel's face only brought you peace of mind, despite his mother’s protestations that he was only that well behaved for other people.

You were honestly looking forward to spending the night playing with the kid, and you decided it was about time you showed him some classic kids movies, as you packed both Toy Story and The Lion King ready for a fort film night! You were so excited, in fact, that you forgot your previous arrangement with Reid.

“Hey, Y/N, about ready to go? Thanks again for agreeing to carpool out with me tonight, you know how crowded the metro gets on friday nights.” He winks at you, using your regular cover for your biweekly date night, as your stomach drops.

“Oh god, Spencer I totally forgot. I told JJ I’d watch Henry for her tonight, so I’m heading there straight after work so I can watch him whilst she gets ready for dinner with Will.” You guiltily look up at the man whose face has fallen into the most adorable pout you’ve ever seen.

“Oh, hey, no problem, it’s okay, tell Henry I said hello.”

Overhearing this, and seeing her friend's obvious disappointment, JJ jumped into the conversation quickly.

“Hey, why don’t you come over as well, Spence? Henry’s been saying he missed his Uncle Spencer, and I was going to order a pizza for Y/N anyways, if you want that?” She suggested, looking between the two of you.

“I bought movies as well?” You added, hoping desperately that he’d say yes, even if you weren’t acting the most subtle about your feelings for him.

“Sure, thanks for that JJ. Let me just grab my jacket.”

Four hours later and the two of you were all played out. You’d entertained incessantly for the first hour, Henry desperately excited to show both of you each and every toy he’d acquired since you’d last been at his house. When the doorbell rang and the pizza arrived, he hadn’t lost steam, and it took you putting on the first of your movies of the night to get him to drop his toys and focus on the pizza and the plot.

And of course, you’d gone and promised him two movies at the beginning of the night, so after wrestling him into pyjamas and making him brush his teeth, you were finally resting again on the sofa. Reid sat at one end, you at the other, with Henry’s sleeping head in your lap, you stroking the little guy's hair.

“I think, and don’t quote me on this, that he’s asleep now, Y/N.” Spencer whispered to you over the movie.

“I know, he just looks so comfortable I don’t want to move him.” You pout at him, looking down at the sleeping angel in your arms.

“Hey, it’s not fair he’s getting all of your attention.”

“Spencer Reid, are you telling me you're jealous of a child right now?” You asked him in a mockingly shocked tone as he stood up from his side of the couch and came closer to you, placing one hand on the arm rest beside you and the other on the couch cushion behind you, effectively boxing you in.

“If I say yes, will you stroke my hair like that?” He smiled down at you, closing the distance between the two of you and giving you the softest sweetest kiss you could have asked for.

When he pulls back you find your lips following his, wanting more, but he just laughs at you and pulls Henry out of your arms, cradling him softly as he carries him upstairs to bed as you think to yourself that you’d do anything to see that scene every night of your life.

On Monday morning, JJ pulls you aside to thank you again, bringing you some of the chocolates she knows you like to show you her appreciation.

“He was a little angel, JJ. A bit energetic and excited but he was so sweet and sat with me the entire way through the movie before he fell asleep.” You gushed about the baby, happily holding your gift.

“You know that little angel did ask me something pretty interesting at breakfast the next morning.” JJ smiles at you, and you encourage her to keep going.

“He asked me if mommy and daddy kiss because they love each other, and so of course we said yes, that we love each other very much, and you know what he said after that?” She laughed a little, and you could feel your cheeks getting hot as you knew you’d been busted once again.

“He said that he was happy because that meant Uncle Spencer and Auntie Y/N must love each other a lot, too.”

You covered your blushing cheeks, not even trying to stammer out a response, knowing that JJ had probably interrogated little Henry about what he’d seen when feigning sleep the weekend before.

“Relax, Y/N, no harm done. And for what it’s worth, I think you’re good for him. He seems a lot,” she paused to think of the right word before continuing, “a lot more like himself than I’ve seen him in a long time.”

You try to hold in the tears that threaten to spill from the touching words, as you stammer out a small thank you.

Another team member knew now, but that had to have been the most successful way you'd revealed your relationship to date.

--X–

This had to have been the worst way you’d revealed your relationship to date.

It was a slow day of office work in the BAU with no consultation case coming up just yet. And with the majority of your paperwork done, you really were just trying your best to stay entertained around the office before you could clock out and go home.

So when you received a message from Spencer that read “copy room down the hall, five minutes,” your interest was piqued enough to make you run there immediately, not even waiting for the appointed time.

You opened the door slightly and a hand shot out and pulled you in so quickly that you almost lost your balance, your hands pushing up against Spencer’s chest as he slammed the door shut as quietly as possible.

“And what are we doing here, Doctor Reid?” You smirked up at him as you felt his arms tighten around your waist, his hands trailing up and down your back before coming to rest a little lower than before.

“Thought you could use a midday pick me up.” He smirked back leaning down to connect your lips, slowly at first, but gaining a feverish speed.

You were only so happy to give back just as you gave, your hands finding their way up to his hair, pushing your chest forward and up against his own, needing to feel closer to him than you had all day.

He gave your ass a swift slap and used your resulting gasp to force his tongue into your mouth, deepening the kiss. His mouth not leaving yours for even one second, he walked you backwards until your back hit the makeshift file shelving in the small storage closet. Lifting your leg around his waist he pressed closer into you, and finally removed his mouth from yours before swiftly returning it to your neck to continue his ministrations. He removed one hand from your ass, and worked his way underneath your top to your chest beginning to massage you there as he made to push your bra away from your now aching nipples.

Before he could do so however, the door swung open:

“Reid are you in here- oh holy mother of god.” As soon as the door opened to show the figure of Penelope Garcia standing in the door the two of you jumped away from each other like randy school kids just caught clumsily making out on school grounds. Which you supposed you technically were.

“Are you and your lady friend decent, Doctor, can I remove my hand from my eyes now and live a long and healthy life?” She squeaked out, in surprise, her hands firmly blocking everything from view.

She hadn’t seen you just yet, but there was no getting around this.

“Yes, Penny, you can open your eyes,” you almost winced after you straightened your clothes quickly.

“Y/N!?! With Reid?!” She quickly squeaked out, gaining the notice of a nearby Derek Morgan and Emily Prentiss who came rushing in as soon as they heard the frantic tone of their favourite tech analyst's voice.

“I can explain, Pen, please let’s just get out of this closet,” you tried to reason but she was still so shocked she wouldn’t listen.

“Derek, Y/N and Reid!” She motioned vaguely between the two of you.

“I know baby girl, I know.” He tried to reassure her but he couldn’t quite keep the amused look off of his face.

“You KNEW? That Y/N and Reid are getting all hot and heavy in the supply closets now? Emily, are you hearing the words coming from this beautiful man's mouth because I think I have walked into an alternate dimension and I need someone to please bring me back to my real one.” She gasped out.

“Actually, Penelope, I knew too. I think we all did actually.” Emily softly explained.

“You traitors!” she spun around to face the two of you again, and now that she’d calmed down a little, you’d found yourself gravitating towards Reid a little until he’d pulled you into a shy side hug.

“Look at them! They’re canoodling all happily in one of my supply closets, and they didn’t think to share the happy news with me!” She groaned out in faux anger. “Why did you tell Mister Action Man and Little Miss Faked Her Death here before me! Come on, I'm not that untrustworthy!”

“Actually, we didn’t technically tell anyone.” Reid managed to finally get out between Penelope’s moans of anguish, that stupid little smirk you loved so much playing on his face.

“Yeah,” you agreed, turning back to face your three coworkers. “I guess they all just had light bulb moments, and realised themselves, right?”

“God, stop being so cute and in love, it’s making me want to forgive you too easily.” Penelope joked, and you all let out a quiet laugh before deciding to remove yourself from the situation.

“Okay, I’m fine with being the last to know about this, but you better make Aunty Penelope the first in line to hear about any future Baby Geniuses, do you hear me?”

[mrinafria]

[contains spoilers]

I'm an eternal digger of good narrative techniques. A decent story becomes great in my eyes if the narrative is done right. And it's one of the hardest things to do really, since there's no one-size-fits-all rule for what technique works well with a particular story and what doesn't. One of the primary reasons I keep obsessing over Lovely Runner is its' narrative technique. In all honesty, if it had a linear, singular narrative, I would not be hyperventilating over it on a constant basis (I still would just a certain amount, because both Byeon Woo Seok and Kim Hye Yoon deserve awards for what they are doing). One reason it has managed to knock it out off the park and take the top spot in my forever-favorite list is how wonderfully well the narrative is done.

The primary perspective used in this show is Im Sol's. It's through her we're introduced to the story. Her perspective gives shape to the plot, the characters, because we learn things through her. Her perspective is absolutely critical for exposition. Without her thoughts and way of viewing things, you would never realize why saving Seon Jae means so much to her, or why she would bend the rules and bulldoze ahead when it comes to his safety (exhibit A, her leaving home on the day of the accident, despite knowing about her fate). She'd rather have him alive than have him in her life. Without her narrative, you'd think it's really all about a fan saving her idol (thanks to everyone who'd rejected the script listening to that pitch by the way, I'm grateful we have BWS and KHY as the leads because of that, I would not change it for anyone else). With Im Sol's perspective, you realize, she is not just a fan: she's an ardent admirer, a cheerleader, a well-wisher, a protector, an invisible friend trying to support her friend any way she can, someone who respects Seon Jae, sees him as an idol but also as a human, someone who wants to give back to him the same kindness, empathy and love she had once received from him over a radio call. To her, Seon Jae is first a guardian angel and then an idol, the angel who changed her view of life, made her appreciate things even amidst all that could be wrong with the world and her life. He saved her. Not just on that day at the hospital but every time she struggled and faltered since then, he was there, as invisible as it may have been. So this time, she wants to save him, no matter the price.

Then comes Seon Jae. Oof. If Im Sol's perspective gives the story its beautiful, beautiful shape, Seon Jae's perspective breathes literal life in to the body of the story. The show wouldn't be what it is today if not for his perspective. Without his view into things, Im Sol appears as a fangirl going to extreme measures to save her idol, clinging onto him like a monkey (yes I mean the poster) embarrassing the heck out of herself, making you cringe (in a good, enjoyable way) throughout. Then you reach the end of episode 2 and it knocks the breath out of you because WHAT DO YOU EVEN MEAN. It all clicks.

All this while we kept thinking Seon Jae was caught off guard and just kind enough to tolerate her antics, and maybe he'd slowly fall for her now, only to realize we were completely oblivious to a whole different side of the story. If Im Sol's narrative draws you in and keeps you hooked, making you root for her to succeed, it's Seon Jae's narrative that makes you irredeemably fall in love with them and sincerely, genuinely, desperately hope they get their happy ending together after all the storm.

And the motifs. Walking/running, for instance. I'll focus on just one scene here. I recall seeing a bts where KHY is discussing the OG 2008 accident scene, and it explains how she has to slow down, while running away, for just a moment, only to be hit by the taxi driver. Have you ever been in a situation of absolute panic, desperation and stress, then suddenly found a familiar face or a name or a thing you could connect to, and felt a wave of relief rush through you? She sees Seon Jae, a person who is calling out her name. Even if she didn't know him back then, the fact that he knew her (and that he had his uniform on), gives her a sense of safety she badly needed that moment. That momentary relief, so visible in her features, then overtakes the crippling fear she felt running in the middle of nowhere with no one in sight in the dead of the night. Her body, already exhausted beyond anything, responds to the relief she feels for those few seconds, slowing down her steps.

And that is when she is caught off-guard and hit. That also might have added to Im Sol's anger at the hospital when she is screaming at Seon Jae, her internal anguish that if only she had not paused seeing Seon Jae, and kept on running, then maybe she wouldn't be hit, wouldn't fall, wouldn't lose her ability to walk. It's one thing to have tropes and symbolic things, but it's a very different thing to know how to use them effectively so they elicit very specific types of emotions/reactions out of people. Lovely Runner excels in that. All kdramas more or less have 'things' that take on different meanings for the couples/viewers. It's the way motifs are used to narrate the story in this one that has me going back over and over again to all the episodes aired so far. These are not just their 'things', these are 'things' that drive the plot forward, tell you about their characters, their personal motivations, what they mean to each other and so much more.

This is getting longer that I intended it to be so will end with this. I feel valued when watching Lovely Runner. And I've seen people saying the same thing. It feels like they respect your critical thinking skills, and your ability to infer, so they don't spoon-feed you everything from the get-go, and you can't predict much despite it being primarily a rom-com. You'd be pulling your hair out (again, in a good way) trying to figure out what they will show next, and you will be somewhat or very far from the truth, which will compel you to think further about the story, the characters, long after an episode has aired...I can't remember the last time it happened with a drama. I love this storytelling.

[fxrmuladaydreams]

jim and pam (sv5) (dr3)

pornstar!seb x pornstar/camgirl!reader , pornstar!daniel x pornstar/camgirl!reader

summary: who would’ve thought an episode of the office would make you feel so introspective

notes: this one’s short, i’m sorry

prev part next part

Things had become odd after your day spent with Sebastian. It was like there was a new energy surrounding you.

Sebastian was great, really. He was sweet, flirty yet still respectful. You honestly wanted nothing more than to grab him by his shoulders and plant a kiss against his lips. It also didn’t help that his channel hadn’t had any new videos posted to it as of late.

You didn’t want to assume that this was some grand gesture of his devotion to you, but a part of you still hoped. You hoped that you were the reason he wasn’t seeing other women, that he was actively choosing to spend his time with you as opposed to spending it filming with other people.

You find yourself seeking him out regularly, longing for his attention, and he’s more than happy to give it to you. Lunches turn into movie nights turn into sleepovers turn into making breakfast together in the kitchen.

That’s how you find yourself seated on the couch, with Sebastian on the other side of it. You’ve both got plates of food on your lap, and are facing each other while the television plays in the background. You had decided that you should watch something together while you ate, and you picked The Office. It was funny, something simple enough that you didn’t really need to focus on it, you could just relish in the presence of each other.

It plays in the background as you nudge your food around your plate. Sebastian keeps his eyes locked on the television.

“Why doesn’t Jim realize that he should be with Pam?” He asks, not necessarily looking for an answer.

You shrug. “Maybe he’s happy with Karen. I mean, I think he and Pam are perfect together, but it’s possible for him to be happy with someone else too.”

Sebastian turns to look at you, then moves to fully face you. “You think that’s possible? That someone could be so in love, so perfect for someone else, and that they could just ignore those feelings while they’re with someone else?” He raises a brow.

You suddenly feel like you’re no longer talking about The Office. You had always felt comfortable around Sebastian, from very early on. He made it clear that he cared about you, until he pushed you away. Were you making a mistake entertaining the idea of being with Daniel instead?

“I think at this point it’s a right person, wrong time sort of situation for them.” You tell him softly.

He nods. “But that doesn’t mean they can’t fix it in the future. See if they were truly meant to end up together?” He smiles. He turns back to the television when you don’t answer him.

The rest of breakfast is spent quietly watching The Office, and cleaning up the kitchen together.

Sebastian gives you a soft smile just before leaving. “Always a pleasure schatz.” He presses a soft kiss to your cheek, leaving you at your door.

Daniel comes over just before lunch. You try to expel the awkward air between you from the other day, allowing him to be more affectionate, but not possessive.

Unlike with Sebastian, he keeps his arms wrapped around you on the couch, practically holding you on top of him.

You close your eyes as you rest your head against his chest. You focus on the soft steady beating of his heart, the heart that he’s openly given to you.

“What’s going on in that pretty little head sweetheart?” He asks, running a hand along your back.

You lift your head to look up at him. He smiles down at you, his dark eyes shining in the light coming in from the window.

“Nothing. Just enjoying this. Being here with you.” You tell him.

He grins, his arms squeezing you a little tighter for a moment. “I’m enjoying this too.”

You fiddle with your hands as you watch Daniel gather his things before leaving. He tugs his hoodie back on over his head, and grabs his keys off your counter.

“Daniel?” You ask, following him to the door.

“Yes sweetheart?”

You rock back and forth on your heels. “Maybe, you could just spend the night? It’s getting late, and I don’t mind having you over.” Your words are quiet, like you’re almost afraid of saying them out loud.

He nods. “I’ll stay. But only if you’re sure you want me to.”

“I want you to.”

He drops his keys back on the counter, and follows you to your room. He pulls his hoodie back off, then begins to pull his shirt off too.

“Is this okay? I usually just sleep in my boxers… If not I can just sleep in my jeans.”

You shake your head. “No, it’s fine.” You try not to stare as Daniel strips in front of you.

Your phone screen lights up with a notification. It’s a goodnight text from Sebastian. You respond quickly before putting your phone face down on your bedside table.

You start off on opposite sides of the bed, but quickly feel Daniel’s arm wrap around you, pulling you against him. His soft snoring proves that it was a subconscious move, that he probably had no intention of possibly stepping over a line when you invited him to stay the night.

However, you’re the one who feels trapped between a rock and a hard place. Well, Daniel’s chest, and the phone sitting two feet away from you. You know you have to make a choice, but feel torn between the two men who’ve chosen to love you. You just have to hope that you pick the right one.

[littlepputo]

Can u write hb + hh characters comforting reader after they’ve had a bad day (pls add stolas in 💗)

-bmbbl4e

A/N: sorry if this took so long. I forced myself out of my writer block for this

Tw: none

Hb + Hh comforting their S/O after a bad day

Part 1 Part 2

Stolas:

I feel like Stolas would know right away. After you'd come home not giving him a "Good afternnoon" or a "How was your day".

➷➹➷➹➷➹➷➹➷➹➷➹➷➹➷➹➷➹➷➹➷➷➹➷➹

"S/O what's wrong" Stolas said after you had came home a frown on your face. You were clearly frustrated and he knew it. "I'm fine just had a bad day"

Stolas wasn't gonna push it any further, but he would try to find some way to make his S/O feel better.

Stolas would probably and most likely take his S/O to their favorite spot, watch a movie or cuddle.

In the end Stolas was find some way to make you feel better and forget about your horrible day.

➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹

Asmodeus

As seen in every episode that he is in as of late we can tell that he cares about his lover(s). Asmodeus might be the embodiment of lust but when it comes to his S/O he's a very supportive man.

So when you come home with a scowl on your face he immediately asks what's wrong, it's just a natural reaction.

➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹♡➷♡➹

"N/N, whats wrong why do you look so sad?" Asmodeus questioned you as you walked through the doors of your shared bedroom. A thud was heard, dropping your work bag on the floor and mumbling something about "a bad day". He of course had to make his special someone fell better.

If you're in a relationship with both Asmodeus and Fizzaroli, he'll probably ask Fizz for some jokes are something to make their parenter happy.

＊*•̩̩͙✩•̩̩͙*˚　˚*•̩̩͙✩•̩̩͙*˚＊‧͙⁺˚*･༓☾　☽༓･*˚⁺‧͙＊*•̩̩͙✩•̩̩͙*˚　˚*•̩̩͙✩•̩̩͙*˚＊

Fizzaroli

I love him so much

Fizzaroli being an performer he would most probably pick up on his S/O if they were upset, something he picked up from doing his job.

Fizzaroli being the loveable clown/jester he is can't let his number one fan be be upset. So he's set it out as his job to make you his lover the happiest demon in hell.

If your in a relationship with both Fizzaroli and Asmodeus like I said before with Ozzie they would both do something to make you feel better about your horrible day so anything and I mean anything will do.

Wanna take a nap... Sure ect they'll baby like it's the last day in hell.

＊*•̩̩͙✩•̩̩͙*˚　˚*•̩̩͙✩•̩̩͙*˚＊‧͙⁺˚*･༓☾　☽༓･*˚⁺‧͙＊*•̩̩͙✩•̩̩͙*˚　˚*•̩̩͙✩•̩̩͙*˚＊

"How about we cuddle up on the bed?" The deep voice of Asmodeus picking you and Fizzaroli up into his hands.

"Or I could tell you some jokes you know my jokes always make you laugh" Adds in Fizzy as he holds you tightly brushing his hands through your hair as Ozzie walked down the hallway to the room you all share.

"A nap would be great" you said after Asmodeus made his way into the shared room walking over to the large heart shaped bed putting you and Fizzaroli on top of his chest so he doesn't squish the both of you.

In the end a little nap with your favorite demons helped out just fine, that doesn't mean they arent gonna pamper you making sure that this is the best day of your life.

A/N:thats all I could come up with characters Blitzo, Veroskia, Charlie and Angel dust will be added in part 2

[captainmera]

My God I love your depiction of the Wittebane brother ❤️

Do you think there might have been a chance that your Pip wouldn't kill his brother when Calec goes to Demon Realm? He seems way more tolerable of weirdness and is actually curious about the taboo things. That it makes me wonder if other steps were taken by people around him, maybe he would make different choices and not turned into a brother-killing genocide goop man. Obviously, the blame is still his for what he did, but I can't stop wondering what if.

And him getting along with Evelyn instead of hating her right of the bat is really cute.

Thank you! :D <333

He grew up with this theatrical bisexual of a brother. Pretty sure the reason Belos didn't give a hoot on the Boiling Isles about queer stuff is because he kinda knew, and accepted, that Caleb was kinda queer. In some cases, people can ignore or bend certain rules for people they love. Even disregard them or pretend they don't apply or exist.

(long rant about writing and narrative foils and blah blah under the cut)

Unlike Caleb, I think Philip is the sort that only picks-and-chooses whatever rules he feels will supports his personal wants/thoughts and tosses the rest.

Caleb was not hiding it as well as he thought he did. lol.

I think that, sure, there was probably a turning point for Philip.

And absolutely, people around him influenced him. He's just a kid, a vulnerable one at that, in a protestant Christian cult.

I kinda like to think of it as a corruption arc. Mostly because it seems (to me) that the whole reason Luz was meant to have a depression-arc and Philip getting all "YoUrE JuSt LiKe Me!" thing was because.. There was supposed, I think, to be similar beginnings for them.

But Luz, in season 3, got depressed and felt a lot of guilt, so her arc is going from this happy-go-lucky kid interested in different things, to a depression arc where she questions herself. While Philip has a corruption arc, where he gradually goes from a well-meaning kid interested in different things, to evil and delusional.

I am also combining Luz, King, and the Collector into Kid-Philip's themes.

King is fascinating as a pre-narrative foil for kid-Philip. I think. As King was very clingy to Luz and didn't want her to leave, he too had a delusion about his own importance (disregard that it was kinda true in the end there). King tried to dictate (in that book episode) about what his and Luz' book should be about, how it should go, and it really hurt Luz' feelings. In the end, they solved it. But as a narrative foil, I think for the Wittebanes, they probably had a similar struggle on a larger scale, and it didn't get resolved.

The Collector, too! They're desperate to be close with someone, anyone, who gets them and wants to play on their terms. Kinda like Belos wanting him and Caleb to be witch hunters. Not accounting that Caleb is his own person outside of him-- Which, if you think about it, Caleb made his whole life (in my version anyway) about taking care of Philip. So I'm sure Philip felt like he really was Caleb's entire world. And then suddenly he wasn't. Because of a witch. The Collector, despite having this incredible power (just like Pip having his brilliant brain) is still a child and using their power in selfish ways. Not intentionally, I think, just out of a fear of abandonment or isolation.

I personally am in favour of nobody-is-born-evil-but-anyone-can-become-evil kinda thing.

I would like to explore how Philip gets corrupted.

I am slowly influencing Philip in my fanfic with little things that will, eventually, boil down to not so great moments.

The thing about delusions is that the person truly believes in it. Philip believing he's a hero has to make sense and feel believable.

Belos is a jerk. Philip isn't, yet. He becomes that jerk. But I don't want to write a sociopath. I also don't like using less-favourable mental illnesses as an "easy way out" to write why Philip became Belos and a genocidal maniac.

I have strong feelings about de-stigmatizing mental illnesses in writing, without romanticizing them or leaving out the really awful and less discussed sides of it. This includes diagnoses within all the clusters of the DSM5. I will not sit here and say I only support a diagnosis like Autism or GAD, and not things like Histrionic or Borderline.

And including people with MH issues and personality disorders is important, too, as well as not trying to downplay them.

People throw around Belos with things like Narcissism and Psychopath, without actually understanding what those means or what the different types there are. For example, is he a grandiose, oblivious or a fragile narcissist?

Yes, these disorders are looked down upon. A lot of people who have them aren't very nice people. But that doesn't mean they're evil or have no heart.

Lots of children can display early signs of these, and in a rough time like the colonial 1630s of America, it is not unthinkable that those rough times bred some dysfunctional people. I'm sure Philip has his own slices of pie as far as mental health goes, just like Caleb and many other struggling people.

But, I will not write from an angle that implies Philip just has darkness from the start in him.

There's a reason why I had Caleb go on a rant about being born evil in chapter 5. Because puritans, and Christians alike, at the time - truly did believe bastards were just... Half people. Did you know that if an orphanage found out a baby was a bastard, they wouldn't let it suckle the nursery goat's udders. Because they were afraid it would soil the milk and, in turn, might give the non-bastard babies bad influence. Somehow.

With that kind of logic in your culture, it's no rocket science that people would put nonsense together and think it made sense.

I'm much more interested in how puritanism and witch hunting culture influenced and corrupted Philip into becoming who he became, and why he refuses to budge on his beliefs to the point of murder.

As the owl house, the show, has commentary on systems influencing cultures in a bad and positive way. But in particular, the one Belos tries to influence the Demon Realm with; being a not-so-great way. So! With that as a clue: what made Philip turn bad, most likely, was partially the puritanism and its extremist ways. I think TOH is also a bit of a nudge at the HAYS-code of Hollywood and how it has trickled into most all the American culture-core. As it's both trickled into schools, morality, politics and other things outside cinema.

Just pointing at him and going "He's a sociopath because he became a genocidal tyrant" is, to me, cheap. Not only does it further stigmatising mental illnesses by implying only a disorder can make someone do such evil things. But it also disregards the most horrific truth of all; that the true monsters are people not at all unlike yourself. And that they, too, were children once.

[lovenonymously]

the importance of well-written stories

watching Lovely Runner was like watching 4 K-dramas at once lol

well-written stories are so rare, you only understand that when you watch something exceptional. something unique. a once in a lifetime experience of watching it for the very first time.

this show gave me so many feelings. in truth, it was an experience. I'm glad I put aside my fear of sad endings and watched as it aired. for once, I took the leap and discovered that's exactly what this drama wanted me to learn.

usually, after finishing really good K-dramas or stories in general, I hit a slump where I cannot function. everything feels dull and boring. a different kind of grief at realising this was just fictional.

but not this time.

all I feel is light and happy. like I'm floating. I want to carry this feeling and runaway. I want to remember how this felt and hold onto it when I get down or get bad days.

lifetimes lived.

Sol was sunlight. bright and unwavering and unforgettable. 💛

living vicariously through Im Sol, from feeling her pain in the beginning to her sunny hope that Sun Jae gave her. all her struggles as she jumped through various lifetimes, loved and lived and loved again. crying with her, laughing with her, rooting for her despite all odds. it was a journey.

beyond her love for Sun Jae, Sol's choices changed her family's life too. they were less hurt and much happier in the future she helped them create. even giving her grandmother a chance to return to the past and relive her fondest memories.

Sun Jae was midnight rain. the comfort of a sudden shower in the middle of summer. 💙

apart from being a complete loser in love, Sun Jae was in love with Sol for a total accumulated time of 45 years.

yep. my reaction exactly ^

I won't lie, when they pulled the "he fell first" trope in Episode 2, I was wary. one, because if the writers were willing to pull such a twist in just the second episode, then who knew what else was in store for us? my guess was pretty spot on, the twists that followed had me gasping and yelling out loud. this show was unpredictable from beginning to end.

and two, because I was worried that Sun Jae's character might get reduced to just him being in love with Im Sol.

in that case, I'm glad to say,

I was completely wrong.

despite Sun Jae's love for Im Sol, he had a grounded personality of his own. whether it was OG Sun Jae (ep 1), who lived in the guilt of what happened to the girl he loved, or Timeline 3 Sun Jae (ep 15), who never fell in love at all, he was positive, kind, decisive and striving to live.

and i love that about him.

for two characters whose stories are so deeply interwoven together, having shaped aspects of each other's lives, Sol and Sun Jae displayed their unique traits exceptionally well as individuals.

I cannot emphasize how happy this makes me. Sun Jae is his own person, Sol is her own person, and they are destined to be together. beyond their desperation for each other's safety and well-being, Sol and Sun Jae are genuinely good people who deserved to be together. even fate and time bent to their will to make it happen.

"As you wait for the rain to stop, live another day."

when a story makes you feel happy, hold onto that feeling. bottle it up. write it down. come back to it on the days the world feels against you and when the times feel too bleak.

fictional though it is, for what it's worth, at least the story exists. it means there are still people out there writing and bringing such stories to life. it means artists and creators like you and I haven't yet forgotten what it's supposed to be like to live. it means there are still people who connect to such stories and learn good things from it.

and as you wait for more such great stories, live another day. perhaps, if you get bored, write the story you want to read.

in the end, it's quite simple.

as for me, I'll be here. crying, laughing, screaming, giggling and kicking my feet while being up to my eyes in second-hand embarrassment (because goodness, these two idiots are COMPLETE LOSERS IN LOVE) throughout these past 8 weeks was the highlight of my year ✨ I will always remember that I watched a beautiful modern fairytale romance in the summer of '24 that reminded me that I was young and full of love to give.

good stories truly do make a difference 🤍

[valsdelulucorner]

I love the way you write for Obey me characters. It fits nicely, that I enjoyed reading all of them. I had to make sure I’m requesting a character you haven’t done yet.

I would love to read Satan headcanons.

Thank you so much anon<3 of course I can do Satan, I haven't done him yet so I'll be happy to write for him

Satan Head cannons<3

Satan is always abit insecure when it comes to Lucifer, always being mistaken for him even though they are vastly different. He always gets mad at someone for comparing him to or calling him Lucifer and for a valid reason, he feels like he is just a cheep copy of him, that he isn't as loved by lucifer because he was born once lucifer fell

Once you came to the Devildom though, he was surprised that you never compared him to lucifer (out loud) or even mistaken him for Lucifer. He grew to appreciate you more when he overheard you correct one of his brothers when they were comparing him to Lucifer, overhearing you point out the differences and saying that they were different people. He never told you he heard you say this but he appreciates you for it, glad that you see him as his own person and not just a clone of Lucifer

Satan has gotten better at controlling his wrath but that doesn't mean it doesn't show, his anger can be explosive when triggered and we see this when he almost badly hurt us that one time. After the pact and when he started to grow closer with you, he discovered that he is alot calmer with you and that your not one of his triggers, but instead one of his methods of calming down

When Satan goes into one of his episodes, his brothers will either sprint up to you and use you as a shield (they know satan wont hurt you), his brothers will drag you down and try and make him calm down, or his will make his way to find you and rant to you. If your resting in his room and he storm in in his demon form, he will rant to you while throwing books around, making sure that none of them hit you and will try not to snap at you.

Satan normally feels really bad after a episode so if your there with him, he will lay with you and hold onto you tightly, mumbling apologies and "I hate feeling this angry", still in his demon form while he holds onto you. He holds you in his tail while he buries his face into your neck or chest, holding onto you while you either play with his hair or read to him. You help him calm down, he cant be more greatful to you whenever your there supporting him

Satan loves taking you on library, cafe, museum and book dates. He will take your hand and gently lead you around a library or museum, leading you around and softly going on about where some ancient text came from, where certain artifacts where founded. His favourite date idea though is a winter Cafe trip before renting some books from the library out, heading back home before cuddling up on the sofa and enjoying your food and books Infront of the fireplace

If you come to the devildom as a writer or a artist, he will make a few requests. As a writer, he would absolutely love to read anything you write and make a few requests about some ideas he's been wanting to write about, extremely happy when you do end up writing for him. He would Tresure it forever and make sure to keep it in a collection that no one is allowed to touch, only for his eyes to see. As a artist, he would give you a little list of attributes and traits and politely ask if you could draw a character from a book for him. wither your a writer or a artist, he would love and treasure your creations

I love the head cannon that Satan uses his tail as a whip, which gives me the idea that he can use his tail in combat. His tail is sharp but he can also close up his scales to make it smooth and harmless, the mode he uses to cuddle and hold you with. When he's threatened or pissed however, he will puff up his scales and harden them, making his tail sharp and dangerous. His tail can get very dirty after occasions like this so it is mandatory for him to clean his tail so he doesn't get a infection.

If you offered to help him clean his tail, he would absolutely refuse to let you touch his tail in the state its in, he doesn't want to accidently hurt you. He does appreciate it though if you sit next to him and just keep him company while he cleans his tail, having you hand him cleaning products while he scrubs in-between his sharp scales. He deeply appreciates you more then you know, even if its just something like sitting next to him while he cleans his tail of dirt and blood

He loves having you lay on his lap while he reads late into the night, playing with your hair as he reads a book, admiring your sleeping face from time to time. His tail gently holds your waist or wraps around your legs while you sleep against his thighs, subconsciously making sure your safe and sound while he continues to read. He loves to rest on your lap aswell, sleeping peacefully against your thighs as your fingers play with his hair. His tail wraps around your ankle and calf while he cuddles into you, a quite purr coming from his chest as he nuzzles into your belly

He calls you his darling, his muse, and his rose.

If he accidentally hurts you during one of his fits, he feels extremely guilty after he calms down. He goes to find you and tries not to grimace when he finds you patching yourself up, sighing softly before going to help you. Non stop apologies slip from his laps as he patches you up properly, his heart sinking as he makes sure you are properly ok. He gets so much more careful with you after this experience, making sure your not in the room when he gets violent

Satan does his research on humans and will randomly drop one of the most traumatizing facts about humans before just going on about his day, thinking he will impress you with these facts. "Hey my darling, did you know that [A random traumatizing fact about humans that will completely ruin your day]" "Satan..... darling...." *Proud of himself thinking he impressed you"

"Im scared I might loose myself and hurt you" "I'll still stand beside you"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Two fics in one day, im feeling good! I honestly really struggled with Satan because i don't normally write about him but i liked this! I hope I did Satan alright anon and i hope you enjoyed!

Who should i do next?

[wlfpet]

(Abby Anderson x Fem!Reader)

 — PAPI BONES

A/N: Hi, this is the formerly scrapped, 3x longer, 2 months writing project that I had because I wanted to fuck abby in a closet! this was actually supposed to be my first post on tumblr, but i got mad at it and sent it to the dungeon for two months :/ but yall wanted it, so I'm super happy i got to finish it, even though it took multiple days and cups of coffee to power through. sorry for the wait, hope you fuck wit her.

content tags (can you tell i don't want to write anymore ;w;): college au, childish antics at a big age, drinking, cool, ellie and dina are in this! kind of abstract sexual descriptions, assplay, cunnilingus (r!receiving), boob... touching? small mention of drugs because dealer!ellie, drunk sex, enthusiastic consent! :D, reader is kind of annoying sorry, men being assholes, reader catching feelings for a girl she fucked once, real.

wc: 7.6k ;w; (send help)

proofread?; barely.

tl : @clearheartgreyflowers, @oatmilkchaii, @ghostfacebunny, @ellsbclls (thank you to the sweetest deb @ellsbclls for helping beta read this, i appreciate your suggestions and encouragement and this would probably have been scrapped TWICE without your help ;w; )

synopsis: your best friend dina drags you to a college frat party. you hate shit like this, and you're painfully shy but when she does those puppy dog eyes you can't say no, so in a cruel twist of fate you end up in the closet with abby Anderson, and lose your virginity. yay college! (apart of the 'jackson university' thematic!)

Your idea of a Saturday night well spent wasn’t squeezing through a sea of sweaty backs; but like many things in your life, it wasn’t up to you, because you were easily swayed. Everything was overstimulating, the waves of bodies on bodies that pulsated and threw you between different poses and balances to keep on your feet, the ringing of laughter, of music, of every sound echoing in your head, around your body, vibrating through your very core. The smell of liquor and drunken antics and that one guy puking in the corner made you sick. But somehow, you were here, spurred on by peer pressure friendship and goodwill, trudging through the blackened room to your target; the snack table. 

Dina, your roommate, and determinant best friend held a firm hand on the small of your back, pushing you through the crowd and causing a small jolt to run down your body as she steered you around every obstacle and corner in the room. She was a woman on a mission, and the one who dragged you out of bed, convincing you - against your better judgment- that it was fatal that you accompanied her to a frat party. You knew she was good-natured, and your first friend when you moved 500 miles away from home to college. It was an instant click, but you were opposite best friends. 

Dina, ever the social butterfly, had connections in all different spaces; she could party with the sorority girls –hold the coke, please,– out-cram everyone, even the National Honor Society kids, all the way to the top of the class, hell, she was on the damn debate team, which was probably why it wasn’t a struggle to get a ‘yes’ out of you. You, on the other hand, were uncomfortable at bars, school sporting events, and parties, and one time you even thre– fuck, never mind. It was all effortless to her, in almost an enviable way. Dina loved to go clubbing, loved to hang, out, and she had been near-begging you to come out with her and her cool friends for months, not that you’re not cool, I mean. 

And somehow, despite everything, it worked. 

You could almost remember how you got there if you put away the sticky crunch of coke sticking to your shoes with each step, and reached back into the recesses of your mind. Or at least, back three-and-a-half hours ago. 

“They’re all great people, no weirdos, promise!” 

It was the emphatic plea made to you as you lay on your bed, queuing up the next episode of the apocalypse show you watched each week, watching her make Dina list off every reason why you just had to follow her out tonight. It was clearly very life-or-death shit to her, but you were unconvinced. It was just a party but there was going to be a smaller, more intimate kickback in a friend-of-a-friend’s basement. She was in the middle of getting ready, sitting at her school-issue desk and looking at herself in the mirror, dark hair coned over her head in a bun as she sat in deep concentration, words slurred and simple as she applied mascara, her mouth slacked into an O position.

“So you’re gonna like, fucking go, yeah?”

She said it as though it was obvious, like it wasn’t a question, but one look at you, –curled up in covers, laptop on chest, martini glass pajama pants and teddy bear teeshirt ON, unbothered– showed her that it would be a tall order, and that big guns would be needed. 

“Not interested, sorry.” 

“Not even a tinyyyyy bit?” Dina squeezed her fingers together for emphasis, throwing her head back in mock exhaust, a theatric groan rumbling out of her throat. “Not even a little bit.” You echoed, your roommate cutting her eye at you through her handheld mirror, but it was what it was. You weren’t into all of that stuff; the bump and grind of sweaty bodies wasn’t alluring, listening to someone else’s shitty music at ear-bleeding levels felt like hell, and if you wanted to get pitifully drunk and throw up all over yourself, there was a garbage can right under your bed. But your friend really, really, wanted your company and it made you feel, really, really bad to always blow her off. 

“Why are you going so hard on this?” You bemused as you propped up on your elbows, watching as she stalked around the room in her newly painted face, quickly rummaging through her drawer for a spare outfit. 

“Maybe because it bums me out to see my super cool roommate wasting away in her dorm every weekend?” In Dina’s mind, she was making a lot of sense. She was waiting for you to chime in, to say you know what, Dee? You’re right, I get it. But instead, you stared blankly, and she threw down her arms in exasperation. “You’re in fucking college, man! You don’t even wanna have one night of fun?”  She punctuated the ‘fucking’ with a wild gesture around her head, which made you chuckle to yourself.

“I mean, I was planning on wa–”

Your body was jostled by an insane amount of weight, almost turned completely over by two roughhousing dudes– a mess of limbs and arms, who looked at you and then at each other, as though they had spontaneously sobered up. You didn’t even have the time to start to be angry when they prattled off a blended, slurred apology and thrashed somewhere away through the mass of hands and faces in the dark room.

Fucking assholes, ruining the flashback sequence. 

The room was lit only by haphazard mood lights; soft LEDs and gaudy, flickering Christmas baubles, a solitary television, camped by stoners who laughed madly, and the dim auburn glow of the odd ceiling lamp nestled in the far back of the house. You were out of your element; you couldn’t dance, weren’t the most social, and even though you were with a friend, all of this made you feel very alone.

Dina cut through the crowd with her elbow, bellowing out “Ex–cuse me!” while she pushed you through gaps as they formed. Her voice fell to mutter again, barely audible, chunked and cut by the music bouncing from wall to wall, grumbling that she had places to be, and if E*&^$ didn’t get her off at least once, there would be hell to pay.  She was determined to get to the other side of the room, where it was arranged that by the chips, as smokers usually are, she would find her current fuckbuddy and her friends, waiting to hotbox and pregame a bit more before the room peaked. She was driven by horniness and selfishness, as one typically is after four shots of Tito’s vodka, and getting smoked out and ‘taken care of’ upstairs was half the reason she even came.

You’d never met her most recent suitor, and the question of her girlfriend was always met with a ‘no, she’s just my sneaky link.’ but you didn’t question it enough to know more. She was just the girl who Dina would go off campus to meet, and as long as she wasn’t a slasher, and her pre-rolls knocked you on your ass, it would be what it was. You were carried away by your friend’s excitement, by her heavy hand nearly lifting you off of your feet as she beelined to the kitchen, wrangling your twin bodies every which way. 

“Ellie! Ellie!” She yelled, jumping up and down a bit to compensate for her voice being swallowed by the bass. She burrowed through the wave, pushing you towards a girl leaning against the sink, nursing a red cup and low, hazy eyes. Her auburn hair was swallowed by a black docker, and a dark-coloured backpack jutted out from behind her as she smiled and waved the two of you –mostly Dina, into her orbit. She looped her head under your shoulder to be pulled into the strong hug of firm biceps, and Arms looked you over, offering a friendly nod. 

–

“It’s on streaming. You can watch ‘Many of Them’ literally whenever!”

“Live tweeting is a part of the experience.” You chided matter-of-factly, sitting up cross-legged. It wasn’t like the brunette was wrong, exactly, but you couldn’t give up too much at once. Going soft was not a part of the plan.

“Fuck, whatever– You know the girl I’ve been hooking up with, right?” Her eyebrow raised at your dispassionate ‘not really.’ “Well you know her fucking joints, she sells– weed, shrooms… pills?” Dina listed off with her finger, mulling over the last detail for a second, then confirming in her head with a nod. It’s fine, you’re cool, and the two of you had always bonded over your love of recreational joy anyways. “So, if you wanna smoke orsomething– I got you, all you have to do is show up.” Her hands were up almost sheepishly as she tested the waters, but you weren’t super convinced, and your idea of fun wasn’t exactly playing wingman while she got tongue-fucked by a drug dealer, and the pregnant pause was enough to cue her into having to bring out the big guns. 

“-And, and!  I'll wash all our dishes, and cleanyoursideoftheroomforaweek.” 

Damn, she practically ran through that last part, so under her breath you knew she was hoping that you didn’t hear. But you did, and for a second you could almost see a smirk play on her face as your eyes lit up. She was always up for a good bribe, and even though she would act annoyed, it was great for breaking you out of your shell. She would offer to watch the zombie show if you came out to the bars in your college town with her, pizza if you confessed to your crush instead of instastalking them three times a day, even though it didn’t work, –oh well, shooters shoot– and tonight? A week free from chores if you just spent a couple of hours in your own personal hell. Yeah, you would give her this one. 

“Now we’re talking. If you want someone to be the lookout while you and Jesse Pinkman go at it, who am I to deny?” You teased, kicking your legs over the edge of the bed. 

Your roommate craned her head up, momentarily stopping her mission of rifling through her clothes. “Who said that?”

“You’re in your ‘good panty’ drawer.” You whispered cheekily. 

“Well, you got me. Someone has to get fucked around here.”

“Oh fuck you, bitch!” You laughed, throwing your pillow, hitting smack in the center of her chest. 

Dina bounced around the room, practically billowing with glee. There was a descending, barely audible ‘fuck yeah’ as she traipsed down the hall towards the bathroom, rounding the corner and disappearing from your periphery. 

“By the way, you know Jesse’s last name is Huang, right, not Pinkman? And we’re uh– not together anymore.” Dina shouted through the silence.

“That’s a character from Breaking Bad. It was a joke– because he’s a drug de–” You stopped yourself midway. “Never mind. It’s not funny if I explain it.”

“Oh– I never watched Breaking Bad. Too Long.” She deadpanned. You chuckled to yourself, shaking your head as you slid your way off the bed. 

That’s how you found yourself in a dimly lit bathroom, missing the comfort of your memories as ‘Ellie’ rolled a blunt. You stood leaning against the door and Dina sat on the closed toilet seat. The dealer sealed the last of the leaf with a flick of the tongue and a lick of spit, maintaining direct eye contact with Dina so she could not-so-subtly show off. She passed it to the brunette first, who mimed a cheeky, ‘why thank you’ and drew poutily. You three sat there for a while, smoking and talking, steam from the hot shower wafting above your heads as music pumped through the foundation of the house. 

There was laughter outside of the door and it soon became awkward for you, Ellie and Dina finishing the blunt, –you were a lightweight– and chatting idly as Dina traced a fingertip against the outline of the tattoo Ellie was showing off. 

The temperature of the tiny room ran hotter between their reddened eyes, and it was as though you were being banished by a galactic force. You couldn’t mistake how the red-haired girl’s glance caught an extra second or so at the way Dina’s body was hugged just right in her party dress, cleavage strained against the fuchsia PVC of her neckline, and how she bit the corner of her lip when her eyes hooked on a dark mole on Dina’s breast that was framed by the feathers of her black hair.  

It was time to go, unless you were interested in seeing your best friend get dug out on the countertop.

You were already a little bit wobbly, hearing a giggle that slipped from Dina’s lips morph into a squeak as you slipped out of the crack you pulled in the door and into the fray, getting carried down the stairs and back over to the drinks. You crossed over a kissing couple, cutting into their makeout and heavy petting session, and through a huddled together group of girls whispering something about seeing an ex across the room. 

You gripped onto the countertop for stability when you finally broke free from the pulsating wave of bodies. There was a bit of everything surfing in deep bowls of ice and water, open bags of chips and snacks bunched up together on the island. You could not be sober for this shit. You wedged up the pop cap on a hard seltzer and brought it to your lips, the spirit coating your tongue and boiling its way into your stomach. There it was again, the familiar warm feeling in your hands and feet, the soft pressure already creeping across the flat of your face. Yeah, now that was it. The anxiety began to melt away, and you leaned against the countertop, flexing your legs. 

Wow, they’re inviting giants to the shindig too. You laughed to yourself as the scarlet-lit ocean parted, and a tall, wide figure walked through and into the darkness of a descending flight of stairs. If only it was that easy when you needed to piss, notwithstanding that you had already been in the bathroom.

 It’s fun being sardonic sometimes. 

Out of the corner of your eye, you could see your roommate coming down the stairs, the dealer’s deft fingers pulling down part of her dress that rode up her ass.  She arched her head up, straining left and right like the eye of a submarine as she looked for you; her eyes lit up, waving to you as she fisted her companion’s belt loop, bouldering through the sea of people. She was high as fuck, if her bright pink eyes were enough to speak to it, and your gaze lingered over the new expanse of a deep purplish hickey on her neck, small indents from teeth glimmering with saliva in the light.  

There was that hotness again that burned in the pit of your stomach, not from drunkenness or anxiety, but the can of fruity liquor in your hand covered up for the embarrassing flush of your wild cherry-coloured cheeks. You peeled your eyes back up to her face and smiled dumbly. You’d never had *that* before. You’ve watched things before at least, and obviously, touched yourself to the thought, but you’ve never had someone to fool around with in bathrooms or hold your skirt when it rode up.

There was your first kiss, but it was in middle school, so it didn't count. It was all clammy lips, two noses that couldn’t get the space between them *quite* right, and an overzealous set of chompers that left you with a bloody lip. Actual horseshit, but somehow, a core memory. It was annoying in a way, how it just didn’t come to you, but you wanted to be wanted. To be lusted over, desired even in that casual touchy way that simmered between your best friend and the girl you didn’t know very well.  Dina was making grabby hands at you, wide-eyed and bushy-tailed. Your drink bobbed as she whisked you to her will, you and Ellie sharing a knowing look as she pushed your bodies through the hall and down the darkness of the stairwell. 

– 

“RULES ARE SIMPLE,” some asshole in a hat bellowed as he stood over all of you who sat in the circle, mildly drunk off your asses and looking for easy fun. He held up a black beer bottle, carrying it like a trophy and swishing it around your noses for a closer look. “You kids might know seven minutes in heaven.” You didn’t know him, but according to Dina, this was his house, his party, and his very annoying rules. A light patch of raised skin played against his nose as he scrunched his nose over and over again, hands on hips, clearly trying to steal back whatever thought the liquor took from him. Jason, right? 

Whatever. 

“But we’re all grown-ups here, so I present to you–” He rolled the bottle in hand, clearly soft-launching his bright idea. “Fifteen minutes in purgatory!” There was a deep groan radiating from some, but there was a small minority that exploded in cheers, and whoops. “Pretty self-explanatory, two adventurers venture deep into purgatory, and come out forever changed.

“Two adventurers go deep into purgatory,” He gestured his head at the foreboding broom closet in the back of the room. “And return forever changed.” 

“We’ll use the bottle to choose our unlucky voyagers, and you’ll spend fifteen minutes in the closet.” He explained, dropping the mystique in the second half. “Alright kids, let’s start; and just for the record– If you’re a pussy, get the fuck out of the circle!”

The drunken cast of partiers whooped and cheered, hyping each other up, spilling beer out of red cups as they gestured wildly, entirely too grown for this. The room played ‘not it’ to pick who got the first spin, and the unfortunate soul was a blonde who sat cross-legged, blank-eyed at the black glass handed to her, nodding her head tersely. 

“We got our very own Abigail Anderson– !” Her eyes narrowed. “Andddd….” Hat praised, cueing her to spin. She took the bottle, pointing the tip towards herself and then spinning it, the glass doubling, tripling the circle, making you dizzy chasing it with your eyes, and everyone sat with bated breath. It slowed and slowed and slowed, until, like ugly fate, it stopped at your feet.

“Our newbie!” He got up to cheese, leaning over you, placing his hands over your shoulders, and rocking you from side to side. You laughed awkwardly, putting your palms up defensively at nothing. 

“Um– uh…” You were at a loss for words, only cut off as his head shot into your field of view, hot, hopsy breath tanging your nostrils. “What, you scared?” He taunted, all eyes on you, watching as you nursed a deep discomfort about the whole thing behind an uneasy smile.  

“You’re a fucking asshole, Jordan.” The girl, Abby, groaned. She looked up at you from her downward pointing head, swishing her bottle of hard cider in the hand propped over her knee. Jordan, that was the name of this dickhead. Yeah, fuck him. “If she doesn’t want to get in the closet, she doesn’t want to get in the closet. I’ll just spin again.”

Dina cut in, the redhead still leaning lazily against her. “Yeah, don’t–dont be a dick, Jordan.” Her face was tight, and Ellie was annoyed because Dina was annoyed, and the room held a pregnant silence, and even though it wasn’t your fault, you felt all too responsible and all too uncomfortable with all of the eyes watching you.

“It’s fine, guys. Let’s all– eh, chill out, okay? I’m going to take the dare.” You leaned in, voice dropping to a whisper, trying to steal back the vibe, trying to replace the tension with playful drama as you circled your head around, wiggling the fingers slightly of your held-up palms. “Because I’m not a little bitch.”

The crowd exploded in raucous laughter, each voice clashing together and mimicking the sound of a pipe bursting. You looked over at your partner, who seemed pleasantly surprised, a smirk playing on her peach lips. She placed down her bottle and stood, and as she towered over you, you realised that maybe you were playing with fire. She was scary and nonchalant, but the outer workings of her face were soft and gentle. She didn’t look like the girls in the videos you watched at night; she was something different, uncharted, and before you knew it, a nervousness, and something lower, darker, ran through your body. 

Then it was time to go, you piling in first, looking around at some of the half-darkness in the room, barely enough to fit two people in. 

The asshole patted the girl’s back, corralling her into the closet behind you. Blood rushed to your head, the pressure was too great, like getting skullfucked through your ears. show her a good time, you could hear him say, and then something that you couldn’t quite understand over the bass. The mountain’s eyes narrowed, but before she could shoot back, her large body crashed into yours and the space became tighter and tighter, just enough for the two of you to put your arms out to either side or turn around. For a split second, you could see Dina’s face from over Jordan’s shoulder, tightened in concern, a timid thumbs up at the side of her head. Then, he closed the door, and the last of the light slipped out through the crack in the wall. 

There was a deep silence, and somehow, like the hazy feeling you get right before you wake from a dream, you were chest to chest in the darkness with her blue eyes staring back at you, damn-near bioluminescent. You’d seen her around, because everyone sees her around, but it hadn’t registered that the giant who had parted all of those people in the crowd like they were just water, was standing right in front of you. Outside you could hear the rumble of the music, vibrations of the bass wrapping around you and shaking you from the inside out. The closet was too tight, too warm, too filled with smells from towels and coats and folded blankets and dusty boxes of light bulbs and two cramped, awkward bodies. 

Suddenly, you felt all too intimidated.

“You’re Abigail, right?” You questioned. “Off the rugby team?”

“Abby.” You couldn’t read her face in the dark, and though she spoke pointedly she didn’t seem angry, but the accidental overstep was enough to make you want to dig a hole through the floor with your bare hands and die in it. “And yeah– captain, of the rugby team.”

“Oh, sorry, sorry.” You yielded. “So… what are we supposed to do? In here, I mean.” You gestured at nothing, knocking some washcloths from a top shelf down in the dark. “Ah, damn it.” You cursed under your breath, bending down to pick up the small stack. You could hear Abby behind you, sucking her teeth with a judgy hum.  Her brows were almost touching her eyelids, captured in secondhand embarrassment, and she almost felt bad for how awkward you were, scrambling to pick them up from the floor.

  If you could see her face, you’d be able to tell how her eyes flicked up and down her body, taking everything in. Your black skirt slid slightly to bunch at the front, uncovering portions of your doughy thigh and the ever-so-tiniest range of fabric hiding your prettiest secret. She had to tear her eyes away, almost. She jumped, even, glad you couldn’t see as you popped back up. 

You were cute, holding the disheveled stack in your hands, a look of sheer pride on your face. You looked over to the side, tossing them unceremoniously on a free shelf, gravity taking a couple back to the ground. Your sated chuckle, the way your tits pushed up slightly, illuminated, almost framed like art by the neckline of your cream cardigan made her hungry. She pushed the ideas of what she wanted to do with them out of her mind, but damn, she could think about some things that would make the devil embarrassed. She stomped down her desire, stoicism crossing her for a second, only for her to open it back up on second thought.

“They want us to fool around, fuck, ideally.” She started, analysing your expressions for any hint of discomfort at the conversation. “But– we don’t have to do anything.” She tried to cut some of the thick discomforts with a placating smile, almost lost in detail in the low light. She was huge, more so than you, or most anyone else you knew, the jutting-out edge of a shelf knocking the back of her head every time she leaned her head back in the tight space. The hard washboard of her torso was framed by an opening of a grey hoodie and barely much else, just the thick band of her boxers peeking from her sweatpants, and the black of a cropped tank top that stopped right below her bra line. 

“Jordan… is typically a good guy, but when he gets drunk he’s a total POS.” Abby was sallow-faced, pursing her lips, tension running through her jawline. “I shouldn’t have let him put you on the spot like that. So… I’m sorry that you got pressured to get in here.”

“It’s fine, I just.” You started, ready to say that big phrase, the one that slightly burned your back to admit. “I’ve never done anything like this before.”

“What, played seven minutes in heaven? Yeah, kind of a jackass thing to suggest in your twenties.”

Shit. She was going to make you say it. 

“No. I mean I’ve never–” and you thought your tiny voice couldn’t get any tinier. “had sex before.” 

Abby breathed in the deepest sigh, pure anxiety crossing her face for a split second, before she was feeding you apologies. “It’s fine, we don’t have to do anything we can just sit here and talk. Or be in silence if you want it’s alr–”

“I want to do it.” You said doggedly, pressing yourself into a tiny corner. Her brow perched, and there was something in those narrowing blue eyes that said she didn’t believe you. You were pigeontoed, legs shifting against one another, declaring in your firmest voice that you wanted her to take your virginity. 

“Are you sure?” She breathed out, stepping a bit closer. “You don’t have to feel pressured to do anything because you think they want a show.”

“Oh, my god.” You were pouting, annoyed. “I can choose if I want to have sex you know, and I want to have sex right here right n–”

She kissed you, softly as possible, testing your waters to see how far you were willing to go. Her hands were patient, one lightly knotted in the woolen knit of your cardigan to lightly pet your lower back, the other making gentle grips on your sweatered arm. Her fingers were barely bruising, gripping around your wrist almost tight enough, and a tiny shockwave coursed between your thighs and convinced you that you wanted more. In this low light, in this dark room, in this place between space and time, you wanted to be her conquest. To be taken, touched, manhandled, to be made to weather the storm of her overwhelming strength against you, lost in the middle of the ocean.

It was perverted, almost, how the idea of her showing restraint raised hairs on your skin, how you deepened the kiss like you were being overcome with an insatiable, bloody hunger. You had to take back the moment, to steal her attention in a way she couldn’t deny before she thought you were all talk; you stepped closer, positioning yourself so that her thigh hovered right below the heated space under your skirt. Her hand was warm, soft as you grabbed it, moving it lower, deeper down the divot of your back and where the fat of your ass connected. She caught on, groaning into your lips as she kneaded around your body, her tongue sweeter and heavier against yours, working that one damned hand up your skirt to cup bare skin. 

You jumped. 

As fast as it had come, her hand slipped back from under your skirt and the touch was lost completely, awkwardly hovering for a second until Abby pulled it back into her pocket and stepped back. You were miserable, eyes welling up in frustration like a lost dog at the lack of feeling. She was pulling you into insanity but was too chivalrous to drown you in it, rubbing the back of her neck sheepishly as she looked down at you.

“Fuck– didn’t mean to be aggressive like that. I–” The redness bled across her cheeks, freckles on full display as her fingers met the wet spot that you were hiding, your hands guiding hers to the space between your thighs. There was a pause, a knowing, a challenge between the two of you as an unknown heat spread throughout your bodies, and you collided once more. The blonde’s mouth sucked a nasty pressure into your throat, agitating it with bites and licks as her head traveled deeper, hands playing at the front of your sweatered torso to undo the buttons that held your breasts hostage. 

Her entrance was assured as she popped the loops open, fingers gripping the fabric of your camisole and lifting up, taking your bra with it. She nipped at the exposed flesh, heat from her mouth traveling directly to your vagina, clit throbbing hard with need. Abby engulfed a nipple with the wetness of her tongue, closing her lips around the rapidly hardening bud to pull it to full attention, chuckling as she scraped the flesh with her teeth. The wet head was replaced with her palms, each thumb and forefinger rolling one or the other. The sensitivity of the tiny flesh was insane, enough to make you whine out loud as she continued, better than anything you had ever done to yourself. 

You were biting your lip, eyes big and doe-like as you waded through your pleasure, soft pants heaving your chest. She fished it out from between your teeth and hooked it within her own, popping the plump flesh into her mouth as she pared yours with her tongue. You swore the room was spinning, a wetness slicking between your thighs, a drip positioned between two pairs of hungry lips. You could’ve spent all fifteen minutes– or an eternity, in this beautiful hell, giving and taking and relishing in a different, sort of strange type of want.

“Don’t stop.” You moaned in between stolen breaths, the blonde chasing your mouth each time you pulled away.

“For you, pretty?” Gripping you tighter for emphasis, pressing you closer into the wall, angling further between your spread legs. “Never.” 

It was like you were some weird intoxication to her, a drug that she couldn’t get enough of. How your ass molded right into the divots of her palms, those tiny moans that rang through the cage you two were in, the rapid beating of your heart rippling through your body. She wanted to peel your cardigan from your shoulders, wanted to shred your clothes from your body and take you however she liked, and make you feel better than you knew what to do with. Needed to make you scream and fuck you until you cried. But it was your first time, so she resigned to being gentle and soft, like you were a little deer in the forest, and she was trying to get close without scaring you off. so she would give you only what you needed. 

She didn’t have a lot of strong feelings about that nickname she had earned in sophomore year, War Machine, from all of the pretty girls she ran through and left unable to walk, unable to talk for a couple of days or more. but when Jordan said it, in front of you, in front of sweet and innocent, pretty and tiny *you* she could’ve reeled back and torn him apart. But she still didn’t want to scare you. So she had forced an alright, the one a child forces when they get scolded, and hid the burning in her palms that made her want to fight in the pocket of her pants. 

Your eyes bored x-rays through her formidable thighs as she bent her knees to squad before you, strong hands rubbing up and down your thighs with contrasting gentleness to the hard angles of her face, the brow that was crooked down slightly in concentration, the slightly parted lips playing with mischief as they took you in. You were frightened for just a second, until Abby looked up at you with sympathetic eyes, a hand leaving your thigh and linking with your fingers, guiding you to the base of her skull to envelop her honeyed strands. 

She was back at you, the darkness in your stomach leaking out as you palmed her head, and she ran her hands upward, more upward, until the ruffles of your cotton skirt were overturned in her palms. From the waist down, you were completely exposed, a wet spot working itself into your panties from your innermost recesses and a musky scent betraying your shyness. 

Abby pressed herself gently into the fabric, her fat lips creating a cool pressure against the hot flesh, her nose itching lightly into your pubis. You bucked your hips unconsciously, nearly fucking her face in your abandon. A vibration from her laugh traveled through you, nestled inside of you, and more wetness began to slick your channel. That friendly ache formed in your rapidly hardening clit, and a similar pain throbbed in your pinkie and middle finger. Her other hand moved up, gripping fistfuls of your ass, less forgiving now, and forcing a squeak from your lips. 

You were dumbstruck; a stranger’s hands all over you, mouth nearly on top of your sacred place, nearly leaking from sheer lust. She had barely done anything. Your jaw slacked, and in your mind you felt like a fool, lamenting how you thought your first time would be special. Soft circles rubbed into your inner thigh as she pulled your legs apart, peppering angel kisses throughout the little divots. 

“S’okay, baby.” Her voice was barely a whisper, a tiny encouragement that calmed the buzzing in your mind. “Tell me how you want me. I’m yours.” 

and you thought that declaration would destroy you,’ I’m yours.’ and it felt very, very real. 

“I want you to touch me.” You said, barely a whisper, nodding as she pressed her face to your thigh, sliding down your panties to about knee-level. It was as though she had seen heaven’s gate open, awestruck at the blood rushing to engorge your lips, how your clit stood on end without even being touched. The thatch of hair curling between your thighs and around your depths. She had to have a taste, and there wasn’t much room for second-guessing as she pressed her mouth to the hot spot and flattened her tongue directly against the wettest space.

Juicy noises slid from her mouth as she rolled your clit between her tongue and sucked sharply with her lips, and it was as though you could’ve sunk to the floor, the way your legs became distinctly not yours. It was enough, enough, not enough, then too much. It was like you were an endlessly gushing fountain as Abby’s wet, firm tongue parted your lips, dipping ever so lightly into your hole as she licked out a string of nectar from your drooling cunt. It was as though you were animated, possessed even, as your hands flew into her hair, pushing her head down further and further, to that release you chased violently and madly. 

Abby was humble, letting you guide her where you needed her; she was soft at first, but you didn’t want soft, you wanted more. 

She obliged. 

The blonde slipped her fingers between your thighs and parted your slit, opening up an endless, waiting tightness. She was intrepid, pressing through your clenching muscle and opening you up more than you had ever done; thick digits tearing through you, fucking your pussy at an unforgiving pace, concentration forming in the muscles of her neck. You hid an inhuman growl in the pit of your throat, in the crook of your sweatered elbow, and she moaned out, satisfied with that which she had created inside of you. You were fucking her face in a tight, dirty closet, calf propped over a muscled shoulder for support, the heel of your booties pressing into the wall, locking her in.

 It was as though the two of you were fighting, every roll of your hips she chased with her head, every time you shied away from the pleasure she held you harder, taking you even hungrier, diving deeper to a spot you didn’t know was there; every taut pull at her scalp met with an even tighter grip into the flesh of your plush ass. The pads of her fingers violated the sopping warmth of your cunt, and you clenched your stomach unwittingly, walls flexing, holding her hand there. Drool dripped from between her lips, pooling and soaking down into the fibres of an old shag rug, caked with dust and whatever else. 

Your own slipped between your lips before you could suck it back in, and the silver trail bounced, the way it does when it breaks, and the thick drop cascaded down her temple, getting lost in your brow. The piece that was yours snaked down your collarbone and between your breasts and somehow, you felt a connection. 

Abby snorted, sucked in a breath as her fingers left you empty. Fuck. She didn’t go for her face, wiping them on the skin of your pussy, they traveled upwards, firm grips on your ass. She rubbed the flesh as though she was throwing clay, stretching the skin between her rough fingers, calluses on her palms coasting over every bump and groove. She had found what she had wanted, craning her neck lower, lower, until you could just barely see her eyes. Her fingertips prodded, greedy, opening your lips, tongue leching against your soft fruit as though she was funneling the juices directly into her mouth. You thought your thighs would give out but she held you, stronger, and you fed her willingly. 

Her middle finger dipped down into the slit, collecting juices, stealing a breath from your lungs, you wanted to scream her name but it was caught inside of you, so you stood slack-jawed, fuck drunk as she abused your walls, fucking every ridge painfully slow. The tight hole stretched around the meatiness of her finger, and she hooked it as though she was searching, retreating from the warmth, slick with your nastiest of liquids. Again, she split your ass with one hand, and you clenched your tightest hole without thinking about it. 

“Don’t worry,” She said, muffled against your mound as she latched against it once more, “gonna help you so fucking good.” You were confused, but you trusted her, a complete stranger. For a second you began to ask what there was to worry about, but your mind was pried away from you as you felt the pressure of her coated fingertip tracing around your asshole. A gentle kiss played at the head of your pussy, comforting you as you nodded your head wildly, something of a ‘yes’ flying from your throat as her middle finger parted that threshold. 

Your mind exploded, head shooting straight up into the air, a small yelp burning into a silent open-mouthed cry. You were spinning, the room was spinning, your body heated up instantly. Then, the wet warmth traveled back to your clit, her opposite hand nestling two fingers into your aching, needy twat, her tongue lapping as her fingers resumed digging and that one damned finger fucked in and out of your tightest hole painfully slow. 

She fucked you like an animal; you cried out like a bitch in heat. The music trembled through your ears, and you were afraid it wouldn’t be enough, that everyone would hear, everyone would know. You were both drunk and this didn’t matter, didn’t mean anything, but she was bottoming her tongue out in you and you wanted it to mean a lot. Girls talked and you fucking hated them all. She was loose, she got around, and you wanted to be hers. 

You wanted to capture her and be interesting to her and walk with her hand on your lower back around campus. Wanted her callused fist in your hair, around your neck as she took you every night. Wanted badly to fucking cum, to open the portal, to wash her face with this unholy water, wanted to kiss wet lips and taste everything. Wanted to know if she could ever like you, after you gave it up, quickly, bellowing like a foghorn against a rack of coats. You wanted to be kept, to keep her spit inside of you like a keepsake but she sucked it back in a quick second, before you could even feel her cheeks hollow between your thighs, and felt dirty for even thinking of it. 

A sweet pain formed between your thighs and you couldn’t stop the groan that rose from your throat, every muscle in your face clenching and unclenching, your eyes crossing as your orgasm came quickly into view. Abby fucked you through it, fingers slow and forgiving. It was as though a stream of slowly descending tidal waves were crashing against you, and you needed more, it hurt but you needed more. Something deep burned inside of you, endlessly hot, and you wondered how she could stand the heat as she hit it over and over again.  You sobbed, and swore that you could feel a tear roll down your cheek, feeling the need to rub your eyes for good measure.  

She looked up, entranced, face softening for a second, watching as you gave up your mind to your body. There was a hard knock at the door, the music lowered a decibel, silence filling the two of you, her fingers still deep inside of your two holes. A sing-song voice bellowed out ‘five minutes!’ and the darkness ridged her eyes. 

For the first time, her voice was hard, removing her hand from your cunt, making sure to curl the one in your ass tighter in compensation. She slammed the door twice with her fist, the frame bulging in a way that made you fear the whole thing would just fall down. “Fuck off.” Her voice was loud enough to tear through the uncomfortable tension. There was an apprehensive, ‘woah man,’ that you could barely hear, and the music regained, the party rejoiced, and hopefully, the fear of God being struck enough in your host to leave well enough alone. 

Her lips were still slick, soft, kissable with your juices. She flashed you a genuine, pretty smile.  Her hands gripped a little too tight but you wanted it all. She looked down at the mess between your trembling thighs, then at your heavy, panting face. She leaned back on her heels as a wide smile played on her face, satisfied with herself. A windy chuckle passed through her glistening lips, wiping her mouth and chin on the inside of her hoodie. “Fuckin’ insane.” She breathed out in between pants. 

“Abby.” She said, as though the strength of your orgasm traveled through your brain and made you forget the events of the last 15 minutes. “Constance Hall. Dorm 425 on the second floor.” It was as though your heart skipped a beat, but you punched it down, a weak smile playing against your lips. 

She was fucking disheveled, almost inhaling the last sweet smells of your pussy, creating a memory of the flavour and filing it away in her mind for safekeeping. She was delicate, pulling your white panties up to your thighs again, soothing a finger where those soft, curly pussy hairs were hidden again. She let down her hands, skirt furling down, covering the marks of dark possession that she left behind. “Come see me again sometime, ‘kay?” She chuckled, giggled even, and that glint in her eyes was enough to make you faint. 

She stood up, waiting for you to compose yourself and straighten everything out before she pushed open the now-unlocked door and peeked her head out.

Jordan was already on her as the door flew open, and you could hear his hushed nosiness as you hugged the wall and tried to act casual, eyes locked on her retreating back as she reentered the room, light haloing her. ‘So what happened?’ you swore his lips read, and your stomach dropped. But she cut through his questions, loud enough for you to hear, convincing enough that he wouldn’t have anything to run his mouth about later on. 

“Nothing man, we were just talking.”

Maybe she was actually just that charming. 

Yeah.

[geekgirles]

Yumalia's Reunion

Back on my Yumalia brainrot, I can't get over all the layers and depths of their brief interaction in episode 11.

The moment Yugo is done defying his mother and forced to watch her leave, for she had long made her choice, Amalia doesn't hesitate to reach out to him and hold his hand, which Yugo immediately squeezes right back. Even with the threat of imminent war for her people's safety, Amalia's first instinct is to go to Yugo and offer whatever comfort she can, and he just lets her because if there's someone who can ground him, it's Amalia.

That's exactly what she did at the end of season 3. Not only did she tell Oropo he would never be Yugo because Yugo would never willingly or knowingly sacrifice anyone for his cause (even during his fight with Ad during the OVAs he always thought his brother would eventually come back), but she unknowingly dissuaded the fears and insecurities that'd been plaguing him throughout the entire season, both regarding his past actions and his own relationship with her. Because even after all they'd been through and his insecurities hurting Amalia deeply, she still chose him, and she still reaffirmed her love for him in such a way it would allow for their interactions in season 4 to be that much more openly affectionate and less restrained.

But not only that, back then she was also there to ground him when Oropo's passing and his absorbing of the Eliotropes overwhelmed him, helping him see all the good despite what they had lost.

And she is doing that yet again when they finally reunite.

But there is so much more going on here. So many emotions running deep between them.

Look at Yugo's expression, that mixture of surprise and awe etched onto his face. I feel like this is the moment where it truly clicks for him just how much he's changed and all the possibilities his new body entails, especially for their relationship. And Amalia is just happy, happy that he is alive and happy that he can finally see and feel like the great king and warrior she always knew was already there.

For the first time since he's met her, Yugo doesn't have to look up to meet his love's eyes, and you can clearly see how the mere thought takes him aback. But I believe there's so much more to it, so many things left unsaid.

He's looking at her like she's finally within reach, and not only because now they're closer in height. Yugo had to spent the last few years of his life watching how the love of his life grew into the most beautiful flower in Sadida's garden, into a queen, while he remained stuck in his child-like body, with only a title for show despite he too being royalty.

It's all in his eyes!

He isn't just looking at Amalia. He is staring at her like a dying man stares at his salvation, like someone who's been wandering in the dessert for ages looks at an oasis. And it's not just because they might finally have a shot, but because she is there and she is real.

Despite Yugo's unrelenting optimism and will, upon being captured by the Nécromes, a part of him had probably been forced to accept he would never see Amalia again, either because he would remain the last of his days as their prisoner, or because she would too fall soon.

Given his predicament, thanks to Oropo and Qilby's intervention, Yugo was most likely running on adrenaline when he noticed the portal in the Sadida forest and what it would mean for Amalia. His mind was set on protecting her, not on the fact that they would be reunited after such a horrible ordeal. And I don't think it really sunk in that he would see her again until she touched him, until she literally became tangible and attainable.

But she is real, and she is with him, they are together again. Only this time, they might actually get to be together.

Look at such level of intimacy! Such tenderness mixed with the underlying unbriddled passion they feel for one another! Yugo might have been shown being okay with revealing his wings to his friends, but he always took the hood off himself; but not with Amalia. With her he trusts her enough to let her do the honours and all he can do is melt under her touch.

Seeing Amalia again after being held prisoner in the Nécroworld and forcibly aged has allowed Yugo to fall in love with her all over again and, more importantly, to finally allow himself to love her with his whole being in return. No more holding back, no more second thoughts, no more take-backs. No more denying themselves what they have been desperately yearning for.

He loves Amalia and she loves him. And he's going to hold onto her for as long as they both live.

And I am so not normal about them.

[loveluvrs]

third time's the charm l oscar piastri x reader

request/summary – Hellooo!! Would you be able to write an oscar piastri blurb with little examples of the reader showing him off and him getting all flustered? For example, drunk in a club with her friends / to make him feel more confident / ect..? 🫶

author's notes – idk if this was what anon was thinking of but this is what i imagined 😭

I walked into the paddock, hand in hand with Oscar. I was talking about the newest episode of the series I had been binge watching. Oscar, as usual, had settled into listening to me attentively, as I yapped on relentlessly without an end in sight. 

I stopped when I bump into Max’s mum and sister. His family was like a second family to me, and I hadn’t gotten a chance to see them yet since Oscar and I started dating. 

“Oh, hi! I’ve missed you guys so much. This is Oscar, you guys already know he’s my boyfriend,” I say excitedly as he reaches his hand out to greet them. “He loves the curry I make just like you guys do. Sometimes I think he may like it even more. I mean, he always begs me to make it whenever he’s visiting home,” I ramble on excitedly. 

“Ooookay, we should get going now. Nice to meet you,” Oscar says before dragging me along with him to Mclaren garage. “What happened? I was talking,” I ask with a pout. 

He laughs as he rolls his eyes playfully. “Yeah, I know, babe. You never stop talking, do you?” he says playfully, “you should remember to breathe every once in a while.”

“Ha ha. Very funny. I wasn’t even talking that much! I was just introducing them to you and telling them how much I love you!” I say defensively with a confused look in my eyes. 

“Love, you were telling them I beg for your cooking, that’s embarrassing!” Oscar says with a slight laugh. It’s only now I stop and notice that he’s turned slightly red, making me giggle. Oscar gives me an unamused look before saying, “don’t laugh at me like that, you do this every time!” 

“I’m sorry,” I say with a giggle, “you know I only do it because I love you. I just want people to know how great you are, promise!” Oscar opens his mouth to speak but is interrupted when some of his team members approach him to talk to him about the upcoming race weekend. “We’re going to talk about this later,” Oscar says softly as he points a finger at me playfully. 

——

I screamed as Oscar won the sprint race in Qatar, and I immediately rushed over to him after the race, peppering him with kisses all over his face. “I’m so so proud of you, oh my god!” I say excitedly. Oscar’s face was already red from the heat, and it somehow turned even redder when he saw the cameras approach us. He whined slightly as he burrowed his face into my neck. “Baby, don’t embarrass me,” he mumbles quietly in a shy voice. 

“My boyfriend just won a sprint race in his rookie season in F1, of course I’m gonna show you off and embarrass you. Don’t expect anything less from me,” I tease as I give him one last kiss before sending him off. 

When Oscar returns to our hotel room that night, I’m already half asleep. He spends a bit of time on his phone while in my arms, trying to keep up with everyone’s messages. He stops when he sees an Instagram post from me, his embarrassed and red face that was caught on the cameras now plastered all over this post. “Did you really have to post that?” He asks me playfully.

“I absolutely did. You’re amazing, and you’re mine. Two things every person should know,” I say playfully, earning a playful eye roll from him. “But I look awful, babe!” He protests, zooming in on himself in the photo. I stifle a laugh. “Thousands of people would disagree, actually. Plus, you don’t look awful, you look happy!” I say softly. 

He gives me an unamused look. “What if I don’t want to look happy?”

I giggle. “Then you are one sick weirdo, Oscar Piastri,” I tease with a soft kiss to his lips. 

——

It’s Oscar’s birthday today, and I have been meticulously planning out every single detail for the past few weeks, including a party with some of his closest friends after qualifying session that day. Despite my protests, Zak also insisted inviting some sponsors to the event and key investors of Mclaren, to act as an opportunity for networking. I reluctantly agreed, although I knew Oscar wouldn’t like it. 

As I thought, Oscar seemed a bit overwhelmed by the amount of people there. He was whisked away to a new person every two minutes, and it was all too much for him to handle. He eventually sat down next to me outside with a loud sigh, leaning his head on my shoulder. “I’m sorry, I didn’t want to invite this many people, but Zak said this and that. And you know how he is, he wouldn’t have stopped until I said yes,” I say with a frown as I clearly notice how he isn’t having the best of times at this party. Instead, he just smiles, leaning in to give me a soft kiss. He stands up again, holding his hand out towards me. “I don’t care. Just be by my side while I’m being interrogated?” He asks playfully. I giggle, and with a nod I take his hand, our fingers intertwining. 

We soon see one of my old friends that I knew from RedBull, and I introduce Oscar formally to her. As always, I begin to praise Oscar as a driver and as a person. And as always, he gets incredibly red. This time, however, I catch myself before it gets too bad, cutting myself off. When my friend walks away, Oscar has a frown on his face. 

“Why’d you stop? You usually go on for longer,” he asks softly. I shrug. “You always get embarrassed by it, so I just realized and quit while I was ahead,” I say quietly in a kind of embarrassed tone that he even noticed I cut myself off. 

Oscar shakes his head. “Oh come on, babe. Yes, I do get extremely embarrassed by it. But rambling on about me is so you, and I never want you to stop, you hear me? If I can’t praise myself then I need someone who will,” he says with a playful smile. 

“Promise? I don’t want to make you uncomfortable or anything,” I say softly.

“No no no, absolutely not. You could never make me uncomfortable, ever. And you rambling on and showing me off is embarrassing, yes, but I love you for it. I promise,” he says softly. 

“Well, if you insist… then I guess I could squeeze in a few rambles here and there..” I say playfully with a giggle.