#I mostly have boy friends than girl friends because I can relate to the former aspect more than the latter | Explore Tumblr Posts and Blogs

castlebyersafterdark · 4 months

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Your post about will wanting mike physically made me wonder if many of the puritan bylers used to be milevens (statistics would suggest yes) who are still struggling to come to terms with what it means for a man to be gay.

There seems to be a lack of understanding about how boys actually relate to each other in both platonic and romantic contexts. After all, lots of gay media that caters to young teen girls, like heartstopper, is cutesy if not totally sanitised, and if they are basing what byler could be off of what they thought mileven WAS, then it tracks - because mileven was never physical or sexual either. The reasons for this are all to do with mike’s sexuality, but perhaps many people think that mileven WAS real and no longer is, and therefore when mike and will get together it’ll just be another version of that heterosexual romance.

Ofc this is wrong, not least because mike and el were so young when they were exploring each other even if it was entirely performed rather than genuinely exploratory. but even if mike was exploring a relationship with el for the first time as a 16/17 yr old, it would still manifest differently to one with will because they are both boys. Not to say that love itself or the butterflies you feel are different, but the way that two men will express their love + the fact that mike and will are friends, would obviously change their dynamic.

Do you think that if mike and el had been shown to check each other out, that people would have a different opinion (not about mike being gay or bi, but about how his and will’s attraction will express itself?) Because you’re right - people do forget that will being gay means he wants to be intimate with men. Is that because they think his attraction is never physically expressed in the show? But then what exactly would that physical attraction look like? Has he not been ogling mike enough for you? Or painting his body in a very intricate ritual of dedication and love? Or is it because Will is just so gosh darn adorable, and they think that someone who has a baby face cannot experience sexual attraction?

Intriguing premise on multiple fronts!

Re: the former Milevnn scenario - never considered that but at least for some folks in fandom? Maybe! That's an interesting idea, but I do kind of lean towards a lot of the 'puritan' ideas just being a product of today's internet/fandom culture, via this agenda from how gen z seems to have grown up entirely online. And you can't fully blame it on this generation! Those under that mindset didn't inflict it on themselves! (Same vein as "no one is born racist - you are taught to hate"). It's a reaction to a deeper conversation of social media and surveillance culture and this pervasive mindset of thought-crime, etc. I'm toeing the line between genZ/millennial but my fandom experience in the early years was a bit different, where there wasn't as strong of a backlash and negative reaction to sexuality and sex in regards to fandom (people were writing fic about high school age characters doing alllll sorts of stuff and, thinking back, getting a call-out about that content kinda seems unfathomable in retrospect). I genuinely feel it's mostly a culture clash in fandom spaces. But with kindness and re-education and conversation, I think we can either come to agreements and find common ground rather than fighting and call-outs and witch-hunts and all that negativity. I find it more helpful to ask the puritan-mind set folks "why do you feel this way? what about this is so upsetting to you? Have you never really examined your judgement and why it makes you upset?" Learning moments! Kindness and compassion goes a long way in fighting repression and bigotry, and I know that's a hard pill to swallow sometimes in the face of contentiousness.

Re: not understanding the teenage boy experience - another verrrrrrry big factor that I also think simultaneously plays into what's going on, even with those well-intentioned and supportive, just hesitant. It's just the honest truth. Without getting too far into gender politics et. al - yeah, unless you yourself are or were a teenage boy, especially a gay teenage boy - there's a lot of presumption and inference and while mileage does very much vary in personal experience, there are tenets that will factor into an accurate portrayal. Yes - not every teenager is going to have sex. Not every teenager is even interested in sex and many will grow into adults who aren't interested either and that's totally valid and fine. But I do not think that is the case for these specific characters, personally. It's a disservice to sanitize queer sexuality. To put it bluntly, if two teenage boys are dating/have feelings for each other - they're going to want to have sex. Are you kidding me? Teenagerdom? The horniest time of our lives??? Yall. It's going to be awkward and fumbling and exploratory and they won't fully know what they're doing, but these boys will want to experiment and get it on. That's nature, that's biology. It honestly cracks me up when I read some sfw byler fics with heavy make-out scenes and the next moment it's like 'oh we better stop before we get carried away' and I'm like, oh honey. That's not how dicks work. They're already hard and they both know it. They're sixteen. You get hard at a strong breeze sometimes. The love of your young little life has his hands up your shirt and his tongue in your mouth? Boner central. Sorry!!!

Re: a different portrayal of Mike and El - interesting as well. There are so many factors here to consider. Showing Mike and El in more 'intimate' scenarios I don't think really would have that big of a factor in regards to the anti-sex brigade in general. A big portion of the same people who spout off about 'they're minors! we don't need to see sex in media!' would say it whether it's mike and el or mike and will... but there's def a layer of homophobia inherent with mike and will in conjunction with that mindset, even by people who claim to like and support gay ships. The Will dilemma tho. I've been puzzling over the Will dilemma since I stepped into the Byler fandom. And why he, despite being literally "the gay character" - his sexuality is less explored in regard to the most baseline aspects of being gay. Is it infantilizing because he's our cute sweet little victim? Is it because he has yet to actually pursue his love interest in the narrative? I'm still working on pondering this myself!! Because it isn't at all how I viewed his situation or character. But, very interesting points...

#asks #spicy byler

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the-firebird69 · 4 months

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Trying to remillard was constantly at our son

There's not really for a reason besides it's threatening for stuff really is just keeping him poor if her son fixes something trying to remoulade tries to break another thing so we're going to do it to him because John remillard AKA Trump doesn't need anything. This time we take it to him and break this child molesters back every day. Doing action on this we're going to kick him out of Mar-A-Lago I'm going to make sure he stays out and we're going to put him out of all that family houses. We're going to set up a schedule right now

Thor Freya

We don't want you in the Spencer home Trump and we told you to leave now we're getting a group together because it's a big deal I'm going to kick your ass out and very soon I'm going to kick you out of the family everybody else wants to and Camilla Parker is not one of your Trump ppl no she is but she's forced into the marriage and she doesn't want it Sarah is at her 24/7 and is a juvenile delinquent and miss queen mostly and doesn't belong anywhere near Windsor like Prince Charles is a freaking fool my grand nephew would do a better job and it's important to be on time for meetings and to show respect for relations and trade and you're trying to ruin it and you're ruining yourself and they won't let me do the job we have a real problem here with these guys trying to ruin everything we're doing and they're they're drunk and their TBI is not healed and yeah they're spent. We're trying to do something and the girl is not spent and we got her out of there and she said they're trying to have you hit everybody again. She was really mad we told her you're going to be on file lick the rest of you but those two have to go they're insane it's actually the father and the son Charles actually Terry c does the job the Trump comes in and ruins it we need that guy out this is proof people need and we needed to bring it to everybody so I can see what's going on. I'm part of a former dynasty I'm kind of a trumpster and I'm a sister of Sarah since we can dangerous I trade out with her if I do she will whack me she said so I said why would you do that cuz you're taking the break I need you to so I'm looking at this this has Prince Charles can help and it's happened through the ages I'm trying to talk to him it's a prince and the popper it's coming from this young boy and he's royalty more than these two idiots and Terry c does the job occasionally I am very sick of this this is hell that's why I was happening to our friend and it's horrible we need a meeting

Camilla Parker bones bells

We do me that meeting this guy's right my butt all the time he's a huge a****** he's going to go out there and blow everybody up he's telling everybody man he has co-conspirators including the max and people who do not like pja and company we need out of this now

Meghan Markle

IT DOES NOT MAKE SENSE FOR TRUMP TO DO THIS UNLESS HE HAS AN OUT HE'S AS DUMB AS A ROLLING PIECE OF S*** BUT HE MANAGES TO ROLL IN AND OUT OF FLORIDA AND HAS WAYS TO DO IT AND I HAVE TO AGREE IT'S KIND OF A ESCAPE ARTIST TECHNIQUE TO DO SOMETHING LIKE HE'S DOING HERE WITH SOMEONE WHO DOES IT SO OFTEN WE'RE NOT PAYING ENOUGH ATTENTION TO HIM I FEEL IT'S A SIMPLE PLAN BUT A LITTLE COMPLICATED INVOLVES THE SHIP ON THE SOUTH POLE THAT'S WHY SARAH IS PUSHING TO BE QUEEN AND TRUMP TO BE KING I WANT THE AUTHORITY TRYING TO ARREST ME OR KIDNAP ME IT'S KIND OF FUNNY I HAVE TO GO TO THE GRAND CAYMANS OR SOMETHING

Zues

Yeh ok bud

Hera I'm just joking but it's actually true the idiot will do that or try to and he'll try and get my husband to the Grand Caymans like a million times as his angle and long-term one

Olympus

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arty-shadow-morningstar · 3 years

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A Failed Betrothal /Betrothal AU: Take Two

So here is the second part of the betrothal AU that I decided to name "A Failed Betrothal. This takes place before Part 1 which in hindsight should have been done first. Part 2 got too long so I cut it and started Part 3. I have no idea and nothing planned on how long this will go. Hope you enjoy ❤.

[Masterlist]

(Part 1)

PART 2

Marinette also wasn't having a good day or a good week.

Lila Rossi had been up to her usual tricks. You know, spewing lies from her mouth. How she met these awesome celebrities during this trip and they worship the ground she walks on for her amazing and humbling help. There were stories of these charities, trips and galas that she had been to or was invited to. She has problems with her wrists and can't do simple stuff like carry her own bag or do her homework. She has tinnitus in her ears so she needs to sit in the front where the only seat available would be next to Adrien.

And for the finale.

The desert after feeding the class a banquet of lies.

"Mari...nette..has been bullying me, she...told..me not to tell anyone..*sobs*..that she would kill me if I did.."

Lila dramatically gasped and slapped her hands over her mouth. Turning on the waterworks for a more dramatic effect. They all ate it up, jumping on the ‘let’s hate Marinette, a bad person’ train.

"She is going to kill me now and I am so scared." That snake managed to snuck an evil smirk past her glaring, oblivious classmates.

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Marinette, at this point of her life, had frankly given up caring for them due to the class's lack of brain cells and Agreste's spineless 'High Road' Approach.

For Kwami's sake, she went through a brutal torture that was training in some jungle temple in Asia before Sabine Cheng, former mercenary/assassin, kidnapped her (Little Marinette took a risk. She ran away and followed her around until Sabine begrudgingly accepted that she was now the 6- year-old girl's mother because screw it, Tom said he wanted children.) to raise/train as her own while she settled down with a baker whose mother may or may not have ties with the Mafia and other illegal activities.

(Mother-daughter bonding days became much more fun once she had Guardianship of the Miraculous. Sabine was ,at first, furious at Master Fu for dumping everything on the girl and losing his memories before swearing to help protect the jewels. Adopted or not, Marinette is her daughter and no one should let a child, even one with training, fight a war. A good thing to come out of her reveal was that her mother was a great tiger to have as back-up. But now, her training regime had become harder and challenging.)

The point was that Lila Rossi would be dead and body missing since that first time she threatened Marinette in the bathroom. The Italian was in perfect health despite what she claims otherwise, because Marinette didn’t want to be the person she was raised to be and also she didn’t want to disappoint Tikki, she was fond of the little red kwami. But sometimes, she just wanted to give into the urge to kill.

She had met and dealt with unsavory characters of all types and she can safely say that Lila Rossi was a manipulator that thrives on attention and like a parasite, latches herself onto the fame of others. None of the unsavory people she had met get under her skin like Rossi had.

Marinette had enough self-preservation to drop the nice girl act and sometimes let the dragon underneath to surface. She stopped doing last-minute favors and giving away free stuff which Lila uses to her full advantage to further destroy her relationships with her ‘friends’. It was better than sticking her neck out for classmates that were no longer worth her time. Attempts to expose Lila had backfired due to the denial they are in, believing the liar to be a sweet, nice girl living the high life.

Adrien with his rose-tinted glasses firmly stuck to his eyes was not happy at all with her decision. That may also have to do where she suggested he shove his advice after he tried to reason her to take the high road for defending herself for the umpteenth time. She felt like the biggest idiot to ever have a crush on him. Every time, Rossi blames Marinette for a problem, he would shoot disappointed looks in her direction.

Alya being Lila's biggest guard dog tore into Marinette for her newfound 'bad' behaviour. The rest of Lila's supporters backed her up with "How could you do that to Lila","I can't believe you changed." Nearly all her so-call friends had turned their backs and lost all common sense to the Italian's manipulations.

(Alya was supposed to be her best friend, aren’t you supposed to listen to your ‘bestie’ over a complete stranger)

The designer took it all with a bored expression on her face, used to the lecturing which was a waste of time because her behavior isn't going to change, no matter what, Lie-la will keep up the act of being the bully's (*cough*Marinette*cough*) victim.

Her heart that cracks the tiniest bit at the accusations. A small part of her, she admits, is hurt that they think so low of her.Was she really that worthless to them? All those times and efforts helping them out on last-minute favors and giving them free treats. Were they not enough to earn their friendship? Their trust or at the very least, a benefit of doubt?

The only ones who didn’t join the berating to 'correct' the raven-haired girl’s attitude were Chloe (who had proven herself to have changed after the miracle queen incident and Lila stole the spotlight and Sabrina. There were a lot of apologizes, gifts and ‘making up to do’) Alix (she came to her senses when the supposed bullying started) and Nathaniel (Lila blatantly claimed to be the artist for the Ladybug comic to his face).

“Girl, Marinette, are you even listening to me?”Alya demanded.

“Maybe. Did you say anything that doesn’t have to do with Lila or how I did her wrong or how I am no longer the person you knew?”

Marinette knew that being sarcastic would backfire but nothing she does or says will change what they think of her. One word from Lila and they will turn back on her. As much as she hates to admit it, Lila’s threat has fallen through and she was alone. Mostly.

She still had Chloe, Nathaniel, Alix, Luka and Kagami as friends. The trust-worthy and loyal kind.

“Girl,” Alya says in a disappointed tone, shaking her head,“when I look at you, I don’t see that girl who stood up to Chloe the bully-”, Chloe snorted, she had changed but they were too blind and prejudiced against her to notice her efforts, “-Picking on Lila, threatening and harassing her. This isn’t you and you know it. Just get over your jealousy on Lila being close to Adrien and apologize to her.”

If Alya had talked to her in the past 12 months other than demanding things that took away her time or anything relating to Lila, she would know that her infatuation had turned into annoyance.

Marinette sighed, too tired of this routine, tired of trying to knock heads so the brain cells can work again. Apologizing would mean that Lila had won. She was petty and stubborn enough to allow that to happen. Lila said she will take the class and Adrien. Fine, she can have them but Marinette Dupain-Cheng will not admit defeat. Bigger men had fallen to the ravenette for lesser offences. A year has passed since the expulsion and the class still hasn't regained common senses, so they can deal with the consequences after the inevitable downfall of Lila and Marinette will be there to see them lay in the grave they dug.

Steeling herself for the pain that will come with the execution of her plan,

“What if I don’t. I won’t apologize to her because I have not done anything to her or even interacted with her. If I apologize, it would be insincere and a lie. And I hate liars.” The former assassin said evenly.

“Lila is not a liar. I don’t know why you are like this.” Alya said, frustrated.

Marinette knew there would be a small chance of an akuma with Gabriel Agreste having an important meeting to attend on this day that would last for the next hour. This was the small window of opportunity to start the plan and also further confirm the identity of Hawkmoth. Killing two birds with one stone.

“Alya, this has always been me, you just never took the time to get to really know the real me.”, she replied, the last part with an icy tone.

“Well-... I- ..You-, fine, then if you can’t say those simple three words, we can’t be friends. I clearly don’t know what a selfish bitch you are. God, I can’t believe I wanted to be best friends with you. You are now replaced by Lila because unlike you, she is genuinely nice and selfless.” Alya declared. The rest of Lila’s supporters murmured in agreement.

Phase 1, complete. Lure the Lie-la into a false sense of security by making her think she won.

Marinette tried not to show how hurt she was, to be replaced by the scheming bitch. But at the same time she felt relieved, she no longer had to walk on eggshells in fear of losing the friendships of people she used to care about. It felt final as she maintained her stoic expression, hoping they didn't notice the glassy sheen her eyes had.

“Then, it is official. We are no longer friends.”

They haven’t been friends for a long time.

Mme. Bustier finally walked into the classroom to start the afternoon classes, signalling the end of the conversation. After class, Marinette resolves to inform them that she was resigning as class president which she was sure the class will be glad for. She was right.

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Ladybug was, as the Americans say, pissed at Hawkmoth which was nothing new. He had sent out another akuma just as Marinette was back home and trying to relax after the stressful day. The akuma was not any of her ex-friends which she wasn’t sure to be thankful for or not.

Louise Martin was a boy about Luka’s age and mad at his friends who had blamed their fifth loss-in-a-row on him despite the fact that it was his skills that were getting them any progress. They were playing one of those recently released 5V5 skills and strategy battle games. (League of Legends or Mobile Legends. Take your pick, I am going with the latter)

He was akumatized into Hayakuma as proof of Hawkmoth’s lack of creativity. Hayakuma was a bleached out version of Louise’s chosen hero avatar, Hayabusa whose outfit was basically what the media portrays ninjas to look like with some samurai aspects.

Unfortunately, he also had the hero’s ultimate special powers which were making four shadow copies of himself and being able to switch positions with them. Thanks to Rattlesnake’s Second Chance, they know that he can only make a switch once every two minute. Hayakuma also wields a sword, showing off his skills.

Just lovely.

Hydra and Ladybug were the only ones able to counter his attacks with Hydra’s sword and Ladybug’s summoned one. (Let’s go with that headcanon(?)/trope that she can summon weapons for plot convenience and the others can too but just don’t have enough practise yet.)

The others managed to dodge and shield themselves from Hayakuma’s really sharp sword.

The shadows themselves were annoying as they would distract or hinder the miraculous users by grabbing them by their shadows and making them unable to move. Until Bunnix had the brilliant idea of shadow boxing which gave the heroes gain more even ground.

With how strong and handful the akuma was, it was code ‘all hands on deck’. Ladybug, Stinger, Rattlesnake, Hydra, Bunnix, Trickster. Well, nearly every hand. Lady Mǔ lǎohǔ was busy with the bakery. Chat Noir was nowhere to be seen or very late which had been the norm for the last year ever since Ladybug wanted to form a new miraculous team consisting of permanent heroes.

(He didn’t show up for the first few months because the first permanent member was Ladybug’s mother who did not like his attitude towards her daughter. He ran away with his tail between his legs once he found out how she was related to Ladybug. His face when he realized it, was something Marinette will cherish forever)

At least when Lady Mǔ lǎohǔ was around, he would not dare act out of line. When she is gone however, he is back to his old ways.

After saving one of Louise’s teammates from Hayakuma’s sword, they gathered the rest of the team and hid them someplace safe. Using Trickster’s illusions to trick all the shadows and the original to one place, the heroes were going to surround and ambush them and get the akumatized item. The plan would have been a success if it weren’t for Chat Noir hugging Ladybug from behind, making her miss her cue.

“Hey~ Bugaboo~ Did you miss me~? Your Chaton~?”

Thwack! Smack!

Chat Noir was on the rooftop, groaning pitifully in pain. Especially his crotch area. Ladybug glared at him and looked to the ambush point to see the illusions had disappeared and everyone else gone from their hiding place.

She sighed and turned on the comms, (Thank you, kwamis)

“Sting, did you venomed the akuma?”

“No, he escaped before I could. What happened, LB?”

“A certain cat got me delayed. What’s the status update?”

“Hydra is holding him off and Bunnix found that an umbrella is a good substitute for a sword. The rest of us are keeping track of the shadows. They split up but none of them are getting near where we hid the targets.”

“Where are you? I will meet you later with back-up.”

“Near Notre Dame and tell Mama Tigress I said hi.”

“Tell her yourself.”

She looked down at Chat No-, no he is not worthy of being a hero anymore with the amount of times he had derailed and hijacked the plans to defeat the akumas just so he can ‘earn’ Ladybug’s heart.

She looked down at Adrien Agreste, who was sitting and sulking like a child that was unfairly punished. (Once she got over her crush and started looking at the right things that she managed to piece together her ‘partner’s’ identity by accident. Tikki’s confirmation sealed the deal.)

“Chat Noir, this partnership of ours,” she said, gesturing to the two of them, “ is going to change tonight. Meet me at the ‘spot’ at 11 sharp. Now, go home.”

He left with a small glimmer of hope in his eyes at her words. She felt a little bad about the subtle manipulation but with the way things were now, it can’t go on. He was hindering more than helping and the people of Paris that weren’t shipping ‘Ladynoir’ saw that.

As she jumped towards Notre Dame, she called the bakery with her yoyo.

“Mama, are you free now? I need a little help with the akuma and can you bring the horse miraculous.”

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Chat Noir waited excitedly at what they both dubbed at their ‘spot’, in the good old days when it was just the two of them. Maybe Ladybug was finally open to the idea of dating. Or maybe she must have seen what a great hero he is and was going to get rid of the team. Or realized that having her mother on her team was a bad idea. Parents are the worst and they both can be two rebellious teenagers in love. Like Romeo and Juliet. So romantic~.

He was so deep in his daydream that he didn’t hear his lady land.

“Chat Noir.” Startled, he nearly fell off the roof. No, don’t make a fool of yourself in front of Ladybug.

“Yes, Bugaboo.” Hoping she didn’t know that he was very distracted. His attention will always be hers 100%.

“Don’t call me Bugaboo. Tikki wants to talk to Plagg about Kwami stuff. So you go over and hide behind that chimney. Then, we can talk about why I told you to be here.” Adrien frowned and then smiled. His lady must be very embarrassed about her mistake that must be why she is taking her time. He tried listening to what they were saying but the kwamis were talking in their special Guardian Language. Was it him or did Tikki’s voice sound more like his lady’s voice?

Whizz!

Adrien was tied up with Ladybug’s yoyo. “M’Lady? Bugaboo!? LADYBUG! WHAT IS GOING ON?!! PLAGG-”

Ladybug cut in, “Adrien Agreste, you have been slack in your hero duty and choosing your own feelings over supporting your partner, me, the holder of the Ladybug Miraculous and current Grand Guardian, in the efforts to defeat the enemy of Paris, Hawkmoth. Due to those reasons, you are no longer worthy to be the Holder of the Black Cat Miraculous” in one swift motion, she took the ring off his finger, “As such you are hereby revoked of Plagg’s Ring.”

“NO, YOU CAN’T. YOU CAN’T DO THIS TO ME! I LOVE YOU AND I KNOW YOU LOVE ME BACK. WE ARE SOULMATES, WE ARE MEANT TO BE-”

Adrien went slack at Lady Tigress’s pinch on his pressure point.

“I don’t what you ever saw in the boy.”

“I don’t know either. I think I dodged a bullet here. Can you carry him back to his home? I think I have dealt with enough of him tonight.” Ladybug muttered, as she erased Adrien’s memories of being Chat Noir.

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Tag list: @alysrose-starchild, @buginetye, @lookatthestars1, @blackroserelina, @macncheesemonster, @mochinek0, @myazael, @tonicxworld, @thewitchwhowaited, @t1dwarrior-of-earth, @kissa-chan, @iwantasecretidentity, @theymakeupfairies, @user00000003, @woe-is-me0, @kashlyn, @mochegato,@moonlightstar64 , @greatcatblaze, @moongoddesskiana, @tazanna-blythe.

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(Part 3)

#maridami #maribat #damian x marinette #mlb x dc #Betrothal AU: Take 2 #A Failed Betrothal #sorry. No Damian this chapter #there is salt #Alya salt #Adrien Salt #Lila salt #class salt #I don't know if it is mild or not #Marinette is an assassin

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ilikekidsshows · 3 years

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The Marinette and Kagami Sub Arc Breakdown

Okay, it's finally done, the big analysis, where I tackle a topic I've wanted to write for simply because it's a topic I personally find interesting and fun, AKA, The Best Sub Arc in the Entire Series So Far, AKA, How Marinette Proved Without a Shadow of a Doubt that She'd Never Be Like Chloé And We Stan.

One of the most interesting parts of the Marinette and Kagami rivals to friends sub arc is that it's one of the aspects of the show that directly connects to Marinette's past as a victim of bullying and is, in a way, about her overcoming that past. Not many things in the show remind us of the revelation in 'Origins' that Chloé had been bullying Marinette for years before the show's timeline, especially since Chloé became pretty declawed as a school level threat as the series went on to the degree where I think many people watching forgot that she used to hold a lot more power, and Marinette used to be wary of her.

But, the reason why Marinette being a bully victim is important in her arc with Kagami is this: people who have been victimized don't necessarily recognize it when they're victimizing others, and I believe that Marinette shows signs of this mentality in the show, particularly in season three. I'll illustrate how Marinette's ex-bully victim mindset informed the early stages of her relationship with Kagami and how Marinette overcame her internal biases when it comes to Kagami and her behavior towards Kagami.

In 'Origins', when Alya quotes Majestia's by now immortal line, she also says something that is very much what someone who has been victimized would identify with: "That girl over there is evil, while we are the good people." While Alya was very accurate that she and Marinette are good people, she didn't really know much about Marinette at this point, so she was actually pretty much guessing. The reason why this line is important is because it relies on an assumption that a moral binary exists on the bully-victim scale, instead of these roles being dynamic and socially formed. If you’re a victim of a bully, the bully is evil and you are a Good Person.

Some people who've been systematically victimized think on some level that them being victims means that they can never be instigators, that they're automatically morally pure because the person who victimizes them is the evil one. This is a very typical argument in social justice circles, where a person who is victimized for one thing might say bigoted things about another group and claim that they can't be a bigot because they suffer from bigotry. The simplest example I can give is white women refusing to accept that something they've said about black women could be offensive to black women specifically, because "how could a victim of sexism be racist". Now, what happens between Marinette and Kagami in the show is nowhere near this level of victimization switcheroo, but it still has that false binary in that Marinette thinks that her actions have more moral justification than they actually do.

The interesting thing about how Kagami is introduced is that her future role as a love rival was downplayed in ‘Riposte’. Her Akumatization was because of family issues and the idea that she might be attracted to Adrien came from Marinette's jealous grumblings while she was rescuing him from Riposte (I'm mostly referring to the "She doesn't deserve you" line). Outside of that little bit, 'Riposte' comes across as a pretty standard Victim of the Week episode, instead of setting up a romance sub arc. As such, Marinette already viewing Kagami's Riposte form as a romantic rival serves more as foreshadowing rather than it actually forming their relationship.

Then we get to 'Frozer'. Marinette doesn't really know much of anything about Kagami at the start of this episode, as we can see in her mental image of Kagami as a cackling mean girl. Because Marinette doesn't really know Kagami at this point, when Adrien tells her he's thinking of asking Kagami out, her mind gives a placeholder mental image of her, seemingly based off of Chloé, another rich girl with a (supposed) crush on Adrien. This is the episode that establishes Kagami as a romantic rival to both the audience and Marinette, and Marinette’s negative mental image of Kagami establishes the idea of this rivalry being antagonistic. However, because this setup happens in Marinette's headscape, it's actually a one-sided antagonism.

Kagami isn't actually antagonistic towards Marinette in 'Frozer', but there is a certain assertiveness and physical presence to her in the episode that Marinette, as a former bully victim, might find imposing. Kagami gets in her personal space, because she's telling Marinette something she's sure Marinette doesn't want the boys to hear, but to Marinette, the body language could have come across as threatening. The way Marinette stares at Kagami throughout the scene with a deer-in-headlights look can indicate more general startlement or a sense of foreboding. And the episode ends with Kagami kissing Adrien on the cheek, establishing her as a threat in Marinette's eyes. From Marinette's view, Kagami's behavior in 'Frozer' confirmed her fears about Kagami, that she was a rich bully.

This interpretation of Kagami informs a lot of Marinette's actions in 'Animaestro'. Here we see just how much Marinette has started to view Kagami as the new Chloé in her mind. Even when the actual Chloé shows up, Marinette is more ready to side with her than Kagami. And why this happens is because Chloé actually accidentally enforces the idea that, because Marinette is a Good Person, any person who works against her happiness is a bully and a Bad Person. While we could argue that Marinette has no reason to listen to anything Chloé says, we have to remember that Marinette has been lowkey hoping Chloé would become a better person in episodes like 'Antibug' and 'Zombizou'. When they both agree that Kagami has to go, Marinette could have taken it as another sign that Chloé's not all bad, or Marinette could have simply come to the conclusion that Kagami is actually worse than Chloé, and so teaming up with Chloé to take her down is justified.

It's important to note that 'Animaestro' chronologically takes place right after 'Chameleon', another episode where Marinette thinks she's morally justified in practically bullying someone because they're acting in a way she disagrees with. Because Lila was revealed to be able to dish back the same, if not even worse, that Marinette could unleash, Marinette never learned that her behavior at the start of the episode was bullying and therefore bad. Lila "justified" Marinette's actions after the fact because she was actually a bad person all along, so Marinette doesn't need to feel bad about basically harassing her. If Lila had just been someone who fibs for fun, with no malicious intentions, Marinette's behavior would have been completely out of proportion.

This is why the approach Chloé and, by extension, Marinette take against Kagami is so vital. With Chloé hatching a scheme that was so much like one Marinette would put together, the lines between Marinette and Chloé were blurred in this episode. Simply because it was such a convoluted plan might have also been why Marinette didn't seem to realize the implications of what she was trying to accomplish. I mentioned during my liveblog of this episode that Marinette doesn't seem to consider that, since the plan was to publicly humiliate Kagami, the plan working would have meant hurting Kagami really badly. I also pointed out that, because the trap triggered for the wrong target, this fact didn't really register with Marinette completely, since she merely noted that of course Chloé would have a bad plan. The plan was bad because it failed, not because it was morally wrong.

However, even though we didn't see it happen in the episode itself, what happened at the movie premiere did alter Marinette's perception of Kagami. Most likely it was contrasting Kagami to the actual Chloé and realizing that she had been mistakenly attributing Chloé's traits to Kagami. The change in Marinette's perception is clear in her panic spiral when she realizes Kagami is her partner for the game in 'Ikari Gozen': "She's brilliant, strong, cute!" Marinette would never spell out all of Chloé's better features in such a way, which means her stance on Kagami has moved away from seeing her as The New Chloé.

Even though Marinette doesn't see Kagami as a bad person at this point anymore, she does still consider her strictly opposition. She refuses to work with her, preferring instead to sabotage her and her chances with Adrien, just this time without the attempted humiliation. This is mostly because Marinette sees Kagami and thinks she has it all: looks, confidence, influence, a connection with Adrien. Marinette is absolutely convinced that if they won the contest, all attention would be on Kagami and she'd be sidelined in favor of her. It's easy to think that a little bit of sabotage is okay when Kagami seems to have such an unfair advantage.

Unfortunately for Marinette's peace of mind, the point of 'Ikari Gozen' is to dissuade her of the notion that Kagami is fortunate in every way possible. We can see that Marinette thought that sabotaging the game was fine because Kagami had so many advantages because, as soon as she discovers that Kagami is friendless and has no connection to Adrien outside of fencing, she feels very bad for what she was trying to do. Marinette didn't actually want to hurt or upset Kagami. In 'Animaestro', Marinette didn't think about Kagami's feelings at all in relation to how Chloé's scheme might make Kagami feel, but this time she is thinking about them, she simply misjudged them at the start. She thought her purposefully throwing the contest would be a minor setback to Kagami, not what it ended up being: a betrayal by someone she was hoping to befriend.

I noted during my liveblog of this episode that Marinette's relationship with Adrien also started with a misunderstanding where Marinette first saw Adrien in a more negative light before that impression was proven to be false and they became friends. The development in 'Ikari Gozen' mirrors what happens in 'Origins' in that Marinette first has a false impression of Kagami, but is ultimately proven wrong in her assumptions and becomes friends with her. Marinette nominating herself as Kagami's friend even in her phone call with Tomoe suggests that Marinette recognized a similar need for friends in Kagami that she's seen in Adrien.

Marinette has gotten over seeing Kagami as an opponent in 'Desperada', where we see how Marinette reacts to Kagami and Adrien enjoying an inside joke together: she is miserable. Marinette recognizes the similarity between Kagami and Adrien and, rather than making her mad with jealousy, it makes her feel defeated. While Marinette's perception that Kagami was put together and perfect was taken down in 'Ikari Gozen', 'Desperada' shows us that she still thinks she can't measure up against Kagami, although now it's for the reason that she can see the connection between Adrien and Kagami and doesn't think she has what it takes to compete with that.

'Love Hunter' is the episode where this new sense of insecurity comes to a head. When Marinette's hair falls out of its usual style, it signifies her letting down her guard and enjoying both Kagami and Adrien's company, because Adrien and Kagami are both her friends at this point. However, when Marinette is reminded that there are things that Kagami and Adrien experience that she can't relate to ("It's not every day we can escape from everything they expect from us"), she hastily ties her hair back into the usual twintails, her insecurity forcing her to put her walls back up again.

Marinette is in emotional turmoil throughout the episode, allowing Adrien and Kagami to have what could constitute as an ice cream date alone at first, only to interrupt Kagami's attempt to kiss Adrien a few minutes later by whisking Kagami away to help solve the Akuma situation. This is why Marinette wanted André to pick the ice cream blend, because she started to project her relationships with Adrien and Kagami onto the ice cream too much. Marinette values her friends' happiness very high, high enough to stand aside when Kagami refers to their similarity as the reason she and Adrien are made for each other. Marinette does respond to Kagami that choices can be hard, so her standing aside is also about Marinette simply not acting at all, either to allow Kagami to go for Adrien unchallenged or to pursue Adrien herself. The choice between Adrien and Kagami was too much for her. Marinette being indecisive is of course a major character flaw I've discussed on this blog repeatedly, so the idea that it might have played a role here too makes sense from my perspective.

So far the Marinette and Kagami arc has been about Marinette learning not to subject other people to the kind of treatment she gets from Chloé, overcoming the temptation to turn into a bully to protect herself, and also making friends along the way. But there is still more ground that can be covered with this immensely interesting relationship. This is actually why I feel we really need to see Kagami and Marinette interacting after Kagami and Adrien break up. Because Marinette still has unresolved feelings about Kagami and not just Adrien after the season three finale.

#miraculous ladybug #miraculous tales of ladybug and chat noir #marinette dupain cheng #kagami tsurugi #ml meta #long post #popular

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aeonghaseyo · 3 years

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Your Trace, My Treasure

Summary: Marc and Nathaniel write and draw, respectively, on each others' notebooks because it's DEFINITELY a couple thing to do.

Word Count: 2105 AO3 link

Relationship/s: Nathaniel Kurtzberg/Marc Anciel Category: M/M Characters: Nathaniel Kurtzberg, Marc Anciel, Alix Kubdel (mentioned), Marinette Dupain-Cheng (mentioned), Juleka Couffaine (mentioned), Rose Lavillant (mentioned), Alya Cesaire (mentioned) Language used: English Author's Note: The creators of MLB really need to give the side characters screen time. The love square isn't the only romantic set of ships in the show and there are much more cute ships to write about. And so in my first time of writing a Miraculous Ladybug fanfic, it's about a ship that's entirely not part of the love square. This is my final workshop output from a creative writing class I enrolled in during the summer to get units in advance. Special thanks to my professor and two of my classmates for their feedback; I couldn't have made this work even more wonderful without their help. For the non-love-square ship and this being a successful workshop output thus far, I think I'm gonna give myself a pat on the back and more fanfic ideas to write. :)

Compared to the courtyard at Françoise Dupont High School where the lively chattering of students can be heard and the scrambling of footsteps were a staple, the art room was its own entire world of silence.

It was supposed to be a calming silence in that same art room where Marc and Nathaniel were to work on art-related endeavors of their own, but the former found this unwelcoming and rather deafening. It weighed down on his being that the atmosphere was unbearably awkward, much like he was most of the time even before he met Nathaniel and became his partner in creating comic books about Ladybug, Chat Noir, and their akumatized alter-egos who turned good and served as part of the superhero duo’s akuma-fighting team. Despite a remarkable development from being acquaintances, to newfound partners, and now to a bloomed romantic couple, Marc Anciel, as awkward as ever and still testing the waters on this newfound relationship, couldn’t shake this nagging feeling of inadequacy as someone’s significant other.

It just goes to show him that even though his romantic feelings for Nathaniel had been reciprocated at Day 0, it does not remove the remaining unease that Marc currently feels at Day 1. It was his first time in a relationship, and it was with the boy whose drawings he admired so much from the school paper. Simply put, it was too good to be true.

Unfortunately, the awkwardness Marc felt wasn’t masked enough, and Nathaniel immediately noticed from his place by the table beside his raven-haired beau. How could he not? It was very obvious, from the way Marc’s hand shakily distorted his usually refined, elegant script while writing the next chapter of their comic to the way his expression was contorted as if he was constipated. Nathaniel thought to himself that it was still an adorable sight, but clearly, something was up, and it wouldn’t do well to just ignore whatever troubled his beloved partner. Attempting to break the ice, the redhead cleared his throat, then spoke to call Marc’s attention.

“Marc.”

The novelist jolted in surprise at the utterance of his name. “Y-yes, Nathaniel?”

Leaning in for a better view of the page Marc was writing on, Nathaniel replied, “Your handwriting’s different.”

“W-wait, really?” blurted out Marc, quickly covering the page with his gloved hand. “I d-didn’t know you were p-particular with handwriting.”

Nathaniel placed a gentle, caring hand on his boyfriend’s with a smile aimed directly at him as he clarified himself, “It’s not that, Marc. I’ve seen it and it’s great. Right now, it just looks… wobbly. You’re nervous, aren’t you?”

Even if Nathaniel was a recluse in his own class, he could very well read into the emotions of people, but he doesn’t show it that often. As endearing as it was as a show of concern towards shy Marc, it was also overwhelming for the raven-haired novelist to have been the subject of such deep perception, even from the boy his heart palpitates for.

It was then that Marc’s fight or flight response reminded him in a split-second that he needed some sort of diversion for Nathaniel not to remind him of his own awkwardness.

“Isn’t it weird that our art teacher didn’t come here?” Marc rapidly questioned as he struggled not to look at the red-haired boy beside him. Despite this attempt to keep Nathaniel’s focus off of his disposition, glancing towards the door and not at Nathaniel did not help stop the blood from rushing to the novelist’s fair cheeks. His partner might be tired of this, of him, already, but that light chuckle of pure amusement coming from Nathaniel disproved that thought.

“Hey, hey, settle down Marc,” chided Nathaniel, “he might be running late. It’s okay for us to use the art room so long as it’s reserved around this time. Good thing that he reserved it at an earlier time than usual.”

With innocent green eyes, the raven-haired boy looked his boyfriend in the eye and asked, “H-he can do that?”

“Of course, he can. Let’s just wait for him, okay?” reassured Nathaniel, his left hand making its way on Marc’s right shoulder discreetly. “I’m sure my other classmates will arrive here shortly too.”

A shy smile emerged from Marc’s face as he replied, “Okay, Nath.”

Suddenly, a ringtone from the phone which was in Nathaniel’s pocket sounded audibly enough to catch both the boys’ attention. The redhead immediately fished out the device from his pocket and unlocked it, revealing three unread text messages from his close friend Alix.

Hey Nath! Something came up and I couldn’t swing by the art room. Love troubles again with Marinette. Juleka and Rose are also helping out with me so they can’t come.

I can’t believe that Marinette got invited personally by Adrien to his photoshoot but she can’t even give him her handmade gift or ask him out. Because she’s such a wuss, I got dragged here in the park by Rose because Mari needs all of her girl friends to push her towards Golden Boy Agreste YET AGAIN.

And apparently Alya alone couldn’t do it. Sorry! You’ll have Marc to keep you company anyway. Have fun! ;)

So much for those girls coming over to the art room. Nathaniel let out a sigh as he muttered, just enough for Marc to hear, “I stand corrected. The others aren’t coming.”

Catching on his partner’s crest-fallen demeanor and gazing at his face with sympathetic green orbs, Marc replied, “Guess it’s just the two of us for now.”

The next minutes were spent in silence again, with Marc continuing to finish a paragraph while Nathaniel sketched a bird’s eye view of the Eiffel tower as the background in one panel of the comic storyboard in his notebook. After several minutes elapsed, however, curiosity got the best of Marc, and so, with the tip of his pen lingering on the period of his last sentence, he kept on glancing at Nathaniel and the storyboarding he was working on. Besides the sheer focus that was evident in Nathaniel’s turquoise orbs, the shy novelist couldn’t help but notice the fine, steady strokes his beau’s hand were making with his fine-pointed mechanical pencil. So neat, so pristine. It’s amazing how he didn’t need an eraser to erase certain portions of his drawings over and over.

Marc had seen artist sketches himself of both people and objects, mostly done by his friend Marinette. As someone aspiring to become a fashion designer, she would be engrossed in sketching designs day by day, passion ignited by the sparks of inspiration she draws from around her. However, since Marinette’s sketches had obvious hints of disorder, as it normally is with crude artist sketches, it clearly contrasted with the otherwise structured sketches Nathaniel makes for his comic books. Marc, fully in awe, couldn’t help but take a break from his writing and stare at the red-haired illustrator’s creative process right next to him.

Meanwhile, Nathaniel, thanks to the strong, overbearing feeling of being watched, was getting overly conscious of his work. Keeping his composure to the best of his ability, he quickly turned to Marc and asked, “Do you need something Marc?”

Snapped out of his trance wide-eyed, Marc inwardly panicked. ‘Oh no, I must be staring at him too long! I hope I didn’t spook him too much.’

Scrambling for a sensible response, the novelist stuttered out, “I-i want to write something in your notebook.”

Setting down his pencil while his turquoise eyes were still on Marc, Nathaniel blinked inquisitively. “Oh, why would you want to do that?”

“B-because,” the shy writer reasoned, “I want to write something to remind you of me. T-that is, if y-you don’t mind.”

The red-haired teen averted his gaze from his partner as he remarked, “You know I don’t let anyone write on my notebook, Marc.”

This response triggered the disappointment that Marc had anticipated from the moment that they started continuing to develop the rest of the comic book they were working on together. It was even more daunting for the timid writer that their art teacher and the rest of Nathaniel’s classmates who were usually in the art room with them did not show up at that moment, or even at all. Marinette would tell Nathaniel that it’s a great idea for his newfound love to leave special traces on his personal notebook while Rose, somehow finding this romantic, would gush at this gesture with Juleka mumbling to herself in response. But what would have been the cherry on top for Marc at the moment is that if Alix was there to egg on Nathaniel, pressuring him to give in and let his boyfriend write something in his notebook. At least the comic relief from Alix’s teasing would help alleviate the collective awkwardness the couple felt at that moment. God, if only it wasn’t just the two of them in the art room at that moment.

But alas, he was alone, helpless and daunted, and he was facing the dragon which was Nathaniel, or whatever Nathaniel thought of him at that moment.

However, all of the fears and doubts that plagued Marc left him when Nathaniel continued with a small, endearing smile on his face, “But for you, I’ll make an exception.”

The novelist beamed at his boyfriend, green eyes sparkling with delight. “R-really?”

“In one condition.”

Marc took and held in a quick breath. “Anything, Nath.”

The illustrator picked up his pencil once again and uttered, with an outstretched hand right by Marc’s notebook, “Let me draw in your notebook.”

It was at that moment when Marc could feel his heart flutter, accompanied by the butterflies in his stomach as he opened his own notebook to the very last page and laid it out right by his beau’s workspace.

“It would be my pleasure.”

In a span of 2 minutes while Nathaniel was drawing on the last page of his boyfriend’s notebook, Marc, fidgeting and tapping his pen softly on his chin, racked his brain for a simple yet memorable piece to write on the first page of the illustrator’s notebook, which was left empty out of personal preference by its owner. Hoping to obtain bit by bit of inspiration, he glanced at Nathaniel, then at the empty page, then at Nathaniel, and so on and so forth. This went on, albeit unnoticed by the redhead, until mere seconds after, he scribbled away on the page once he had gotten attuned with his creative writing flow.

After both of them finished leaving their traces on each other’s notebook pages, Nathaniel and Marc gave each other back their notebooks and instantly opened them to where they each left their special mark. Struck with awe, the novelist softly traced the outline of the drawing and his emerald eyes were drawn to Nathaniel’s signature which he left underneath the recently drawn portrait. A tinge of pink formed on Marc’s cheeks as he admired every stroke that constituted this drawing of him done by none other than the boy he once looked up to, now loved, and who loved him back.

“No one’s written me a poem before,” Nathaniel uttered as he perused every line written by Marc on that now extra special page in his notebook, eyes taking in every word written in that distinct elegant script that served as an epitome of beauty that the redhead beheld. One particular line at the end of the writing, however, caught him by surprise: the words ‘Je t’aime’ accompanied by Marc’s signature in that same fancy handwriting the illustrator adored dearly.

Having regained his composure, Marc turned to Nathaniel and asked, “Do you like the poem? I-i thought of it on the spot so it might not exactly be to your liking, but-”

“I love it,” interrupted the red-haired teen breathlessly, wrapping an arm around his significant other and squeezing his shoulder. “Really Marc, you make the most wonderful written pieces.”

An expression as bright as day graced Marc’s features as he replied, albeit with a bit of shyness in his voice, “Y-you really think so?”

Nathaniel threw any single hint of hesitation in his being out the window as he placed a tender, loving kiss on Marc’s forehead. “I do. We’re meant to be partnered together, after all.”

And just like that, the uncomfortable awkwardness that haunted Marc was instantly warded off, and in a flash, he enveloped Nathaniel in a tight, warm, loving embrace and leaned into him in newfound solace. The silence in the art room has never been this comforting as the couple relished in this seemingly endless embrace together.

#miraculous #miraculous ladybug #miraculous tales of ladybug and cat noir #miraculous fanfiction #miraculous ladybug fanfiction #mlb fanfiction #nathaniel x marc #nathaniel kurtzberg #marc anciel #marcnath #mlb fanfic

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girlactionfigure · 3 years

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There is a popular quote that circulates every once in a while that reads “One person can make a difference and everyone should try.”

This individual holds a special place in my heart and also the hearts of many long-time Peace Page followers, who found this page after reading a simple story which mentioned her and which became one of the most popular posts on the Peace Page. Her name is Harriet Glickman, she is the teacher who decided to write a letter to Charles Schulz and ask him if he could create a black character on his Peanuts comic strip - that character would become Franklin, one of the first black characters in a popular comic strip. Harriet Glickman passed away Friday morning, March 27, 2020, at her home in Sherman Oaks. She was 93. Her passing was reported by a Peanuts-based website, which quoted a personal friend who said, her passing was "peaceful, in her sleep" and that the former schoolteacher had been "well prepared for this." They say representation matters, and Franklin, even though he was a fictional character, was noticed by many who did not feel they were being represented enough during those days. The original Peace Page post started: "On July 31, 1968, a young, black man was reading the newspaper when he saw something that he had never seen before. With tears in his eyes, he started running and screaming throughout the house, calling for his mom. He would show his mom, and, she would gasp, seeing something she thought she would never see in her lifetime. Throughout the nation, there were similar reactions. "What they saw was Franklin Armstrong's first appearance on the iconic comic strip "Peanuts." Although Charles Schulz deserves the accolades and credit for having the courage to create Franklin and standing by him when he started receiving racist demands to remove him, it was all started by a school teacher who decided to write a simple letter. "Harriet has a very interesting place in history," according to The LAist. "In 1968, she wrote to 'Peanuts' creator Charles Schulz asking him to do something remarkable at the time: integrate his famous comic strip." "Harriet Glickman was a white, 42-year-old suburban Los Angeles school teacher and mother raising three children when Martin Luther King was assassinated in 1968," according to the Press Telegram. According to NPR, she wrote, “Since the death of Martin Luther King, 'I’ve been asking myself what I can do to help change those conditions in our society which led to the assassination and which contribute to the vast sea of misunderstanding, hate, fear and violence.'” Glickman decided to write a letter to Schulz, not knowing whether he would actually read it or even whether he would receive the letter. Glickman was especially aware of the power of comics among the young. “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom,” she said in the Washington Post. She hoped this would bring the country together and show people of color that they are not excluded from American society. At the time, Schulz, the creator of the enormously popular “Peanuts” comic strip, was already being "published in hundreds of newspapers around the United States reaching nearly 100 million readers," according to the Press Telegram. Surprisingly, Schulz did respond, but wasn't sure whether it would be right, coming from him, he didn't want to make matters worse, he felt that it may sound condescending to people of color. Glickman persisted, however, continuing her correspondence with Schulz, even having black friends write to Schulz and explain to him what it would mean to them. She told Schulz that "the gentleness of the [Peanuts would be] 'the perfect setting' for such representation," according to CBR. “I am well aware of the very long and tortuous road ahead,” she added. “I’m sure one doesn’t make radical changes in so important an institution without a lot of shock waves from syndicates, clients, etc. You have, however, a stature and reputation which can withstand a great deal.” This conversation would continue until one day, Schulz told Glickman to check her newspaper on July 31, 1968. On that date, the cartoon, as created by Schulz, shows Charlie Brown meeting a new character, named Franklin. Other than his color, Franklin was just an ordinary kid who befriends and helps Charlie Brown. In a speech at American University of Health Sciences in Signal Hill, California in 2018, talking to a group of children and adults, Glickman said, the 1960s in the United States was “a time long before any of you were born, a time when not everyone was understanding of other people, when young African Americans couldn’t go to the same beach as white children and when schools were separate.” According to the Press Telegram, the Rev. Gregory Johnson, co-founder of American University of Health Sciences who invited Glickman to the event, said he wanted her to know what a profound effect her action with Schulz had on him. “I appreciate so much what you did in improving relations. I wouldn’t be here without you,” he said. Glickman was born in Sioux City, Iowa, and lived in Chicago before moving to Southern California and a job in the Burbank School District and eventually UCLA before retiring. Glickman explained in previous interviews that her parents were "concerned about others, and the values that they instilled in us about caring for and appreciating everyone of all colors and backgrounds — this is what we knew when we were growing up, that you cared about other people . . . And so, during the years, we were very aware of the issues of racism and civil rights in this country [when] black people had to sit at the back of the bus, black people couldn’t sit in the same seats in the restaurants that you could sit . . . Every day I would see, or read, about black children trying to get into school and seeing crowds of white people standing around spitting at them or yelling at them . . . and the beatings and the dogs and the hosings and the courage of so many people in that time." Glickman, according to The LAist, said someone once commented to her that "‘It took courage [to do what she did, to make a stand].’ I said, ’No it didn’t, it didn’t take courage for me to sit in Sherman Oaks in my comfortable home with my three children and type a letter.'" "Courage," she said, "was little Ruby Bridges, the little girl who integrated a school in the south who had to come with the National Guard with people spitting at her and yelling at her and throwing things at her and the parents who drew their children out. That was courage." Because of Glickman, because of Schulz, people around the world were introduced to a little boy named Franklin, and even today, when Franklin is mentioned, fond memories are evoked, such as those like the young, black man, who with tears in his eyes, started running and screaming throughout the house because he was introduced to Franklin for the first time. Barbara Brandon-Croft, the first African American woman to have a nationally syndicated comic strip in the mainstream press, was 10 years old in 1968, said, “I remember feeling affirmed by seeing Franklin in ‘Peanuts.’ ‘There’s a little black kid! Thank goodness! We do matter.’" When the Peace Page first shared its story about Franklin's birth, one Peace Page reader commented, "I normally don't comment on Facebook but I feel compelled to now. As a black child growing up in the 70's and 80's U grew up in mostly white neighborhoods. One of the most difficult things at that time is my sense of where I belonged in the world. I didn't have anybody in my position i could relate to on TV or in the movies. Then I started reading Peanut cartoons and I met Franklin and I saw myself for once. As a character, Franklin was so important to me I named my third son after him. thank you . . . for helping me find my place." That Peace Page story has now reached 22,498,877 people, receiving 2,091,450 reactions. It has inspired an Upworthy article and has been shared all over the world, including by media companies in Australia and Italy. When the Peace Page contacted the Charles M. Schulz Museum in Santa Rosa, California, one of the representatives said that Glickman regularly visited the museum and she was fondly called "Franklin's Mom." When she saw that Peace Page post, she commented on the Peace Page, "It's always a joy for me to share the Franklin story. I consider him my fourth child and he is very much loved." In the speech in 2018 at American University of Health Sciences, she told the audience that it still “feels like yesterday [when Franklin was introduced].” She said some things have changed, but others have not. “We still have so many problems on how we see each other,” she said in an article by the Press Telegram. She told the children: “You can make a difference in making the world a better place. When you see something that makes you feel angry or upset, don’t just complain, do something about it. And remember that we all care for each other; we’re all the same loving, caring people.” She then autographed a book introducing Franklin to Charlie Brown, “Nice to Meet You, Franklin!” and urged each youngster “to make a difference.” Thank you, Harriet Glickman, also, for making a difference and making the world a better place. [Photo courtesy of CBR]

The Jon S. Randal Peace Page

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jackcinephile · 3 years

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LO Fans: "I love Lore Olympus because it deals with serious themes, like sexual assault, abuse, gaslighting, trauma, and mental health issues!"

Me, who spent my life discovering and obsessing over masterpieces like this:

"You're gonna have to try a lot harder than that to impress me."

Yeah, I never understood that kind of praise. For one thing, people act like LO is groundbreaking for that reason, despite there being countless movies, books, tv shows, comics, and video games that also deal with the same themes. That isn't to say there can't be more stories like this, however. I, for one, am begging for another video game that comes close to the emotional resonance of Silent Hill 2, or for a faithful adaptation of Dracula and/or Phantom of the Opera, or for a horror movie as unsettling as The Howling! But to say any new story that deals with these themes is unique for doing so, is just simply not true. Lore Olympus is no more unique than any of these stories. Also, I don't understand the praise that Lore Olympus is great just by virtue of having these themes in the first place. Just because a story has serious themes, doesn't automatically make it good. Far too often does LO use its themes as a crutch for a plot that is standard issue among romances, as opposed to stories like The Howling, which has a very intriguing, outlandish plot that serves as a catalyst to explore themes of very real and relatable horror. Lore Olympus, without its intense themes, is just another story about the CEO falling in love with his intern. And don't get me wrong, I LOVE those kinds of stories, but Lore Olympus just doesn't really do it for me. And the poorly executed themes just hamper it even further for me.

If it wasn't already apparent, has anyone noticed a pattern between these titles? All but one are horror stories. In my opinion, that is one of the key differences between them and LO: Horror! The themes within, are ones that illicit terror, and the stories reflect that (even Phantom of the Opera--don't listen to anyone who says it's a romance). Starting with Dracula, one of the scenes that horrified me the most in the book was the one where Count Dracula sneaks into Mina's bedroom. The book describes him slitting open his own vein and forcing her to drink his blood. Mina then expresses feelings of violation, much akin to what rape survivors feel. It doesn't pull any punches in its shocking, horrific portrayal, but it never comes off as exploitative. That's because the best horror stories rely on the audience's empathy. In this case, nobody wants to feel violated, so we feel as horrified as the characters do when we read about this grotesque event. And because it is about illiciting fear through empathy, Dracula succeeds where Lore Olympus fails. Lore Olympus, before all else, is a romance. And rape should not be in a romantic story. Especially not when the narrative of LO uses this trauma to validate the relationship between the two leads. I'm not a fan of stories that use trauma to validate a relationship between romantic interests, and I think that partly stems from reading the Phantom of the Opera.

If you ask me, Phantom of the Opera is one if the best books to discuss abuse and gaslighting ever written! Despite misconceptions generated by the popularity of the musical, PotO is very much a horror story with hardly any romance at all. And it's one of the best examples about why using trauma to validate a romance is a very bad idea! You see, all the conflict of the story begins with The Phantom and his trauma. He was born with multiple physical deformities that cause him to look like a living corpse. Because of this, he is despised and rejected by the world in order to escape the hatred of the world, he commissions the construction of the Paris Opera House, complete with intricate catacombs where he can live out the rest of his miserable days. Then one day, a woman named Christine comes to work at the Opera as a chorus girl. She is sad and alone due to her being orphaned, without a friend in the world. She too is emotionally damaged and the Phantom thinks this means she'll understand him. The trouble begins instantly when he claims to be a character from a folktale that Christine's father used to tell her. This is when the manipulation and gaslighting begins. Part of what makes this so effective is how we see it from an outside perspective. The protagonist, Raoul, is in love with Christine and we get to see his confusion and growing concern when he starts realizing Christine is showing signs of an abusive relationship. What makes the relationship even worse is the fact that Christine actually does understand The Phantom. So she doesn't run away not only out of fear, but also compassion. She knows what it's like to feel isolated and dead to the world and The Phantom uses that against her. The more I describe this, the more parallels I begin to see to Hades' and Minthe's relationship. Yes, Minthe abused Hades in much of the same way as The Phantom abused Christine. Notice how Minthe keeps convincing Hades that they're the only people who understand each other, even going so far as to say, "We're the same." The funny thing is, that's exactly what the narrative uses to validate Hades' and Persephone's relationship! It tries to establish that Hades and Persephone relate to each other and they say, several times, "We're the same," to each other. But this is exactly how Hades got stuck in a toxic relationship with Minthe, so why is it suddenly okay now? Relationships that use shared trauma to validate themselves are almost always doomed to become toxic, in one way or another.

So what about the healthy relationship in Phantom of the Opera? Well, it's kinda interesting actually. You see, Christine eventually comes to realize that she needs help, so she turns to the protagonist, Raoul, to get her away from the Phantom. Raoul has an interesting character arc because he starts the novel being pretty immature and kinda selfish. He doesn't really take Christine's feelings into consideration. It's more like a boy chasing his childhood crush (actually that's exactly what happens). However, over the course of the story, as he becomes increasingly concerned with her well-being, he learns to care more about her feelings and her needs. This culminates in the climax, when he's willing to crawl through hell itself for her sake. I bring all this up because I wanted to compare Raoul with Hades as well. Hades is a very consistent character. He doesn't need an arc like Raoul because, from the very beginning, he's willing to put all of Persephone's needs before his, to a fault! That is his entire purpose within the narrative of LO. He exists to serve Persephone. Raoul didn't exist to serve Christine. He had his own journey of growing and maturing. And Christine didn't exist to serve Raoul either. It bothers me that a novel from 1910 has a more well-rounded relationship than a modern comic! Actually, now that I think about it, isn't Persephone's entire character arc supposed to be her learning that she shouldn't exist to serve others? Well, that totally contradicts Hades' role in the story, doesn't it? He exists to serve her! I guess, in the eyes of LO, it's only okay if men serve women, but not for women to serve men. Newsflash: neither is okay.

Now Dr. Jekyll and Mr. Hyde (1931) remains, to this day, one of the most terrifying movies I've ever seen! That's all thanks to its brutal depictions of domestic abuse. So Dr. Henry Jekyll believes the solution to enlightening the human race is to separate the good and evil in our souls. He solves this problem by creating a drug to do just that, which transforms him into Edward Hyde, but he becomes addicted and starts terrorizing a woman who was once a former patient of his. I think what makes this so effective, when compared to LO, is one simple factor: Fear. I am terrified of Edward Hyde, but whenever Apollo shows up, I'm just annoyed. That's because Hyde isn't being used to sell an agenda, while Apoll is. Apollo is all about making a statement about toxic masculinity, which always bothered me from the very beginning! Being an abusive cunt who rapes women has nothing to do with masculinity! It doesn't matter if you're masculine or feminine, anyone can be a cunting abusive rapist. If you are a rapist, it's because you're a monster who lacks empathy, not because of masculinity. And if you think masculinity has something to do with a lack of empathy, fuck off! Dr. Jekyll and Mr. Hyde is not about toxic masculinity. It's about how drug addiction can often hurt other people around us just as much, if not moreso, than ourselves. It also doesn't use rape to validate a relationship between characters. I'm sorry, but that is just the laziest storytelling technique. When the antagonist is a rapist OF COURSE the male love interest is going to look better by comparison! But when you take Apollo out of the equation, Hades stops looking like a desirable love interest real fucking quick.

So yeah, I think Hades makes for a bad love interest. That's mostly because he's so much like Shinji Ikari from Neon Genesis Evangelion. Yeah, the one title from the list above that's not a horror, but is no less relevant. The thing is, both Hades and Shinji have a lot in common, such as hating themselves, having a bad relationship with their father, and not caring at all about their own wants and needs. Oh, also Asuka's a better written character than Minthe, but that's a whole other topic. What makes Evangelion work, in my opinion, is that Shinji's whole journey is about learning to love himself, while Hades is portrayed as being perfect the way he is. Hades in LO is like a flawless beacon of virtue, solely because he worships the ground Persephone walks on. But the guy just doesn't care about himself at all! Like I said earlier, Hades guilty of the same self-destructive behaviors as Persephone but he's praised for it, while Persephone is encouraged to look after herself more often. Compare this to Shinji, whose life only gets worse the more he neglects himself. The only time Hades does something beneficial for himself is when he breaks up with Minthe, but immediately after that, he starts devoting every ounce of energy to Persephone! All that matters is her! He doesn't give a single fuck about himself. Sorry, but that's not good qualities in a male love interest. In all fairness, this is a problem with the romance genre as a whole. Most romances give priority to the protagonist (in this case Persephone) while neglecting the love interest (Hades). It's why I have a serious problem with the entire genre.

Now what could Silent Hill 2 have that is in any way relevant to Lore Olympus? Two words: Nightmare Fuel. Personifying trauma as literal demons is one of the smartest ideas anyone's ever had, because speaking from personal experience, that's how it feels. I just don't feel like the trauma experienced by the characters in LO is a waking nightmare like it is in real life. For one, the characters' trauma only pops up when it's convenient for the plot. Like whenever Persephone starts experiencing ptsd, it happens when she's with Hades so we can get a scene with Hades cuddling her. After that, it shows up in a scene to make her look badass by confronting Apollo. No, just no. The Howling did it better too, by making the protagonist's trauma such an inconvenience in her life! I never felt that way in LO. When you uss traumatic encounters to make your character look like a badass, kindly fuck off.

#lore olympus

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im-like-if-a-girl · 3 years

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*THE* mean-girl-dean-girl's Supernatural reboot MEGAPOST!

I'm gonna stick a little "keeping reading" here because hoooooo boy, this is a very long post.

Let's start with

Plot

Season 1

Dean kills John while they are out on a hunt in a crime of passion, but Dean doesn't remember because he blacked out. Cue Dean going to Stanford to get Sam and tell him "Dad's on a hunting trip... and he hasn't been home in a couple days."

The audience doesn't know what happened to John, but slowly figures it out with Dean and Sam as Dean slowly remembers what happened that night.

The entire first season, the boys are following the trail John left and fighting monsters as well. They find out Dean was with John, Sam realizes Dean has an unreliable memory, they have heart to hearts about their childhood and the fire, they find John's body, "how could you kill Dad?" but maybe Dean didn't kill dad, whooaaaaaa, misdirection.

It was actually good ole yeller eyes (Azazel) and he made it look like Dean killed John.

Okay, now let's move on to the first episode

Not sure how the opening would work, I would like the story of the fire to be revealed over the course of the first season, but maybe the opening scene could be a little bit of an establishing character relationships and backstory, idk, I haven't thought that far yet.

I'm thinking maybe it's like, Dean gets back to a motel room covered in blood and he listens to a voicemail on his phone from John saying he was on a hunt or something, I don't really know lol.

HOWEVER

I do know that after the intro rolls, we get a scene of Sam waking up to his alarm and "Nine to Five" by Dolly Parton starts playing.

Y'all know where this is going.

Cue a montage of Sam's normal Stanford college life (him sitting through lectures, walking through the campus with friends) spliced with scenes of Dean absolutely slaughtering a nest of vampires (or some other monsters, whatever works best.)

But

Now onto

Characters!!! (And descriptions)

Dean Winchester

Some lovely person on this site made edits of Dean with platinum blond hair and it made me feel some kind of way so we're doing that, homie's gonna have platinum blond hair

Side note about the hair, later when the brothers are running from the FBI he dyes it a dirty blond/light brown (insert jackles hair color controversy here) as a disguise.

He also gets tattoos because we were robbed.

Speaking of tattoos, concept: when Dean comes back from Hell, all of his tattoos are gone. His body is a clean slate, devoid of tattoos, scars, etc. So he gets his tattoos done all over again, which he doesn't mind because he made some bad, drunk tattoo decisions in his youth.

(And before you ask, yes, he does get one for Cas, either a bee or Cas's name in enochian, something cute.)

Dean goes to therapy after Sam gets sent to the Cage.

It's actually court mandated because he got in trouble, lol, he would never go to therapy on his own.

Along with the hair, Dean gets to be the grade A twunk we all know he is.

Sam Winchester

His hair gets longer in every scene he's in

No jk, but imagine

King of Microaggressions

Sam starts off like the sweetheart he is in season 1 but in later seasons he starts enjoying killing a little too much...

It's that demon blood, ba-by!!!

He brings up issues of morality to Dean, i.e. killing monsters who aren't hurting anyone. (Yes I know this is contradictory to my previous statement, but these two facets of Sam can and will coexist.)

Sam and Jess's relationship is explored further, meaning we'll need to start with a different inciting incident, but that's fine, I think everyone can agree fridgings are *(thumbs down)*

Sam doesn't truly know what happened the night of the fire until later, and then he understands why Dean is so protective of him.

Jess

She gets to live beyond the first episode

She is also trans

No, I don't feel like I have to explain myself and I won't 💜

She urges Sam to join Dean in a search for their brother, kind of gets pulled into the hunter lifestyle by association lol.

She dies on a rusty nail after fighting vampires on a routine hunt with Sam

No jk!!!

But imagine....

She's amazing and I love her and Lucifer also uses her as leverage against Sam and possesses her because I think that'd be cool.

She supports Sam 100% and also she and Dean are buddies, pals if you will.

She meets Cas Thee El and immediately she Knows, that is a homosexual.

She dies still so that we can have a Saileen Endgame but she's not dying the first episode or in a fridging. Not on my watch.

Castiel

He gets to keep his raw, light-fixture-exploding power.

I want more of that "I pulled you out of hell, I can throw you back in" energy except over dumb shit like Dean not cleaning up after himself.

He looks like a Dilf in every scene he's in, yeah, that's right, dilf with a capital D for *(GUNSHOTS)* *(gets sent to horny jail)*

Claire

She gets pink hair

And more time with Cas

And maybe a nose piercing

Feel like she should be able to kill a couple angels onscreen, punch a couple homophobes

She gets to meet Jack and teaches him swears and fun slang words.

She deserves it.

Jack

I says "that's my baby and I'm proud."

Jack starts off as a baby, but like Amara he grows up super quickly.

Like, baby to 11 year old in a couple days or less.

This is because Jack's emotional age on the show is on par with that of a 5th grader.

It's at this point when he's a young kid that he runs away from the Bunker and shenanigans ensue.

It's also at this point that Dean threatens to k*ll him.

(Still not sure if I want that in my Supernatural (threatened infanticide? In my Supernatural? It's more likely than you think) but we'll see. We'll see.)

Throughout a majority of season 13, Jack is like an 11 y.o. kid

Season 14 he's like a 16 y.o. teenager

Season 15 he's 21, you get the picture.

Listen, I love Alex Calvert a lot. He's great.

But Jack is a child and should be a child.

Kelly Kline

Kelly, baby, stay right where you are, you're perfect.

Eileen

SHE DOESN'T DIE

SHE GETS TO BE IN THE FINALE BECAUSE SHE'S AMAZING AND I LOVE HER.

BLURRY WIFE WHO? I ONLY KNOW SAILEEN ENDGAME!

She teaches Claire and Jack swears in sign-language. Castiel is not impressed.

John

J*hn W*nchester stans, DNI.

He's dead.

We only see him in flashbacks and only sometimes hear his voice in voice overs.

He's not "down the road" from Dean in Heaven, in fact he instead gets to wander around in some Purgatory like Hell for the rest of his time :)

People who get to say "fuck" on the show:

Cas (but only Once)

Jody

Bobby

Now onto other things

I want more of

Ghostfacers

(they need more screentime because I love them)

Dean/Benny

We know they had a thing.

They definitely had a thing.

Demon Dean

Again, I feel like more should've been done with this. All that build up for what, 2 episodes? was not utilized well at all.

Dean's Bisexuality

Straight Dean truthers DNI, my Supernatural is a show about love and being true to yourself

You think Supernatural is a show about 2 straight brothers fighting monsters?

Naw bitch, this is a show about the Gay Experience

He will get to have relations with men on this show.

Of course, only after John dies does he, y'know, display it. Maybe he kisses Cas on his dad's grave just to fuck John over, make him roll in grave.

We all agree John would be/is a homophobe piece of shit, right?

Okay, glad we're on the same page.

Dads

3 men and a baby with Jack is what I'm saying.

I love it when the Trio are father-figures to younger troubled characters they see themselves in, even better if it's like reluctant-but-loving father figure, oh, that trope gets me every time :'^)

Dadstiel and DadDean are my favorites, but I like it when Sam plays "Uncle Sam" to kids too lol.

"Fellas, is it gay to want a tight knit family with your husband, his son, his vessel's daughter, your brother, his wife, your cop mother figure and her wife and their adopted daughters? Asking for a friend."

Garth

Biggest flaw of Supernatural was underutilizing Garth.

I will never not be bitter that Garth was only in like, 7 episodes out of the whole 15 season series.

Every episode with Garth gets immediately 5 times better.

I love Garth.

Follow ups on characters who had entire episodes featured around them and then just... vanished???

This is mostly about Jesse, the magic kid whose imagination ruled an entire town like, his daddy was a demon and nothing came of that kid??? Only one episode about him?? No follow up???

KID CAN MANIPULATE REALITY AND WE'RE NOT GONNA GET A FOLLOW UP ON THAT?????

Uh, there was that one episode with Ennis the guy whose girlfriend was killed by a monster? I think?? Who we never see again, that was weird.

Tamara from season 3, episode 1.

And of course-

Cassie

She was so cool, and then we never saw her again :////

She gets to be a badass.

Religious imagery

As a former Catholic school student who has become for the most part, disillusioned with religion, religious imagery in TV shows like Supernatural make my brain go "brrrrrr."

Fun episodes!!!

Like, after season 6 or so, there's a drop in funny episodes

I'm talking Changing Channels, The French Mistake type stuff. (Scoobynatural is an outlier and should not be counted.)

So anyway

In my version we would have more fun episodes

I'm thinking

GENDER-SWAP EPISODE, BABY!!

(why they didn't do that in the original, we'll never know.)

An episode where Dean gets to wear eyeliner

That's it, end of post.

I want less

Racism

Yeah I feel like this is self explanatory, nearly every reoccurring character in SPN is white, and black side characters normally die in the episode they first appear in, or they'll be featured as a villain (Uriel, Raphael, Billie, etc)

Also there's a lot of... uh... asian fetishism featured in the show (what with "Busty Asian Beauties) that's really gross, also Kevin was a bit of a stereotype...

Also also it's super yucky how they kill the gods from other religions like???? Uh??? That's super disrespectful, let's not do that????

I know Supernatural is like, inherently racist because monsters are a separate race that are seen as some dangerous "other" that must be eradicated by hunters in a form of genocide-

Okay we won't get into that but

Still

Stop killing all your POC

Fridgings/Unecessary murders of female characters

I know Supernatural starts with a fridging, so this will be a hard thing to remedy, but

One death that really pissed me off was the death of Charlie

Yeah, that was pointless and we're not doing that. Charlie gets to live and be an awesome aunt to Jack.

And also Claire

Charlie Bradbury Superiority

Charlie and Garth get to meet because they're nerd/geek solidarity.

British Men of Letters

I fucking hate these guys

They're "litcherally" the worst.

The worst part is that the actors they have playing the British AREN'T. EVEN. BRITISH.

And you can tell

Uh, and that's all for now, I'll add more later.

tag list for people who liked my "if this post gets one like I'll post my SPN reboot masterpost" post.

@darianyunidi @sarasidlesaid @crazybananaalpaca @playfulpanthress @ultfreakme @fififeelsmellow @heller-char @luna8eaton @princessmeganfire @insanebot109 @queenofnightsnow @mongoose-underthehouse

Thank you for the support, hope the wait was worth it.

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badatjokezz · 4 years

Text

Haikyuu!! Rare Pair Fic Recs

i’ve been so hype about some Hq rarepairs lately now imma list some of my fav fanfics, mostly OiSuga mwehehe....

(probably gonna add some more in the future)

Oisuga (Oikawa x Sugawara)

1. Stuck in the Middle With You by overlymetaromantic

It's not the kind of blossoming relationship either of them would expect, but maybe, just maybe, it could lead to something good.

1. In which Suga and Oikawa run into each other on a late night convenience store run.

2. In which Suga and Oikawa inadvertently switch bags and end up with the other’s uniform.

3. In which Suga gives Oikawa the lecture he doesn't want but probably needs, and Oikawa might accidentally be a little in love.

4. In which Oikawa won't shut up about Suga, and Iwaizumi plays matchmaker just to make him stop.

5. In which there is not a date, and Suga likes spicy things much more than sweet.

6. In which Karasuno and Aobajousai hold training camps in the same neck of the woods, and the trip back proves to be more revealing than it probably should.

7. In which there might just be a future to this after all.

(Dis is so fluffy i might die)

2. moving on (growing up) by _helios (neocitz)

‘I’ll do it,’ Suga says, walking into their prep school and dropping his bag on the floor next to Oikawa. He shoves the melon bun and drink forward into Oikawa’s hands, and stands there looking down at him because he knows that he needs to not chicken out.

‘You’ll do what?’ Oikawa looks up through his glasses, eyes wide and confused as the other students stream in around them.

‘The fake dating thing, I’ll do it.’

‘Fuck. Yes.’ Oikawa says with a fist pump.

(It’s been AGES since i read Fake/Pretend Relationship fic, this one is goood)

3. how strange, to be remembered by venusintwelfthFandoms

"He is not formed of the type of dust that makes up stars. Suga is not the type of person that stays in the mind of one like Oikawa Tooru, ten years later. He is formed of the type of dust you shake off, the type that settles into the ground."

Ten years after Suga last steps off a high-school court, Oikawa recollects a "Mr. Refreshing" in a post-game interview, and Suga is left scrambling.

(Cute one-shot, Oikawa still remember Mr. Refreshing from Karasuno)

4. all the small things by Authoress for lemedy

Sugawara Koushi.

Oikawa’s brain supplies the name of the person standing at the other end of the aisle before Oikawa can even register him, attuned to spitting out facts about other volleyball players on a second’s notice, even after all these years. Karasuno High vice-captain. 174 cm…no, more like 176 now. Skilled at raising morale and bringing an element of surprise to their strategy. Troublesome. Refreshing. Setter.

The enemy.

(Single Dad! Oikawa, cuuutee ugh)

5. Win Some by kingdra (aroceu) for Icie

Tooru does not have a problem, its name is certainly not Sugawara Koushi, and he is not going to the Karasuno practices just to watch him. Regardless of whatever Iwa-chan says.

(High school romane~)

6. Even as bright as you are? by BKAKCANON

That night when he goes to sleep, he includes "the safety of fairies" on his prayers, making a promise to whoever was listening him, that he'd protect all the fairies and keep their secret safe forever.

[Where Oikawa meets Suga when they are kids and Oikawa believes Suga is secretly a fairy and decides he has to protect his secret all costs.]

(This is basically matches my headcanon)

7. getting to know you by oisugasuga

Suga feels like he’s back on the court then, his heart thudding hard in his ears… so hard he almost misses what Oikawa says. Unfortunately, though, he doesn’t.

"My, my. What a surprise," Oikawa Tooru says. And then… "Hello, Mr. Refreshing."

(Haven’t finished yet but DAMN I LOVE OIKAWA AND SUGA IN HERE, single dad! oikawa, and Suga babysitting oikawa’s kid, def slow burn. Imma follow this fic till death)

8. Dear Reader by hyirule

No one seems to read the paper anymore. But Oikawa likes to for the sports section. One day he finds himself reading a section called "Dear Reader" and finds a submission he can relate to.

Basically messages sent through a page on a newspaper brings to unlikely souls together, who maybe have more in common than they first thought.

(Cannon compliant, simple and... refreshing(?))

9. rest by shicchaan

Tooru looks at the sleeping person beside him as he waits for the lights change into green. The growing fringe of his husband started to cover his eyes but he can still see the beautiful birthmark under the silver haired's left eye.

(Established relationship, fluff fluff!!!)

10. long is the road (that leads me home) by ichweissnichtauch

He thinks about himself, deleting contacts from his phone and throwing coffee cups away without even looking at the string of numbers scrawled in Sharpie ink underneath, and he’s tired of hiding, tired of carefully treading the lines he’d drawn for himself all those years ago.

Just this once, Tooru wants— he thinks he wants to be brave.

Oikawa Tooru is not a stranger to wanting.

(like... 20% Oisuga but i like the way this story follows the Cannon till he get to Argentina)

11. It's Always Been About You by mintycarrots

Every time Tooru had envisioned meeting his soulmate, it was a confession of love, filled with tears of happiness and a lot of making out. It would be a faceless petite girl that would support Tooru in whatever he chose to pursue and would understand when Tooru prioritized volleyball over all else.

It was never a boy on the rival team.

(Soulmate AU)

12. a play in three acts by venusintwelfth

"The first time Sugawara Koushi sees Oikawa Tooru play, he thinks that if he wasn’t so set on volleyball, he’d do well in theater."

the first seijoh x karasuno match through the eyes of suga.

(Kinda poetic i guess, well written af)

13. colors by dazeful

Sugawara Koushi's colorful life as an archer.

(this is like the perfect oisuga one shot ive ever read)

___

IwaSuga (Iwaizumi x Sugawara)

1. And so the moon cried by iwriteinpenFandoms:

The hillocks are the domain of unearthly creatures. Creatures of rot and fog, of music and dance. Like ghosts in the night they travel without leaving footprints, they disappear in a flurry of long dresses and pale hair. Those who are fated to see them risk curses far worse than death. You may hear them, a giggle in the wind. You may smell them, the smell of the fog rolling in through the trees. You should pray you never see them. Iwaizumi Hajime is a simple man. He works a simple farm job and enjoys simple things. After one morning where he woke next to a perfect circle of death and only the memory of brown eyes and cold hands, he finds himself inexplicably drawn to the forest. Will the tales of his childhood play out with him at the center or will he have to disregard all reason?

(Danish Folklore AU)

2. Cry Just A Little by DreadfulMind

Suga was whistling a tune to himself as he opened the door to the bathroom, so he didn't hear the muffled crying through the door. But he could hear it clearly once he was inside. He heard the sharp sob of someone trying to stop.

"Iwaizumi?" He asked, "are you sure you're alright?"

(Simple but c u t e)

3. Generations by Karasuno Volleygays (ToBeOrNotToBeAGryffindor), mozaikmage

Professional sports blogger Sugawara Koushi writes an article about a volleyball match that bears special meaning to him and his former kouhai: a showdown between Kitagawa Daiichi and Yukigaoka Middle School, ten years after the teams faced off for the first time. He doesn't plan on capturing the attention of the world of sports journalism, and he certainly doesn't expect himself to end up having a thing for one of the coaches involved, one Iwaizumi Hajime.

(Time-Skip, I loved it)

___

KuroTsuki (Kuroo x Tsukishima)

1. Invictus by Chiru

Kuroo T. » So let me get this straight (gay?) Kuroo T. » You want me to pretend to be your perfect and fabulous boyfriend, so that your little freckled friend will stop trying to set you up with cute little highschool girls? Tsukishima Kei » yes Kuroo T. » Aha. Tsukishima Kei » you'll do it? Kuroo T. » I don't know. I missed the part where I get something out of it. Tsukishima Kei » you get to annoy me. Unfortunately Kuroo T. » Tempting, Tsukki, very tempting indeed.

(Fake/Pretend Relationship, some fluff, some angst, i read this in the middle of the night and cried, fortunately happy ending)

2. hold onto hope if you got it by nekolyssi

"Now, in the beginning of their third year of high school, the obnoxious hollering and incessant spirit of his teammates became normalcy to Kei. And now, normalcy is this. Weekly psych meetings. Pharmacy waiting rooms. Prescriptions. Refusal of prescriptions. More prescriptions."

(Not finished yet but yep prolly gonna put this one to one of those best haikyuu fics ive ever read. I wasnt so interested at first but i really like the idea of mental ilness etc, this is g o o d!!)

3. [KuroTsuki Fest Week 2017] Traces by Heartythrills

Kuroo’s disappeared for a little over a week now, and suddenly a 4 year old who looks like him appears before Tsukishima’s apartment.

(Age regression, fluff)

4. I swear by xArtemisx

Like the shadow that's by your side I'll be there

"What are you doing here, Tetsu? It's cold." Kei asked softly. Tetsurou smiled. Hearing his name came out of Kei's lips is always music to his ears.

"Nothing. I just came to think that whatever memory we make, may it be happy or sad memories, the bright moon and the starry night sky is always there to be the witness. Did you notice?" The alpha answered and Kei nodded. He also noticed it.

"Yes, I did noticed it."

(I love agony and sad ending....)

5. Honeybee by ClosetGoblin

Tsukishima has trouble sleeping one night during a Third Gym Camping Trip. So, he takes his acoustic guitar and passes the time with some music, and gets a visitor. Maybe he doesn't mind Kuroo's voice as he does the screeching that Lev and Hinata call singing.

(Simple but sweet)

6. Say You Like Me by the_madame21

It's been three months. And Tsukishima Kei is going to see Kuroo Tetsurou.

(light angst and.. s m u t. Alpha/Beta/Omega Dynamic)

7. trying to get to you by mytsukkishine

Everything came crashing down on Kuroo when Kei had left him alone with nothing but the moon shining down on him.

Wherein, Kuroo was struggling to move on and decided that he wouldn't mind being with Kei again.

(sad beginning? yes. sad ending? y e s. you’re a masochist? come get your juice)

8. Please Hold by ThemooncatFandoms

Kei was expecting Kuroo to do one of two things; Send a text to the office saying that they will have to call back another time and continue what they started, or excuse himself from Kei to answer the call, which was most likely. He shouldn’t have been surprised when Kuroo does neither of those things.

(short but hot. what’s hotter than quiet sex?)

___

Ushijima x Oikawa

1. This Insignificant Pride and Prejudice by Mysecretfanmoments, Pouler (poulerslashes)

Oikawa Tooru graduated high school with the burning desire to succeed in his college career. He'd hoped that might include taking down his arch-nemesis along the way, but when he finds that his college team hosts an offensively familiar face, he can't help but think that the universe might be conspiring against him. After all, what could be worse than playing on the same team as Ushijima?

(It was funny for me reading oikawa/ushijima fic with that “you should’ve come to Shiratorizawa” joke at first but somehow i found this one... endearing :3, cute poor ushiwaka)

___

Atsumu x Nishinoya

1. All the things I love about Yuu by KilluCoulomb

Atsumu Miya is fixated in Nishinoya. The way the boy acts, talks, plays. He Carefully observes from afar, but he slowly warms up to the Libero. Friendship becomes more and more intimate. Atsumu realizes Nishinoya is not that simple guy he met three years ago. And he loves it.

(pro volleyball players AU)

2. i'll see you then by noyabeans (snowdrops)

Nishinoya Yuu and Miya Atsumu build a rivalry and something more.

“Oh, it's Karasuno’s libero,” he says, mildly surprised to see Nishinoya’s face staring back at him from the brochure, grinning wide with his arms folded over his chest.

Contains spoilers for the current manga arc, up to chapter 380.

#oisuga #kurotsuki #oikawa x sugawara #kuroo x tsukishima #iwasuga #iwaizumi x sugawara #ushijima x oikawa #ushioi #atsunoya #haikyuu!!#fic recs

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dreaming-of-assclass · 4 years

Note

CURSED MINDS THINK ALIKE BAHDJSNSKS

“I’ve never felt like this about anyone before!” Feat Okajima suddenly Discovering he likes Hayami because of her personality and not bcz of her appearance or whatever

While accepting she won’t like him back and... angst lmao? Or no angst you decide haha :eyes:

If anyone is confused, this came from both me and Nao thinking of a Valentine’s prompt for Hayami/Okajima 😂 aka the ship we love in a serious way and a crack way lmao.

This turned out be more of an introspective character study lol, but I hope I did it justice, bestie <3

Word Count: 1,694 words

In all fairness, Okajima mused to himself, it’s not like any part of this year went like planned.

Getting sent to Class E was a punch in the gut, for sure. There was no denying that, not after the laughter from his former classmates or the yelling he had to hear from his mom once he broke the news to her.

He’d been expecting a year of slacking, if he was going to be truly honest. He’d already reached rock bottom, no use in wasting his time and energy trying to get back into the main campus. Not when he was an average student, at best.

Fooling around during lessons, being labelled the class clown, hanging out with his friends, admiring his female classmates, overall having a good time. That was what he believed would await him in the dingy old building of 3-E.

Instead, their teacher was replaced by a giant yellow octopus who moved at Mach 20 and was gonna destroy the world, and it was up to him and his 25 classmates to save it.

Yeah. Big change of plans.

Okajima found himself actually being motivated to work, more and more everyday. He felt...excited to go to school everyday and feel better about himself, and his academic capabilities. He loved contributing to assassinations and proving himself a valuable member of the class.

But there was one part of him that didn’t quite go away for a while.

He sighed. His inexplicable love of female anatomy. That was the...polite way to put it. His classmates would phrase it as “his insufferable pervertedness.” Which was totally fair.

It was really shameful how he’d acted for a long time. His defining trait had been born from a life of being raised by his father, as well as the tiny voice in himself screaming for attention. To get noticed in some way, even if it earned him ire and scorn.

For a while, Okajima wasn’t sure how to interact with others beyond showing his perverted nature.

And looking back now, that was such a cowardly excuse he used. It had taken him way too long to realize that.

Okajima hated how he used to be, and his eyes were awakened after the girls in his class explained to him what was wrong. How his actions made them feel insulted and uncomfortable.

He painfully recalled the sharp sensation in his chest that formed to a lump in his throat at hearing their words.

It was never his intention to hurt them.

Okajima vowed to change that part of himself, and it was much easier than he thought it’d be. Looking back, it seemed like most of his problems in general came from overthinking.

The year was almost to an end now, and it was early February. Okajima had made a lot of progress, and he was happy to know how much he’s changed. How he had better, more honest relationships with his classmates now.

Well...there was still a bit of an issue...

Hayami.

The issue was Hayami.

Of course, not in a literal sense. Okajima could never think of her as that...not with the way she pushed back her bangs while reading, when he’d catch her watching cat videos in class, or the occasional times she’d laugh at his jokes...

He groaned to himself. I really do have it bad, don’t I?

As shocking as it sounded, he’d never had a crush before. Not on a girl, at least. Since there was that one boy in sixth grade who he-

Back to the topic, lusting after girls didn’t count as crushes, he realized belatedly. All of the objects of his admiration were solely for their looks, really.

But...somehow Hayami was different.

Like yeah, she had a banger body in his opinion, the perfect dancer build. But even before he’d had a change of character, that didn’t quite catch his attention as much as it usually would.

His favorite part of Hayami would always be the core of who she was. How she didn’t take bullshit from anyone. How she worked so hard, more diligent than anyone he’d ever known. How she kept a cool head all the time and was so reliable.

He just loved that she was tough and unapologetic for it.

The first time she’d responded to one of his stupid comments with a sharp, fierce glare, Okajima felt a thrill run through him. Partly out of fear, of course, but mostly out of...curiosity.

She was so different, so mysterious. He wanted to know more about her. And since they were seatmates for the year, that gave him some opportunities.

He was the first to know of her love for cats. He’d caught her looking wistfully at pictures of them on her phone, and he wisely kept that observation to himself. And a few days later, he gifted her with a cute cat-themed stationary set, claiming that his mom mistakenly bought it.

The way Hayami’s eyes lit up as her lips curved up in a small smile, a whisper of “thank you” falling off them was extraordinary and made Okajima’s heart leap.

Hayami’s other quirks soon added to his feelings towards her. He loved seeing her fidget with her pigtails absentmindedly. How she doodled pictures of cats on the side of her notebook. The way her feet created a small rhythm against the wooden floor, counting to a beat. How she looked like a complete badass during P.E class, loading her gun and shooting with it effortlessly.

Okajima sighed, his arms falling atop his face as he lay in bed. These new...romantic feelings were overwhelming, to say the least. He felt like voicing his thoughts, just so someone- anyone could give him advice. His dad and brother were absolutely out of the picture, though. So the most trusted people were...

He reached over and grabbed his phone, dialing a familiar number.

“Alright, dude. You said you were going through a crisis.” Mimura leaned back into his beanbag seat, popping a piece of candy into his mouth. “What’s up?”

Okajima leaned down slightly, his forearms resting onto his knees. “Well...it’s not really a crisis. It’s just...something new that I’m not used to.”

Sugaya raised an eyebrow from his spot on his bed, glancing up from his pencil in his hand he’d been observing. “I swear, if this is puberty-related-”

“It’s not! It’s more like, my feelings towards something has changed and I’m not sure why.”

“Shoot.”

Okajima took a breath then released everything in one go.

“I have a crush on Hayami and it’s not just for her appearance. I really like her personality. I think she’s a total badass who can step on me and I’d love it. But I also think she’s adorable and I wish I could get closer to her. But I know there’s no way in hell she’d ever like me back, so I’m just accepting that and...yeah.”

His friends’ eyes widened simultaneously, as Sugaya dropped his pencil and Mimura paused, holding his candy mid-air. The look they exchanged was almost comical, so Okajima let out a shaky laugh. “Uh...guys?”

Mimura snapped back to reality. “Sorry, sorry. I’m just...surprised.”

The artist hummed. “Yeah...I mean, don’t get me wrong. I knew you’d fall in love or whatever someday. But your crush is what surprises me...”

“Yeah, why Hayami?” Mimura chimed in.

Okajima frowned slightly. “What do you mean by that?”

“I mean...she’s pretty scary,” Sugaya replied.

“And emotionally unavailable,” Mimura added.

“She’s super reserved.”

“Kind of...bitchy on her worst days-”

“Okay!” Okajima raised his voice, irritably. “Are you two done? Did you even hear what I said earlier?”

“No because you said it all really fast in one breath.”

He rolled his eyes. “Well, smartass, there’s so much more to her that I really adore. And I don’t think it’s right to...when you like someone, you accept every part of who they are. You shouldn’t pick and choose what you like about them.”

His friends glanced at each other again. “I guess you have a point,” Sugaya admitted.

Okajima sat back with a sigh. “I’ve never felt like this about anyone before,” he said softly, his voice barely above a whisper.

“Like...all I wanna do is see her smile and be happy. I wanna make her laugh. Seeing her every morning is enough to make my day. I know it sounds dramatic but...”

Mimura frowned at him. “Would you ever confess? Maybe there’s a chance that she-”

The photographer cut him off. “There isn’t.”

“Dude, you don’t-”

“Even if she did, I wouldn’t want us to be together,” Okajima replied. He gave his friends a thin smile.

“She deserves so much better than someone like me.”

Okajima stopped in front of the door, his hand hovering above the knob. He took a deep breath, trying to calm the thundering sound of his own heartbeat.

It was just another typical day. Or, as typical as a day could be given the circumstances of their class.

And yet, voicing his ambivalent feelings last night gave way to a heaviness that settled deep into his chest. It weighed him down and brought a crushing sensation to his throat as well, like it was hard to breath.

“It’s just in my head,” he muttered to himself, finally turning the doorknob.

Stepping into the classroom almost felt like a dream. He stood briefly as if in a daze, holding his bag. A second passed and he moved mechanically towards his seat.

All around him, his classmates were getting ready for the day. Setting up their desks, gathering around to chat, some were eating a quick breakfast. It didn’t matter: everything just blurred around him anyways.

He set his bag down and began pulling out his supplies. The words fell from his lips in an excited greeting, a grin automatically forming on his lips.

“Good morning, Hayami!”

She turned in his direction, her hand resting elegantly under her chin. Her lips quirked up into a small smile as she returned his greeting. Her tone was casual yet genuine and it sent electricity through him.

“Morning, Okajima.”

Yeah. She deserved only the best.

And it wasn’t him.

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dreaminpeaches · 3 years

Text

(Since my link to my paracosm list/info page is really taking an oof on mobile, I might as well turn this into an intro and paracosm list post too)

Hello and welcome to my daydream blog, my name is Ash but you can call me Peach or whateves, here on this blog I post about the inner machinations of my mind and try to make them less of an enigma both for myself and whoever happens to stumble across this blog.

I really like media and making my own stories with characters from said media or with completely new characters that come up with myself, most of my stories are silly and lighthearted with moments of heavy events here and there but they dont last long, I also like throwing in some romance or cute and friendly interactions between my paras, emphasis on the words CUTE and FRIENDLY because as a demisexual, I doubt things are gonna get too hot and heavy, it's mostly gonna be cuddling, a few kisses, light teasing--nothing too risky.

Along with my own paracosm and para content, I'll also be posting cool daydream stuff from others in the daydreaming community, while I do use MaDD terminology, I'm more of an immersive daydreamer than a maladaptive daydreamer, I try not to overstep my bounds with it comes to using MaDD terms, I fully respect and support my MaDD homies

(also my dyslexia is a shadow that haunts me in my room, so bewarb)

Ask Box, Paracosm list

Ask Box Status= Open

Ask anything and everything related to one of my paracosms and I'll tell you what can about it, even if it's a paracosm I haven't talked about in a while my brain does this weird thing where it just needs a jumpstart to go on and on about a certain topic that once held my interest..

🥧= Humble Pie, a former bully turns to his hometown, and feels incredibly guilty for his past actions, and tries to make amends while at the same time he befriends (and falls for) the new nerdy girl in town

🌆= Casual Nexus, a sandbox paracosm where my parame hangs out with cool paras from my favorite shows, games, books, and movies, they roam around town looking for cool, fun stuff to do

🏘️=Homecoming, Vanessa travels back to her old town that she built by herself when she was 8, she left the town in the hands of one of her favorite citizens and wants to visit again. On the ride there she bumps into a lost boy who seems disoriented he talks about how he came from a void of nothingness and wants to find an old friend he had made before everything vanished. Vanessa suspects she can help out the lost boy find his friend in her old town...

☕= Honey Love Love, a Hetalia based paracosm, set in a cafe AU, All the countries work at cafe that's in need of help, the owner seeks out help from a new girl in town named Indigo, an aspiring pastry chef, will Indigo be able to work on her culinary craft or will she be too busy falling in love?

🌌=Portal House, Brooke was planning to spend her college years traveling the world, but when she misses her flight to Europe, she comes across a mysterious cat who leads her to an even more mysterious house filled with doors, intrusted with both the cat and a ring of keys, will be Brooke able to finally have the adventure she's been looking for?

🌼 = The Floating Isle, a sandbox paracosm, set on a floating island where my parame is free to terraform as much as she likes, while taking care of the animals on the island, doing some baking and a few picnics here and there as well.

----------------------------------------

Character (This list will grow over time, Even if a para isn't assigned an emoji feel free to ask about them anyways just by name of course)

🐴= Beau related ask (Humble Pie)

🩰= Bonnie related ask (Humble Pie)

🍒= Fem! Beau related ask (GB! Humble Pie)

🤡= Male! Bonnie-related ask (GB! Humble Pie)

💗= Amelia related ask (Casual Nexus)

🐶= Nick related ask (Homecoming)

🌊= Del related ask (Homecoming)

#immersive daydreaming #paraportal #paracosm #dreaminpeaches #ask box open #daydreaming community #intro post

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choccos-aaart · 3 years

Text

Close enough to 10 mintues of “Ms Axel is a Goon”

Screw it. I'm posting it here, too. *NOTE: This is 100% fictitious and not going to happen*

Final Assignment Script Writing, Winter School 2021 ONE-PAGE PITCH

TITLE: Ms Axel is a Goon

GENRE: Action, comedy, sci-fi, family

LOGLINE: In the humid city of Dasmus, Mei Axel is a former goon who's just escaped captivity. Since her escape, she's been trying to better her life with her new found passion for music, but she quickly learns that the entire country wants to trade her name and face for a price.

FORMAT: Full-length animated film

MAJOR AND RECURRING CHARACTERS: Mei Axel – A wanted fugitive. Mid 20s. Despite her physical competence, she's mostly a foolish, plucky girl who steals a guitar one day.

Alicia Vonarb – CEO of a liquor company. Late 30s. The last boss to hire Axel to do her sneaky business work. Confident and vain, but does everything in spite of her mother. Wants to capture Axel because she doesn't want to get ratted out.

Kannie Orma – An old gadgeteer friend of Axel’s. Mid 50s. Also a “lame uncle” sort of figure to Axel. Their friendship must remain secret because his work is also involved with Vonarb.

O. Miho - Axel’s former coworker from when she was working for Vonarb. Early 30s. His current assignment is to capture Axel. Smug and thinks he's funny.

K. Claymont – Axel’s other former coworker. Late 20s. Works together with Miho. A kind man, but only most of the time.

SYNOPSIS: Mei Axel. She's a goon that's been caught and jailed. Eventually enough, she makes a successful escape and ventures outside. Not much happens afterwards other than stealing a guitar, and once discovering that she's got a passion for music, now she aims to live up that dream. But while attempting to live her new life, her face still reads as an incompetent menace to her former friends and foes, as well as to the majority of the country – they all seem to want to trade in her face for a cash reward. Now, aside from escaping the hands of everyone that wants to hand her over to the government, it is now up to Ms Axel to figure out how she is going to be able to pursue her new life goal that heavily conflicts with her current place among her people. This first follows the story of a wanted fugitive who sets off on a quest for redemption which, unfortunately, never works out. The story ends when Axel eventually escapes the country. She finally acknowledges that she can never truly change the way she's perceived, as well as never fully experience the life that she wants. However, she still performs under a low profile, happily living a drifter's lifestyle.

RATIONALE: This is a story about someone whose wrongdoings and nurture had shaped the way that others view them. Our protagonist is Mei Axel who had been built up to become a significantly infamous member of society, but once discovering a part of herself that showed her potential in a more respected position, being a musician, she starts wanting to better herself. A problem with this scenario is that her past actions prevent her from fully achieving that dream. She can relate to audiences who want to change aspects of their past, particularly their mistakes or the wrong ways they've been brought up, but can't.

MARKET: Children ranging from 11-16, particularly those that are interested in scenes that involve action-packed chases and fighting between individuals. The [film] will present itself through retro-futuristic aesthetics in its city setting. Rock is also a prevalent music genre for the soundtrack, which may interest audiences who particularly like the genre.

The Script

EXT. BUILDINGTOP – NIGHT

Axel checks out the guitar from every angle with a grin, having a feel of its neck, strings and body. She sits it on her lap as if to play it.

AXEL

Oh... I hope those lessons never went to waste...

She wobbly plays a C major scale while slightly wincing through every second. She runs over the same scale again, but this time it flows a bit more smoothly. She smiles a little.

MONTAGE OF AXEL PRACTISING GUITAR

- Axel goes over the same scale a couple of times and with every run, her playing gets smoother.

- She then moves on to a different key and practises that scale

- She then moves on to another key and practises that scale

- She plays some chords now, beginning with the I IV V I progression

MONTAGE END

Axel continues strumming. A light turns on from a nearby building.

DWELLER

Who is playing that garbage?!

Axel stops strumming. Silence.

AXEL

(Breathes in)

I'll get the hang of it.

She slings the guitar over her back and runs into the shadows. Eventually, she disappears into the dark.

EXT. MARKETPLACE – DAY

A view of a cranny on a roof between two walls. Axel sleeps there resting her guitar on her lap. Waking up, she yawns and then lazily sits up.

CUT TO:

A view of the market grounds. Axel smugly and excitedly, yet discreetly scurries out of an alley between a bakery and a liquor store, with a paper doughnut bag in one hand and a small bottle of liquor in the other.

She sits by a cafe playing some instrumental reggae rock music through a speaker. Axel hums along to the melody of the soundtrack while tipsily bouncing her finger to the beat. She then quickly strums a few chords for a brief moment, all which clash with the song's key signature, until right on the chorus, where she strums a chord that matches the root note of the song.

AXEL

Ooh, it's a G song. God, why do they always gotta be G songs? (Giggles)

She strums along with the music, landing every chord. Her smile grows and she gradually plays more confidently. She whistles the melody, then proceeds to hum. A TEENAGE BOY chucks a coin in front of her. Axel looks up and grins. She finger guns at him as he skids away to his friends, laughing. Axel stands up and plays more purposefully. The background starts dimming down.

DAYDREAM

Soon the marketplace around her blends into a stage. An abstractly drawn audience watches her perform and cheer her on. The chorus section of the song finishes.

AXEL

(Laughs)

I'm going to be known! I'll make myself the talk of the town! Everybody's gonna love me!

Axel starts strumming along to the background music again. Suddenly, a MAN with a large, muscular build grabs onto her shoulder.

END DAYDREAM

The stage fades back into the marketplace. Axel is still strumming.

MAN

You got that last part wrong.

AXEL

And who are you?

The man bats Axel with a club.

OVER BLACK.

SFX: Walking footsteps.

EXT. DESOLATE CITY AREA – DAY

In an alleyway, the man carries a bag containing Axel's body, also with Axel's guitar strapped around his back. After some time, Axel can be seen moving inside of the bag.

MAN

Huh? Hey. You keep still down there, would you?

Axel still moves inside of the bag.

MAN (CONT'D)

Look, this is goin'a be a long walk. That means you better cooperate with me, you hear that, Girlie? (Pause) You don't want to make me hurt you, now--

Axel falls out of a hole the bag with a shank in one hand and one of her boots on the other.

MAN

What the?!

The man looks behind himself while Axel stands up in front of him, holding her boot in both hands. She sends a finishing blow at the back of man's head and he falls to the floor. Axel cautiously looks at the man for a brief moment.

The man lies motionlessly on the ground. Axel drops her boot and fixes her shank back inside her pocket, then dusts off her hands before then squatting down next to him.

AXEL

Gosh, they really never hired me for nothing, huh... But I ain't into that stuff anymore. Say, can I have my guitar back?

The man does not respond. Axel lifts one of the man's eyelids and learns that he's out cold. Axel sighs with a slight chuckle. She lifts up the man and, with a struggle, unstraps the guitar from his body, before eventually slinging it over her own. Once fitting her boot back on, she then stands up and slowly walks over to the edge of the alley, whistling a chipper tune – the same melody she was playing earlier - on her way there. At the edge of the alleyway, her eyes look up. Then they widen.

INSERT – ELECTRONIC POSTER

containing Axel's mugshot and in large writing, "WANTED". Below is a list of details including Axel's height, approximate age, gender, race and the time and location of where she was last seen, “18:50, Southwest of Dasmus City”. There is also a cash prize.

INSERT – ELECTRONIC POSTER

containing the same contents as the previous poster, except the location which reads, “Southern markets of Dasmus City at 15:47, drunkenly playing a red Phenver brand guitar”.

A view of Axel between the alley's walls. All around are copies of the same two posters, both in electronic and printed forms. A mildly shocked expression crosses her face.

INT. TOILETS – DAY

A view of a row of toilet stalls. None of the stalls' doors are closed, except for the one in the centre. Axel's guitar leans on a nearby wall. Her feet can be seen in the gap between the bottom of the door and the floor. Axel kicks the wall.

AXEL

Damn it! I'm such an idiot! What was I thinking?! Me? A musician? That's just one way to draw attention!

VONARB (O.S)

Axel? Is that you?

AXEL (CONT'D)

I can't b-- (Pause) Ms Vonarb?

Axel immediately opens her stall's door and looks in the direction of ALICIA VONARB'S voice. Vonarb walks towards Axel.

VONARB

And to think I'd meet you here of all places?

AXEL

I never expected to see you here, either.

VONARB

Well, isn't this quite the reunion?

AXEL

Eh. Not really.

VONARB

I'm surprised you got clever enough to get yourself out of prison.

Axel exits her stall.

AXEL

So, is that to say you're impressed with me?

VONARB

Nope. How'd you think I found you here so easily?

AXEL

Easily? That was easy?

VONARB

Anyway... Don't think I came trying to find you for no reason, now.

AXEL

Oh yeah! Coincidentally, I'm a bit short on cash. You don't happen to want to hire me again, don't you?

VONARB

(Laughs)

What? After getting yourself thrown in jail?

AXEL

Oh... (Pause) What are you even here for, anyway?

VONARB

Well. First of all... (Clears throat) Whatever you do, please don't take this the wrong way.

AXEL

Huh?

Silence. The two stare at each other. Axel tilts her head in confusion. Eventually, O MIHO and K CLAYMONT enter the room. Miho holds a taser while Claymont holds a bag.

CLAYMONT

Now, I don't mean to spread any panic or alarm--

AXEL

(Gasps)

You gotta be kidding me!

VONARB

I just said to not take it the wrong way--

AXEL

I knew it! You are as easy to see through as a window! It's 'cause of my “WANTED” sign, isn't it, Vonarb?

VONARB

Wrong!

AXEL

Huh?

VONARB

You see, we're here to keep you away from those authorities. And knowing you, you're probably so incompetent that you'd just wind up stuck in prison again! So, since you're with us, you're going nowhere.

AXEL

What? Why?

VONARB

You're pretty infamous now. And I've got my business to worry about, too. So, if it didn't all add up in that brain of yours, let's just say, I don't want to risk you ratting me out.

AXEL

Yeah, I'm not doing that!

Grabbing her guitar, Axel jumps on the sinks and runs along them. Miho runs to tase her. Axel whacks him with her guitar and then heads right out the door. Claymont follows.

CLAYMONT (O.S)

I got it!

EXT. CITY STREETS – DAY

A view of the front of a pub. There is people scattered everywhere. Suddenly, the door swings right open and Axel sprints outside with her guitar now strapped over her back. She continues along the street. Claymont chases right after.

#OC #Chocco's writing #Characters I may never use again #Chocco's scripts #Uni stuff

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authenticcadence18 · 4 years

Text

ok so. I’m gonna talk about a certain non-canon PnF ship I dislike for a bit.

(and by a bit. I mean for far longer than I intended.)

And. Ok. I’m just gonna preface this by saying: I am not seeking to tear down the ship in question. If you ship it, if it makes you happy, I am not trying to step on your toes and make you feel bad at all!!! I’m sure there are plenty of great reasons to ship these two characters, I just don’t agree. And that’s fine!

I simply want to talk through a certain scene in Phineas and Ferb that fans of this ship usually point to as a pivotal moment between the two, point out another scene between a DIFFERENT ship that is often overlooked, and compare the two.

analysis/rant will be below the cut

(this post is about Ferb*lla, btw. in case you hadn’t guessed.)

Ok so. Recently I watched a video where someone talked about shipping Ferb and Isabella and why they did so. (I’ll also say I did NOT seek out a video about this specific ship, it just happened to be a brief topic of discussion in it. And I stopped watching the video after this.). I don’t want to say which video it was because I’m not trying to attack any given person here! But I wanted to give y’all context for why I’m writing this.

Anyway. The infamous “hand-holding” scene from “When Worlds Collide” was used as the main evidence for this ship. The person in the video claimed that “Isabella instinctively grabbed Ferb’s hand” and that they looked at each other and “had a moment” and went on about how they shipped Ferb and Isabella because Phineas was just “so oblivious.”

Now. I understand being frustrated with Phineas’s obliviousness. Been there, done that. And I understand how some would want Isabella to be paired romantically with someone who registers and reciprocates her feelings.

But this take on that scene is just, well, not right. (I suspect the maker of this video had not viewed said scene in quite some time and it was just a vague memory.) In this post, I’m going to go over what actually happens in that scene, compare it to a Phinabella scene with a similar vibe, and then just talk about Phineas’s treatment of Isabella in general and how their dynamic is so much more than “pining girl/oblivious to a fault boy.”

PART 1: “When Worlds Collide”

(you can run! wait...wrong show)

Ok so. In this episode, there is a scene towards the end where Isabella reaches out for Phineas’s hand but ends up grabbing Ferb’s instead. Ferb pats her hand and assures her that everything will be alright, and Isabella immediately pulls her hand back and curiously glances over at an aloof Phineas.

In the video in question, the speaker claimed that Isabella “instinctively” reached out for Ferb.

But that’s not what happened.

Isabella deliberately reached out for Phineas’s hand. You can tell by the way the shot prior to the handholding bit is staged.

Phineas is clearly on Isabella’s left while Ferb is on her right. (From our perspective as audience members.)

In the very next shot, Isabella smiles and reaches out to the left, where Phineas should be

In any world other than that of a cartoon, she’d have grabbed Phineas’s hand. But because of cartoon shenanigans, Ferb is inexplicably standing directly to her left in the next shot, so she grabs his hand instead.

As SOON as Isabella realizes she’s holding Ferb’s hand and not Phineas’s, her smile disappears and she pulls her hand away before glancing over at Phineas, confused.

CLEARLY this scene is just a gag. Isabella wants to hold Phineas’s hand, but whoops! she holds Ferb’s instead. Phineas being oblivious isn’t even a part of the joke, it’s just 100% the universe being against Isabella 🙃. And Isabella shows no romantic affection towards Ferb whatsoever in this scene.

Now, one could say Ferb’s reaction to Isabella holding his hand indicates at least a one-sided crush on his part. But I disagree. From Ferb’s perspective, Isabella grabbed his hand because she was worried, and he reassured her like any good friend would do before returning to his former position once Isabella pulled her hand away. He wasn’t offended by her pulling her hand away, and he didn’t make a lovestruck/disappointed face when she pulled away.

And Ferb also misread her gesture. Because Isabella wasn’t worried. She was awestruck, amazed, and wanted to share the moment with the boy she has feelings for. I suspect if she’d grabbed Phineas’s hand, he wouldn’t have misread her gesture.

(Well. Ok. He WOULD have misread it but in a different way. Isabella and Phineas hold hands a lot in the show, so it wouldn’t have been unusual to him. In his mind, Isabella’s his best friend and sometimes they hold hands! I suspect he might have glanced at her for a moment before returning his gaze to the sky, smile never faltering, because who better to share such a special moment with than his best friend?)

I also personally like to think of Ferb and Isabella as having a sibling-like relationship. Ferb teases her about her crush on Phineas AND acts as her wingman on multiple occasions, which are 100% things a sibling would do. And they genuinely are friends! I love their friendship. And so that’s how I characterize this scene, as Isabella being confused and Ferb just trying to be a good friend. It’s not romantic: it’s first and foremost a joke. And on a deeper level, it’s a moment of Ferb expressing platonic affection towards a close friend.

Part 2: “The Klimpaloon Ultimatum”

This episode came out a little less than two years after “When Worlds Collide,” when Phineas and Ferb was a bit on the decline in terms of popularity. Neither episode is a mainstream one, but this one is definitely the less well-known of the two.

This is a shame. Because it’s a fantastic episode. AND because it contains one of my favorite Phinabella moments.

Just to set up the scene: the kiddos have been captured and learn of Mittington Random’s nefarious deeds. He’s been conducting inhumane experiments and trying to create “living” swimwear with no success and plans to take Klimpaloon--the magical old timey bathing suit that lives in the Himalayas himself--apart to do so. Isabella expresses distress at his evildoings before they even come across Klimpaloon, and when they DO come across Klimpaloon and learn the extent of Random’s plan, Phineas is right there....

and they REACH OUT FOR EACH OTHER. INSTINCTIVELY. LOOK AT THIS.

They don’t even have to LOOK at one another. Phineas can just SENSE Isabella’s distress, and Isabella reaches out for him to comfort her without even thinking about it and he DOES.

I mean!! LOOK AT THEM. This is Isabella realizing what’s happened! She didn’t reach out for Phineas intentionally, it just happened!! They were totally in sync!

and LOOK HOW CONTENT SHE IS NOW. even amidst the horror of the villain’s plan, just being close to Phineas comforts her. Or at least momentarily cheers her up. (And ok I know this moment is also primarily a gag but IT’S IN ISABELLA’S FAVOR THIS TIME. Instead of leaving her confused and without Phineas, it leaves her with a dreamy grin on her face and in his arms. Bless Season 4.)

And AND. The next shot is of Random speaking for a few seconds, and then we get a shot of all the characters...

AND ISABELLA AND PHINEAS ARE STILL HOLDING ONE ANOTHER. Although it looks like they’ve gone from hugging to just holding hands, which means even if they didn’t want to keep hugging they DID WANT TO KEEP HOLDING ONE ANOTHER I JUST AHHHH.

So. Let’s review.

In the first scene, Isabella accidentally holds Ferb’s hand. She doesn’t need to be comforted, she just wants to share a moment with Phineas and is confused when she realizes she isn’t holding his hand. Ferb comforts her because he’s being a good friend and thinks she is concerned. He misreads her needs. So like, he means well, he’s her friend! But it’s not romantic. And they hardly hold hands at all. (And, come on, this scene is mostly meant to be a gag.)

In the second scene, Isabella is definitely distressed, and without a word (or even having to make eye contact), she and Phineas reach out to hold one another without thinking about it. Somehow, Phineas knows Isabella needs to be comforted and Isabella knows Phineas will be there for her. And they STAY HOLDING HANDS into the next shot.

Isabella does not instinctively reach out for Ferb’s hand in the first clip.

Isabella and Phineas instinctively reach out for one another in the second.

Need I say more?

Part 3: In Defense of Phineas and the Phinabella Dynamic

So. Yes. Phineas is oblivious to Isabella’s romantic feelings for him. Painfully, painfully oblivious to them. (And he’s painfully oblivious to his own feelings for her because COME ON. “Night of the Living Pharmacists” alone proves he almost certainly had feelings for her when they were kids, he just had no idea.)

But. He can’t be blamed for this. He is a CHILD, for goodness sake. When I was younger his obliviousness definitely got on my nerves, but like....he IS just a kid. He was never obligated to return Isabella’s feelings (...that should sound familiar to some of y’all). Phineas just wasn’t thinking about romance relating to himself when he was younger. He was oblivious to it, and that’s okay.

And you know what he’s not oblivious to in the show proper? How much he cares for Isabella as his friend.

Phineas LOVES being Isabella’s friend. Like. She’s his best friend. (Vincent Martella himself said so!!)

He goes out of his way to help her earn patches and overcome other problems (like an incurable case of the hiccups!).

He consistently compliments her athleticism and skills and cuteness (in his own unique way, of course😂).

Although he expresses distress when Baljeet expects him to go a day without inventing in “Bully Bromance Breakup,” he is more than happy to spend the day alone with Isabella and suggests having a regular ol’ picnic when she mentions being hungry in “It’s No Picnic.” AND he is excited to take that picnic and make it even better for Isabella once Ferb returns (because Phineas probably thinks Isabella would rather have a big picnic as opposed to a small one! He’s doing that for himself but also for her!).

He partners up with her for inventions over Ferb sometimes and is willing to put big ideas for the day on hold if she can’t participate.

He planned surprise after surprise for her birthday (and presumably for her birthdays before that!) and felt the need to “make it up to her” when the final surprise didn’t go as planned.

He was DEVASTATED when separated from her in “Night of the Living Pharmacists” and claimed he’d “never forgive himself” if she was infected, and once being reunited with her, he didn’t leave her side and held her hand and made sure she was alright. And he SACRIFICED HIMSELF FOR HER IN THE END. Like. At that point Phineas could’ve let Isabella get infected and stopped the invasion himself. BUT HE DIDN’T. HE SACRIFICED HIMSELF FOR HER. He both cared enough to give himself up and TRUSTED her to save him. LIKE. LIKE.

Come on. Maybe Phineas doesn’t know Isabella has a crush on him in the show proper. But GOSH. He cares so, so, SO much about her.

To claim Ferb is a better match for Isabella simply because he’s more aware of romance in general is just a disservice to the close friendship she and Phineas share.

Did Isabella deserve better during the show? I mean. Yeah. (I wrote a whole fic because of that, lol.) But it isn’t really Phineas’s fault that he never found out about her feelings. So many times, Isabella’s plans to confess or spend time with Phineas were ruined by circumstances totally out of her control (aka: the b-plot’s inator of the day. aka: the writers maintaining the status quo.) If it weren’t for Doofenshmirtz, Isabella would’ve confessed to him in the main summer the show takes place in.

And you’ll notice! Even in episodes where Isabella is frustrated with Phineas’s obliviousness, their friendship remains in tact. Isabella is TICKED at Phineas during the “do I know romance or what?” scene in “That Sinking Feeling.” But then in the next scene they’re both in, Isabella is at Phineas’s side and smiling! His obliviousness hurts her sometimes, but it doesn’t outweigh the friendship and sweet moments they share. It doesn’t define their dynamic.

Phineas is oblivious. But he still loves Isabella in his own unique way. And Isabella loves him and loves being his friend even though he’s oblivious.

(And also FERB SHIPS PHINABELLA. He steps away to let them spend time together, he sends them off to get ice cream together at the end of “Happy Birthday Isabella”. He 100% supports Isabella and Phineas and wants them to be together. And there’s no jealousy there either! He’s just supportive and awesome and I LOVE FERB OKAY.)

So. In Conclusion.

If you ship Ferb and Isabella. That’s great! I do not want to step on your toes, and I’m sure you’ve got your own reasons for doing so. I know firsthand just how wonderful a favorite ship can make one feel, so I’d never want to take that from anyone.

But just. Please. PLEAAASE. Please don’t belittle Phineas in shipping them. And don’t disregard the moments he and Isabella share.

Phineas cares for Isabella. So very much. In his own unique, wonderful way. And there is so much more to meaningful relationships than romance.

Thank you.

#this post took forever #i hope yall like it #and ALSO I WILL NOT TOLERATE ANY SHIP BASHING IN REPLIES #do not bash phinabella #do not bash ferb*lla #(idk if i need to censor that or not...don't want this post to show up in that tag)#i tried to approach this from an analytical perspective #(and i mean yes. perhaps i'm a tad biased.)#(but i care about these characters a lot. i've spent over 50000 words with them in one fic alone after all...lol)#i uhhhh don't know what to tag this so uhhhhh #maybe i'll just do #cadence writes #(because this took forever to write so it's going in that tag)#pnf salt #(sort of but not really)#pnf #cadence rambles #i'll probably reblog this tomorrow for the morning crowd #but i've spent so long on it i just want to put it out into the world #and again! if you ship Ferb and Isabella i am not judging you! you are not wrong!!! there's nothing morally wrong with that ship so like #ship away!#it just hurts my heart to see people make light of just how much phineas does for isabella in the show #so i had to write this #because i love phineas #and i love phinabella #ok i'm just gonna post this now #phinabella #phineas and ferb #phinbella

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gascon-en-exil · 4 years

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Who Can Say if I've Been Changed For the Better?: Ferdibert Does Wicked

This concept has been a bit in building. It started from a much-loved cover by Hubert and Ferdinand’s VAs inspired by their support line and the broad observation that these two are a musicals couple who absolutely would sing their feelings in all manner of theatrical AUs. It continued through my later observation that there’s ample material to carry that idea even further, albeit with a shift outside of Crimson Flower for a better tonal match. Still, I’m not quite sure what to call this project; it’s not really a headcanon nor is it fanfic by any means. I’ve written a handful of longform character/narrative explorations before, although when it comes to FE I’ve previously been inspired to do so only for Jugdral characters. That setting is somehow both underdeveloped and deceptively dense - and I suppose in a way you could say the same of Three Houses as well, insofar as it’s been incredibly popular for fan content of all sorts.

Regardless of what this post is in terms of my fandom output, the following isn’t exactly a Wicked AU as such. Rather, it’s how I would envision a hypothetical blend of the non-CF routes of FE16 centering around the Eagles trio and set to the structure and songs of the musical as organically as possible. There are no 1:1 analogues with characters and plotlines from Wicked, because few if any would exist without a lot of tweaking; to use the VA cover example, Ferdinand might be a decent proxy for G(a)linda, but the mere presence of Edelgard substantially complicates Hubert’s claim to the Elphaba role. The similarities only unravel further from there, but I did my best.

Writing this out gave me the opportunity to play around with Edelgard’s character as a way of addressing what I and many others in my circle have long considered to be some of the major problems with her canon presentation. For Ferdibert meanwhile I got to make use of my headcanons for how their relationship would develop outside of their support line, in a way that mostly preserves Hubert’s delightful evil wickedness. Add some ruminations on how one would splice together the non-CF routes in a dramatically satisfying fashion, some snark directed at the non-character of Byleth, and a bit of background Dimidue/Lions OT5 for spice and that just about sums it up. Enjoy this…whatever this is.

Act I

“No One Mourns the Wicked”

The show opens on the citizens of Adrestia celebrating the death of their emperor and the end of her bloody war. Ferdinand rides in, resplendent on his steed, and is hailed as the new Duke Aegir as he relates to the crowd the news of Edelgard’s death at the hands of the combined army of liberators. The “Are people born wicked?” flashback sequence is replaced with a summary mostly in pantomime of Edelgard’s backstory: the Insurrection, her being taken to Faerghus and then returning, and then being experimented on by the Agarthans before agreeing to work with them. Notably Hubert is not named or referenced anywhere in this song, appearing only as a boy at Edelgard’s side at appropriate times during the flashback.

“Dear Old Shiz”

Someone in the crowd finally brings up Hubert, the emperor’s vile and murderous minister, and accuses Ferdinand of having been his friend. With Ferdinand even more flustered than Glinda since his “It depends on what you mean by friend” definitely carries sexual undertones, so begins the flashback to Part 1. There’s an equivalent intro of Garreg Mach, so one may feel free to insert any headcanons for school songs here. The following dialogue scene establishes the student body in general and the dynamic of the Eagles trio in particular: Ferdinand pompous and eager to one-up Edelgard at any opportunity, and Edelgard and Hubert cold and dismissive toward his antics and just about everyone else for that matter. Edelgard is instantly enamored of the quiet new professor, of course. Because the room assignment conflict doesn’t make a lot of sense with the monastery’s setup, instead Ferdinand is incensed that Edelgard is chosen as the Eagles’ house leader over him even though it’s been ages since a Hresvelg has attended. Neither Nessarose nor Morrible has an exact equivalent (although Seteth can act in Morrible’s role as the academy’s main authority figure), so the segue into the next song ends there.

“The Wizard and I”

Now alone together, Edelgard and Hubert have a brief dialogue outlining their villainous plans for the school year. This establishes Hubert’s hypercompetency but also how detached and professional Edelgard is around him. Then comes the song, now “My Lady and I,” which serves as Hubert’s character introduction. In tones more sinister than Elphaba ever reaches - you know he’d have fun with “When people see me they will scream” - he outlines his history with his lady, that he delights in serving her because she validates his work ethic and gives him an outlet for his ruthlessness and cruelty. Where Elphaba fantasizes about the Wizard removing her green skin, Hubert instead goes full Nice Guy, believing that once he’s given Edelgard her continental empire and crushed all her enemies she’ll be so grateful that of course she’ll put out for him.

“What Is This Feeling?”

You could rip the tone of this one directly from the Ferdibert C support and change nothing - homoerotic subtext included. I like the thought of Hubert replacing Elphaba’s deadpan one-word summation of Galinda with a mocking imitation of Ferdinand's most memetic line: "He is Ferdinand von Aegir!". The chorus can be made up of any number of other students excluding Edelgard, who’d happily agree that Hubert is ugly, creepy, and downright unpleasant.

“Something Bad”

The content of this song and surrounding scenes would have to be completely altered, but they work as a necessary reminder that the plot of Part 1 is still going on in the background of all the school drama. Seteth runs through the major events up to Chapter 9 of the game, including the bandit threat, Flayn’s kidnapping, and the experiments on the Remire villagers. The audience/accompaniment for this exposition dump ought to be Dimitri and Claude with Byleth as a silent observer (more on them later), with Edelgard brushing off the news and eventually being the one to shut down the song as Morrible does. There could be some small side character moments in here as well particularly involving the Lions and Deer since they get so little focus in this story.

“Dancing Through Life”

Speaking of which, this was an awkward sequence to place. It matches up chronologically with the ball in Chapter 9 and the main part, Fiyero’s, is a dead ringer for Sylvain and his flirty, hedonistic nihilism (“Nothing matters / but knowing nothing matters!”), but it’s hard to tie into what’s going on with the Eagles trio particularly with the Ferdibert timeframe preserved, i.e. unlike Elphaba and Galinda they don’t become closer until after the timeskip.

As such I see this song as an opportunity for little vignettes with the other students: Dimitri angry over how Dedue’s talked about and hoping they can share a dance (fitting contrast with the coldness of Edelbert), Felix prickly between Dimitri’s recent outbursts and Sylvain’s showboating, Claude hinting toward the bigger picture with Hilda flitting between her excitement over the dance and knowing more than she's letting on, Dorothea casually taking note of Edelgard’s fascination with Byleth (see just below), Bernadetta as a wallflower who doesn’t want to be disturbed (a setup for Act II), etc. Thanks to one of the Forging Bonds events in Heroes I had the thought that the "You/we deserve each other" through line that later gets attached to Nessarose can become one for Dimitri's relationships, with Felix initially throwing it out at him and Dedue and the two of them then turning "We deserve each other" into a romantic line...and then an ironic one and finally a triumphant one come Act II, by that point with Felix et al included as well.

I’m not sure that the following scene of Galinda and Elphaba bonding on the dance floor really needs an equivalent, although it could be altered to something Edeleth-related. In any case Ferdinand ought to get a dance scene of some nature, so he can try to show up Edelgard as he brags about in canon.

“Popular”

It would be a travesty to have a musical starring FE16’s cast and not give Dorothea and/or Manuela a solo. This song works quite well for the former, and it doesn’t intrude on the Ferdibert development with the aforementioned timeframe and how the lightly sapphic vibe doesn’t translate well to two guys. Dorothea has taken note of her good friend Edie’s crush on their mysteriously wooden professor, and she senses the opportunity for a makeover. Not as exaggerated as Dorothea trying to make over Hubert, naturally, but I still think this works out well. Also, Galinda’s observation on leaders, “Did they have brains or knowledge? / Don’t make me laugh! They were popular!”, is darkly comedic when said to Edelgard.

“I’m Not That Girl”

This song comes with preceding dialogue scenes for setup, so those first. Edelgard emerges fresh from her makeover (given her general hot for teacher fixation, I’m thinking she’d lean pretty hard on the naughty schoolgirl look) to Byleth silently grieving Jeralt’s death - bad timing there. She’s as callous about it as she is in canon, only now with more clumsy flirting, and while it’s impossible as always to tell if Byleth notices or cares Hubert most certainly does. The scene segues into the Eagles trio together, with Edelgard alluding to the upcoming events in the Sealed Forest and indicating that Hubert should meet up with her later for some more villainous scheming after he’s ditched Ferdinand. Ferdinand, indignant about being left out of the loop as he is in canon, grumpily points out that he was a much more splendid dancer at the ball than Edelgard, makeover or not. To his utter surprise, Hubert acknowledges that this is true before leaving. This leads into the actual song, altered from homoerotic via triangulation of desire to an outright sexual awakening for Ferdinand. He realizes that part of his jealousy toward Edelgard is that he wishes Hubert were devoted to him instead, and tells himself not to get his hopes up because he’s, well, not that girl or even a girl. We shall of course leave aside how anyone could be attracted to someone as repulsive as Hubert; that’s part of the inherent comedy of this pairing.

“One Short Day”

This was the hardest song to place in this whole project. The touristy trip to the Emerald City just doesn’t have an analogue in the story of Three Houses, especially not late in Part 1 when tension is mounting toward the upcoming reveal and war. It took me a while to realize that it works wonderfully as an Edeleth piece: Edelgard invites Byleth to Enbarr for her coronation, but that scene is left offscreen in favor of a light romp through the city that further highlights Edelgard’s crush as well as her emotional immaturity in spite of everything she’s about to do. She just wants to have a fun day out and take in the sights and eat sweets with her beloved teacher, and it’s all very “Edge of Dawn”-esque where Edelgard knows she’s about to do terrible things that will change everything forever and hopes to prolong the time until she has to take that step. Adjustments to the lyrics could even work in reference to that song to make the similarities more apparent. An awkward/funny issue here is that I envision Byleth to be totally silent throughout this musical with no sung or spoken parts, which would naturally make them having a duet impossible and make Edelgard’s fascination with them even weirder. Even their gender should be left ambiguous throughout, somehow never confirmed if it’s m!Byleth or f!Byleth. It would take a lot of reworking, but I can see the value in it.

“A Sentimental Man”

The core of the Wizard’s character is not all that different from Rhea’s. Both were thrust unexpectedly into positions of authority that required them to enact a large-scale deception to maintain their power/safety, and both are driven somewhat by parental feelings. The tone of the Wizard’s songs doesn’t align well with Rhea, but once you cut out the vaudeville and do some rewording I could see this one working as Rhea addressing her child (among other things) Byleth at the Holy Tomb just before the Flame Emperor reveal. Of course the dramatic irony hits differently; Rhea knows who and what Byleth is whereas the Wizard doesn’t learn about Elphaba until the end of the show. Nonetheless this would still establish Rhea’s character and motivations as well as set the stage for the impending betrayal.

“Defying Gravity”

Said betrayal being Byleth’s, who decides to stand by Rhea and condemn Edelgard as the Flame Emperor when she arrives with her army. This is another song in parts that would need to be broken up. Edelgard gets the bulk of it, but the middle sections between Elphaba and Glinda could work as a kind of separated duet with Edelgard and Hubert attempting to convince Byleth and Ferdinand respectively to join them. Because of Byleth’s silence only Ferdinand can reply in song; only he and Edelgard add the “my friend” bit to the end of this segment, to illustrate the unevenness of Edeleth and Ferdibert at this point in the story. Then things turn to full bombast, albeit darker than in Wicked proper. Edelgard does the belting, Hubert’s sinister laughter reverberates below her (would it be too tasteless for him to be leering up her skirt the whole time?), Ferdinand has Glinda’s mournful “I hope you’re happy!” toward Hubert, and through this and the reprise of “No One Mourns the Wicked” the major events of the timeskip are enacted in pantomime or silhouette. Byleth tumbles off a cliff, Rhea is taken captive as is Dimitri but Dedue rushes after him, and Claude makes a tactical retreat. Side note: “And if I’m flying solo, / at least I’m flying free” is classic Edelgard fixating on Byleth and forgetting that Hubert exists.

Act II

“Thank Goodness”

A surprisingly tough one here. The core of the song, pivoting around the double meaning of “I couldn’t be happier,” suits early Part 2 Ferdinand perfectly, second-guessing his choice and, outside of CF, melancholy about fighting his homeland. In terms of plot it’s an easy translation too, with the crowd announcing the terrible things the Empire has been doing to win its war - persecuting believers, abducting civilians and turning them into Demonic beasts, consorting with inhuman shadowy figures who can disguise themselves as ordinary people - and the assembly working as a way to bring together the leads of the three routes: Byleth, Dimitri (who had Dedue always at his side and thus never had a full psychotic break), Claude, and Seteth, with Ferdinand representing the Adrestian resistance. It’s only the wedding announcement that’s hard to pin down, and I toyed with a number of ideas including Dimidue making yet another public declaration of devotion to one another or Ferdinand planning to follow through with his arranged marriage to Bernadetta they have in their supports (which makes more sense in light of the following sequence). In the end though I don’t think the marriage element is strictly necessary, leaving the song as a means of catching up with the cast five years later and seeing them united against Edelgard - with Ferdinand’s private regrets the only sour note.

“Wicked Witch of the East”

More a dialogue than a song, but still important. Bernadetta is arguably the Eagle other than Hubert most comfortable supporting Edelgard, because all Edelgard has to do is put Count Varley under house arrest for Bernadetta to sing the emperor’s praises. I can also see her as the same sort of self-centered, negligent ruler that Nessarose becomes in Wicked, not because of an unrequited attraction but because of her reclusive desire to be left alone. I see this scene playing out as Hubert surprising Bernadetta at her estate, angry about rumors that she may be helping the rebels and/or engaged to Ferdinand if going with that plot point after Edelgard has done her the favor of locking up her father. He’s fully prepared to, ahem, “persuade” Bernadetta, but before he can break out the torture implements Ferdinand arrives asking for her to support the rebels’ cause.

Farcical, sure, but it gets the two of them together again after five years and underscores how strong their UST has become in their time apart, with Hubert too flabbergasted to attack a known enemy and Ferdinand expressing how happy he is to see Hubert again despite everything. Each learns that the other isn’t as happy about his chosen path as he’d hoped, in Hubert’s case because his lady has grown ever more distant from him as the war has dragged on. Bernadetta cuts through the tension by bringing things back to the song (sort of) and blurting out that she knows both sides are marshalling their forces near Gronder Field. Ferdinand is too caught up in the fraught romance angle to do more than leave with this new information, but Hubert recovers enough to condemn Bernadetta for her flagrant misrule (venting by inference his frustrations toward Edelgard in the process) and resolve to set her on fire for her treachery.

“I’m Not That Girl (Reprise)”

The Gronder rematch happened offscreen - and Bernadetta was indeed set on fire - and on the Imperial side Edelgard is left increasingly frustrated over her losses and hurt that Byleth still refuses to listen to her and continues to fight her regime. You may notice that I’ve shuffled around the middle of Act II, necessary at this point in order to better line up with FE16’s story and Hubert and Edelgard’s separate narrative climaxes while also ensuring that those climaxes don’t overlap too much. This song is only a brief reprise, but it’s a significant one; Hubert finally realizes that Edelgard will never love him. It’s also kept gender-neutral, because Byleth.

“As Long as You’re Mine”

That segues naturally into this moment. Ferdinand sneaks into Enbarr using his unexpected stealth powers (I usually talk about Dedue having them, but Ferdinand shows he’s no slouch in his Mercedes supports) and encounters Hubert. Their UST boils over in a furor of awkward, impassioned sex and also this song. I like the idea of rewording some of Fiyero's lines to incorporate Hubert's acidic snark: “Maybe you’re brainless, / maybe you’re wise.” It’s all very desperate and sensual, ending with Ferdinand taking Elphaba’s line about feeling wicked for the first time - which will have a dark reverberation two songs from now.

“Wonderful”

Again, axe the vaudeville and it’s a solid Rhea song. There’s just the small problem of Rhea being captured at this point in the plot; I thought about moving this number toward the very end at first before reconsidering. While Hubert and Ferdinand are rolling in the sheets, a distraught Edelgard confronts Rhea in prison. Rhea responds to Edelgard’s frustrations with Byleth with her backstory in song, much more somber than the Wizard but, like him, still willing to rehabilitate her estranged listener. The bits of this song about the nature of history are especially relevant to what Edelgard falsely believes about the church and what she views as her own legacy, so I could see this as an interesting character study on what Edelgard actually wanted with her war apart from dragon genocide. There’s a lot that could be done here in the dialogue surrounding those revelations.

“No Good Deed”

However the interrogation of Rhea turns out, Edelgard takes a leaf out of SS Dimitri’s book and visits Byleth alone at the monastery, only to be as harshly rebuffed as is possible to be without the rebuffer speaking. Then comes this song, which was incidentally the one where I realized that Edelgard would need a major role in FE16-does-Wicked even with the Ferdibert focus. Hubert fully embraced his evil wickedness long ago and wouldn’t think twice about being wicked or being perceived as such, but Edelgard is a different matter. Here she breaks down, admitting that her good intentions were largely selfish and that she regrets that her war has cost her any relationship she could have had with Byleth (continuing the joke at his expense, Hubert goes unmentioned when Edelgard names the people she’s lost/failed). It ends with a foreshadowing of her Hegemon form, the sign that she’s abandoned all pretense of goodness and become truly wicked.

“March of the Witch Hunters”

Another ensemble/vignette piece, checking in with the various members of Byleth’s army as they prepare to storm Enbarr. Dimitri hopes for the chance to forgive his stepsister, Claude has big plans for the continent and wants to remove the threat Edelgard poses, Seteth is desperate to find Rhea, and Byleth…is there. As in many of the songs, the self-righteousness of the crowd here rings more sincere and less hypocritical than in Wicked given Three Houses has actual villains, but it still works.

“For Good”

The song that inspired this whole thing, now with many paragraphs of context to set it up instead of only some fluff based on the Ferdibert A+ support. Ferdinand sneaks into Enbarr (again) ahead of the battle, and their second love ballad is more somber as they resign themselves to their fates. As in the VA cover, Hubert refuses to ask forgiveness for anything and Ferdinand is fine with that.

“Finale”

Wicked reduces the final battle from The Wizard of Oz to silhouettes backed by sections of “No One Mourns the Wicked,” and that’s what comes here: Ferdinand and Hubert facing each other in battle, Edelgard becoming the Hegemon before being defeated and then dying as in AM’s final cutscene, and Dimitri taking the throne with Dedue at his side and proclaiming his intention to do all he can to restore both the Kingdom and Duscur - and that his first act as king is to announce that he and Dedue have decided to open their marriage up. This is met with much manly cheering and stripping and someone (Ashe?) saying incredulously that he didn’t even know they were married. End silhouettes.

The final scene with the Wizard and Morrible becomes Claude, Seteth, and Byleth rescuing Rhea. Rhea names Byleth her successor as leader of the church and says that she will go into quiet seclusion and do what she can to correct her mistakes. This all suits Claude just fine, who tells everyone that he’s off to take care of some other business and that Byleth will make a great archbishop - and also they can have the Alliance, no big deal. As with the King of Faerghus’s gay orgies, the King of Almyra’s grand ambitions are too large for this story to do more than allude to.

Next, Ferdibert does a version of the Elphaba/Fiyero scene, with Ferdinand revealing that he had Hubert spared on the condition that he help root out any remaining Agarthans and that he remain under house arrest at the Aegir estate. Ferdinand was also required to assume governance of the Empire, because Dimitri wasn’t getting that dumped on him as well. They can be together, but the general population can’t know that Hubert survived lest Ferdinand’s reputation and basic ethics be compromised…which in a darkly funny hypocritical twist then segues to Ferdinand pontificating before the crowd at the beginning of the show, reprising “For Good” with Hubert until they’re drowned out by “No One Mourns the Wicked.” Thus the story concludes on one of my favorite things about Ferdibert: perhaps even in this non-CF continuity Ferdinand wasn’t changed for the better by falling in love with the Most Wicked Man in Fódlan, but they’ve both been changed….

#Fire Emblem #FE16 #Fire Emblem Three Houses #Ferdibert #Hubert von Vestra #Ferdinand von Aegir

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