#Ireland isn’t in the uk

[zippityzap]

I tried pumpkin pie for the first time yesterday and it was SO delicious

[baepsrae]

just got sent this…. I am UNWELL I want this character back NOW

[ayeforscotland]

Time to talk about the riots in England and Northern Ireland from a Scottish perspective.

There is a tendency on social media for a bit of pushback to headlines like this followed by discussion of ‘Scottish exceptionalism’.

Now, personally and perhaps unsurprisingly, I do think Scotland and England are different countries. I do think there’s reasons why these riots have happened in England and not in Scotland. But, unlike some silly comments, I don’t think it’s because Scotland is immune to the far right.

From an independence supporter’s perspective - The British press have been referring to ‘riots in Britain’ for the better part of the week. Besides Belfast, almost all of the riots have been happening in England.

Some independence supporters tend to take this too far, and in an attempt to counter these headlines are often quite aggressive in how they try and distance Scotland from far right riots.

Again, to be clear, Scotland isn’t immune from racists and the far right. It is an absolute fantasy to pretend it is not. Fighting the far right requires constant vigilance. You do not need to go far into the likes of Humza Yousaf’s social media to find some genuinely abhorrent abuse.

The problem Scotland also has is the very fact we’re divided over the constitution. Scottish unionists are very reluctant to reflect on why the far right often adopt a Pro-UK/Pro-British stance.

And that’s not something that Scottish Labour and Scottish Conservatives have ever properly reckoned with.

Former Scottish Labour MSP Neil Findlay was among others who criticised independence groups for rallying people to counter-protest the far-right.

This is frustratingly bad politics because it’s completely common for groups to rally blocs of people to attend a much bigger protest.

So while I agree there is Scottish exceptionalism out there, it’s often in an overreaction to British press painting Scotland with the same brush, while also a pushback against certain unionists here who haven’t quite reckoned with a right wing that supports them on the constitution side of things.

[lycan-subscribe]

irish unification isn’t enough. the uk government is weak, strike while the iron’s hot and make Ireland 2

[johannestevans]

Where do I find the queer people?

Making friends and finding social & community spaces as an LGBTQ+ adult.

Originally published with Prism & Pen. Also on my Patreon.

Photo by Brett Sayles via Pexels.

A friend and I recently went to a Queer Open Mic night after I saw it advertised on the same afternoon. While we were on the way back, she asked about how I’d found it.

“I just feel like you always know loads of queer events that are on,” she said, “and I don’t know how to begin to find them.”

I sat down with her a few weeks later and showed her some of the ways I find events, regular or otherwise, and where I look for others — especially given that on social media in the past few days I’ve seen a few people talking about the difficulty of finding and meeting with new queer people when not online.

I thought it might be useful to put it together here.

It’s quite hard with the pressure on and elimination of many third spaces to go out and easily meet people, and given that most of us use a lot of online socials and dating apps, it can feel difficult to seek out and engage with in-person spaces without knowing exactly what the protocol or format of the event is going to be.

Especially given that many people are still more isolated than they were before the start of the Covid pandemic, and/or struggle with seeking out events for themselves having finished school or university or other more structured environments, there can be a lot of anxiety about attending events or meeting new people. But it’s worth it to remember that pretty much everyone else is in a similar spot, and there’s nothing weird or unusual about wanting to make friends or have social time with others.

I am based in the North of England and generally go between the UK and Ireland. So this guide might be less useful depending on where you are. Obviously, in countries with more repressive legislation on queer identity, community groups will by definition be far more underground. Even in areas where this isn’t the case, some of these suggestions might be more viable than others depending on how densely populated your area is, how accessible different venues and events are, and how active your local queer communities are. So, just take what’s good for you and leave the rest.

Finding Local Queer Community Groups

In your search engine, put in simple search terms — [queer] [group] in [my area].

If you can, narrow your search to websites updated in the last 6 months to 2 or 3 years — you’ll sometimes find a website from six or seven years ago where the events haven’t been running for half that when you were already excited about it.

Search your town, city, or county first, and then widen your search — I normally initially look for Bradford and Leeds respectively, but then might broaden my search to West Yorkshire or even North England depending on the time of year and if I’m more willing to travel for certain events, e.g. looking up summer events around Pride, or specific holiday events if you’re looking at Halloween, Christmas, New Year’s, etc.

Combine:

“Queer”, “LGBT” or “LGBTQ”, “Trans”, “Gay Men’s”, “Lesbian”, “Transgender”, “Transsexual”, “Gay Rights” or similar terms

With:

“Charity”, “Support Group”, “Social Space”, “Community Space”, “Meetup”, “Society”, and similar terms

Swap around the terms and find what language seems to be used in your area — remember that depending on the age group and demographic you’re looking at or for, there might be terms you prefer.

I personally search for a lot of gay men’s groups because the average age tends to be a lot older and focused more on the experiences and social spaces of men who love men rather than general queer spaces, which I find can be a bit too young and fast-paced for my speed.

In general, I find that there’s a loose separation between younger trans and queer social groups, which tend to be a mix of differing identities and ages but with a big emphasis on young adults in the 18–25 area, and then specific gay men’s or lesbians’ groups, which will have a wider swathe of ages and might be a little bit less online.

I understand the fear some people have of these spaces being more transphobic than younger spaces — that’s not personally been my experience, as transphobia and lateral bigotry might happen in any social space, but unfortunately, you just don’t know the specifics of an event or a group until you get there and actually meet and talk to the people.

Some charities or community groups that run a variety of spaces might have specific age or identity guidance on group titles — some might be particularly for younger or older people, be for trans people more than cis people, and some might focus on particular sub-communities, such as BIPOC queer groups or specific religious or ethnic meetups, disabled queer groups, etc.

You also might find meetups that are centred around certain hobbies, professions, or interests — boardgames or Magic the Gathering, Doctor Who or fantasy novels, medical professionals or blacksmiths, etc, depending on how big the area you’re in is and how populous it is.

If you are already a member of an institution or society, whether that’s your school or university, your union, some workplaces, your temple or other religious institution, etc, you might find that there are already events running for you!

Finding Queer Events Online

There are almost certainly queer events on, and they’re probably advertised, but where do you find them?

What’s annoying about the Internet as it exists, corporate online spaces and otherwise, is that most events will be posted in one or two spaces out of hundreds. The good ones will sometimes be hard to find because there’s a bunch of shitty advertising in the way, and because individuals and small charity or community advertisers don’t necessarily know about things like search engine optimisation or how to make a good, searchable post. There will be really cool events that are advertised online, but just aren’t tagged or easy to find.

This means that it’s worth looking often but keeping it casual — glancing through the top page for events that might be coming up or meet some keywords, but if most of what you see is ads, just leave it and move on. Digging through for the good events in busy areas that are also ad-heavy can take ages and might not even turn up much.

If you find socials for local community groups or charities, even if they don’t run events themselves, they might regularly share other local events or cool ones, so it can be worth following them!

Ditto for other queer people in your community — follow local artists, performers, academics, creators, public speakers, craftspeople, or any local community leaders or public figures, and see if they share and boost local events.

They might boost special interest events that are of interest to you if you follow people who share certain communities or interests. If, for example, you have an interest in lolita fashion and follow queer lolita dressers in your area or in areas you can travel to, they might post events that are of interest to them and maybe to you — whether that means specific lolita events, other clothing and fashion events like gothic or steampunk markets and shows, or even anime cons or renaissance faires or whatever.

Obviously searching on social media can help — looking for keywords like “queer event” or “LGBT social” on one site or other can be especially good if it’s a site where you can localise your search results, such as Facebook or Instagram.

With that said, Facebook and Instagram are increasingly difficult sites to use given how much they’re overwhelmed by sponsored and corporate posts as well as spam and bot posts. So, it’s generally worth it more when you focus on either events in smaller and limited areas, such as small towns, or when you’re looking for crossing over of different areas of interest, such as particular queer hobbyist or interest groups. When you start looking for broader spectrum events in a busier or more populous area, you can get inundated by spam and copy-and-paste duplicate ads that have all been promoted. But it’s still worth it to have a glance and see if anything is up at the top!

Sites and apps like Eventbrite or TicketSource, or equivalents in your area, will often let you search for specific events . As with social media, these sites can have the same problem of sponsored events coming up first, and annoyingly you can’t block particular event providers or organisers to make sure they don’t show in your search results if they’re not your thing.

Use every option that comes up and see if you can cross search where you can — pick a particular location or area, click on free or paid events, pick events at certain times, pick a certain kind of event, add in tags like LGBTQ or similar if it’s a site that allows it, etc.

If an event comes up that you like the idea of, note it down, then look the organizer up on social media and see if they run or share other events.

Looking for local tourism sites will let you search for other local events as well — especially if you live in a city or regularly visit one, they’ll often have a What’s On page or a Visit [Blank] website or equivalent, and you can search through that — most of them will have cultural events or a specific LGBTQ section you can glance through.

Here’s the Visit Bristol site, for example:

What’s On in Bristol — VisitBristol.co.uk Click here to find out What’s On in Bristol!…Get the latest information on the latest Events, Festivals, Carnivals…visitbristol.co.uk

For obvious reasons, sites like most of the above will focus on paid events, especially evening and party events. Pub quizzes, drag events, bingo nights, balls, drinks offers, parties, etc.

These events aren’t for everybody — and if they’re not for you, focus on events that take place, if not in cafés and restaurants, then in libraries, universities, museums, and other public buildings.

Queer Events Locally Advertised In-Person

Wait, do people still do that?

Look for poster and notice boards in:

Libraries, museums, community centres, university lobbies

Vintage and alternative clothes stores, music venues, etc

Your temple, church, or other religious institutions

Gay bars, queer cafés, LGBTQ centres, queer bookshops

Doctor’s offices, GUM clinics, and sexual health clinics

Anywhere else you see a noticeboard with events showing!

Also look on flag poles or in windows around your local gay bars or businesses if you have any, generally around the gay village if there’s one to go through.

How do you know the events are good? How do you know they’re legit?

How old does the poster look? Do you see many copies of it around?

Look for dates for the event(s) they’re advertising on the poster, and then look up the venue the events are meant to happen at. Do the dates match? Is it a regular event? Is the event showing on the venue’s website or social media?

Is the event run by a local group, collective, or charity? When you search them, do they have socials or a site of their own? Do they seem active?

If a local queer poster gives you socials, check those socials out — do they have any followers you’re familiar with? Do they post their venues publicly and have defined and public meeting times? Do they seem to have active and engaged commenters? Is there a face or faces behind the social media, or are they anonymous?

If an event is run by anonymous people, or if it seems like they don’t have many followers on social media or very active ones, that might be a bit more suspicious — ditto if an event just gives you a phone number but not any further identifying info.

It’s not inherently suspicious for a queer event to be at an undisclosed location, because of course people do want to ensure some safeguarding and vet people before they come, but if it’s an undisclosed location in combination with anonymous organising, that might be a bit suspicious, and should probably be avoided.

Finding Queer People in Specific Hobby or Other Community Spaces

You don’t have to go to queer-specific events to meet other queer people — any hobby or community you can think of, there’s probably queer people in attendance.

If you’re in a busier or more populous area, say there are 5 events that centre around the same hobby — of those 5, some of them will have more queer people than others, and it might be worth checking them out just to see if you click with anyone there.

My partner and I attend queer-specific board-game evenings that are run out of gay bars or by queer clubs, but pretty much any board-game night is likely to have one or two queer people knocking about, whether they know or would identify themselves as LGBTQ+ off the bat or not.

While there are obviously more open queer people at the queer events, I would say that when we went to a local board-game night run by older straight guys, about a quarter of the attendees were older queer people.

Of my queer friends, pretty much all of them have varied interests and attend different groups or clubs with a lot of other queers knocking about without them being labelled or explicitly queer events — knitting and crocheting, computer coding, electronic music and DJing, fandom, blacksmithing, glassblowing, stand-up comedy, improv, cooking, gardening, board games, cosplay and historical costuming, LEGO, live-action roleplay, tabletop roleplaying games, Magic the Gathering, Yu-Gi-Oh, and other trading card games, poker, burlesque, sports games and clubs, swimming, cycling, fishing, photography, book clubs, bug collecting, birdwatching, weaving, painting, sculpture, pottery, video games, singing, songwriting, poetry…

The list goes on.

Hell, half the people I know seem to go and meet new dates at the local climbing wall, where it seems like all the lesbians and gay guys are crawling all over one another. Another friend of mine attends their local WI, and have met other queer people there.

Other Tips

Remember you can meet people on dating and hook-up apps and that doesn’t necessarily have to be for sex and relationships, whether that’s Grindr, Her, Lex, etc — or you can ask hook-ups and casual dates where they go or if there are local events they think are good or fun. Poly people are particularly useful for this, because they’ll often have a whole network of regular events crossing over and diverging.

If you’re nervous about going to an event alone and you don’t have anybody to go with you, it can be worth checking it out on socials first and see if you have any mutual friends with people that are going — if not, it’s worth heading along anyway, because people might well speak to you before you have to open the conversation with them.

Community groups will often have icebreakers or sessions where people swap names, pronouns, and basic introductions, and that can ease the way into getting used to the space.

If you see somebody else on their own who seems nervous to talk to people, they can be good to approach and say, hey, I also don’t know anyone here, what brings you here? And so on. Remember, other people are pretty much always in the same boat as you.

For me, one of the biggest anxieties about going to new events alone is the fact that I’m disabled and dependent on public transport, and that combo can make it tough on me if I get to a place and it’s inaccessible or just not my speed, and then I have to sort of immediately turn heel and leave, but wait ages for a bus in the meantime. I’ve missed more than one event I was really excited about just because transport didn’t line up for me.

Some considerations to keep in mind when you look for events:

Is the event free or paid? Is this clearly marked? Do you need to buy tickets in advance?

How recent is the posting about the event? Is it posted on a web page or a social media page? Are there recent comments or engagement on the entry? If there is a contact for the event, is it active and responsive?

Is this event regular or recurrent? Is it for a special occasion, and does it have sister events or concurrent events?

Is the event exclusively online, exclusively in-person, or do they change between the two formats? Would you prefer to attend online before you attend in-person?

Do you want to go to a closed and more private group — for example, one that has you message them for the time and location, seems to have capped attendee limits, seems to have a regular community. Or do you want to attend a more casual event in a larger, open space where people might not notice as much as you come and go? Is it going to be very crowded or more spaced out?

Where is the event located, and will you be comfortable in that venue? Is it in a community building such as a charity space, community group, religious institute, school, or university? Is it in a café, restaurant, pub, bar, club, or late-night venue? Is it an explicitly or dedicated queer space? If you are not out to other members of your community, will going into this space reveal that you might be a member of a queer group?

Is the venue age-restricted, and will it require ID? If you must provide ID, will providing your ID in a dead name or in a different gender presentation to your current one be anxiety-inducing or a potential problem for you?

How accessible is the venue to you? Is it walkable, on a regular bus route, or does it have appropriate parking for you? Does it have ramps or elevators? Is it well-ventilated, and does it have a HVAC or other air filtration and purification protocol? Is masking enforced, and/or are masks provided? If you might be watching something together, is there a hearing loop, will there be subtitles on a screening? Is there a first aider at the event? Does the venue serve food or drink, or provide refreshments?

If you are attending alone and have specific needs or requirements, or might need to leave abruptly, is there someone you can let know at the event, such as a first aider or community leader? Are there regular buses, a taxi rank, or online taxi access if you need to quickly head home? Have you let someone else know where you are going, just as a safety concern?

Is the event activity-based, or is it a space where people just sit and talk? Would one or the other of these feel more natural or comfortable to you? Do you have to bring your own activity, such as with a craft or knitting circle, or are supplies provided, such as boardgames or a screening?

Does the group or host for the event(s) have social media? Do they advertise the regular events on socials, or have a newsletter, or some other helpful reminder system?

Most community events will be free, but if it’s an activity group or society, or if it’s a private event, especially one where they buy equipment or supplies, there might be an up-front ticket or access fee, a membership fee or a collection jar or similar — most events will tell you in advance if there is a fee or if they might request a donation.

Most importantly, like… Have fun.

If it sucks, hit the bricks — there’s no obligation to stay anywhere if it’s not fun or doesn’t satisfy you in the way you were hoping.

There’s always other events out there, and you’re very unlikely to truly be the only gay in the village, even if it sometimes feels that way. Good luck!

[frida-kahl-of-the-rocky-horror]

Okay, @sihatn wishes to be so hung up on the particular war crime the Israeli government is using to excessively slaughter innocent Palestinian civilians, so let’s explain the difference between Genocide, Ethnocide, and Ethnic Cleansing:

Genocide: the deliberate killing of a large number of people from a particular nation or ethnic group with the aim of destroying that nation or group

Examples: The Armenian Genocide (where the term actually originates), the Shoah/Holocaust, Taíno Genocide, and Rwandan Genocide to name a few.

I have seen some Zionists on this platform and on Instagram argue that Israel cannot be committing Genocide because it is a “very specific instance in history that only includes the Holocaust”. That fact is ardently incorrect. For one, the first event to be called a Genocide and where the term was coined was the Armenian Genocide and countless events have been labeled a Genocide since 1943/1944 when the term was initially coined (including events coined after the fact that had already happened like the aforementioned Taíno Genocide).

Ethnocide: the deliberate and systematic destruction of the culture of an ethnic group or nation without deliberately killing large numbers of people within that ethnic group or nation

Think “kill the Indian, save the man”, the American and Canadian policy against American Indian tribes and First Nations that sought to forcibly assimilate them into W.A.S.P. culture. A similar policy occurred in Hawaii during the “Republic of Hawaii” and “Territory of Hawaii” days, and even the destruction of Yiddish Culture by Zionists in Israel who feared it for being “too Middle Eastern”. Most Re-Education camps fall in this category too.

Ethic Cleansing: the mass expulsion or killing of members of an unwanted ethnic or religious group in a society

This term is relatively new and was coined in the aftermath of the collapse of Yugoslavia and Serbia’s treatment of Croats, Bosnians, and other ethnic minorities, as well as the Stalinist movement of ethnic minorities to different SSRs.

Mass Homicide: the deliberate killing of a large number of people

The only distinction here is the people are not being killed because of their ethnicity or nation, but for ✨ other reasons ✨

Now here’s the kicker, most Zionists would say they are committing Ethnic Cleansing. They might not say it out right, because the term has a nasty connotation, but they will say they’re doing the definition of ethnic cleansing.

Some propaganda reblogging Zionists might claim that they’re just committing Mass Homicide but here’s the thing, almost every example of mass homicide being committed by one nation to another nation has been an example of one of the first three categories. The only real examples of Mass Homicide actually being Mass Homicide occur within a state (see Mao famines, Pol Pot’s mass killings, or the countless purging of communists or anti communists during the Cold War).

Some (wrong) historians may claim the Bengal Famine and Irish Potato Famine were examples of mass Homicide but here’s the thing, in both cases aid from other nations and governments were barred from entering the effected places because the UK forbid it. Food exports were forced to continue to come from Ireland and Bengal because the UK forced it. The reasons these famines were so severe was because the UK had a eugenics inspired belief that the Irish and Bengalis were “sub human animals” and “less deserving of food than the Brits”.

The Irish Potato Famine and Bengali Famine were Genocides, with famine being the preferred method of killing.

Was it intentional at first? Maybe not. Did it become intentional after the fact? Yes.

But this takes us to the most important point. The difference between Genocide, Ethnocide, and Ethnic Cleansing AND Mass Homicide is the intent.

But the intent isn’t truly known until after the fact, when internal government documents are released and the facts of the situation are holistically known.

The Jews/Poles/Romani/etc knew they were going through a Genocide (or well, they didn’t know the word, but they knew what was happening) but most of the outside world didn’t because the N@zis were secretive about it. Yes some activists and Jewish/Polish/Romani/etc diaspora groups warned other governments, but these other governments (US, UK, USSR, China, France, Brazil, Mexico, Canada, Italy even) were skeptical.

We don’t full know intent now, but given Herzl and Jabotinsky’s rhetoric which essentially established modern day Zionism and the Israeli state, and the establishment of Area C for Israeli settlement after conflict in the West Bank, the fact that Israel has threatened a Second Nakba, an event internationally acknowledged as ethnic cleansing, the fact that there are oil reserves underneath Gaza and the forcing of 2 million people into an airport sized camp would allow Israel to open up drilling where the ruins of Gaza city lay, or the fact that Israel is an Ethnonationalist country that relies on the superiority of Israelis over Palestinians and other neighbouring countries in order to exist makes the intent known to those of us familiar with the history of this conflict.

Ok ok ok ok ok here’s where I M. Night Shyamalan this whole thing: Genocide, Ethnocide, and Ethnic Cleansing are all the same crime according to multinational organizations like the United Nations. They are all Genocide.

All Ethnocides are Genocides, but not all Genocides are Ethnocides.

All Ethnic Cleansings are Genocides, but not all Genocides are Ethnic Cleansings.

The Nakba was an Ethnic Cleansing, therefore the Nakba was a Genocide.

The Netanyahu administration claims that their on going attack on Gaza is a “new Nakba”.

Nakba = Ethnic Cleansing = Genocide

The Netanyahu administration claims that their on going attack on Gaza is a “new Genocide”.

Genocide carries with it negative connotations. If the term was as widely used in 1944 as it is today, Hitler would deny genocide allegations, just as the Turkish continue to deny genocide allegations from the Armenian Genocide, why the Japanese continue to deny Genocide Allegations during their rule of Korea, Taiwan, parts of Micronesia, Manchuria, and Nanjing. Why the British refuse to acknowledge the Irish Potato Famine or Bengal Famine as Genocides. Why the conservative right want to ban the teaching of American genocides against countless groups (namely Native Americans, African Americans, Native Hawaiians, and Chicanos). And why Zionists get so offended when you refer to the actions of Israel as a Genocide.

Those who commit Genocide will never acknowledge that they are committing genocide. The fact that the current mainstream Zionist reaction, like @sihatn, is to deny that the ongoing genocide exists just proves that one is happening… if the horrific videos didn’t prove it enough (this one is from an American pro Israel source, but it doesn’t not take long to find ones from individuals in Gaza)

In conclusion, Israel is committing a genocide, and if you say otherwise, you are blinded by Ethnonationalism just like the Germans were in the 30s/40s, the Turks were during the 10s/20s and onward, the Brits were for (well forever), and the American right wing is.

If you don’t acknowledge the fact that Israel is committing a Genocide you are part of the problem shawty, and it’s not a good look 😬

[kwistowee]

insp. by this meme by @slumped-in-the-arms-of-fiction

EDIT: Most Americans associate the word muppet with Jim Henson's puppets. In much of the rest of the English speaking world (UK, Ireland, Australia, New Zealand, Canada, Eastern US, South Africa, etc.), a muppet is a derogatory term used to describe a fool, an idiot, an imbecile, someone not to be taken seriously. I couldn't resist using the Henson Muppets font because it's just right there! But obviously the actual Muppets would never align themselves with a cause like Jason's. This isn't meant as an insult to The Muppets or the metal cover band 'Pastor of Muppets'; I just think spoonerisms are funny. I definitely should have made this a part of the initial post rather than just chucking it in my tags.

[killlavendr]

Updated teen Sev headcanons!! (Minor mental health issues TW idk??)

- He is 75% Chinese and around 8% British and 8% Irish. Tobias is half Chinese half white/British, and Eileen is Chinese and was born in Ireland. Severus was born and raised in the UK tho. He has a very very subtle Irish accent along with his British one, but it grows weaker over time

- he isn’t insomniac but does find it hard to sleep sometimes - also just had a tendency to stay up late reading or doing homework or experimenting with potions and spells

- hair gets greasy quickly after washing it, he finds it really annoying. He showers regularly at school but because of his naturally greasy hair and oily skin, and yellow teeth due to childhood neglect and depression he’s teased for being unhygienic

- after his fallout with Lily he had this whole self loathing period along with worsened depression that caused him to be tired all the time and to withdraw farther socially. He’s hostile towards people he associates with people he doesn’t like even if he barely knows them, and is generally really bitter and sad

- Also I headcanon he got takotsubo cardiomyopathy during this time, and it took a long time to heal afterwards. Genuinely extraordinarily suicidal from like 13-the day he dies. Tested out sectumsempra on himself in the process of making it, and has a tendency to dig his nails into his skin hard when embarrassed. This man is MISERABLE 😁!!! Bro CANNOT catch a break

- He has light acne

- during around mid year 6 he genuinely stops caring about what he looks like and gives up being insecure over things he can’t change

- He’s pretty scrawny and weak lol

- I hc him to be pretty tall, looking like a long lanky snake. Like around 5’10

- Demisexual and Demiromantic but as an adult gives up on romance and doesn’t really desire it or care about it

- As he got older, around 15-16 he stops being physically abused by Tobias for the most part but the verbal abuse doubles down. MAJOR L

- spends as little time in the house as possible, feels guilty about leaving Eileen alone with Tobias

- platonic or romantic it doesn’t matter, Lily is Sev’s favorite person and after ruining things with her he is in like a limbo state for like a week😭

- bites his nails - he stops doing it at 24

- two toned, brownish lips. He has a strong jaw and long face

Yeah that’s all tho yay

[godbirdart]

since paypal is once again a hot topic because of the “”new”” conversion fee:

international paypal users are already familiar with the conversion fee. this isn’t new to anyone outside the USA. we’ve been paying conversion fees on our USD to [insert regional currency] conversions forever now, it ain’t new.

you can correct me if i’m wrong - and i 100% encourage yall to double check yourselves instead of simply taking my word at face value - but the only difference is they’re making the conversion automatic. instead of you yourself manually converting the currency you have in your paypal account, any international currency is automatically converted to your local one the moment you receive it. i didn’t see the fee rates but knowing paypal, they’re probably increasing the conversion fees.

you can opt out of the automatic conversion by going through your payment preferences under the block payments tab - you just have to do so before September 11, 2023.

to the american artists trying to switch to other services for their commissions may I bring to your attention the following: Cashapp, Venmo and Zelle are all exclusive to the United States [with the exception of Cashapp, which does have availability in the UK]

americans won’t be impacted much [if at all] by this if you’re doing USD to USD transactions. if you really want to switch to something else because paypal just sucks all around, maybe consider Square or Stripe.

Square is available in the USA, Canada, Australia, Japan, the UK, Ireland, France and Spain

and Stripe has availability in the following countries

someone mentioned that Wise is also out there. i personally haven’t used wise and i don’t want to just go ahead and blindly recommend it if i haven’t had any firsthand experience with its services, but it does have a large global availability - even some countries that Square and Stripe don’t have.

feel free to add to this, or correct me if i’m wrong anywhere. i want artists online to thrive instead of outright panicking every time paypal so much as twitches

[sirenmoth]

Hi! If you haven’t already could you do an Irish reader? I haven’t seen any Irish ones so far and I would love if you did. But take your time! Thank you!

reader is from republic of ireland which isn’t part of the UK

!can be romantic or platonic!

Irish!Reader who got selected to join the Task Force, and is disappointed by the fact there’s three Brits in it.

Soap and Irish!Reader immediately join forces, since Scotland and Ireland have very similar traditions and cultures, and definitely not to team up against the English.

Soap tells Irish!Reader about Scot’s language and in return they him some irish words ,

“Eejit means idiot, but you can also say bampot”

“Oh that’s cool, we say eejit as well”

“realy?!”

Ghost isn’t happy with the team up.

Irish!Reader gives Ghost some stuff their mother sends over, as well as the rest of the team. Saying it’s a peace offering.

Price likes asking how Irish!Reader’s family is doing, how their time back in Ireland was once everyone’s come back from leave. Loves hearing about it over some tea and a cigar in his office.

Irish!Reader shows Kyle some of their favourite shows, a little culture share, while in the background secretly giving Soap some advice on how to get Scottish independence.

“it’s gonna be rough for a while but it’s worth it”

“aye, finally free from them fuckin brits”

“What are you two muttering about?”

“Nothing!”

Football week is a nightmare on base (if you watch it) Irish!Reader supporting their team, with Soap if it's Ireland vs an English team, would be a bloodbath if it wasn't for Price. (Based off the European thing, you automatically support the other team if they’re playing against England)

Cooking with Kyle is a bit confusing, Irish!Reader calls British food an abomination which ends up in a back and forth argument,

“Why the potatoes?”

“We didn’t have them for years, we’re catching up”

“What’s the point in that? It’s just potatoes”

“What’s the point in having all those spices, seasonings and herbs you stole from the other countries and never using them, you colonialist”

“I- well that was uncalled for, lovie”

“Am I wrong though?”

St. Patrick’s Day is mostly spent with one of them trying to out drink Irish!Reader, never ends well.

Having one Scot, one Irish, and three Brits as a team maybe isn’t so bad.

[colinodonoghue]

222aghoststory & colinodonoghue1: 🚨 MEET YOUR DUBLIN CAST 🚨 @shonabmx @birdspotting @colinodonoghue1 @thewhitmore will be taking #222AGhostStory to Dublin’s @3olympiatheatre this Summer, 21 June - 11 Aug. For a strictly limited run 🚨Do you dare to join us? Book your tickets now! Link in bio 👻📸 @seamusphoto

Colinodonoghue1: Woohoo!! So excited to be a part of this show!!

[Get your tickets here!!!]

Runaway Entertainment in association with 3Olympia Theatre presents

2:22 - A GHOST STORY

Shona McGarty, Jay McGuiness, Colin O’Donoghue, Laura Whitmore, Announced for The Very Special, Standalone Irish Production

The smash hit play by Danny Robins Makes Irish Debut At 3Olympia Theatre This Summer For a Strictly Limited Run

Directed by Matthew Dunster & Isabel Marr

“A slick, chilling, romp of a play” The Guardian

‘A modern classic’ Sunday Times

Producer Runaway Entertainment is delighted to announce the stellar cast for the critically acclaimed, smash hit, supernatural thriller 2:22 - A Ghost Story opening at Dublin’s 3Olympia Theatre this summer for its debut Irish performances.

Shona McGarty (Eastenders) will play Jenny, Jay McGuiness (The Wanted, BIG! The Musical, Rip It Up), who is currently on the UK tour in 2:22 - A Ghost Story, will play Ben, Colin O'Donoghue (Once Upon A Time, The Tudors, The Right Stuff, The Gray House) will play Sam with Laura Whitmore (Love Island, Finding Joy, Queenie, and Jenny in 2.22: A Ghost Story in her West End debut) stepping into the role of Lauren.

The very special, standalone Irish production, produced for Dublin’s 3Olympia Theatre, will open on Thursday 20th June 2024 with performances until Sunday 11th August 2024 - for a strictly limited run only.

Full list of performances below. Age Suitability: 12+ 

Tickets priced from €26.50 including booking fee and €1.50 restoration levy on sale now with Ticketmaster Ireland

2:22 - A Ghost Story began in summer 2021 at the Noël Coward Theatre, starring Lily Allen, Julia Chan, Hadley Fraser and Jake Wood, and where it won the WhatsOnStage award for Best Play. It then transferred to the Gielgud Theatre for 10 weeks from 4 December 2021. The production there starring Stephanie Beatriz, James Buckley, Elliot Cowan and Giovanna Fletcher completed its run on 12 February 2022. For the first season at the Criterion (May - September 2022) the cast was Tom Felton, Mandip GIll, Sam Swainsbury and Beatriz Romilly. In late September Laura Whitmore, Matt Willis, Felix Scott and Tamsin Carroll took over. 

The box office record-breaking run at the Lyric starring Cheryl, Jake Wood, Scott Karim, and Louise Ford, concluded its run on 23 April. The West End season at the Apollo Theatre starred Sophia Bush, Frankie Bridge, Ricky Champ, Clifford Samuel and Jaime Winstone, and set off on its UK tour in Autumn 2023 with Joe Absolom, Charlene Boyd, Nathaniel Curtis and Louisa Lytton in the cast. Current cast on the UK tour: Vera Chok (Lauren); Jay McGuiness (Ben); George Rainsford (Sam); Fiona Wade (Jenny).

2:22 is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster and Isabel Marr; it’s an adrenaline-filled night where secrets emerge and ghosts may or may not appear…

Danny Robins said: ‘I'm really looking forward to seeing how Dublin audiences respond to 2:22 this summer. The tour continues to be a great success and I can't think of a better place to round off the journey in 2024 than here with a brand new cast to be announced soon!'

What do you believe? And do you dare discover the truth?

“THERE’S SOMETHING IN OUR HOUSE. I HEAR IT EVERY NIGHT, AT THE SAME TIME"

Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they’re going to stay up... until 2:22... and then they’ll know.

2:22 - A Ghost Story features set design by Anna Fleischle, costume design by Cindy Lin, lighting design by Lucy Carter, sound by Ian Dickinson for Autograph Sound and illusions by Chris Fisher. Casting by Matilda James.

2:22 - A Ghost Story is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment, Isobel David and Kater Gordon.  [source]      

[justmeinatree]

Made Of Something New

Summary : you meet niall in your hotel bar. and there’s an intense connection.

Story TW : this is a cheating fic (not on you, but none the less). almost all chapters are smut heavy. there is also occasional drug use. each part will have it’s appropriate warnings.

A/N : i want to preface this story by reminding everyone that it is just that, a story. no one is named or described, aside from niall & reader. you can imagine virtually everyone as you so please, or not at all, there’s honestly no importance placed on any character that isn’t niall & reader. enjoy ✌️

Intro

Canada

UK

Mexico

Italy

Sweden

Telephone

Ireland

USA

Home

-

Extra Chapters :

Italy, night 2

……

Main Masterlist

[ars-theurgia]

Anarchy & Apathy (things we should probably learn from Eurovision 2024)

(tl;dr – a review of the voting process is critical; Croatia should have won)

It’s a rare year that sees a consensual Eurovision winner. It is to be expected – the contest is not only a competition of musical taste, but also of musical identity. There is more than simply genre, melody or vocals at play, as these are often filtered through the lens of national sensibility. At face value, a stereotype of geopolitics; at a deeper level, the actual cultural wealth of each European region. 'Our neighbours', etc. To which of course, theatrics and gimmicks are added, in the hopes of standing out from the rest of the crowd.

This is what makes, or should make, watching Eurovision a positive experience. Which this year, failed spectacularly on all counts, leading to a problematic, underwhelming and polarising edition, derailed on Thursday night and crashing its way through apathy and anarchy all the way to the grand final.

Apathy, because it seemed to want to get away with being apolitical. Anarchy, because it failed to carry out apolitical acts.

And from each side, its worst attribute, resulting in what feels like a bland and uncomfortable watch.

This year, Eurovision attempted (and in my view, failed) to manage itself by allowing too many paradoxes to take place. Glaring inconsistencies, arbitrary exclusions, aloof silences, inability (or lack of desire) to address core issues and legacy accusations – a broken code. A program in error, glitching and ineffectual, all under the symbolic and literal guise of “neutrality” – which doesn’t stick. And worse, seems to negate the actual positive aspects of the show, this year neutralised themselves.

This isn’t to say Switzerland did or did not deserve the win – the voting conditions of both jury and public are clearly stated, and in theory were applied. The jury voted, the people voted, and the winner was chosen.

But unlike other years where a similar pattern of voting distribution could be considered ‘curious’, and where ‘the safer song’ wins over the public favourite – see Käärijä 2023 – this year’s jury results feel unjust not only to the runner-up, but to the vast majority of contestants. And by extension, the viewers.

Stage presentation was ignored (see UK for the extreme example, and Ireland for a less radical, visually incompatible result).

Vocal performance was ignored (see Norway’s Gunnhild/Gåte for the extreme example, along with Portugal’s Iolanda; Germany’s Isaak, possibly the strongest vocalist in the competition this year; Israel’s Eden Golan for the complete disregard of vocal ability over nationality).

Radio-friendly potential was ignored (see Luxembourg’s ‘Fighter’, Cyprus’ ‘Liar’, Italy’s ‘La Noia’, Austria’s ‘We Will Rave’ even).

Resulting once again, in a surprisingly cohesive jury vote that deems Switzerland’s ‘The Code’ as the winner, over the fifth place that the public attributed it.

Being neutral is not the same as being objective. And while objectivity is difficult to gauge in a contest where musical taste and national identity (not to mention global politics) are part of the formula, there is a case to be made for the fact that Eurovision and the EBU’s passivity and top-up decision making reflects poorly on the Eurovision experience.

Recurring discrepancies between jury and public voting should be addressed. Because a jury’s role (in Eurovision and elsewhere) should not be of neutrality, but of objective action.

In objective action, a contestant cannot be excluded without a proper justification, to date only explained through vague declarations and heavy speculation (see Netherlands).

In objective action, and in a self-identified democratic continent, the people’s paid vote should inform the winning result over a closed group of juries (see Croatia’s disproportionate second place).

In objective action, rules must be enforced equally to all contestants (see Ireland, who had to remove part of their presentation, vs. Portugal, who was allowed to show a message through nails).

And in objective action, microphones should not be silenced; contestants must be allowed the freedom to be judged by the people listening, and not on what the EBU determines should be judged.

Until that’s learned, processed, addressed, reformed – why watch for disappointment?

[aeolianblues]

girl help, the swifties are attacking Neil Tennant as ‘misogynistic’ because he (a former music journalist) said that her biggest hits didn’t have a wide vocal range but he doesn’t dislike it

Trite posting aside, Swifties need to stop seeing every sentence uttered that isn’t blind devotion as ‘misogynistic’. You all have got to stop crying wolf. We have rampant problems of misogyny in music that need addressing, and turning the focus of ‘sexism in music’ to ‘Neil Tennant, pop star, says pop music could have more vocal range’ is the worst use of our time.

Earlier this week, Karla Chubb, singer in a Dublin band called Sprints complained that she was groped in the chest by a fan at the band’s own gig in Belfast. She said, I should be able to come to the barrier of my own show and not get sexually assaulted. Many, many women in the British and Irish music scenes reached out to her and told her they’d had similar experiences. A depressingly large amount of women.

At the same time, there has been a survey going around about sexism in music, held by a committee formed submitting a report to the British Parliament. Mainstays of the British music scene gave evidence. Esteemed DJ and BBC Radio 2 presenter Annie Mac said that a culture of sexism, covering it up and even normalising it is rampant: women get harassed by powerful people in music and then have to sit next to them like nothing has happened at industry events and award shows. The overwhelming evidence suggests we need change in the music industry, and we need laws.

Karla’s case files a report in Belfast, even Conservative MPs in the city urge the government to do something. The committee submits its evidence. The day after Karla’s story breaks in the British press, the Tory government rejects the proposals submitted by the committee.

But sure, let’s give all the airtime to discussing whether Neil Tennant liking a Taylor Swift song is misogyny or not.

PS: for anyone wondering, Sprints are a top 20 band in the UK and Ireland, their debut album has been called one of the best of 2024. They are not unknown. If people at their level are not safe, what do you reckon happens to artists who can’t rally as much support through a social media post?

[fcb-mv33]

Just incase people on here don’t realize Ireland the UK aren’t able to access f1tv due to sky sports having the rights. I’m sure you can do the dodgy box but I personally prefer to watch the race from the comfort of the tv rather than praying the race doesn’t buffer. I would much rather not having to listen Max get abuse on abuse but I’m afraid it isn’t that easy.

Sky sports, BT sports and premier sports are the only way to watch a lot of sports in households across Ireland so it isn’t a choice to watch sky sports.

[brf-rumortrackinganon]

Archived link

Some quotes

In order for the youngsters to be there and play a full role — riding in a carriage on The Mall, watching proceedings on Horse Guards and joining the family ‘balcony moment’ — Mummy needed to be there too to keep the ‘kiddies’ (as she calls her young brood) in check as Papa was on horseback.

and

Recently, it was suggested that the King was unhappy with the situation and ‘keener than ever’ to build a relationship with them that wasn’t just confined to video calls to California. The story was not universally welcomed as it put Buckingham Palace in an impossible position: those close to the King genuinely never speak about the Sussexes’ children to avoid inflaming transatlantic tensions, but to deny it would be to suggest that the King doesn’t want greater contact with them — which clearly isn’t true at all. And the situation is particularly complicated because of Harry’s repeated attacks on his father and family, his dogged insistence in the UK courts that he isn’t safe bringing his family to the UK, plus Charles’s inability to travel to the U.S. because of his health issues and responsibilities.

When I asked a well-placed source whether Harry could bring his children to see the King at Balmoral this summer as a compromise, the answer was a resounding snort. Read into that what you will. His relationship with his other three grandchildren is in a far better place.