#MUSING

[attex]

You think fp and lttm have some self soothing behaviors?

i have been regularly thinking of answetring this ask (it was sent 3 months ago.) but i kept fucking forgetting. i think they do tbh but theyre akin to how they move around their puppets by default, yknow how some people move their hands when talking its like that for their Thinking in a way. it can be like when someones mumbling/talking to themselves cuz theyre really lost in thought or something. (insert joke about italians here) this applies to every iterator with a functional connected puppet...

this is just advanced headcanoning btw, read more cuz its kinda long and not formatted well

for the cringe siblings though i headcanon five pebbles would be touching his robe fabric a lot (especially post-rivulet where hes more concentrated on his own puppet and tries to use it more to ground himself to his own body), he does that out of stress usually as another little external representation of his emotions- i imagine a lot of the structure straight up moves and has a lot of its parts basically shifting and wiggling around, its more involuntary but i think pebbles moves and bundles up his cables that are normally used for local data transferring. he doesn't have much to reorganize within him internally a lot of the time (anymore...) so he basically moves his devices for it for the sake of the sensation of having/doing some sort of action

i think moon sometimes gently rocks her puppet back and forth when under-stimulated. though she usually lands back to staying very still (she does this before her collapse too anyway, she meditates in a way have you seen how she moves her puppet to the middle of her chamber and closes her eyes and has her halo move gently etc. AHHHHH its so cuteeee) also i draw her with hair like wires so um :) she braids them sometimes or caresses them. shes much more disconnected from her entire body so its Something to do at least. she will hold and look at the pearls or other items that creatures end up bringing to her also <3 post-rivulet she gets a lot to do with her structure. she very often rumbles parts of her to hum sounds and such, she does this with her puppet too but its more akin to humming a melody for the puppet lol. while every iterator can has a near-constant background hum and noise caused by many things, moon explicitly alters her internal humming to match external things she is experiencing- (unlike other iterators who don't usually have their internal "rhythm" match their external environment as well) i believe she developed this habit to be more in tune with her environmental location as it helped with not causing as much harmful interference to all that is around her (she has an older, not as performant/optimized can so she needed to adjust to function better), its beneficial for her workings too lol! her organic parts do need to be in tune with the life surrounding her to be able to keep stable.

[st-just]

Always very funny to go from tumblr culture (Harry Potter basically, like, anathemized) to coworkers or relatives just casually bringing it up with zero idea about why the franchise would even be controversial. Unironically one of the bigger bubbles I forget I'm in.

[incorrectsmashbrosquotes]

Idea for an animated kid's movie/comedy.

So there's this dinosaur park that's a thinly veiled Jurassic Park knock-off (call it Cretaceous Island), and it's a bit of a toy story situation, in that the dinosaurs can talk and communicate when the humans aren't looking, mostly at night.

The dinos don't really want to break out since they like their cushy zoo lives and five-star treatment from the staff, so they're willing to get oggled by a bunch of twelve year olds to keep the food coming.

Out main characters are a T-Rex, two raptor sisters, and a wise old triceratops. The raptors are bored with their lives and long for adventure, the triceratops is a wise-old mentor figure, and the T-Rex is lonely since the park won't engineer any other T-Rex's for safety reasons.

Through magical shenanigans they get sent back to the actual Cretaceous period.

Now these pampered genetically engineered dinos have to survive in the savage dinosaur era. To underscore the differences between them, the future dinos are animated as pretty standard cartoon dinosaurs, a la Land Before Time, while the dinosaurs from the past are animated to be as scientifically accurate as possible.

The dinos go through shenanigans, amke friends in the past, evade predators, and eventually make their way home through magic portal stuff, except for the T-Rex who elects to stay behind since he's fallen for a female T-Rex he met in the past. His friends are sad to leave him behind, but go to the present anyway.

Back in the present, the dinos think nothing has really changed, but they find that the exhibit in the visitor's center, previously a single roaring T-Rex skeleton, has been replaced with two T-Rex's, famous for being found fossilized together called "The Deadly Lovers", and its their friend and the mate he found in the past. It ends on the bittersweet note.

[apomaro-mellow]

senior home steddie where steve often hits on the ravishing gentleman who always sits near him. Eddie tells him he's married and Steve asks if his husband can fight. Eddie always answers no with a smile that's much too fond for strangers.

[inthedarktrees]

Julie Newmar

[luxmoogle]

Don't mind me just obsessing over secret ending Kairi and what might have been

[skepsiss]

Steve and Eddie being each other's first queer kiss, but they don't fall in love instantly with each other. It's real freaking awkward and they're both like "that was weird" and quietly move on.

But... they remain friends of course and as the years pass and partners come and go from their lives both Steve and Eddie (privately) are falling deeper and deeper in love with one another. It feels like something that will never work out, so neither of them act on it, but the more time they spend together the more they like one another. A love that is not on sight, but built through hours spent together and learning all of each other's complexities and flaws. That is what makes them fall in love with one another. That is what leads to 3am phone calls and goodbyes that take an hour. That is what will eventually lead to kiss number 2 which will topple into a real romance.

[jewishicequeen]

I think one good thing that came from this whole thing is that I no longer bother hiding my Israeli-ness.

I used to try and limit my use of Hebrew here. I used to apologize. I tried to not draw too many Jewish and Israeli things to not bother my primary audiance.

I no longer care. If you don't want my people, if you don't believe in our rights, you already left. I create for me and I create for my Jewish siblings ואני מדבר�� בעברית כמה שבא לי כי זו השפה שלי וזה הבית שלי. Last year I'd be horrified to fill your dash with so much of the israeli-ship thing because "they wouldn't understand a thing!" Not anymore. I am now for me and only me.

ואני רוצה את העולם שלי כאן.

[library-fae]

i see posts about people saying you shouldn't say "going nonverbal" or use the term nonverbal if you arent always nonverbal and it makes me feel like yall forgot about variable disabilities

ambulatory wheelchair users exist

chronic pain doesn't always make people immobile every single day (depending on the person)

so why cant being nonverbal also be a spectrum, much like so much of autism is?

[bemusing]

"You can't protect everyone."

I have to try.

[pxiedustnblades]

Ketheric was like a little puppet for the Gods and that still haunts me.

Imagine feeling abandoned by your Goddess after your wife and daughter die. So you turn to her sister since she represents loss only for that Goddess to feed off your grief till you’re a shallow husk of your former self and committing heinous atrocities in her name. Only for the grief to completely consume you to madness & lead you to your downfall. Only to be discarded again when the purpose was served. Shits fucked. And then yoink, here comes Myrkul, choosing Ketheric with a promise of bringing his daughter back. Ketheric choices were his own ofc but it still weighs on me how the Gods pawned off him like that.

And now he can’t even see his wife in death. That’s devastating to me.

[eefrostpoetry]

in the midst of my chaos i found solace in you

[st-just]

'White Americans don't have any culture, they're just [normal/boring/generic/empty]. 'Culture' is when you're quaint and exotic and have interesting ethnic foods and holidays." is such a grating bit of nonsense to have somehow become progressive commonsense in a lot of places.

[incorrectsmashbrosquotes]

People like to romanticize the relationship between Zelda and Link in a whole “destined reincarnated soulmates” kind of way, but am I the only one who thinks it would be more interesting if Link didn’t love Zelda?

Like, think of it. Hylia is a Goddess, basically Hylian Jesus, and she loves this mortal man. A hero who stepped forward to defeat a Devil in the world’s hour of greatest need. But, he didn’t do it for her, he did it for the World. Even when he binds his soul to the Triforce, locking himself in an endless pattern of reincarnation with her against the Devil Demise, it’s not because he loves her. He loves Hyrule and its people.

But that’s okay, maybe in the next life they can be?

But it isn’t. Over and over, Hylia becoming Zelda, Link doesn’t love her. He loves Hyrule. He loves to dance to its music and ride its fields and wants to preserve it against the threat of Demise. He loves different women each time, and sometimes it is Hylia’s reincarnation, but they’re never the core of his heart.

It’s always Hyrule that he loves. From it’s savage and arid deserts to the cold and harsh tundra, he loves it, and steps forward to save it each time.

Duty, he calls it. Responsibility and Purpose, but Hylia/Zelda knows the truth. He’ll never love her the way she wants him to.

Hyrule will always be Link’s first and greatest love.

[artist-issues]

It isn’t all the filmmaker’s fault that all we’re getting is second-rate remakes and sequels to franchises that should’ve been left alone a long time ago.

We don’t have a clear idea of why we like the things we like. So we don’t clearly communicate why we like the things we like. So it’s no wonder Hollywood keeps getting your favorite movies and their characters wrong. The fans don’t even know why they like what they like.

When Genie is set free in the original Aladdin, that moment was impactful, and you remembered it all through childhood. When Luke tosses the lightsaber away and says “I am a Jedi, like my father before me,” it was impactful, and you remembered it.

But did you stop and analyze why? What made those moments, and those stories, impactful?

Did you say, “Genie wished to be free for the whole movie, and he was always trying to tell Aladdin about how freedom only comes from trusting, and he was learning to trust Al himself, and Aladdin finally DID trust Jasmine to still want him even if he wasn’t rich, so he set Genie free in the most satisfying way!”

Did you say, “Luke spent all previous movies rushing into fights, and trying to control everything to save the ones he loves, but when he finally has his enemy at his mercy and is at the height of his power, he realizes that being a Jedi isn’t rushing and fighting and controlling; it’s having faith in the good and throwing your opportunity for control away.”

Did you think through and appreciate that stuff? The values? The point of the whole story, and how the characters act as pillars holding that point up? The good and the bad things that they embody?

No. Not out loud. Because we don’t think critically anymore. We just go “what’s this? Entertain me. Oooh, I felt something! Good! Next!”

The why behind what you like is the only value in liking anything.

But we don’t look objectively at the “why.” We don’t dwell on the “why.” If we dwell on anything, it’s to superimpose ourselves or whatever we like onto the characters.

You think Barbie was hyping feminism because you like feminism, and because you felt things during Barbie. You write fanfiction about Eddie Munson that has nothing to do with what Eddie Munson actually is as a character—because you like love stories, and you felt some compelling emotions when you saw Eddie Munson onscreen, so you’ve decided that those things should go together. You take something that made you feel emotions while you watched the canon material, then you don’t bother to process those emotions or what made the canon material compelling. You just slap whatever you already think you like onto something that made you feel, whether it had anything to do with what you like or not.

You eat the apple and benefit from it without knowing, at all, what nutrients are inside. Then when someone offers you crap and tells you it’s apple-flavored, you wonder why you’re not feeling the same way afterward.

Then you misdiagnose. You say “no, I don’t wonder why I’m not feeling the same—it’s because the CGI in live-action remakes suck!” Okay, great, so they’ll get better CGI. And it’ll still suck. Because that was never the problem, just like the reasons you liked the movie were never the reasons it actually impacted you in the first place.

Figure out. WHY. You like what you like. Figure out if it’s because the stories said what their creators objectively intended for them to say—or if you like the story in spite of that, not because of that.

Then open your mouth about it. It is worth it.

[legendsoffodlan]

Look, I love Edelgard as much as the next simp, but I want more of Byleth who does not forgive Edelgard.

I wanna read about Byleth who is fire-spittingly furious that Edelgard, someone they thought they could trust, is working with the people who murdered their father. In Golden Deer, Claude has to hold them back. In Blue Lions they're just as furious with Dimitri.

I want a Byleth who wants Edelgard dead. A Byleth who is new to emotion and has no idea how to process their grief and rage, and it all boils over like a frothing volcano.

As the player we know Edelgard is also a victim of TWSITD, but for the most part Byleth doesn't.

And even better if they still care about Edelgard! Imagine the drama, the pain, the fucked up dynamics! Byleth still cares deeply about Edelgard, even while they can never forgive and even hate her. A Byleth who wants to kill Edelgard, even as it tears them apart inside to do so.