#MY RESPONSES ALWAYS SO LONG

[mobius-m-mobius]

OWEN WILSON as MOBIUS M. MOBIUS in LOKI (2021 - )

[lunarharp]

post that reads like a mood swing

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.

[royalarchivist]

Phil: [Looking at art of the Morning Crew] Aww, this is cute. This is so cute. Tallulah: Tio Pac and Fit are so Perfecta by Miranda coded. We can listen to that song rn Phil: [Proceeds to tease Fit and Pac for the entire duration of the song]

Copyrighted music doesn't play in Phil's VODs, but this is one of my favorite songs and I know not everyone caught this funny moment live, so I edited the audio back in! Make sure to show love to the artist who made this fanart.

Bonus:

[hedgehog-moss]

I lost one of my chickens :( she was caught and carried away by a fox... I’ve been growing complacent about my chickens’ safety I think because we’ve only had one other attack before, a goshawk that swooped in abruptly (unsuccessfully), but no fox sightings nearby so I’ve been assuming Pandolf was a great deterrent. Which he is, just not foolproof. I’ve talked to some people in town about this and they were pretty philosophical about foxes stealing chickens, like “it’s the tribute we pay to woodland animals, it’s just a few hens here and there.” I don’t begrudge the fox for being a fox, if anything I have a renewed respect for foxes because everyone I talked to proceeded to give me their best / worst fox stories, and most of them involved foxes outsmarting humans (learning people’s habits / timetables, opening latches, faking a limp...) Still I feel terrible for my hen, she was only three. RIP Cordy :( You’ll be remembered fondly... (except by the cats.) I feel bad for the other hen too, who just lost her pal!

When I said that last thing, one of my neighbours jumped on the opportunity to try and convince me again to accept a rooster from him. He had a rooster baby boom last summer and I’ve been telling him for months that I don’t need a rooster, I don’t want to raise chickens I just want eggs, and his new argument was that a rooster would protect my hen (or if it comes to that, would heroically sacrifice himself rather than let the hen be eaten—I’m sceptical...) I asked around for a young hen but there aren’t any to be had in this season, so my remaining one is going to be alone until the spring, and my neighbour said she’d get stressed and male company is better than no company. (I wish I could ask my hen what she wants! Maybe she’s penning A Coop Of One’s Own as we speak.) I said the rooster was more likely to stress her out and harass her and he said nah they’re free ranging all day, it’ll be fine, and he’s young so your adult hen will boss him around. I was like, but then will he be any good at protecting her? etc. etc. and after a while I caved in.

When I told her about this on the phone my mum sighed “you’re terrible at saying no”—excuse me, I said no so many times and the guy just kept ploughing on until he could foist a rooster upon me. I’m good at saying no, other people are terrible at hearing it! I reassured her that I had only agreed to take the rooster for a short probationary period, and if he bothers my hen too much I’ll drive him back to his native farm. My mum was like “Drive him back? look I’m sorry I raised you as a city kid but there’s no need to waste gas on driving a rooster around, I’ll have no qualms about wringing his neck for dinner if he’s more trouble than he’s worth.” The rooster’s fate is not sealed though, if he is anywhere from vaguely useful to not actively problematic I’ll keep him, so we’ll see...!

[relaxxattack]

rereading the hivebent commentary makes me so annoyed that people are never really willing to analyze the actual effects that alternian culture clearly had on every troll, especially the highbloods. pretty much the only troll who ever actually gets taken in the context of her upbringing is vriska.

no one ever seems willing to think about the character arcs of trolls like equius and terezi, who are also bluebloods with extremely hypocritical and toxic understandings of the people around them-- equius is boiled down to a gross creep who is just like that naturally and definitely didn't get it from his society in any way, whilst terezi is scrubbed of virtually all her flaws and turned into a strange sort of based love interest character who is all about being gay and too cool to be tricked by any of the alternian propaganda. quadrants? classism? how silly! terezi would never believe in stupid shit like that. she's quirky! and GAY!

despite the fact that equius and terezi both obviously have much, much more to their personalities than that-- and the alternian empire is informing way more dangerous things about these kid's beliefs than "kiss annoying people".

[uncanny-tranny]

Something I realized (which was obvious to me subconsciously) is that... The family that vehemently didn't accept me when I first came out but now do accept me are still the same family that I am most unwilling to be open about things I feel protective over.

I remember that my dad reacted so poorly, not to my coming out, but to my transition specifically that my therapist was the one to ask if I wanted to put it on my file that I wanted nothing to ever be shared with him about my health after I broke down multiple times due to my anxiety that I would never transition. While there are and were protections for me, I was incredibly fearful at the time because I was a minor, and I was so worried that he would have prevented my transition that I couldn't have said for certain what (if any) lengths he would have gone to to prevent that.

He's grown a lot as a person, and made some commendable strides. But he didn't find out from me when I medically transitioned the second I turned eighteen, and I think that's among the things that truly made him realize the scope of the issue.

I'm not here to guilt trip parents, guardians, or other members responsible for the care of the children or teens or young adults in their care.... but this is a cautionary tale. You aren't saving the people in your care when you do this, you simply reinforce an idea that you will never care for them, never want them as they are, would rather them be shoved away.

When you give people reasons to be secretive, they will behave secretively. When you give people reasons to doubt their safety around you, they will become sneaky, defensive, and withdrawn. When you give people reasons to doubt that you value their life, they will believe that you don't care if they live or not.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[mitski]

RWBY (09x02)

Team RWBY shookt over the fact that their guide isn’t as knowledgeable as they initially thought.

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[recitedemise]

𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.

First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.

Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her and knows they'll never want to. Gale's sheer servitude and complete devotion. Mystra, knowing that, used him to filth.

Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.

Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.

Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?

Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.

Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.

Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.

Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.

Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.

Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.

Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.

After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.

Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.

At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.

Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.

As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.

And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.

Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.

Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.

Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.

And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.

Scenario: (And if properly romanced, it changes his world.)

Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.

He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?

Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.

The answer is: entirely.

For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.

Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)

Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.

They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.

Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.

Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.

He thinks: Let me be a god. Let no one hurt like me anymore.)

Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.

Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.

Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.

Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.

[ghostsprobably]

all i want to do is work on my winx stuff

but fuck

i forgot i have depression

[suddencolds]

.~

[kacievvbbbb]

Truly from the depths of my struggling heart. Viva La Vida by Coldplay belongs to one Toshinori Yagi aka the one and only All Might.

Coldplay should just sign over the rights of the song at this point promptly too.

[nyxofdemons]

this was going to be like a mile long essay but i just realized the most concise way to say it is that "it feels like a retcon that blitz has been so resentful and hostile towards fizz all this time since he was supposed to feel guilty" is simply not a good criticism when we have been shown, time and time again, that blitz's number one defense mechanism when he feels guilty or judged or attacked is to lash out, to deflect and ignore all his responsibility, and to shift the blame to someone else. that's like. his defining character flaw

[puppyeared]

i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!