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#One-hit Wonder
mudwerks · 2 years
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(via The New Vaudeville Band - Winchester Cathedral (1966)
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shesmore-shoebill · 2 months
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"I had choice paralysis :(" is a KILLER line.
He's such a comedic powerhouse, I'm glad more people are getting exposed to him :'D
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worldsfastestbear · 6 months
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Back when a two-minute pop song based on a simple riff could be a hit.
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middaydolomite · 8 months
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When the Pastiche Becomes the Product
New blog post: When the Pastiche Becomes the Product.
In 2017, I went to see The Square at the cinema, knowing it was meant to be a postmodern send-up of the contemporary arts scene. However, with the disjointed narrative, I came away with the distinct view that the film embodied the very concept it claimed to parody. I’ve recently been thinking about this idea, but through a different medium. For my poetry circle, I wrote a verse intended as a…
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tanglepelt · 5 months
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Dpxdc 180
Did Danny abuse the fact the GIW needed his parents tech. Yes of course. Danny not phantom seemed to be the trouble maker as of late. His parent threatened to withhold tech and blue prints from them if the GIW touched their kids.
Did he get caught breaking ember and boxy out of a government facility? yes. He expected the lecture he got.
The next jail break. It was not him. It was sam, Then the third. Also not him. That was Val… then it was Tucker. But not him.
The blame fell on him.
He did not expect to be shipped out of state. The GIW were happy to cover all costs. Even got him into a decent highschool. And had an apartment all arranged.
Gotham?
Not where he was expecting.
The assassination attempts. Also surprising.
Not so surprising. Tucker found out the GIW wanted to “silence” him. Offering a lot of money.
Of course his parents don’t listen. He is 15 perfectly fine to be all alone. Even if he is near some place with the nickname crime alley. Nope. He is just being dramatic. They tell him no one wants him dead.
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djrobblog · 1 year
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‘Oh, oh, oh, Ozempic!’ Kids, that Ozempic®️ song will be 50 next year!
‘Oh, oh, oh, Ozempic!’ Kids, that Ozempic®️ song will be 50 next year! #Ozempic #Magic #Pilot #onehitwonders #1970s #musictrivia
(June 17, 2023).  Whether you’re getting “down with Rybelsus” or lowering your A1C with Jardiance, the “little pill with a big story to tell” (and a happy-go-lucky musical style commercial to go with it), it seems everyone is becoming familiar with the medical term A1C (a measurement of your body’s ability to process sugar over a longer period than what a finger prick indicates), and being…
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kitconnor · 5 months
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*most "big" artists (big on tumblr) have been left out to not skew results: (an exception was made for hozier) ** these are songs that were big on the radio in 2014 as well as being released in 2014 !!
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helloparkerrose · 1 year
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My Baby Loves Lovin’ (1971)
White Plains
Rewind The 70s: Volume 2
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uncanny-tranny · 10 months
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Not a day goes by where I do not think about the advent of medicine like PrEP and wonder just what the people - especially queer people - who passed from HIV/AIDs during the AIDs crisis would think
And then, I read this survivor's testimony and it just makes me emotional. I think this is the closest answer we have. HIV has changed, and we must always remember the people who didn't see that change before it happened.
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the-woman-upstairs · 3 months
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You’re laughing. Armand made himself a fledgling with more swag, a sharper mind, and bigger fangs than him and you’re laughing.
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Anyone else come to some wildly different conclusion on Ghibli movies with age?
Kiki's Delivery Service: Kid: Being a witch is so cool! Adult: Growing up and growing apart from the life you had before is a natural progression of life. You aren't losing the old parts of yourself, just finding new pieces that were there all along. Life is about changing, you'll never stay stagnant.
Ponyo: Kid: She's such a cute fish, you should always follow your dreams! Adult: Leaving home will not take you away from your family. Even when you're miles away and you feel like you're in different worlds your family will still be there, encouraging you. Parents are meant to let go of their kids at some point.
Howl's Moving Castle: Kid: Sophie's a big sister like me! I want to a princess in a magic castle. Adult (I've also read the book): Sometimes you don't find your place in this world, you make one. The people that come along with you will see you through every ugly part of yourself and you would do the same for them. Chase after that shooting star.
Spirited Away: Kid: What just happened... Adult: SHIT HAPPENS! And it sucks, life sucks but you keep going. You can cry along the way. You are being so fucking brave for even going on this hellish journey we call life. It's okay. You're okay.
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theonewhowails · 10 months
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Golden Fleece
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frownyalfred · 9 months
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Imagining a fight where Bruce goes to punch Clark (who usually lets it land, only to chide Bruce for risking a broken bone after) but Bruce has a sliver of Kryptonite hidden in his fist. Just. The betrayal.
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worldsfastestbear · 1 year
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There's a flashback to 1972. Apparently the version for radio stations was straight mono, but the stereo original had the backing track in the center with the backing vocals panned hard left and right.
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sevenines · 9 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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turtleblogatlast · 2 months
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Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-
Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.
I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”
They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#like not even just jobs these characters just like to go out and do things!#even if they’re initially not interested they’re so curious and stuff that they’ll do it anyway#I wonder if April being as curious and incredibly open minded as she is rubbed off on the boys growing up#and they like…osmosis’d this personality trait from her to be like ‘yeah sure whatever’ to any antic#I also just think that they’re bored teenagers with a TON of time on their hands so they like to just live it up#I think the boys always had the desire to go out and apply themselves but meeting April likely pushed them more#y’know I wonder#what if April narrowed down just one job when in college and she actually managed to keep it#like…almost as a form of growth - she narrowed down jobs and careers and schooling as she hit early adulthood?#it’s kinda reflected in raph as well - originally so open and for goofing off but now much more singularly focused on hero stuff#kinda a sad way to look at growing up but it works here#because you have the three younger sibs still readily doing other things#not as focused on responsibility or singular paths#it’s sad because adulthood absolutely does not mean not being open to other things#but at that time in your life sometimes there’s a pressure and unwanted responsibility to pick a path y’know?#and it’s a relief to learn that actually there was never just one set path with one set trail you always had to stay on#and I think that’s reflected in how raph at the end of the movie opens back up to playing around and doing things for the fun of it
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