#Origin Models Management

[worlds-4th-best-dad]

Takao: So, what have you been up to over the weekend? Tsubaki: Um... I downloaded Death Forest 3 off Limewire. Takao: Oh, I see. Is that a movie? I’m not familiar with the first two Death Forests. Tsubaki: It is. Takao: Right. Are you liking it so far? Tsubaki: It’s alright. Takao: Well, hopefully they could play it for the school festival, if it’s school appropriate. Tsubaki: Yes, if I’m even going. Takao: Now, you wouldn’t be having trouble fitting in, would you? Tsubaki: Excuse me? Takao: It’s just that smoking habit of your might leave a smell that could put everyone off. Tsubaki: I really don’t think it puts anyone off. Takao: Well, in any event, if you ever need to change to get the smell off, you’re always welcome to use my office. Tsubaki: Why wouldn’t I just use the locker room? Takao: The gym teachers would catch that smell and bombard you with questions. Though, in my office, it would be our little secret. Middle school can be very hard, so it helps to have an adult who really understands you. Tsubaki: Of course, yes, uh... So, is that it? Takao, with a murderous glint in his eyes: Now, you’re not trying to get rid of me, are you? Tsubaki: W-why would I ever want to do that? Takao, seemingly back to normal: Just playing around, but before I go, I just need to remind you of the school’s dress code once again. Tsubaki: What about it? Takao, while menacingly approaching Tsubaki with murderous intent: I see your top has a few infractions. Tsubaki, nervously: I-It does...? Kosaka: *kicks Yuki over* Loser! Yuki: Hey, what’s that for?? Kosaka: For playing with your little flip-phone in front of me, you fuckin’ nerd! Yuki: I already told you, it’s called my diary! Kosaka: I’m gonna call your mom and tell her “sorry” she’ll never have grandkids. Yuki: Wha- No! Don’t kick me down there! Kosaka: I don’t need to, ‘cause the more dart trivia you know, the less girls wanna date you! And you know a whole lotta dart trivia, don’t you Amano? Yuki: M-moreso the comprehensive rules and regulations of the game. Kosaka: You are gonna fuck so many kids in your 30’s. Yuki: How does playing darts and writing a diary make me a child molester, huh?! Kosaka: That’s like asking, “how does heroin make you a drug addict?” Yuki: I’m getting real tired of you picking on me! It won’t be so fun when the shoe’s on the other foot! Kosaka: Are you threatening me...? Are you threatening me while wearing two jackets?! Yuki: Well, um, uh... Kosaka: I’ll take the gun you’re saving for the popular kids and blow your fuckin’ brains out! Takao: Alright, that is quite enough, Kosaka! Kosaka: What, what’d I do?! Takao: What I’ve heard in your verbal attack on Amano is very troubling and downright heinous! Yuki: Yeah, you forgot everything they said in the bullying assembly. Kosaka: Yeah, those work. Takao: Confronted by a teacher and not even an ounce of remorse? This is how Virginia Tech happened, Kosaka. Kosaka: ...Wait, do you mean he’s doing the shooting? ‘Cause you should probably talk to him then. Takao: Go to class, Amano. I’ll deal with this troublemaker myself. Yuki: Thanks, you’ve always had the backs of us students. Takao: This is mandatory counseling, Kosaka! You will be in my office everyday for the rest of the year until you show improvement! Kosaka: Fuckin’ everyday?! For how long?? Takao: You’ll be excused from your classes for one hour. This used to be my break time, but now I’ll be seeing you in my office 9AM sharp starting tomorrow. Is that clear? Kosaka: Dude that’s so early! Takao: Is. That. Clear?! Kosaka: Sure, whatever... Takao: Now, off to class, both of you! Kosaka: How was that rest of the year punishment...?! Tsubaki: Um... What did Yukiteru do? Kosaka: Nothing. Tsubaki: Wait, then why did you-- Kosaka: You can smoke by yourself again, right? Tsubaki: ...That’s the nicest thing anyone’s ever done for me. Kosaka: ...That’s kinda sad.

[juniperhillpatient]

Maybe my next fic should have influencer Azula lol

[femmeroi]

kill yourself faggot

Our relationship is rough right now, but in a few episodes we will be married.

[littlequeenies]

1972 - American model Bebe Buell in NYC.

Photo 1) Scanned by Leith from (Diet) Coke & Sympathy blogspot from Bebe Buell's 2001 book "Rebel Heart. An American Rock'N'Roll Journey". You can buy it on Amazon.

Photo 2) Our scan from Bebe Buell's 2023 book "Rebel Soul. Music, Musings and Magic". You can buy it at Hozac Records website and Amazon.

Support your artists!

[gyudons]

despicable

updates as of 22 oct

Travis Dermott knew that he would draw attention with his actions in the Coyotes’ home opener against the Anaheim Ducks at Mullett Arena on Saturday. The Arizona defenseman just hoped that the spotlight might shine on the issue that he was addressing, not on him.

“You don’t really want to go against rules that are put in place by your employer, but there’s some people who took some positive things from it,” Dermott said. “That’s kind of what I’m looking to impact.

“You want to have everyone feel included and that’s something that I have felt passionate about for a long time in my career. It’s not like I just just jumped on this train. It’s something that I’ve felt has been lacking in the hockey community for a while. I feel like we need supporters of a movement like this; to have everyone feel included and really to beat home the idea that hockey is for everyone.”

“I won’t lie,” said Dermott, who is playing on a one-year, two-way contract. “From the outside, it’s easy to see that I’m putting my career on the line for something. I definitely went through some emotional ups and downs that night, not regretting anything by any means, but I’d love to have maybe done a couple of steps a little different by making sure that everyone was aware of what was going on before I did it.

“I don’t want to put my teammates or my coaches or my GMs or the equipment managers in any kind of bad light when it’s their job to kind of look out for something like this happening. It was definitely something that I did just by myself and was prepared to kind of deal with whatever repercussions the league decides to push towards that. I’m not going to back off and say that this battle is won, but we’re going to find better ways to do it.”

As Dermott noted, LGBTQ+ inclusion is an issue that he has supported for a long time. Without getting into specifics, Dermott said the issue is personal for him because it impacts people close to him.

“I’d be lying if I said I haven’t shed tears about this on multiple occasions,” he said. “So yeah, it’s something I’m definitely very passionate about.

“I’ve met a lot of people that from the outside, it looks like they have everything going right in their life and they have a smile on their face every time they talk to you. But sometimes when we get closer to people and get comfortable enough for them to open up to you, you can see that there’s some pretty dark stuff happening to some good people. It doesn’t take too many times encountering something like that for it to really change someone.

“I’ve been blessed to have some of those opportunities put in front of me to really change my view of what being a good person means; what being a good father and a good example and role model means going forward. You really see how people are hurting and it’s because of a system that maybe no one’s intentionally trying to be malicious about, but until you’ve really had that first-person experience seeing people hurting from it right in front of you, it’s tough to kind of take steps.”

It would be a surprise if the league handed down any sort of punishment. The optics alone would add to the public relations damage that the original ban created. Even so, Dermott reiterated his desire to bring the entire franchise into the fold before he takes similar actions in the future, but he also made it clear that he will not be silenced on the topic.

“It’s not like I’m shutting up and going away,” he said. “I know more questions are going to be coming. We’re just going to be as prepared as we can be to just spread love. That’s the thing. It’s gay pride that we’re talking about, but it could be men’s health. It could be any war. It’s just wanting world peace. Everyone’s got to love each other a little bit more.

“Like my parents said growing up, ‘How awesome would it be to be the guy that people look up to?’ That’s what really hit home when I was a kid, especially from my mom. You want to grow up and be that guy. You want to be the guy that’s having the impact on kids like NHL players had on you. If they had been racist or bigoted, that’s going to have an effect on you.

“With how many eyes are on us, especially with the young kids coming up in the new generation, you want to put as much positive love into their brain as you can. You want them to see that it’s not just being taught or coming from maybe their parents at home. They need to see it in the public eye for it to really make an effect.”

[sumikatt]

the darling Glaze “anti-ai” watermarking system is a grift that stole code/violated GPL license (that the creator admits to). It uses the same exact technology as Stable Diffusion. It’s not going to protect you from LORAs (smaller models that imitate a certain style, character, or concept)

An invisible watermark is never going to work. “De-glazing” training images is as easy as running it through a denoising upscaler. If someone really wanted to make a LORA of your art, Glaze and Nightshade are not going to stop them.

If you really want to protect your art from being used as positive training data, use a proper, obnoxious watermark, with your username/website, with “do not use” plastered everywhere. Then, at the very least, it’ll be used as a negative training image instead (telling the model “don’t imitate this”).

There is never a guarantee your art hasn’t been scraped and used to train a model. Training sets aren’t commonly public. Once you share your art online, you don’t know every person who has seen it, saved it, or drawn inspiration from it. Similarly, you can’t name every influence and inspiration that has affected your art.

I suggest that anti-AI art people get used to the fact that sharing art means letting go of the fear of being copied. Nothing is truly original. Artists have always copied each other, and now programmers copy artists.

Capitalists, meanwhile, are excited that they can pay less for “less labor”. Automation and technology is an excuse to undermine and cheapen human labor—if you work in the entertainment industry, it’s adapt AI, quicken your workflow, or lose your job because you’re less productive. This is not a new phenomenon.

You should be mad at management. You should unionize and demand that your labor is compensated fairly.

[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[normanblogs]

Transformational Possibilities: Gabriella Carballo

This could be the start of a new blog series here entitled “Transformational Possibilities” or features on Filipinas who may have what it takes to pursue the Miss Universe Philippines path. But let it be known that I can be quite picky on who to include in the line-up. Let us start with Gabriella “Gabbi” Carballo who just recently crowned her Miss Cebu successor. She may be a familiar face in the…

[mixedmarxsblogofwisdom]

I FINALLY MADE THOSE HAMMER SCREENSHOTS THAT I POSTED ABOUT LIKE 7 OR 8 HOURS AGO.

[ozzgin]

Yandere! Android x Reader (I)

It is the future and you have been tasked to solve a mysterious murder that could jeopardize political ties. Your assigned partner is the newest android model meant to assimilate human customs. You must keep his identity a secret and teach him the ways of earthlings, although his curiosity seems to be reaching inappropriate extents.

Yes, this is based on Asimov’s “Caves of Steel” because Daneel Olivaw was my first ever robot crush. I also wanted a protagonist that embraces technology. :)

Content: female reader, AI yandere, 50's futurism

[Part 2] | [More original works]

You follow after the little assistant robot, a rudimentary machine invested with basic dialogue and spatial navigation. It had caused quite the ruckus when first introduced. One intern - well liked despite being somewhat clumsy at his job - was sadly let go as a result. Not even the Police is safe from the threat of AI, is what they chanted outside the premises.

"The Commissioner has summoned you, (Y/N)." 

That's how it greeted you earlier, clacking its appendage against the open door in an attempt to simulate a knock. 

"Do you know why my presence is needed?" You inquire and wait for the miniature AI to scan the audio message. 

"I am not allowed to mention anything right now." It finally responds after agonizing seconds.

 It's an alright performance. You might've been more impressed by it, had you not witnessed first hand the Spacer technology that could put any modern invention here on Earth to shame. Sadly the people down here are very much against artificial intelligence. There have been multiple protests recently, like the one in front of your building, condemning the latest government suggestion regarding automation. People fear for their jobs and safety and you don't necessarily blame them for having self preservation. On the other hand, you've always been a supporter of progress. As a child you devoured any science fiction book you could get your hands on, and now, as a high ranked police detective you still manage to sneak away and scan over articles and news involving the race for a most efficient computer.

You close the door behind you and the Commissioner puts his fat cigarette out, twisting the remains into the ashtray with monotonous movements as if searching for the right words.

 "There's been a murder." Is all he settles on saying, throwing a heavy folder in your direction. A hologram or tablet might've been easier to catch, but the man, like many of his coworkers, shares a deep nostalgia for the old days. 

 You flip through the pages and eventually furrow your eyebrows. 

"This would be a disaster if it made it to the news." You mumble and look up at the older man. "Shouldn't this go to someone more experienced?" 

He twiddles with his grey mustache and glances out the fake window. 

"It's a sensitive case. The Spacers are sending their own agent to collaborate with us. What stands out to you?" 

You narrow your eyes and focus on the personnel sheet. What's there to cause such controversy? Right before giving up, departing from the page, you finally notice it: next to the Spacer officer's name, printed clearly in black ink, is a little "R." which is a commonly used abbreviation to indicate something is a robot. The chief must've noticed your startled reaction and continues, satisfied: 

"You understand, yes? They're sending an android. Supposedly it replicates a human perfectly in terms of appearance, but it does not possess enough observational data. Their request is that whoever partners up with him will also house him and let him follow along for the entirety of the mission. You're the only one here openly supporting those tin boxes. I can't possibly ask one of your higher ups, men with wives and children, to...you know...bring that thing in their house."

You're still not sure whether to be offended by the fact that your comfort seems to be of less priority compared to other officers. Regardless of the semantics, you're presently standing at the border between Earth and the Spacer colony, awaiting your case partner. A man emerges from behind a security gate. He's tall, with handsome features and an elegant walk. He approaches you and you reach for a handshake. 

"Is the android with you?" You ask, a little confused. 

"Is this your first time seeing a Spacer model?" He responds, relaxed. "I am the agent in your care. There is no one else." 

You take a moment to process the information, similar to the primitive machine back at your office. Could it be? You've always known that Spacer technology is years ahead, but this surpasses your wildest dreams. There is not a single detail hinting at his mechanical fundament. The movement is fluid, the speech is natural, the design is impenetrable. He lifts the warm hand he'd used for the handshake and gently presses a finger against your chin in an upwards motion. You find yourself involuntarily blushing. 

"Your mouth was open. I assumed you'd want it discreetly corrected." He states, factually, with a faint smile on his lips. Is he amused? Is such a feeling even possible? You try your best to regain some composure, adjusting the collar of your shirt and clearing your throat. 

"Thank you and please excuse my rudeness. I was not expecting such a flawless replica. Our assistants are...easily recognizable as AI."

"So I've been told." His smile widens and he checks his watch. You follow his gesture, still mesmerized, trying to find a single indicator that the man standing before you is indeed a machine, a synthetic product.

Nothing.

"Shall we?" He eyes the exit path and you quickly lead him outside and towards public transport. 

He patiently waits for your fingerprint scan to be complete. You almost turn around and apologize for the old, lagging device. As a senior detective, you have the privilege of living in the more spacious, secured quarters of the city. And, since you don't have a family, the apartment intended for multiple people looks more like a luxury adobe. Still, compared to the advanced way of the Spacers, this must feel like poverty to the android.

At last, the scanner beeps and the door unlocks. 

"Heh...It's a finicky model." You mumble and invite him in.

"Yes, I'm familiar with these systems." He agrees with you and steps inside, unbuttoning his coat.

"Oh, you've seen this before?"

"In history books."

You scratch your cheek and laugh awkwardly, wondering how much of his knowledge about the current life on Earth is presented as a museum exhibit when compared to Spacer society. 

"I'm going to need a coffee. I guess you don't...?" Your words trail as you await confirmation. 

"I would enjoy one as well, if it is not too much to ask. I've been told it's a social custom to 'get coffee' as a way to have small talk." The synthetic straightens his shirt and looks at you expectantly. 

"Of course. I somehow assumed you can't drink, but if you're meant to blend in with humans...it does make sense you'd have all the obvious requirements built in."

He drags a chair out and sits at the small table, legs crossed.

"Indeed. I have been constructed to have all the functions of a human, down to every detail." 

You chuckle lightly. Well, not like you can verify it firsthand. The engineers back at the Spacer colony most likely didn't prepare him for matters considered unnecessary. 

"I do mean every detail." He adds, as if reading your mind. "You are free to see for yourself."

You nearly drop the cup in your flustered state. You hurry to wipe the coffee that spilled onto the counter and glance back at the android, noticing a smirk on his face. What the hell? Are they playing a prank on you and this is actually a regular guy? Some sort of social experiment? 

"I can see they included a sense of humor." You manage to blurt out, glaring at him suspiciously. 

"I apologize if I offended you in any way. I'm still adjusting to different contexts." The android concludes, a hint of mischief remaining on his face. "Aren't rowdy jokes common in your field of work?"

"Uh huh. Spot on." You hesitantly place the hot drink before him.

Robots on Earth have always been built for the purpose of efficiency. Whether or not a computer passes the Turing Test is irrelevant as long as it performs its task in the most optimal, rational way. There have been attempts, naturally, to create something indistinguishable from a human, but utility has always taken precedence. It seems that Spacers think differently. Or perhaps they have reached their desired level of performance a long time ago, and all that was left was fiddling with aesthetics. Whatever the case is, you're struggling not to gawk in amazement at the man sitting in your kitchen, stirring his coffee with a bored expression.

"I always thought - if you don't mind my honesty - that human emotions would be something to avoid when building AI. Hard to implement, even harder to control and it doesn't bring much use."

"I can understand your concerns. However, let me reassure you, I have a strict code of ethics installed in my neural networks and thus my emotions will never lead to any destructive behavior. All safety concerns have been taken into consideration.

As for why...How familiar are you with our colony?" The android takes a sip of his coffee and nods, expressing his satisfaction. "Perhaps you might be aware, Spacers have a declining population. Automated assistants have been part of our society for a long time now. What's lacking is humans. If the issue isn't fixed, artificial humans will have to do."

You scoff.

"What, us Earth men aren't good enough to fix the birth rates? They need robots?"

You suddenly remember the recipient of your complaint and mutter an apology. 

"Well, I'm sure you'd make a fine contender. Sadly I can't speak for everyone else on Earth." The man smiles in amusement upon seeing the pale red that's now dusting your cheeks, then continues: "But the issue lies somewhere else. Spacers have left Earth a long time ago and lived in isolation until now. Once an organism has lost its immune responses to otherwise common pathogens, it cannot be reintegrated."

True. Very few Earth citizens are allowed to enter the colony, and only do so after thorough disinfection stages, proving they are disease free as to not endanger the fragile health of the Spacers living in a sterile environment. You can only imagine the disastrous outcome if the two species were to abruptly mingle. In that case, equally sterile machinery might be their only hope.

Your mind wanders to the idea. Dating a robot...How's that? You sheepishly gaze at the android and study his features. His neatly combed copper hair, the washed out blue eyes, the pale skin. Probably meant to resemble the Spacers. You shake your head.

"A-anyways, I'll go and gather all the case files I have. Then we can discuss our first steps. Do feel at home."

You rush out and head for your office. Focus, you tell yourself mildly annoyed.

While you search for the required paperwork - what a funny thing to say in this day and age - he will certainly take up on your generous offer to make himself comfortable. The redhaired man enters the living room, scanning everything with curious eyes. He stops in front of a digital frame and slides through the photos. Ah, this must be your Police Academy graduation. The year matches with the data he's received on you. Data files he might've read one too many times in his unexplained enthusiasm. This should be you and the Commissioner; Doesn't match the description of your father, and he seems too old to be a spouse or boyfriend. Additionally, the android distinctly recalls the empty 'Relationship' field.

"Old photos are always a tad embarrassing. I suppose you skipped that stage."

He jolts almost imperceptibly and faces you. You have returned with a thin stack of papers and a hologram projector.

"I've digitalized most files I received, so you don't have to shuffle a bunch of paper around." You explain.

"That is very useful, thank you." He gently retrieves the small device from your hand, but takes a moment before removing his fingers from yours. "I predict this will be a successful partnership."

You flash him a friendly smile and gesture towards the seating area.

"Let's get to work, then. Unless you want to go through more boring albums." You joke as you lower yourself onto the plush sofa. 

The synthetic human joins you at an unexpectedly close proximity. You wonder if proper distance differs among Spacers or if he has received slightly erroneous information about what makes a comfortable rapport. 

"Nothing boring about it. In fact, I'd say you and I are very similar from this point of view." He tells you, placing the projector on the table.

"Oh?"

"Your interest in technology and artificial intelligence is rather easy to infer." The man continues, pointing vaguely towards the opposing library. "Aside from the briefing I've already received about you, that is."

"And that is similar to...the interest in humans you've been programmed to have?" You interject, unsure where this conversation is meant to lead. 

"Almost."

His head turns fully towards you and you stare back into his eyes. From this distance you can finally discern the first hints of his nature: the thin disks shading the iris - possibly CCD sensors - are moving in a jagged, mechanical manner. Actively analyzing and processing the environment. 

"I wouldn't go as far as to generalize it to all humans. 

Just you."

[meo-eiru]

Elias Masterlist

Part 1

Part 2

Elias with a darling who doesn't find him attractive

Elias is boring

What is Elias' favorite style

Elias with a reader who prefers personality over looks

If you tried doing activities with Elias

If you tried making Elias do an activity by encouraging him

Would fashion count as Elias' interest

How do you hold a conversation with Elias if he's boring

What is Elias' original name

If you guilt trip Elias into getting a hobby

How does Elias make a living

Would Elias get serious with modeling

Would Elias actually kill himself

Can Elias do housework and what does he think about kids

Elias is pretty in the bedroom as well

Goodnight Elias art

Elias is like a pretty doll who is empty inside

Is Elias a pillow princess

You know other men?

If you use your hobby to express your love for him

I love when he

Elias with a fashion designer reader

How Elias is when he wakes up

Is Elias' manager manipulating him

First ever Elias sketch

If you like cats more than you like Elias

Is Elias petty

Elias threatening you with cutting his hair

Elias with short hair

Who is cuter Lavi or Elias?

The Elian saga

Elias with different types of darlings (obsessed, sadist etc)

Elian is anti Elias

The lore thickens

--------------------------------------------------------------------------

Elias voice claim

What if darling drew weird ass drawings of the boys

Elias with an equally obsessed photographer darling

Is he down for sleeping naked

The boys with a reader who owns a pet

The boys hanging out

Ranking the boys from sub to dom

Elias' jealousy

Freaklias finds out you’re cheating on him with Freakbob

Elias' life before meeting you

How askers treat Elias vs Silas

How askers treat Elias vs Silas pt 2

Collection of hilarious asks

Love languages of the boys

Two types of Elias fans

Elias reaching old age with darling

The german anon ask (and it's translation)

Elias crashed his car once

Did reader see him crashing his car

Stalking Elias must be boring as hell

What Elias does all day

Micah vs Elias on being scary

Darling gushing over Elias' childhood pics

Is Elias good at sex

Elias vs Lavi in a fistfight

How are the boys with aftercare?

Scrapped Elias goodnight drawing

What do the boys wear to sleep?

Who's the best hairstylist

How to distinguish Micah and Elias

The lengths he would go for you attention

What if you like his old looks better

Darling going to Elias' photoshoots with him

Elias hearing you shit talking about someone who has the same name as him

[livingdeadhorse]

idk what this is. i like robots. i’ll clean these up later. i think.

anyways while drawing these I started thinking abt like. idk does this count as an AU.

General shit:

I didn't make it clear, but the robots that have pupils were built without a hardcoded purpose. They've always been free to explore what they want to do. The robots with fully colored "scleras" were created with a purpose from the jump, so their creators didn't feel the need to make them appear more "human".

The more expensive a robot's parts are, the less clunky it is.

Right now, I'm going with "their human family built them" but that's liable to change.

The designs are also liable to change because uh. duh.

Celestia Ludenberg:

Viewed the robots with an imbued purpose as interesting and superior (something something humanity's advancement). She wants to be praised like that, so she emulates them

Her cat loves how much heat she radiates so it's always near her.

Most of her upgrades are cosmetic but if they aren't, they're stupid. She won't upgrade her CPU or her motherboard, but she'll load up with three 4090s that her other components can't even keep up with. Yes, she does it to flex.

She'll distract from bootleg, refurbished, or shoddily painted parts by turning on her RGB. It gets annoying.

She knows that she's fairly unsettling and she revels in it.

All things considered, her cable management is pretty good.

Her gambling skill is still just luck here, but she tells everyone it's because she has a never-seen-before GPU(& CPU) that does calculations at insane speeds.

Most don't believe her but have no way to disprove her lie.

Kiyotaka Ishimaru

I can't decide if he was built by his father or his grandfather.

Either way, he was built before Toranosuke's downfall, so his internals were all pretty expensive for the time. Luckily for him, that means he was slightly future-proof and has a viable upgrade path.

Unluckily for him, this means he's stuck with really old parts and his 8gb of RAM can barely keep up in a 32gb world sadge

His chassis is built from secondhand or scrap parts. It's why his joints are so ancient in comparison to the rest of him and why he has so much cabling that he can't seem to manage.

Shit chassis = shit airflow = he is always overheating

BUDDY IS YOUR CPU BURNING HOW IS THERE SMOKE

Older tech = LOUD AF. The class bought him new fans to avoid the loud ass whirring. It's not quiet but he used to sound like a jet engine.

He runs on Debian. It was originally going to be Arch since it's lightweight but Debian's whole "old but stable" reputation fits him more. I don't see him properly dealing with bleeding edge software anyways.

His room is filled with past HDDs that no longer have storage. He deems all educational material important so he refuses to delete any lessons. He doesn't have the money for SSDs.

Mukuro Ikusaba:

Is usually in reconnaissance mode, meaning she has a shit ton of hidden cameras in her chassis

This used to benefit Fenrir. Now it benefits Junko.

She can have her parts shifted around with no issue to make room for a better arsenal.

She’s durable in her reconnaissance mode but she’s nigh on untouchable in her combat mode. Her chassis gets 10x bulkier and she can split her attention to several different tasks on the battlefield.

Fenrir Mercenary Group doubles as a weapons company. Mukuro is the only model of her kind though.

They tried to give her reconnaissance model the look of a “normal girl” so she could gather info more efficiently. They failed real bad. They also didn’t account for the fact that Mukuro isn’t good at socializing.

She allocates a CPU core to a process dedicated to Junko. 24/7 365

She believes herself to be less capable of emotion than she actually is. She can’t seem to find the system process that triggers such painful emotions.

Chihiro Fujisaki

Each “fold” in her skirt doubles as a screen. Think of the skirt as having two layers: the top shell and the under shell. The top shell is what doubles as a screen.

Optimized her hardware to work on code as fast as possible (fingers, skirt, etc).

She tends to test out new software on herself regardless of their compatibility with her pre-existing shit. She constantly has to reinstall her OS, but it’s all fun for her.

Speaking of her OS, I was going to make her run on Gentoo but IDK cause of the compile times. It’d be faster if she used distcc but I can’t see her screwing over her classmates like that lol.

So I’m between Nix and Arch.

Insecure about the fact that she overhauled her original model so extensively. Got made fun of for being a ‘defective’ robot. Her father supports her modifications but she still feels bad about having ‘failed’ somehow.

Cue identity issues

She helps out her classmates when it comes to repairs.

Tendency to stay up programming leads to high uptimes. If her friends notice her lagging or crashing, they’ll try to get her to shut down. (In a computer sense lol, not an emotional shut down)

Do y’all remember the xz utils backdoor? Yeah that’s how extensively she combs through code.

Sayaka Maizono

I can’t decide if she was built to be an idol or was originally some other type of robot.

Loves to make kids smile, so she has a sort of candy mechanism in her arm.

Everything about her glows or spins. You will never get bored looking at her.

Her skirt isn’t actually see through I just didn’t feel like erasing the hip joints lmao.

If corpos give her manager enough money, she has to perform with literal ads on her.

State-of-the art facial recognition software. It makes her fans feel special to have their names remembered.

She has a regular sleep cycle due to how load-intensive her everyday life is. Has to shut down for a couple hours every week at least.

Her psychic ability is just her running a million calculations based on people’s behavior and sensing which one is most plausible. This feature is in place to avoid PR disasters during interviews or public appearances.

There really aren’t enough worker’s rights regulations in place for robots.

The company gets alerts whenever she freaks tf out, so she feels even more stifled and repressed. Chihiro helped remove this.

Kyoko Kirigiri

Can’t decide if she was built by her father or grandfather. Probably just built by Jin and he “left” her in Fuhito’s care.

Fuhito made her go through several modifications, hardcoding his own investigative skills into her system.

Her grandfather loves her but has fucked up ideas about her own autonomy.

The events of DR:K still happen. She chose not to replace her hands.

Fuhito doesn’t make much use of a backdoor in her system anymore. He used it a lot more when she was a child but he sees her as a viable heir of the Kirigiri clan now. Chihiro isolated the backdoor to a separate SSD anyhow.

Still complicated father-daughter issues

Everything about her (but her OS) is proprietary, probably commissioned from Towa Industries. Her OS is a fork of Mint. The Windows 7 UI is just because I imagine her grandfather is One of Those lmao.

Has way too many scanners and sensors. She can’t test any evidence herself but she can gather a fair bit of information. Has a vast database for cross-comparison anyways.

Same issues as Togami and Mukuro: sees herself as less capable of emotion than she actually is.

The ramen noodle incident called for actual repairs.

Byakuya Togami

His superiority complex is far worse because he was literally CREATED to be the perfect Togami. You can’t tell him shiiiiiiit.

Gold joints. Scoffs at those with unoptimized cable management or software.

He’s constantly streamlining his own processes. Brings up that he runs on his own OS when Nobody Asked.

Had a similar backdoor to Kyoko’s but Koji did check that one. Obsessively. Nobody would tell Byakuya but He Just Knew. The lack of privacy irritated him. Aloysius helped fix it once Togami finally took over.

Only trusts Aloysius with his repairs. Has a hard time admitting when he needs repairs in the first place so Aloysius hides it under “monthly maintenance”.

Does everything from the terminal even when he 1) shouldn’t and 2) can’t. Bragging rights. He has written a bunch of his own scripts though to speed things up.

Kernel and OS provided to him by Koji. (UNIX-based. Proprietary) Byakuya maintains and builds his own updates. Doesn’t trust cheapskate peasants to do it for him.

Anti-FOSS. For him at least.

Has glasses for the aesthetics. Doesn’t need them.

[coyotes-rules-of-change]

For those who were fans of the original Mirror, Mirror short… How about another?

"Mirror, mirror on the wall, who's the hungest one of all..."

Josiah walked into the locker room for probably the tenth time that day. He had no idea why one of the managers thought this stupid mirror inscription would be a good addition to the atmosphere at the gym. He could swear the extra cocky and dumb fuckboys walking around today were somehow summoned by the new inscription. Well, Josiah didn’t necessarily believe there was a direct correlation, but he did subscribe to the idea that you invite into your space the energy that you want.

That easygoing and positive demeanor made him one of the more popular trainers at the gym. Sure, he had a good physique, but it was because he cared for his body and health, and he thrived at the gym, teaching those guiding principles to others. On the other hand, staring at the latest patron’s use of the new mirror provoked his principles, reviving the reconsideration of his role in the toxifying workplace again.

“Mirror, mirror on the wall, who’s the hungest one of all? It’s the epitome of envy and pride. Whoever wrote this has an ailing mind.”

Josiah turned to go, except…

He could swear the peripheral glance he’d caught in the mirror displayed a more noticeable bulge…

He turned back to alleviate the paranoia permeating his psyche… but it really did seem bigger. Josiah stepped closer, grabbing the protrusion in his shorts. He smiled as his hand groped the shaft beneath the fabric. He may not be the hungest—as the sign said—but he was definitely big. It’s the reason why he was popular at the gym—people thought he was all positive and zen, but he just looked good, and his dick was big enough that he never worried about jealousy. When you pack the member and muscle he had, it’s easy to keep envy at bay. Josiah’s training conduct centered on modeling the confidence a good body can get you. When you work hard and earn your ideal image, it’s not conceited to show off—it’s just the love you deserve to claim from yourself and your peers.

But Josiah knew as he looked in the mirror that as hard as his clients tried, they could never be him. He wasn’t just a model; he was a paragon. The clients who took him seriously—those bros could build muscle, grow broader, tone, and define and sculpt until they earn the bravado they’ve always had but never justified. But those same jocks could never pull the client base he had because they’d never had his gargantuan cock. Josiah was not at the gym to help improve lives; he was the main attraction. People paid money to be in his presence while he worked up a sweat to get a close-up look at his mythic bulge. Sometimes, in public, he’d catch a judging glance, or a “good Christian woman” would comment on his brashness, but even if he wanted to hide it, his shaft couldn’t be contained. No, instead, he was used to seeing the looks of envy, desire, lust, and hunger fall across the face of anyone he brushed past.

Josiah loved to pose and flex and flaunt in front of a mirror, but he had a gym floor to dominate. He turned around to go and lift.

Oh, he almost forgot—he was the hungest one of all; he can’t let that stay up. He erases the last word, leaving the fairytale phrase blank. Except all that flexing had left him aroused—a horse cock like his was insatiable. Maybe he can use the inscription for some solicitation. He fills in the blank and departs the locker room.

"Mirror, mirror on the wall, who's the sluttiest one of all..."

[thethingswedotomorrow]

Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

[lollobarcollomanonmollo]

women artists that you should know about!!

-Judith Leyster (Dutch, 1609-1660)

During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.

-Artemisia Gentileschi (Italian, 1593-1656)

"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.

In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".

-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)

She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.

-Augusta Savage (Afro-American, 1892-1962)

Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.

-Marie Ellenrieder (German,1791-1863)

She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.

-Berthe Marie Pauline Morisot (French,1841-1893)

Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.

-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)

Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.

-Marie Gulliemine Benoist (French, 1768-1826)

Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.

-Lavinia Fontana (Italian, 1552-1614)

She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.

-Elisabetta Sirani. (Italian, 1698-1665)

Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).