#Poor Esmeralda

[ranminfan]

Well I just finished reading Notre Dame de Paris and....

yeah, I'm ruined.

[stasyacheese]

"so beautiful that God himself would prefer her to the Virgin Mary"

[inexprymable]

Season 2 Hackle | Hollow Wood

[thatratgo]

>;)

[natitoonfan]

esmeralda rejects pierre gringoire like hard. girl only married him to save his life, she dosent feel what he feels. bro got a massive letdown.

[chaos-has-theories]

just remembered about @monthlyartprompts and now I want to sketch soooo badly but It's 1 a.m. and I need my sleep

[irascible-iridescent]

I watched the new disney trailer for their cartoon Wish and its such a trainwreck dvhdbsh like the main villain is the king who is literally a pussy puss give them cunt cunt cunt tiktok. He is over the top guy who makes wishes of some citizens come true and his wife looks at him like he is her poor meow meow. Like she is all ahhhh here he goes again doing his silly crimes <33

[flowerynameslover]

“You mistreat this poor boy the same way you mistreat my people. You speak of justice, yet you are cruel to those most in need of your help.”

Disney/The Hunchback of Notre Dame: Esmeralda

Female Awesome Meme: Animated Characters (4/10)

[annymation]

Reimagining the characters in Wish

(Part 1- Asha)

Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.

But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.

But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.

But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.

If you’re interested, then come along!

Asha✨

Personality

- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself

- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them

- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook

- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?

- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends

- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)

- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda

Main Traits:

Calm and mature

Determined

Passionate about her interests (drawing, dancing, philosophy and stars)

Helpful and generous

Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)

Playful

Compassionate

Backstory

Oooh boy I gave this poor girl so much angst, okay let’s go

Asha grew up with her grandfather, her parents both died in a fire when she was just a baby

(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)

Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher

Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books

In other words, her mom was an animator

Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”

Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.

This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas

In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.

The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying “hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…

At this point you might suspect what caused that “mysterious fire”

So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.

But as her grandfather grew older, he became senile.

Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age

Asha went on to live with her best friend Dahlia, the two became like sisters.

Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling

The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.

But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.

With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.

Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.

This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.

Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.

But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.

Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”

Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.

Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.

However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.

Design

- I’d keep these braid ornaments that Asha had in the concept art

- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)

- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.

Final Thoughts

My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.

The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.

Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.

Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.

She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.

She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.

I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:

I want to be free from these palace walls!

I want to explore the ocean!

I want to open a restaurant!

I want to find true love!

And then there’s Asha here like

“My life is fine, I just wanna chill and draw stuff”

And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.

Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.

But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!

Thank You For Reading!

[thebarroomortheboy]

The scene in which Quasimodo rings the cathedral bells for Esmeralda was shot the day World War II began in Europe. The director and star were so overwhelmed, the scene took on a new meaning, with Charles Laughton ringing the bells frantically and William Dieterle forgetting to yell "cut." Finally, the actor just stopped ringing when he became too tired to continue. Later, Laughton said, "I couldn't think of Esmeralda in that scene at all. I could only think of the poor people out there, going in to fight that bloody, bloody war! To arouse the world, to stop that terrible butchery! Awake! Awake! That's what I felt when I was ringing the bells!"

CHARLES LAUGHTON (Quasimodo) and MAUREEN O' HARA (Esmerelda) in the HUNCHBACK OF NOTRE-DAME (1939) | dir. William Dieterle

[gritsandbrits]

So it's okay for rapunzel and esmeralda to wear purple despite coming from poor backgrounds but when asha does it's unrealistic? even tho she has a job and her mom is a seamstress.

if you look at Asha, her purple has a bluish undertone, meaning the dyes were less expensive. And in Medieval times she wouldn't be punished for wearing it. Also she fills in for purple since her friends represent the rainbow, and complementary to Star.

And in context for Disney Princesses MOST OF THEM WEAR BLUE, PINK OR GREEN. Asha is unique bc she never wears those colors.

Here's a link to more about medieval dying methods

[sweetmariihs2]

Since I got a Hunchback of Notre Dame (Disney movie mostly) hyperfocus I've been wondering about some stuff:

Quasimodo poured molten bronze from the top of the cathedral onto the people below, especially Frollo.

1 - He didn't cared about the innocent citizens down there which is weird for his character - maybe it was the stress idk. Or he just knew that the closest ones from the cathedral were the guards, which is where the bronze would fall. But it could have spilled on anyone. Weird.

2 - In the following morning there was no molten bronze (or smoke, or even the stage where Frollo tried to burn Esmeralda) on the square anymore. And everyone was fine?

3 - Why was there molten bronze in Notre Dame, specially in that place? I don't know much about the Middle Ages but it doesn't seem normal for that fire to be lit all the time, it would be a waste of time and firewood. Logically, it would only be melted when a bell needed to be repaired, and Quasimodo was stuck in those chains since they got out of the Court Of Miracles, probably. So it makes no sense.

4 - Poor boy was probably starving there. It was the next day. (Edit: or maybe the Court Of Miracles scene just happened at the previous day 11:00 PM and the fire scene happened at the next day 03:00 AM, who knows?)

5 - I only heard it was molten bronze. First time I watched I got so confused, I'm pretty sure that they didn't said that on the movie. Also, I never heard about churches having that kind of dangerous material inside them. People fixed the bells there? People made them there? Help I'm so confused. Can someone answer me? With real pics please? I tried to make a research but couldn't find anything.

I would also point out that Frollo standed on a gargoyle he HIMSELF had cut in the middle. He dug his own grave. lmao. you can see the cut mark of the sword on the gargoyle next to his feet. I think that's not really obvious and someone out there didn't got it. I only did after like my fourth watch.

Something I also wonder is if the archdeacon told Quasimodo the full story of what Frollo did to his mother. And yes, you may think "of course, I would love to see it that way, Quasimodo deserves to know", and while I agree with you... imagine how he would feel when knowing that the archdeacon knew the truth for years and kept it from him. Let Frollo lie to him, let Frollo abuse him and tell him that his mother abandoned him because he looked like a monster, for years, years and years. He wouldn't be fine. I can only think about his rage when Frollo tried to stab him at the end of the movie or when Phoebus appeared right after Esmeralda escaped from Notre Dame. Poor boy would never be able to look at that archdeacon's face again.

Why did the archdeacon let Frollo just take care of Quasimodo after what Frollo did?! He clearly didn't wanted to take care of the baby, the archdeacon just pushed little Quasi onto his hands for Quasi to suffer! When someone is denying something, they may do it but they'll do it grudgingly. If it was something stupid than it would be fine, but that's a whole life in his hands. The archdeacon just forced abuse on Quasi for years. What did he thought? That because Frollo felt guilty he would be a good father? He knows Frollo's character and saw how reckless he acted with that child's life. And even worse, he could have stopped it. But no, he saw Quasimodo suffering for 20 years and just let it happen.

Just found this on pinterest:

THE GARGOYLES ARE ALIVE AND I DON'T CARE ABOUT WHAT ANYTHING ANYONE SAYS. I also love them. Idc.

We see them interact with the environment around them all the time, mostly during the rebellion in front of Notre Dame by the end of the movie. I know that the sequel is not really good and maybe not even canon but Madeline sees them too. "They can be both schizophrenic" at the same time and seeing/hearing the same stuff? No way. Shut up I won't hear anyone out.

Quasimodo's pure heart and sweet - insecure behavior doesn't come from Frollo's childrearing. It comes from the Gargoyles and the insecurity Frollo buried into Quasi's head.

If Quasimodo was only raised by Frollo, he would be a thrash bag. He would have prejudice against the romani people, instead of just repeating in doubt what Frollo says during the scene where he shows the cathedral's terrace to Esmeralda. He also wouldn't be that sweet kind of guy who covers his view when suddently bumps into a girl changing her clothes. Basically he would be cruel and stupid, just like how Esmeralda said "How could such a cruel man have raised someone like you?"

And the answer is that: He didn't! Frollo taught him everything he needed to know, brought him food, and then left him alone for the rest of the day like we see him doing in the movie. You know who raised Quasimodo? The gargoyles. It's them who turned him into someone sweet and nice to have around. They're his adoptive parents in a way, you know?

And I also think that idea of them never showing themselves to humans but seeing that poor boy being left alone in that belltower made them want to do something about it. Make him some company, and teach him the right stuff - which is what Frollo wasn't doing right, just like everything else he does.

And I'M SURE, I JUST KNOW THAT IT WAS LAVERNE WHO DECIDED TO DO IT FIRST. She tried to convince Hugo and Victor about starting to help little Quasi, but they were afraid of doing it so. Laverne just said "you know what? I can't keep watching this in silence. Fuck it" and they just went along.

Also, something I learned in practice was that when you make someone insecure, convinces that person to believe they're less than anyone else and that they're stupid, dumb and ugly, this person tends to be extra nice to get approval of others. They don't even do it on purpose, the're just trying to make up for their appearence and stupidness through acts of kindess and service. And if that's done to them since a young age like it was done to Quasimodo, they do it unintentionally, and it turns into a personality trait. In a "I'm sorry for being like this. Let me make up for you" way. Like Quasimodo said "I know that I'm ugly", and in my opinion that's one of the worse ilnesses someone can have. It's not even a real ilness, and yet it's so damn hard to cure. Lmao that's totally not based on something I experienced, of course not. That's exactly why I absolutely don't kin Quasimodo. Of course not.

Children come into the world with a natural desire to discover and explore. To make Quasimodo so quiet and submissive, Frollo must have given the worst kinds of punishments to "discipline" him. He probably hit him more than once. Locked him somewhere? Maybe worse, Frollo tends to be quite creative when punishing innocent people. He broke all of Quasi's stuff he made for weeks, maybe years, just to scare him, and because he was angry.

It makes me even more worried to see how Quasi reacts to Frollo everytime they're together. He just reacts with fear and respect every time. Fear, mostly fear. What kinds of things hasn't this boy endured by disobeying or responding in a way that didn't pleased Frollo? To have to pick up the plates correctly and immediately sit down to study, and call him his "master" instead of just "Frollo".

I would also like to point out how Frollo stopped calling Quasimodo "Quasimodo" and started calling him "hunchback" closer to the end of the movie. That's how he sees him after all these years. A dumb, ugly and miserable guy who obeys him and is not even seen as a human. Have you ever watched The Goonies? You know that guy? Yes, that guy? I think that Frollo sees Quasi like this. The novel version reinforces this even more, with Quasimodo not being able to hear and barely talking.

I also headcanon that Disney's Quasimodo is still a bit deaf because of the bells. He can still hear, but lower. Sometimes his friends need to call his name twice.

And now these thoughts deserve a whole part of the post to discuss (Frollo and Esmeralda centered):

Frollo was probably considered ANCIENT because the life expectancy during medieval times was around 25-30 years. The guy was at his 66 years old.

1 - I know that in the book he's described as being afraid of woman, and a priest, so it made sense that he wasn't married. But that didn't happened in the movie. And as a (pervert) 66 yo old man, christian, white, powerful (judge and I still headcanon him as a fiefdom owner in the movie idc it makes sense in my head), traditional, who claims he's the only right person in the world and who does all kinds of atrocities, and who literally threatens (and tries) to kill Esmeralda if she refuses to "be his". Why didn't he had a wife? I mean, he could manipulate a woman or anyone for that matter if he wanted someone to... yk. I want to discuss more about this in the following topic.

What did Frollo meant when he said "Choose me or the fire"? I mean, there were three meanings for that quote in that context: "be in love with me", "hook up with me" or "be my wife (both, except that she would be stuck with him forever, and that's probably what he meant)"

Since he's a traditional christian guy and probably a sexist too based off his character, it would only made sense that he's the kind of guy to say "the man provides, the housewifes do the house chores and take care of the children".

As we see in 'Hellfire', he seems to support the purity culture, celibacy. And he's blaming himself for feeling attraction towards Esmeralda.

But this also can be for two reasons: because he choose celibacy, OR because she's a romani girl, which are people you know he despises. Or it can be both. That's also a doubt of mine.

Continuing my train of thought and taking this into consideration, Frollo feels extremely guilty for feeling attracted to her, and he claims "Destroy Esmeralda and let her taste the fires of hell; Or else let her be mine and mine alone" (I know you sang it).

Based off this, and knowing that Frollo is a radical (and hypocrite, but somehow he refuses to accept his lust for a long time) conservative christian, it would only made sense he would consummate after wedding. And by his word choices "let her be mine and mine alone", "choose me or the fire" sounds like he would like to MAKE HER HIS, PERMANENTLY. Maybe these words don't have this meaning? Maybe they're just about having her once? Maybe. But who knows. He's that kind of religious guy.

On the other way, he despises romani people and is disgusted of Esmeralda at the same time he's crazy about her. He calls her a witch, says it's her fault he was having those thoughts, "look at that disgusting display" (that classic kind of guy who says short skirts are innapropriate and too provocative but it's trying to look under them, iykyk). Basically he hates Esmeralda, who she is, despises her dance and calls it "disgusting display" and yet he's lusting over her. Considering this, it would only make sense he would do what he wants and leave her aside somehow, Frollo wouldn't want people to know that he married a romani girl, or a "vulgar girl" like her, maybe Frollo doesn't sees "the potential in her to be in a christian marriage", you know that that's extremely in character for him.

If Esmeralda had accepted his offer and did what he wanted, what would have happened? He would marry her and would exhibit her as a recanted woman? In a "I fixed her" kind of way, "and now she's my wife"? He would wipe all of her originality, personality and being out of her and turn her into his puppet like Elvis did to Priscilla in the movie "Priscilla", but worse? She would live an unhappy life with him and probably have his children too because this kind of guy believes in "only indulging in carnal acts when the purpose it's to reproduce"? Or maybe not, maybe he doesn't want children, but it doesn't matter because guys like him usually leaves all that on their wife's backs.

Also during the song "Hellfire" we see how fire Esmeralda "burns at the stake" and turns into smoke, flying into his direction with open arms. That's kinda metaphoric about him torturing her in that stake, stripping her of who she is and turning her into a ghost of herself. One that doesn't burn like flames, is softer, quieter, and willing for him and his twisted love - the kind of wife this kind of guy want.

While it also makes sense of him only having her once and considering Esmeralda "too promiscuous and part of the 'the common, vulgar, weak, licentious crowd', not good enough to be his wife", it's also possible that he's hinting about turning Esmeralda into a quiet, submissive and sad wife. "I can save you in this world and the other" maybe also hints at that, changing her so she's not "sinning" anymore by being who she is.

YOU KNOW WHAT? MADONNA AND THE PROSTITUTE THEORY ALL THE WAY UP. THAT'S WHAT I'M TALKING ABOUT.

There's a great channel on Youtube called "Final Girl Studios" and the owner of the channel makes video essays, she LOVES to mention this subject. It fits perfectly what we're talking about.

And ALSO I WOULD ABSOLUTELY LOVE TO MENTION HER ESSAY ABOUT THE MOVIE "VALERIE AND HER WEEK OF WONDERS". She talks about the Madonna and the prostitute theory and how the movie surrounds around this. And it's relevant to mention here that this movie has everything to do with the dynamic and topics discussed between Frollo and Esmeralda, not only in the Disney movie but also in the other adaptations and in the original novel.

I mean, it's a movie that's about a young girl called Valerie who just got into her puberty and spent a week finding out about how harsh the world is towards woman in general. So many things happen in this movie, but you can get what I mean when knowing that there's a scene when the priest tries to take advantage of her but fails because he remembered he should be celibate, and later then on the movie he tries to burn her at the stake, saying that she's a witch and seduced him to sin. Valerie then shows him her tongue.

Gosh that was so fun to take out of my chest and share. Someone needs to make a full post or video about how the Madonna x Whore subject is related to Esmeralda and Frollo. It's too much work for me, but maybe you guys would like to.

Also my friend mentioned about Esmeralda wearing different clothes during the stake scene. And yeah, okay, but if she was wearing different clothes, someone made her dress them, or dressed her themselves. She (my friend) was afraid that Esmeralda may have been assaulted or abused in any way during that period of time. I don't think Frollo did anything drastic like she does, or else he wouldn't be asking Esmeralda to "recant" and accept his offer.

[snackara]

Asha (The Alondra of Rosas)

I have no idea how to start one of these so let’s just dive into the madness-

I took a very different take on Asha, to say the least. Instead of being a cheery peasant girl or a gracious princess, she’s a charismatic, cunning, and emotionally distant thief. so an accidental puss in boots ripoff-

My main goal with Asha in this rewrite is to give her more of a personality, as well as a character arc. She had a little personality in the movie, but ultimately just falls into that “quirky female protagonist” trope Disney has been doing lately. I drew a lot of Asha’s personality from characters like Meg, Raya, and especially Esmeralda. As far as a character arc, she doesn’t really have one in the film. The only change she really goes through is becoming a little sparkly and becoming the fairy godmother or whatever (which was such a stupid idea especially after they JUST defeated Magnifico but for another day). Not to spoil much here, but in this rewrite I decided her character arc will mainly revolve around opening up to people and vulnerability.

As a quick side note, her nickname means “The Lark of Rosas”. The citizens call her lark because of the way she glides across rooftops so gracefully, and for her singing voice.

As far as her design goes, I wanted her to closer resemble Brittney Lee’s concept art, shown below.

Her facial features and hairstyle just seem more fitting to her in this rewrite, and the warmer colored clothing would make her stand out against the other citizens of Rosas, who wear a lot of cooler colors.

(credit unknown)

As for her outfit, I went with the classic Spanish Musketeer look like the design above (minus the pistol). The art is pretty close to what I imagine, though I’d probably have her just wear a shirt and not the blue vest seen above.

Now, I know what you may be asking: What about Valentino? Well, he’s still here, but um…

…he changed quite a bit too. This is a genet, a catlike animal native to Spain, and a much more fitting companion to a thief than a goat. Think of him like Abu from Aladdin.

Now for the fun part: angst

Asha was born in Rosas to Thomás and Sakina. A few years after she was born, her mother died during the raids. Afterwords, her father guided her and many others to the Uncharted Forest, where they built the hamlet.

Like Asha, her father was a thief who stole supplies for the hamlet and gave money from the nobility to the poor of Rosas. He became well-liked by many, and stood as a symbol of hope for poorer citizens. He was basically the closest thing the hamlet had to a leader. Until one day he disappeared when Asha was just 14. (This will be somewhat important later in the story)

Asha felt she had to take her father’s place to keep hope alive in Rosas and began to steal from the nobles, sharing their riches with commoners as he had done. Around this time she was taken in by an older man named Sabino, who had been friends with her father.

Sabino never really approved of Asha’s thievery, but since she was the only one bringing supplies into the hamlet he didn’t say much. Asha eventually became very closed off to people, and had Sabino and Valentino as her only real companions. Although most people like her, she doesn’t really have friends in Rosas or even the hamlet. She’s too scared of failing their expectations of her, and avoids growing close to anyone besides Sabino.

This girl has a lot of expectations weighing on her, and they’re only about to get a lot heavier. But this time, she won’t have to carry them alone.

Thanks for reading! Stay tuned for more.

[madwomansapologist]

Hello!

Can i ask for a esmeralda being obsessed with female reader who is a princess and goes to one of her dances ??

esmeralda being obsessed with you would include

Masterlist | Rules | Taglist | Library | More Esmeralda | AO3

synopsis: It was just another presentation. Just another normal day. But when Esmeralda saw you, when she saw your eyes shining, she knew nothing would never ever be the same anymore.

warnings: yandere themes.

note: Esmeralda was my bisexual awakening. I respect you, anon. A person of very good taste.

• You don't even know how many rooms there is to explore on your palace. So many floors, towers, hidden entrances. You can sleep every night on a different chamber and it would take you years to repeat one of them. And yet you feel imprisioned.

• Such a large place, but confiner still. Such a great amount of people there, but lifeless still. At every step, breath, dream: its walls echoed a question. A question that you knew everyone was somehow asking you, a question you didn't know how to respond, a question that haunted you since your childhood: "How smaller can you be?"

• It was only a matter of time until you finally run away. They should've know better.

• Disguised, covered with a faded cloak, running away from the guards who were looking for you: you were free. Wandering the streets, seeing your people living their lifes, you saw for the first time what life was like in France.

• Everything was fine until you made eye contact with the Guard Capitain. He saw you, he recognized you, and you saw his hand moving to warn his men where you were. Without further choice, you did the best you could: you blended in with the ground.

• Moving through the crowd afraid to be found, you didn't notice the dance until you were right in front of the stage. And when you saw, everything stopped. You were mesmerized.

• And so was Esmeralda. She noticed the movement. The disturb in the crowd. Esmeralda had to learn to watch her surroundings. The hooded person moving made her thought the dance would stop sooner, but then it feel from your face.

• Suddenly the music seemed louder. The same rhythm as her heartbeat. Esmeralda understood that no other sound could compared. It was a perfect symphony. Intricate melodies. Whole orchestras played just for her. Just for the two of you.

• Esmeralda danced looking into your eyes. It was a public presentation, but she was dancing for you. Only for you. She danced for your scared eyes, until they turned into hypnotized. She danced for you golden aura, for your perfect smile, for your body. Esmeralda danced just for you.

• Then she heard the guards. Esmeralda heard their orders, how they were searching for someone in the crowd. She heard everything, but she didn't take her eyes off of you. And she saw your fear.

"Come with me," Esmeralda reached out for you. You took a step back. "What's a poor girl gonna do alone in this world?"

You didn't want to come back to your home. You didn't want to be forced to pretend you're perfect. You didn't want to spend the rest of your life without knowing what it means to truly live. It may seem crazy, it may seem stupid, but you reached out for her. You trusted her.

As you both ran, the guards being left behind by Esmeralda's wit, you realized that you don't really have anywhere to go. You didn't plan this far. Most of your soul believed you wouldn't be able to even get out of the palace without being caught. "Where are we going?"

Your voice made her insides burn. With your delicate hand holding hers, your delicate, unscarred palm, Esmeralda felt like she was reborn. Everything about you felt new to her. "Somewhere safer."

• You felt so grateful that a total stranger chose to help you. At first you thought she may have recognized you, but when she asked for your name you knew she didn't. Esmeralda. A beautiful name, for a charming women.

• At her home, safer from the guards, your tiredness screamed through your body. Your eyelids were heavier, your muscles throbbed, your words tripped over your tongue. Esmeralda was so kind to offer you her bed.

• When she saw you were deep asleep, Esmeralda got closer. She hold your hand into hers, and read your palm's lines. So soft, so tender. She could stay this way forever. Just you and her, safe from the rest of the world.

• And Esmeralda will do anything to make it happen.

GENERAL TAGLIST: @suakemi @notanalienindisguiseblink

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[detectivereads]

Batman and Scooby Doo! Mysteries #1 by Sholly Fisch

5/5

This post is for fan entertainment, I am not being paid.

Hi everyone,

I want to try something different, granted I normally like to wait to see if they come out with omnibus of a comic series, because I run into the problem where I am missing an issue (this series I am missing #2). So, I will cover the ones I do have and hopefully I can get my hands on issues #2.

Now I will go over the majority of the story, but I won’t unmask who the culprit is, I am against spoiling any mysteries.

Now I grew up watching Scooby Doo and Batman, and when I watch that one series where they teamed up to take on Joker and Penguin, I thought that was the coolest episode of Scooby Doo (till I watched the one episode where Scooby Doo meets the Addams Family).

Now we have comics that are just as cool as the old episode. 

This first issues centers around the famous Haly’s Circus and it starts out with a flash back to Richard “Dick” Grayson time at the circus leading up to parent unfortunate murders. The Mystery Inc. gang are in attendance enjoying the show and food that the circus has to offer.

They witness the new acrobat in action Zoltan (not Zoltar, I kid you not I had to re-read that panel of the comic) where he was scared by this issue villain Deadman! When Zoltan missed his dismount, he falls but is saved by none other than Nightwing.

After Deadman causes a panic, the audience runs wild to get away from the villain.

Already the Mystery Inc. gang is ready to get to work.

Velma already has found a clue on one of the sandbags, a chalk handprint (How can a ghost leave a handprint.)

The gang meets the ringmaster Haly, the fortune teller Vashnu, the strong man Sando & and another person of the circus Esmeralda.

Vashnu tells the gang about Deadman, once he was named Boston Brand and he was one of the best acrobats in the world. However much like the Flying Grayson’s, Boston died by a criminal. Then the whole ghost thing of haunting the circus.

Zoltan demands to know why Deadman is going after him, that if it weren’t for Nightwing he could have been hurt. Also, Zoltan asks where his partner is Adolfo. Which right on cue he comes out and explains he was knocked out.

Daphne asks the normal questions, has anyone either criminals or developers approach Ringmaster to buy him out. Cue the Dingaling Brothers, they run a rival circus that wants the Haly’s circus.

Nightwing accuses the brothers that this could be their plans, which of course they deny this.

Ringmaster wants to proceed with the show, but Esmeralda is against it. She doesn’t want Zoltan her fiancé is in danger. At this moment Adolfo pipes up he can perform Zoltan act, but Nightwing agrees with Esmerald, which is why Nightwing offers to do the act with Adolfo, which Adolfo is against saying he needs training for that.

However, Ringmaster loves the idea of having a famous superhero in one of his acts.

The Mystery Inc. gang also joins in as well. Daphne said for an old case she has taken some trapeze lessons so she can also help Nightwing.

This is where I’ll leave the issue, but I will say this that Velma is standing in for the Ringmaster introducing the acts. Fred is an escape artist (He makes traps, so this should be perfect for him), and poor Shaggy and Scooby are with the clowns.

However, when the culprit is unmasking and everything is out in the open, I thought the ending was very sweet. We also have a double unmasking in this issue

My thoughts on this issue, I loved it. It was a Nightwing focus issues with no mention of Batman for almost the whole issue. I know in other comics Nightwing has worked hard to be his own hero. This issue was perfect in my opinion, having Nightwing coming home to the circus and helping his old home out.

[catholic-character-tournament]

Round 1 - Side A

Propaganda below ⬇️

Claude Frollo Propaganda:

This man got horny and his response was “that woman must burn”

I love him so much. More seriously Book Frollo is much more ambivalent than Disney Movie Frollo which makes sense because we're talking about Victor Hugo VS a children's movie. He didn't kill Quasimodo's mom, he took him in (when himself was only nineteen and already in charge of his own baby brother since their parents had died not long before) when he was left on the church's doorstep. I mean, he does quite a few reprehensible and slightly evil stuff afterwards but he had a good start, you know ? He taught Quasi to communicate by signs when he became deaf because of the bells. He was also very much into alchemy which was pretty cool. His behavior towards Esmeralda was still very much not okay but I'd like to point out that Phoebus is also a jerk in this one. And Quasi's quite a bit amoral because no intelligent enough to understand some stuff

I actually haven't gotten very far through the book yet but from the musical (not the disney one the other one it's SO GOOD) I can confirm he sucks at being catholic. literally tells a child over and over that he's ugly and unlovable until he fully believes it and won't let the kid go outside. https://genius.com/Alan-menken-out-there-lyrics (lyrics to the song in which frollo convinces quasimodo he's unlovable. ableist as hell and shitty in every way you can possibly imagine and it breaks my heart every time. feel free to listen to the actual track but it doesn’t get good until about 40 seconds in) frollo keeps saying it's good and right to punish sinners himself, and it's not right that the wicked go unpunished. there's a really satisfying moment in the musical where quasimodo sees him for what he is and repeats his words back to him (7:45 - 8:54, frollo is the one with the insanely deep voice) and it gives me goosebumps every time to hear that "yes you do" link to that video: https://youtu.be/HL7WZcTIgus

I honestly wrote this submission because I suffered from severe insomnia for being reminded that I might have poor taste when it comes to enjoying media since I enjoy Disney version of Frollo even after I watched other versions of this character. (I am so sorry the host yes I am that annoying anon lying in the dark little corner of your ask box. I have no other thing to do in my life so hello again) His character is different from the original novel version, and to be honest as an adoption, that is NOT necessarily WRONG. He had more struggles with his pride and his self-imagine in the Catholic framework. "Beata Maria, you know I am a righteous man, of my virtue I am justly proud" as the opening line of his villain song, clearly states his main struggle throughout the movie--pride and self-imagine (super-ego) vs lust and instinct (id). Once his self-imagine in the Catholic framework was on shaking ground, he bent his twisted sense of "righteous" to make him less painful. Tbh, the novel version used the example of Bruno d’Ast to justify his hornyness, so it's just classical Frollo behaviour no matter which version it is. (SMASH THE TABLE) HAVE YOU READ~~THE NOVEL~~ I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I am sorry for the noise pollution in your submission Google form. I should have taken my sedatives regularly. I am truly sorry. Also please don't bully me in the debate, novel/musical enjoyers. LOOK, I AIN'T YOUR ENEMY. I LOVE NOVEL/MUSICAL FROLLO, I JUST LOVE DISNEY VERSION AS WELL, I AM AS TORMENTED AS YOUR FAVORITE CATHOLIC PRIEST. I am not a native tongue, so I tried my best to express my thoughts/feelings/justification why Disney version should be a qualified candidate as well. If you tried to debate with me, I would be drowned in my poor English. Sorry again.

Javert Propaganda:

His whole deal is like, “can someone still be good even if they’ve broken the law? Can you still be godly if you’re a felon” He really believes that by upholding the law, he is absolutely in the moral right all the time. And when he realizes that’s not true, it absolutely destroys him

he is the law and the law is not mocked <3 he is also. so gay. i'm sorry i refuse to believe you're even a little heterosexual if you chase jean valjean for like over 20 years for breaking parole and/or bread theft and recognise him by his muscles and have a major moral crisis as soon as he's nice to you one (1) time also he gets called out by a child that one time?? that was fun ALSO HE UHH???? THINKS HE SCREWED UP ONE TIME AND LIKE. ASKS HIS BOSS TO FIRE HIM???? (the boss is valjean he doesn't know that yet dw abt it) also uh uhm. he jumps into a river,,,, but before he does that he feels the need to put his hat on the fence nearby so it doesn't get wet lmao he's so silly goofy <3333