Reading the secret history makes me truly wonder if humans are capable of the love described in books or if we solely love people for the aesthetic and need for love.
Do aesthetics play an essential role in love?
Appearance, yes.
Personality?
Is a person's personality part of their aesthetic?
Do we change our personalities to conform to an aesthetic?
If so, isn't love entirely dependent on aesthetic?
24 notes
·
View notes
girls don’t want boyfriends, girls want their fatal flaw, a morbid longing for the picturesque, to cause them to snap because “what could be more terrifying and beautiful to souls like the Greeks or our own, than to lose control completely?”
30 notes
·
View notes
The Greek Class as TTPD songs:
Richard: I look in people’s windows
Francis: I can fix him (no really I can)
Charles: Fortnight
Camilla: The Albatross
Henry: Robin
16 notes
·
View notes
Bunny’s Moral Crisis and Julian being Anti Judeo-Christian
I was positive I got the impression, during my first read of TSH, that Bunny was truly morally bothered by the farmer-killing. Then I started wondering, post-reading, if I was being too generous, and Bunny legit was just worried for his life and was angry that the group was keeping secrets from him (that second one is what Henry told Richard).
But I got to the part in my on-and-off listening to the audiobook where Julian tells Richard he’s wondering what’s going on with Bunny. Julian says Bunny keeps approaching him and asking to talk about morality (particularly sin and forgiveness). Julian says he’s getting concerned that Bunny may convert to Marion’s religion. He asks Richard what denomination she is, and Richard says he thinks she’s Presbyterian. Julian is disappointed and says the only Christian denomination he can gracefully accept losing a student to is Roman Catholic.
Now this scene is interesting to me for a couple reasons. Firstly, it does indicate there may be more going on with Bunny internally than the Greek class gives him credit for. If Bunny is trying to approach Julian privately to talk about ethical dilemmas, this shows some level of genuineness in his questions (Julian also believes it to be earnest questioning). But secondly, Julian’s comment about only finding the Roman rite to be a worthy foe is so, so interesting to me.
The scene shows that something more is going on with Bunny, but it also reveals that Julian hates Judaism and Christianity— making exceptions for people like Dante and Giotto. The thing that’s fascinating to me about this detail is that Julian’s statements show the central theme of the whole book: that beauty is worth something if it’s backed by things of substance (Georges Laforgue says this, and the same thing is said by Theo in The Goldfinch. This is a concept important to Tartt’s writing).
Julian has a basic respect for Catholics, because Catholicism traditionally also has emphasis on art, philosophy, and classical aesthetic beauty. And, perhaps most importantly, Roman Catholics have kept Latin as the language of the Church and Vatican. The medieval Catholic Church was perhaps the biggest patron and commissioner of artists, and from the Catholic Church came Notre Dame, Aquinas, Dante, etc. Here, Julian mentions that the Catholics make “worthy foes” for the pagans, and what he means is that there’s all this aesthetic beauty and classical study within the Catholic Church. But it’s key here that Julian hates other branches of Christianity. The scene emphasizes that the only thing he enjoys about Catholics is their specifically classical history.
The thing I like about this detail is that it is a really specific bit of characterization to show that Julian does not care about morality or the search for truth that’s at the heart of all religions and mythologies. He’s different from people like Aquinas because he does not see human art and language as a means to articulate and pay homage one’s moral beliefs. He sees art/language as the highest good in and of itself. Once you remove the classics aspects of Catholicism, Julian does not care. And we see this because of his apparent disdain for Protestants and Jews. This also reminds me of Bunny saying Henry thinks Jamaicans have no culture. Obviously, they do, but it’s not the particular kind of culture and expression Julian and Henry find legitimate.
I guess I like how Donna Tartt understands her own theme and can show how it’s applicable so naturally just in the way her characters talk. We get a lot of hints about how closed-minded and shallow Julian actually is before we get to the end of the book where it’s confirmed.
15 notes
·
View notes