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spicyhamsamson · 1 year

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I am. So fucking tired of Batman being portrayed as a bad parent and a toxic person. And it’s so goddamn widespread. Fuck, it might be as bad as the whole “Superman being a kindhearted Boy Scout is boring” take.

I get it, the man’s not exactly stable, he watched his parents get murdered in front of him and spent years of his life training to fight crime dressed like a giant scary bat, of course he’s not perfect.

But to say that Bruce Wayne isn’t caring, isn’t empathetic, to call him abusive…it just misses the point of who the character is to me.

Why do you think he fights crime? Yes, part of it is because he’s bitter and sad because his parents were cruelly ripped from him as a child, and he’s lashing out against the corruption of his city. It’s arguably the focus of his earlier years. But he learns to become more than that. He learns to bring hope, a chance to be better.

Harleen Quinzel is the Joker’s right hand lady, but she’s also a victim of an abusive relationship and a woman with a surprisingly strong moral compass and a love for animals, and wants to get better. That’s why we see time and time again that he has a noticeable soft spot for her, because he knows that she’s a good person at her core.

Harvey Dent is a man who will decide someone’s fate on a coin toss(and a pretty inaccurate depiction of DID), but he’s also Bruce’s close friend who clearly needs help learning to live with his condition, rather than try to get rid of it, and someone who he still goes out of his way to visit, even after everything, because he recognizes he’s not just a criminal with a weird gimmick, he’s a man who is struggling with a condition that he’s mishandled his whole life.

Victor Fries is a cold, emotionless man who will callously discard allies and blame them for being careless, but he’s also a man who’s either lashing out because he had the love of his life taken from him, or just desperate to make sure she isn’t taken from him, and is willing to do anything just to guarantee her survival. Of course Batman would understand, his whole life was defined by having people he loved taken away from him.

Even the Joker, arguably one of the most morally bankrupt characters in all of fiction, is someone that Batman has offered a chance to. After the guy shoots the daughter of his friend, a girl he cared for like she was his own kid, and paralyzes her from the waist down, he tells the Joker that he doesn’t want to hurt him. He wants to get him help. He looks at this monster who has taken countless lives and says “You don’t have to be alone.”

For fuck’s sake, he sat with Joe Chill in his last moments so that he wouldn’t be alone. Joe Chill, the man who murdered his parents, who took so much from him, the person responsible for all of the misery and suffering he’s gone through. And he sits with the man to comfort him while dies. Do you know how much emotional intelligence and maturity that must take? To comfort someone who arguably ruined your life?

And you’re gonna tell me the man who did that would abuse his kids?

That he’d hold up the young man whose death was his greatest failure, the boy he grieved, and say this?

That he’d look his goddamn son in the eyes and say this to him?

Why the FUCK do you think he took in Dick Grayson in the first place? It wasn’t because he saw the kid and thought “Ah. A potential soldier.”, it was because he saw a boy experiencing the same heartbreaking loss he had so many years ago, and wanted to make sure he didn’t end up as bitter and miserable as he was.

Why do you think he smiled when Tim Drake presented him a broken watch for Father’s Day? Because he was just happy to see the boy alive and safe.

DAMIAN LITERALLY POINTED AT A COW AND SAID “I’m keeping her. She’s Bat-Cow.” AND BRUCE JUST WENT WITH IT. DIDN’T EVEN NEED TO ARGUE WHY BRUCE SHOULD LET HIM KEEP HER. HE SAID “this cow is my pet now” AND BRUCE SAID “aight, bet”.

The thing about Batman is that he wants to make sure nobody else ends up feeling the way he does. That’s not just about stopping a mugger so a boy’s parents aren’t gunned down. It’s about giving his loved ones the support and care that he couldn’t have, because it was taken from him. It’s about comforting someone who just went through a traumatic experience and letting them know that they’re going to be okay. It’s about going to someone locked away in a cell who thinks that they’re a lost cause and a burden to society and telling them that he wants to help them get better. It’s about EMPATHY and COMPASSION.

That’s what makes him a HERO. He’s meant to inspire us, to show us that we can have that same empathy for others around us, that we can turn our suffering into hope for a better future.

I just wish more people at DC would start recognizing that. But I might as well follow that example myself. Maybe through this struggle of having to see this hero mistreat the people around him and act like a grade-A jackass, people will start to recognize that missing compassion, and slowly but surely, it might come back. After all, what is this post, if not trying to bring attention to the matter in the hopes of fixing it?

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lovelykhaleesiii · 7 months

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hi there! would you be up to writing smut

Dark!Aemond? something for example with age difference, daddy kink, corruption kink, degradation and breeding? If you are comfortable then Reader could be a Targaryen what would be great but if you aren't comfortable then Stark is perfect too

Twisted, Beautiful Minds.

PAIRING: Dark!Aemond Targaryen x fem!Niece!Reader

WORDS: 2,677.

WARNINGS: mentions of warfare/murder, mentions of death-threats, swearing, degradation kink, choking, Daddy kink, corruption kink, breeding kink, manipulation, narcissistic tendencies, male oral receiving [cock sucking], mentions of p in v sexual intercourse.

A/N - you know I'm always down for some dark!Aemond... I want to also dedicate this piece, as a small bday gift to my wonderful friend Mar @aemondsmoon you have been an absolute light for me on this hellsite, and one of my dearest friends... thank you for always being there for me, and thank you for being you. you are an absolute gem, don't ever change. ilysm! 🤍

The turmoil and toils of war had finally come to an end, when Aegon the Elder, your Uncle, had commanded Sunfyre to set your beloved mother, Rhaenyra, and younger brother, Aegon III, to death by dragonfire. Your heart shattered, and mind numb, you were certain your own death was imminent in the moments after: at the very least, your Uncle would punish you with a dragonrider's death... Yet that would not be the case at all.

It seemed other plans had been set in stone. Chained and escorted by the Kingsguard to return to King's Landing once more, where you had only days previous, fled in fear, were you welcomed by the cold stares of the "Green" Council. Your chains removed, as neither the King nor his Mother, had seen you as a threat, you felt no purpose to resist nor to fight back... Your family dead, your will had died along with them.

"Fetch for Aemond. Tell my younger brother that his betrothed has returned."

His stern words felt incomprehensible in your thoughtless mind, lagging to understand the notion. You felt a cool, chill course through your weak body, rigid as though you had turned to stone, and yet, you were still breathing, still ever so present. No one had consulted you on such plans or schemes. And you were certain that Aemond himself would definitively refuse to marry the daughter of a traitor [as you presumed he would justify]. Your Uncle, Aemond, was a formidable man, fought against your late father, and had emerged the victor... And as the war, and the recent imprisoned days had taken its toll on you, your eyes darkened with the lack of sleep, unable to eat a crumb of bread, you did not look as you once had in your frivolous court, as he had once remembered you.

Although, as he sauntered into the room with such poise and stature, a certain charisma of that of a victor oozing about him, with not a single word exchanged, other than a devious smirk supplanted across his once serious face...It seemed there was more to the union than meets the eye.

Since your captive return to King's Landing, a place in which you had once considered your home, felt nothing more foreign. The stone sand walls that you had walked and run through as a child, now looked strange, the unfamiliar symbols of the Seven proudly hung around every available wall and space, gave an ominous feel. The halls seemed less brighter, even during the break of day, with the sunlight blatant in the sky, you instinctively felt as though a shadow lurked around every corner, attentive to your every move.

Dragonless, and defenceless, you were less of a threat than the younger Princess, Jahaera. The King and his Council had deemed you stable enough to roam the castle grounds freely, with a close knight in pursuit, only to ensure your own "protection" [as Aegon would admit that Aemond insisted], although you saw it more as means to deter you from being tempted to run away.

Regardless, Aemond had not spoken a word to you since hearing of the betrothal. He attended dinners with you in sight, although you rarely spoke yourself, mostly pleading and bickering with Alicent to remain in the desolate confines of your chambers. She was incessant about you joining the family, as the union was to be set in a moon's turn.

He dared not even to sit beside you: constantly at opposing ends. Although, there were rare occasions you had caught the younger Prince, brazenly staring at you with his one good eye. Unapologetically, his full attention spanned towards you, even if he had noticed you had become aware, he did not cease gawking.

Something about his looming gaze made you feel uneasy, very much on edge: a dark tinge to his violet eye, his pupils darkened as they seemed dilated. It inevitably made your stomach churn, only forcing you to resign in defeat, often excusing yourself to bed.

And often you were left undisturbed to recluse in your chambers... Although tonight, it seemed you were not alone in your ventures.

Retracing the exact steps you would take most nights, often on your lonesome return to your quarters: this time there was an accompanying sound in the distance, echoing down the hallway behind you. Heavy footsteps that caught your immediate attention. Slowly panning around, the shimmer of his lengthy, silver hair against the pale moonlight that peaked through the open crescents of the corridor, was alluring to your eye. Halting in your tracks, your breath hitched against your throat, all in trepidation, as Aemond effortlessly caught up with you in a few short strides. This was the closest he had ever truly come up to you, his towering height against you, made him even more daunting face to face.

"Running off to bed again, I see. And why is that?"

The sudden eruption of his deep, low voice breaking the stillness of the castle passage, startled you uneasily. You had exchanged many words and conversations with your elder Uncle before, during an ancient time long before the Dance had spurred. Although, the dynamics had inevitably changed, blood had been shed viciously and cruel words spat. Despite the same Valyrian blood coursing through your veins as of your betrothed, you felt solitary in their surrounding presence.

"I-I lost my appetite, U-Uncle. I wish to retire for the night," You aimlessly stutter, too weak to hold eye contact with Aemond, whose gaze remained fixated on you. His vibrant lilac orb luring over every inch of your timid body.

"Do you think it wise to roam the castle your lonesome self? Has the war not taught you otherwise? Is my niece still that same stupid, little whore I have known?"

His harsh remarks shadowed by that familiar, sly grin struck across his slim face, was plenty to furnace an incoming reaction from you, your blood boiling beneath your tender skin.

"Ah- tongue tied now, princess? Have I struck a chord with you, hmm? Mayhaps you are as weak as your father was... Now, how would he feel knowing you are to marry me? That I'll fuck his little girl, like the common whores he saw."

Your mind had no correlation to your hand, and yet the simmering rage that blistered through your body sent your mind to abyss. The small palm of your hand, strikingly latched across Aemond's face furiously. And yet, although a sharp stinging sensation poured across your hand, Aemond remained unfazed and sturdy. It seemed you had smacked the grin across his face, and in its stead, that familiar, unnerving dark tinge in his eyes scorned across at you.

Before you knew it, Aemond gripped your sides firmly, forcing your body forward, as he harshly shoved you against the cold, stone wall.

"You think that wise, whore? After the mercy I fucking showed you. I could have your fucking hand for that, or worse your head. My pretty wife's head on a spike, I'll have it right outside my window."

The cruelty that oozed from his precise lips was relentless. You wanted to burst into tears or more, burst into flames there and then...

"Do you know how long I have waited to have you under my very touch? All the sacrifices I made, the arguments I fought against my own Council to keep you alive? Ungrateful fucking bitch. Did your Daddy not teach you to be a good, obedient girl?"

One of Aemond's calloused, rough hands reached up hastily, his long fingers wrapping just so lightly around your throat, as his thumb gently stroked at your lips. His viable eye ogling tentatively over your mouth, smacking his lips innately.

"I'm your fucking Daddy now. Teach you how to be a proper lady, and a good fucking wife. I'm going to fuck that pretty pussy of yours, till you are dripping of me. I'll have you begging like a pathetic, stupid whore. I'll fuck you till I have heirs of my own, till I see fit that you have disgraced your extinct, traitorous bloodline."

"A-Aem, U-Uncle-" You breathlessly whimper in fear: freshly, swelled tears glaze your vision, as they begin to clear with each shedding streak.

"What did I just fucking say? I'm not your Uncle anymore, bitch. I'm your fucking Daddy. You would be helpless without me. Probably dead without my doing. You fucking owe me."

"Y-Yes-" Another breathless whimper, although Aemond's grip loosened, his other hand began to slowly move its way over towards your breast. His uninjured eye moving in motion with his hand, eagerly wandering over your bust. That same, very hand, began to keenly grope at your plush side, kneading at your breast tenderly, it felt foreign and sensitive under his strange touch.

"All fucking mine... Finally. Did you really think, I would let some insolent lord have you to himself? I'd start a war for you, I won the war for you. And now you're going to repay me, just so-"

A mindless moan flew out of your wet lips, catching you abruptly by surprise, and by the looks of it Aemond, as his blackened pupil dilated with a ravenous hunger, his ears pricking and leaning forward in delight.

"I'll have you moaning for more, precious. Now on your fucking knees-"

Even with the hatred that roared deep within your belly, you felt reluctant to retaliate, as you knew Aemond would effortlessly overpower you. As he had in your youth, when you were caught in a brawl with him, often ending with him wrestling you to the ground. And after his detailed spill of such vile threats, you dared not to risk the second chance of life, you had been granted.

Your knees hit the concrete floor with some brutality, although you regained from the ache. As you steadied your propped position, your hands gripping tightly at Aemond's slim waist, he began to undo his grey, washed out trousers.

The sheer sight of his cock, was intense enough to have you questioning whether you could even take him. Although slim in girth, his length was extraordinary. A reddened tip just oozing lusciously with a white, clear film glistening over the crown.

"Suck Daddy real good, bitch. Show me that, that mouth has other good uses than for talking back."

Your attention lurking from below, dropping from Aemond's face to his cock and back up once more to his face: the sudden change in his mood shifting was palpable. The momentary, light-hearted look of ecstasy dismantled as a cold, unsettling gaze resumed across his handsome face, lingering over your kneeled state.

"Make me fucking repeat myself one more time, whore and I'll treat you worse than a whore. I'll have you forget that you are a Targaryen princess."

Aemond's large hands found their way at the base of your skull, teasingly stroking your loose strands away from your face, within a few seconds the sudden shove towards him, left you physically speechless. Your mouth slightly agape, was enough for Aemond's stiffened, pulsating tip to propel its way into your tight mouth. The friction of his hard cock against your silky, warm flesh inside, was enough to set Aemond's breathing into a speedy pace. Lean chest heaving, the mindless groaning on his behalf was somewhat alluring. You had never seen nor heard such sounds or vulnerability in Aemond before.

"F-Fuck, that feels so fucking good- Just as I prayed to the Gods. I'm going to make your mouth so numb, so fucking filthy of me, you'll be tasting me still in the months to come."

No coherent words exchanged from below his waist, only muffled moans and breath hitches, as you sulked with crave. As much as it infuriated you, pained you to admit, the feeling of Aemond's rigid, throbbing cock in your mouth, was elevating. You had to admit, in your youth, previous to the blood that had been shed, you had a childhood feverish crush on your elder Uncle, although thought it unlikely that anything would flourish from it.

"Seven Hells. Such a pretty whore, with a pretty mouth. J-Just the p-prettiest whore in the Seven Kingdoms."

With each plunge, rhythmically bobbing backwards and forwards, the raw taste of Aemond's cum, tastefully filling your mouth to capacity, as a mixture of his reside and your own saliva oozed from your crevices. The dreading thought of being caught in such a contentiously vulnerable position, especially before being wedded, was disturbing enough, for you were not yet widely favoured by the Council...

"Ughh- Swallow and get up, whore."

Self-disgust stirred nauseatingly in the pit of your gut, as you reluctantly devoured small mouthfuls of Aemond's load, almost convincing yourself you would retch it all up in a matter of seconds. Much to your relief, you remained poised, meekly wiping away the mess across your lips, shying away from Aemond's unmoving regard. As you regained your normal pace of breathing, Aemond lent a hand over, grasping your undivided attention. With such ease, Aemond aided you, lifting you up to stand, before confining you closely between the wall and his heated body once more, closing whatever space was made between.

"Now let's see what that cunt has to offer."

His skilful hands hiking your layered gown up, making way for his arms to snake around your bare thighs, lifting you idly off the ground.

"Can't wait till the wedding to tarnish you, I've waited long enough."

A sudden bolt of lightening pain shot from within your inner thighs, as your tight walls stretched out ceaselessly to accommodate, as Aemond shoved his rigid cock inside. Your back flattened against the sandstone wall, its texture rough against the delicate silk of your gown. Burying his length deeper and deeper with each harsh thrust, his heavy balls collided with your silky folds as he vigorously pumped himself back and forth. His pace, although rough, remained steady. His raw, sensitive tip pummelling at your cervix, felt scorching inside your lower belly.

"And if I fuck you so good, that you begin to swell with my child... What would your dead family think of their precious daughter then, huh? These tits belong to me now, and the mother's milk that comes with it. Your entire being belongs to me now. That babe in your belly will be all because of me, and you'll fucking love every bit of it."

"I-I owe you my l-life, D-Daddy-"

The words mindlessly slipped from you lips, and yet it felt instinctual to say. As Aemond's mouth lapped at the sensitive crook of your neck, you felt the smirk of his grin against your skin, his sharp teeth faintly biting at your soft flesh.

"That's right, baby. That's so right my needy, little slut. You have a Daddy now that can really take care of you, protect you... Love you."

The epitome of his words, the calm depth in his voice, had reached its glorifying peak, as Aemond's hot load shot up directly into you, reverently coating your insides. Like some royal orchestra in unison to his final thrust, did a growling moan escape his lips, followed by an whisper of a swear. Leaning his exhausted, heavier mass over you, as he safely guided your legs back down to the surface, his breath densely hot against your ear, his outstretched palms cladded against the wall for support.

"Clean yourself up, Y/N... Wouldn't want anyone else to see you as the whore that you are, and get any ideas-"

His heavy breathing made his voice less formidable and more husky. Eyeing over your form, as you once more scoured and polished up the mess he made between your thighs, with the inner layer of your gown. You simply nodded in response to his demand, before hastily attempting to rush back to the confines of your quarters.

Yet, a firm pull tugged at your elbow, causing you to halt in your tracks, unavoidably.

"I will seek you out again tonight... Be ready for me."

general taglist - @chompchompluke @fan-goddess @malfoytargaryen @hightowhxre @bibli0thecary @m1ndbrand @connorsui @elegantsplendour @randomdragonfires @sylasthegrim @arcielee @s-we-e-t-t-ea @sahvlren @aemondtargaryensrider @watercolorskyy @hypnos-daughter-certified @urmomsgirlfriend1 @backyardfolklore @snowprincesa1 @aegonslawyer

Aemond taglist - @megatardisbaby @harrypotteranna23-blog

credit for divider - @/itbmojojoejo

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nebulaafterdark · 6 months

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Exile (Part 3)

Summary: Y/N Undersee thought the games were over after becoming a victor. Unfortunately, life outside the arena has become just as dangerous. Prequel to Moves & Countermoves

Trigger warning: forced prostitution, explicit sexual content, alcohol abuse and other mentions of trauma. 18+ ONLY

Part 2

Days turn into weeks and they fall into a routine. Y/N and Haymitch lead different lives for the most part. He likes to stay in, she needs to go out. To see people. To prove to herself that the world didn’t actually change, only she did.

“My father wants you to come over for dinner.” Y/N tells her husband, upon her return from town.

“He wants me?” Haymitch frowns.

“Well, it’s a family dinner,” Y/N shrugs. “You haven’t really met my family.”

“I know your family.”

“I didn’t mean…” Maysilee.

“You said your mother struggles,” Haymitch remembers their conversations. Every word she’s ever said. “I don’t think it’s a good idea for her to see me.” The boy who won, the year her little sister died.

“My dad wouldn’t have asked if he thought it would be too much for her. He’s very protective of my mother.” Sometimes at the expense of his own daughters. “It would mean a lot to me.”

“Fine.” Haymitch takes a long swig from his glass. “We can play happy family, why not?”

“I don’t want you to feel like you have to put on a show. Just be yourself.”

“If I didn’t know any better I’d almost think you like me.” Haymitch smirks.

“Good thing you know better.” Y/N grins, turning away from him.

————————————————————————

“Well, Haymitch, it’s good to see you again.” Mayor Undersee claps the other man on the back as he steps over the threshold into Y/N’s childhood home.

“Nice to see you too.” Haymitch forces a smile.

“Please, come in and make yourself comfortable at the table. Dinner will be served momentarily.”

Y/N gives Haymitch’s hand a squeeze, kissing her father’s cheek, in greeting, before leading him deeper into the house. If Haymitch could even call it a house. More like a mansion, similar to the ones they occupy in victor’s village.

Madge and Mrs. Undersee are waiting for them at the dinner table. The girl glares up at him from her seat. She’s younger than Maysilee was, when Haymitch met her in the arena, but it’s still like seeing a ghost. It hurts to look at her.

“Madge pie, this is Haymitch.” Y/N smiles at her little sister.

“I know who he is.” Madge bites out. Y/N never had many nice things about him, until a few weeks ago when she up and married him.

“Y/N talks about you all the time.” Haymitch tells Madge. “All good things.”

Madge scowls, and says nothing.

“I understand that this is confusing for you. I know he and I don’t have the best track record.” Y/N sighs. “But what I need you to know is that Haymitch is good to me; he’s so good to me and he’s…important to me.”

Haymitch stares at Y/N, snapping his mouth shut as Madge huffs, but agrees to drop the subject.

He was important to her? Haymitch stews on it, through dinner. He couldn’t be important to her, he isn’t good enough. It’s his fault they’re in this mess to begin with.

But Y/N seems…happy. Happy with him and her family all together. Happy to make him part of her family.

Perhaps things have changed for her too.

The Undersees are nice enough, but they make Haymitch long for his own family. To have people he could bring her home to meet. His mother would’ve loved her. His little brother. His father was a man of few words, even still, Haymitch is sure Y/N could’ve pulled a smile from him.

When they are stuffed from their meal, the table disbands. Waving Y/N and Haymitch goodbye, from the doorway.

The victors set off, back to their village. Their foot steps falling in tandem atop the melting snow.

“I think they like you.” Y/N says, after a moment of silence.

“Your kid sister wants to string me up.” Haymitch chuckles.

“Madge will come around. She just needs time.”

Haymitch nods. “Well, they invited me for an encore next week. So at least there’s that.”

“You can tell them no, you know?” Y/N reminds him.

He shrugs, “happy wife, happy life.” You’re important to me too.

They manage to make it home, to the new couch in the foyer, before they’re a mess of lips, tongues and wandered hands.

“I want you.” Y/N breathes, staring up at him above her.

“You have me.” Haymitch assures her.

“Please?” She is prepared to beg. Because surely that wasn’t allowed.

They haven’t…not since their wedding night. Never just for them. Never just because they wanted to. Mostly, they exchanged a few words and then did this; kisses and heavy petting.

“Angel,” he sighs. She couldn’t possibly want that, she must want comfort and to be close to him. “This is enough, I’ll stay right here.” With her legs wrapped around him like a vice. “We don’t have to do anything else.” He nuzzles her nose.

“I want to. Just for us. Unless you don’t-”

“Oh believe me, I want.” His cock is hard and pulsing between them. “But only if you’re sure.”

Y/N nods. “I’m sure.”

Haymitch kisses her then, letting her set the pace. Their clothing hits the floor and Y/N keens as he slips a hand between them. She’s so wet.

“Please.”

“Anything you want, anything you need.” Haymitch murmurs, lining himself up with her entrance and easing inside.

“Fuck,” Y/N says. He angles her hips upward, hitting that spot with each pass.

“Is that all you want, angel?” He hums, cupping her breast in his hand. “I’ll keep you full of me and make you cum until you can’t think straight. Is that what you want?”

Y/N nods.

“Oh, sweet girl,” he all but growls. Leaning back on his heels, driving into her faster. “I want that too.”

He can’t avoid her like this, or feign a shred of indifference. All he can do is love her and love her and love her. Fuck, how he loves her. Even though he isn’t supposed to, even if he’ll only admit it to himself when he’s balls deep. Haymitch is in love. In sinking, festering, all consuming, inconvenient, love.

Y/N kisses him reverently, because Haymitch makes her feel things. He’s one of the few people who can, after the games. Like parts of her went numb in the arena. She feels nothing at all. But he sets her ablaze. Sometimes with rage, other times with passion, but she’s never felt this way about anyone before.

It is real, so very real.

The coil in her belly goes hot, impossibly tight. What is he doing to her? “I-” she begins to protest. “Uh!”

“You’re ok.” Haymitch assures her, pressing his hand to her lower belly, adding to the sensation.

“Oh god,” Y/N gasps. It’s unlike anything she’s ever felt before. Building and building… “Haymitch!” She claws at his forearms, in warning.

A rush of wetness greets him. Her cheeks heat up, but Haymitch won’t allow her to be embarrassed. “I want you all over me- make you cum on every piece of furniture in this damn house.”

Y/N whines, lost in him. His words, his touch, his eyes, boring into her soul as he ruins her. Until there is nothing left but him. All of him and all of her, splayed out for the other to see.

————————————————————————

Things are different after that. Haymitch becomes very…attentive. Bringing Y/N little gifts. Anything from books he found at the hob, to flowers he’d found growing around the back of their house.

Because it has become theirs now, not just his. Little pieces of her are everywhere, twining themselves into his DNA.

Y/N takes an interest in fixing his favorite meals, watching his face light up.

“Went down to the hob today.” Haymitch tells her, lying his latest offering on the dinner table.

Y/N turns away from her pot on the stove, flipping the burner off. “Oh?”

“Funny enough, they asked about you.”

“Haymitch-”

“Whatever you’re doing down there,” supplying them with things to sell, bringing money back into the district, “is grounds for execution. Even for a victor.” Haymitch reminds her. “So you’re gonna stop doing it.”

“I can’t stop, Haymitch. Those people, our people, they need that money. They’re starving!”

“I’m taking over. You supply the goods, I’ll pitch in some things of my own. But you stay away from the hob. Peacekeepers can’t see you there, nobody can see you there.” Haymitch continues.

“I’ve been doing this for years.” Since before the games. “I haven’t been caught.”

“You got lucky.” He reasons, “or maybe you didn’t.”

“What?”

“What are the odds that the mayor’s daughter gets her name called at the reaping? You didn’t have to take tesserae, so your name was in there once? That’s some incredibly bad luck on your part. Or maybe somebody did know that you were trying to help the people in the seam.” Haymitch lifts a shoulder.

“My aunt’s name was in there once. Just one time. It can happen and it does.” Y/N crosses both arms over her chest.

“Look, I don’t want to fight. I know this is important to you, but I can’t have you there. It’s too much of a risk. I’ll be the middle man.”

“Fine,” Y/N sighs. Reaching down for his glass and taking a swig. The liquid is foul, burning her nostrils and throat, causing her to sputter and gag. “Is that fucking rubbing alcohol?”

“That’s the hard stuff, angel.” Haymitch claps his hand against her back as she continues her coughing fit. “Should’ve started off with wine or champagne.” Something sweet for his sweet girl.

“It tastes different when…” Y/N’s eyes dart to his lips. “When it’s on you.”

“Interesting,” Haymitch muses. Suddenly he’s having her for dinner.

Part 4

Taglist: @spideysimpossiblegirl @ancientbeing10 @1-800-styles @l3xi3luv @lam-ila

#haymitch abernathy smut #haymitch abernathy x y/n #haymitch x y/n #haymitch abernathy #haymitch abernathy x reader #haymitch abernathy x you #haymitch smut #haymitch x reader #moves & countermoves #exile #hunger games fanfiction

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dathen · 6 months

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Fascinating trend I’ve noticed from lurking in Frankenstein-related tags:

If there’s a male construct, people frame him as the creator’s child. He has full agency and personhood and deserves to be raised in a family. The most obvious example of this is Frankenstein’s Creature, but you’ll see echoes of it with creators of robots, Pinocchio, etc.

If there’s a female construct, people frame it as expected that she’s created to be a romantic/sexual object. I saw a few posts that Pygmalion is morally superior to Victor Frankenstein because he fell in love with his creation, for instance. I don’t need to go into the dozens of “make a female robot and fall for her” tropes.

The most uncomfortable intersection of this dichotomy are the countless posts insisting that it was Victor’s duty as a father to create a female to gift to his son—and that the “wait but she’ll be an actual person of her own” reservations Victor had in the book were immoral. He owes his son (male construct = family, agency, personhood) the gift of a person (female construct = object, no agency, not family). She wouldn’t be a daughter, just “the Bride.” Nothing about Víctor owing her happiness, but the exact opposite: that she must be custom-designed to be miserable and rejected so she’d be trapped with the male-creature.

For a piece of literature where personhood is such a central theme, it’s a disturbing and disappointing trend.

#frankenstein #WHACKS the hornet’s nest with a bat

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xxblairexxss · 11 months

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Prime

Pairing : Jude Bellingham x reader

Theme : Fluff

Got this idea from those tiktok videos of him playing football with a group of kids. You probably know which one I’m talking about if you stumbled across one. Haven’t proofread! Sorry for any mistakes.

Jude was like your mom’s favourite child. She was eternally grateful for her lovely daughters but when you introduced your boyfriend to the family, you knew she had put him above you and your sisters. Your dad was a huge fan of football and he thought you were joking when you told him you were dating Dortmund player so of course when Jude first joined your family’s dinner, your dad was elated that you thought he would have forgotten about you if it wasn’t for your constant glare at him.

Since then, Jude always got invited to any family events of yours, just like how he always invited you to his family events.

judebellingham has added to their story

Your nephew, Noah was obsessed with football. Guess it ran in the family because of how the obsession went from your dad to Noah. Different from you, who barely knew anything about it. Noah had asked you a week prior if Jude was gonna come to the housewarming party but when you asked why he was so eager to know, he said it was secret. Turned out he wanted to ask Jude to play football with him because he got a proper football ball from his birthday last month.

You were in the kitchen, taking over the duty to cut the fruits so your sister could sneaked out to the nearby store to get some more ingredients for roasted garlic hummus with her husband. You were left with Jude and the kids as your parents are yet to arrived.

You were decorating the plate with the colourful fruits when you felt a sudden impact on your side. It was Noah, who was suddenly crying and hugging on your legs. Confused, you bent down and wiped the fresh tears on his cheek as he pulled away.

“What’s wrong? Did you fell?”

“No…”

“Why did you cry?”

“Jude wouldn’t give the ball back…”

“What…?”

That was when you saw Jude walked in with Noel, Noah’s baby brother.

“Jude Victor William Bellingham! Did you seriously make my nephew cry?”

“I didn’t! He asked me to play like I was in a match.”

“You are so silly! He’s not prime Lewandowski, is he?”

He chuckled in response before leaving a peck on your lips and squatted down to be on the same level with Noah, who was now refused to look at him.

“I’m sorry, buddy. Let’s do another round, yeah? You’ll be in the same team with Noel and I can only play with one leg, how about that?”

Noah responded with an immediate “Okay!” and a wide grin as he ran to Noel to pull him outside. You could see the little one waddled trying to catch on his brother.

Jude stood back up and pulled you closer by your waist. He found you so adorable when you were still frowning at him that he wanted to just planted kisses all over your beautiful face.

“I’m sorry, princess. I swear I didn’t mean it. Anyway, I didn’t know you actually have some basic football knowledge. I thought you don’t know any other players except me. That was kinda hot, not gonna lie.” He bended down his head to kiss on your exposed shoulder blade from your off shoulder crop top, pressing his body against yours even more.

“Well, I’m actually a barca girl.”

Jude tilted your chin up as he brushed his lips against yours before nibbling softy on your bottom lips.

“Shut up, you’re my girl.”

“Jude, come on!” You heard Noah called out for him from the backyard, probably getting annoyed at how long he was taking his time.

“Coming!” He pulled away and strode across the living room to the kids, leaving you with butterflies in your stomach, even after all these years.

#football imagine #jude bellingham fics #jude bellingham blurb #jude bellingham x reader #jude bellingham #football imagines #football fics

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love-at-first-bite · 1 year

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Making a fankid for me and Adachi and getting kinda emotional over it ;_;

#victor beeps #once again thank you picrew :)#she has no name yet but i already love our daughter!

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graceshouldwrite · 10 months

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The Most Powerful Hack to Make Your Readers Cry

You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc.

All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this:

THE CALLBACK!

Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!

So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.

Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent.

Got that? Alright, onto the examples of successful, tearjerking callbacks:

1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.”

Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on.

Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”

Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans.

2. Les Miserables (Victor Hugo); Jean Valjean’s death

Context: At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc.

Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.

Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels.

Now: Valjean describes Fantine to Cosette, who never knew her mother.

Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...

3. Your Lie in April (anime); Kaori’s letter after she dies

Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol

Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.

Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind.

4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.”

Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again.

Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.

Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what.

Why do callbacks work so well?

If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage.

Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development.

This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever.

Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post.

Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help

Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing.

Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day,

- grace <3

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satoshy12 · 8 months

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Underworld Fighter/Bodyguard Danny

It had already been a few years since Danny, for his job, left Amity Park. Working as a bodyguard or fighter in a meta-arcade. His sponsor was Veronica Sinclair, also known as Roulette, as he fought in her arena against other metas or villains for money.

Since she built her new undeground arena, where metahumans can fight for money and similar things, they are forbidden to join normal competitions as it's "unfair" against normal humans.

I mean, it would be unfair to see Superman in a boxing ring against a normal human, but still.

Roulette doesn't need to capture heroes, as the meta fights out of their own free will, and she still earns a lot of money. Even a few politicians and others came to watch the fights. From CEOs, crime bosses, and even once, the Presidents of the World!

As a fighter for Roulette and her bodyguard, Danny has had around 400 fights since the very beginning of the arena and 0 losses.

His boss asked if he could work as a warden in Arkham Asylum for the Mayor of Gotham, as it had an important meeting for one month.

As being told by Veronica, Danny had no problem with it; his sister worked in Arkham, and his daughter Dani wanted to visit her. He could stay for one month, then take his vacation to visit Amity Park. And it's not the first time he worked as Bodyguard for someone else, he did work for few people like Lex Luthor or Pinguin. For Lex he got to a job as he thought against Parasite.

1 Month later

Batman wasn't sure what was happening; no villain had broken out in more than a month. And he didn't hear anything from the Joker.

He learned that because of a new Warden who already left Arkham, no one tried to escape. Someone who one-shot Solomon Grundy K.O. with a punch and put the Joker, Professor Pyg, and Victor Zsasz into a coma with a single uppercut to the stomach?

Gordon seemed to be very happy as he said that, but seem very sad that the Warden had left.

+ Danny smiled at Dani, as they were driving with Jazz to Amity Park. Still he didn't like the talk both were doing about boys. Dani is too young!

But it had been nice to meet Pinguin again, it was a long time he worked for him and Sofia Falcone too. Or Bane from the Arena, he thought he stopped being a Villains like Victor as it's paid well enough in the Arena.

Mr Freeze:" For Nora." he earns in 1 fight the same as he does as thief.

Danny is adult, around 28 years old or older.

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ceirinen · 5 months

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December 2023

I decided to make a list of every fic I read each month.

I would like to interact more, but life has been complicated recently and when it comes to interacting, I get very anxious which is something I'm trying to overcome.

So, here I made this to appreciate such amazing writers and stories that inspire me and others everyday. To the authors, I want to thank them for their dedication and time spent on writing to offer us fascinating stories.

I totally recommend their work.

(If you are in this list and you don't want to, please let me know so I can fix it).

@cillianmesoftlyyy

So New | Cillian Murphy x fem!reader Method Acting | young!Cillian Murphy x Reader

@runnning-outof-time

Research | Tommy Shelby x Reader Bedtime Stories | Tommy Shelby x Reader & Daughter

@zablife

teacher!Luca Changretta x Reader Funeral | Tommy Shelby x sister!reader A Visit to the Peaky Blinders Set | Cillian Murphy x wife!reader

@gypsy-girl-08

Festive Spirit | modern!Tommy Shelby x Reader All I Need... | modern!Thomas Shelby x Reader A Gentle Warning | Thomas Shelby x wife!Reader

@pacifymebby

Arthur Shelby x Reader

@fkmarrycill

Pre-Gaming | Cillian Murphy x Reader

@holacia3

Lost and Lucky | modern!Tommy Shelby x Reader Surprise visit | modern!Tommy Shelby x Reader

@beastofburdenxo

Let Me Praise You | Tommy Shelby x Reader Raising Catherine | Tommy Shelby x Reader

@look-at-the-soul

If I let you go | Cillian Murphy x Reader

@your-nanas-house

What does my princess want? | sugar daddy!Cillian Murphy x sugar baby!reader I'm pretty sure you're mine | sub!William Killick x dom!fem!Reader What are we, idiot? | Neil Lewis x best friend!Reader Thirsty | Tommy Shelby x secretary!Reader

@raincoffeeandfandoms

@lis-likes-fics

Loner | Edward Cullen x Reader At the End of the Day | Tommy Shelby x wife!Reader

@rafeology

Mentor!Finnick Odair x victor!reader

@wife-of-all-dilfs

Flower Therapy | Finnick Odair x Reader

@darlingsfandom

Cillian Murphy x Reader Tommy Shelby x artist!reader Soft sugar daddy | Robert Fischer x Reader

@pinguwrites

Home Is Where the Heart Is | William Killick x future!reader

@http-finnick

Skin to skin | Finnick Odair x fem!insomniac!reader

@acewritesfics

Lost Love | Tommy Shelby x Reader 36 Minutes | modern! Tommy Shelby x Reader

@dearshelby

Had you first | Tommy Shelby x Reader Little Tommy | Thomas Shelby x oc

@lau219

Red Carpet | Cillian Murphy x Reader

@peakyswritings

I Do Bad Things | demon!Tommy x Reader

@shelbystales

Ceramic Lessons | Cillian Murphy x Reader

@darthannie

Day eighteen: breeding kink with Lenny Miller | Lenny Miller x f!Reader

@hllywdwhre

Afterglow | Cillian Murphy x Reader

@red-write-hand

I'll be home for Christmas | Thomas Shelby x Reader

@mysaintkitten

Bad Behaviour | Mike Kiernan x fem!Reader

@notyour-valentine

The Spirits that I summoned | young!Tommy Shelby

@brummiereader

No Son Of Mine | Tommy Shelby

@youbyradiohead

Strawberry Syrup | Cillian Murphy x Reader

@cillianthinker

British accent | Cillian Murphy x Reader Young and in love | Cillian Murphy x Reader

@cillspropertea

Coming home | Cillian Murphy x Reader

@cillmequick

Operation Christmas Tree | modern!Tommy Shelby x fem!Reader

#cillian murphy x reader #tommy shelby x reader #neil lewis x reader #finnick odair x reader #thomas shelby x reader #lenny miller x reader #arthur shelby x reader #mike kiernan x reader #william killick x reader #alfie solomons x oc #robert fischer x reader #edward cullen x reader #tom buckley x reader #luca changretta x reader #fic rec #monthly reads #fic recommendation

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