#Web Aligner Working

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.

We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[starryvomit]

i love you tarot i love you incense i love you sage i love you palo santo i love you incense i love you oracle i love you essential oils i love you rocks i love y-

[just-an-enby-lemon]

In retrospect the fact that there are no tapes of Jon stalking people and forcing them to relieve their trauma becames even more interesting, because yeah it could and in a sense does symbolize Jon's own shame of who he is Becaming and shows that he knows that what he is doing is wrong, that the others won't react well for it and are right not to (also is Jon and no one can convince me he wasn't trying to be in denial that it was even happening) but also it means that the Web doesn't care. There's suffering everywhere and an avatar hurting people is nothing new. It cares about the repercussion, about their pet project archivist but about Jon's loss of humanity and the people he hurt? They are explicitly - more than any other victim - colateral damage. The Web does not give a shit. Jon could have eaten the trauma of all of London for all they care. And in a sense we as the audience, as the people seing it by the curation of the Mother of Puppets, don't really care either. We care about the moral dilema,for what it means to Jon and in a lesser way to the others, but we don't really care for the random unamed person who is now eternaly rehaunted by his trauma thanks to the man that stalked them into a covenience store. I just I don't know how I feel about it, but I do like it. There's something very interresting and weirdly charming of seeing TMA by the lens of this matters to the Web (also I love how after the apocalipse the Web actually got interressed in Jon and Martin relationship, nothing like the end of the world to convince this eldrish god to enjoy a bit of pos apocaliptical romance).

[wickedwitch-oftheweb]

✨ The Higher-Self ✨

(Source, Inner-being, Soul)

Correspondent to the Third Eye and the Crown Chakras, this is your highest vibrational state of being.

To put it as simply as possible, the Higher-Self is your soul;

it’s your intuition, your conscience, your inner voice.

This is your truest state of being, the most authentic you.

This is the you that’s tuned into the Universe, the Collective Consciousness, and the present moment around you.

This is the you that exists without any barriers or restrictions;

your most natural, free self.

This is the ‘goal’ of most spiritual journeys, to align with the Higher-Self; to align with Source.

It’s important that you understand that all of these concepts are the same thing no matter what we call it, and it exists within you.

To learn more about the Higher-self and how to get into alignment with yours

Visit the Wicked Witche's Web 🌛🖤🌜

Source: The Wicked Witch of the Web

[256gb]

the arc internet browser absolutely rules btw.

[fqntasies]

Just a taste, baby - Feyd Rautha x Reader

summary: You and Feyd-Rautha have been connected through dreams since childhood; a complex inner-working of the Bene Gesserit mothers to join your bloodlines. It binds the two of you in a pull you can't escape (nor do you want to). Feyd is absolutely feral for you.

words: 1,258

disclaimer: characters may be out of character, specifically feyd, considering his desperate softness here. just a forewarning.

You were trapped, breaths coming out of shallow pants as you felt the scratch of the cement structure beneath your palms. He had you against the wall in a hidden alcove; along one of the lengthy corridors of the palace in Giedi Prime. Your mouths were just breaths apart. In fact the Harkonnen before you seemed intent on matching your breaths, mingling them. Tasting your tiny pants as his own. It made your eyes heavy, made you want to tilt your head back and close your eyes, give him access to the expanse of your neck.

"sweetness." He rasped, unable to control himself. The Na-Baron wrapped an arm about your waist, a vice arching you against him as he lowered a wanting mouth to your neck, licking and sucking where the two met. You mewled at the wet heat, felt him growl desperately at the taste.

The two of you hadn't even kissed yet - but the wait; the dreams - you both knew each other to the soul.

---- flashback ----------

The sands of Arakis and Geidi Prime alike carried mysteries of prophesies of the lisan-al-gaib. But midst such tales, the Bene-Geserit mothers also had worked to connect bloodlines through dreams. The Na-Baron and the princess of Arrakis had been bound by such since birth. A well-planned move to align feuds and place power into wanting hands in preparation of war. A web of politcal conspiracy only they controlled. Their plans could not be foiled.

But Feyd couldn't care less about such witchcraft; and neither, if one were honest, could you. The two of you had known of this binding since a young age. And when you had met as children too - the connection had been strong.

"Their line is bright" The reverend mother's voice had burned into your mind, even at 10 years old.

You remembered her cloaked form; a black shadow against the haze of the horizon, a tower above you as she turned from your parents. Her voice had been void of emotion, except for a smugness you didn't understand. But when you turned to glance at the older boy before you (such a uniquely beautiful boy; broad shoulders and smooth skin, black attire across a lithe form), his eyes shone with an intensity that surprised her. Dark, watching, intrigued. He intimidated you. He made you curious.

At 15 years of age, the Na-Baron hadn't spoken in their meeting; but he had felt more than he had imagined. The girl...she had made him feel things. It confused and awakened him to something he had never known. His uncle had never spoken of such a pull. A need.

When the ship had arrived to his homeworld, and the strange foreigners parted like a sea, Feyd-Rautha found himself straightening to his full height; head lowered as he studied them beneath an angled gaze. Garbs of strange colors - hair he had never seen before in elegant styles. He would be Harkonnen predator. He would be a warrior. Strike fear in these alien people, show the Baron he was not swayed so easily by something new.

But then-

Swathed in layers of white, a girl stepped forward; dainty and gracious above all else; practically floating across the landing platform. Yet her eyes betrayed her; darting to capture the landscape, thrown off perhaps by the infrared of Giedi Prime's black sun above them.

She was drinking in the strange newness before her, and then they found him. Feyd felt his chest tighten. Fists clenched. Heat brimmed under the chestplate of his armor.

She looked like some newborn animal, caught in his gaze. But they both felt it. The familiarity. The warm hum between them. It made you want to slip from the safety of your parents and stand beside him, as though his shadow was more protection than the whole parade your own family brought with them. You wondered if he'd felt the same.

Three nights later, you had dreamed of him. A bit older, hand in his as he raised it to his lips. His eyes had never left yours. As a young girl it made you blush. Now...

--------------------------------

You made a breathy sound as his tongue lathed the mark he had made, moving with a lazy carelessness across your pulse, hungry above all else, uncaring for decorum. He wanted to devour you entirely. He wanted you to see you helpless and delirious against him, just as you were now. As you were in all his dreams.

He knew you'd had them all too. His eyes on you at their wedding. His tongue against yours, moans and tastes and hunger. You watching from the arena as he slaughtered man after man, coated and heaving. He felt like a beast.

"Feyd-" His name barely formed, like a prayer from your lips.

His eyes nearly lolled in his head at the way you sounded, and he dragged his wanting mouth up to meet yours. Wet and wanting. Feyd's free hand shifted to engulf your slender neck, moving your head against his mouth to deepen the kiss, taste all of you. Consume.

The Na-Baron was all muscle and prowess, a looming figure that practically dwarfed you. The spanse of his shoulders alone were sinful, and deep down you loved how it felt to be completely in his grasp. Guiding you in your movements.

Feyd's tongue sought yours as much as he could, controlling and demanding - but you were a needy little thing too, weren't you? In the haze of passion you were pressing into him - leaning just as much towards his heat as he was pushing you both together. You sucked his plush bottom lip into your mouth - unable to help yourself. After all, why was he made so beautiful, if not to kiss? He was quick to follow, biting your own with a growl that made your knees practically give, and following with his greedy tongue.

"You're going to be my wife." the words are a promise, his eyes glittering under the low light; shadows flashign with the coming storm. You part your mouth as though to taste him again, a helpless 'please' slipping past as you arch in his grasp.

Feyd practically took you then and there. Enter the nearest room... make all his dreams a reality. His patience was nearly worn thin. Years of waiting, of hunger. And now it was here. You were in his reach, that tempting little waist; those hips. It made him absolutely insane.

He wets his lips, gaze feverish.

"tomorrow. tomorrow sweetness, hmm? Can wait that long?" He intends to tease you, but he knows he speaks to himself, his jaw locking as he adjusts his arms to press you against him.

You're so fucking soft. It makes him groan. Of all the things he's known in his life, softness was not one of them, save for the flashes of you in his dreams. He craved you like a creature starved. Thoughts of you made him fight better. Made him kill easier.

There's a rumble suddenly of a drone; Harkonnen orders breaking the silence in distorted code. The words don't make sense to your ears. Not yet anyway. You hope to make progress in the language, but it was a challenge; more than others. The variety of tones were a feat for any foreigner to take on; but this was to be your home. A lady of harkonnen would learn her husband's native tongue.

You know he has to leave.

[changes]

Tuesday, August 22nd, 2023

🌟 New

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🛠 Fixed

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We were having some issues with SoundCloud embeds not working in posts, but it’s cleared up now.

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[a-d-nox]

web of wyrd: annual energies and relationship milestones

my best friend is newly engaged, as i said recently, which has inspired me to focus a little more focused on love and romance posts than you typically would see from me. i previously covered annual energies and some broad themes associated with them, so i thought lets look a bit more at the romantic themes seeing that it's over a year later (since that post) and i have seen WAY more webs at this point and picked up on some other trends.

something to keep in mind though - these are COMMON energy markers, any of this can happen any year. these are just the best case scenarios in my opinion.

for instance you can get married in a 22 year, but i feel like it may not last long term or it might be an elopement that upsets the couple and those around them long term...

or you could have a baby in a 12 year but need a c-section.

just some examples. by no means should you feel limited by what i say below!

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let's get to it!

energies that indicate meeting your person

3 (the empress): finding a relationship where both people feel nurtured. it's a loving connection with a great potential to become something beautiful. this is a connection where you can dream about a life and a family together.

5 (the hierophant): meeting someone who shares your values and beliefs. this often leads to a conventional, committed relationship, often marriage.

6 (the lovers): friends to lovers energy for sure - it starts with simple conversations and evolves into love. it more often than not leads to meaningful and deep connections.

10 (the wheel of fortune): suggests that meeting your future spouse / person could be a part of your destiny, often through unexpected or "serendipitous" events.

17 (the star): the relationship is blessed/guided by a higher power. destiny seems to bring you both together. you can sleep well knowing you're on the right path and that the universe is bring you a significant relationship.

19 (the sun): a connection will bring happiness, warmth, and a sense of completeness.

21 (the world): finding a partner with whom you feel whole, a sense of completion, and/or a deep understanding. this leads to a long-term, potentially lifelong partnership.

energies that indicate moving in together

4 (the emperor): moving in together often requires a stable and organized environment, which aligns with the themes of the energy such as establishing a solid foundation and practical arrangements.

5 (the hierophant): moving in together can be seen as following milestones in a relationship leading towards a more traditional or serious commitment (like shared housing).

7 (the chariot): directly linked to movement and travel. represents taking control of one's life and moving forward, which can include physically moving to a new home or location.

energies that indicate becoming engaged

4 (the emperor): suggests that a relationship is entering a phase of solid commitment, usually it's the formalizing of a bond through engagement if that is the next phase of commitment in terms of your relationship.

5 (the hierophant): suggesting that a relationship is moving toward a more traditional and committed phase - if you are in a relationship, it is likely that the next step will be an engagement.

6 (the lovers): this energy is all about love, union, and making choices that align with one's heart. it can symbolize making a significant commitment, like being engaged.

11 (justice): there is a desire to make things official, usually this is an engagement leading to marriage. this is the most common marker i see in the years where people get engaged to one another.

19 (the sun): suggests a joyous occasion, like getting engaged, where both parties feel a sense of fulfillment and happiness surrounding their future together (there might be a large engagement party to celebrate).

21 (the world): signifies reaching a milestone. it can indicate that a couple is ready to complete one phase of their relationship and move into the next one, like engagement.

energies that indicate a wedding/marriage

4 (the emperor): often this is a sign of "securing" the partnership, which can extend to the formality and structure of marriage.

5 (the hierophant): represents tradition, societal norms, and formal ceremonies. this energy can signify a traditional marriage or commitment in the eyes of the community/law, suggesting a formal union. all of the events of a wedding are ticked off: engagement party, bridal shower, bachelorette, bachelor, rehearsal, ceremony, reception, send off, and honeymoon.

6 (the lovers): the union of two individuals. it doesn’t always spell out marriage ceremony, but it often comes up in the context of a relationship oriented commitment.

11 (justice): this can indicate making things official through marriage.

13 (death): this could be a symbol of a brand new era in your relationship (aka marriage).

19 (the sun): this energy can symbolize the happiness and celebration of a wedding, suggesting that marriage will bring joy and fulfillment to the couple.

20 (judgment): like 13, this could be a symbol of a brand new era in your relationship (aka marriage).

21 (the world): indicates that a partnership has reached a stage where marriage feels like the natural and fulfilling next step. symbolized a long-term commitment.

energies that indicate having a child

2 (the high priestess): often this energy shows up when a couple has been trying to no avail to become pregnant and suddenly does. this is because this energy signifies hidden or secret aspects of life (like the early stages of pregnancy). the energy is also connected to the moon and other feminine mysteries.

3 (the empress): the most obvious energy linked to pregnancy and fertility - it symbolizes motherhood, creation, and nurturing. there is a strong possibility of pregnancy in these years

17 (the star): symbolizes hope. this is a time of fertility and holds the possibility for new beginnings. may suggest a blessing or a dream come true (becoming pregnant after a period of trying or waiting).

18 (the moon): deals with cycles (ovulation), intuition, and hidden aspects of life. like 2 energy (but more common in the outer ring) this energy signifies the mystery of pregnancy and the feminine cycles. sometimes i see this in the ring where people weren't trying and tested negative or they don't show (physically or publicly) when pregnant.

19 (the sun): can signify a healthy, happy pregnancy, and the birth of a child (come on it's a kid on a horse). suggesting a positive outcome (you test positive hCG on the stick or with blood).

20 (judgment): suggests the arrival of a new life / the transformative experience of becoming a parent. this could also be a positive sign for couples looking to adopt or foster a child (as it could be a sudden and somewhat unexpected change of events (the list is often long)).

21 (the world): symbolizes the completion of a cycle, such as successfully conceiving or carrying a pregnancy to term (if not beyond the "due date"). can represent the fulfillment that comes with creating life.

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© a-d-nox 2024 all rights reserved

[yurimother]

Seven Seas Celebrates Valentine's Day with Five New Lesbian Manga Series

On February 12, publisher Seven Seas Entertainment celebrated Valentine's Day with a "Yuri V-Day" event, announcing that they had licensed five new Yuri series:

A Yuri Manga That Starts With Getting Rejected in a Dream (Yume de Furarete Hajimaru Yuri)

This friends-to-lovers romance series by Hijiki follows two best friends in high school. When one dreams of the other rejecting a romantic confession, their feelings and relationship start to change. The first volume will be released in English in January 2026.

Seven Seas further describes the series:

Tsukushi has always admired her best friend Hinoka and cherishes their friendship over everything. But one night, she wakes from a startling dream—one where Hinoka rejects her romantically! Except, Tsukushi hadn’t ever thought of confessing feelings to Hinoka before, but this strange dream gets her thinking. Does she have feelings for Hinoka? Was the dream some kind of foreshadowing? What would Hinoka think if she knew? As Tsukushi becomes determined to figure things out, her hyperfocus actually causes her to miss signs of Hinoka’s own feelings! Will the stars align for these girls to become girlfriends? Or will they miss their chance at the perfect romance?

A Yuri Manga That Starts With Getting Rejected in a Dream began as a webcomic on Twitter before being serialized on Web Comic Gamma Plus in 2022. Takeshobo published the third collected Volume in May last year.

I Won't Let Mistress Suck My Blood (Goshujin-sama ni wa Suwasemasen!)

A vampire maid manga by Paderapollonorio, I Won't Let Mistress Suck My Blood follows a young woman who begins working as a maid in a mysterious mansion, only to learn that her new master has a frightful secret. The first English volume will be published in December.

Seven Seas further describes the series:

While on the hunt for a new job and a place to stay, Matilda is pretty sure she hit the jackpot when she winds up in a large mansion known as the “Haunted House.” Not only does she have work, room, and board, but her new boss is absolutely gorgeous! August, owner of the haunting mansion, is a beautiful, soft-spoken woman who captured Matilda’s heart from the moment they met. But on her first night there, Matilda learns there’s much more to August than she could have ever imagined!

The manga began serialization in 2022 on Manga Life STORIA Dash. Takeshobo published the third collected volume in September 2024.

My Goddess is Precious Today, Too (Watashi no Megami ga Kyou mo Oseru)

This high school anthology collection by Kawauchi tells short 20-page stories about the comedic and romantic relationships of disaster girls paired with goddess-like matches. The first English volume will be released in November.

Seven Seas further describes the series:

They start off as friends, total opposites who watch each other from afar, or maybe they’re locked in a fierce competition. Either way, they can’t stop thinking about one another. These fluttery feelings can only mean one thing: first love! Swoon over these budding teenage romances that celebrate girls loving girls.

My Goddess is Precious Today, Too began serialization in Comic GAGA in 2022. Kadokawa published the complete series in two Japanese volumes.

The Fed-Up Office Lady Wants to Serve the Villainess (Genkai OL-san wa Akuyaku Reijou-sama ni Tsukaetai)

The Fed-Up Office Lady Wants to Serve the Villainess is a fantasy isekai by Nekotarou, known for her series Catulus Syndrome and her contributions to multiple Yuri anthologies, including the Whispering You a Love Song offical anthology last year.

The manga follows a discontented office worker who is transported into the world of a visual novel after getting fired. There, she decides to assist the game's villainess. The first English volume will be released in August.

Seven Seas further describes the series:

Natori Midori has been giving it all at her hum-drum office job for three years now, only to have the rug pulled out from under her when she’s suddenly laid off. But just as she’s feeling lost and adrift, she is summoned to the world of the visual novel she’s currently playing, Fairy Tale of Jewels. And the person who summoned her there? None other than the game’s cruel villainess, Lapis Tenebrau, who’s trying to take down the main cast of the game. Driven into a corner, Natori pretends she’s psychic and uses her knowledge of the game to save Lapis from danger. Now Lapis has taken a shine to her, and is going to make Natori her private secretary?! Can Natori handle this new job, and her growing feelings for her villainess boss?

The Fed-Up Office Lady Wants to Serve the Villainess began serialization on Dokodemo Young Champion in 2022. Akita Shoten is set to release the fourth Japanese volume on March 27.

The Lying Bride and the Same-Sex Marriage Debate (Usotsuki Hanayome to Dousei Kekkon-ron)

This shakaijin series is by popular Yuri artist Kodama Naoko, known for Days of Love at Seagull Villa, I Married My Best Friend to Shut My Parents Up, and NTR: Netsuzou Trap, all of which are also licensed in English by Seven Seas. The Lying Bride follows a gay woman who has resigned herself to the life of a single office worker. That is, until she runs into a former colleague who's having difficulties with her husband comes back into her life, stirring up old feelings. The first English volume releases in October.

Seven Seas further describes the series:

Shigisawa Rei knows she’s out of step with society. While everyone around her is getting married and having babies, as a gay woman, Rei feels like those things will never happen for her. Instead of looking for romance, she’s thrown herself into her work and is content with that. That is, until she happens to run into Goto Saya, a former colleague. Saya is petite, cute, and has always been popular with men. So it’s no surprise that Rei used to have a crush on her, but she squashed those feelings when Saya got married. Now, however, Saya comes to Rei begging for help, saying she’s had a fight with her husband and has nowhere else to go. Rei quickly agrees to help her out, and soon her crush is back with a vengeance! Rei knows it’s a bad idea to fall for a married woman, but can she possibly resist Saya’s charms?!

The Lying Bride and the Same-Sex Marriage Debate was serialized in Comic Yuri Hime from 2023 until its conclusion in August of 2024. Ichijinsha published the second and final collected volume last October.

[acivildawn]

About A Civil Dawn

A Civil Dawn is a nonprofit publishing company focused on ensuring the creation of media which is educational and positive representation for LGBTQIA+ and neurodivergent people. We aim to do this by enabling and amplifying creators whose work aligns with our mission and goals. Our current focus is on web comic creators but we are excited for future projects like publishing zines and graphic novels, children's books, and other media from creators who match with our mission and values.

This blog will be used for announcements about the company, reblogs of content from our creators and other posts which align with our goals, and original posts and links to content created within ACD. Please feel free to send asks and DMs but please direct any business inquiries or non-Tumblr related discourse to us at contact@acivildawn.com.

This post will be updated as we add to the below list of creators who we work with: @brooke2valley @alienbycomics @kaylasartwork @deadeyedfae @welldrawnfish @scramratz @foldingfittedsheets

Manifesto

To be a person is to overcome Ick - trauma, fear, pain, and shame. By shining a light and promising hope we will reduce and heal the collective Ick to make the world brighter for everyone.

Because everyone deserves hope.

Mission

Reaching out to hearts and minds to wipe away Ick and empowering great people to reach even farther.

Values

Broadcast Hope

Partner for Good

Foster Understanding

Represent Everyone

[wolfythewitch]

Not really a criticism, just wanted to throw my two cents into the stranger!odysseus hc.

I see The Stranger as a wholly transformative thing. To be a legitimate Stranger avatar, you have to either replace someone or completely lose yourself. There is no Stranger avatar in TMA, that is who they used to be. So due to my interpretation of TMA, Odysseus wouldn't be a Stranger avatar unless he literally was someone else now.

Which could be cool angst, maybe. The whole came back wrong stuff

Oh almost definitely! I do think it almost swallows him whole. Or maybe it does. But that's also why web!Penelope is my favorite interpretation because she snatches him back

Stranger is a bit of a grey area to me because being antithetical to the eye and all, it's main thing is being unknown, I don't really know how it fully works. In the odyssey canon it's just web aligned Penelope and stranger aligned Odysseus, but I'm sure there could be a fic somewhere out there that have them as actually avatars to their patrons

[mitchipedia]

Stand up for your neighbors in San Diego

In light of recent ICE raids at the Federal Courthouse and Buona Forchetta Restaurant in San Diego and in Los Angeles, and the outrageous and dangerous Republican overreaction to Los Angeles protests, it’s important for all of us to find ways to turn our grief and outrage into action for our immigrant neighbors.

ICE raids are violent and excessive, but the community stepped up to fight back and block ICE’s departure. Here in San Diego, ICE responded with military tactics, including flashbangs and smoke grenades. As we write this (Sunday afternoon, June 8), it’s unclear how the situation in Los Angeles will play out. But it’s clear that Republicans want a mass, violent confrontation with protesters, and if they can’t find the occasion, they’ll manufacture it. And Republicans want to break blue states, starting with California.

Here are some things you can do to help preserve freedom and help your neighbors, compiled from local community organizations:

The No Kings March is Sunday, June 14, at Waterfront Park in San Diego. It’s part of a national day of action. See the link, preceding for information on that event and other No Kings events elsewhere in the county and online.

Volunteer to help elect Democrat Paloma Aguirre as County Supervisor in the July 1 special election. If Aguirre loses, the County Board of Supervisors flips Republican. The Aguirre campaign is asking people to canvass and phone-bank. While the district is overwhelmingly Democratic, Republican turnout is high, making this an at-risk election for us, as Democratic Party community leader Cynara Kidwell Velazquez noted at the recent June meeting of the La Mesa-Foothills Democratic Club.

What can you do if you see harassment? Sign up for bystander intervention training by Right To Be. That organization has classes to help protect against harassment of immigrants, women, disabled people, Jews, Muslims, LGBTQIA+ people, in public spaces, online, in the workplace, and so on.

Submit a public comment to your San Diego County Supervisor by June 12 to urge them to increase funding for immigration legal services. You can also email your county supervisor directly.

Also, tell the San Diego City Council that they should be funding community services, not surveillance tech. While our neighborhoods in San Diego are in desperate need of essential services such as libraries, parks and public restrooms, the city is cutting funding for those essential services, instead spending millions of dollars on a mass surveillance system: the Flock Automatic License Plate Reader (ALPR) and “smart” streetlight cameras—wasting money and threatening our privacy and civil liberties.

According to a petition on Change.org: “Flock ALPR tries to track the public movements of every individual in San Diego, 24/7, aligning with authoritarian agendas and the concerning trend of increasing surveillance. Instead of fostering community safety through positive and supportive measures, we are being forced into a society that values monitoring over meaningful safety solutions.” Sign the petition to oppose mass surveillance now.

Further resources:

Showing Up for Racial Justice is an organization for white people working for justice. The San Diego chapter is active and will next meet June 22, at a location to be determined. Sign up for email updates. SURJ’s Linktree lists calls to action.

The Episcopal Church Office of Government Relations' Migration, Refugees and Immigration webpage is a great resource, including an immigrant action toolkit. The Episcopal Diocese of San Diego’s Migration Ministry webpage provides useful definitions, Know Your Rights info, and links to partner organizations that offer a variety of ways to help immigrants.

Mobilize US and CBFDIndivisible list events, petitions and volunteer opportunities.

Take Action for San Diego Democrats is a web page run by the county Democratic Party with information on upcoming events, supporting the Aguirre campaign, learning more about running for local office, Planned Parenthood, how to make effective protest signs and more.

I wrote this for an upcoming issue of the newsletter of the La Mesa-Foothills Democratic Club.

[theshiftingwitch]

Reality is not affecting you, you're creating it.

There is this common misconception we're exposed to every day of our lives that insists that our entire experience as humans is nothing but reacting to our external stimuli. We think we live our lives based on what our reality subjects us to, whether by fate or destiny or a stroke of luck, and everything that happens is either predestined or written in the stars or completely out of our control.

None of that is true.

The universe isn't sitting there, compiling a list of experiences to put you through based on what it decided long ago. You're not being punished or put through the ringer to learn a few lessons. You're not paying for past life karmas or cleaning your slate. You're not walking a predestined path that you had no hand in choosing. You're simply living out your expectations.

As you practice conscious manifestation, you will start to notice your reality changing around you in subtle ways. And with time, as the 3d crashes down on itself and rebuilds a new path that aligns with your assumptions, you begin to truly understand what it means to be the creator.

You see, reality is not set in stone. It's an intricate, endless spiderweb that keeps on spinning as you change directions. You pivot, and the web follows. You decide, and reality bends to your will.

You are not a small, powerless creature with no control and no say in what happens to you. You are all there was, all there is, and all there will ever be. You get to write your own story, shape your own destiny, create your own reality. So instead of cowering behind a wall of excuses every time the 3d exhibits unwanted circumstances, stand tall and command it to change. It is not in control here, you are. If something is not working out for you, change it. If someone is not conforming to your ideals, replace them. Everything around you is a direct result of how you view your life and experience. Change your assumptions, shift your awareness, live in the end, and the universe will bow to your power.

If you need help breaking down your own assumptions and limiting beliefs, doing your shadow work and aligning with your higher self, I offer coaching and shadow work journals! Find them here:

Happy manifesting ❤️

[just-some-user-hunny]

Vampire hunter D and Hellsing Alucard fighting over the same darling

I'm going to have to take some creative liberties and ignore some canon material for this to somewhat work, due to the difference in vampire rules and whatnot in each respective lore and world-building, but this idea was too fun to pass on. I think a dynamic between the two would be so entertaining- seeing as they are both Eldrich horrors in their own respect, yet so different. both are complex characters with many layers to them, so I hope I gave them justice with this.

Anyway, I hope you enjoy reading! . ‧ ₊ ⊹˚✧

. ‧ ₊ ⊹˚✧ Their rivalry is inevitable. D has sworn to spend the rest of his days slaughtering the undead- and Alucard is possibly the strongest of his prey as of yet. They are alike, but not- two of a kind, who share the same shadow and bloodlust.

. ‧ ₊ ⊹˚✧ Alucard is both immensely curious and irked by the vampire hunters existence. A being that is not dead, nor alive. A creature born from both the undead and living. A dhampir.

D is something of a worldly curiosity to him- how can such a thing exist? Throughout all of Alucard's un-life has he witnessed such a being. It both fills him with awe, and unrest.

The complexity has even himself spiraling into an unrestful haze- because finally. A rival. A true rival. A being that has the redeeming quality of a semblance of humanity. He can see right through the dhampir- that sorrow and loneliness and regret is so human. So raw, and unabashedly hidden with shame. What a solemn moping creature D is... Interesting.

. ‧ ₊ ⊹˚✧ D is troubled by the vampire king. A monster whom resembles the likeness of Dracula- a twisted shadow of his own father, a being from another timeline, who mocks him with his mere existence. Just being in the same vicinity as him makes his blood boil and stomach churn in disgust. Knowing that this violent blood hungering beast is yearning for you makes him sick. The implications that if he fails, and you fall into the monster's claws, that another dhampir may possibly be brought into its wretched existence is simply something he cannot allow.

. ‧ ₊ ⊹˚✧ The two clash in every possible way- yet align in every possible way. Like a dark twisted duet. Like a shadow clashing with a shadow. It shouldn't be. Two beings having met behind the veil- a veil that should have never been pieced. They glare at one another in the shadows of your footsteps, constantly watching with bated breath.

. ‧ ₊ ⊹˚✧The dynamic of being caught between the crossfire of the two horrors beyond the veil is a restless nightmare- yet an enveloping dream. It doesn't feel...real. To be yearned over by these two men monsters is an enigma of itself, and you've inevitably become the taut rope between an endless tug of war. Back and fourth, back and fourth, neither breaking sweat nor losing their footing. Clashing blades, explosive bullets, the silver of guns and swords glinting in the moonlight. Spilt blood, open wounds, unrestrained ferocity. There is no hunter or prey in this dynamic- their very strength teeters on the edge of a blade-steady yet, wavering. All that is established is that they have both set their claim. And neither are willing to give up.

. ‧ ₊ ⊹˚✧ Their motives are simple, yet complex like entangled string. Red and black thread ensnaring you till you are but a meager little morsel struggling in the spiders web. D wants to eradicate Alucard- rid the earth of his bloodied existence. The very personification of self-preservation and fear of death taken in the form of something bloody and full of hunger has no right to belong in this world. It should be laid to rest.

You, poor little human, are an unexpected obstacle of both himself- and his prey. You're the flesh caged in the bear trap- the butterfly in the web, the pretty patisserie cake on a porcelain platter. He's the jarring metal teeth, the descending spider, the glinting cutlery.

He's a parasite who attached itself to an unsuspecting human- who has no say in the matter. Either you love him, endure him, or despise him, it doesn't matter. He's sunk his teeth into you and won't let go- always in your shadow.

D is a hunter. That's all he has left for himself. He can at least do this favour for both himself, and you. If you call for Alucard's name, it is not enough to deter him. You don't know any better, you can't. You don't know the extent of this horror. You never shall. Never should.

. ‧ ₊ ⊹˚✧ Alucard is frustratingly simple- yet simply complicated. You are a human who's ensnared his interest- his curiosity and fascination. He wants you, all of you. Your voice...your breath...the smell of your skin...your thoughts and dreams and fears. He wants all of it. He's selfish and hungry, and you are the soothing balm to his wounds. He admits he's a monster- a monster that can only hunger and obsess, he has no shame in that. He accepted he's irredeemable long ago- an attack dog, a weapon, something to command and leash for the sake of numbing the boredom and insanity of everlasting existence. He needs motive. Reasoning. Distraction. And you are the best distraction he could ask for.

He's caught in the swing of finding this hunter's endeavours amusing and annoying.

Leave him be, let him enjoy this last thing. Then he may have his spill of blood.

. ‧ ₊ ⊹˚✧ Regardless of the madness- it can come in useful for your own sake of survival. You'll never have to worry about being harmed whilst under the watchful eyes of not only Alucard, the no life king, but the Dhampir hunter, D. It is the one thing that they can seem to agree and find truce over. They are content to slaughter the vile beasts that dare to think they can harm a hair on your head, casting aside their rivalry to kill together. Their protection is priceless in a world filled with danger- not even the wealthiest of people could pay a price to ensure such safety.

. ‧ ₊ ⊹˚✧ those dynamic is full of banter and jeering- Alucard most often the initiator. How can he help himself? This enigma of a being is so ripe and ready for the teasing and prodding. Something that is half monster, half human... It shouldn't be. An abomination as much as himself. Although he shares his hatred through his own twisted morals, the hatred towards lowly vampires who do not abide by nature and kill monstrously with no goal or end- that disgusts him. His respect for the hunter draws a fine line between mutual respect- and despair for his existence.

. ‧ ₊ ⊹˚✧ "You're disgusted with yourself? As you should be. All creatures of the night deserve nothing. Useless beasts"

"You realise you speak of yourself, Nosferatu"

"How witty of you to clue on. You should know better, do you feel the weight of existence? Isn't it crushing? Yes...it is, isn't it..."

"..."

"For someone who is half human, you are certainly as silent as the dead-"

"Enough."

. ‧ ₊ ⊹˚✧ D is... Often wavering with his control around you. Beyond the soft nonchalant veil that he drapes himself with, internally he often finds himself holding back his insatiable bloodlust. You'd probably never guess- by how tamed and calm he is, through both his slow methodic actions and lulling voice- but every part of him is yearning to taste you.

He's not proud of it- ashamed, is the best way to describe it. It's something he's intent on you never discovering- lest you fear him, God forbid. Pain and fear are things he never wants to stir in you from his own doing. He's not the monster who hides under your bed- not the frightening creature who lurks in shadow, hunting for blood. He's more than that, he likes to believe. There's a part of him that regains precious humanity.

. ‧ ₊ ⊹˚✧ Alucard however isn't a creature who can be swayed easily with the scent of blood- his experience and self control has far surpassed his mindless animalistic bloodlust. Despite the way that he is, He's not one to become lost in a mindless haze- eager to snatch you up and shake you around with your throat in his jaws like he was some depraved starving animal. Although the scent or sight of your blood does utter some excitement out of him, he's never one to act upon it. He'll simply stare at you knowingly, smiling softly and offering to bandage wherever you are hurting. he'll be more than happy to lick the wound.

. ‧ ₊ ⊹˚✧ You can imagine the taunting this no-life king has in store for the vampire hunter, watching with smug amusement as this halfling struggles to keep his drool in his mouth just from the mere scent of you. It’s adorable. Pathetic.

He loves taunting the hunter- playing with you like a cat pawing gently at a mouse, to see what kind of reaction he can summon out of this nonchalant creature. His lack of response always irks the vampire, so watching him grow annoyed and angry just for merely being too close to you? Oh it’s bliss.

Alucard loves to stray closer- closer and closer, pushing his luck, all under the watchful eye of the hunter. He’s more keen to touch and caress you like this- like a lion with a lamb, towering over you frightfully as you stand there sweetly and innocently in his claws. As if he were playing with his food. Rest assured you'll never be his food, but that shouldn't damper his fun regarding toying with the naive hunter.

You’ll become surely equated with the Eldritch horror of a man swallowing you up in his shadow- standing closer than necessary. Your back practically flushed against his torso, as large gloved hands gently pet and caress you like you were some pretty little thing to fawn over. It doesn’t matter how you react. Either you tremble and swallow anxiously as your throat is swallowed up his palm- his fingertip dragging softly over the skin to trace the hollow in your throat, unsure and confused- or you may simply stand still and allow your loyal hound of a vampire preen and coo over you with patient endurance. It’s not your response Alucard is after, although it doesn’t hurt to enjoy it, but D’s.

He wants his anger.

His jealousy.

His envy.

For D, the sight of your delicate neck in the hands of Alucard is something that never fails to make his stomach lurch in fury. He’ll glare wordlessly at the vampire mutt- his own blood red eyes simmering like boiling viscera as he clutches his own aching throat.

. ‧ ₊ ⊹˚✧ I know very well how tempting they he’ll say with his eyes, the deep pleased hum rumbling in his chest like a content beast as he tenderly strokes the delicate skin above your artery. Feeling it pump quickly beneath his fingertips, as his eyes glint with amusement at the dhampir’s simmering anger.

See how I can be so near, so close to touch them whilst you salivate and struggle like a starving dog. A dog. That’s what you are.

D could rip him a new one if you weren’t so in the line of fire.

God, this guy's one smug asshole huh D.

. ‧ ₊ ⊹˚✧ That is not to say that Alucard is the only petty one, because D is just as bad. he can be worse.

It is not unusual for the Dhampir to snatch you away and keep you tucked safely beneath the shelter of his cape- keeping you swallowed up in billowing fabric, nestling you close to his side or ribcage. Silently-softly- he’ll extend his arm out welcomingly, draping his cape open for you to hide if you so please. Please. It is the safest place for you in his eyes, swaddled safely from sight nor scent- with you so swallowed up in his clothes and stature, your pretty scent is masked with his. Practically bathing you in it. All you can do is keep up with his strides as his hand settles securely upon your shoulder, keeping you tucked into his side whenever you walk together.

Look D, as much as I like seeing this assholes face prune up, I'd like our body to stay intact. Hey, are you even listening?

So you can image the irk and seething jealousy that burns like hellfire in Alucards vermillion glare as D unveils you to the vampire king- your form nestled close to him, wrapped up in the safe recluse of the dhampir’s cape. That halfling abomination has rubbed off all your scent and his.

The nerve.

. ‧ ₊ ⊹˚✧ It's safe to say that they both become clingy in their efforts to claim possession of you no matter how much D refuses the concept of possessing you, they both know deep inside that's what he yearns for with his lonely dead heart.

So be prepared to be clung to by these two towering children of the night. Alucard pressing himself to you like a touch starved dog, possessive and enveloping. His gloved hands resting upon your shoulders or idly stroking your head/jaw/neck. If not in your shadow, he's by your heel- the tip of his own polished shoes brushing against your heel.

He does it so unnaturally fitting. His large hand curling around your jaw, tilting your head up to wipe something off your face. He could so easily crush you, but that thought never comes to fruition in his mind. or he may drape his arm over your shoulder, his gun bracing against your chest like a makeshift shield. (Or perhaps a little empty threat to make your heart skip a little in your chest). He loves how much it winds the Dhampir up.

"Get that thing off her, if you know what's good for you."

"I don't, you see"

"Off."

"What's wrong? You surely don't think I'd hurt her to you? She's my dear little human, Dhampir. Mine"

"She's not yours, or anyone's."

"Is that so."

. ‧ ₊ ⊹˚✧ Both are eager to claim the spot to reside in your shadow- both literally and metaphorically. They share the same inevitable fate of losing you to time- so they are insatiably eager to take their fill of life from you. To have the pleasure of watching you grow old and silver, front row seats of your existence- if you will. It is unspoken, the sorrow. It’s a lengthy pause that’ll always settle between them; both fully aware, but not strong enough to say it out loud. It all but makes it too real. Alucard is full of pretty poetry when it comes to the concept of losing you- always grinning and wistfully lamenting how full and easy he’d make life for you, but internally there’s a pit of anger and sorrow inside him that’s festers like rotting fruit. Sweet and syrupy, but spoiled and repulsive. These emotions only come to surface through silent lingering glances of softened expressions, which always throw you off. They’re quiet and contemplate, and for once you don’t feel like a yummy morsel under his watch. You’re something to be mourned and cherished. This deep sadness that dwells hidden in his garnet hued irises.

.‧ ₊ ⊹˚✧ D is just as in much sorrow, and that is something that the two creatures of night can fall into agreement with. Immortality is a curse, not something one should wish to possess.

D does not keen to dwell too deeply into the concept of your demise- no matter how peaceful it’ll be. Every smile-line and pretty wrinkle upon your face serves as a reminder to him. He will forever remain porcelain- his hair will remain deep mahogany, whilst you turn silver and frail. Reminding him of how fragile you are- how privileged you are. Still- he is silent with his emotions. Like carved marble set into a beautiful and gaunt expression, never will he show anger or jealousy. He cannot bring himself to bear it.

As long as you are safe and cherished, that is all he can wish for.

. ‧ ₊ ⊹˚✧ their fight for claim can go on and on, scrabbling for a secure footing in the game they've been began- with no means to an end to finish. They are both strong, no matter how endurable D is- nor how many levels of his own power that Alucard unleashes, there's always a standstill. D could be near shredded ribbons of flesh and fabric, but he'll still stand. Alucard could be standing tall in his armour from his days of impaling and bloody reign, and he'd still be toe to toe with the Dhampir. It's infuriating for the both of them. There must be only one victor, one to take their stead in the shadow of your existence. But it's never ending.

This isn't about simple rivalry anymore. It's a neverending duel between themselves, eager to win or die. Death would be a privilege if not for your own place in the matter. They can't die yet, not whilst you are still breathing.

. ‧ ₊ ⊹˚✧ you'll be caught in the crossfire of possession and duty, desire and a twisted version of love. It is for you to bear witness to, So don't look away.

[blindmagdalena]

Guilty Pleasures ( chapter two )

18+ 3.8k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, lite somnophilia, breaking & entering, petty theft, sublander flavored. nebulously takes place post s1. part 2/4. AO3 link. | Chapter Directory

Homelander is the most powerful man in the world, and all he wants is to be yours.

After spending the majority of your evening and the following morning anticipating being fired, walking into work the next day feels like traversing a thinly frozen lake, each step webbing out in precarious cracks.

Clearly you’re not the only one who thinks so: you clock a handful of surprised looks from coworkers who’d attended the meeting and took note of the tension between you and Vought’s golden boy.

Maybe they’d taken bets on whether or not you’d be coming in this morning.

There’s no sign of Homelander on your way in. Not that you were expecting him–yesterday was the first time you actually saw him in person–but you still find yourself on the lookout. It’s hard to say whether you’re anticipating or dreading him. Part of you is still expecting to open your door and find a letter on your desk politely informing you that they’ve determined you aren’t a good “culture fit” for the company, and that your probation has been terminated.

After all, who in their right mind would take your side over Homelander’s?

You push open your office door, and sure enough, there is a letter waiting for you, but not in the way you expected. You stand in the doorway, staring in quiet incomprehension. The envelope, crisp and bright white, is propped up in a bed of rich red roses sitting in a pretty vase upon your desk. You glance behind you before you step inside, closing the door behind you, and approach the desk cautiously. You pluck the paper out of the bouquet, taking a moment to smell the flowers–they smell as good as they look–before you carefully rip open the envelope, tearing the small american flag sticker that sealed it.

Inside, there’s only one word on the folded piece of paper, scrawled in surprisingly elegant handwriting.

Truce?

You can’t help the incredulous little bark of laughter you give at that. It’s not even an apology. It’s a demand that he expects a gratuitous bundle of flowers will help you swallow, like taking medicine with a spoonful of sugar.

“You’re ridiculous,” you say quietly to the letter, setting it down on your desk. You give the roses one last sniff, testing one of the soft petals between your fingers. You wonder if what you said actually got through to him.

Homelander has no real reason to smooth things over with you: you’re no one. He’s posed no risk to himself by coming after you. He could no doubt have you fired by complaining that your marketing tactics don’t align with his brand. It’s hard to imagine Vought denies him much.

Yet he is apparently negotiating peace. It’s not nearly enough, but it is a start.

Or maybe it’s just more than you expected.

You sit, idly tapping the letter against your desk. You’d be lying to yourself if you said you didn’t still think him handsome. Homelander wasn’t the first man to ogle your tits while you gave a presentation, but he was certainly the first to fluster you like that when he did. His sly smile had made you want to slap him, but there was a questionable little part of you that thought about kissing it better afterwards.

Taking in a steadying breath, you slip the letter into your desk drawer and adjust the flowers to the side, admiring them a moment before you pull out your laptop.

If Homelander can behave himself enough to let you do your job without public humiliation, you can afford a truce. You don’t need to forgive or condone him to be civil, or even to continue having your own private fantasies. A little guilty pleasure now and again never hurt anyone.

You can’t know that Homelander is observing you throughout this internal conversation, watching through several layers of steel and concrete, his parted lips curving into a slow smile as you accept his offering. You can’t know that you haven’t just acknowledged a truce, but an invitation.

No, you can’t possibly know what’s to come.

Two days later, you diligently change the water that the roses in your office sit in. They’re doing well, the crimson buds having unfurled into a splay of velvety petals. You pinch one between your thumb and forefinger and stroke it absently. Homelander has continued to be a scarcity, but that doesn’t mean you haven’t seen him. Quite the opposite: you spend most of your working hours either looking at or thinking about his face to the point where it’s starting to follow you home each day.

That’s what you tell yourself when you think of him outside of work hours, anyways.

It’s been long enough now that you wonder if the flowers were the end of it. He was simply covering his ass with a half hearted gesture that slightly resembled an apology so that you could both comfortably drop the subject. That was entirely fine by you so long as he actually did improve his behavior.

A familiarly brisk knock at your door catapults your heart up against the cage of your ribs like a spooked hare. It’s the exact same beat, you’re sure of it. You stay quiet, half expecting to be barged in upon, but when nothing happens, you move from your desk and open the door yourself, intentionally blocking it with your body.

Sure enough, Homelander stands tall on the other side. He flashes his signature smile while your eyes narrow suspiciously. “Can I help you?”

“I think I’m the one who can help you,” he says brightly, that spread of teeth downright wolfish. He lifts a handful of papers that have been stapled at the corner, gesturing for you to take it.

Still wary, you take them from him and shift, wedging your foot to keep the door firmly in place while you flip through the pages. Your brows furrow as you recognize chunks of your own presentation. Understanding dawns when you realize that he’s annotated them.

“You read my presentation,” you say, unable to mask your surprise.

“Obviously. It’s my image on the line, right? Got some notes for you, but I have to say: y’mostly nailed it,” he says, reaching out to rest a gloved hand on the doorway.

“Mostly?” You echo, quirking an eyebrow at him as you look up from the pages.

“Yeah, mostly. Again, I have some minor notes,” he says, wiggling his other hand in a vague gesture. “But I figure I owe you praise on a job mostly well done.”

You’ve got to be kidding me.

Crossing your arms, you abandon your stern foothold on the door in order to shift your weight, your incredulity showing in every inch of your body language.  “What you owe me is an apology.”

Homelander’s grin softens into a smile that’s no less challenging. “Looks to me like you’ve already been enjoying my apology,” he says, leaning slightly to gaze past you, to the bundle of roses sitting prettily on your desk.

You briefly glance over your shoulder, but your expression remains impassive. Unimpressed. “That? That isn’t an apology. An apology would include the words I’m sorry.”

He scoffs a dismissive laugh, swaying back to look away, but you persist.

“I’m serious,” you say, luring his ocean blue gaze back to yours. “I want you to say to me ‘I’m sorry for the way I behaved during your presentation. It won’t happen again.’ “

The two of you hold each other’s gaze with all the magnitude of two gunmen in a duel, hands steady over your proverbial pistols. 

To your surprise, Homelander does not fire back. He raises a dainty white flag.

“I’m sorry for the way I behaved during your presentation,” he says, words slow and measured. You watch his tongue flash over his bottom lip, wetting it attractively. You fight to not let your eyes linger on it. “It won’t happen again.”

You swallow, suddenly finding thought and speech an impossible task. You weren’t prepared for such raw, ready obedience from him, nor the intensity in his gaze that follows it. He reminds you of a charmed snake–docile so long as he is transfixed.

“Good,” you say, the word half a sigh. Homelander’s lips part and he breathes in like he’s caught wind of something particularly delicious smelling. “I accept your apology, and I appreciate that you took the time to do this,” you say, gesturing with the documents in your hand. “I’ll go over them and get back to you.”

He reaches out, bracing his hand on your office door. You half expect him to push it open, but he merely holds it there. “We could go over them together,” he suggests slyly.

“No,” you say, clearly disarming him. He looks as though he’s forgotten the meaning of the word. “I’m in the middle of another project at the moment.”

The leather of his gloves creaks faintly in your ear as he flexes his grip on the edge of the door. While what you’ve said is true, it’s also serving as a test. Words and flowers are pretty things, but only actions always speak the truth.

“At the moment,” he repeats, gears visibly turning in his eyes. “So… Later?” He extrapolates, displaying an uncharacteristic tentativeness alongside his obvious displeasure at the taste of rejection. You even see a glimmer of hope in the mess of his expression.. 

He did pass the test. You suppose you can reward him for that.

“Another time,” you say, giving your door an exploratory push. He relents, his hands sliding down the length of it before falling away as he takes a half-step back. “How about tomorrow on my lunch break? 1:00 o'clock sharp.”

He splits into a smile that looks more genuine than any of his you’ve seen before. “Aaalrighty-roo. Sounds gooood to meeeee,” he says, drawing out his vowels more the closer he gets to actually having to leave. At your silent, amused stare, he claps his gloved hands together with a muffled thump! and takes a few more steps backwards. “Yooooou’ll see me… tomorrow.”

Your smile pinches along with your brows. What a strange way to phrase it. “See you then,” you say, watching as his face is eclipsed by your closing door. You wait a beat and then let out a thin thread of breath from your pursed lips, resting your weight on the door.

Looking down at the papers in your hand, you push off from the door and head to your desk, flipping through them.

Such a strange man, you think, carrying the notes to your desk. You set them down next to the vase of roses and try not to think too much about the unconscious smile your lips keep settling into for the rest of the day.

Homelander’s got you hook, line and sinker. He’s certain of it. He lingers on the other side of your door just long enough to watch you through it while you settle, a charmed smile set on your lips. He can already imagine how those lips would feel against his own, how they’d taste. He swallows thickly and looks around before he departs, already plotting his next move.

The two of you have a date tomorrow, and in order to be at the top of his game, he’s going to have to do a little additional research. Knowing your work was a good first step. The next one will be learning about you.

Following you home is the easy part. It ultimately feels chivalrous to do so once he realizes you walk home even at this time of year, when the sun sets long before the work day ends. He drifts above you, cocking his head curiously. No wonder you walk. The streets are packed as tightly as sardine cans, and your apartment garage isn’t much better. The claustrophobia of it all serves as a stark contrast to the openness of Vought tower.

The interior of your apartment provides an even sharper juxtaposition to his penthouse. It’s tidy, but the comparatively low ceilings and minimal floor space still make it look cramped. Somehow, you simultaneously have too much and yet not much at all, the confinement of a downtown apartment making what minimal affects you do own seem crowded together.

That only becomes more apparent once he’s inside, slipped in through your balcony after sleep has taken you. Why would you bother to lock your balcony when you live on the 8th floor? It works out perfectly for him.

In all fairness, your living room feels cozier once he’s standing in the center of it. Your walls are lined with an assortment of art pieces and photographs, and the shelves are well stocked with books and knick-knacks. You have a decent film collection displayed on your media console, and he can’t help but snoop through it, bending at the waist, examining through the rows. He cocks his head.

Odd. You’d think an employee of Vought would have at least a few VCU films. He runs his index finger along the spines, slightly adjusting them flush as he goes. Pursing his lips, he straightens up and looks at the closed cabinets on either side. The left one yields an untidy assortment of electronic odds and ends, cords and the like. Nothing of much interest other than an indication that while you like to keep up appearances, you aren’t quite as together as you’d like people to think. 

It’s on the right side, however, he finds what he’s really looking for.

“Bingo,” he whispers, smiling to himself as he scopes out your little hidden collection of Vought hero flicks. Specifically, his films. He’s less interested in the handful of others you own (Queen Maeve: Her Majesty, Black Noir: Insurrection, Lamplighter: The Bright World, etc) and more so in the fact that you have nearly his entire catalog tucked away. 

Nearly. You’re missing his eighteen part miniseries, Homelander: Brightest Night.

At least that gives him something to gift you.

Closing the cabinet, he meanders about the rest of your apartment. You have some plants in varying states of decay, with only a few cacti looking to be in decent shape. Either your work keeps you too busy to properly mind them, or you just like the idea of them more than the reality. It tells him that you’re looking–and failing–to fill a void in your life. You want to feel less alone in your home, you want to nurture something. You just haven’t found the right something yet.

Striding into your kitchen, arms folded behind his back, he peers through the cheap wood veneer of your fiberboard cupboards, unveiling an unusually broad assortment of mugs. There doesn’t seem to be any particular theme: holidays, locales, characters, and a menagerie of patterns. 

He hums softly, pivoting out of the kitchen and down the hall, his steps preternaturally light. He listens for the beat of your heart as he draws near, tunes it in alongside the shallow cadence of your breath. Deep asleep. Good.

The walls are lined with pictures of you and others. Friends or family, he can’t say, but you look to have an abundance of both. He rarely sees himself in photos that aren’t promotional material. He pauses to straighten a picture frame, and finds himself so viciously jealous of the man sharing the frame with you–his lips pressed to your cheek, your laughing smile so genuine he can nearly hear it–that he almost knocks it to the ground.

Running his tongue along his teeth, he continues on.

Your bedroom door is open. He slips in silently, pausing just through the doorway. Your bed's a queen, too big for just you. You’re sprawled comfortably amidst pillows, limbs splayed in just such a way that he can easily imagine fitting himself in the empty spaces between them. He can smell the lingering burn of the candle you’d lit when you got home. He picks it up off your dresser, reading the label: Cup ‘o Joe. 

Eugh. He never cared for coffee, and the artificial sweetness surrounding the note is cloying. Your perfume, on the other hand, he doesn’t mind. He notices the bottle alongside a few other of your things and puts the candle down in favor of that, popping the cap off. The smell hits him before he sprays it: vanilla first, then amber and something more woodsy. It’s less impressive by itself than it had been on you.

Still, it’s yours. You chose it for yourself.

Slipping off one of his gloves, he lightly sprays into the inside of it before he sets the bottle back down, recapping it. It won’t be the same, but he’s driven by the compulsion to spirit away any little pieces of you that he can. Just enough to satiate himself until he can have you properly.

That’s when he sees your blouse from today in a careless heap at the top of your laundry basket next to your dresser. Licking his lips, he tests the feel of the garment between his bare fingers. He’s always been sensitive to fabrics, and while the blend of this one is fairly cheap, it’s been worn and washed enough that it’s soft against his skin. He grabs a handful of it and lifts it to his mouth, brushing it along his lips, under his nose, and he deeply inhales your lingering scent mixing with the fresh pump of perfume.

He bites back a moan, screwing his eyes shut. His cock gives a dull little throb. Fuck, the spell you’ve cast on him makes him ache just for the smell of you, makes him salivate. He swallows it back, letting out a rough little breath as he reluctantly puts the shirt back down. Under it, he spies a little flash of something black and lacy. His stomach clenches, and he’s reaching for it before he can stop himself, fishing the black panties out of the heap and twisting the fabric between his fingers.

Fuck, fuck, fuck.

He can’t afford to overindulge. He won’t be able to control himself if he does, but he also can’t bring himself to put the little slip of fabric back down. He imagines he can almost taste where your sweet cunt had been pressed to it. Christ, he’s practically drooling. Out of sheer impulse, he yanks down the zipper of his pants with a quiet hiss of metal against metal and hastily pushes your underwear into his cup, biting down hard on his lip. He grinds once against his hand, savoring the feel of the fabric against his cock.

He’ll enjoy them far more than you’ll miss them.

Zipping himself back up, he carefully pulls open your top dresser drawer. He curiously pushes the contents around, mindful not to overly disturb, and his knuckles bump something solid. He shifts one of your bras–another near painful pang of arousal at the reminder of your breasts–aside and finds, to his delight, what any good marketing department would describe as  “a large purple massage wand.”

A vibrator. He chews his bottom lip briefly, turning it over in his grip. An exciting find on all fronts. It’s smooth and decently hefty, good quality. You deserve even better. You might be capable of indulging yourself with this, but he could make you scream. You’ll never need a silly little toy again. Not when you have him.

Homelander moves to put it back in the drawer, but–

“Fuck!” He hisses when the button catches on his finger, and suddenly the damn thing is buzzing.

Shut up, shut up, shut up, he chants mentally, jabbing at the buttons in an attempt to silence it, but pressing the same ones only makes the accursed device louder. In a frantic move, he grips the neck and squeezes. There’s a soft crunch beneath the silicone, and as abruptly as it had begun, the buzzing ends. His heart is thudding heavily in his chest. He listens to the silence, to you.

He looks over his shoulder. No movement. Your breaths remain shallow.

Christ.

So much for leaving no trace. He slips the busted toy back amidst your underthings and snatches his glove off of your dresser, tucking it under his arm. He hones his attention on you as he approaches your bed, assuring himself that you really are still asleep. He stands there for a while, admiring the part of your lips and the haphazard splay of your pajamas and where they cling to your body.

No bra.

His bare hand flexes. Being so close is too much of a temptation. He wets his lips with a quick slide of his tongue and bends down. He ghosts his fingers just over your cheek, not quite daring to touch. He can smell the faint remnants of your toothpaste on your breath, your shampoo, and beneath it all, you. It's intoxicating, it's…

Your brows furrow slightly in your sleep and you make a soft noise, interrupting his thoughts. He wonders if you’re dreaming–dreaming of him, perhaps. He’d like to think so. He’d like to think that you’re just as affected by him wanting you as he is, and that’s the real reason you invited him to lunch. He saw it in your eyes when he echoed your words, the thrill that went through you. He could have gone to his knees for you in that moment and had you in giving himself to you.

Desperate for just a taste, he kisses ever so gently between your brows, his own breaths matching the cadence of yours. Divine. You're divine. So effortlessly perfect and so aware of your own power. How could he not want every part of you?

He means to leave it there, to walk away with nothing but the slight salt of your brow on his lips, but the pull is too great. He's greedy, drunk on the smell and the taste of you, on the feel of your panties pressed up against his cock, and he can't stop himself from sampling your lips against his.

It’s the barest hint of touch, and yet the contact lances electricity through him like he’s been struck by a bolt of lightning. Your lips are soft, soft, soft. He knew they would be. Everything about you is so fucking soft. It takes everything in him to pull away, standing back to his full height.

He's aching, yearning so intensely he could rip the covers away and take you just like this, shake you awake, declare himself and have you. Would you scream, or would you have that same look of affronted understanding of him? You see him in a way few are ever brave–or stupid–enough to dare.

Not yet.

He won’t spoil the game. He agreed to play by your terms. As far as you’re concerned, he’ll do precisely that. You’ll be none the wiser in regards to his little reconnaissance mission–anything could have happened to your vibrator–and the two of you can play your little game as if you stand on equal footing.

Sucking in a silent breath, Homelander leaves alone, but not empty handed.

He’ll make very good use of his little trophy tonight.

( chapter three )

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.