#Writing Potential

[jasmineandpepper]

Appreciation post for all the beginner artists who work hard despite the AI ​​looming over us. You are fabulous. You are precious. Keep up the hard work, you are needed.

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[thisisgraeme]

Mastering Free Writing: Unlock Your Writing Potential and Improve Skills

Introduction to Free Writing as a Tool for Enhanced Writing Skills Imagine your writing ability as a form of fitness, where free writing is like to a gym session tailored to strengthen and develop the essential muscles for enhanced writing prowess. In the realm of building muscle and achieving peak fitness levels, we apply a twist—it’s all about honing the skills and stamina needed for superior…

[lnk-and-lnspiration]

Unlocking Your Creative Writing Potential: A Comprehensive Guide

Are you an aspiring writer looking to make the most of your creative writing potential? Do you find yourself needing direction when it comes to breathing life into your characters and crafting a captivating story line? Unlocking Your Creative Writing Potential: A Comprehensive Guide will provide actionable steps for even the newest writers. Whether you are just starting out or feeling stuck in a…

[neoheros]

sakusa knows he’s a bad date.

he’s quiet, timid, doesn’t speak much, and asks all the wrong questions at the wrong time.

he’s not very good at eye contact and a lot of the things he wants to say he feels he can’t say at all either.

(partially due to the feeling that everything he says when he talks to you ends up embarrassing him, and partially due to the fact that talking to you for long periods of time make him tongue tied).

(not that he’d ever admit that).

despite all that though, he does know the basics when it comes to going on dates:

he buys you flowers (and forgets it by his doorway), he opens the car door for you (and apologizes when it almost hits you as he opens it), and he makes dinner reservations at the restaurant you mentioned to him in passing three days ago (he did a good job with this one).

so yes, him being a bad date is not unbeknownst to him. quite the opposite in fact, it’s not only something he knows about himself, but it’s also something that he thinks about all the time.

or at least, all the time ever since he’s met you.

that’s how the two of you end up here — the evening of your first (and probably last) date, sitting on a porch step of an empty building, a bloodied handkerchief filled with crushed up snow pressed against sakusa’s left cheek, and a few missing buttons from your favorite winter coat.

sakusa always knew he was a bad date, but he never thought he would be this bad.

the plan had been simple: get you flowers, open the door for you, drive you to the restaurant you liked. sakusa had this game-plan of his memorized ever since you said yes to him four — now five — days ago.

he wrote it on a piece of paper, step by step, and kept it in his wallet sleeve in case he forgets, he repeated it to himself three times in the mirror this afternoon before he left the house to pick you up, and he said it to himself one last time in the car before texting you that he’d arrived.

he memorized it.

and still, he messed it up.

the streets are empty and the evening is quiet.

“sorry … for this.”

his words feel like they’ve been the first to be spoken all night.

on the snowy concrete just below your feet, there’s a few drops of blood making its presence known loudly against the whiteness of the snow, the drops scatter sporadically, and near it, there’s a button or two from your coat.

you sit next to sakusa on the cold steps, it’s a quiet night, and it’s not snowing anymore, but the soft bed of the cold flurry it left behind made for a beautiful evening.

you let your head fall slightly on his shoulder, “for what?”

you can feel him stiffen immediately under your touch, and he coughs, shy, and looks to the side.

it makes you smile a little bit — his efforts of hiding his expressions — it’s not like you can see him anyway with that big makeshift ice-pack covering his face.

“sorry for the bad date.” he clears his throat, more clearly now, a little louder too, but his tone almost sounds disappointed. “… and sorry for ruining your coat.”

you lift your head up from his shoulder, frowning, and you turn to face him, “it’s not a bad date.”

he doesn’t say anything to that. instead, he keeps his head turned slightly away from you, but his shoulders fall a bit when you move away from him.

“if anything, i should be the one apologizing.” you mutter lowly, “i’m the reason you got hurt.”

sakusa huffs slightly. a second pausing in the air as he refuses to return the look you give him, and finally, he puts down the “ice pack” from his cheek, and looks at you.

his cheek is scratched lightly, nothing too deep, just a red mark that’ll probably resolve itself in a few days, but his lower lip though — the culprit of the blood stained snow — is undeniably busted, still bleeding slightly, and making him wince at the sudden loss of pressure.

“don’t say stupid things.” he tells you, and if it makes him sound cold, he swears he’s not trying to be.

he just doesn’t know what else there is to say.

the truth is — it is a bad date.

he forgot your flowers, almost hit you with the car door, and now, the two of you are missing your dinner reservation because he got himself injured twenty minutes into the night.

it’s not fair, he thinks. half the things he wants to say to you, he can’t. half the things he wants to do, he messes up.

you make him fumble on his words, tongue tied, speechless, literally. you make him write things down on notes so he won’t forget them or practice on bathroom mirrors or worry in his car outside your doorstep.

he is the most capable man in his team, he is the sharpest, the most composed, his teammates and coach all count and look up to him.

but for some reason, one night with you, and it all washes away.

he doesn’t know what to say to you, he forgets things, and he falls face first flat on the hard concrete ground twenty minutes into your first date.

don’t say stupid things.

“you really won’t let me take you to the hospital?” you put your hand on his knee, turning even more to your side so you can face him better.

you have half a mind to put your other hand on his injured cheek but you don’t want to hurt him more than how he already does.

“it’s not as bad as it looks.” and as he says that, he winces, the gust of wind suddenly hitting his busted lip a testament to his bad luck tonight.

sakusa wants to kick himself, if there ever would be an appropriate time to act cooler than how he actually was, it would definitely not be now.

you don’t look so convinced, but sakusa wouldn’t know, he’s still only limiting himself to looking at you briefly before shifting his glance to something behind you or beside you or above you.

“hm. and it doesn’t hurt?” you cross your arms.

he shakes his head, “no. it doesn’t.” (it does.)

you raise a brow, “and you wouldn’t happen to be lying to me right now so i don’t take you to the emergency room?”

he shakes his head again, “i’m not.” (he is.)

you give him a look.

listen — sakusa already knows that he’s a bad date, but come on! he has been planning on asking you to dinner with him since the first week he’s known you, he’s been worrying about this evening since the second you agreed to it, and he’s been kicking himself in the head ever since the night began.

he’d rather bleed out on this disgustingly dirty porch step than admit that he’s a date so bad he can turn an evening meant for dinner into a night at the emergency room.

he doesn’t want you to think that he can be so bad like that. (is it too soon to ask you out for dinner again?)

you still look frustrated at his answers. but at least, he’s looking at you now.

you let out a big sigh, shoulders falling, and suddenly, you clap your hands together loudly as you straighten up.

“then i have an idea.” you say, and sakusa furrows his brows at the sudden change in the atmosphere.

you give him a prompting grin. “heads or tails.”

and it catches him so off guard, he says aloud, “what?”

you dig for a coin in your coat, “i’ll flip a coin and if it lands on heads, we go to the emergency room, no arguments, no fusses, no nothing.”

he frowns at that.

“but.” you tell him, and your grin gets wider as you show him the dime laid out on your palm, “if it’s tails, we go to my apartment, and i’ll try to fix you up there.”

his frown falls almost immediately into something else.

one night out with you and he’s already bleeding heavily and injured, and now you wanna take him back to your apartment?

were you trying to kill him?

“heads or tails, omi.”

he blinks at your words. and once again, he finds himself saying aloud, “what?”

you shoot him a funny look, your eyebrows slightly raising as your lips curve upward into a crooked smile.

you say, teasing, “if you don’t know; heads is the part of the coin with the head of the person showing on it and tails is the–”

sakusa grumbles loudly, cutting you off mid-sentence, making sure you see him roll his eyes at you, and he nudges you slightly with his foot.

he mutters, albeit under his breath, and he tries to hide it, but you can always tell when he’s smiling, “i know what a goddamned head is.”

you shrug, your grin wider now when you see his mood lighten up a bit.

“do you know what a goddamned tail is?”

sakusa huffs out an amused sigh. the smile on his face a lot more prominent now, and you only wonder slightly if it hurts him when he does it.

his shoulders fall as he’s defeated, “just take me to the emergency room.”

you let out a short laugh and the night doesn’t seem so quiet anymore.

you fall back against his shoulder, “ah, omi, are you just saving the opportunity to be invited into my apartment for our next date?”

there’s a choking sound to be heard in the air.

his face almost feels like it’ll erupt into flames by how casually you just said that, a hot pink hue creeping up from his neck to nose all the way to the tips of his ears. he blames it on the cold, and immediately, he presses the “icepack” back against his cheek.

sakusa stands up suddenly from the porch step, “let’s go now.”

and just like he said, he strides away, faster than what would usually be safe on snow-covered pavement.

“omi, not so fast!” you yell after him, rising from your own seat and following his pace, “you might fall again and hurt the other side of your face and atsumu will think i beat you up on our first date.”

he walks faster.

“i can go to the hospital myself, please don’t follow me.”

“that’s ridiculous! let me take care of you!”

he trips on his feet slightly as you say that and his heart feels like it would’ve fell from his mouth had he not caught himself before falling again.

you really were trying to kill him, weren’t you?

maybe this date doesn’t feel so bad after all.

and, is it too soon if he asks you to come have dinner with him again?

[mischievous-thunder]

What truly got Johnny killed is his relentless flirting with Wade's Angel Baby

[ratlingrun]

I don’t care whether you like rooster teeth or not the idea of deleting 21 years of media should be incredibly concerning

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[d0rianw1lde]

Eddie WOULD write love songs for Steve, you guys just aren’t creative enough.

“But he likes metal!” I hear you shout. I shut your lips. He likes metal, yes, but I think a lot of you are confusing the type of metal Eddie listens to with like, hardcore black metal.

Eddie Munson listens to Metallica, Motorhead, Ronnie Dio, all THREE of which have love songs in their discography. Sure, he’s not writing about how much he loves the feeling of Steve’s lips against his and how the sun hits Steve’s eyes at just the right angle or something, but he IS writing about a looming monster, imprisoning him in chains that wrap tightly around his soul like a curse. A fire-breathing demon that pulls him back from his true desires- to capture the forbidden idol from its temple and slay the monster once and for all. He IS writing about running away with precious jewels and destroying all that comes in his path.

Eddie Munson’s writing Wizard-metal love songs about Steve Harrington in a language he’ll never understand. His band loves it because it’s fantastical, it’s intense, it’s metal. Eddie likes it because it’s about the feeling of loving someone that, to his knowledge, he can never have.

You guys gotta start getting wild with it, man. Because the Eddie I know is putting it all on the line tbh.

[heritageposts]

What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads��there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

[salarymanwaka]

[corkinavoid]

DPxDC Glass Coffin

Weirder shit has happened in DC universe, but hear me out, Young Justice finds a glass coffin with Danny sleeping inside it. Maybe it's in some ancient tomb and hidden away for centuries, maybe it's in some villain's private collection of artifacts, maybe it's in some museum in plain sight.

And then Kon hears a heartbeat from it.

(I'm going with the version of YJ that is Kon, Tim, Cassie, and Bart here, fyi)

Assuming they didn't come to wherever they found the coffin just for the sake of it, they, as the responsible teenagers they are, finish their business first and take it to Mount Justice later to figure out what the fuck. Meanwhile, Danny is sleeping peacefully like a princess, all up in his King garb, with the Crown of stars, cape of night sky, and whatever else pretty stuff you want him to have. Point is, he looks majestic.

Tim looks up the records for the coffin. The files say it's hundreds of years old, and no one has been able to open it yet. The boy inside is stated to be either a statue or some kind of really well-preserved corpse - no amount of scanning registered any signs of life, so it was treated like a piece of art for the most part.

Yet, Con is absolutely positive he heard a heartbeat inside. What's more, he can still hear it now. It's impossibly slow but still recognizable.

Cassie finds a whole lot of legends about it, most of them speaking of 'only those from the other side can open the casket', and there are no clarifications to what kind of other side they are all talking about.

Of course, they all try. Because this is some kind of Snow White or Sleeping Beauty shit, and besides, none of them even think they would be able to open it anyway. And, sure, as soon as they are done having fun with it, they will report to the JL about their finding. Maybe the magic users will know something about the weird Sleeping Prince. They even go as far as to reason with the casket, loudly proclaiming where they are from, because they all come from very different 'sides'.

Bart goes first, explaining how he is from the future. The casket doesn't budge. Cassie goes next, stating herself as Themyskirian, but to no avail. Kon is next, with his half-Kryptonian heritage, but the glass coffin doesn't accept him as worthy either.

And then it's Tim's turn. And somehow, he flips the glass lid open with no effort at all.

A moment of silence follows, all the YJ members frozen in place, waiting for anything to happen, but the boy inside keeps just laying there, unmoving and with his eyes closed. Then Cassie makes a joke about kissing the princess to wake her up, and all of them start arguing on ethics and stuff because why is Robin the one that has to do the kissing, do you have any idea where that boy has been? Fuck off, you kiss him if you want it, and also, do you really want him to wake up, what if he is some kind of villain or an evil spirit, or-

"Which one of you assholes is dead enough to wake me up from my nap?"

And that's as far as I got with this idea. Maybe Danny was put into some magic sleep, maybe it was Clockwork's time shenanigans, maybe someone locked him inside and he decided to sleep it off, maybe he is there on his own volition, taking a vacation from Kingly duties.

I'm just having this vision of eternally beautiful Danny in a glass (oh, maybe it's not glass, maybe it's ice) coffin, and the YJ arguing over it. There's also Dead Tired potential here, because I love them, yes.

[hungharrington]

thinking about getting fingered by Steve in the backseat of his car and being crowded against the door and sitting at an awkward angle but not moving because the thought of his fingers losing that spot is a million times worse than the sore neck… just UGHHH 😩

a hungharrington fic? in 2025? i'm just as surprised as you <3 1.3k, fem!reader, what the prompt says hehe MDNI this entire blog is 18+

The numbers on the dashboard blink in the night, reflecting the late night hour.

From the outside, Steve's car looks unassuming, parked in between the trees out by Skull Rock.

You're given away only by the faint fogging of the windows, though you have little doubt of how steamy they'll be soon enough. With the hot heat of Steve's mouth against the skin of your neck and the surety of his fingers, curling closer between your thighs, it's not an if, it's a when.

"God, I missed you s'much," He murmurs heavily. His words get smothered beneath his own fervent kisses, your skin tingling beneath the attention. He can't bring himself to break away from you for more than a moment.

Steve had headed out of Hawkins for the better part of a week, dragged by his parents who wouldn't take no for an answer. He'd returned just tonight, maroon car glinting the last of the evening sun up at your window.

You'd slipped down and taken the passenger seat always reserved for you.

And then, somewhere between there and now, Steve had cajoled you into the backseat, his hazel eyes bright with an adoring lust as he nipped at your neck.

"Missed you too," You gasp breathily.

Tilting back, your head gently hits the glass of the car window behind you. Your hair wipes some of the fog off and Steve nibbles a soft lovebite under your ear, soothing it with his tongue. His hands paw hungrily at your waist and you grapple to find purchase on his shoulders.

"Not as much as me, baby," Steve pants.

He finally pulls himself back from his affectionate attack on your neck, eyes darker, face flushed. His hand on your waist slides forward, following the line of your hips forward, down, til he's cupping your cunt. You think you get a little lightheaded from the way your blood rushes south, gloriously hot at the touch.

He kisses you, his groan seeping into your mouth. It fills your head, heavy and sticky with lewd thoughts.

"Thought of you every," He rubs you through the denim softly. "Damn," Another rub, more pressure this time. "Day."

You keen, hips canting forward, searching for more of that delicious friction. Steve gives you what you want; he always does. You reward him, your hands on his shoulders shifting. You twine your fingers in the hair at the nape of his neck, just how he likes it.

The inside of the car feels much, much warmer now. The windows can't be seen through anymore and it seems to cast the red light of the dashboard clock much further. Steve's heavy breath fanning across your face is the loudest thing in the car.

You should've worn a skirt, you think— right as Steve asks, "Can I?" his hand now up, thumbing at the button of your jeans.

His check-in douses the ember within you with gasoline, burning hotter, brighter, in an instant. You know what he's asking for, know exactly how well Steve knows how to use his fingers. The thought of them buried in you, crooked just right, suddenly has you aching for it.

Nodding, you murmur out your yes' as you shuffle about, working to kick off your shoes quickly. Steve pulls back to not be in the way, jumping back in time to help you peel the denim off from your legs.

You manage to get your fingertips beneath the elastic of your panties before you're interrupted.

"Keep them on," Steve says, knocking your hand aside. He surges back in, his fervour undulled, and his large hands find your hips, tugging forward.

You end up slightly perched in his lap, slightly pressed into the back corner against the window and the seat. It's an awkward position but when the warmth of Steve's fingers pet your cunt again, cotton stickier now, you can forgive it. You sling your arms around his neck to get closer.

"That's it," Steve murmurs lowly. He ducks his head to reignite every lovebite left on your neck as his fingers get bolder, pressing firmer. Your breath gets thinner, chest heaving more and more.

"God, my girl," He breathes, fingers spreading the wetness up and over your clit tantalizingly. You mewl at his too-soft motions, needing more.

"Steve," You urge.

He doesn't make you wait. Pinching the edge, he pulls your panties to the side and then dips his fingers into the well of slick wet waiting eagerly for him.

You make matching groans; Steve moaning at heat of your inviting cunt, wrapped around him, and you sighing at the way his long digit sinks into you, slow and so sweet.

"Steve," You say his name again, this time a honey, lusty thing.

Steve breaks his kiss to moan against your neck, feeding on the obvious salacious eagerness in you. His finger draws back and then he sinks it back in, beginning slowly to fuck it in and out.

"Missed you," He whispers. A second finger prods at your entrance and eases in gently, sending a streak of something white hot down your spine. Your arms around his neck tighten.

"Missed this," He continues, still a whisper. He's picking up the pace now, having found a lazy rhythm, fingers sliding in and out of your cunt so perfectly that it makes your clit twitch, envious and missing out.

You whine into the crook of his neck. "Me too."

Then, just as you think the angle of your back might be just a tad too uncomfortable, Steve curls his fingers.

A gaspy noise escapes your throat. Desire pulses wildly and you can feel the way you flutter around his fingers. Steve's other hand on your waist tightens, gripping you tightly.

"Fuuuck," He groans. "I missed that too."

Then he does it again, fingers crooked to hit that perfect spot that makes you feel like you might cry if he rubbed it too much. Your noises sound much louder now, jagged and pitching up.

"You're such a tease, honey," Steve accuses, his motions not slowing. "Keeping me from this. Keeping all your cute noises to yourself."

And, as if he'll know what it'll do, he stretches his hand, veins bulging in his forearm, and plants his thumb on your clit. You jolt against the new stimulation, another cute gaspy noise, and Steve moans against your neck.

His hand keeps moving, fingers still plunging into your sopping cunt, thumb rubbing tight, small circles on your clit. You cling to him, hips rolling to meet his strokes, the heat in you building, suddenly desperately fast. Your breathing comes out heavy and if it's not a moan, it's his name that slips from between your lips.

"Feelin' good? M' making my girl feel good?" He says raspily. "You deserve it, being left alone. So mean of me."

Something fiery swells within you and you inhale sharply, squeaking out Steve's name in warning. His hand, which must be cramping much like your poor back, still rocks into you, unfaltering.

"C'mon, let me have it. Please," He pleads. "Let me see you cum f'me, honey."

The sincere thread in his voice, the genuine plead, is what unravels your last ties. You tremble, lusty and quivering sounds that you bury away in his neck, as you ride his fingers through a dazzlingly hot high. It drags on, nerves glittering with a fresh coat of pleasure that have you whining Steve's name pitifully.

When your breath starts to settle, Steve eases his fingers out, already beginning to pepper little kisses along the side of your head.

"That was big, huh?" He says. It's mostly care in his voice but there, in the back, is a smidgen of smugness.

"Shhhh," You shush him, still gathering yourself, eyes closed. You body gives a volatile twitch when Steve politely moves your panties back to their original position. "I'm deciding if that was worth fucking up my back a little bit for."

Steve makes a wounded noise, realising that he'd had you crowded up in an uncomfortable position the whole time. He's a worrier. That's enough to make you lift your head off his shoulder, eyes lidded low.

"Mmm, decided." You hum, the pleased smile of post-bliss on your face. Steve softens at the sight of it, at your easy happiness. "Worth it."

[lillylizard]

[firestorm09890]

Project Moon seems to actively avoid saying anything at all about gender (which in itself does say something- they seem to write their characters blind of what gender they're going to be and maybe even flip a coin to decide, in the end saying "we're all people and anyone can be in this social position and have these personality traits", but that's not the point here) but it was still awesome of them to make one of the six female characters in the main cast a mother figure anyway- which sounds sarcastic but I promise it isn't, because that character happens to be the violent chainsmoker who speaks in esoteric acronyms and refuses to explain them and only enjoys herself when she gets to engage in her favorite form of art (murdering people). that's the mom. and they practically tell us “she loves her child like a defensive spider mother who will hunt for food for her babies and devour anyone who tries to squash her kids” through giving her some form of Spider Bud EGO three times.

the reason this is better than no mothers at all is because instead of having to explain why [x] character (Rodya mostly) is not at all a mother figure and having to elaborate on Project Moon’s ideals and the way they write their characters you can go “actually you’re wrong the only milf on the bus is Ryōshū” and also because it subverts expectations so much more than if there just wasn’t any moms. with a complete absence you could still have the “ideal” mother in your head imagining that she could exist in the cast, but instead we have this

[quadrantadvisor]

Even after learning their secret identities, the hero community always insisted that there was something inhuman about the bats. No one doubted that their intensive training had a lot to do with it, but it never quite explained how they could evade a Kryptonian's super senses, how they could melt into shadows, how they could function so long with little food, little rest, little oxygen if need be. Most people dismissed their uneasy feelings, but there was something strange about the bats, something uncanny, something that made them different from the arrows and other vanilla human members. And, slowly enough that no one really noticed, it was getting stronger.

Until one day, during a diplomatic meeting with the ruler of the Infinite Realms, when High King Phantom turned to Batman and his brood and literally brightened. "Oh! I didn't know you had liminal members!"

Or: through a variety of factors (proximity to death, their own death/near death experiences, exposure to the Lazarus Pits, the favor of Lady Gotham, immersion in Gotham's own cursed ambient ectoplasm, being a close knit group who continued to expose eachother, etc.) the batfamily have been becoming liminal/ecto-contaminated without noticing. The powers they're developing have been subtle, and align with the skills they expect to have, so no one brought it up when they started being able to hold their breath beyond human limitations, or got so sneaky that they literally seemed invisible, or had a lucky miss when they expected a bullet to go right through them. And they always exuded an unsettling aura of fear, so no one else thought anything was out of the ordinary either. By the time they meet Danny, Gotham counts as one of the most fiercely defended ghost haunts on the planet, with so many territorial liminals patrolling the streets.